22721 lines
1.1 MiB
Plaintext
22721 lines
1.1 MiB
Plaintext
The Project Gutenberg Etext of The Moonstone, by Wilkie Collins
|
|
|
|
Please take a look at the important information in this header.
|
|
We encourage you to keep this file on your own disk, keeping an
|
|
electronic path open for the next readers. Do not remove this.
|
|
|
|
|
|
**Welcome To The World of Free Plain Vanilla Electronic Texts**
|
|
|
|
**Etexts Readable By Both Humans and By Computers, Since 1971**
|
|
|
|
*These Etexts Prepared By Hundreds of Volunteers and Donations*
|
|
|
|
Information on contacting Project Gutenberg to get Etexts, and
|
|
further information is included below. We need your donations.
|
|
|
|
|
|
The Moonstone
|
|
|
|
By Wilkie Collins
|
|
|
|
August, 1994 [Etext #155]
|
|
|
|
|
|
The Project Gutenberg Etext of The Moonstone, by Wilkie Collins
|
|
*****This file should be named mston10.txt or mston10.zip*****
|
|
|
|
Corrected EDITIONS of our etexts get a new NUMBER, mston11.txt
|
|
VERSIONS based on separate sources get new LETTER, mston10a.txt
|
|
|
|
|
|
We are now trying to release all our books one month in advance
|
|
of the official release dates, for time for better editing.
|
|
|
|
The official release date of all Project Gutenberg Etexts is at
|
|
Midnight, Central Time, of the last day of the stated month. A
|
|
preliminary version may often be posted for suggestion, comment
|
|
and editing by those who wish to do so. To be sure you have an
|
|
up to date first edition [xxxxx10x.xxx] please check file sizes
|
|
in the first week of the next month. Since our ftp program has
|
|
a bug in it that scrambles the date [tried to fix and failed] a
|
|
look at the file size will have to do, but we will try to see a
|
|
new copy has at least one byte more or less.
|
|
|
|
|
|
Information about Project Gutenberg (one page)
|
|
|
|
We produce about two million dollars for each hour we work. The
|
|
fifty hours is one conservative estimate for how long it we take
|
|
to get any etext selected, entered, proofread, edited, copyright
|
|
searched and analyzed, the copyright letters written, etc. This
|
|
projected audience is one hundred million readers. If our value
|
|
per text is nominally estimated at one dollar, then we produce 2
|
|
million dollars per hour this year we, will have to do four text
|
|
files per month: thus upping our productivity from one million.
|
|
The Goal of Project Gutenberg is to Give Away One Trillion Etext
|
|
Files by the December 31, 2001. [10,000 x 100,000,000=Trillion]
|
|
This is ten thousand titles each to one hundred million readers,
|
|
which is 10% of the expected number of computer users by the end
|
|
of the year 2001.
|
|
|
|
We need your donations more than ever!
|
|
|
|
All donations should be made to "Project Gutenberg/IBC", and are
|
|
tax deductible to the extent allowable by law ("IBC" is Illinois
|
|
Benedictine College). (Subscriptions to our paper newsletter go
|
|
to IBC, too)
|
|
|
|
For these and other matters, please mail to:
|
|
|
|
Project Gutenberg
|
|
P. O. Box 2782
|
|
Champaign, IL 61825
|
|
|
|
When all other email fails try our Michael S. Hart, Executive
|
|
Director:
|
|
hart@vmd.cso.uiuc.edu (internet) hart@uiucvmd (bitnet)
|
|
|
|
We would prefer to send you this information by email
|
|
(Internet, Bitnet, Compuserve, ATTMAIL or MCImail).
|
|
|
|
******
|
|
If you have an FTP program (or emulator), please
|
|
FTP directly to the Project Gutenberg archives:
|
|
[Mac users, do NOT point and click. . .type]
|
|
|
|
ftp mrcnext.cso.uiuc.edu
|
|
login: anonymous
|
|
password: your@login
|
|
cd etext/etext91
|
|
or cd etext92
|
|
or cd etext93 [for new books] [now also in cd etext/etext93]
|
|
or cd etext/articles [get suggest gut for more information]
|
|
dir [to see files]
|
|
get or mget [to get files. . .set bin for zip files]
|
|
get INDEX100.GUT
|
|
get INDEX200.GUT
|
|
for a list of books
|
|
and
|
|
get NEW.GUT for general information
|
|
and
|
|
mget GUT* for newsletters.
|
|
|
|
**Information prepared by the Project Gutenberg legal advisor**
|
|
(Three Pages)
|
|
|
|
|
|
***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START***
|
|
Why is this "Small Print!" statement here? You know: lawyers.
|
|
They tell us you might sue us if there is something wrong with
|
|
your copy of this etext, even if you got it for free from
|
|
someone other than us, and even if what's wrong is not our
|
|
fault. So, among other things, this "Small Print!" statement
|
|
disclaims most of our liability to you. It also tells you how
|
|
you can distribute copies of this etext if you want to.
|
|
|
|
*BEFORE!* YOU USE OR READ THIS ETEXT
|
|
By using or reading any part of this PROJECT GUTENBERG-tm
|
|
etext, you indicate that you understand, agree to and accept
|
|
this "Small Print!" statement. If you do not, you can receive
|
|
a refund of the money (if any) you paid for this etext by
|
|
sending a request within 30 days of receiving it to the person
|
|
you got it from. If you received this etext on a physical
|
|
medium (such as a disk), you must return it with your request.
|
|
|
|
ABOUT PROJECT GUTENBERG-TM ETEXTS
|
|
This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG-
|
|
tm etexts, is a "public domain" work distributed by Professor
|
|
Michael S. Hart through the Project Gutenberg Association at
|
|
Illinois Benedictine College (the "Project"). Among other
|
|
things, this means that no one owns a United States copyright
|
|
on or for this work, so the Project (and you!) can copy and
|
|
distribute it in the United States without permission and
|
|
without paying copyright royalties. Special rules, set forth
|
|
below, apply if you wish to copy and distribute this etext
|
|
under the Project's "PROJECT GUTENBERG" trademark.
|
|
|
|
To create these etexts, the Project expends considerable
|
|
efforts to identify, transcribe and proofread public domain
|
|
works. Despite these efforts, the Project's etexts and any
|
|
medium they may be on may contain "Defects". Among other
|
|
things, Defects may take the form of incomplete, inaccurate or
|
|
corrupt data, transcription errors, a copyright or other
|
|
intellectual property infringement, a defective or damaged
|
|
disk or other etext medium, a computer virus, or computer
|
|
codes that damage or cannot be read by your equipment.
|
|
|
|
LIMITED WARRANTY; DISCLAIMER OF DAMAGES
|
|
But for the "Right of Replacement or Refund" described below,
|
|
[1] the Project (and any other party you may receive this
|
|
etext from as a PROJECT GUTENBERG-tm etext) disclaims all
|
|
liability to you for damages, costs and expenses, including
|
|
legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
|
|
UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
|
|
INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
|
|
OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
|
|
POSSIBILITY OF SUCH DAMAGES.
|
|
|
|
If you discover a Defect in this etext within 90 days of
|
|
receiving it, you can receive a refund of the money (if any)
|
|
you paid for it by sending an explanatory note within that
|
|
time to the person you received it from. If you received it
|
|
on a physical medium, you must return it with your note, and
|
|
such person may choose to alternatively give you a replacement
|
|
copy. If you received it electronically, such person may
|
|
choose to alternatively give you a second opportunity to
|
|
receive it electronically.
|
|
|
|
THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
|
|
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
|
|
TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
|
|
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
|
|
PARTICULAR PURPOSE.
|
|
|
|
Some states do not allow disclaimers of implied warranties or
|
|
the exclusion or limitation of consequential damages, so the
|
|
above disclaimers and exclusions may not apply to you, and you
|
|
may have other legal rights.
|
|
|
|
INDEMNITY
|
|
You will indemnify and hold the Project, its directors,
|
|
officers, members and agents harmless from all liability, cost
|
|
and expense, including legal fees, that arise directly or
|
|
indirectly from any of the following that you do or cause:
|
|
[1] distribution of this etext, [2] alteration, modification,
|
|
or addition to the etext, or [3] any Defect.
|
|
|
|
DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
|
|
You may distribute copies of this etext electronically, or by
|
|
disk, book or any other medium if you either delete this
|
|
"Small Print!" and all other references to Project Gutenberg,
|
|
or:
|
|
|
|
[1] Only give exact copies of it. Among other things, this
|
|
requires that you do not remove, alter or modify the
|
|
etext or this "small print!" statement. You may however,
|
|
if you wish, distribute this etext in machine readable
|
|
binary, compressed, mark-up, or proprietary form,
|
|
including any form resulting from conversion by word pro-
|
|
cessing or hypertext software, but only so long as
|
|
*EITHER*:
|
|
|
|
[*] The etext, when displayed, is clearly readable, and
|
|
does *not* contain characters other than those
|
|
intended by the author of the work, although tilde
|
|
(~), asterisk (*) and underline (_) characters may
|
|
be used to convey punctuation intended by the
|
|
author, and additional characters may be used to
|
|
indicate hypertext links; OR
|
|
|
|
[*] The etext may be readily converted by the reader at
|
|
no expense into plain ASCII, EBCDIC or equivalent
|
|
form by the program that displays the etext (as is
|
|
the case, for instance, with most word processors);
|
|
OR
|
|
|
|
[*] You provide, or agree to also provide on request at
|
|
no additional cost, fee or expense, a copy of the
|
|
etext in its original plain ASCII form (or in EBCDIC
|
|
or other equivalent proprietary form).
|
|
|
|
[2] Honor the etext refund and replacement provisions of this
|
|
"Small Print!" statement.
|
|
|
|
[3] Pay a trademark license fee to the Project of 20% of the
|
|
net profits you derive calculated using the method you
|
|
already use to calculate your applicable taxes. If you
|
|
don't derive profits, no royalty is due. Royalties are
|
|
payable to "Project Gutenberg Association / Illinois
|
|
Benedictine College" within the 60 days following each
|
|
date you prepare (or were legally required to prepare)
|
|
your annual (or equivalent periodic) tax return.
|
|
|
|
WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
|
|
The Project gratefully accepts contributions in money, time,
|
|
scanning machines, OCR software, public domain etexts, royalty
|
|
free copyright licenses, and every other sort of contribution
|
|
you can think of. Money should be paid to "Project Gutenberg
|
|
Association / Illinois Benedictine College".
|
|
|
|
This "Small Print!" by Charles B. Kramer, Attorney
|
|
Internet (72600.2026@compuserve.com); TEL: (212-254-5093)
|
|
*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*
|
|
|
|
|
|
|
|
|
|
Prepared by John Hamm <John_Hamm@MindLink.bc.ca>
|
|
|
|
Scanned with OmniPage Professional OCR software
|
|
donated by Caere Corporation.
|
|
|
|
|
|
|
|
THE MOONSTONE
|
|
A Romance
|
|
by
|
|
Wilkie Collins
|
|
|
|
|
|
|
|
Charles Scribner's Sons
|
|
New York
|
|
1908
|
|
|
|
|
|
|
|
|
|
|
|
PROLOGUE
|
|
|
|
THE STORMING OF SERINGAPATAM (1799)
|
|
|
|
|
|
Extracted from a Family Paper
|
|
|
|
|
|
I address these lines--written in India--to my relatives in England.
|
|
|
|
My object is to explain the motive which has induced me to refuse
|
|
the right hand of friendship to my cousin, John Herncastle.
|
|
The reserve which I have hitherto maintained in this matter has
|
|
been misinterpreted by members of my family whose good opinion
|
|
I cannot consent to forfeit. I request them to suspend their
|
|
decision until they have read my narrative. And I declare,
|
|
on my word of honour, that what I am now about to write is,
|
|
strictly and literally, the truth.
|
|
|
|
The private difference between my cousin and me took its rise
|
|
in a great public event in which we were both concerned--
|
|
the storming of Seringapatam, under General Baird, on the 4th
|
|
of May, 1799.
|
|
|
|
In order that the circumstances may be clearly understood,
|
|
I must revert for a moment to the period before the assault,
|
|
and to the stories current in our camp of the treasure in jewels
|
|
and gold stored up in the Palace of Seringapatam.
|
|
|
|
|
|
|
|
II
|
|
|
|
|
|
One of the wildest of these stories related to a Yellow Diamond--
|
|
a famous gem in the native annals of India.
|
|
|
|
The earliest known traditions describe the stone as having been set
|
|
in the forehead of the four-handed Indian god who typifies the Moon.
|
|
Partly from its peculiar colour, partly from a superstition which
|
|
represented it as feeling the influence of the deity whom it adorned,
|
|
and growing and lessening in lustre with the waxing and waning
|
|
of the moon, it first gained the name by which it continues
|
|
to be known in India to this day--the name of THE MOONSTONE.
|
|
A similar superstition was once prevalent, as I have heard,
|
|
in ancient Greece and Rome; not applying, however (as in India),
|
|
to a diamond devoted to the service of a god, but to a semi-transparent
|
|
stone of the inferior order of gems, supposed to be affected
|
|
by the lunar influences--the moon, in this latter case also,
|
|
giving the name by which the stone is still known to collectors in our
|
|
own time.
|
|
|
|
The adventures of the Yellow Diamond begin with the eleventh
|
|
century of the Christian era.
|
|
|
|
At that date, the Mohammedan conqueror, Mahmoud of Ghizni,
|
|
crossed India; seized on the holy city of Somnauth; and stripped
|
|
of its treasures the famous temple, which had stood for centuries--
|
|
the shrine of Hindoo pilgrimage, and the wonder of the Eastern world.
|
|
|
|
Of all the deities worshipped in the temple, the moon-god
|
|
alone escaped the rapacity of the conquering Mohammedans.
|
|
Preserved by three Brahmins, the inviolate deity,
|
|
bearing the Yellow Diamond in its forehead, was removed by night,
|
|
and was transported to the second of the sacred cities of India--
|
|
the city of Benares.
|
|
|
|
Here, in a new shrine--in a hall inlaid with precious stones,
|
|
under a roof supported by pillars of gold--the moon-god was set up
|
|
and worshipped. Here, on the night when the shrine was completed,
|
|
Vishnu the Preserver appeared to the three Brahmins in a dream.
|
|
|
|
The deity breathed the breath of his divinity on the Diamond in the forehead
|
|
of the god. And the Brahmins knelt and hid their faces in their robes.
|
|
The deity commanded that the Moonstone should be watched, from that
|
|
time forth, by three priests in turn, night and day, to the end of the
|
|
generations of men. And the Brahmins heard, and bowed before his will.
|
|
The deity predicted certain disaster to the presumptuous mortal who laid
|
|
hands on the sacred gem, and to all of his house and name who received it
|
|
after him. And the Brahmins caused the prophecy to be written over the gates
|
|
of the shrine in letters of gold.
|
|
|
|
One age followed another--and still, generation after generation,
|
|
the successors of the three Brahmins watched their priceless Moonstone,
|
|
night and day. One age followed another until the first years
|
|
of the eighteenth Christian century saw the reign of Aurungzebe,
|
|
Emperor of the Moguls. At his command havoc and rapine were let
|
|
loose once more among the temples of the worship of Brahmah.
|
|
The shrine of the four-handed god was polluted by the slaughter
|
|
of sacred animals; the images of the deities were broken in pieces;
|
|
and the Moonstone was seized by an officer of rank in the army
|
|
of Aurungzebe.
|
|
|
|
Powerless to recover their lost treasure by open force,
|
|
the three guardian priests followed and watched it in disguise.
|
|
The generations succeeded each other; the warrior who had
|
|
committed the sacrilege perished miserably; the Moonstone passed
|
|
(carrying its curse with it) from one lawless Mohammedan
|
|
hand to another; and still, through all chances and changes,
|
|
the successors of the three guardian priests kept their watch,
|
|
waiting the day when the will of Vishnu the Preserver should
|
|
restore to them their sacred gem. Time rolled on from the first
|
|
to the last years of the eighteenth Christian century.
|
|
The Diamond fell into the possession of Tippoo, Sultan of Seringapatam,
|
|
who caused it to be placed as an ornament in the handle of a dagger,
|
|
and who commanded it to be kept among the choicest treasures
|
|
of his armoury. Even then--in the palace of the Sultan himself--
|
|
the three guardian priests still kept their watch in secret.
|
|
There were three officers of Tippoo's household,
|
|
strangers to the rest, who had won their master's confidence
|
|
by conforming, or appearing to conform, to the Mussulman faith;
|
|
and to those three men report pointed as the three priests
|
|
in disguise.
|
|
|
|
|
|
|
|
III
|
|
|
|
|
|
So, as told in our camp, ran the fanciful story of the Moonstone.
|
|
It made no serious impression on any of us except my cousin--
|
|
whose love of the marvellous induced him to believe it.
|
|
On the night before the assault on Seringapatam, he was
|
|
absurdly angry with me, and with others, for treating
|
|
the whole thing as a fable. A foolish wrangle followed;
|
|
and Herncastle's unlucky temper got the better of him.
|
|
He declared, in his boastful way, that we should see the Diamond
|
|
on his finger, if the English army took Seringapatam. The sally
|
|
was saluted by a roar of laughter, and there, as we all thought
|
|
that night, the thing ended.
|
|
|
|
Let me now take you on to the day of the assault. My cousin and I
|
|
were separated at the outset. I never saw him when we forded the river;
|
|
when we planted the English flag in the first breach; when we crossed
|
|
the ditch beyond; and, fighting every inch of our way, entered the town.
|
|
It was only at dusk, when the place was ours, and after General Baird
|
|
himself had found the dead body of Tippoo under a heap of the slain,
|
|
that Herncastle and I met.
|
|
|
|
We were each attached to a party sent out by the general's orders
|
|
to prevent the plunder and confusion which followed our conquest.
|
|
The camp-followers committed deplorable excesses; and, worse still,
|
|
the soldiers found their way, by a guarded door, into the treasury
|
|
of the Palace, and loaded themselves with gold and jewels.
|
|
It was in the court outside the treasury that my cousin and I met,
|
|
to enforce the laws of discipline on our own soldiers.
|
|
Herncastle's fiery temper had been, as I could plainly see,
|
|
exasperated to a kind of frenzy by the terrible slaughter through
|
|
which we had passed. He was very unfit, in my opinion, to perform
|
|
the duty that had been entrusted to him.
|
|
|
|
There was riot and confusion enough in the treasury, but no
|
|
violence that I saw. The men (if I may use such an expression)
|
|
disgraced themselves good-humouredly. All sorts of rough
|
|
jests and catchwords were bandied about among them;
|
|
and the story of the Diamond turned up again unexpectedly,
|
|
in the form of a mischievous joke. "Who's got the Moonstone?"
|
|
was the rallying cry which perpetually caused the plundering,
|
|
as soon as it was stopped in one place, to break out in another.
|
|
While I was still vainly trying to establish order, I heard
|
|
a frightful yelling on the other side of the courtyard,
|
|
and at once ran towards the cries, in dread of finding some new
|
|
outbreak of the pillage in that direction.
|
|
|
|
I got to an open door, and saw the bodies of two Indians
|
|
(by their dress, as I guessed, officers of the palace)
|
|
lying across the entrance, dead.
|
|
|
|
A cry inside hurried me into a room, which appeared to serve as an armoury.
|
|
A third Indian, mortally wounded, was sinking at the feet of a man whose back
|
|
was towards me. The man turned at the instant when I came in, and I saw
|
|
John Herncastle, with a torch in one hand, and a dagger dripping with blood
|
|
in the other. A stone, set like a pommel, in the end of the dagger's handle,
|
|
flashed in the torchlight, as he turned on me, like a gleam of fire.
|
|
The dying Indian sank to his knees, pointed to the dagger in Herncastle's
|
|
hand, and said, in his native language--"The Moonstone will have its
|
|
vengeance yet on you and yours!" He spoke those words, and fell dead on
|
|
the floor.
|
|
|
|
Before I could stir in the matter, the men who had followed me across
|
|
the courtyard crowded in. My cousin rushed to meet them, like a madman.
|
|
"Clear the room!" he shouted to me, "and set a guard on the door!"
|
|
The men fell back as he threw himself on them with his torch and his dagger.
|
|
I put two sentinels of my own company, on whom I could rely, to keep
|
|
the door. Through the remainder of the night, I saw no more of
|
|
my cousin.
|
|
|
|
Early in the morning, the plunder still going on, General Baird announced
|
|
publicly by beat of drum, that any thief detected in the fact, be he whom
|
|
he might, should be hung. The provost-marshal was in attendance,
|
|
to prove that the General was in earnest; and in the throng that followed
|
|
the proclamation, Herncastle and I met again.
|
|
|
|
He held out his hand, as usual, and said, "Good morning.
|
|
|
|
I waited before I gave him my hand in return.
|
|
|
|
"Tell me first," I said, "how the Indian in the armoury met his death,
|
|
and what those last words meant, when he pointed to the dagger in your hand."
|
|
|
|
"The Indian met his death, as I suppose, by a mortal wound," said Herncastle.
|
|
"What his last words meant I know no more than you do."
|
|
|
|
I looked at him narrowly. His frenzy of the previous day
|
|
had all calmed down. I determined to give him another chance.
|
|
|
|
"Is that all you have to tell me?" I asked.
|
|
|
|
He answered, "That is all."
|
|
|
|
I turned my back on him; and we have not spoken since.
|
|
|
|
|
|
|
|
IV
|
|
|
|
|
|
I beg it to be understood that what I write here about my cousin
|
|
(unless some necessity should arise for making it public)
|
|
is for the information of the family only. Herncastle has said
|
|
nothing that can justify me in speaking to our commanding officer.
|
|
He has been taunted more than once about the Diamond, by those who
|
|
recollect his angry outbreak before the assault; but, as may easily
|
|
be imagined, his own remembrance of the circumstances under which I
|
|
surprised him in the armoury has been enough to keep him silent.
|
|
It is reported that he means to exchange into another regiment,
|
|
avowedly for the purpose of separating himself from ME.
|
|
|
|
Whether this be true or not, I cannot prevail upon myself to become
|
|
his accuser--and I think with good reason. If I made the matter
|
|
public, I have no evidence but moral evidence to bring forward.
|
|
I have not only no proof that he killed the two men at the door;
|
|
I cannot even declare that he killed the third man inside--
|
|
for I cannot say that my own eyes saw the deed committed.
|
|
It is true that I heard the dying Indian's words; but if
|
|
those words were pronounced to be the ravings of delirium,
|
|
how could I contradict the assertion from my own knowledge?
|
|
Let our relatives, on either side, form their own opinion
|
|
on what I have written, and decide for themselves whether
|
|
the aversion I now feel towards this man is well or
|
|
ill founded.
|
|
|
|
Although I attach no sort of credit to the fantastic Indian legend
|
|
of the gem, I must acknowledge, before I conclude, that I am
|
|
influenced by a certain superstition of my own in this matter.
|
|
It is my conviction, or my delusion, no matter which, that crime
|
|
brings its own fatality with it. I am not only persuaded
|
|
of Herncastle's guilt; I am even fanciful enough to believe
|
|
that he will live to regret it, if he keeps the Diamond;
|
|
and that others will live to regret taking it from him, if he gives
|
|
the Diamond away.
|
|
|
|
|
|
|
|
THE STORY
|
|
|
|
FIRST PERIOD
|
|
|
|
THE LOSS OF THE DIAMOND (1848)
|
|
|
|
|
|
|
|
The events related by GABRIEL BETTEREDGE, house-steward in the service
|
|
of JULIA, LADY VERINDER
|
|
|
|
|
|
|
|
CHAPTER I
|
|
|
|
|
|
In the first part of ROBINSON CRUSOE, at page one hundred and twenty-nine,
|
|
you will find it thus written:
|
|
|
|
"Now I saw, though too late, the Folly of beginning a Work before we
|
|
count the Cost, and before we judge rightly of our own Strength to go
|
|
through with it."
|
|
|
|
Only yesterday, I opened my ROBINSON CRUSOE at that place.
|
|
Only this morning (May twenty-first, Eighteen hundred and fifty),
|
|
came my lady's nephew, Mr. Franklin Blake, and held a short
|
|
conversation with me, as follows:--
|
|
|
|
"Betteredge," says Mr. Franklin, "I have been to the lawyer's about some
|
|
family matters; and, among other things, we have been talking of the loss
|
|
of the Indian Diamond, in my aunt's house in Yorkshire, two years since.
|
|
Mr. Bruff thinks as I think, that the whole story ought, in the interests
|
|
of truth, to be placed on record in writing--and the sooner the better."
|
|
|
|
Not perceiving his drift yet, and thinking it always desirable for the sake
|
|
of peace and quietness to be on the lawyer's side, I said I thought so too.
|
|
Mr. Franklin went on.
|
|
|
|
"In this matter of the Diamond," he said, "the characters of innocent
|
|
people have suffered under suspicion already--as you know.
|
|
The memories of innocent people may suffer, hereafter, for want
|
|
of a record of the facts to which those who come after us can appeal.
|
|
There can be no doubt that this strange family story of ours ought
|
|
to be told. And I think, Betteredge, Mr. Bruff and I together
|
|
have hit on the right way of telling it."
|
|
|
|
Very satisfactory to both of them, no doubt. But I failed to see
|
|
what I myself had to do with it, so far.
|
|
|
|
"We have certain events to relate," Mr. Franklin proceeded;
|
|
"and we have certain persons concerned in those events who are
|
|
capable of relating them. Starting from these plain facts, the idea
|
|
is that we should all write the story of the Moonstone in turn--
|
|
as far as our own personal experience extends, and no farther.
|
|
We must begin by showing how the Diamond first fell into the hands
|
|
of my uncle Herncastle, when he was serving in India fifty years since.
|
|
This prefatory narrative I have already got by me in the form of an old
|
|
family paper, which relates the necessary particulars on the authority
|
|
of an eye-witness. The next thing to do is to tell how the Diamond
|
|
found its way into my aunt's house in Yorkshire, two years ago,
|
|
and how it came to be lost in little more than twelve hours afterwards.
|
|
Nobody knows as much as you do, Betteredge, about what went on in
|
|
the house at that time. So you must take the pen in hand, and start
|
|
the story."
|
|
|
|
In those terms I was informed of what my personal concern was
|
|
with the matter of the Diamond. If you are curious to know
|
|
what course I took under the circumstances, I beg to inform
|
|
you that I did what you would probably have done in my place.
|
|
I modestly declared myself to be quite unequal to the task
|
|
imposed upon me--and I privately felt, all the time,
|
|
that I was quite clever enough to perform it, if I
|
|
only gave my own abilities a fair chance. Mr. Franklin,
|
|
I imagine, must have seen my private sentiments in my face.
|
|
He declined to believe in my modesty; and he insisted on giving
|
|
my abilities a fair chance.
|
|
|
|
Two hours have passed since Mr. Franklin left me. As soon as his
|
|
back was turned, I went to my writing desk to start the story.
|
|
There I have sat helpless (in spite of my abilities) ever since;
|
|
seeing what Robinson Crusoe saw, as quoted above--namely, the folly
|
|
of beginning a work before we count the cost, and before we
|
|
judge rightly of our own strength to go through with it.
|
|
Please to remember, I opened the book by accident, at that bit,
|
|
only the day before I rashly undertook the business now
|
|
in hand; and, allow me to ask--if THAT isn't prophecy,
|
|
what is?
|
|
|
|
I am not superstitious; I have read a heap of books in my time;
|
|
I am a scholar in my own way. Though turned seventy, I possess
|
|
an active memory, and legs to correspond. You are not to take it,
|
|
if you please, as the saying of an ignorant man, when I express
|
|
my opinion that such a book as ROBINSON CRUSOE never was written,
|
|
and never will be written again. I have tried that book for years--
|
|
generally in combination with a pipe of tobacco--and I have found
|
|
it my friend in need in all the necessities of this mortal life.
|
|
When my spirits are bad--ROBINSON CRUSOE. When I want advice--
|
|
ROBINSON CRUSOE. In past times when my wife plagued me;
|
|
in present times when I have had a drop too much--ROBINSON CRUSOE.
|
|
I have worn out six stout ROBINSON CRUSOES with hard work in my service.
|
|
On my lady's last birthday she gave me a seventh. I took a drop too
|
|
much on the strength of it; and ROBINSON CRUSOE put me right again.
|
|
Price four shillings and sixpence, bound in blue, with a picture into
|
|
the bargain.
|
|
|
|
Still, this don't look much like starting the story of the Diamond--does it?
|
|
I seem to be wandering off in search of Lord knows what, Lord knows where.
|
|
We will take a new sheet of paper, if you please, and begin over again,
|
|
with my best respects to you.
|
|
|
|
|
|
|
|
CHAPTER II
|
|
|
|
|
|
I spoke of my lady a line or two back. Now the Diamond
|
|
could never have been in our house, where it was lost,
|
|
if it had not been made a present of to my lady's daughter;
|
|
and my lady's daughter would never have been in existence
|
|
to have the present, if it had not been for my lady who
|
|
(with pain and travail) produced her into the world.
|
|
Consequently, if we begin with my lady, we are pretty sure
|
|
of beginning far enough back. And that, let me tell you,
|
|
when you have got such a job as mine in hand, is a real comfort
|
|
at starting.
|
|
|
|
If you know anything of the fashionable world, you have
|
|
heard tell of the three beautiful Miss Herncastles.
|
|
Miss Adelaide; Miss Caroline; and Miss Julia--this last being
|
|
the youngest and the best of the three sisters, in my opinion;
|
|
and I had opportunities of judging, as you shall presently see.
|
|
I went into the service of the old lord, their father
|
|
(thank God, we have got nothing to do with him, in this business
|
|
of the Diamond; he had the longest tongue and the shortest
|
|
temper of any man, high or low, I ever met with)--I say,
|
|
I went into the service of the old lord, as page-boy in waiting
|
|
on the three honourable young ladies, at the age of fifteen years.
|
|
There I lived till Miss Julia married the late Sir John Verinder.
|
|
An excellent man, who only wanted somebody to manage him;
|
|
and, between ourselves, he found somebody to do it;
|
|
and what is more, he throve on it and grew fat on it,
|
|
and lived happy and died easy on it, dating from the day
|
|
when my lady took him to church to be married, to the day
|
|
when she relieved him of his last breath, and closed his eyes
|
|
for ever.
|
|
|
|
I have omitted to state that I went with the bride
|
|
to the bride's husband's house and lands down here.
|
|
"Sir John," she says, "I can't do without Gabriel Betteredge."
|
|
"My lady," says Sir John, "I can't do without him, either."
|
|
That was his way with her--and that was how I went into his service.
|
|
It was all one to me where I went, so long as my mistress and I
|
|
were together.
|
|
|
|
Seeing that my lady took an interest in the out-of-door work,
|
|
and the farms, and such like, I took an interest in them too--
|
|
with all the more reason that I was a small farmer's seventh
|
|
son myself. My lady got me put under the bailiff, and I did
|
|
my best, and gave satisfaction, and got promotion accordingly.
|
|
Some years later, on the Monday as it might be,
|
|
my lady says, "Sir John, your bailiff is a stupid old man.
|
|
Pension him liberally, and let Gabriel Betteredge have his place."
|
|
On the Tuesday as it might be, Sir John says, "My lady,
|
|
the bailiff is pensioned liberally; and Gabriel Betteredge has
|
|
got his place." You hear more than enough of married people
|
|
living together miserably. Here is an example to the contrary.
|
|
Let it be a warning to some of you, and an encouragement to others.
|
|
In the meantime, I will go on with my story.
|
|
|
|
Well, there I was in clover, you will say. Placed in a position
|
|
of trust and honour, with a little cottage of my own to live in,
|
|
with my rounds on the estate to occupy me in the morning,
|
|
and my accounts in the afternoon, and my pipe and my ROBINSON CRUSOE
|
|
in the evening--what more could I possibly want to make me happy?
|
|
Remember what Adam wanted when he was alone in the Garden of Eden;
|
|
and if you don't blame it in Adam, don't blame it in me.
|
|
|
|
The woman I fixed my eye on, was the woman who kept
|
|
house for me at my cottage. Her name was Selina Goby.
|
|
I agree with the late William Cobbett about picking a wife.
|
|
See that she chews her food well and sets her foot down
|
|
firmly on the ground when she walks, and you're all right.
|
|
Selina Goby was all right in both these respects, which was
|
|
one reason for marrying her. I had another reason, likewise,
|
|
entirely of my own discovering. Selina, being a single woman,
|
|
made me pay so much a week for her board and services.
|
|
Selina, being my wife, couldn't charge for her board, and would
|
|
have to give me her services for nothing. That was the point
|
|
of view I looked at it from. Economy--with a dash of love.
|
|
I put it to my mistress, as in duty bound, just as I had put it
|
|
to myself.
|
|
|
|
"I have been turning Selina Goby over in my mind," I said,
|
|
"and I think, my lady, it will be cheaper to marry her than
|
|
to keep her."
|
|
|
|
My lady burst out laughing, and said she didn't know
|
|
which to be most shocked at--my language or my principles.
|
|
Some joke tickled her, I suppose, of the sort that you can't
|
|
take unless you are a person of quality. Understanding nothing
|
|
myself but that I was free to put it next to Selina,
|
|
I went and put it accordingly. And what did Selina say?
|
|
Lord! how little you must know of women, if you ask that.
|
|
Of course she said, Yes.
|
|
|
|
As my time drew nearer, and there got to be talk of my having
|
|
a new coat for the ceremony, my mind began to misgive me.
|
|
I have compared notes with other men as to what they
|
|
felt while they were in my interesting situation;
|
|
and they have all acknowledged that, about a week before
|
|
it happened, they privately wished themselves out of it.
|
|
I went a trifle further than that myself; I actually rose up,
|
|
as it were, and tried to get out of it. Not for nothing!
|
|
I was too just a man to expect she would let me off for nothing.
|
|
Compensation to the woman when the man gets out of it, is one of
|
|
the laws of England. In obedience to the laws, and after turning
|
|
it over carefully in my mind, I offered Selina Goby a feather-bed
|
|
and fifty shillings to be off the bargain. You will hardly
|
|
believe it, but it is nevertheless true--she was fool enough
|
|
to refuse.
|
|
|
|
After that it was all over with me, of course. I got the new coat as cheap
|
|
as I could, and I went through all the rest of it as cheap as I could.
|
|
We were not a happy couple, and not a miserable couple. We were six of one
|
|
and half-a-dozen of the other. How it was I don't understand, but we always
|
|
seemed to be getting, with the best of motives, in one another's way.
|
|
When I wanted to go up-stairs, there was my wife coming down; or when my wife
|
|
wanted to go down, there was I coming up. That is married life, according to
|
|
my experience of it.
|
|
|
|
After five years of misunderstandings on the stairs, it pleased
|
|
an all-wise Providence to relieve us of each other by taking my wife.
|
|
I was left with my little girl Penelope, and with no other child.
|
|
Shortly afterwards Sir John died, and my lady was left with her
|
|
little girl, Miss Rachel, and no other child. I have written
|
|
to very poor purpose of my lady, if you require to be told that my
|
|
little Penelope was taken care of, under my good mistress's own eye,
|
|
and was sent to school and taught, and made a sharp girl, and promoted,
|
|
when old enough, to be Miss Rachel's own maid.
|
|
|
|
As for me, I went on with my business as bailiff year after year up
|
|
to Christmas 1847, when there came a change in my life. On that day,
|
|
my lady invited herself to a cup of tea alone with me in my cottage.
|
|
She remarked that, reckoning from the year when I started as page-boy
|
|
in the time of the old lord, I had been more than fifty years
|
|
in her service, and she put into my hands a beautiful waistcoat
|
|
of wool that she had worked herself, to keep me warm in the bitter
|
|
winter weather.
|
|
|
|
I received this magnificent present quite at a loss to find words to thank
|
|
my mistress with for the honour she had done me. To my great astonishment,
|
|
it turned out, however, that the waistcoat was not an honour, but a bribe.
|
|
My lady had discovered that I was getting old before I had discovered
|
|
it myself, and she had come to my cottage to wheedle me (if I may use
|
|
such an expression) into giving up my hard out-of-door work as bailiff,
|
|
and taking my ease for the rest of my days as steward in the house. I made
|
|
as good a fight of it against the indignity of taking my ease as I could.
|
|
But my mistress knew the weak side of me; she put it as a favour to herself.
|
|
The dispute between us ended, after that, in my wiping my eyes,
|
|
like an old fool, with my new woollen waistcoat, and saying I would think
|
|
about it.
|
|
|
|
The perturbation in my mind, in regard to thinking about it, being truly
|
|
dreadful after my lady had gone away, I applied the remedy which I
|
|
have never yet found to fail me in cases of doubt and emergency.
|
|
I smoked a pipe and took a turn at ROBINSON CRUSOE. Before I had
|
|
occupied myself with that extraordinary book five minutes, I came
|
|
on a comforting bit (page one hundred and fifty-eight), as follows:
|
|
"To-day we love, what to-morrow we hate." I saw my way clear directly.
|
|
To-day I was all for continuing to be farm-bailiff; to-morrow, on
|
|
the authority of ROBINSON CRUSOE, I should be all the other way.
|
|
Take myself to-morrow while in to-morrow's humour, and the thing was done.
|
|
My mind being relieved in this manner, I went to sleep that night in the
|
|
character of Lady Verinder's farm bailiff, and I woke up the next morning
|
|
in the character of Lady Verinder's house-steward. All quite comfortable,
|
|
and all through ROBINSON CRUSOE!
|
|
|
|
My daughter Penelope has just looked over my shoulder to see what I
|
|
have done so far. She remarks that it is beautifully written,
|
|
and every word of it true. But she points out one objection.
|
|
She says what I have done so far isn't in the least what I was
|
|
wanted to do. I am asked to tell the story of the Diamond and,
|
|
instead of that, I have been telling the story of my own self.
|
|
Curious, and quite beyond me to account for. I wonder whether
|
|
the gentlemen who make a business and a living out of writing books,
|
|
ever find their own selves getting in the way of their subjects,
|
|
like me? If they do, I can feel for them. In the meantime,
|
|
here is another false start, and more waste of good writing-paper.
|
|
What's to be done now? Nothing that I know of, except for you
|
|
to keep your temper, and for me to begin it all over again for the
|
|
third time.
|
|
|
|
|
|
|
|
CHAPTER III
|
|
|
|
|
|
The question of how I am to start the story properly I have
|
|
tried to settle in two ways. First, by scratching my head,
|
|
which led to nothing. Second, by consulting my daughter Penelope,
|
|
which has resulted in an entirely new idea.
|
|
|
|
Penelope's notion is that I should set down what happened,
|
|
regularly day by day, beginning with the day when we got the news
|
|
that Mr. Franklin Blake was expected on a visit to the house.
|
|
When you come to fix your memory with a date in this way, it is
|
|
wonderful what your memory will pick up for you upon that compulsion.
|
|
The only difficulty is to fetch out the dates, in the first place.
|
|
This Penelope offers to do for me by looking into her own diary,
|
|
which she was taught to keep when she was at school, and which she has
|
|
gone on keeping ever since. In answer to an improvement on this notion,
|
|
devised by myself, namely, that she should tell the story instead
|
|
of me, out of her own diary, Penelope observes, with a fierce
|
|
look and a red face, that her journal is for her own private eye,
|
|
and that no living creature shall ever know what is in it but herself.
|
|
When I inquire what this means, Penelope says, "Fiddlesticks!"
|
|
I say, Sweethearts.
|
|
|
|
Beginning, then, on Penelope's plan, I beg to mention that I
|
|
was specially called one Wednesday morning into my lady's
|
|
own sitting-room, the date being the twenty-fourth of May,
|
|
Eighteen hundred and forty-eight.
|
|
|
|
"Gabriel," says my lady, "here is news that will surprise you.
|
|
Franklin Blake has come back from abroad. He has been staying
|
|
with his father in London, and he is coming to us to-morrow
|
|
to stop till next month, and keep Rachel's birthday."
|
|
|
|
If I had had a hat in my hand, nothing but respect would
|
|
have prevented me from throwing that hat up to the ceiling.
|
|
I had not seen Mr. Franklin since he was a boy, living along
|
|
with us in this house. He was, out of all sight (as I remember
|
|
him), the nicest boy that ever spun a top or broke a window.
|
|
Miss Rachel, who was present, and to whom I made that remark,
|
|
observed, in return, that SHE remembered him as the most atrocious
|
|
tyrant that ever tortured a doll, and the hardest driver of an
|
|
exhausted little girl in string harness that England could produce.
|
|
"I burn with indignation, and I ache with fatigue,"
|
|
was the way Miss Rachel summed it up, "when I think of
|
|
Franklin Blake."
|
|
|
|
Hearing what I now tell you, you will naturally ask how it
|
|
was that Mr. Franklin should have passed all the years,
|
|
from the time when he was a boy to the time when he was a man,
|
|
out of his own country. I answer, because his father had
|
|
the misfortune to be next heir to a Dukedom, and not to be able
|
|
to prove it.
|
|
|
|
In two words, this was how the thing happened:
|
|
|
|
My lady's eldest sister married the celebrated Mr. Blake--
|
|
equally famous for his great riches, and his great suit at law.
|
|
How many years he went on worrying the tribunals of his
|
|
country to turn out the Duke in possession, and to put himself
|
|
in the Duke's place--how many lawyer's purses he filled
|
|
to bursting, and how many otherwise harmless people he set
|
|
by the ears together disputing whether he was right or wrong--
|
|
is more by a great deal than I can reckon up. His wife died,
|
|
and two of his three children died, before the tribunals could make
|
|
up their minds to show him the door and take no more of his money.
|
|
When it was all over, and the Duke in possession was left
|
|
in possession, Mr. Blake discovered that the only way of being
|
|
even with his country for the manner in which it had treated him,
|
|
was not to let his country have the honour of educating his son.
|
|
"How can I trust my native institutions," was the form in which
|
|
he put it, "after the way in which my native institutions have
|
|
behaved to ME?" Add to this, that Mr. Blake disliked all boys,
|
|
his own included, and you will admit that it could only end
|
|
in one way. Master Franklin was taken from us in England,
|
|
and was sent to institutions which his father COULD trust,
|
|
in that superior country, Germany; Mr. Blake himself,
|
|
you will observe, remaining snug in England, to improve his
|
|
fellow-countrymen in the Parliament House, and to publish
|
|
a statement on the subject of the Duke in possession,
|
|
which has remained an unfinished statement from that day
|
|
to this.
|
|
|
|
There! thank God, that's told! Neither you nor I need trouble our
|
|
heads any more about Mr. Blake, senior. Leave him to the Dukedom;
|
|
and let you and I stick to the Diamond.
|
|
|
|
The Diamond takes us back to Mr. Franklin, who was the innocent
|
|
means of bringing that unlucky jewel into the house.
|
|
|
|
Our nice boy didn't forget us after he went abroad.
|
|
He wrote every now and then; sometimes to my lady,
|
|
sometimes to Miss Rachel, and sometimes to me.
|
|
We had had a transaction together, before he left,
|
|
which consisted in his borrowing of me a ball of string,
|
|
a four-bladed knife, and seven-and-sixpence in money--the colour
|
|
of which last I have not seen, and never expect to see again.
|
|
His letters to me chiefly related to borrowing more.
|
|
I heard, however, from my lady, how he got on abroad,
|
|
as he grew in years and stature. After he had learnt
|
|
what the institutions of Germany could teach him, he gave
|
|
the French a turn next, and the Italians a turn after that.
|
|
They made him among them a sort of universal genius, as well as I
|
|
could understand it. He wrote a little; he painted a little;
|
|
he sang and played and composed a little--borrowing, as I suspect,
|
|
in all these cases, just as he had borrowed from me.
|
|
His mother's fortune (seven hundred a year) fell to him when he came
|
|
of age, and ran through him, as it might be through a sieve.
|
|
The more money he had, the more he wanted; there was a hole
|
|
in Mr. Franklin's pocket that nothing would sew up.
|
|
Wherever he went, the lively, easy way of him made him welcome.
|
|
He lived here, there, and everywhere; his address (as he used
|
|
to put it himself) being "Post Office, Europe--to be left till
|
|
called for." Twice over, he made up his mind to come back
|
|
to England and see us; and twice over (saving your presence),
|
|
some unmentionable woman stood in the way and stopped him.
|
|
His third attempt succeeded, as you know already from
|
|
what my lady told me. On Thursday the twenty-fifth of May,
|
|
we were to see for the first time what our nice boy had grown
|
|
to be as a man. He came of good blood; he had a high courage;
|
|
and he was five-and-twenty years of age, by our reckoning.
|
|
Now you know as much of Mr. Franklin Blake as I did--
|
|
before Mr. Franklin Blake came down to our house.
|
|
|
|
|
|
|
|
The Thursday was as fine a summer's day as ever you saw:
|
|
and my lady and Miss Rachel (not expecting Mr. Franklin
|
|
till dinner-time) drove out to lunch with some friends in
|
|
the neighbourhood.
|
|
|
|
When they were gone, I went and had a look at the bedroom which
|
|
had been got ready for our guest, and saw that all was straight.
|
|
Then, being butler in my lady's establishment, as well as steward
|
|
(at my own particular request, mind, and because it vexed me
|
|
to see anybody but myself in possession of the key of the late
|
|
Sir John's cellar)--then, I say, I fetched up some of our famous
|
|
Latour claret, and set it in the warm summer air to take off the chill
|
|
before dinner. Concluding to set myself in the warm summer air next--
|
|
seeing that what is good for old claret is equally good for old age--
|
|
I took up my beehive chair to go out into the back court, when I
|
|
was stopped by hearing a sound like the soft beating of a drum,
|
|
on the terrace in front of my lady's residence.
|
|
|
|
Going round to the terrace, I found three mahogany-coloured Indians,
|
|
in white linen frocks and trousers, looking up at the house.
|
|
|
|
The Indians, as I saw on looking closer, had small hand-drums slung in front
|
|
of them. Behind them stood a little delicate-looking light-haired English
|
|
boy carrying a bag. I judged the fellows to be strolling conjurors,
|
|
and the boy with the bag to be carrying the tools of their trade.
|
|
One of the three, who spoke English and who exhibited, I must own,
|
|
the most elegant manners, presently informed me that my judgment was right.
|
|
He requested permission to show his tricks in the presence of the lady of
|
|
the house.
|
|
|
|
Now I am not a sour old man. I am generally all for amusement,
|
|
and the last person in the world to distrust another person
|
|
because he happens to be a few shades darker than myself.
|
|
But the best of us have our weaknesses--and my weakness,
|
|
when I know a family plate-basket to be out on a pantry-table,
|
|
is to be instantly reminded of that basket by the sight
|
|
of a strolling stranger whose manners are superior to my own.
|
|
I accordingly informed the Indian that the lady of the house was out;
|
|
and I warned him and his party off the premises. He made me a
|
|
beautiful bow in return; and he and his party went off the premises.
|
|
On my side, I returned to my beehive chair, and set myself
|
|
down on the sunny side of the court, and fell (if the truth must
|
|
be owned), not exactly into a sleep, but into the next best thing
|
|
to it.
|
|
|
|
I was roused up by my daughter Penelope running out at me
|
|
as if the house was on fire. What do you think she wanted?
|
|
She wanted to have the three Indian jugglers instantly taken up;
|
|
for this reason, namely, that they knew who was coming from
|
|
London to visit us, and that they meant some mischief to
|
|
Mr. Franklin Blake.
|
|
|
|
Mr. Franklin's name roused me. I opened my eyes, and made my girl
|
|
explain herself.
|
|
|
|
It appeared that Penelope had just come from our lodge, where she
|
|
had been having a gossip with the lodge-keeper's daughter.
|
|
The two girls had seen the Indians pass out, after I had
|
|
warned them off, followed by their little boy. Taking it
|
|
into their heads that the boy was ill-used by the foreigners--
|
|
for no reason that I could discover, except that he was
|
|
pretty and delicate-looking--the two girls had stolen along
|
|
the inner side of the hedge between us and the road, and had
|
|
watched the proceedings of the foreigners on the outer side.
|
|
Those proceedings resulted in the performance of the following
|
|
extraordinary tricks.
|
|
|
|
They first looked up the road, and down the road, and made
|
|
sure that they were alone. Then they all three faced about,
|
|
and stared hard in the direction of our house. Then they
|
|
jabbered and disputed in their own language, and looked at
|
|
each other like men in doubt. Then they all turned to their
|
|
little English boy, as if they expected HIM to help them.
|
|
And then the chief Indian, who spoke English, said to the boy,
|
|
"Hold out your hand."
|
|
|
|
On hearing those dreadful words, my daughter Penelope said she didn't
|
|
know what prevented her heart from flying straight out of her.
|
|
I thought privately that it might have been her stays.
|
|
All I said, however, was, "You make my flesh creep." (NOTA BENE:
|
|
Women like these little compliments.)
|
|
|
|
Well, when the Indian said, "Hold out your hand," the boy
|
|
shrunk back, and shook his head, and said he didn't like it.
|
|
The Indian, thereupon, asked him (not at all unkindly), whether
|
|
he would like to be sent back to London, and left where they
|
|
had found him, sleeping in an empty basket in a market--
|
|
a hungry, ragged, and forsaken little boy. This, it seems,
|
|
ended the difficulty. The little chap unwillingly held out his hand.
|
|
Upon that, the Indian took a bottle from his bosom, and poured out
|
|
of it some black stuff, like ink, into the palm of the boy's hand.
|
|
The Indian--first touching the boy's head, and making signs over
|
|
it in the air--then said, "Look." The boy became quite stiff,
|
|
and stood like a statue, looking into the ink in the hollow of
|
|
his hand.
|
|
|
|
(So far, it seemed to me to be juggling, accompanied by a foolish waste
|
|
of ink. I was beginning to feel sleepy again, when Penelope's next words
|
|
stirred me up.)
|
|
|
|
The Indians looked up the road and down the road once more--
|
|
and then the chief Indian said these words to the boy;
|
|
"See the English gentleman from foreign parts."
|
|
|
|
The boy said, "I see him."
|
|
|
|
The Indian said, "Is it on the road to this house, and on no other,
|
|
that the English gentleman will travel to-day?"
|
|
|
|
The boy said, "It is on the road to this house, and on no other,
|
|
that the English gentleman will travel to-day." The Indian put
|
|
a second question--after waiting a little first. He said:
|
|
"Has the English gentleman got It about him?"
|
|
|
|
The boy answered--also, after waiting a little first--"Yes."
|
|
|
|
The Indian put a third and last question: "Will the English gentleman
|
|
come here, as he has promised to come, at the close of day?"
|
|
|
|
The boy said, "I can't tell."
|
|
|
|
The Indian asked why.
|
|
|
|
The boy said, "I am tired. The mist rises in my head, and puzzles me.
|
|
I can see no more to-day."
|
|
|
|
With that the catechism ended. The chief Indian said something in his
|
|
own language to the other two, pointing to the boy, and pointing towards
|
|
the town, in which (as we afterwards discovered) they were lodged.
|
|
He then, after making more signs on the boy's head, blew on his forehead,
|
|
and so woke him up with a start. After that, they all went on their way
|
|
towards the town, and the girls saw them no more.
|
|
|
|
Most things they say have a moral, if you only look for it.
|
|
What was the moral of this?
|
|
|
|
The moral was, as I thought: First, that the chief juggler
|
|
had heard Mr. Franklin's arrival talked of among the servants
|
|
out-of-doors, and saw his way to making a little money by it.
|
|
Second, that he and his men and boy (with a view to making
|
|
the said money) meant to hang about till they saw my lady
|
|
drive home, and then to come back, and foretell Mr. Franklin's
|
|
arrival by magic. Third, that Penelope had heard them
|
|
rehearsing their hocus-pocus, like actors rehearsing a play.
|
|
Fourth, that I should do well to have an eye, that evening,
|
|
on the plate-basket. Fifth, that Penelope would do well
|
|
to cool down, and leave me, her father, to doze off again in
|
|
the sun.
|
|
|
|
That appeared to me to be the sensible view.
|
|
If you know anything of the ways of young women, you won't
|
|
be surprised to hear that Penelope wouldn't take it.
|
|
The moral of the thing was serious, according to my daughter.
|
|
She particularly reminded me of the Indian's third question,
|
|
Has the English gentleman got It about him? "Oh, father!"
|
|
says Penelope, clasping her hands, "don't joke about this.
|
|
What does 'It' mean?"
|
|
|
|
"We'll ask Mr. Franklin, my dear," I said, "if you can wait till
|
|
Mr. Franklin comes. I winked to show I meant that in joke.
|
|
Penelope took it quite seriously. My girl's earnestness tickled me.
|
|
"What on earth should Mr. Franklin know about it?" I inquired.
|
|
"Ask him," says Penelope. "And see whether HE thinks it
|
|
a laughing matter, too." With that parting shot, my daughter
|
|
left me.
|
|
|
|
I settled it with myself, when she was gone, that I really
|
|
would ask Mr. Franklin--mainly to set Penelope's mind at rest.
|
|
What was said between us, when I did ask him, later on that
|
|
same day, you will find set out fully in its proper place.
|
|
But as I don't wish to raise your expectations and then
|
|
disappoint them, I will take leave to warn you here--
|
|
before we go any further--that you won't find the ghost
|
|
of a joke in our conversation on the subject of the jugglers.
|
|
To my great surprise, Mr. Franklin, like Penelope,
|
|
took the thing seriously. How seriously, you will understand,
|
|
when I tell you that, in his opinion, "It" meant
|
|
the Moonstone.
|
|
|
|
|
|
|
|
CHAPTER IV
|
|
|
|
|
|
I am truly sorry to detain you over me and my beehive chair.
|
|
A sleepy old man, in a sunny back yard, is not an interesting object,
|
|
I am well aware. But things must be put down in their places,
|
|
as things actually happened--and you must please to jog on a little
|
|
while longer with me, in expectation of Mr. Franklin Blake's arrival
|
|
later in the day.
|
|
|
|
Before I had time to doze off again, after my daughter Penelope
|
|
had left me, I was disturbed by a rattling of plates and dishes
|
|
in the servants' hall, which meant that dinner was ready.
|
|
Taking my own meals in my own sitting-room, I had nothing to do
|
|
with the servants' dinner, except to wish them a good stomach to it
|
|
all round, previous to composing myself once more in my chair.
|
|
I was just stretching my legs, when out bounced another woman on me.
|
|
Not my daughter again; only Nancy, the kitchen-maid, this time.
|
|
I was straight in her way out; and I observed, as she asked
|
|
me to let her by, that she had a sulky face--a thing which,
|
|
as head of the servants, I never allow, on principle, to pass me
|
|
without inquiry.
|
|
|
|
"What are you turning your back on your dinner for?" I asked.
|
|
"What's wrong now, Nancy?"
|
|
|
|
Nancy tried to push by, without answering; upon which I rose up,
|
|
and took her by the ear. She is a nice plump young lass,
|
|
and it is customary with me to adopt that manner of showing
|
|
that I personally approve of a girl.
|
|
|
|
"What's wrong now?" I said once more.
|
|
|
|
"Rosanna's late again for dinner," says Nancy. "And I'm sent to fetch
|
|
her in. All the hard work falls on my shoulders in this house.
|
|
Let me alone, Mr. Betteredge!"
|
|
|
|
The person here mentioned as Rosanna was our second housemaid.
|
|
Having a kind of pity for our second housemaid (why, you shall
|
|
presently know), and seeing in Nancy's face, that she would
|
|
fetch her fellow-servant in with more hard words than might be
|
|
needful under the circumstances, it struck me that I had nothing
|
|
particular to do, and that I might as well fetch Rosanna myself;
|
|
giving her a hint to be punctual in future, which I knew she would
|
|
take kindly from ME.
|
|
|
|
"Where is Rosanna?" I inquired.
|
|
|
|
"At the sands, of course!" says Nancy, with a toss of her head.
|
|
"She had another of her fainting fits this morning, and she asked
|
|
to go out and get a breath of fresh air. I have no patience
|
|
with her!"
|
|
|
|
"Go back to your dinner, my girl," I said. "I have patience with her,
|
|
and I'll fetch her in."
|
|
|
|
Nancy (who has a fine appetite) looked pleased. When she looks pleased,
|
|
she looks nice. When she looks nice, I chuck her under the chin.
|
|
It isn't immorality--it's only habit.
|
|
|
|
Well, I took my stick, and set off for the sands.
|
|
|
|
No! it won't do to set off yet. I am sorry again to detain you;
|
|
but you really must hear the story of the sands, and the story of Rosanna--
|
|
for this reason, that the matter of the Diamond touches them both nearly.
|
|
How hard I try to get on with my statement without stopping by the way,
|
|
and how badly I succeed! But, there!--Persons and Things do turn up
|
|
so vexatiously in this life, and will in a manner insist on being noticed.
|
|
Let us take it easy, and let us take it short; we shall be in the thick of the
|
|
mystery soon, I promise you!
|
|
|
|
Rosanna (to put the Person before the Thing, which is but
|
|
common politeness) was the only new servant in our house.
|
|
About four months before the time I am writing of,
|
|
my lady had been in London, and had gone over a Reformatory,
|
|
intended to save forlorn women from drifting back into bad ways,
|
|
after they had got released from prison. The matron, seeing my
|
|
lady took an interest in the place, pointed out a girl to her,
|
|
named Rosanna Spearman, and told her a most miserable story,
|
|
which I haven't the heart to repeat here; for I don't like
|
|
to be made wretched without any use, and no more do you.
|
|
The upshot of it was, that Rosanna Spearman had been a thief,
|
|
and not being of the sort that get up Companies in the City,
|
|
and rob from thousands, instead of only robbing from one,
|
|
the law laid hold of her, and the prison and the reformatory
|
|
followed the lead of the law. The matron's opinion of Rosanna was
|
|
(in spite of what she had done) that the girl was one
|
|
in a thousand, and that she only wanted a chance to prove
|
|
herself worthy of any Christian woman's interest in her.
|
|
My lady (being a Christian woman, if ever there was one yet)
|
|
said to the matron, upon that, "Rosanna Spearman shall
|
|
have her chance, in my service." In a week afterwards,
|
|
Rosanna Spearman entered this establishment as our second
|
|
housemaid.
|
|
|
|
Not a soul was told the girl's story, excepting Miss Rachel and me.
|
|
My lady, doing me the honour to consult me about most things,
|
|
consulted me about Rosanna. Having fallen a good deal latterly
|
|
into the late Sir John's way of always agreeing with my lady,
|
|
I agreed with her heartily about Rosanna Spearman.
|
|
|
|
A fairer chance no girl could have had than was given to this
|
|
poor girl of ours. None of the servants could cast her past life
|
|
in her teeth, for none of the servants knew what it had been.
|
|
She had her wages and her privileges, like the rest of them;
|
|
and every now and then a friendly word from my lady, in private,
|
|
to encourage her. In return, she showed herself, I am bound
|
|
to say, well worthy of the kind treatment bestowed upon her.
|
|
Though far from strong, and troubled occasionally with those
|
|
fainting-fits already mentioned, she went about her work
|
|
modestly and uncomplainingly, doing it carefully, and doing
|
|
it well. But, somehow, she failed to make friends among
|
|
the other women servants, excepting my daughter Penelope,
|
|
who was always kind to Rosanna, though never intimate
|
|
with her.
|
|
|
|
I hardly know what the girl did to offend them. There was
|
|
certainly no beauty about her to make the others envious;
|
|
she was the plainest woman in the house, with the additional
|
|
misfortune of having one shoulder bigger than the other.
|
|
What the servants chiefly resented, I think, was her silent tongue
|
|
and her solitary ways. She read or worked in leisure hours
|
|
when the rest gossiped. And when it came to her turn to go out,
|
|
nine times out of ten she quietly put on her bonnet, and had her
|
|
turn by herself. She never quarrelled, she never took offence;
|
|
she only kept a certain distance, obstinately and civilly,
|
|
between the rest of them and herself. Add to this that,
|
|
plain as she was, there was just a dash of something that wasn't
|
|
like a housemaid, and that WAS like a lady, about her.
|
|
It might have been in her voice, or it might have been in her face.
|
|
All I can say is, that the other women pounced on it
|
|
like lightning the first day she came into the house,
|
|
and said (which was most unjust) that Rosanna Spearman gave
|
|
herself airs.
|
|
|
|
Having now told the story of Rosanna, I have only to notice one of the many
|
|
queer ways of this strange girl to get on next to the story of the sands.
|
|
|
|
Our house is high up on the Yorkshire coast, and close by the sea.
|
|
We have got beautiful walks all round us, in every direction but one.
|
|
That one I acknowledge to be a horrid walk. It leads, for a quarter
|
|
of a mile, through a melancholy plantation of firs, and brings you
|
|
out between low cliffs on the loneliest and ugliest little bay on all
|
|
our coast.
|
|
|
|
The sand-hills here run down to the sea, and end in two spits of rock
|
|
jutting out opposite each other, till you lose sight of them in the water.
|
|
One is called the North Spit, and one the South. Between the two,
|
|
shifting backwards and forwards at certain seasons of the year,
|
|
lies the most horrible quicksand on the shores of Yorkshire.
|
|
At the turn of the tide, something goes on in the unknown deeps below,
|
|
which sets the whole face of the quicksand shivering and trembling
|
|
in a manner most remarkable to see, and which has given to it,
|
|
among the people in our parts, the name of the Shivering Sand.
|
|
A great bank, half a mile out, nigh the mouth of the bay,
|
|
breaks the force of the main ocean coming in from the offing.
|
|
Winter and summer, when the tide flows over the quicksand,
|
|
the sea seems to leave the waves behind it on the bank, and rolls
|
|
its waters in smoothly with a heave, and covers the sand in silence.
|
|
A lonesome and a horrid retreat, I can tell you! No boat ever
|
|
ventures into this bay. No children from our fishing-village, called
|
|
Cobb's Hole, ever come here to play. The very birds of the air,
|
|
as it seems to me, give the Shivering Sand a wide berth.
|
|
That a young woman, with dozens of nice walks to choose from,
|
|
and company to go with her, if she only said "Come!" should prefer
|
|
this place, and should sit and work or read in it, all alone,
|
|
when it's her turn out, I grant you, passes belief. It's true,
|
|
nevertheless, account for it as you may, that this was Rosanna Spearman's
|
|
favourite walk, except when she went once or twice to Cobb's Hole,
|
|
to see the only friend she had in our neighbourhood, of whom more anon.
|
|
It's also true that I was now setting out for this same place,
|
|
to fetch the girl in to dinner, which brings us round happily
|
|
to our former point, and starts us fair again on our way to the
|
|
sands.
|
|
|
|
I saw no sign of the girl in the plantation. When I got out,
|
|
through the sand-hills, on to the beach, there she was,
|
|
in her little straw bonnet, and her plain grey cloak that she
|
|
always wore to hide her deformed shoulder as much as might be--
|
|
there she was, all alone, looking out on the quicksand and
|
|
the sea.
|
|
|
|
She started when I came up with her, and turned her head away from me.
|
|
Not looking me in the face being another of the proceedings, which,
|
|
as head of the servants, I never allow, on principle, to pass
|
|
without inquiry--I turned her round my way, and saw that she was crying.
|
|
My bandanna handkerchief--one of six beauties given to me by my lady--
|
|
was handy in my pocket. I took it out, and I said to Rosanna,
|
|
"Come and sit down, my dear, on the slope of the beach along with me.
|
|
I'll dry your eyes for you first, and then I'll make so bold as to ask
|
|
what you have been crying about."
|
|
|
|
When you come to my age, you will find sitting down on
|
|
the slope of a beach a much longer job than you think it now.
|
|
By the time I was settled, Rosanna had dried her own eyes
|
|
with a very inferior handkerchief to mine--cheap cambric.
|
|
She looked very quiet, and very wretched; but she sat down
|
|
by me like a good girl, when I told her. When you want to
|
|
comfort a woman by the shortest way, take her on your knee.
|
|
I thought of this golden rule. But there! Rosanna wasn't Nancy,
|
|
and that's the truth of it!
|
|
|
|
"Now, tell me, my dear," I said, "what are you crying about?"
|
|
|
|
"About the years that are gone, Mr. Betteredge," says Rosanna quietly.
|
|
"My past life still comes back to me sometimes."
|
|
|
|
"Come, come, my girl, I said, "your past life is all sponged out.
|
|
Why can't you forget it?"
|
|
|
|
She took me by one of the lappets of my coat. I am a slovenly old man,
|
|
and a good deal of my meat and drink gets splashed about on my clothes.
|
|
Sometimes one of the women, and sometimes another, cleans me of my grease.
|
|
The day before, Rosanna had taken out a spot for me on the lappet
|
|
of my coat, with a new composition, warranted to remove anything.
|
|
The grease was gone, but there was a little dull place left on the nap of the
|
|
cloth where the grease had been. The girl pointed to that place, and shook
|
|
her head.
|
|
|
|
"The stain is taken off," she said. "But the place shows, Mr. Betteredge--
|
|
the place shows!"
|
|
|
|
A remark which takes a man unawares by means of his own coat
|
|
is not an easy remark to answer. Something in the girl
|
|
herself, too, made me particularly sorry for her just then.
|
|
She had nice brown eyes, plain as she was in other ways--
|
|
and she looked at me with a sort of respect for my happy old age
|
|
and my good character, as things for ever out of her own reach,
|
|
which made my heart heavy for our second housemaid. Not feeling
|
|
myself able to comfort her, there was only one other thing to do.
|
|
That thing was--to take her in to dinner.
|
|
|
|
"Help me up," I said. "You're late for dinner, Rosanna--and I
|
|
have come to fetch you in."
|
|
|
|
"You, Mr. Betteredge!" says she.
|
|
|
|
"They told Nancy to fetch you," I said. "But thought you
|
|
might like your scolding better, my dear, if it came from me."
|
|
|
|
Instead of helping me up, the poor thing stole her hand into mine, and gave it
|
|
a little squeeze. She tried hard to keep from crying again, and succeeded--
|
|
for which I respected her. "You're very kind, Mr. Betteredge," she said.
|
|
"I don't want any dinner to-day--let me bide a little longer here."
|
|
|
|
"What makes you like to be here?" I asked. "What is it that brings
|
|
you everlastingly to this miserable place?"
|
|
|
|
"Something draws me to it," says the girl, making images with her finger
|
|
in the sand. "I try to keep away from it, and I can't. Sometimes,"
|
|
says she in a low voice, as if she was frightened at her own fancy,
|
|
"sometimes, Mr. Betteredge, I think that my grave is waiting for
|
|
me here."
|
|
|
|
"There's roast mutton and suet-pudding waiting for you!" says I. "Go
|
|
in to dinner directly. This is what comes, Rosanna, of thinking
|
|
on an empty stomach!" I spoke severely, being naturally indignant
|
|
(at my time of life) to hear a young woman of five-and-twenty talking
|
|
about her latter end!
|
|
|
|
She didn't seem to hear me: she put her hand on my shoulder,
|
|
and kept me where I was, sitting by her side.
|
|
|
|
"I think the place has laid a spell on me," she said.
|
|
"I dream of it night after night; I think of it when I sit stitching
|
|
at my work. You know I am grateful, Mr. Betteredge--you know I
|
|
try to deserve your kindness, and my lady's confidence in me.
|
|
But I wonder sometimes whether the life here is too quiet
|
|
and too good for such a woman as I am, after all I have
|
|
gone through, Mr. Betteredge--after all I have gone through.
|
|
It's more lonely to me to be among the other servants, knowing I am
|
|
not what they are, than it is to he here. My lady doesn't know,
|
|
the matron at the reformatory doesn't know, what a dreadful
|
|
reproach honest people are in themselves to a woman like me.
|
|
Don't scold me, there's a dear good man. I do my work, don't I?
|
|
Please not to tell my lady I am discontented--I am not.
|
|
My mind's unquiet, sometimes, that's all." She snatched her hand
|
|
off my shoulder, and suddenly pointed down to the quicksand.
|
|
"Look!" she said "Isn't it wonderful? isn't it terrible? I have seen
|
|
it dozens of times, and it's always as new to me as if I had never seen
|
|
it before!"
|
|
|
|
I looked where she pointed. The tide was on the turn, and the horrid
|
|
sand began to shiver. The broad brown face of it heaved slowly,
|
|
and then dimpled and quivered all over. "Do you know what it looks
|
|
like to ME?" says Rosanna, catching me by the shoulder again.
|
|
"It looks as if it had hundreds of suffocating people under it--
|
|
all struggling to get to the surface, and all sinking lower and
|
|
lower in the dreadful deeps! Throw a stone in, Mr. Betteredge!
|
|
Throw a stone in, and let's see the sand suck it down!"
|
|
|
|
Here was unwholesome talk! Here was an empty stomach
|
|
feeding on an unquiet mind! My answer--a pretty sharp one,
|
|
in the poor girl's own interests, I promise you!--was at
|
|
my tongue's end, when it was snapped short off on a sudden
|
|
by a voice among the sand-hills shouting for me by my name.
|
|
"Betteredge!" cries the voice, "where are you?" " Here!"
|
|
I shouted out in return, without a notion in my mind of who it was.
|
|
Rosanna started to her feet, and stood looking towards the voice.
|
|
I was just thinking of getting on my own legs next, when I was
|
|
staggered by a sudden change in the girl's face.
|
|
|
|
Her complexion turned of a beautiful red, which I had never seen in it before;
|
|
she brightened all over with a kind of speechless and breathless surprise.
|
|
"Who is it?" I asked. Rosanna gave me back my own question.
|
|
"Oh! who is it?" she said softly, more to herself than to me.
|
|
I twisted round on the sand and looked behind me. There, coming out
|
|
on us from among the hills, was a bright-eyed young gentleman,
|
|
dressed in a beautiful fawn-coloured suit, with gloves and hat to match,
|
|
with a rose in his button-hole, and a smile on his face that might
|
|
have set the Shivering Sand itself smiling at him in return.
|
|
Before I could get on my legs, he plumped down on the sand by the side
|
|
of me, put his arm round my neck, foreign fashion, and gave me a hug
|
|
that fairly squeezed the breath out of my body. "Dear old Betteredge!"
|
|
says he. "I owe you seven-and-sixpence. Now do you know who
|
|
I am?"
|
|
|
|
Lord bless us and save us! Here--four good hours before we expected him--
|
|
was Mr. Franklin Blake!
|
|
|
|
Before I could say a word, I saw Mr. Franklin, a little
|
|
surprised to all appearance, look up from me to Rosanna.
|
|
Following his lead, I looked at the girl too.
|
|
She was blushing of a deeper red than ever, seemingly at having
|
|
caught Mr. Franklin's eye; and she turned and left us suddenly,
|
|
in a confusion quite unaccountable to my mind, without either
|
|
making her curtsey to the gentleman or saying a word to me.
|
|
Very unlike her usual self: a civiller and better-behaved servant,
|
|
in general, you never met with.
|
|
|
|
"That's an odd girl," says Mr. Franklin. "I wonder what she
|
|
sees in me to surprise her?"
|
|
|
|
"I suppose, sir," I answered, drolling on our young gentleman's
|
|
Continental education, "it's the varnish from foreign parts."
|
|
|
|
I set down here Mr. Franklin's careless question, and my foolish answer,
|
|
as a consolation and encouragement to all stupid people--it being,
|
|
as I have remarked, a great satisfaction to our inferior fellow-creatures
|
|
to find that their betters are, on occasions, no brighter than they are.
|
|
Neither Mr. Franklin, with his wonderful foreign training, nor I,
|
|
with my age, experience, and natural mother-wit, had the ghost of an idea
|
|
of what Rosanna Spearman's unaccountable behaviour really meant.
|
|
She was out of our thoughts, poor soul, before we had seen the last flutter
|
|
of her little grey cloak among the sand-hills. And what of that? you will ask,
|
|
naturally enough. Read on, good friend, as patiently as you can, and perhaps
|
|
you will be as sorry for Rosanna Spearman as I was, when I found out
|
|
the truth.
|
|
|
|
|
|
|
|
CHAPTER V
|
|
|
|
|
|
The first thing I did, after we were left together alone,
|
|
was to make a third attempt to get up from my seat on the sand.
|
|
Mr. Franklin stopped me.
|
|
|
|
"There is one advantage about this horrid place," he said;
|
|
"we have got it all to ourselves. Stay where you are, Betteredge;
|
|
I have something to say to you."
|
|
|
|
While he was speaking, I was looking at him, and trying to see something
|
|
of the boy I remembered, in the man before me. The man put me out.
|
|
Look as I might, I could see no more of his boy's rosy cheeks than
|
|
of his boy's trim little jacket. His complexion had got pale:
|
|
his face, at the lower part was covered, to my great surprise
|
|
and disappointment, with a curly brown beard and mustachios.
|
|
He had a lively touch-and-go way with him, very pleasant and engaging,
|
|
I admit; but nothing to compare with his free-and-easy manners
|
|
of other times. To make matters worse, he had promised to be tall,
|
|
and had not kept his promise. He was neat, and slim, and well made;
|
|
but he wasn't by an inch or two up to the middle height. In short,
|
|
he baffled me altogether. The years that had passed had left nothing
|
|
of his old self, except the bright, straightforward look in his eyes.
|
|
There I found our nice boy again, and there I concluded to stop
|
|
in my investigation.
|
|
|
|
"Welcome back to the old place, Mr. Franklin," I said.
|
|
"All the more welcome, sir, that you have come some hours before we
|
|
expected you."
|
|
|
|
"I have a reason for coming before you expected me," answered Mr. Franklin.
|
|
"I suspect, Betteredge, that I have been followed and watched in London,
|
|
for the last three or four days; and I have travelled by the morning instead
|
|
of the afternoon train, because I wanted to give a certain dark-looking
|
|
stranger the slip."
|
|
|
|
Those words did more than surprise me. They brought back to my mind,
|
|
in a flash, the three jugglers, and Penelope's notion that they meant
|
|
some mischief to Mr. Franklin Blake.
|
|
|
|
"Who's watching you, sir,--and why?" I inquired.
|
|
|
|
"Tell me about the three Indians you have had at the house to-day,"
|
|
says Mr. Franklin, without noticing my question. "It's just possible,
|
|
Betteredge, that my stranger and your three jugglers may turn out to be
|
|
pieces of the same puzzle."
|
|
|
|
"How do you come to know about the jugglers, sir?" I asked,
|
|
putting one question on the top of another, which was bad manners,
|
|
I own. But you don't expect much from poor human nature--
|
|
so don't expect much from me.
|
|
|
|
"I saw Penelope at the house," says Mr. Franklin; "and Penelope told me.
|
|
Your daughter promised to be a pretty girl, Betteredge, and she has
|
|
kept her promise. Penelope has got a small ear and a small foot.
|
|
Did the late Mrs. Betteredge possess those inestimable advantages?"
|
|
|
|
"The late Mrs. Betteredge possessed a good many defects, sir,"
|
|
says I. "One of them (if you will pardon my mentioning it)
|
|
was never keeping to the matter in hand. She was more like a fly
|
|
than a woman: she couldn't settle on anything."
|
|
|
|
"She would just have suited me," says Mr. Franklin. "I never settle
|
|
on anything either. Betteredge, your edge is better than ever.
|
|
Your daughter said as much, when I asked for particulars about the jugglers.
|
|
"Father will tell you, sir. He's a wonderful man for his age; and he
|
|
expresses himself beautifully." Penelope's own words--blushing divinely.
|
|
Not even my respect for you prevented me from--never mind; I knew her
|
|
when she was a child, and she's none the worse for it. Let's be serious.
|
|
What did the jugglers do?"
|
|
|
|
I was something dissatisfied with my daughter--not for letting
|
|
Mr. Franklin kiss her; Mr. Franklin was welcome to THAT--
|
|
but for forcing me to tell her foolish story at second hand.
|
|
However, there was no help for it now but to mention the circumstances.
|
|
Mr. Franklin's merriment all died away as I went on.
|
|
He sat knitting his eyebrows, and twisting his beard.
|
|
When I had done, he repeated after me two of the questions which
|
|
the chief juggler had put to the boy--seemingly for the purpose of
|
|
fixing them well in his mind.
|
|
|
|
"'Is it on the road to this house, and on no other, that the English
|
|
gentleman will travel to-day?' 'Has the English gentleman got It about him?'
|
|
I suspect," says Mr. Franklin, pulling a little sealed paper parcel
|
|
out of his pocket, "that 'It' means THIS. And 'this,' Betteredge,
|
|
means my uncle Herncastle's famous Diamond."
|
|
|
|
"Good Lord, sir!" I broke out, "how do you come to be in charge
|
|
of the wicked Colonel's Diamond?"
|
|
|
|
"The wicked Colonel's will has left his Diamond as a birthday
|
|
present to my cousin Rachel," says Mr. Franklin. "And my father,
|
|
as the wicked Colonel's executor, has given it in charge to me
|
|
to bring down here."
|
|
|
|
If the sea, then oozing in smoothly over the Shivering Sand,
|
|
had been changed into dry land before my own eyes, I doubt if I
|
|
could have been more surprised than I was when Mr. Franklin
|
|
spoke those words.
|
|
|
|
"The Colonel's Diamond left to Miss Rachel!" says I. "And your father,
|
|
sir, the Colonel's executor! Why, I would have laid any bet you like,
|
|
Mr. Franklin, that your father wouldn't have touched the Colonel
|
|
with a pair of tongs!"
|
|
|
|
"Strong language, Betteredge! What was there against the Colonel.
|
|
He belonged to your time, not to mine. Tell me what you know about him,
|
|
and I'll tell you how my father came to be his executor, and more besides.
|
|
I have made some discoveries in London about my uncle Herncastle
|
|
and his Diamond, which have rather an ugly look to my eyes; and I want
|
|
you to confirm them. You called him the 'wicked Colonel' just now.
|
|
Search your memory, my old friend, and tell me why."
|
|
|
|
I saw he was in earnest, and I told him.
|
|
|
|
Here follows the substance of what I said, written out entirely
|
|
for your benefit. Pay attention to it, or you will be all abroad,
|
|
when we get deeper into the story. Clear your mind of the children,
|
|
or the dinner, or the new bonnet, or what not. Try if you can't
|
|
forget politics, horses, prices in the City, and grievances at the club.
|
|
I hope you won't take this freedom on my part amiss; it's only a way
|
|
I have of appealing to the gentle reader. Lord! haven't I seen you
|
|
with the greatest authors in your hands, and don't I know how ready
|
|
your attention is to wander when it's a book that asks for it,
|
|
instead of a person?
|
|
|
|
|
|
|
|
I spoke, a little way back, of my lady's father, the old lord with
|
|
the short temper and the long tongue. He had five children in all.
|
|
Two sons to begin with; then, after a long time, his wife broke out
|
|
breeding again, and the three young ladies came briskly one after
|
|
the other, as fast as the nature of things would permit; my mistress,
|
|
as before mentioned, being the youngest and best of the three.
|
|
Of the two sons, the eldest, Arthur, inherited the title and estates.
|
|
The second, the Honourable John, got a fine fortune left him by a relative,
|
|
and went into the army.
|
|
|
|
It's an ill bird, they say, that fouls its own nest.
|
|
I look on the noble family of the Herncastles as being my nest;
|
|
and I shall take it as a favour if I am not expected to enter
|
|
into particulars on the subject of the Honourable John.
|
|
He was, I honestly believe, one of the greatest blackguards that
|
|
ever lived. I can hardly say more or less for him than that.
|
|
He went into the army, beginning in the Guards. He had to leave
|
|
the Guards before he was two-and-twenty--never mind why.
|
|
They are very strict in the army, and they were too strict for
|
|
the Honourable John. He went out to India to see whether they
|
|
were equally strict there, and to try a little active service.
|
|
In the matter of bravery (to give him his due), he was a
|
|
mixture of bull-dog and game-cock, with a dash of the savage.
|
|
He was at the taking of Seringapatam. Soon afterwards he changed
|
|
into another regiment, and, in course of time, changed into a third.
|
|
In the third he got his last step as lieutenant-colonel, and,
|
|
getting that, got also a sunstroke, and came home to
|
|
England.
|
|
|
|
He came back with a character that closed the doors of all his family
|
|
against him, my lady (then just married) taking the lead, and declaring
|
|
(with Sir John's approval, of course) that her brother should never
|
|
enter any house of hers. There was more than one slur on the Colonel
|
|
that made people shy of him; but the blot of the Diamond is all I need
|
|
mention here.
|
|
|
|
It was said he had got possession of his Indian jewel
|
|
by means which, bold as he was, he didn't dare acknowledge.
|
|
He never attempted to sell it--not being in need of money,
|
|
and not (to give him his due again) making money an object.
|
|
He never gave it away; he never even showed it to any living soul.
|
|
Some said he was afraid of its getting him into a difficulty
|
|
with the military authorities; others (very ignorant indeed of
|
|
the real nature of the man) said he was afraid, if he showed it,
|
|
of its costing him his life.
|
|
|
|
There was perhaps a grain of truth mixed up with this last report.
|
|
It was false to say that he was afraid; but it was a fact
|
|
that his life had been twice threatened in India; and it was
|
|
firmly believed that the Moonstone was at the bottom of it.
|
|
When he came back to England, and found himself avoided by everybody,
|
|
the Moonstone was thought to be at the bottom of it again.
|
|
The mystery of the Colonel's life got in the Colonel's way,
|
|
and outlawed him, as you may say, among his own people.
|
|
The men wouldn't let him into their clubs; the women--
|
|
more than one--whom he wanted to marry, refused him;
|
|
friends and relations got too near-sighted to see him in
|
|
the street.
|
|
|
|
Some men in this mess would have tried to set themselves right
|
|
with the world. But to give in, even when he was wrong, and had
|
|
all society against him, was not the way of the Honourable John.
|
|
He had kept the Diamond, in flat defiance of assassination, in India.
|
|
He kept the Diamond, in flat defiance of public opinion, in England.
|
|
There you have the portrait of the man before you, as in a picture:
|
|
a character that braved everything; and a face, handsome as it was, that
|
|
looked possessed by the devil.
|
|
|
|
We heard different rumours about him from time to time.
|
|
Sometimes they said he was given up to smoking opium and collecting
|
|
old books; sometimes he was reported to be trying strange things
|
|
in chemistry; sometimes he was seen carousing and amusing
|
|
himself among the lowest people in the lowest slums of London.
|
|
Anyhow, a solitary, vicious, underground life was the life
|
|
the Colonel led. Once, and once only, after his return to England,
|
|
I myself saw him, face to face.
|
|
|
|
About two years before the time of which I am now writing,
|
|
and about a year and a half before the time of his death,
|
|
the Colonel came unexpectedly to my lady's house in London.
|
|
It was the night of Miss Rachel's birthday, the twenty-first
|
|
of June; and there was a party in honour of it, as usual.
|
|
I received a message from the footman to say that a gentleman wanted
|
|
to see me. Going up into the hall, there I found the Colonel,
|
|
wasted, and worn, and old, and shabby, and as wild and as wicked
|
|
as ever.
|
|
|
|
"Go up to my sister," says he; "and say that I have called to wish
|
|
my niece many happy returns of the day."
|
|
|
|
He had made attempts by letter, more than once already, to be reconciled
|
|
with my lady, for no other purpose, I am firmly persuaded, than to annoy her.
|
|
But this was the first time he had actually come to the house. I had it
|
|
on the tip of my tongue to say that my mistress had a party that night.
|
|
But the devilish look of him daunted me. I went up-stairs with his message,
|
|
and left him, by his own desire, waiting in the hall. The servants stood
|
|
staring at him, at a distance, as if he was a walking engine of destruction,
|
|
loaded with powder and shot, and likely to go off among them at a
|
|
moment's notice.
|
|
|
|
My lady had a dash--no more--of the family temper.
|
|
"Tell Colonel Herncastle," she said, when I gave her her
|
|
brother's message, "that Miss Verinder is engaged, and that I
|
|
decline to see him." I tried to plead for a civiller answer
|
|
than that; knowing the Colonel's constitutional superiority
|
|
to the restraints which govern gentlemen in general.
|
|
Quite useless! The family temper flashed out at me directly.
|
|
"When I want your advice," says my lady, "you know
|
|
that I always ask for it. I don't ask for it now."
|
|
I went downstairs with the message, of which I took the liberty
|
|
of presenting a new and amended edition of my own contriving,
|
|
as follows: "My lady and Miss Rachel regret that they
|
|
are engaged, Colonel; and beg to be excused having the honour of
|
|
seeing you."
|
|
|
|
I expected him to break out, even at that polite way of putting it.
|
|
To my surprise he did nothing of the sort; he alarmed me
|
|
by taking the thing with an unnatural quiet. His eyes,
|
|
of a glittering bright grey, just settled on me for a moment;
|
|
and he laughed, not out of himself, like other people,
|
|
but INTO himself, in a soft, chuckling, horridly mischievous way.
|
|
"Thank you, Betteredge," he said. "I shall remember my
|
|
niece's birthday." With that, he turned on his heel, and walked
|
|
out of the house.
|
|
|
|
The next birthday came round, and we heard he was ill in bed.
|
|
Six months afterwards--that is to say, six months before
|
|
the time I am now writing of--there came a letter from a highly
|
|
respectable clergyman to my lady. It communicated two wonderful
|
|
things in the way of family news. First, that the Colonel
|
|
had forgiven his sister on his death-bed. Second, that he had
|
|
forgiven everybody else, and had made a most edifying end.
|
|
I have myself (in spite of the bishops and the clergy)
|
|
an unfeigned respect for the Church; but I am firmly persuaded,
|
|
at the same time, that the devil remained in undisturbed
|
|
possession of the Honourable John, and that the last abominable
|
|
act in the life of that abominable man was (saving your presence)
|
|
to take the clergyman in!
|
|
|
|
This was the sum-total of what I had to tell Mr. Franklin.
|
|
I remarked that he listened more and more eagerly the longer I
|
|
went on. Also, that the story of the Colonel being sent away
|
|
from his sister's door, on the occasion of his niece's birthday,
|
|
seemed to strike Mr. Franklin like a shot that had hit the mark.
|
|
Though he didn't acknowledge it, I saw that I had made him uneasy,
|
|
plainly enough, in his face.
|
|
|
|
"You have said your say, Betteredge," he remarked. "It's my turn now.
|
|
Before, however, I tell you what discoveries I have made in London,
|
|
and how I came to be mixed up in this matter of the Diamond, I want
|
|
to know one thing. You look, my old friend, as if you didn't quite
|
|
understand the object to be answered by this consultation of ours.
|
|
Do your looks belie you?"
|
|
|
|
"No, sir," I said. "My looks, on this occasion at any rate,
|
|
tell the truth."
|
|
|
|
"In that case," says Mr. Franklin, "suppose I put you up to my point
|
|
of view, before we go any further. I see three very serious questions
|
|
involved in the Colonel's birthday-gift to my cousin Rachel.
|
|
Follow me carefully, Betteredge; and count me off on your fingers,
|
|
if it will help you," says Mr. Franklin, with a certain pleasure
|
|
in showing how clear-headed he could be, which reminded me wonderfully
|
|
of old times when he was a boy. "Question the first: Was the Colonel's
|
|
Diamond the object of a conspiracy in India? Question the second:
|
|
Has the conspiracy followed the Colonel's Diamond to England?
|
|
Question the third: Did the Colonel know the conspiracy followed
|
|
the Diamond; and has he purposely left a legacy of trouble and danger
|
|
to his sister, through the innocent medium of his sister's child?
|
|
THAT is what I am driving at, Betteredge. Don't let me
|
|
frighten you."
|
|
|
|
It was all very well to say that, but he HAD frightened me.
|
|
|
|
If he was right, here was our quiet English house suddenly invaded
|
|
by a devilish Indian Diamond--bringing after it a conspiracy
|
|
of living rogues, set loose on us by the vengeance of a dead man.
|
|
There was our situation as revealed to me in Mr. Franklin's last words!
|
|
Who ever heard the like of it--in the nineteenth century, mind;
|
|
in an age of progress, and in a country which rejoices in the
|
|
blessings of the British constitution? Nobody ever heard the like
|
|
of it, and, consequently, nobody can be expected to believe it.
|
|
I shall go on with my story, however, in spite of that.
|
|
|
|
When you get a sudden alarm, of the sort that I had got now,
|
|
nine times out of ten the place you feel it in is your stomach.
|
|
When you feel it in your stomach, your attention wanders, and you
|
|
begin to fidget. I fidgeted silently in my place on the sand.
|
|
Mr. Franklin noticed me, contending with a perturbed stomach or mind--
|
|
which you please; they mean the same thing--and, checking himself
|
|
just as he was starting with his part of the story, said to me sharply,
|
|
"What do you want?"
|
|
|
|
What did I want? I didn't tell HIM; but I'll tell YOU, in confidence.
|
|
I wanted a whiff of my pipe, and a turn at ROBINSON CRUSOE.
|
|
|
|
|
|
|
|
CHAPTER VI
|
|
|
|
|
|
Keeping my private sentiments to myself, I respectfully requested Mr. Franklin
|
|
to go on. Mr. Franklin replied, "Don't fidget, Betteredge," and went on.
|
|
|
|
Our young gentleman's first words informed me that his discoveries,
|
|
concerning the wicked Colonel and the Diamond, had begun with a visit
|
|
which he had paid (before he came to us) to the family lawyer, at Hampstead.
|
|
A chance word dropped by Mr. Franklin, when the two were alone, one day,
|
|
after dinner, revealed that he had been charged by his father with a
|
|
birthday present to be taken to Miss Rachel. One thing led to another;
|
|
and it ended in the lawyer mentioning what the present really was,
|
|
and how the friendly connexion between the late Colonel and Mr. Blake,
|
|
senior, had taken its rise. The facts here are really so extraordinary,
|
|
that I doubt if I can trust my own language to do justice to them.
|
|
I prefer trying to report Mr. Franklin's discoveries, as nearly as may be,
|
|
in Mr. Franklin's own words.
|
|
|
|
"You remember the time, Betteredge," he said, "when my father
|
|
was trying to prove his title to that unlucky Dukedom? Well! that
|
|
was also the time when my uncle Herncastle returned from India.
|
|
My father discovered that his brother-in-law was in possession of certain
|
|
papers which were likely to be of service to him in his lawsuit.
|
|
He called on the Colonel, on pretence of welcoming him back to England.
|
|
The Colonel was not to be deluded in that way. "You want something," he said,
|
|
"or you would never have compromised your reputation by calling on ME."
|
|
My father saw that the one chance for him was to show his hand;
|
|
he admitted, at once, that he wanted the papers. The Colonel asked
|
|
for a day to consider his answer. His answer came in the shape
|
|
of a most extraordinary letter, which my friend the lawyer showed me.
|
|
The Colonel began by saying that he wanted something of my father,
|
|
and that he begged to propose an exchange of friendly services between them.
|
|
The fortune of war (that was the expression he used) had placed him
|
|
in possession of one of the largest Diamonds in the world; and he had
|
|
reason to believe that neither he nor his precious jewel was safe in
|
|
any house, in any quarter of the globe, which they occupied together.
|
|
Under these alarming circumstances, he had determined to place his Diamond
|
|
in the keeping of another person. That person was not expected to run
|
|
any risk. He might deposit the precious stone in any place especially
|
|
guarded and set apart--like a banker's or jeweller's strong-room--
|
|
for the safe custody of valuables of high price. His main personal
|
|
responsibility in the matter was to be of the passive kind.
|
|
He was to undertake either by himself, or by a trustworthy representative--
|
|
to receive at a prearranged address, on certain prearranged days
|
|
in every year, a note from the Colonel, simply stating the fact
|
|
that he was a living man at that date. In the event of the date
|
|
passing over without the note being received, the Colonel's silence
|
|
might be taken as a sure token of the Colonel's death by murder.
|
|
In that case, and in no other, certain sealed instructions relating
|
|
to the disposal of the Diamond, and deposited with it, were to be opened,
|
|
and followed implicitly. If my father chose to accept this strange charge,
|
|
the Colonel's papers were at his disposal in return. That was the
|
|
letter."
|
|
|
|
"What did your father do, sir?" I asked.
|
|
|
|
"Do?" says Mr. Franklin. "I'll tell you what he did.
|
|
He brought the invaluable faculty, called common sense,
|
|
to bear on the Colonel's letter. The whole thing, he declared,
|
|
was simply absurd. Somewhere in his Indian wanderings,
|
|
the Colonel had picked up with some wretched crystal which
|
|
he took for a diamond. As for the danger of his being murdered,
|
|
and the precautions devised to preserve his life and his piece
|
|
of crystal, this was the nineteenth century, and any man in his
|
|
senses had only to apply to the police. The Colonel had been
|
|
a notorious opium-eater for years past; and, if the only way
|
|
of getting at the valuable papers he possessed was by accepting
|
|
a matter of opium as a matter of fact, my father was quite
|
|
willing to take the ridiculous responsibility imposed on him--
|
|
all the more readily that it involved no trouble to himself.
|
|
The Diamond and the sealed instructions went into his banker's
|
|
strong-room, and the Colonel's letters, periodically reporting
|
|
him a living man, were received and opened by our family lawyer,
|
|
Mr. Bruff, as my father's representative. No sensible person,
|
|
in a similar position, could have viewed the matter in any other way.
|
|
Nothing in this world, Betteredge, is probable unless it appeals
|
|
to our own trumpery experience; and we only believe in a romance when
|
|
we see it in a newspaper."
|
|
|
|
It was plain to me from this, that Mr. Franklin thought his father's
|
|
notion about the Colonel hasty and wrong.
|
|
|
|
"What is your own private opinion about the matter, sir?"
|
|
I asked.
|
|
|
|
"Let's finish the story of the Colonel first," says Mr. Franklin.
|
|
"There is a curious want of system, Betteredge, in the English mind;
|
|
and your question, my old friend, is an instance of it.
|
|
When we are not occupied in making machinery, we are (mentally speaking)
|
|
the most slovenly people in the universe."
|
|
|
|
"So much," I thought to myself, "for a foreign education!
|
|
He has learned that way of girding at us in France,
|
|
I suppose."
|
|
|
|
Mr. Franklin took up the lost thread, and went on.
|
|
|
|
"My father," he said, "got the papers he wanted,
|
|
and never saw his brother-in-law again from that time.
|
|
Year after year, on the prearranged days, the prearranged
|
|
letter came from the Colonel, and was opened by Mr. Bruff.
|
|
I have seen the letters, in a heap, all of them written in
|
|
the same brief, business-like form of words: " Sir,--This is
|
|
to certify that I am still a living man. Let the Diamond be.
|
|
John Herncastle." That was all he ever wrote, and that came
|
|
regularly to the day; until some six or eight months since,
|
|
when the form of the letter varied for the first time.
|
|
It ran now: "Sir,--They tell me I am dying. Come to me,
|
|
and help me to make my will." Mr. Bruff went, and found him,
|
|
in the little suburban villa, surrounded by its own grounds,
|
|
in which he had lived alone, ever since he had left India.
|
|
He had dogs, cats, and birds to keep him company;
|
|
but no human being near him, except the person who came
|
|
daily to do the house-work, and the doctor at the bedside.
|
|
The will was a very simple matter. The Colonel had dissipated
|
|
the greater part of his fortune in his chemical investigations.
|
|
His will began and ended in three clauses, which he dictated
|
|
from his bed, in perfect possession of his faculties. The first
|
|
clause provided for the safe keeping and support of his animals.
|
|
The second founded a professorship of experimental chemistry
|
|
at a northern university. The third bequeathed the Moonstone
|
|
as a birthday present to his niece, on condition that my father
|
|
would act as executor. My father at first refused to act.
|
|
On second thoughts, however, he gave way, partly because he was
|
|
assured that the executorship would involve him in no trouble;
|
|
partly because Mr. Bruff suggested, in Rachel's interest,
|
|
that the Diamond might be worth something, after
|
|
all."
|
|
|
|
"Did the Colonel give any reason, sir," I inquired, "why he left
|
|
the Diamond to Miss Rachel?"
|
|
|
|
"He not only gave the reason--he had the reason written in his will,"
|
|
said Mr. Franklin. "I have got an extract, which you shall
|
|
see presently. Don't be slovenly-minded, Betteredge!
|
|
One thing at a time. You have heard about the Colonel's Will;
|
|
now you must hear what happened after the Colonel's death.
|
|
It was formally necessary to have the Diamond valued,
|
|
before the Will could be proved. All the jewellers consulted,
|
|
at once confirmed the Colonel's assertion that he possessed
|
|
one of the largest diamonds in the world. The question
|
|
of accurately valuing it presented some serious difficulties.
|
|
Its size made it a phenomenon in the diamond market;
|
|
its colour placed it in a category by itself; and, to add
|
|
to these elements of uncertainty, there was a defect,
|
|
in the shape of a flaw, in the very heart of the stone.
|
|
Even with this last serious draw-back, however, the lowest
|
|
of the various estimates given was twenty thousand pounds.
|
|
Conceive my father's astonishment! He had been within
|
|
a hair's-breadth of refusing to act as executor, and of
|
|
allowing this magnificent jewel to be lost to the family.
|
|
The interest he took in the matter now, induced him to open
|
|
the sealed instructions which had been deposited with the Diamond.
|
|
Mr. Bruff showed this document to me, with the other papers;
|
|
and it suggests (to my mind) a clue to the nature of the conspiracy
|
|
which threatened the Colonel's life."
|
|
|
|
"Then you do believe, sir," I said, "that there was a conspiracy?"
|
|
|
|
"Not possessing my father's excellent common sense,"
|
|
answered Mr. Franklin, "I believe the Colonel's life was threatened,
|
|
exactly as the Colonel said. The sealed instructions, as I think,
|
|
explain how it was that he died, after all, quietly in his bed.
|
|
In the event of his death by violence (that is to say, in the absence
|
|
of the regular letter from him at the appointed date), my father
|
|
was then directed to send the Moonstone secretly to Amsterdam.
|
|
It was to be deposited in that city with a famous diamond-cutter,
|
|
and it was to be cut up into from four to six separate stones.
|
|
The stones were then to be sold for what they would fetch,
|
|
and the proceeds were to be applied to the founding of that
|
|
professorship of experimental chemistry, which the Colonel has
|
|
since endowed by his Will. Now, Betteredge, exert those sharp
|
|
wits of yours, and observe the conclusion to which the Colonel's
|
|
instructions point!"
|
|
|
|
I instantly exerted my wits. They were of the slovenly English sort;
|
|
and they consequently muddled it all, until Mr. Franklin took them in hand,
|
|
and pointed out what they ought to see.
|
|
|
|
"Remark," says Mr. Franklin, "that the integrity of the Diamond,
|
|
as a whole stone, is here artfully made dependent on
|
|
the preservation from violence of the Colonel's life.
|
|
He is not satisfied with saying to the enemies he dreads, "Kill me--
|
|
and you will be no nearer to the Diamond than you are now;
|
|
it is where you can't get at it--in the guarded strong-room
|
|
of a bank." He says instead, "Kill me--and the Diamond will
|
|
be the Diamond no longer; its identity will be destroyed."
|
|
What does that mean?"
|
|
|
|
Here I had (as I thought) a flash of the wonderful foreign brightness.
|
|
|
|
"I know," I said. "It means lowering the value of the stone,
|
|
and cheating the rogues in that way!"
|
|
|
|
"Nothing of the sort," says Mr. Franklin. "I have inquired
|
|
about that. The flawed Diamond, cut up, would actually fetch
|
|
more than the Diamond as it now is; for this plain reason--
|
|
that from four to six perfect brilliants might be cut from it,
|
|
which would be, collectively, worth more money than the large--
|
|
but imperfect single stone. If robbery for the purpose
|
|
of gain was at the bottom of the conspiracy, the Colonel's
|
|
instructions absolutely made the Diamond better worth stealing.
|
|
More money could have been got for it, and the disposal of it
|
|
in the diamond market would have been infinitely easier,
|
|
if it had passed through the hands of the workmen
|
|
of Amsterdam."
|
|
|
|
"Lord bless us, sir!" I burst out. "What was the plot, then?"
|
|
|
|
"A plot organised among the Indians who originally owned the jewel,"
|
|
says Mr. Franklin--"a plot with some old Hindoo superstition at
|
|
the bottom of it. That is my opinion, confirmed by a family paper
|
|
which I have about me at this moment."
|
|
|
|
I saw, now, why the appearance of the three Indian jugglers
|
|
at our house had presented itself to Mr. Franklin in the light
|
|
of a circumstance worth noting.
|
|
|
|
"I don't want to force my opinion on you," Mr. Franklin went on.
|
|
"The idea of certain chosen servants of an old Hindoo superstition
|
|
devoting themselves, through all difficulties and dangers,
|
|
to watching the opportunity of recovering their sacred gem,
|
|
appears to me to be perfectly consistent with everything that we
|
|
know of the patience of Oriental races, and the influence
|
|
of Oriental religions. But then I am an imaginative man;
|
|
and the butcher, the baker, and the tax-gatherer, are not the only
|
|
credible realities in existence to my mind. Let the guess I
|
|
have made at the truth in this matter go for what it is worth,
|
|
and let us get on to the only practical question that concerns us.
|
|
Does the conspiracy against the Moonstone survive the Colonel's death?
|
|
And did the Colonel know it, when he left the birthday gift to
|
|
his niece?"
|
|
|
|
I began to see my lady and Miss Rachel at the end of it all, now.
|
|
Not a word he said escaped me.
|
|
|
|
"I was not very willing, when I discovered the story of the Moonstone,"
|
|
said Mr. Franklin, "to be the means of bringing it here.
|
|
But Mr. Bruff reminded me that somebody must put my cousin's legacy
|
|
into my cousin's hands--and that I might as well do it as anybody else.
|
|
After taking the Diamond out of the bank, I fancied I was
|
|
followed in the streets by a shabby, dark-complexioned man.
|
|
I went to my father's house to pick up my luggage, and found
|
|
a letter there, which unexpectedly detained me in London.
|
|
I went back to the bank with the Diamond, and thought I saw
|
|
the shabby man again. Taking the Diamond once more out of the bank
|
|
this morning, I saw the man for the third time, gave him the slip,
|
|
and started (before he recovered the trace of me) by the morning
|
|
instead of the afternoon train. Here I am, with the Diamond
|
|
safe and sound--and what is the first news that meets me?
|
|
I find that three strolling Indians have been at the house,
|
|
and that my arrival from London, and something which I am expected
|
|
to have about me, are two special objects of investigation
|
|
to them when they believe themselves to be alone. I don't waste
|
|
time and words on their pouring the ink into the boy's hand,
|
|
and telling him to look in it for a man at a distance,
|
|
and for something in that man's pocket. The thing (which I
|
|
have often seen done in the East) is "hocus-pocus" in my opinion,
|
|
as it is in yours. The present question for us to decide is,
|
|
whether I am wrongly attaching a meaning to a mere accident? or
|
|
whether we really have evidence of the Indians being on the track
|
|
of the Moonstone, the moment it is removed from the safe keeping of
|
|
the bank?"
|
|
|
|
Neither he nor I seemed to fancy dealing with this part of the inquiry.
|
|
We looked at each other, and then we looked at the tide, oozing in smoothly,
|
|
higher and higher, over the Shivering Sand.
|
|
|
|
"What are you thinking of?" says Mr. Franklin, suddenly.
|
|
|
|
"I was thinking, sir," I answered, "that I should like to shy
|
|
the Diamond into the quicksand, and settle the question in THAT way."
|
|
|
|
"If you have got the value of the stone in your pocket,"
|
|
answered Mr. Franklin, "say so, Betteredge, and in it goes!"
|
|
|
|
It's curious to note, when your mind's anxious, how very far in the way
|
|
of relief a very small joke will go. We found a fund of merriment,
|
|
at the time, in the notion of making away with Miss Rachel's lawful property,
|
|
and getting Mr. Blake, as executor, into dreadful trouble--though where
|
|
the merriment was, I am quite at a loss to discover now.
|
|
|
|
Mr. Franklin was the first to bring the talk back to the talk's
|
|
proper purpose. He took an envelope out of his pocket, opened it,
|
|
and handed to me the paper inside.
|
|
|
|
"Betteredge," he said, "we must face the question of the Colonel's
|
|
motive in leaving this legacy to his niece, for my aunt's sake.
|
|
Bear in mind how Lady Verinder treated her brother from the time
|
|
when he returned to England, to the time when he told you he should
|
|
remember his niece's birthday. And read that."
|
|
|
|
He gave me the extract from the Colonel's Will. I have got it
|
|
by me while I write these words; and I copy it, as follows,
|
|
for your benefit:
|
|
|
|
"Thirdly, and lastly, I give and bequeath to my niece, Rachel Verinder,
|
|
daughter and only child of my sister, Julia Verinder, widow--if her mother,
|
|
the said Julia Verinder, shall be living on the said Rachel Verinder's
|
|
next Birthday after my death--the yellow Diamond belonging to me, and known
|
|
in the East by the name of The Moonstone: subject to this condition,
|
|
that her mother, the said Julia Verinder, shall be living at the time.
|
|
And I hereby desire my executor to give my Diamond, either by his
|
|
own hands or by the hands of some trustworthy representative whom
|
|
he shall appoint, into the personal possession of my said niece Rachel,
|
|
on her next birthday after my death, and in the presence, if possible,
|
|
of my sister, the said Julia Verinder. And I desire that my said sister
|
|
may be informed, by means of a true copy of this, the third and last
|
|
clause of my Will, that I give the Diamond to her daughter Rachel,
|
|
in token of my free forgiveness of the injury which her conduct towards
|
|
me has been the means of inflicting on my reputation in my lifetime;
|
|
and especially in proof that I pardon, as becomes a dying man,
|
|
the insult offered to me as an officer and a gentleman, when her servant,
|
|
by her orders, closed the door of her house against me, on the occasion of her
|
|
daughter's birthday."
|
|
|
|
More words followed these, providing if my lady was dead,
|
|
or if Miss Rachel was dead, at the time of the testator's decease,
|
|
for the Diamond being sent to Holland, in accordance
|
|
with the sealed instructions originally deposited with it.
|
|
The proceeds of the sale were, in that case, to be added
|
|
to the money already left by the Will for the professorship of
|
|
chemistry at the university in the north.
|
|
|
|
I handed the paper back to Mr. Franklin, sorely troubled what to say to him.
|
|
Up to that moment, my own opinion had been (as you know) that the Colonel had
|
|
died as wickedly as he had lived. I don't say the copy from his Will actually
|
|
converted me from that opinion: I only say it staggered me.
|
|
|
|
"Well," says Mr. Franklin, "now you have read the Colonel's own statement,
|
|
what do you say? In bringing the Moonstone to my aunt's house, am I
|
|
serving his vengeance blindfold, or am I vindicating him in the character
|
|
of a penitent and Christian man?"
|
|
|
|
"It seems hard to say, sir," I answered, "that he died with a horrid revenge
|
|
in his heart, and a horrid lie on his lips. God alone knows the truth.
|
|
Don't ask me."
|
|
|
|
Mr. Franklin sat twisting and turning the extract from the Will
|
|
in his fingers, as if he expected to squeeze the truth out of it
|
|
in that manner. He altered quite remarkably, at the same time.
|
|
From being brisk and bright, he now became, most unaccountably,
|
|
a slow, solemn, and pondering young man.
|
|
|
|
"This question has two sides," he said. "An Objective side,
|
|
and a Subjective side. Which are we to take?"
|
|
|
|
He had had a German education as well as a French. One of the two had
|
|
been in undisturbed possession of him (as I supposed) up to this time.
|
|
And now (as well as I could make out) the other was taking its place.
|
|
It is one of my rules in life, never to notice what I don't understand.
|
|
I steered a middle course between the Objective side and the Subjective side.
|
|
In plain English I stared hard, and said nothing.
|
|
|
|
"Let's extract the inner meaning of this," says Mr. Franklin.
|
|
"Why did my uncle leave the Diamond to Rachel? Why didn't
|
|
he leave it to my aunt?"
|
|
|
|
"That's not beyond guessing, sir, at any rate," I said.
|
|
"Colonel Herncastle knew my lady well enough to know that she
|
|
would have refused to accept any legacy that came to her
|
|
from HIM."
|
|
|
|
"How did he know that Rachel might not refuse to accept it, too?"
|
|
|
|
"Is there any young lady in existence, sir, who could resist
|
|
the temptation of accepting such a birthday present as The Moonstone?"
|
|
|
|
"That's the Subjective view," says Mr. Franklin. "It does you
|
|
great credit, Betteredge, to be able to take the Subjective view.
|
|
But there's another mystery about the Colonel's legacy which is
|
|
not accounted for yet. How are we to explain his only giving
|
|
Rachel her birthday present conditionally on her mother
|
|
being alive?"
|
|
|
|
"I don't want to slander a dead man, sir," I answered.
|
|
"But if he HAS purposely left a legacy of trouble and danger
|
|
to his sister, by the means of her child, it must be a legacy
|
|
made conditional on his sister's being alive to feel the vexation
|
|
of it."
|
|
|
|
"Oh! That's your interpretation of his motive, is it?
|
|
The Subjective interpretation again! Have you ever been
|
|
in Germany, Betteredge?"
|
|
|
|
"No, sir. What's your interpretation, if you please?"
|
|
|
|
"I can see," says Mr. Franklin, "that the Colonel's object may,
|
|
quite possibly, have been--not to benefit his niece, whom he had never
|
|
even seen--but to prove to his sister that he had died forgiving her,
|
|
and to prove it very prettily by means of a present made to her child.
|
|
There is a totally different explanation from yours, Betteredge,
|
|
taking its rise in a Subjective-Objective point of view.
|
|
From all I can see, one interpretation is just as likely to be right as
|
|
the other."
|
|
|
|
Having brought matters to this pleasant and comforting issue, Mr. Franklin
|
|
appeared to think that he had completed all that was required of him.
|
|
He laid down flat on his back on the sand, and asked what was to be
|
|
done next.
|
|
|
|
He had been so clever, and clear-headed (before he began to talk
|
|
the foreign gibberish), and had so completely taken the lead
|
|
in the business up to the present time, that I was quite
|
|
unprepared for such a sudden change as he now exhibited in this
|
|
helpless leaning upon me. It was not till later that I learned--
|
|
by assistance of Miss Rachel, who was the first to make the discovery--
|
|
that these puzzling shifts and transformations in Mr. Franklin
|
|
were due to the effect on him of his foreign training.
|
|
At the age when we are all of us most apt to take our colouring,
|
|
in the form of a reflection from the colouring of other people,
|
|
he had been sent abroad, and had been passed on from one nation
|
|
to another, before there was time for any one colouring more than
|
|
another to settle itself on him firmly. As a consequence of this,
|
|
he had come back with so many different sides to his character,
|
|
all more or less jarring with each other, that he seemed to pass
|
|
his life in a state of perpetual contradiction with himself.
|
|
He could be a busy man, and a lazy man; cloudy in the head,
|
|
and clear in the head; a model of determination, and a spectacle
|
|
of helplessness, all together. He had his French side,
|
|
and his German side, and his Italian side--the original
|
|
English foundation showing through, every now and then,
|
|
as much as to say, "Here I am, sorely transmogrified, as you see,
|
|
but there's something of me left at the bottom of him still."
|
|
Miss Rachel used to remark that the Italian side of him
|
|
was uppermost, on those occasions when he unexpectedly gave in,
|
|
and asked you in his nice sweet-tempered way to take his own
|
|
responsibilities on your shoulders. You will do him no injustice,
|
|
I think, if you conclude that the Italian side of him was
|
|
uppermost now.
|
|
|
|
"Isn't it your business, sir," I asked, "to know what to do next?
|
|
Surely it can't be mine?"
|
|
|
|
Mr. Franklin didn't appear to see the force of my question--
|
|
not being in a position, at the time, to see anything but the sky
|
|
over his head.
|
|
|
|
"I don't want to alarm my aunt without reason," he said.
|
|
"And I don't want to leave her without what may be a needful warning.
|
|
If you were in my place, Betteredge, tell me, in one word,
|
|
what would you do?"
|
|
|
|
In one word, I told him: "Wait."
|
|
|
|
"With all my heart," says Mr. Franklin. "How long?"
|
|
|
|
I proceeded to explain myself.
|
|
|
|
"As I understand it, sir," I said, "somebody is bound to put
|
|
this plaguy Diamond into Miss Rachel's hands on her birthday--
|
|
and you may as well do it as another. Very good.
|
|
This is the twenty-fifth of May, and the birthday is on the
|
|
twenty-first of June. We have got close on four weeks before us.
|
|
Let's wait and see what happens in that time; and let's warn
|
|
my lady, or not, as the circumstances direct us."
|
|
|
|
"Perfect, Betteredge, as far as it goes!" says Mr. Franklin.
|
|
"But between this and the birthday, what's to be done with
|
|
the Diamond?"
|
|
|
|
"What your father did with it, to be sure, sir!" I answered.
|
|
"Your father put it in the safe keeping of a bank in London.
|
|
You put in the safe keeping of the bank at Frizinghall."
|
|
(Frizinghall was our nearest town, and the Bank of England wasn't
|
|
safer than the bank there.) "If I were you, sir," I added,
|
|
"I would ride straight away with it to Frizinghall before the ladies
|
|
come back."
|
|
|
|
The prospect of doing something--and, what is more, of doing that something
|
|
on a horse--brought Mr. Franklin up like lightning from the flat of his back.
|
|
He sprang to his feet, and pulled me up, without ceremony, on to mine.
|
|
"Betteredge, you are worth your weight in gold," he said. "Come along,
|
|
and saddle the best horse in the stables directly."
|
|
|
|
Here (God bless it!) was the original English foundation
|
|
of him showing through all the foreign varnish at last!
|
|
Here was the Master Franklin I remembered, coming out again
|
|
in the good old way at the prospect of a ride, and reminding
|
|
me of the good old times! Saddle a horse for him?
|
|
I would have saddled a dozen horses, if he could only have ridden
|
|
them all!
|
|
|
|
We went back to the house in a hurry; we had the fleetest horse in
|
|
the stables saddled in a hurry; and Mr. Franklin rattled off in a hurry,
|
|
to lodge the cursed Diamond once more in the strong-room of a bank.
|
|
When I heard the last of his horse's hoofs on the drive, and when I
|
|
turned about in the yard and found I was alone again, I felt half
|
|
inclined to ask myself if I hadn't woke up from a dream.
|
|
|
|
|
|
|
|
CHAPTER VII
|
|
|
|
|
|
While I was in this bewildered frame of mind, sorely needing
|
|
a little quiet time by myself to put me right again, my daughter
|
|
Penelope got in my way (just as her late mother used to get in my
|
|
way on the stairs), and instantly summoned me to tell her all
|
|
that had passed at the conference between Mr. Franklin and me.
|
|
Under present circumstances, the one thing to be done was to
|
|
clap the extinguisher upon Penelope's curiosity on the spot.
|
|
I accordingly replied that Mr. Franklin and I had both
|
|
talked of foreign politics, till we could talk no longer,
|
|
and had then mutually fallen asleep in the heat of the sun.
|
|
Try that sort of answer when your wife or your daughter
|
|
next worries you with an awkward question at an awkward time,
|
|
and depend on the natural sweetness of women for kissing
|
|
and making it up again at the next opportunity.
|
|
|
|
The afternoon wore on, and my lady and Miss Rachel came back.
|
|
|
|
Needless to say how astonished they were, when they heard that
|
|
Mr. Franklin Blake had arrived, and had gone off again on horseback.
|
|
Needless also to say, that THEY asked awkward questions directly,
|
|
and that the "foreign politics" and the "falling asleep in the sun"
|
|
wouldn't serve a second time over with THEM. Being at the end
|
|
of my invention, I said Mr. Franklin's arrival by the early train
|
|
was entirely attributable to one of Mr. Franklin's freaks.
|
|
Being asked, upon that, whether his galloping off again
|
|
on horseback was another of Mr. Franklin's freaks, I said,
|
|
"Yes, it was;" and slipped out of it--I think very cleverly--
|
|
in that way.
|
|
|
|
Having got over my difficulties with the ladies, I found more
|
|
difficulties waiting for me when I went back to my own room.
|
|
In came Penelope--with the natural sweetness of women--
|
|
to kiss and make it up again; and--with the natural curiosity
|
|
of women--to ask another question. This time she only wanted
|
|
me to tell her what was the matter with our second housemaid,
|
|
Rosanna Spearman.
|
|
|
|
After leaving Mr. Franklin and me at the Shivering Sand, Rosanna, it appeared,
|
|
had returned to the house in a very unaccountable state of mind.
|
|
She had turned (if Penelope was to be believed) all the colours of
|
|
the rainbow. She had been merry without reason, and sad without reason.
|
|
In one breath she asked hundreds of questions about Mr. Franklin Blake,
|
|
and in another breath she had been angry with Penelope for presuming
|
|
to suppose that a strange gentleman could possess any interest for her.
|
|
She had been surprised, smiling, and scribbling Mr. Franklin's name
|
|
inside her workbox. She had been surprised again, crying and looking
|
|
at her deformed shoulder in the glass. Had she and Mr. Franklin
|
|
known anything of each other before to-day? Quite impossible!
|
|
Had they heard anything of each other? Impossible again!
|
|
I could speak to Mr. Franklin's astonishment as genuine, when he saw
|
|
how the girl stared at him. Penelope could speak to the girl's
|
|
inquisitiveness as genuine, when she asked questions about Mr. Franklin.
|
|
The conference between us, conducted in this way, was tiresome enough,
|
|
until my daughter suddenly ended it by bursting out with what I
|
|
thought the most monstrous supposition I had ever heard in
|
|
my life.
|
|
|
|
"Father!" says Penelope, quite seriously, "there's only one explanation
|
|
of it. Rosanna has fallen in love with Mr. Franklin Blake at first sight!"
|
|
|
|
You have heard of beautiful young ladies falling in love at first sight,
|
|
and have thought it natural enough. But a housemaid out of a reformatory,
|
|
with a plain face and a deformed shoulder, falling in love, at first sight,
|
|
with a gentleman who comes on a visit to her mistress's house, match me that,
|
|
in the way of an absurdity, out of any story-book in Christendom, if you can!
|
|
I laughed till the tears rolled down my cheeks. Penelope resented my
|
|
merriment, in rather a strange way. "I never knew you cruel before, father,"
|
|
she said, very gently, and went out.
|
|
|
|
My girl's words fell upon me like a splash of cold water.
|
|
I was savage with myself, for feeling uneasy in myself the moment
|
|
she had spoken them--but so it was. We will change the subject,
|
|
if you please. I am sorry I drifted into writing about it;
|
|
and not without reason, as you will see when we have gone on
|
|
together a little longer.
|
|
|
|
|
|
|
|
The evening came, and the dressing-bell for dinner rang,
|
|
before Mr. Franklin returned from Frizinghall.
|
|
I took his hot water up to his room myself, expecting to hear,
|
|
after this extraordinary delay, that something had happened.
|
|
To my great disappointment (and no doubt to yours also),
|
|
nothing had happened. He had not met with the Indians,
|
|
either going or returning. He had deposited the Moonstone
|
|
in the bank--describing it merely as a valuable of great price--
|
|
and he had got the receipt for it safe in his pocket.
|
|
I went down-stairs, feeling that this was rather a flat ending,
|
|
after all our excitement about the Diamond earlier in
|
|
the day.
|
|
|
|
How the meeting between Mr. Franklin and his aunt and cousin went off,
|
|
is more than I can tell you.
|
|
|
|
I would have given something to have waited at table that day.
|
|
But, in my position in the household, waiting at dinner (except on
|
|
high family festivals) was letting down my dignity in the eyes
|
|
of the other servants--a thing which my lady considered me quite
|
|
prone enough to do already, without seeking occasions for it.
|
|
The news brought to me from the upper regions, that evening,
|
|
came from Penelope and the footman. Penelope mentioned that she had
|
|
never known Miss Rachel so particular about the dressing of her hair,
|
|
and had never seen her look so bright and pretty as she did when she
|
|
went down to meet Mr. Franklin in the drawing-room. The footman's
|
|
report was, that the preservation of a respectful composure
|
|
in the presence of his betters, and the waiting on Mr. Franklin
|
|
Blake at dinner, were two of the hardest things to reconcile
|
|
with each other that had ever tried his training in service.
|
|
Later in the evening, we heard them singing and playing duets,
|
|
Mr. Franklin piping high, Miss Rachel piping higher, and my lady,
|
|
on the piano, following them as it were over hedge and ditch,
|
|
and seeing them safe through it in a manner most wonderful and
|
|
pleasant to hear through the open windows, on the terrace at night.
|
|
Later still, I went to Mr. Franklin in the smoking-room, with
|
|
the soda-water and brandy, and found that Miss Rachel had put
|
|
the Diamond clean out of his head. "She's the most charming girl
|
|
I have seen since I came back to England!" was all I could extract
|
|
from him, when I endeavoured to lead the conversation to more
|
|
serious things.
|
|
|
|
Towards midnight, I went round the house to lock up,
|
|
accompanied by my second in command (Samuel, the footman), as usual.
|
|
When all the doors were made fast, except the side door that
|
|
opened on the terrace, I sent Samuel to bed, and stepped out
|
|
for a breath of fresh air before I too went to bed in my turn.
|
|
|
|
The night was still and close, and the moon was at the full in the heavens.
|
|
It was so silent out of doors, that I heard from time to time,
|
|
very faint and low, the fall of the sea, as the ground-swell heaved it
|
|
in on the sand-bank near the mouth of our little bay. As the house stood,
|
|
the terrace side was the dark side; but the broad moonlight showed
|
|
fair on the gravel walk that ran along the next side to the terrace.
|
|
Looking this way, after looking up at the sky, I saw the shadow
|
|
of a person in the moonlight thrown forward from behind the corner of
|
|
the house.
|
|
|
|
Being old and sly, I forbore to call out; but being also, unfortunately,
|
|
old and heavy, my feet betrayed me on the gravel. Before I could steal
|
|
suddenly round the corner, as I had proposed, I heard lighter feet than mine--
|
|
and more than one pair of them as I thought--retreating in a hurry.
|
|
By the time I had got to the corner, the trespassers, whoever they were,
|
|
had run into the shrubbery at the off side of the walk, and were hidden
|
|
from sight among the thick trees and bushes in that part of the grounds.
|
|
From the shrubbery, they could easily make their way, over our fence
|
|
into the road. If I had been forty years younger, I might have had
|
|
a chance of catching them before they got clear of our premises.
|
|
As it was, I went back to set a-going a younger pair of legs than mine.
|
|
Without disturbing anybody, Samuel and I got a couple of guns, and went
|
|
all round the house and through the shrubbery. Having made sure that no
|
|
persons were lurking about anywhere in our grounds, we turned back.
|
|
Passing over the walk where I had seen the shadow, I now noticed,
|
|
for the first time, a little bright object, lying on the clean gravel,
|
|
under the light of the moon. Picking the object up, I discovered it
|
|
was a small bottle, containing a thick sweet-smelling liquor, as black as
|
|
ink.
|
|
|
|
I said nothing to Samuel. But, remembering what Penelope had
|
|
told me about the jugglers, and the pouring of the little pool
|
|
of ink into the palm of the boy's hand, I instantly suspected
|
|
that I had disturbed the three Indians, lurking about the house,
|
|
and bent, in their heathenish way, on discovering the whereabouts
|
|
of the Diamond that night.
|
|
|
|
|
|
|
|
CHAPTER VIII
|
|
|
|
|
|
Here, for one moment, I find it necessary to call a halt.
|
|
|
|
On summoning up my own recollections--and on getting Penelope to help me,
|
|
by consulting her journal--I find that we may pass pretty rapidly over
|
|
the interval between Mr. Franklin Blake's arrival and Miss Rachel's birthday.
|
|
For the greater part of that time the days passed, and brought nothing with
|
|
them worth recording. With your good leave, then, and with Penelope's help,
|
|
I shall notice certain dates only in this place; reserving to myself
|
|
to tell the story day by day, once more, as soon as we get to the time
|
|
when the business of the Moonstone became the chief business of everybody in
|
|
our house.
|
|
|
|
This said, we may now go on again--beginning, of course, with the bottle
|
|
of sweet-smelling ink which I found on the gravel walk at night.
|
|
|
|
On the next morning (the morning of the twenty-sixth) I showed Mr. Franklin
|
|
this article of jugglery, and told him what I have already told you.
|
|
His opinion was, not only that the Indians had been lurking about after
|
|
the Diamond, but also that they were actually foolish enough to believe
|
|
in their own magic--meaning thereby the making of signs on a boy's head,
|
|
and the pouring of ink into a boy's hand, and then expecting him to see
|
|
persons and things beyond the reach of human vision. In our country,
|
|
as well as in the East, Mr. Franklin informed me, there are people who
|
|
practise this curious hocus-pocus (without the ink, however); and who call
|
|
it by a French name, signifying something like brightness of sight.
|
|
"Depend upon it," says Mr. Franklin, "the Indians took it for granted
|
|
that we should keep the Diamond here; and they brought their clairvoyant
|
|
boy to show them the way to it, if they succeeded in getting into the house
|
|
last night."
|
|
|
|
"Do you think they'll try again, sir?" I asked.
|
|
|
|
"It depends," says Mr. Franklin, "on what the boy can really do.
|
|
If he can see the Diamond through the iron safe of the bank at Frizinghall,
|
|
we shall be troubled with no more visits from the Indians for the present.
|
|
If he can't, we shall have another chance of catching them in the shrubbery,
|
|
before many more nights are over our heads."
|
|
|
|
I waited pretty confidently for that latter chance; but, strange to relate,
|
|
it never came.
|
|
|
|
Whether the jugglers heard, in the town, of Mr. Franklin having
|
|
been seen at the bank, and drew their conclusions accordingly;
|
|
or whether the boy really did see the Diamond where the Diamond
|
|
was now lodged (which I, for one, flatly disbelieve); or whether,
|
|
after all, it was a mere effect of chance, this at any rate is
|
|
the plain truth--not the ghost of an Indian came near the house again,
|
|
through the weeks that passed before Miss Rachel's birthday.
|
|
The jugglers remained in and about the town plying their trade;
|
|
and Mr. Franklin and I remained waiting to see what might happen,
|
|
and resolute not to put the rogues on their guard by showing our
|
|
suspicions of them too soon. With this report of the proceedings
|
|
on either side, ends all that I have to say about the Indians for
|
|
the present.
|
|
|
|
|
|
|
|
On the twenty-ninth of the month, Miss Rachel and Mr. Franklin
|
|
hit on a new method of working their way together through
|
|
the time which might otherwise have hung heavy on their hands.
|
|
There are reasons for taking particular notice here of the occupation
|
|
that amused them. You will find it has a bearing on something
|
|
that is still to come.
|
|
|
|
Gentlefolks in general have a very awkward rock ahead in life--
|
|
the rock ahead of their own idleness. Their lives being,
|
|
for the most part, passed in looking about them for something
|
|
to do, it is curious to see--especially when their tastes
|
|
are of what is called the intellectual sort--how often they
|
|
drift blindfold into some nasty pursuit. Nine times out of ten
|
|
they take to torturing something, or to spoiling something--
|
|
and they firmly believe they are improving their minds,
|
|
when the plain truth is, they are only making a mess in the house.
|
|
I have seen them (ladies, I am sorry to say, as well as gentlemen)
|
|
go out, day after day, for example, with empty pill-boxes,
|
|
and catch newts, and beetles, and spiders, and frogs,
|
|
and come home and stick pins through the miserable wretches,
|
|
or cut them up, without a pang of remorse, into little pieces.
|
|
You see my young master, or my young mistress, poring over
|
|
one of their spiders' insides with a magnifying-glass; or you
|
|
meet one of their frogs walking downstairs without his head--
|
|
and when you wonder what this cruel nastiness means, you are told
|
|
that it means a taste in my young master or my young mistress for
|
|
natural history. Sometimes, again, you see them occupied for hours
|
|
together in spoiling a pretty flower with pointed instruments,
|
|
out of a stupid curiosity to know what the flower is made of.
|
|
Is its colour any prettier, or its scent any sweeter,
|
|
when you DO know? But there! the poor souls must get
|
|
through the time, you see--they must get through the time.
|
|
You dabbled in nasty mud, and made pies, when you were a child;
|
|
and you dabble in nasty science, and dissect spiders, and spoil
|
|
flowers, when you grow up. In the one case and in the other,
|
|
the secret of it is, that you have got nothing to think of in your
|
|
poor empty head, and nothing to do with your poor idle hands.
|
|
And so it ends in your spoiling canvas with paints, and making
|
|
a smell in the house; or in keeping tadpoles in a glass box full
|
|
of dirty water, and turning everybody's stomach in the house;
|
|
or in chipping off bits of stone here, there, and everywhere,
|
|
and dropping grit into all the victuals in the house;
|
|
or in staining your fingers in the pursuit of photography,
|
|
and doing justice without mercy on everybody's face in the house.
|
|
It often falls heavy enough, no doubt, on people who are really
|
|
obliged to get their living, to be forced to work for the clothes
|
|
that cover them, the roof that shelters them, and the food
|
|
that keeps them going. But compare the hardest day's work you
|
|
ever did with the idleness that splits flowers and pokes its way
|
|
into spiders' stomachs, and thank your stars that your head has got
|
|
something it MUST think of, and your hands something that they MUST
|
|
do.
|
|
|
|
As for Mr. Franklin and Miss Rachel, they tortured nothing, I am glad to say.
|
|
They simply confined themselves to making a mess; and all they spoilt, to do
|
|
them justice, was the panelling of a door.
|
|
|
|
Mr. Franklin's universal genius, dabbling in everything,
|
|
dabbled in what he called "decorative painting." He had invented,
|
|
he informed us, a new mixture to moisten paint with, which he
|
|
described as a "vehicle." What it was made of, I don't know.
|
|
What it did, I can tell you in two words--it stank.
|
|
Miss Rachel being wild to try her hand at the new process,
|
|
Mr. Franklin sent to London for the materials; mixed them up,
|
|
with accompaniment of a smell which made the very dogs sneeze
|
|
when they came into the room; put an apron and a bib over
|
|
Miss Rachel's gown, and set her to work decorating her own
|
|
little sitting-room--called, for want of English to name it in,
|
|
her "boudoir." They began with the inside of the door.
|
|
Mr. Franklin scraped off all the nice varnish with pumice-stone,
|
|
and made what he described as a surface to work on.
|
|
Miss Rachel then covered the surface, under his directions
|
|
and with his help, with patterns and devices--griffins, birds,
|
|
flowers, cupids, and such like--copied from designs made
|
|
by a famous Italian painter, whose name escapes me:
|
|
the one, I mean, who stocked the world with Virgin Maries,
|
|
and had a sweetheart at the baker's. Viewed as work,
|
|
this decoration was slow to do, and dirty to deal with.
|
|
But our young lady and gentleman never seemed to tire of it.
|
|
When they were not riding, or seeing company, or taking their meals,
|
|
or piping their songs, there they were with their heads together,
|
|
as busy as bees, spoiling the door. Who was the poet who said
|
|
that Satan finds some mischief still for idle hands to do?
|
|
If he had occupied my place in the family, and had seen Miss
|
|
Rachel with her brush, and Mr. Franklin with his vehicle,
|
|
he could have written nothing truer of either of them than
|
|
that.
|
|
|
|
|
|
|
|
The next date worthy of notice is Sunday the fourth of June.
|
|
|
|
On that evening we, in the servants' hall, debated a domestic
|
|
question for the first time, which, like the decoration of the door,
|
|
has its bearing on something that is still to come.
|
|
|
|
Seeing the pleasure which Mr. Franklin and Miss Rachel took
|
|
in each other's society, and noting what a pretty match
|
|
they were in all personal respects, we naturally speculated
|
|
on the chance of their putting their heads together with
|
|
other objects in view besides the ornamenting of a door.
|
|
Some of us said there would be a wedding in the house before
|
|
the summer was over. Others (led by me) admitted it was
|
|
likely enough Miss Rachel might be married; but we doubted
|
|
(for reasons which will presently appear) whether her bridegroom
|
|
would be Mr. Franklin Blake.
|
|
|
|
That Mr. Franklin was in love, on his side, nobody who saw and heard
|
|
him could doubt. The difficulty was to fathom Miss Rachel.
|
|
Let me do myself the honour of making you acquainted with her;
|
|
after which, I will leave you to fathom for yourself--
|
|
if you can.
|
|
|
|
My young lady's eighteenth birthday was the birthday now coming,
|
|
on the twenty-first of June. If you happen to like dark women
|
|
(who, I am informed, have gone out of fashion latterly in the gay world),
|
|
and if you have no particular prejudice in favour of size, I answer
|
|
for Miss Rachel as one of the prettiest girls your eyes ever looked on.
|
|
She was small and slim, but all in fine proportion from top to toe.
|
|
To see her sit down, to see her get up, and specially to see her walk,
|
|
was enough to satisfy any man in his senses that the graces of
|
|
her figure (if you will pardon me the expression) were in her flesh
|
|
and not in her clothes. Her hair was the blackest I ever saw.
|
|
Her eyes matched her hair. Her nose was not quite large enough, I admit.
|
|
Her mouth and chin were (to quote Mr. Franklin) morsels for the gods;
|
|
and her complexion (on the same undeniable authority) was as warm
|
|
as the sun itself, with this great advantage over the sun, that it was
|
|
always in nice order to look at. Add to the foregoing that she carried
|
|
her head as upright as a dart, in a dashing, spirited, thoroughbred way--
|
|
that she had a clear voice, with a ring of the right metal in it,
|
|
and a smile that began very prettily in her eyes before it got to her lips--
|
|
and there behold the portrait of her, to the best of my painting, as large
|
|
as life!
|
|
|
|
And what about her disposition next? Had this charming creature no faults?
|
|
She had just as many faults as you have, ma'am--neither more nor less.
|
|
|
|
To put it seriously, my dear pretty Miss Rachel,
|
|
possessing a host of graces and attractions, had one defect,
|
|
which strict impartiality compels me to acknowledge.
|
|
She was unlike most other girls of her age, in this--that she had
|
|
ideas of her own, and was stiff-necked enough to set the fashions
|
|
themselves at defiance, if the fashions didn't suit her views.
|
|
In trifles, this independence of hers was all well enough;
|
|
but in matters of importance, it carried her (as my lady thought,
|
|
and as I thought) too far. She judged for herself, as few women
|
|
of twice her age judge in general; never asked your advice;
|
|
never told you beforehand what she was going to do;
|
|
never came with secrets and confidences to anybody, from her
|
|
mother downwards. In little things and great, with people
|
|
she loved, and people she hated (and she did both with equal
|
|
heartiness), Miss Rachel always went on a way of her own,
|
|
sufficient for herself in the joys and sorrows of her life.
|
|
Over and over again I have heard my lady say, "Rachel's best
|
|
friend and Rachel's worst enemy are, one and the other--
|
|
Rachel herself."
|
|
|
|
Add one thing more to this, and I have done.
|
|
|
|
With all her secrecy, and self-will, there was not so much as
|
|
the shadow of anything false in her. I never remember her breaking
|
|
her word; I never remember her saying No, and meaning Yes.
|
|
I can call to mind, in her childhood, more than one occasion when
|
|
the good little soul took the blame, and suffered the punishment,
|
|
for some fault committed by a playfellow whom she loved.
|
|
Nobody ever knew her to confess to it, when the thing was found out,
|
|
and she was charged with it afterwards. But nobody ever knew
|
|
her to lie about it, either. She looked you straight in the face,
|
|
and shook her little saucy head, and said plainly, "I won't
|
|
tell you!" Punished again for this, she would own to being
|
|
sorry for saying "won't;" but, bread and water notwithstanding,
|
|
she never told you. Self-willed--devilish self-willed sometimes--
|
|
I grant; but the finest creature, nevertheless, that ever
|
|
walked the ways of this lower world. Perhaps you think you see
|
|
a certain contradiction here? In that case, a word in your ear.
|
|
Study your wife closely, for the next four-and-twenty hours.
|
|
If your good lady doesn't exhibit something in the shape of a
|
|
contradiction in that time, Heaven help you!--you have married
|
|
a monster.
|
|
|
|
|
|
|
|
I have now brought you acquainted with Miss Rachel, which you will find
|
|
puts us face to face, next, with the question of that young lady's
|
|
matrimonial views.
|
|
|
|
On June the twelfth, an invitation from my mistress was sent to a
|
|
gentleman in London, to come and help to keep Miss Rachel's birthday.
|
|
This was the fortunate individual on whom I believed her heart
|
|
to be privately set! Like Mr. Franklin, he was a cousin of hers.
|
|
His name was Mr. Godfrey Ablewhite.
|
|
|
|
My lady's second sister (don't be alarmed; we are not going very deep
|
|
into family matters this time)--my lady's second sister, I say,
|
|
had a disappointment in love; and taking a husband afterwards,
|
|
on the neck or nothing principle, made what they call a misalliance.
|
|
There was terrible work in the family when the Honourable Caroline
|
|
insisted on marrying plain Mr. Ablewhite, the banker at Frizinghall.
|
|
He was very rich and very respectable, and he begot a prodigious
|
|
large family--all in his favour, so far. But he had presumed to raise
|
|
himself from a low station in the world--and that was against him.
|
|
However, Time and the progress of modern enlightenment put
|
|
things right; and the mis-alliance passed muster very well.
|
|
We are all getting liberal now; and (provided you can scratch me,
|
|
if I scratch you) what do I care, in or out of Parliament,
|
|
whether you are a Dustman or a Duke? That's the modern way of
|
|
looking at it--and I keep up with the modern way. The Ablewhites
|
|
lived in a fine house and grounds, a little out of Frizinghall.
|
|
Very worthy people, and greatly respected in the neighbourhood.
|
|
We shall not be much troubled with them in these pages--
|
|
excepting Mr. Godfrey, who was Mr. Ablewhite's second son, and who
|
|
must take his proper place here, if you please, for Miss Rachel's
|
|
sake.
|
|
|
|
With all his brightness and cleverness and general good qualities,
|
|
Mr. Franklin's chance of topping Mr. Godfrey in our young lady's
|
|
estimation was, in my opinion, a very poor chance indeed.
|
|
|
|
In the first place, Mr. Godfrey was, in point of size,
|
|
the finest man by far of the two. He stood over six feet high;
|
|
he had a beautiful red and white colour; a smooth round face,
|
|
shaved as bare as your hand; and a head of lovely long
|
|
flaxen hair, falling negligently over the poll of his neck.
|
|
But why do I try to give you this personal description of him?
|
|
If you ever subscribed to a Ladies' Charity in London,
|
|
you know Mr. Godfrey Ablewhite as well as I do.
|
|
He was a barrister by profession; a ladies' man by temperament;
|
|
and a good Samaritan by choice. Female benevolence and female
|
|
destitution could do nothing without him. Maternal societies for
|
|
confining poor women; Magdalen societies for rescuing poor women;
|
|
strong-minded societies for putting poor women into poor
|
|
men's places, and leaving the men to shift for themselves;--
|
|
he was vice-president, manager, referee to them all.
|
|
Wherever there was a table with a committee of ladies sitting round
|
|
it in council there was Mr. Godfrey at the bottom of the board,
|
|
keeping the temper of the committee, and leading the dear
|
|
creatures along the thorny ways of business, hat in hand.
|
|
I do suppose this was the most accomplished philanthropist
|
|
(on a small independence) that England ever produced.
|
|
As a speaker at charitable meetings the like of him for
|
|
drawing your tears and your money was not easy to find.
|
|
He was quite a public character. The last time I was in London,
|
|
my mistress gave me two treats. She sent me to the theatre
|
|
to see a dancing woman who was all the rage; and she sent
|
|
me to Exeter Hall to hear Mr. Godfrey. The lady did it,
|
|
with a band of music. The gentleman did it, with a handkerchief
|
|
and a glass of water. Crowds at the performance with the legs.
|
|
Ditto at the performance with the tongue. And with all this,
|
|
the sweetest tempered person (I allude to Mr. Godfrey)--
|
|
the simplest and pleasantest and easiest to please--you ever
|
|
met with. He loved everybody. And everybody loved HIM.
|
|
What chance had Mr. Franklin--what chance had anybody
|
|
of average reputation and capacities--against such a man as
|
|
this?
|
|
|
|
|
|
|
|
On the fourteenth, came Mr. Godfrey's answer.
|
|
|
|
He accepted my mistress's invitation, from the Wednesday
|
|
of the birthday to the evening of Friday--when his duties
|
|
to the Ladies' Charities would oblige him to return to town.
|
|
He also enclosed a copy of verses on what he elegantly called
|
|
his cousin's "natal day." Miss Rachel, I was informed,
|
|
joined Mr. Franklin in making fun of the verses at dinner;
|
|
and Penelope, who was all on Mr. Franklin's side,
|
|
asked me, in great triumph, what I thought of that.
|
|
"Miss Rachel has led you off on a false scent, my dear,"
|
|
I replied; "but MY nose is not so easily mystified.
|
|
Wait till Mr. Ablewhite's verses are followed by
|
|
Mr. Ablewhite himself."
|
|
|
|
My daughter replied, that Mr. Franklin might strike in, and try his luck,
|
|
before the verses were followed by the poet. In favour of this view,
|
|
I must acknowledge that Mr. Franklin left no chance untried of winning Miss
|
|
Rachel's good graces.
|
|
|
|
Though one of the most inveterate smokers I ever met with,
|
|
he gave up his cigar, because she said, one day, she hated
|
|
the stale smell of it in his clothes. He slept so badly,
|
|
after this effort of self-denial, for want of the composing
|
|
effect of the tobacco to which he was used, and came down
|
|
morning after morning looking so haggard and worn, that Miss
|
|
Rachel herself begged him to take to his cigars again.
|
|
No! he would take to nothing again that could cause here
|
|
a moment's annoyance; he would fight it out resolutely,
|
|
and get back his sleep, sooner or later, by main force of
|
|
patience in waiting for it. Such devotion as this, you may say
|
|
(as some of them said downstairs), could never fail of producing
|
|
the right effect on Miss Rachel--backed up, too, as it was,
|
|
by the decorating work every day on the door. All very well--
|
|
but she had a photograph of Mr. Godfrey in her bed-room;
|
|
represented speaking at a public meeting, with all his hair
|
|
blown out by the breath of his own eloquence, and his eyes,
|
|
most lovely, charming the money out of your pockets. What do you
|
|
say to that? Every morning--as Penelope herself owned to me--
|
|
there was the man whom the women couldn't do without, looking on,
|
|
in effigy, while Miss Rachel was having her hair combed.
|
|
He would be looking on, in reality, before long--that was my opinion
|
|
of it.
|
|
|
|
|
|
|
|
June the sixteenth brought an event which made Mr. Franklin's chance look,
|
|
to my mind, a worse chance than ever.
|
|
|
|
A strange gentleman, speaking English with a foreign accent,
|
|
came that morning to the house, and asked to see Mr. Franklin Blake
|
|
on business. The business could not possibly have been connected
|
|
with the Diamond, for these two reasons--first, that Mr. Franklin
|
|
told me nothing about it; secondly, that he communicated it
|
|
(when the gentleman had gone, as I suppose) to my lady.
|
|
She probably hinted something about it next to her daughter.
|
|
At any rate, Miss Rachel was reported to have said some
|
|
severe things to Mr. Franklin, at the piano that evening,
|
|
about the people he had lived among, and the principles he had
|
|
adopted in foreign parts. The next day, for the first time,
|
|
nothing was done towards the decoration of the door.
|
|
I suspect some imprudence of Mr. Franklin's on the Continent--
|
|
with a woman or a debt at the bottom of it--had followed
|
|
him to England. But that is all guesswork. In this case,
|
|
not only Mr. Franklin, but my lady too, for a wonder, left me in
|
|
the dark.
|
|
|
|
|
|
|
|
On the seventeenth, to all appearance, the cloud passed away again.
|
|
They returned to their decorating work on the door, and seemed
|
|
to be as good friends as ever. If Penelope was to be believed,
|
|
Mr. Franklin had seized the opportunity of the reconciliation to make
|
|
an offer to Miss Rachel, and had neither been accepted nor refused.
|
|
My girl was sure (from signs and tokens which I need not trouble you with)
|
|
that her young mistress had fought Mr. Franklin off by declining
|
|
to believe that he was in earnest, and had then secretly regretted
|
|
treating him in that way afterwards. Though Penelope was admitted
|
|
to more familiarity with her young mistress than maids generally are--
|
|
for the two had been almost brought up together as children--
|
|
still I knew Miss Rachel's reserved character too well to
|
|
believe that she would show her mind to anybody in this way.
|
|
What my daughter told me, on the present occasion, was, as I suspected,
|
|
more what she wished than what she really knew.
|
|
|
|
|
|
|
|
On the nineteenth another event happened. We had the doctor
|
|
in the house professionally. He was summoned to prescribe for a
|
|
person whom I have had occasion to present to you in these pages--
|
|
our second housemaid, Rosanna Spearman.
|
|
|
|
This poor girl--who had puzzled me, as you know already,
|
|
at the Shivering Sand--puzzled me more than once again,
|
|
in the interval time of which I am now writing.
|
|
Penelope's notion that her fellow-servant was in love
|
|
with Mr. Franklin (which my daughter, by my orders,
|
|
kept strictly secret) seemed to be just as absurd as ever.
|
|
But I must own that what I myself saw, and what my daughter saw also,
|
|
of our second housemaid's conduct, began to look mysterious,
|
|
to say the least of it.
|
|
|
|
For example, the girl constantly put herself in Mr. Franklin's way--very slyly
|
|
and quietly, but she did it. He took about as much notice of her as he took
|
|
of the cat; it never seemed to occur to him to waste a look on Rosanna's
|
|
plain face. The poor thing's appetite, never much, fell away dreadfully;
|
|
and her eyes in the morning showed plain signs of waking and crying at night.
|
|
One day Penelope made an awkward discovery, which we hushed up on the spot.
|
|
She caught Rosanna at Mr. Franklin's dressing-table, secretly removing
|
|
a rose which Miss Rachel had given him to wear in his button-hole, and
|
|
putting another rose like it, of her own picking, in its place. She was,
|
|
after that, once or twice impudent to me, when I gave her a well-meant
|
|
general hint to be careful in her conduct; and, worse still, she was not
|
|
over-respectful now, on the few occasions when Miss Rachel accidentally spoke
|
|
to her.
|
|
|
|
My lady noticed the change, and asked me what I thought about it. I tried
|
|
to screen the girl by answering that I thought she was out of health; and it
|
|
ended in the doctor being sent for, as already mentioned, on the nineteenth.
|
|
He said it was her nerves, and doubted if she was fit for service.
|
|
My lady offered to remove her for change of air to one of our farms, inland.
|
|
She begged and prayed, with the tears in her eyes, to be let to stop;
|
|
and, in an evil hour, I advised my lady to try her for a little longer.
|
|
As the event proved, and as you will soon see, this was the worst advice I
|
|
could have given. If I could only have looked a little way into the future,
|
|
I would have taken Rosanna Spearman out of the house, then and there, with my
|
|
own hand.
|
|
|
|
On the twentieth, there came a note from Mr. Godfrey.
|
|
He had arranged to stop at Frizinghall that night,
|
|
having occasion to consult his father on business.
|
|
On the afternoon of the next day, he and his two eldest sisters
|
|
would ride over to us on horseback, in good time before dinner.
|
|
An elegant little casket in China accompanied the note, presented to
|
|
Miss Rachel, with her cousin's love and best wishes. Mr. Franklin
|
|
had only given her a plain locket not worth half the money.
|
|
My daughter Penelope, nevertheless--such is the obstinacy of women--
|
|
still backed him to win.
|
|
|
|
Thanks be to Heaven, we have arrived at the eve of the birthday at last!
|
|
You will own, I think, that I have got you over the ground this time,
|
|
without much loitering by the way. Cheer up! I'll ease you with another
|
|
new chapter here--and, what is more, that chapter shall take you straight
|
|
into the thick of the story.
|
|
|
|
|
|
|
|
CHAPTER IX
|
|
|
|
|
|
|
|
June twenty-first, the day of the birthday, was cloudy and unsettled
|
|
at sunrise, but towards noon it cleared up bravely.
|
|
|
|
We, in the servants' hall, began this happy anniversary,
|
|
as usual, by offering our little presents to Miss Rachel,
|
|
with the regular speech delivered annually by me as the chief.
|
|
I follow the plan adopted by the Queen in opening Parliament--
|
|
namely, the plan of saying much the same thing regularly every year.
|
|
Before it is delivered, my speech (like the Queen's)
|
|
is looked for as eagerly as if nothing of the kind had ever
|
|
been heard before. When it is delivered, and turns out not
|
|
to be the novelty anticipated, though they grumble a little,
|
|
they look forward hopefully to something newer next year.
|
|
An easy people to govern, in the Parliament and in the Kitchen--
|
|
that's the moral of it. After breakfast, Mr. Franklin and I
|
|
had a private conference on the subject of the Moonstone--
|
|
the time having now come for removing it from the bank
|
|
at Frizinghall, and placing it in Miss Rachel's
|
|
own hands.
|
|
|
|
Whether he had been trying to make love to his cousin again,
|
|
and had got a rebuff--or whether his broken rest, night after night,
|
|
was aggravating the queer contradictions and uncertainties in
|
|
his character--I don't know. But certain it is, that Mr. Franklin
|
|
failed to show himself at his best on the morning of the birthday.
|
|
He was in twenty different minds about the Diamond in as many minutes.
|
|
For my part, I stuck fast by the plain facts a we knew them.
|
|
Nothing had happened to justify us in alarming my lady on the subject
|
|
of the jewel; and nothing could alter the legal obligation that
|
|
now lay on Mr. Franklin to put it in his cousin's possession.
|
|
That was my view of the matter; and, twist and turn it as
|
|
he might, he was forced in the end to make it his view too.
|
|
We arranged that he was to ride over, after lunch, to Frizinghall,
|
|
and bring the Diamond back, with Mr. Godfrey and the two
|
|
young ladies, in all probability, to keep him company on the way
|
|
home again.
|
|
|
|
This settled, our young gentleman went back to Miss Rachel.
|
|
|
|
They consumed the whole morning, and part of the afternoon,
|
|
in the everlasting business of decorating the door,
|
|
Penelope standing by to mix the colours, as directed; and my lady,
|
|
as luncheon time drew near, going in and out of the room,
|
|
with her handkerchief to her nose (for they used a deal of
|
|
Mr. Franklin's vehicle that day), and trying vainly to get the two
|
|
artists away from their work. It was three o'clock before they
|
|
took off their aprons, and released Penelope (much the worse
|
|
for the vehicle), and cleaned themselves of their mess.
|
|
But they had done what they wanted--they had finished
|
|
the door on the birthday, and proud enough they were of it.
|
|
The griffins, cupids, and so on, were, I must own, most beautiful
|
|
to behold; though so many in number, so entangled in flowers
|
|
and devices, and so topsy-turvy in their actions and attitudes,
|
|
that you felt them unpleasantly in your head for hours
|
|
after you had done with the pleasure of looking at them.
|
|
If I add that Penelope ended her part of the morning's work
|
|
by being sick in the back-kitchen, it is in no unfriendly
|
|
spirit towards the vehicle. No! no! It left off stinking
|
|
when it dried; and if Art requires these sort of sacrifices--
|
|
though the girl is my own daughter--I say, let Art
|
|
have them!
|
|
|
|
Mr. Franklin snatched a morsel from the luncheon-table, and rode
|
|
off to Frizinghall--to escort his cousins, as he told my lady.
|
|
To fetch the Moonstone, as was privately known to himself and
|
|
to me.
|
|
|
|
This being one of the high festivals on which I took my place
|
|
at the side-board, in command of the attendance at table,
|
|
I had plenty to occupy my mind while Mr. Franklin was away.
|
|
Having seen to the wine, and reviewed my men and women who were to wait
|
|
at dinner, I retired to collect myself before the company came.
|
|
A whiff of--you know what, and a turn at a certain book which I have
|
|
had occasion to mention in these pages, composed me, body and mind.
|
|
I was aroused from what I am inclined to think must have been,
|
|
not a nap, but a reverie, by the clatter of horses' hoofs outside;
|
|
and, going to the door, received a cavalcade comprising
|
|
Mr. Franklin and his three cousins, escorted by one of old
|
|
Mr. Ablewhite's grooms.
|
|
|
|
Mr. Godfrey struck me, strangely enough, as being like Mr. Franklin
|
|
in this respect--that he did not seem to be in his customary spirits.
|
|
He kindly shook hands with me as usual, and was most politely
|
|
glad to see his old friend Betteredge wearing so well. But there
|
|
was a sort of cloud over him, which I couldn't at all account for;
|
|
and when I asked how he had found his father in health, he answered
|
|
rather shortly, "Much as usual." However, the two Miss Ablewhites
|
|
were cheerful enough for twenty, which more than restored the balance.
|
|
They were nearly as big as their brother; spanking, yellow-haired,
|
|
rosy lasses, overflowing with super-abundant flesh and blood;
|
|
bursting from head to foot with health and spirits. The legs
|
|
of the poor horses trembled with carrying them; and when they jumped
|
|
from their saddles (without waiting to be helped), I declare they
|
|
bounced on the ground as if they were made of india-rubber. Everything
|
|
the Miss Ablewhites said began with a large O; everything they did
|
|
was done with a bang; and they giggled and screamed, in season and
|
|
out of season, on the smallest provocation. Bouncers--that's what I
|
|
call them.
|
|
|
|
Under cover of the noise made by the young ladies, I had an opportunity
|
|
of saying a private word to Mr. Franklin in the hall.
|
|
|
|
"Have you got the Diamond safe, sir?"
|
|
|
|
He nodded, and tapped the breast-pocket of his coat.
|
|
|
|
"Have you seen anything of the Indians?"
|
|
|
|
"Not a glimpse." With that answer, he asked for my lady, and,
|
|
hearing she was in the small drawing-room, went there straight.
|
|
The bell rang, before he had been a minute in the room,
|
|
and Penelope was sent to tell Miss Rachel that Mr. Franklin Blake
|
|
wanted to speak to her.
|
|
|
|
Crossing the hall, about half an hour afterwards, I was brought
|
|
to a sudden standstill by an outbreak of screams from the small
|
|
drawing-room. I can't say I was at all alarmed; for I recognised
|
|
in the screams the favourite large O of the Miss Ablewhites.
|
|
However, I went in (on pretence of asking for instructions about
|
|
the dinner) to discover whether anything serious had really happened.
|
|
|
|
There stood Miss Rachel at the table, like a person fascinated,
|
|
with the Colonel's unlucky Diamond in her hand. There, on either side
|
|
of her, knelt the two Bouncers, devouring the jewel with their eyes,
|
|
and screaming with ecstasy every time it flashed on them in a new light.
|
|
There, at the opposite side of the table, stood Mr. Godfrey, clapping his
|
|
hands like a large child, and singing out softly, "Exquisite! exquisite!"
|
|
There sat Mr. Franklin in a chair by the book-case, tugging at his beard,
|
|
and looking anxiously towards the window. And there, at the window,
|
|
stood the object he was contemplating--my lady, having the extract from
|
|
the Colonel's Will in her hand, and keeping her back turned on the whole of
|
|
the company.
|
|
|
|
She faced me, when I asked for my instructions; and I saw the family frown
|
|
gathering over her eyes, and the family temper twitching at the corners
|
|
of her mouth.
|
|
|
|
"Come to my room in half an hour," she answered. "I shall have something
|
|
to say to you then."
|
|
|
|
With those words she went out. It was plain enough that she was posed
|
|
by the same difficulty which had posed Mr. Franklin and me in our
|
|
conference at the Shivering Sand. Was the legacy of the Moonstone
|
|
a proof that she had treated her brother with cruel injustice? or was it
|
|
a proof that he was worse than the worst she had ever thought of him?
|
|
Serious questions those for my lady to determine, while her daughter,
|
|
innocent of all knowledge of the Colonel's character, stood there
|
|
with the Colonel's birthday gift in her hand.
|
|
|
|
Before I could leave the room in my turn, Miss Rachel, always considerate
|
|
to the old servant who had been in the house when she was born, stopped me.
|
|
"Look, Gabriel!" she said, and flashed the jewel before my eyes in a ray of
|
|
sunlight that poured through the window.
|
|
|
|
Lord bless us! it WAS a Diamond! As large, or nearly, as a plover's egg!
|
|
The light that streamed from it was like the light of the harvest moon.
|
|
When you looked down into the stone, you looked into a yellow
|
|
deep that drew your eyes into it so that they saw nothing else.
|
|
It seemed unfathomable; this jewel, that you could hold between your
|
|
finger and thumb, seemed unfathomable as the heavens themselves.
|
|
We set it in the sun, and then shut the light out of the room,
|
|
and it shone awfully out of the depths of its own brightness,
|
|
with a moony gleam, in the dark. No wonder Miss Rachel was fascinated:
|
|
no wonder her cousins screamed. The Diamond laid such a hold on ME
|
|
that I burst out with as large an "O" as the Bouncers themselves.
|
|
The only one of us who kept his senses was Mr. Godfrey.
|
|
He put an arm round each of his sister's waists, and, looking
|
|
compassionately backwards and forwards between the Diamond
|
|
and me, said, "Carbon Betteredge! mere carbon, my good friend,
|
|
after all!"
|
|
|
|
His object, I suppose, was to instruct me. All he did, however, was to
|
|
remind me of the dinner. I hobbled off to my army of waiters downstairs.
|
|
As I went out, Mr. Godfrey said, "Dear old Betteredge, I have the truest
|
|
regard for him!" He was embracing his sisters, and ogling Miss Rachel,
|
|
while he honoured me with that testimony of affection. Something like a stock
|
|
of love to draw on THERE! Mr. Franklin was a perfect savage by comparison
|
|
with him.
|
|
|
|
At the end of half an hour, I presented myself, as directed,
|
|
in my lady's room.
|
|
|
|
What passed between my mistress and me, on this occasion, was,
|
|
in the main, a repetition of what had passed between Mr. Franklin
|
|
and me at the Shivering Sand--with this difference, that I took
|
|
care to keep my own counsel about the jugglers, seeing that nothing
|
|
had happened to justify me in alarming my lady on this head.
|
|
When I received my dismissal, I could see that she took the blackest
|
|
view possible of the Colonel's motives, and that she was bent
|
|
on getting the Moonstone out of her daughter's possession at
|
|
the first opportunity.
|
|
|
|
On my way back to my own part of the house, I was encountered by
|
|
Mr. Franklin. He wanted to know if I had seen anything of his cousin Rachel.
|
|
I had seen nothing of her. Could I tell him where his cousin Godfrey was?
|
|
I didn't know; but I began to suspect that cousin Godfrey might not be
|
|
far away from cousin Rachel. Mr. Franklin's suspicions apparently took
|
|
the same turn. He tugged hard at his beard, and went and shut himself
|
|
up in the library with a bang of the door that had a world of meaning
|
|
in it.
|
|
|
|
I was interrupted no more in the business of preparing for the birthday dinner
|
|
till it was time for me to smarten myself up for receiving the company.
|
|
Just as I had got my white waistcoat on, Penelope presented herself
|
|
at my toilet, on pretence of brushing what little hair I have got left,
|
|
and improving the tie of my white cravat. My girl was in high spirits,
|
|
and I saw she had something to say to me. She gave me a kiss on the top
|
|
of my bald head, and whispered, "News for you, father! Miss Rachel has
|
|
refused him."
|
|
|
|
"Who's 'HIM'?" I asked.
|
|
|
|
"The ladies' committee-man, father," says Penelope. "A nasty sly fellow!
|
|
I hate him for trying to supplant Mr. Franklin!"
|
|
|
|
If I had had breath enough, I should certainly have protested against
|
|
this indecent way of speaking of an eminent philanthropic character.
|
|
But my daughter happened to be improving the tie of my cravat at that moment,
|
|
and the whole strength of her feelings found its way into her fingers.
|
|
I never was more nearly strangled in my life.
|
|
|
|
"I saw him take her away alone into the rose-garden," says Penelope.
|
|
"And I waited behind the holly to see how they came back.
|
|
They had gone out arm-in-arm, both laughing. They came back,
|
|
walking separate, as grave as grave could be, and looking straight
|
|
away from each other in a manner which there was no mistaking.
|
|
I never was more delighted, father, in my life! There's one woman
|
|
in the world who can resist Mr. Godfrey Ablewhite, at any rate;
|
|
and, if I was a lady, I should be another!"
|
|
|
|
Here I should have protested again. But my daughter had got the hair-brush
|
|
by this time, and the whole strength of her feelings had passed into THAT.
|
|
If you are bald, you will understand how she sacrificed me. If you are not,
|
|
skip this bit, and thank God you have got something in the way of a defence
|
|
between your hair-brush and your head.
|
|
|
|
"Just on the other side of the holly," Penelope went on,
|
|
"Mr. Godfrey came to a standstill. 'You prefer,' says he,
|
|
'that I should stop here as if nothing had happened?'
|
|
Miss Rachel turned on him like lightning. 'You have accepted my
|
|
mother's invitation,' she said; 'and you are here to meet her guests.
|
|
Unless you wish to make a scandal in the house, you will remain,
|
|
of course!' She went on a few steps, and then seemed to relent
|
|
a little. 'Let us forget what has passed, Godfrey,' she said,
|
|
'and let us remain cousins still.' She gave him her hand.
|
|
He kissed it, which I should have considered taking a liberty,
|
|
and then she left him. He waited a little by himself,
|
|
with his head down, and his heel grinding a hole slowly
|
|
in the gravel walk; you never saw a man look more put
|
|
out in your life. 'Awkward!' he said between his teeth,
|
|
when he looked up, and went on to the house--'very awkward!'
|
|
If that was his opinion of himself, he was quite right.
|
|
Awkward enough, I'm sure. And the end of it is, father, what I
|
|
told you all along," cries Penelope, finishing me off with
|
|
a last scarification, the hottest of all. "Mr. Franklin's
|
|
the man!"
|
|
|
|
I got possession of the hair-brush, and opened my lips to administer
|
|
the reproof which, you will own, my daughter's language and conduct
|
|
richly deserved.
|
|
|
|
Before I could say a word, the crash of carriage-wheels outside
|
|
struck in, and stopped me. The first of the dinner-company had come.
|
|
Penelope instantly ran off. I put on my coat, and looked in the glass.
|
|
My head was as red as a lobster; but, in other respects, I was as
|
|
nicely dressed for the ceremonies of the evening as a man need be.
|
|
I got into the hall just in time to announce the two first of the guests.
|
|
You needn't feel particularly interested about them. Only the
|
|
philanthropist's father and mother--Mr. and Mrs. Ablewhite.
|
|
|
|
|
|
|
|
CHAPTER X
|
|
|
|
|
|
|
|
One on the top of the other the rest of the company followed
|
|
the Ablewhites, till we had the whole tale of them complete.
|
|
Including the family, they were twenty-four in all.
|
|
It was a noble sight to see, when they were settled in their
|
|
places round the dinner-table, and the Rector of Frizinghall
|
|
(with beautiful elocution) rose and said grace.
|
|
|
|
There is no need to worry you with a list of the guests.
|
|
You will meet none of them a second time--in my part of the story,
|
|
at any rate--with the exception of two.
|
|
|
|
Those two sat on either side of Miss Rachel, who, as queen
|
|
of the day, was naturally the great attraction of the party.
|
|
On this occasion she was more particularly the centre-point
|
|
towards which everybody's eyes were directed; for (to my
|
|
lady's secret annoyance) she wore her wonderful birthday
|
|
present, which eclipsed all the rest--the Moonstone.
|
|
It was without any setting when it had been placed in her hands;
|
|
but that universal genius, Mr. Franklin, had contrived,
|
|
with the help of his neat fingers and a little bit of silver wire,
|
|
to fix it as a brooch in the bosom of her white dress.
|
|
Everybody wondered at the prodigious size and beauty of the Diamond,
|
|
as a matter of course. But the only two of the company who said
|
|
anything out of the common way about it were those two guests
|
|
I have mentioned, who sat by Miss Rachel on her right hand and
|
|
her left.
|
|
|
|
The guest on her left was Mr. Candy, our doctor at Frizinghall.
|
|
|
|
This was a pleasant, companionable little man, with the drawback, however,
|
|
I must own, of being too fond, in season and out of season, of his joke,
|
|
and of his plunging in rather a headlong manner into talk with strangers,
|
|
without waiting to feel his way first. In society he was constantly
|
|
making mistakes, and setting people unintentionally by the ears together.
|
|
In his medical practice he was a more prudent man; picking up his discretion
|
|
(as his enemies said) by a kind of instinct, and proving to be generally right
|
|
where more carefully conducted doctors turned out to be wrong.
|
|
|
|
What HE said about the Diamond to Miss Rachel was said, as usual,
|
|
by way of a mystification or joke. He gravely entreated her
|
|
(in the interests of science) to let him take it home and burn it.
|
|
"We will first heat it, Miss Rachel," says the doctor, "to such
|
|
and such a degree; then we will expose it to a current of air;
|
|
and, little by little--puff!--we evaporate the Diamond, and spare you
|
|
a world of anxiety about the safe keeping of a valuable precious stone!"
|
|
My lady, listening with rather a careworn expression on her face,
|
|
seemed to wish that the doctor had been in earnest, and that he could
|
|
have found Miss Rachel zealous enough in the cause of science to
|
|
sacrifice her birthday gift.
|
|
|
|
The other guest, who sat on my young lady's right hand, was an eminent
|
|
public character--being no other than the celebrated Indian traveller,
|
|
Mr. Murthwaite, who, at risk of his life, had penetrated in disguise
|
|
where no European had ever set foot before.
|
|
|
|
This was a long, lean, wiry, brown, silent man.
|
|
He had a weary look, and a very steady, attentive eye.
|
|
It was rumoured that he was tired of the humdrum life among
|
|
the people in our parts, and longing to go back and wander
|
|
off on the tramp again in the wild places of the East.
|
|
Except what he said to Miss Rachel about her jewel,
|
|
I doubt if he spoke six words or drank so much as a single
|
|
glass of wine, all through the dinner. The Moonstone was
|
|
the only object that interested him in the smallest degree.
|
|
The fame of it seemed to have reached him, in some of those
|
|
perilous Indian places where his wanderings had lain.
|
|
After looking at it silently for so long a time that Miss
|
|
Rachel began to get confused, he said to her in his cool
|
|
immovable way, "If you ever go to India, Miss Verinder,
|
|
don't take your uncle's birthday gift with you.
|
|
A Hindoo diamond is sometimes part of a Hindoo religion.
|
|
I know a certain city, and a certain temple in that city,
|
|
where, dressed as you are now, your life would not be worth
|
|
five minutes' purchase." Miss Rachel, safe in England,
|
|
was quite delighted to hear of her danger in India.
|
|
The Bouncers were more delighted still; they dropped their knives
|
|
and forks with a crash, and burst out together vehemently,
|
|
"O! how interesting!" My lady fidgeted in her chair, and changed
|
|
the subject.
|
|
|
|
As the dinner got on, I became aware, little by little,
|
|
that this festival was not prospering as other like festivals
|
|
had prospered before it.
|
|
|
|
Looking back at the birthday now, by the light of what happened afterwards,
|
|
I am half inclined to think that the cursed Diamond must have cast
|
|
a blight on the whole company. I plied them well with wine;
|
|
and being a privileged character, followed the unpopular dishes
|
|
round the table, and whispered to the company confidentially,
|
|
"Please to change your mind and try it; for I know it will do you good."
|
|
Nine times out of ten they changed their minds--out of regard
|
|
for their old original Betteredge, they were pleased to say--
|
|
but all to no purpose. There were gaps of silence in the talk,
|
|
as the dinner got on, that made me feel personally uncomfortable.
|
|
When they did use their tongues again, they used them innocently,
|
|
in the most unfortunate manner and to the worst possible purpose.
|
|
Mr. Candy, the doctor, for instance, said more unlucky things than I ever
|
|
knew him to say before. Take one sample of the way in which he went on,
|
|
and you will understand what I had to put up with at the sideboard,
|
|
officiating as I was in the character of a man who had the prosperity
|
|
of the festival at heart.
|
|
|
|
One of our ladies present at dinner was worthy Mrs. Threadgall,
|
|
widow of the late Professor of that name. Talking of her deceased
|
|
husband perpetually, this good lady never mentioned to strangers
|
|
that he WAS deceased. She thought, I suppose, that every
|
|
able-bodied adult in England ought to know as much as that.
|
|
In one of the gaps of silence, somebody mentioned the dry
|
|
and rather nasty subject of human anatomy; whereupon good
|
|
Mrs. Threadgall straightway brought in her late husband as usual,
|
|
without mentioning that he was dead. Anatomy she described
|
|
as the Professor's favourite recreation in his leisure hours.
|
|
As ill-luck would have it, Mr. Candy, sitting opposite
|
|
(who knew nothing of the deceased gentleman), heard her.
|
|
Being the most polite of men, he seized the opportunity
|
|
of assisting the Professor's anatomical amusements on
|
|
the spot.
|
|
|
|
"They have got some remarkably fine skeletons lately at the College
|
|
of Surgeons," says Mr. Candy, across the table, in a loud cheerful voice.
|
|
"I strongly recommend the Professor, ma'am, when he next has an hour to spare,
|
|
to pay them a visit."
|
|
|
|
You might have heard a pin fall. The company (out of respect
|
|
to the Professor's memory) all sat speechless. I was behind
|
|
Mrs. Threadgall at the time, plying her confidentially with a glass
|
|
of hock. She dropped her head, and said in a very low voice,
|
|
"My beloved husband is no more."
|
|
|
|
Unluckily Mr. Candy, hearing nothing, and miles away from suspecting
|
|
the truth, went on across the table louder and politer than ever.
|
|
|
|
|
|
"The Professor may not be aware," says he, "that the card of a member
|
|
of the College will admit him, on any day but Sunday, between the hours
|
|
of ten and four."
|
|
|
|
Mrs. Threadgall dropped her head right into her tucker, and, in a lower
|
|
voice still, repeated the solemn words, "My beloved husband is no more."
|
|
|
|
I winked hard at Mr. Candy across the table. Miss Rachel touched his arm.
|
|
My lady looked unutterable things at him. Quite useless! On he went,
|
|
with a cordiality that there was no stopping anyhow. "I shall be delighted,"
|
|
says he, "to send the Professor my card, if you will oblige me by mentioning
|
|
his present address."
|
|
|
|
"His present address, sir, is THE GRAVE," says Mrs. Threadgall,
|
|
suddenly losing her temper, and speaking with an emphasis and fury
|
|
that made the glasses ring again. "The Professor has been dead
|
|
these ten years."
|
|
|
|
"Oh, good heavens!" says Mr. Candy. Excepting the Bouncers,
|
|
who burst out laughing, such a blank now fell on the company,
|
|
that they might all have been going the way of the Professor,
|
|
and hailing as he did from the direction of the grave.
|
|
|
|
So much for Mr. Candy. The rest of them were nearly as
|
|
provoking in their different ways as the doctor himself.
|
|
When they ought to have spoken, they didn't speak;
|
|
or when they did speak they were perpetually at cross purposes.
|
|
Mr. Godfrey, though so eloquent in public, declined to exert himself
|
|
in private. Whether he was sulky, or whether he was bashful,
|
|
after his discomfiture in the rose-garden, I can't say.
|
|
He kept all his talk for the private ear of the lady
|
|
(a member of our family) who sat next to him.
|
|
She was one of his committee-women--a spiritually-minded person,
|
|
with a fine show of collar-bone and a pretty taste in champagne;
|
|
liked it dry, you understand, and plenty of it.
|
|
Being close behind these two at the sideboard, I can testify,
|
|
from what I heard pass between them, that the company lost
|
|
a good deal of very improving conversation, which I caught up
|
|
while drawing the corks, and carving the mutton, and so forth.
|
|
What they said about their Charities I didn't hear.
|
|
When I had time to listen to them, they had got a long way beyond
|
|
their women to be confined, and their women to be rescued,
|
|
and were disputing on serious subjects. Religion (I understand
|
|
Mr. Godfrey to say, between the corks and the carving) meant love.
|
|
And love meant religion. And earth was heaven a little the worse
|
|
for wear. And heaven was earth, done up again to look like new.
|
|
Earth had some very objectionable people in it; but, to make
|
|
amends for that, all the women in heaven would be members of a
|
|
prodigious committee that never quarrelled, with all the men in
|
|
attendance on them as ministering angels. Beautiful! beautiful!
|
|
But why the mischief did Mr. Godfrey keep it all to his lady and
|
|
himself?
|
|
|
|
Mr. Franklin again--surely, you will say, Mr. Franklin stirred
|
|
the company up into making a pleasant evening of it?
|
|
|
|
Nothing of the sort! He had quite recovered himself, and he was
|
|
in wonderful force and spirits, Penelope having informed him,
|
|
I suspect, of Mr. Godfrey's reception in the rose-garden. But,
|
|
talk as he might, nine times out of ten he pitched on the
|
|
wrong subject, or he addressed himself to the wrong person;
|
|
the end of it being that he offended some, and puzzled all of them.
|
|
That foreign training of his--those French and German and Italian
|
|
sides of him, to which I have already alluded--came out,
|
|
at my lady's hospitable board, in a most bewildering manner.
|
|
|
|
What do you think, for instance, of his discussing the lengths
|
|
to which a married woman might let her admiration go for a man
|
|
who was not her husband, and putting it in his clear-headed witty
|
|
French way to the maiden aunt of the Vicar of Frizinghall?
|
|
What do you think, when he shifted to the German side,
|
|
of his telling the lord of the manor, while that great authority
|
|
on cattle was quoting his experience in the breeding of bulls,
|
|
that experience, properly understood counted for nothing, and that
|
|
the proper way to breed bulls was to look deep into your own mind,
|
|
evolve out of it the idea of a perfect bull, and produce him?
|
|
What do you say, when our county member, growing hot, at cheese
|
|
and salad time, about the spread of democracy in England,
|
|
burst out as follows: "If we once lose our ancient safeguards,
|
|
Mr. Blake, I beg to ask you, what have we got left?"--what do you
|
|
say to Mr. Franklin answering, from the Italian point of view:
|
|
"We have got three things left, sir--Love, Music, and Salad"?
|
|
He not only terrified the company with such outbreaks as these,
|
|
but, when the English side of him turned up in due course,
|
|
he lost his foreign smoothness; and, getting on the subject
|
|
of the medical profession, said such downright things in ridicule
|
|
of doctors, that he actually put good-humoured little Mr. Candy in
|
|
a rage.
|
|
|
|
The dispute between them began in Mr. Franklin being led--I forget how--
|
|
to acknowledge that he had latterly slept very badly at night.
|
|
Mr. Candy thereupon told him that his nerves were all out of order
|
|
and that he ought to go through a course of medicine immediately.
|
|
Mr. Franklin replied that a course of medicine, and a course of groping
|
|
in the dark, meant, in his estimation, one and the same thing.
|
|
Mr. Candy, hitting back smartly, said that Mr Franklin himself was,
|
|
constitutionally speaking, groping in the dark after sleep,
|
|
and that nothing but medicine could help him to find it.
|
|
Mr. Franklin, keeping the ball up on his side, said he had often
|
|
heard of the blind leading the blind, and now, for the first time,
|
|
he knew what it meant. In this way, they kept it going briskly,
|
|
cut and thrust, till they both of them got hot--Mr. Candy,
|
|
in particular, so completely losing his self-control, in defence
|
|
of his profession, that my lady was obliged to interfere,
|
|
and forbid the dispute to go on. This necessary act of authority
|
|
put the last extinguisher on the spirits of the company.
|
|
The talk spurted up again here and there, for a minute or two at
|
|
a time; but there was a miserable lack of life and sparkle in it.
|
|
The Devil (or the Diamond) possessed that dinner-party;
|
|
and it was a relief to everybody when my mistress rose,
|
|
and gave the ladies the signal to leave the gentlemen over their
|
|
wine.
|
|
|
|
|
|
|
|
I had just ranged the decanters in a row before old Mr. Ablewhite
|
|
(who represented the master of the house), when there came a sound from
|
|
the terrace which, startled me out of my company manners on the instant.
|
|
Mr. Franklin and I looked at each other; it was the sound of the Indian drum.
|
|
As I live by bread, here were the jugglers returning to us with the return of
|
|
the Moonstone to the house!
|
|
|
|
As they rounded the corner of the terrace, and came
|
|
in sight, I hobbled out to warn them off. But, as ill--
|
|
luck would have it, the two Bouncers were beforehand with me.
|
|
They whizzed out on to the terrace like a couple of skyrockets,
|
|
wild to see the Indians exhibit their tricks. The other
|
|
ladies followed; the gentlemen came out on their side.
|
|
Before you could say, "Lord bless us!" the rogues were making
|
|
their salaams; and the Bouncers were kissing the pretty
|
|
little boy.
|
|
|
|
Mr. Franklin got on one side of Miss Rachel, and I put myself behind her.
|
|
If our suspicions were right, there she stood, innocent of all knowledge of
|
|
the truth, showing the Indians the Diamond in the bosom of her dress!
|
|
|
|
I can't tell you what tricks they performed, or how they did it.
|
|
What with the vexation about the dinner, and what with the
|
|
provocation of the rogues coming back just in the nick of time
|
|
to see the jewel with their own eyes, I own I lost my head.
|
|
The first thing that I remember noticing was the sudden
|
|
appearance on the scene of the Indian traveller, Mr. Murthwaite.
|
|
Skirting the half-circle in which the gentlefolks stood or sat,
|
|
he came quietly behind the jugglers and spoke to them on a sudden
|
|
in the language of their own country.
|
|
|
|
If he had pricked them with a bayonet, I doubt if the Indians could have
|
|
started and turned on him with a more tigerish quickness than they did,
|
|
on hearing the first words that passed his lips. The next moment they
|
|
were bowing and salaaming to him in their most polite and snaky way.
|
|
After a few words in the unknown tongue had passed on either side,
|
|
Mr. Murthwaite withdrew as quietly as he had approached.
|
|
The chief Indian, who acted as interpreter, thereupon wheeled about again
|
|
towards the gentlefolks. I noticed that the fellow's coffee-coloured
|
|
face had turned grey since Mr. Murthwaite had spoken to him.
|
|
He bowed to my lady, and informed her that the exhibition was over.
|
|
The Bouncers, indescribably disappointed, burst out with a loud
|
|
"O!" directed against Mr. Murthwaite for stopping the performance.
|
|
The chief Indian laid his hand humbly on his breast, and said a second
|
|
time that the juggling was over. The little boy went round with the hat.
|
|
The ladies withdrew to the drawing--room; and the gentlemen
|
|
(excepting Mr. Franklin and Mr. Murthwaite) returned to their wine.
|
|
I and the footman followed the Indians, and saw them safe off the
|
|
premises.
|
|
|
|
Going back by way of the shrubbery, I smelt tobacco, and found
|
|
Mr. Franklin and Mr. Murthwaite (the latter smoking a cheroot)
|
|
walking slowly up and down among the trees. Mr. Franklin beckoned
|
|
to me to join them.
|
|
|
|
"This," says Mr. Franklin, presenting me to the great traveller,
|
|
"is Gabriel Betteredge, the old servant and friend of our family
|
|
of whom I spoke to you just now. Tell him, if you please,
|
|
what you have just told me."
|
|
|
|
Mr. Murthwaite took his cheroot out of his mouth, and leaned,
|
|
in his weary way, against the trunk of a tree.
|
|
|
|
"Mr. Betteredge," he began, "those three Indians are no more jugglers
|
|
than you and I are."
|
|
|
|
Here was a new surprise! I naturally asked the traveller if he had ever
|
|
met with the Indians before.
|
|
|
|
"Never," says Mr. Murthwaite; "but I know what Indian
|
|
juggling really is. All you have seen to-night is a very bad
|
|
and clumsy imitation of it. Unless, after long experience,
|
|
I am utterly mistaken, those men are high-caste Brahmins.
|
|
I charged them with being disguised, and you saw how it told on them,
|
|
clever as the Hindoo people are in concealing their feelings.
|
|
There is a mystery about their conduct that I can't explain.
|
|
They have doubly sacrificed their caste--first, in crossing
|
|
the sea; secondly, in disguising themselves as jugglers.
|
|
In the land they live in that is a tremendous sacrifice to make.
|
|
There must be some very serious motive at the bottom of it,
|
|
and some justification of no ordinary kind to plead for them,
|
|
in recovery of their caste, when they return to their own
|
|
country."
|
|
|
|
I was struck dumb. Mr. Murthwaite went on with his cheroot.
|
|
Mr. Franklin, after what looked to me like a little private
|
|
veering about between the different sides of his character,
|
|
broke the silence as follows:
|
|
|
|
"I feel some hesitation, Mr. Murthwaite, in troubling you with family matters,
|
|
in which you can have no interest and which I am not very willing
|
|
to speak of out of our own circle. But, after what you have said,
|
|
I feel bound, in the interests of Lady Verinder and her daughter,
|
|
to tell you something which may possibly put the clue into your hands.
|
|
I speak to you in confidence; you will oblige me, I am sure, by not
|
|
forgetting that?"
|
|
|
|
With this preface, he told the Indian traveller all that he had told me
|
|
at the Shivering Sand. Even the immovable Mr. Murthwaite was so interested
|
|
in what he heard, that he let his cheroot go out.
|
|
|
|
"Now," says Mr. Franklin, when he had done, "what does your experience say?"
|
|
|
|
"My experience," answered the traveller, "says that you have had more
|
|
narrow escapes of your life, Mr. Franklin Blake, than I have had of mine;
|
|
and that is saying a great deal."
|
|
|
|
It was Mr. Franklin's turn to be astonished now.
|
|
|
|
"Is it really as serious as that?" he asked.
|
|
|
|
"In my opinion it is," answered Mr. Murthwaite. "I can't doubt,
|
|
after what you have told me, that the restoration of the Moonstone
|
|
to its place on the forehead of the Indian idol, is the motive and the
|
|
justification of that sacrifice of caste which I alluded to just now.
|
|
Those men will wait their opportunity with the patience of cats,
|
|
and will use it with the ferocity of tigers. How you have escaped
|
|
them I can't imagine," says the eminent traveller, lighting his
|
|
cheroot again, and staring hard at Mr. Franklin. "You have been
|
|
carrying the Diamond backwards and forwards, here and in London,
|
|
and you are still a living man! Let us try and account for it.
|
|
It was daylight, both times, I suppose, when you took the jewel out of
|
|
the bank in London?"
|
|
|
|
"Broad daylight," says Mr. Franklin.
|
|
|
|
"And plenty of people in the streets?"
|
|
|
|
"Plenty."
|
|
|
|
"You settled, of course, to arrive at Lady Verinder's house at a
|
|
certain time? It's a lonely country between this and the station.
|
|
Did you keep your appointment?"
|
|
|
|
"No. I arrived four hours earlier than my appointment."
|
|
|
|
"I beg to congratulate you on that proceeding! When did you
|
|
take the Diamond to the bank at the town here?"
|
|
|
|
"I took it an hour after I had brought it to this house--
|
|
and three hours before anybody was prepared for seeing me in
|
|
these parts."
|
|
|
|
"I beg to congratulate you again! Did you bring it back here alone?"
|
|
|
|
"No. I happened to ride back with my cousins and the groom."
|
|
|
|
"I beg to congratulate you for the third time! If you ever
|
|
feel inclined to travel beyond the civilised limits, Mr. Blake,
|
|
let me know, and I will go with you. You are a lucky man."
|
|
|
|
Here I struck in. This sort of thing didn't at all square
|
|
with my English ideas.
|
|
|
|
"You don't really mean to say, sir," I asked, "that they
|
|
would have taken Mr. Franklin's life, to get their Diamond,
|
|
if he had given them the chance?"
|
|
|
|
"Do you smoke, Mr. Betteredge?" says the traveller.
|
|
|
|
"Yes, sir.
|
|
|
|
"Do you care much for the ashes left in your pipe when you empty it?"
|
|
|
|
"No, sir."
|
|
|
|
"In the country those men came from, they care just as much about
|
|
killing a man, as you care about emptying the ashes out of your pipe.
|
|
If a thousand lives stood between them and the getting back of their Diamond--
|
|
and if they thought they could destroy those lives without discovery--
|
|
they would take them all. The sacrifice of caste is a serious
|
|
thing in India, if you like. The sacrifice of life is nothing
|
|
at all."
|
|
|
|
I expressed my opinion upon this, that they were a set of murdering thieves.
|
|
Mr. Murthwaite expressed HIS opinion that they were a wonderful people.
|
|
Mr. Franklin, expressing no opinion at all, brought us back to the matter
|
|
in hand.
|
|
|
|
"They have seen the Moonstone on Miss Verinder's dress," he said.
|
|
"What is to be done?"
|
|
|
|
"What your uncle threatened to do," answered Mr. Murthwaite.
|
|
"Colonel Herncastle understood the people he had to deal with.
|
|
Send the Diamond to-morrow (under guard of more than one man)
|
|
to be cut up at Amsterdam. Make half a dozen diamonds of it,
|
|
instead of one. There is an end of its sacred identity as
|
|
The Moonstone--and there is an end of the conspiracy."
|
|
|
|
Mr. Franklin turned to me.
|
|
|
|
"There is no help for it," he said. "We must speak to Lady
|
|
Verinder to-morrow."
|
|
|
|
"What about to-night, sir?" I asked. "Suppose the Indians come back?"
|
|
|
|
Mr. Murthwaite answered me before Mr. Franklin could speak.
|
|
|
|
"The Indians won't risk coming back to-night," he said.
|
|
"The direct way is hardly ever the way they take to anything--
|
|
let alone a matter like this, in which the slightest mistake might be
|
|
fatal to their reaching their end."
|
|
|
|
"But suppose the rogues are bolder than you think, sir?"
|
|
I persisted.
|
|
|
|
"In that case," says Mr. Murthwaite, "let the dogs loose.
|
|
Have you got any big dogs in the yard?"
|
|
|
|
"Two, sir. A mastiff and a bloodhound."
|
|
|
|
"They will do. In the present emergency, Mr. Betteredge,
|
|
the mastiff and the bloodhound have one great merit--
|
|
they are not likely to be troubled with your scruples about
|
|
the sanctity of human life."
|
|
|
|
The strumming of the piano reached us from the drawing-room,
|
|
as he fired that shot at me. He threw away his cheroot,
|
|
and took Mr. Franklin's arm, to go back to the ladies.
|
|
I noticed that the sky was clouding over fast, as I followed
|
|
them to the house. Mr. Murthwaite noticed it too.
|
|
He looked round at me, in his dry, droning way, and said:
|
|
|
|
"The Indians will want their umbrellas, Mr. Betteredge, to-night!"
|
|
|
|
It was all very well for HIM to joke. But I was not an eminent traveller--
|
|
and my way in this world had not led me into playing ducks and drakes with my
|
|
own life, among thieves and murderers in the outlandish places of the earth.
|
|
I went into my own little room, and sat down in my chair in a perspiration,
|
|
and wondered helplessly what was to be done next. In this anxious frame
|
|
of mind, other men might have ended by working themselves up into a fever;
|
|
I ended in a different way. I lit my pipe, and took a turn at
|
|
ROBINSON CRUSOE.
|
|
|
|
Before I had been at it five minutes, I came to this amazing bit--
|
|
page one hundred and sixty-one--as follows:
|
|
|
|
"Fear of Danger is ten thousand times more terrifying than Danger itself,
|
|
when apparent to the Eyes; and we find the Burthen of Anxiety greater,
|
|
by much, than the Evil which we are anxious about."
|
|
|
|
The man who doesn't believe in ROBINSON CRUSOE, after THAT,
|
|
is a man with a screw loose in his understanding, or a man
|
|
lost in the mist of his own self-conceit! Argument is thrown
|
|
away upon him; and pity is better reserved for some person
|
|
with a livelier faith.
|
|
|
|
I was far on with my second pipe, and still lost in admiration of that
|
|
wonderful book, when Penelope (who had been handing round the tea)
|
|
came in with her report from the drawing-room. She had left the Bouncers
|
|
singing a duet-words beginning with a large "O," and music to correspond.
|
|
She had observed that my lady made mistakes in her game of whist
|
|
for the first time in our experience of her. She had seen the great
|
|
traveller asleep in a corner. She had overheard Mr. Franklin sharpening
|
|
his wits on Mr. Godfrey, at the expense of Ladies' Charities in general;
|
|
and she had noticed that Mr. Godfrey hit him back again rather
|
|
more smartly than became a gentleman of his benevolent character.
|
|
She had detected Miss Rachel, apparently engaged in appeasing Mrs. Threadgall
|
|
by showing her some photographs, and really occupied in stealing looks
|
|
at Mr. Franklin, which no intelligent lady's maid could misinterpret
|
|
for a single instant. Finally, she had missed Mr. Candy, the doctor,
|
|
who had mysteriously disappeared from the drawing-room, and had then
|
|
mysteriously returned, and entered into conversation with Mr. Godfrey.
|
|
Upon the whole, things were prospering better than the experience
|
|
of the dinner gave us any right to expect. If we could only hold
|
|
on for another hour, old Father Time would bring up their carriages,
|
|
and relieve us of them altogether.
|
|
|
|
Everything wears off in this world; and even the comforting
|
|
effect of ROBINSON CRUSOE wore off, after Penelope left me.
|
|
I got fidgety again, and resolved on making a survey of the
|
|
grounds before the rain came. Instead of taking the footman,
|
|
whose nose was human, and therefore useless in any emergency,
|
|
I took the bloodhound with me. HIS nose for a stranger
|
|
was to be depended on. We went all round the premises,
|
|
and out into the road--and returned as wise as we went,
|
|
having discovered no such thing as a lurking human
|
|
creature anywhere.
|
|
|
|
The arrival of the carriages was the signal for the arrival
|
|
of the rain. It poured as if it meant to pour all night.
|
|
With the exception of the doctor, whose gig was waiting for him, the rest
|
|
of the company went home snugly, under cover, in close carriages.
|
|
I told Mr. Candy that I was afraid he would get wet through.
|
|
He told me, in return, that he wondered I had arrived at my time
|
|
of life, without knowing that a doctor's skin was waterproof.
|
|
So he drove away in the rain, laughing over his own little joke;
|
|
and so we got rid of our dinner company.
|
|
|
|
The next thing to tell is the story of the night.
|
|
|
|
|
|
|
|
CHAPTER XI
|
|
|
|
|
|
When the last of the guests had driven away, I went back into
|
|
the inner hall and found Samuel at the side-table, presiding
|
|
over the brandy and soda-water. My lady and Miss Rachel came
|
|
out of the drawing-room, followed by the two gentlemen.
|
|
Mr. Godfrey had some brandy and soda-water, Mr. Franklin
|
|
took nothing. He sat down, looking dead tired; the talking
|
|
on this birthday occasion had, I suppose, been too much
|
|
for him.
|
|
|
|
My lady, turning round to wish them good-night, looked hard
|
|
at the wicked Colonel's legacy shining in her daughter's dress.
|
|
|
|
"Rachel," she asked, "where are you going to put your Diamond to-night?"
|
|
|
|
Miss Rachel was in high good spirits, just in that humour
|
|
for talking nonsense, and perversely persisting in it as if it
|
|
was sense, which you may sometimes have observed in young girls,
|
|
when they are highly wrought up, at the end of an exciting day.
|
|
First, she declared she didn't know where to put the Diamond.
|
|
Then she said, "on her dressing-table, of course, along with
|
|
her other things." Then she remembered that the Diamond
|
|
might take to shining of itself, with its awful moony light
|
|
in the dark--and that would terrify her in the dead of night.
|
|
Then she bethought herself of an Indian cabinet which stood
|
|
in her sitting-room; and instantly made up her mind to put
|
|
the Indian diamond in the Indian cabinet, for the purpose of
|
|
permitting two beautiful native productions to admire each other.
|
|
Having let her little flow of nonsense run on as far as that point,
|
|
her mother interposed and stopped her.
|
|
|
|
"My dear! your Indian cabinet has no lock to it," says my lady.
|
|
|
|
"Good Heavens, mamma!" cried Miss Rachel, "is this an hotel?
|
|
Are there thieves in the house?"
|
|
|
|
Without taking notice of this fantastic way of talking, my lady wished
|
|
the gentlemen good-night. She next turned to Miss Rachel, and kissed her.
|
|
"Why not let ME keep the Diamond for you to-night?" she asked.
|
|
|
|
Miss Rachel received that proposal as she might, ten years since,
|
|
have received a proposal to part her from a new doll.
|
|
My lady saw there was no reasoning with her that night.
|
|
"Come into my room, Rachel, the first thing to-morrow morning,"
|
|
she said. "I shall have something to say to you." With those
|
|
last words she left us slowly; thinking her own thoughts, and,
|
|
to all appearance, not best pleased with the way by which they were
|
|
leading her.
|
|
|
|
Miss Rachel was the next to say good-night. She shook hands first
|
|
with Mr. Godfrey, who was standing at the other end of the hall,
|
|
looking at a picture. Then she turned back to Mr. Franklin,
|
|
still sitting weary and silent in a corner.
|
|
|
|
What words passed between them I can't say. But standing near the old
|
|
oak frame which holds our large looking-glass, I saw her reflected
|
|
in it, slyly slipping the locket which Mr. Franklin had given to her,
|
|
out of the bosom of her dress, and showing it to him for a moment,
|
|
with a smile which certainly meant something out of the common,
|
|
before she tripped off to bed. This incident staggered me a little
|
|
in the reliance I had previously felt on my own judgment.
|
|
I began to think that Penelope might be right about the state of her young
|
|
lady's affections, after all.
|
|
|
|
As soon as Miss Rachel left him eyes to see with, Mr. Franklin noticed me.
|
|
His variable humour, shifting about everything, had shifted about the
|
|
Indians already.
|
|
|
|
"Betteredge," he said, "I'm half inclined to think I took
|
|
Mr. Murthwaite too seriously, when we had that talk in the shrubbery.
|
|
I wonder whether he has been trying any of his traveller's tales on us?
|
|
Do you really mean to let the dogs loose?"
|
|
|
|
"I'll relieve them of their collars, sir," I answered, "and leave
|
|
them free to take a turn in the night, if they smell a reason for it."
|
|
|
|
"All right," says Mr. Franklin. "We'll see what is to be done to-morrow. I
|
|
am not at all disposed to alarm my aunt, Betteredge, without a very pressing
|
|
reason for it. Good-night."
|
|
|
|
He looked so worn and pale as he nodded to me, and took his
|
|
candle to go up-stairs, that I ventured to advise his having
|
|
a drop of brandy-and-water, by way of night-cap. Mr. Godfrey,
|
|
walking towards us from the other end of the hall, backed me.
|
|
He pressed Mr. Franklin, in the friendliest manner, to take something,
|
|
before he went to bed.
|
|
|
|
I only note these trifling circumstances, because, after all
|
|
I had seen and heard, that day, it pleased me to observe
|
|
that our two gentlemen were on just as good terms as ever.
|
|
Their warfare of words (heard by Penelope in the drawing-room),
|
|
and their rivalry for the best place in Miss Rachel's good graces,
|
|
seemed to have set no serious difference between them.
|
|
But there! they were both good-tempered, and both men of the world.
|
|
And there is certainly this merit in people of station, that they
|
|
are not nearly so quarrelsome among each other as people of no station
|
|
at all.
|
|
|
|
Mr. Franklin declined the brandy-and-water, and went up-stairs
|
|
with Mr. Godfrey, their rooms being next door to each other.
|
|
On the landing, however, either his cousin persuaded him,
|
|
or he veered about and changed his mind as usual.
|
|
"Perhaps I may want it in the night," he called down to me.
|
|
"Send up some brandy-and-water into my room."
|
|
|
|
I sent up Samuel with the brandy-and-water; and then went out and unbuckled
|
|
the dogs' collars. They both lost their heads with astonishment
|
|
on being set loose at that time of night, and jumped upon me like a
|
|
couple of puppies! However, the rain soon cooled them down again:
|
|
they lapped a drop of water each, and crept back into their kennels.
|
|
As I went into the house I noticed signs in the sky which betokened a break
|
|
in the weather for the better. For the present, it still poured heavily,
|
|
and the ground was in a perfect sop.
|
|
|
|
Samuel and I went all over the house, and shut up as usual.
|
|
I examined everything myself, and trusted nothing to my deputy
|
|
on this occasion. All was safe and fast when I rested my old
|
|
bones in bed, between midnight and one in the morning.
|
|
|
|
The worries of the day had been a little too much for me, I suppose.
|
|
At any rate, I had a touch of Mr. Franklin's malady that night.
|
|
It was sunrise before I fell off at last into a sleep.
|
|
All the time I lay awake the house was as quiet as the grave.
|
|
Not a sound stirred but the splash of the rain, and the sighing
|
|
of the wind among the trees as a breeze sprang up with
|
|
the morning.
|
|
|
|
|
|
|
|
About half-past seven I woke, and opened my window on a fine sunshiny day.
|
|
The clock had struck eight, and I was just going out to chain up
|
|
the dogs again, when I heard a sudden whisking of petticoats on the stairs
|
|
behind me.
|
|
|
|
I turned about, and there was Penelope flying down after me like mad.
|
|
"Father!" she screamed, "come up-stairs, for God's sake! THE DIAMOND
|
|
IS GONE!" "Are you out of your mind? "I asked her.
|
|
|
|
"Gone!" says Penelope. "Gone, nobody knows how! Come up and see."
|
|
|
|
She dragged me after her into our young lady's sitting-room, which opened into
|
|
her bedroom. There, on the threshold of her bedroom door, stood Miss Rachel,
|
|
almost as white in the face as the white dressinggown that clothed her.
|
|
There also stood the two doors of the Indian cabinet, wide open. One, of the
|
|
drawers inside was pulled out as far as it would go.
|
|
|
|
"Look!" says Penelope. "I myself saw Miss Rachel put the Diamond
|
|
into that drawer last night." I went to the cabinet.
|
|
The drawer was empty.
|
|
|
|
"Is this true, miss?" I asked.
|
|
|
|
With a look that was not like herself, with a voice that was not like her own,
|
|
Miss Rachel answered as my daughter had answered: "The Diamond is gone!"
|
|
Having said those words, she withdrew into her bedroom, and shut and locked
|
|
the door.
|
|
|
|
Before we knew which way to turn next, my lady came in, hearing my
|
|
voice in her daughter's sittingroom, and wondering what had happened.
|
|
The news of the loss of the Diamond seemed to petrify her.
|
|
She went straight to Miss Rachel's bedroom, and insisted on being admitted.
|
|
Miss Rachel let here in.
|
|
|
|
The alarm, running through the house like fire, caught the two gentlemen next.
|
|
|
|
Mr. Godfrey was the first to come out of his room.
|
|
All he did when he heard what had happened was to hold up
|
|
his hands in a state of bewilderment, which didn't say much
|
|
for his natural strength of mind. Mr. Franklin, whose clear
|
|
head I had confidently counted on to advise us, seemed to be
|
|
as helpless as his cousin when he heard the news in his turn.
|
|
For a wonder, he had had a good night's rest at last;
|
|
and the unaccustomed luxury of sleep had, as he said himself,
|
|
apparently stupefied him. However, when he had swallowed
|
|
his cup of coffee--which he always took, on the foreign plan,
|
|
some hours before he ate any breakfast--his brains brightened;
|
|
the clear-headed side of him turned up, and he took the matter
|
|
in hand, resolutely and cleverly, much as follows:
|
|
|
|
He first sent for the servants, and told them to leave all the lower doors
|
|
and windows (with the exception of the front door, which I had opened)
|
|
exactly as they had been left when we locked up over night.
|
|
He next proposed to his cousin and to me to make quite sure,
|
|
before we took any further steps, that the Diamond had not accidentally
|
|
dropped somewhere out of sight--say at the back of the cabinet,
|
|
or down behind the table on which the cabinet stood. Having searched
|
|
in both places, and found nothing--having also questioned Penelope,
|
|
and discovered from her no more than the little she had already told me--
|
|
Mr. Franklin suggested next extending our inquiries to Miss Rachel,
|
|
and sent Penelope to knock at her bed-room door.
|
|
|
|
My lady answered the knock, and closed the door behind her.
|
|
The moment after we heard it locked inside by Miss Rachel.
|
|
My mistress came out among us, looking sorely puzzled and distressed.
|
|
"The loss of the Diamond seems to have quite overwhelmed Rachel,"
|
|
she said, in reply to Mr. Franklin. "She shrinks,
|
|
in the strangest manner, from speaking of it, even to ME.
|
|
It is impossible you can see her for the present." Having added
|
|
to our perplexities by this account of Miss Rachel, my lady,
|
|
after a little effort, recovered her usual composure, and acted with her
|
|
usual decision.
|
|
|
|
"I suppose there is no help for it?" she said, quietly.
|
|
"I suppose I have no alternative but to send for the police?"
|
|
|
|
"And the first thing for the police to do," added Mr. Franklin,
|
|
catching her up, "is to lay hands on the Indian jugglers who
|
|
performed here last night."
|
|
|
|
My lady and Mr. Godfrey (not knowing what Mr. Franklin and I knew)
|
|
both started, and both looked surprised.
|
|
|
|
"I can't stop to explain myself now," Mr. Franklin went on.
|
|
"I can only tell you that the Indians have certainly stolen
|
|
the Diamond. Give me a letter of introduction," says he,
|
|
addressing my lady, "to one of the magistrates at Frizinghall--
|
|
merely telling him that I represent your interests and wishes,
|
|
and let me ride off with it instantly. Our chance of catching
|
|
the thieves may depend on our not wasting one unnecessary minute."
|
|
(Nota bene: Whether it was the French side or the English,
|
|
the right side of Mr. Franklin seemed to be uppermost now.
|
|
The only question was, How long would it last?)
|
|
|
|
He put pen, ink, and paper before his aunt, who (as it appeared
|
|
to me) wrote the letter he wanted a little unwillingly.
|
|
If it had been possible to overlook such an event as the loss
|
|
of a jewel worth twenty thousand pounds, I believe--
|
|
with my lady's opinion of her late brother, and her distrust
|
|
of his birthday-gift--it would have been privately a relief
|
|
to her to let the thieves get off with the Moonstone
|
|
scot free.
|
|
|
|
I went out with Mr. Franklin to the stables, and took the opportunity
|
|
of asking him how the Indians (whom I suspected, of course, as shrewdly
|
|
as he did) could possibly have got into the house.
|
|
|
|
"One of them might have slipped into the hall, in the confusion,
|
|
when the dinner company were going away," says Mr. Franklin.
|
|
"The fellow may have been under the sofa while my aunt and Rachel
|
|
were talking about where the Diamond was to be put for the night.
|
|
He would only have to wait till the house was quiet, and there
|
|
it would be in the cabinet, to be had for the taking."
|
|
With those words, he called to the groom to open the gate, and
|
|
galloped off.
|
|
|
|
This seemed certainly to be the only rational explanation.
|
|
But how had the thief contrived to make his escape from the house?
|
|
I had found the front door locked and bolted, as I had left
|
|
it at night, when I went to open it, after getting up.
|
|
As for the other doors and windows, there they
|
|
were still, all safe and fast, to speak for themselves.
|
|
The dogs, too? Suppose the thief had got away by dropping
|
|
from one of the upper windows, how had he escaped the dogs?
|
|
Had he come provided for them with drugged meat?
|
|
As the doubt crossed my mind, the dogs themselves came
|
|
galloping at me round a corner, rolling each other over on
|
|
the wet grass, in such lively health and spirits that it
|
|
was with no small difficulty I brought them to reason,
|
|
and chained them up again. The more I turned it over in my mind,
|
|
the less satisfactory Mr. Franklin's explanation appeared
|
|
to be.
|
|
|
|
We had our breakfasts--whatever happens in a house, robbery or murder,
|
|
it doesn't matter, you must have your breakfast. When we had done,
|
|
my lady sent for me; and I found myself compelled to tell her all that I
|
|
had hitherto concealed, relating to the Indians and their plot.
|
|
Being a woman of a high courage, she soon got over the first startling effect
|
|
of what I had to communicate. Her mind seemed to be far more perturbed
|
|
about her daughter than about the heathen rogues and their conspiracy.
|
|
"You know how odd Rachel is, and how differently she behaves sometimes
|
|
from other girls," my lady said to me. "But I have never, in all
|
|
my experience, seen her so strange and so reserved as she is now.
|
|
The loss of her jewel seems almost to have turned her brain. Who would have
|
|
thought that horrible Diamond could have laid such a hold on her in so short
|
|
a time?"
|
|
|
|
It was certainly strange. Taking toys and trinkets in general,
|
|
Miss Rachel was nothing like so mad after them as most young girls.
|
|
Yet there she was, still locked up inconsolably in her bedroom.
|
|
It is but fair to add that she was not the only one of us
|
|
in the house who was thrown out of the regular groove.
|
|
Mr. Godfrey, for instance--though professionally a sort of
|
|
consoler-general--seemed to be at a loss where to look for his
|
|
own resources. Having no company to amuse him, and getting
|
|
no chance of trying what his experience of women in distress
|
|
could do towards comforting Miss Rachel, he wandered hither
|
|
and thither about the house and gardens in an aimless uneasy way.
|
|
He was in two different minds about what it became him
|
|
to do, after the misfortune that had happened to us.
|
|
Ought he to relieve the family, in their present situation,
|
|
of the responsibility of him as a guest, or ought he to stay on
|
|
the chance that even his humble services might be of some use?
|
|
He decided ultimately that the last course was perhaps the most
|
|
customary and considerate course to take, in such a very peculiar
|
|
case of family distress as this was. Circumstances try the metal
|
|
a man is really made of. Mr. Godfrey, tried by circumstances,
|
|
showed himself of weaker metal than I had thought him to be.
|
|
As for the women-servants excepting Rosanna Spearman, who kept
|
|
by herself--they took to whispering together in corners,
|
|
and staring at nothing suspiciously, as is the manner of that
|
|
weaker half of the human family, when anything extraordinary
|
|
happens in a house. I myself acknowledge to have been fidgety
|
|
and ill-tempered. The cursed Moonstone had turned us all upside
|
|
down.
|
|
|
|
A little before eleven Mr. Franklin came back. The resolute
|
|
side of him had, to all appearance, given way, in the interval
|
|
since his departure, under the stress that had been laid on it.
|
|
He had left us at a gallop; he came back to us at a walk.
|
|
When he went away, he was made of iron. When he returned,
|
|
he was stuffed with cotton, as limp as limp could be.
|
|
|
|
"Well," says my lady, "are the police coming?"
|
|
|
|
"Yes," says Mr. Franklin; "they said they would follow me in a fly.
|
|
Superintendent Seegrave, of your local police force, and two of his men.
|
|
A mere form! The case is hopeless."
|
|
|
|
"What! have the Indians escaped, sir?" I asked.
|
|
|
|
"The poor ill-used Indians have been most unjustly put in prison,"
|
|
says Mr. Franklin. "They are as innocent as the babe unborn.
|
|
My idea that one of them was hidden in the house has ended,
|
|
like all the rest of my ideas, in smoke. It's been proved,"
|
|
says Mr. Franklin, dwelling with great relish on his own incapacity,
|
|
"to be simply impossible."
|
|
|
|
After astonishing us by announcing this totally new turn in the matter
|
|
of the Moonstone, our young gentleman, at his aunt's request, took a seat,
|
|
and explained himself.
|
|
|
|
It appeared that the resolute side of him had held out as far
|
|
as Frizinghall. He had put the whole case plainly before
|
|
the magistrate, and the magistrate had at once sent for the police.
|
|
The first inquiries instituted about the Indians showed
|
|
that they had not so much as attempted to leave the town.
|
|
Further questions addressed to the police, proved that all
|
|
three had been seen returning to Frizinghall with their boy,
|
|
on the previous night between ten and eleven--which (regard being
|
|
had to hours and distances) also proved that they had
|
|
walked straight back after performing on our terrace.
|
|
Later still, at midnight, the police, having occasion to search
|
|
the common lodging-house where they lived, had seen them
|
|
all three again, and their little boy with them, as usual.
|
|
Soon after midnight I myself had safely shut up the house.
|
|
Plainer evidence than this, in favour of the Indians,
|
|
there could not well be. The magistrate said there was not
|
|
even a case of suspicion against them so far. But, as it was
|
|
just possible, when the police came to investigate the matter,
|
|
that discoveries affecting the jugglers might be made,
|
|
he would contrive, by committing them as rogues and vagabonds,
|
|
to keep them at our disposal, under lock and key, for a week.
|
|
They had ignorantly done something (I forget what) in the town,
|
|
which barely brought them within the operation of the law.
|
|
Every human institution (justice included) will stretch
|
|
a little, if you only pull it the right way. The worthy
|
|
magistrate was an old friend of my lady's, and the Indians
|
|
were "committed" for a week, as soon as the court opened that
|
|
morning.
|
|
|
|
Such was Mr. Franklin's narrative of events at Frizinghall.
|
|
The Indian clue to the mystery of the lost jewel was now,
|
|
to all appearance, a clue that had broken in our hands.
|
|
If the jugglers were innocent, who, in the name of wonder, had taken
|
|
the Moonstone out of Miss Rachel's drawer?
|
|
|
|
Ten minutes later, to our infinite relief; Superintendent Seegrave
|
|
arrived at the house. He reported passing Mr. Franklin on the terrace,
|
|
sitting in the sun (I suppose with the Italian side of him uppermost),
|
|
and warning the police, as they went by, that the investigation
|
|
was hopeless, before the investigation had begun.
|
|
|
|
For a family in our situation, the Superintendent of the Frizinghall
|
|
police was the most comforting officer you could wish to see.
|
|
Mr. Seegrave was tall and portly, and military in his manners.
|
|
He had a fine commanding voice, and a mighty resolute eye, and a grand
|
|
frock-coat which buttoned beautifully up to his leather stock.
|
|
"I'm the man you want!" was written all over his face; and he ordered
|
|
his two inferior police men about with a severity which convinced us
|
|
all that there was no trifling with HIM.
|
|
|
|
He began by going round the premises, outside and in;
|
|
the result of that investigation proving to him that no thieves
|
|
had broken in upon us from outside, and that the robbery,
|
|
consequently, must have been committed by some person in the house.
|
|
I leave you to imagine the state the servants were in when
|
|
this official announcement first reached their ears.
|
|
The Superintendent decided to begin by examining
|
|
the boudoir, and, that done, to examine the servants next.
|
|
At the same time, he posted one of his men on the staircase
|
|
which led to the servants' bedrooms, with instructions to let
|
|
nobody in the house pass him, till further orders.
|
|
|
|
At this latter proceeding, the weaker half of the human family went distracted
|
|
on the spot. They bounced out of their comers, whisked up-stairs in a body
|
|
to Miss Rachel's room (Rosanna Spearman being carried away among them this
|
|
time), burst in on Superintendent Seegrave, and, all looking equally guilty,
|
|
summoned him to say which of them he suspected, at once.
|
|
|
|
Mr. Superintendent proved equal to the occasion; he looked at them
|
|
with his resolute eye, and he cowed them with his military voice.
|
|
|
|
|
|
|
|
"Now, then, you women, go down-stairs again, every one of you;
|
|
I won't have you here. Look!" says Mr. Superintendent,
|
|
suddenly pointing to a little smear of the decorative painting
|
|
on Miss Rachel's door, at the outer edge, just under the lock.
|
|
"Look what mischief the petticoats of some of you have done already.
|
|
Clear out! clear out!" Rosanna Spearman, who was nearest to him,
|
|
and nearest to the little smear on the door, set the example
|
|
of obedience, and slipped off instantly to her work.
|
|
The rest followed her out. The Superintendent finished
|
|
his examination of the room, and, making nothing of it,
|
|
asked me who had first discovered the robbery.
|
|
My daughter had first discovered it. My daughter was
|
|
sent for.
|
|
|
|
Mr. Superintendent proved to be a little too sharp with Penelope at starting.
|
|
"Now, young woman, attend to me, and mind you speak the truth."
|
|
Penelope fired up instantly. "I've never been taught to tell lies
|
|
Mr. Policeman!--and if father can stand there and hear me accused
|
|
of falsehood and thieving, and my own bed-room shut against me,
|
|
and my character taken away, which is all a poor girl has left,
|
|
he's not the good father I take him for!" A timely word from me put
|
|
Justice and Penelope on a pleasanter footing together. The questions
|
|
and answers went swimmingly, and ended in nothing worth mentioning.
|
|
My daughter had seen Miss Rachel put the Diamond in the drawer of the cabinet
|
|
the last thing at night. She had gone in with Miss Rachel's cup of tea
|
|
at eight the next morning, and had found the drawer open and empty.
|
|
Upon that, she had alarmed the house--and there was an end of
|
|
Penelope's evidence.
|
|
|
|
Mr. Superintendent next asked to see Miss Rachel herself.
|
|
Penelope mentioned his request through the door.
|
|
The answer reached us by the same road: "I have nothing to tell
|
|
the policeman--I can't see anybody." Our experienced officer
|
|
looked equally surprised and offended when he heard that reply.
|
|
I told him my young lady was ill, and begged him to wait
|
|
a little and see her later. We thereupon went downstairs again,
|
|
and were met by Mr. Godfrey and Mr. Franklin crossing
|
|
the hall.
|
|
|
|
The two gentlemen, being inmates of the house, were summoned
|
|
to say if they could throw any light on the matter.
|
|
Neither of them knew anything about it. Had they heard
|
|
any suspicious noises during the previous night?
|
|
They had heard nothing but the pattering of the rain.
|
|
Had I, lying awake longer than either of them,
|
|
heard nothing either? Nothing! Released from examination,
|
|
Mr. Franklin, still sticking to the helpless view of our difficulty,
|
|
whispered to me: "That man will be of no earthly use to us.
|
|
Superintendent Seegrave is an ass." Released in his turn,
|
|
Mr. Godfrey whispered to me--"Evidently a most competent person.
|
|
Betteredge, I have the greatest faith in him!"
|
|
Many men, many opinions, as one of the ancients said, before
|
|
my time.
|
|
|
|
Mr. Superintendent's next proceeding took him back to the "boudoir" again,
|
|
with my daughter and me at his heels. His object was to discover whether any
|
|
of the furniture had been moved, during the night, out of its customary place--
|
|
his previous investigation in the room having, apparently, not gone quite far
|
|
enough to satisfy his mind on this point.
|
|
|
|
While we were still poking about among the chairs and tables,
|
|
the door of the bed-room was suddenly opened. After having
|
|
denied herself to everybody, Miss Rachel, to our astonishment,
|
|
walked into the midst of us of her own accord. She took up
|
|
her garden hat from a chair, and then went straight to Penelope
|
|
with this question:-
|
|
|
|
"Mr. Franklin Blake sent you with a message to me this morning?"
|
|
|
|
"Yes, miss."
|
|
|
|
"He wished to speak to me, didn't he?"
|
|
|
|
"Yes, miss."
|
|
|
|
"Where is he now?"
|
|
|
|
Hearing voices on the terrace below, I looked out of window,
|
|
and saw the two gentlemen walking up and down together.
|
|
Answering for my daughter, I said, "Mr. Franklin is on
|
|
the terrace, miss."
|
|
|
|
Without another word, without heeding Mr. Superintendent,
|
|
who tried to speak to her, pale as death, and wrapped up
|
|
strangely in her own thoughts, she left the room, and went
|
|
down to her cousins on the terrace.
|
|
|
|
It showed a want of due respect, it showed a breach of good manners,
|
|
on my part, but, for the life of me, I couldn't help looking
|
|
out of window when Miss Rachel met the gentlemen outside.
|
|
She went up to Mr. Franklin without appearing to notice
|
|
Mr. Godfrey, who thereupon drew back and left them by themselves.
|
|
What she said to Mr. Franklin appeared to be spoken vehemently.
|
|
It lasted but for a short time, and, judging by what I saw
|
|
of his face from the window, seemed to astonish him beyond
|
|
all power of expression. While they were still together,
|
|
my lady appeared on the terrace. Miss Rachel saw her--
|
|
said a few last words to Mr. Franklin--and suddenly went back
|
|
into the house again, before her mother came up with her.
|
|
My lady surprised herself, and noticing Mr. Franklin's surprise,
|
|
spoke to him. Mr. Godfrey joined them, and spoke also.
|
|
Mr. Franklin walked away a little between the two, telling them
|
|
what had happened I suppose, for they both stopped short,
|
|
after taking a few steps, like persons struck with amazement.
|
|
I had just seen as much as this, when the door of the sitting-room
|
|
was opened violently. Miss Rachel walked swiftly through to her
|
|
bed-room, wild and angry, with fierce eyes and flaming cheeks.
|
|
Mr. Superintendent once more attempted to question her.
|
|
She turned round on him at her bed-room door.
|
|
"I have not sent for you!" she cried out vehemently.
|
|
"I don't want you. My Diamond is lost. Neither you nor
|
|
anybody else will ever find it! With those words she went in,
|
|
and locked the door in our faces. Penelope, standing nearest
|
|
to it, heard her burst out crying the moment she was alone
|
|
again.
|
|
|
|
In a rage, one moment; in tears, the next! What did it mean?
|
|
|
|
I told the Superintendent it meant that Miss Rachel's temper was upset
|
|
by the loss of her jewel. Being anxious for the honour of the family,
|
|
it distressed me to see my young lady forget herself--even with
|
|
a police-officer--and I made the best excuse I could, accordingly.
|
|
In my own private mind I was more puzzled by Miss Rachel's
|
|
extraordinary language and conduct than words can tell.
|
|
Taking what she had said at her bed-room door as a guide to guess by,
|
|
I could only conclude that she was mortally offended by our sending
|
|
for the police, and that Mr. Franklin's astonishment on the terrace
|
|
was caused by her having expressed herself to him (as the person
|
|
chiefly instrumental in fetching the police) to that effect.
|
|
If this guess was right, why--having lost her Diamond--should she
|
|
object to the presence in the house of the very people whose
|
|
business it was to recover it for her? And how, in Heaven's name,
|
|
could SHE know that the Moonstone would never be found again?
|
|
|
|
As things stood, at present, no answer to those questions was to be
|
|
hoped for from anybody in the house. Mr. Franklin appeared to think
|
|
it a point of honour to forbear repeating to a servant--even to so old
|
|
a servant as I was--what Miss Rachel had said to him on the terrace.
|
|
Mr. Godfrey, who, as a gentleman and a relative, had been probably
|
|
admitted into Mr. Franklin's confidence, respected that confidence
|
|
as he was bound to do. My lady, who was also in the secret no doubt,
|
|
and who alone had access to Miss Rachel, owned openly that she could
|
|
make nothing of her. "You madden me when you talk of the Diamond!"
|
|
All her mother's influence failed to extract from her a word more
|
|
than that.
|
|
|
|
Here we were, then, at a dead-lock about Miss Rachel--and at a dead-lock
|
|
about the Moonstone. In the first case, my lady was powerless to help us.
|
|
In the second (as you shall presently judge), Mr. Seegrave was fast
|
|
approaching the condition of a superintendent at his wits' end.
|
|
|
|
Having ferreted about all over the "boudoir," without making
|
|
any discoveries among the furniture, our experienced officer
|
|
applied to me to know, whether the servants in general were
|
|
or were not acquainted with the place in which the Diamond
|
|
had been put for the night.
|
|
|
|
"I knew where it was put, sir," I said, "to begin with.
|
|
Samuel, the footman, knew also--for he was present in the hall,
|
|
when they were talking about where the Diamond was to be kept
|
|
that night. My daughter knew, as she has already told you.
|
|
She or Samuel may have mentioned the thing to the other servants--
|
|
or the other servants may have heard the talk for themselves,
|
|
through the side-door of the hall, which might have
|
|
been open to the back staircase. For all I can tell,
|
|
everybody in the house may have known where the jewel was,
|
|
last night."
|
|
|
|
My answer presenting rather a wide field for Mr. Superintendent's
|
|
suspicions to range over, he tried to narrow it by asking about
|
|
the servants' characters next.
|
|
|
|
I thought directly of Rosanna Spearman. But it was neither
|
|
my place nor my wish to direct suspicion against a poor girl,
|
|
whose honesty had been above all doubt as long as I had known her.
|
|
The matron at the Reformatory had reported her to my lady
|
|
as a sincerely penitent and thoroughly trustworthy girl.
|
|
It was the Superintendent's business to discover reason for
|
|
suspecting her first--and then, and not till then, it would
|
|
be my duty to tell him how she came into my lady's service.
|
|
"All our people have excellent characters," I said.
|
|
"And all have deserved the trust their mistress has placed in them."
|
|
After that, there was but one thing left for Mr. Seegrave
|
|
to do--namely, to set to work, and tackle the servants'
|
|
characters himself.
|
|
|
|
One after another, they were examined. One after another, they proved
|
|
to have nothing to say--and said it (so far as the women were concerned)
|
|
at great length, and with a very angry sense of the embargo laid on their
|
|
bed-rooms. The rest of them being sent back to their places downstairs,
|
|
Penelope was then summoned, and examined separately a second time.
|
|
|
|
My daughter's little outbreak of temper in the "boudoir,"
|
|
and her readiness to think herself suspected, appeared to have
|
|
produced an unfavourable impression on Superintendent Seegrave.
|
|
It seemed also to dwell a little on his mind, that she
|
|
had been the last person who saw the Diamond at night.
|
|
When the second questioning was over, my girl came back
|
|
to me in a frenzy. There was no doubt of it any longer--
|
|
the police-officer had almost as good as told her she was the thief!
|
|
I could scarcely believe him (taking Mr. Franklin's view)
|
|
to be quite such an ass as that. But, though he said nothing,
|
|
the eye with which he looked at my daughter was not a very
|
|
pleasant eye to see. I laughed it off with poor Penelope,
|
|
as something too ridiculous to be treated seriously--which it
|
|
certainly was. Secretly, I am afraid I was foolish enough
|
|
to be angry too. It was a little trying--it was, indeed.
|
|
My girl sat down in a corner, with her apron over her head,
|
|
quite broken-hearted. Foolish of her, you will say.
|
|
she might have waited till he openly accused her. Well, being a man
|
|
of just an equal temper, I admit that. Still Mr. Superintendent
|
|
might have remembered--never mind what he might have remembered.
|
|
The devil take him!
|
|
|
|
The next and last step in the investigation brought matters, as they say,
|
|
to a crisis. The officer had an interview (at which I was present)
|
|
with my lady. After informing her that the Diamond must have been taken
|
|
by somebody in the house, he requested permission for himself and his men
|
|
to search the servants' rooms and boxes on the spot. My good mistress,
|
|
like the generous high-bred woman she was, refused to let us be treated
|
|
like thieves. "I will never consent to make such a return as that,"
|
|
she said, "for all I owe to the faithful servants who are employed in
|
|
my house."
|
|
|
|
Mr. Superintendent made his bow, with a look in my direction,
|
|
which said plainly, "Why employ me, if you are to tie my hands in this way?"
|
|
As head of the servants, I felt directly that we were bound,
|
|
in justice to all parties, not to profit by our mistress's generosity.
|
|
"We gratefully thank your ladyship," I said; "but we ask your
|
|
permission to do what is right in this matter by giving up our keys.
|
|
When Gabriel Betteredge sets the example," says I, stopping Superintendent
|
|
Seegrave at the door, "the rest of the servants will follow, I promise you.
|
|
There are my keys, to begin with!" My lady took me by the hand,
|
|
and thanked me with the tears in her eyes. Lord! what would I not
|
|
have given, at that moment, for the privilege of knocking Superintendent
|
|
Seegrave down!
|
|
|
|
As I had promised for them, the other servants followed my lead,
|
|
sorely against the grain, of course, but all taking the view that I took.
|
|
The women were a sight to see, while the police-officers were rummaging among
|
|
their things. The cook looked as if she could grill Mr. Superintendent
|
|
alive on a furnace, and the other women looked as if they could eat him
|
|
when he was done.
|
|
|
|
The search over, and no Diamond or sign of a Diamond being found,
|
|
of course, anywhere, Superintendent Seegrave retired to my
|
|
little room to consider with himself what he was to do next.
|
|
He and his men had now been hours in the house, and had not advanced
|
|
us one inch towards a discovery of how the Moonstone had been taken,
|
|
or of whom we were to suspect as the thief.
|
|
|
|
While the police-officer was still pondering in solitude,
|
|
I was sent for to see Mr. Franklin in the library.
|
|
To my unutterable astonishment, just as my hand was on the door,
|
|
it was suddenly opened from the inside, and out walked
|
|
Rosanna Spearman!
|
|
|
|
|
|
|
|
After the library had been swept and cleaned in the morning,
|
|
neither first nor second housemaid had any business in that room
|
|
at any later period of the day. I stopped Rosanna Spearman,
|
|
and charged her with a breach of domestic discipline on
|
|
the spot.
|
|
|
|
"What might you want in the library at this time of day?"
|
|
I inquired.
|
|
|
|
"Mr. Franklin Blake dropped one of his rings up-stairs,"
|
|
says Rosanna; "and I have been into the library to give it to him."
|
|
The girl's face was all in a flush as she made me that answer;
|
|
and she walked away with a toss of her head and a look of
|
|
self-importance which I was quite at a loss to account for.
|
|
The proceedings in the house had doubtless upset all the
|
|
women-servants more or less; but none of them had gone clean
|
|
out of their natural characters, as Rosanna, to all appearance,
|
|
had now gone out of hers.
|
|
|
|
I found Mr. Franklin writing at the library-table. He asked for a
|
|
conveyance to the railway station the moment I entered the room.
|
|
The first sound of his voice informed me that we now had the resolute
|
|
side of him uppermost once more. The man made of cotton had disappeared;
|
|
and the man made of iron sat before me again.
|
|
|
|
"Going to London, sir?" I asked.
|
|
|
|
"Going to telegraph to London," says Mr. Franklin. "I have convinced my aunt
|
|
that we must have a cleverer head than Superintendent Seegrave's to help us;
|
|
and I have got her permission to despatch a telegram to my father.
|
|
He knows the Chief Commissioner of Police, and the Commissioner can
|
|
lay his hand on the right man to solve the mystery of the Diamond.
|
|
Talking of mysteries, by-the-bye," says Mr. Franklin, dropping his voice,
|
|
"I have another word to say to you before you go to the stables.
|
|
Don't breathe a word of it to anybody as yet; but either Rosanna Spearman's
|
|
head is not quite right, or I am afraid she knows more about the Moonstone
|
|
than she ought to know."
|
|
|
|
I can hardly tell whether I was more startled or distressed at hearing
|
|
him say that. If I had been younger, I might have confessed as much
|
|
to Mr. Franklin. But when you are old, you acquire one excellent habit.
|
|
In cases where you don't see your way clearly, you hold your tongue.
|
|
|
|
"She came in here with a ring I dropped in my bed-room," Mr. Franklin
|
|
went on. "When I had thanked her, of course I expected her to go.
|
|
Instead of that, she stood opposite to me at the table, looking at
|
|
me in the oddest manner--half frightened, and half familiar--
|
|
I couldn't make it out. 'This is a strange thing about
|
|
the Diamond, sir,' she said, in a curiously sudden, headlong way.
|
|
I said, 'Yes, it was,' and wondered what was coming next.
|
|
Upon my honour, Betteredge, I think she must be wrong in the head!
|
|
She said, 'They will never find the Diamond, sir, will they?
|
|
No! nor the person who took it--I'll answer for that.'
|
|
She actually nodded and smiled at me! Before I could
|
|
ask her what she meant, we heard your step outside.
|
|
I suppose she was afraid of your catching her here. At any rate,
|
|
she changed colour, and left the room. What on earth does it
|
|
mean?
|
|
|
|
I could not bring myself to tell him the girl's story, even then.
|
|
It would have been almost as good as telling him that she was the thief.
|
|
Besides, even if I had made a clean breast of it, and even supposing she
|
|
was the thief, the reason why she should let out her secret to Mr. Franklin,
|
|
of all the people in the world, would have been still as far to seek
|
|
as ever.
|
|
|
|
"I can't bear the idea of getting the poor girl into a scrape,
|
|
merely because she has a flighty way with her, and talks very strangely,"
|
|
Mr. Franklin went on. "And yet if she had said to, the Superintendent
|
|
what she said to me, fool as he is, I'm afraid----" He stopped there,
|
|
and left the rest unspoken.
|
|
|
|
"The best way, sir," I said, "will be for me to say two words
|
|
privately to my mistress about it at the first opportunity.
|
|
My lady has a very friendly interest in Rosanna; and the girl
|
|
may only have been forward and foolish, after all.
|
|
When there's a mess of any kind in a house, sir, the women-servants
|
|
like to look at the gloomy side--it gives the poor wretches
|
|
a kind of importance in their own eyes. If there's anybody ill,
|
|
trust the women for prophesying that the person will die.
|
|
If it's a jewel lost, trust them for prophesying that it will never be
|
|
found again."
|
|
|
|
This view (which I am bound to say, I thought a probable view myself,
|
|
on reflection) seemed to relieve Mr. Franklin mightily:
|
|
he folded up his telegram, and dismissed the subject.
|
|
On my way to the stables, to order the pony-chaise, I looked
|
|
in at the servants' hall, where they were at dinner.
|
|
Rosanna Spearman was not among them. On inquiry, I found
|
|
that she had been suddenly taken ill, and had gone up-stairs
|
|
to her own room to lie down.
|
|
|
|
"Curious! She looked well enough when I saw her last,"
|
|
I remarked.
|
|
|
|
Penelope followed me out. "Don't talk in that way before the rest
|
|
of them, father," she said. "You only make them harder on Rosanna than ever.
|
|
The poor thing is breaking her heart about Mr. Franklin Blake."
|
|
|
|
Here was another view of the girl's conduct. If it was possible for
|
|
Penelope to be right, the explanation of Rosanna's strange language and
|
|
behaviour might have been all in this--that she didn't care what she said,
|
|
so long as she could surprise Mr. Franklin into speaking to her.
|
|
Granting that to be the right reading of the riddle, it accounted, perhaps,
|
|
for her flighty, self-conceited manner when she passed me in the hall.
|
|
Though he had only said three words, still she had carried her point,
|
|
and Mr. Franklin had spoken to her.
|
|
|
|
I saw the pony harnessed myself. In the infernal network of mysteries
|
|
and uncertainties that now surrounded us, I declare it was a relief
|
|
to observe how well the buckles and straps understood each other!
|
|
When you had seen the pony backed into the shafts of the chaise,
|
|
you had seen something there was no doubt about. And that,
|
|
let me tell you, was becoming a treat of the rarest kind in
|
|
our household.
|
|
|
|
Going round with the chaise to the front door, I found not only Mr. Franklin,
|
|
but Mr. Godfrey and Superintendent Seegrave also waiting for me on the steps.
|
|
|
|
Mr. Superintendent's reflections (after failing to find
|
|
the Diamond in the servants' rooms or boxes) had led him,
|
|
it appeared, to an entirely new conclusion. Still sticking
|
|
to his first text, namely, that somebody in the house had
|
|
stolen the jewel, our experienced officer was now of opinion
|
|
that the thief (he was wise enough not to name poor Penelope,
|
|
whatever he might privately think of her!) had been acting
|
|
in concert with the Indians; and he accordingly proposed shifting
|
|
his inquiries to the jugglers in the prison at Frizinghall.
|
|
Hearing of this new move, Mr. Franklin had volunteered
|
|
to take the Superintendent back to the town, from which
|
|
he could telegraph to London as easily as from our station.
|
|
Mr. Godfrey, still devoutly believing in Mr. Seegrave, and greatly
|
|
interested in witnessing the examination of the Indians,
|
|
had begged leave to accompany the officer to Frizinghall.
|
|
One of the two inferior policemen was to be left at the house,
|
|
in case anything happened. The other was to go back
|
|
with the Superintendent to the town. So the four places
|
|
in the pony-chaise were just filled.
|
|
|
|
Before he took the reins to drive off, Mr. Franklin walked me
|
|
away a few steps out of hearing of the others.
|
|
|
|
"I will wait to telegraph to London," he said, "till I see what comes
|
|
of our examination of the Indians. My own conviction is, that this
|
|
muddle-headed local police-officer is as much in the dark as ever,
|
|
and is simply trying to gain time. The idea of any of the servants being
|
|
in league with the Indians is a preposterous absurdity, in my opinion.
|
|
Keep about the house, Betteredge, till I come back, and try what you
|
|
can make of Rosanna Spearman. I don't ask you to do anything degrading
|
|
to your own self-respect, or anything cruel towards the girl.
|
|
I only ask you to exercise your observation more carefully than usual.
|
|
We will make as light of it as we can before my aunt--but this is a more
|
|
important matter than you may suppose."
|
|
|
|
"It is a matter of twenty thousand pounds, sir," I said,
|
|
thinking of the value of the Diamond.
|
|
|
|
"It's a matter of quieting Rachel's mind," answered Mr. Franklin gravely.
|
|
"I am very uneasy about her."
|
|
|
|
He left me suddenly; as if he desired to cut short any
|
|
further talk between us. I thought I understood why.
|
|
Further talk might have let me into the secret of what Miss
|
|
Rachel had said to him on the terrace.
|
|
|
|
So they drove away to Frizinghall. I was ready enough, in the girl's
|
|
own interest, to have a little talk with Rosanna in private.
|
|
But the needful opportunity failed to present itself.
|
|
She only came downstairs again at tea-time. When she did appear,
|
|
she was flighty and excited, had what they call an hysterical attack,
|
|
took a dose of sal-volatile by my lady's order, and was sent back to
|
|
her bed.
|
|
|
|
The day wore on to its end drearily and miserably enough,
|
|
I can tell you. Miss Rachel still kept her room,
|
|
declaring that she was too ill to come down to dinner that day.
|
|
My lady was in such low spirits about her daughter, that I
|
|
could not bring myself to make her additionally anxious,
|
|
by reporting what Rosanna Spearman had said to Mr. Franklin.
|
|
Penelope persisted in believing that she was to be
|
|
forthwith tried, sentenced, and transported for theft.
|
|
The other women took to their Bibles and hymn-books, and looked
|
|
as sour as verjuice over their reading--a result, which I
|
|
have observed, in my sphere of life, to follow generally on the
|
|
performance of acts of piety at unaccustomed periods of the day.
|
|
As for me, I hadn't even heart enough to open my ROBINSON CRUSOE.
|
|
I went out into the yard, and, being hard up for a little
|
|
cheerful society, set my chair by the kennels, and talked to
|
|
the dogs.
|
|
|
|
Half an hour before dinner-time, the two gentlemen came back from Frizinghall,
|
|
having arranged with Superintendent Seegrave that he was to return to us
|
|
the next day. They had called on Mr. Murthwaite, the Indian traveller,
|
|
at his present residence, near the town. At Mr. Franklin's request, he had
|
|
kindly given them the benefit of his knowledge of the language, in dealing
|
|
with those two, out of the three Indians, who knew nothing of English.
|
|
The examination, conducted carefully, and at great length, had ended
|
|
in nothing; not the shadow of a reason being discovered for suspecting
|
|
the jugglers of having tampered with any of our servants. On reaching
|
|
that conclusion, Mr. Franklin had sent his telegraphic message to London,
|
|
and there the matter now rested till to-morrow came.
|
|
|
|
So much for the history of the day that followed the birthday.
|
|
Not a glimmer of light had broken in on us, so far.
|
|
A day or two after, however, the darkness lifted a little.
|
|
How, and with what result, you shall presently see.
|
|
|
|
|
|
|
|
CHAPTER XII
|
|
|
|
|
|
The Thursday night passed, and nothing happened. With the Friday
|
|
morning came two pieces of news.
|
|
|
|
Item the first: the baker's man declared he had met Rosanna
|
|
Spearman, on the previous afternoon, with a thick veil on,
|
|
walking towards Frizinghall by the foot-path way over the moor.
|
|
It seemed strange that anybody should be mistaken about Rosanna,
|
|
whose shoulder marked her out pretty plainly, poor thing--
|
|
but mistaken the man must have been; for Rosanna, as you know,
|
|
had been all the Thursday afternoon ill up-stairs in
|
|
her room.
|
|
|
|
Item the second came through the postman. Worthy Mr. Candy
|
|
had said one more of his many unlucky things, when he drove off
|
|
in the rain on the birthday night, and told me that a doctor's skin
|
|
was waterproof. In spite of his skin, the wet had got through him.
|
|
He had caught a chill that night, and was now down with a fever.
|
|
The last accounts, brought by the postman, represented him
|
|
to be light-headed--talking nonsense as glibly, poor man,
|
|
in his delirium as he often talked it in his sober senses.
|
|
We were all sorry for the little doctor; but Mr. Franklin appeared
|
|
to regret his illness, chiefly on Miss Rachel's account.
|
|
From what he said to my lady, while I was in the room
|
|
at breakfast-time, he appeared to think that Miss Rachel--
|
|
if the suspense about the Moonstone was not soon set at rest--
|
|
might stand in urgent need of the best medical advice at
|
|
our disposal.
|
|
|
|
Breakfast had not been over long, when a telegram from Mr. Blake,
|
|
the elder, arrived, in answer to his son. It informed us
|
|
that he had laid hands (by help of his friend, the Commissioner)
|
|
on the right man to help us. The name of him was Sergeant Cuff;
|
|
and the arrival of him from London might be expected by the
|
|
morning train.
|
|
|
|
At reading the name of the new police-officer, Mr. Franklin gave a start.
|
|
It seems that he had heard some curious anecdotes about Sergeant Cuff,
|
|
from his father's lawyer, during his stay in London.
|
|
|
|
"I begin to hope we are seeing the end of our anxieties already," he said.
|
|
"If half the stories I have heard are true, when it comes to unravelling
|
|
a mystery, there isn't the equal in England of Sergeant Cuff!"
|
|
|
|
We all got excited and impatient as the time drew near
|
|
for the appearance of this renowned and capable character.
|
|
Superintendent Seegrave, returning to us at his appointed time,
|
|
and hearing that the Sergeant was expected, instantly shut
|
|
himself up in a room, with pen, ink, and paper, to make notes
|
|
of the Report which would be certainly expected from him.
|
|
I should have liked to have gone to the station myself,
|
|
to fetch the Sergeant. But my lady's carriage and horses
|
|
were not to be thought of, even for the celebrated Cuff;
|
|
and the pony-chaise was required later for Mr. Godfrey.
|
|
He deeply regretted being obliged to leave his aunt at such
|
|
an anxious time; and he kindly put off the hour of his departure
|
|
till as late as the last train, for the purpose of hearing
|
|
what the clever London police-officer thought of the case.
|
|
But on Friday night he must be in town, having a Ladies'
|
|
Charity, in difficulties, waiting to consult him on Saturday
|
|
morning.
|
|
|
|
When the time came for the Sergeant's arrival, I went down to the gate
|
|
to look out for him.
|
|
|
|
A fly from the railway drove up as I reached the lodge; and out got
|
|
a grizzled, elderly man, so miserably lean that he looked as if
|
|
he had not got an ounce of flesh on his bones in any part of him.
|
|
He was dressed all in decent black, with a white cravat round
|
|
his neck. His face was as sharp as a hatchet, and the skin
|
|
of it was as yellow and dry and withered as an autumn leaf.
|
|
His eyes, of a steely light grey, had a very disconcerting trick,
|
|
when they encountered your eyes, of looking as if they expected
|
|
something more from you than you were aware of yourself.
|
|
His walk was soft; his voice was melancholy; his long lanky
|
|
fingers were hooked like claws. He might have been a parson,
|
|
or an undertaker--or anything else you like, except what he really was.
|
|
A more complete opposite to Superintendent Seegrave than
|
|
Sergeant Cuff, and a less comforting officer to look at,
|
|
for a family in distress, I defy you to discover, search where
|
|
you may.
|
|
|
|
"Is this Lady Verinder's?" he asked.
|
|
|
|
"Yes, sir."
|
|
|
|
"I am Sergeant Cuff."
|
|
|
|
"This way, sir, if you please."
|
|
|
|
On our road to the house, I mentioned my name and position
|
|
in the family, to satisfy him that he might speak to me
|
|
about the business on which my lady was to employ him.
|
|
Not a word did he say about the business, however, for all that.
|
|
He admired the grounds, and remarked that he felt the sea
|
|
air very brisk and refreshing. I privately wondered,
|
|
on my side, how the celebrated Cuff had got his reputation.
|
|
We reached the house, in the temper of two strange dogs,
|
|
coupled up together for the first time in their lives by the
|
|
same chain.
|
|
|
|
Asking for my lady, and hearing that she was in one of the conservatories,
|
|
we went round to the gardens at the back, and sent a servant to seek her.
|
|
While we were waiting, Sergeant Cuff looked through the evergreen
|
|
arch on our left, spied out our rosery, and walked straight in,
|
|
with the first appearance of anything like interest that he had shown yet.
|
|
To the gardener's astonishment, and to my disgust, this celebrated
|
|
policeman proved to be quite a mine of learning on the trumpery subject of
|
|
rose-gardens.
|
|
|
|
"Ah, you've got the right exposure here to the south and sou'-west,"
|
|
says the Sergeant, with a wag of his grizzled head,
|
|
and a streak of pleasure in his melancholy voice.
|
|
"This is the shape for a rosery--nothing like a circle set
|
|
in a square. Yes, yes; with walks between all the beds.
|
|
But they oughtn't to be gravel walks like these. Grass, Mr. Gardener--
|
|
grass walks between your roses; gravel's too hard for them.
|
|
That's a sweet pretty bed of white roses and blush roses.
|
|
They always mix well together, don't they? Here's the white
|
|
musk rose, Mr. Betteredge--our old English rose holding
|
|
up its head along with the best and the newest of them.
|
|
Pretty dear!" says the Sergeant, fondling the Musk Rose with
|
|
his lanky fingers, and speaking to it as if he was speaking to
|
|
a child.
|
|
|
|
This was a nice sort of man to recover Miss Rachel's Diamond,
|
|
and to find out the thief who stole it!
|
|
|
|
"You seem to be fond of roses, Sergeant?" I remarked.
|
|
|
|
"I haven't much time to be fond of anything, 'says Sergeant Cuff.
|
|
"But when I HAVE a moment's fondness to bestow, most times,
|
|
Mr. Betteredge, the roses get it. I began my life among them
|
|
in my father's nursery garden, and I shall end my life among them,
|
|
if I can. Yes. One of these days (please God) I shall retire
|
|
from catching thieves, and try my hand at growing roses.
|
|
There will be grass walks, Mr. Gardener, between my beds,"
|
|
says the Sergeant, on whose mind the gravel paths of our rosery seemed
|
|
to dwell unpleasantly.
|
|
|
|
"It seems an odd taste, sir," I ventured to say, "for a man
|
|
in your line of life."
|
|
|
|
"If you will look about you (which most people won't do),"
|
|
says Sergeant Cuff, "you will see that the nature of a man's tastes is,
|
|
most times, as opposite as possible to the nature of a man's business.
|
|
Show me any two things more opposite one from the other than
|
|
a rose and a thief; and I'll correct my tastes accordingly--
|
|
if it isn't too late at my time of life. You find the damask
|
|
rose a goodish stock for most of the tender sorts, don't you,
|
|
Mr. Gardener? Ah! I thought so. Here's a lady coming. Is it
|
|
Lady Verinder?"
|
|
|
|
He had seen her before either I or the gardener had seen her,
|
|
though we knew which way to look, and he didn't. I began
|
|
to think him rather a quicker man than he appeared to be at
|
|
first sight.
|
|
|
|
The Sergeant's appearance, or the Sergeant's errand--
|
|
one or both--seemed to cause my lady some little embarrassment.
|
|
She was, for the first time in all my experience of her,
|
|
at a loss what to say at an interview with a stranger.
|
|
Sergeant Cuff put her at her ease directly. He asked if any other
|
|
person had been employed about the robbery before we sent for him;
|
|
and hearing that another person had been called in, and was now
|
|
in the house, begged leave to speak to him before anything else
|
|
was done.
|
|
|
|
My lady led the way back. Before he followed her, the Sergeant relieved his
|
|
mind on the subject of the gravel walks by a parting word to the gardener.
|
|
"Get her ladyship to try grass," he said, with a sour look at the paths.
|
|
"No gravel! no gravel!"
|
|
|
|
Why Superintendent Seegrave should have appeared to be several
|
|
sizes smaller than life, on being presented to Sergeant Cuff,
|
|
I can't undertake to explain. I can only state the fact.
|
|
They retired together; and remained a weary long time shut up
|
|
from all mortal intrusion. When they came out, Mr. Superintendent
|
|
was excited, and Mr. Sergeant was yawning.
|
|
|
|
"The Sergeant wishes to see Miss Verinder's sitting-room,"
|
|
says Mr. Seegrave, addressing me with great pomp and eagerness.
|
|
"The Sergeant may have some questions to ask. Attend the Sergeant,
|
|
if you please!"
|
|
|
|
While I was being ordered about in this way, I looked at the great Cuff.
|
|
The great Cuff, on his side, looked at Superintendent Seegrave
|
|
in that quietly expecting way which I have already noticed.
|
|
I can't affirm that he was on the watch for his brother officer's speedy
|
|
appearance in the character of an Ass--I can only say that I strongly
|
|
suspected it.
|
|
|
|
I led the way up-stairs. The Sergeant went softly all over
|
|
the Indian cabinet and all round the "boudoir;" asking questions
|
|
(occasionally only of Mr. Superintendent, and continually of me),
|
|
the drift of which I believe to have been equally unintelligible
|
|
to both of us. In due time, his course brought him to the door,
|
|
and put him face to face with the decorative painting that you know of.
|
|
He laid one lean inquiring finger on the small smear, just under
|
|
the lock, which Superintendent Seegrave had already noticed,
|
|
when he reproved the women-servants for all crowding together into
|
|
the room.
|
|
|
|
"That's a pity," says Sergeant Cuff. "How did it happen?"
|
|
|
|
He put the question to me. I answered that the women-servants had crowded
|
|
into the room on the previous morning, and that some of their petticoats had
|
|
done the mischief, "Superintendent Seegrave ordered them out, sir," I added,
|
|
"before they did any more harm."
|
|
|
|
"Right!" says Mr. Superintendent in his military way. "I ordered them out.
|
|
The petticoats did it, Sergeant--the petticoats did it."
|
|
|
|
"Did you notice which petticoat did it?" asked Sergeant Cuff,
|
|
still addressing himself, not to his brother-officer, but to me.
|
|
|
|
"No, sir."
|
|
|
|
He turned to Superintendent Seegrave upon that, and said, "You noticed,
|
|
I suppose?"
|
|
|
|
Mr. Superintendent looked a little taken aback; but he made the best of it.
|
|
"I can't charge my memory, Sergeant," he said, "a mere trifle--
|
|
a mere trifle."
|
|
|
|
Sergeant Cuff looked at Mr. Seegrave, as he had looked at the gravel walks
|
|
in the rosery, and gave us, in his melancholy way, the first taste of his
|
|
quality which we had had yet.
|
|
|
|
"I made a private inquiry last week, Mr. Superintendent," he said.
|
|
"At one end of the inquiry there was a murder, and at the other end
|
|
there was a spot of ink on a table cloth that nobody could account for.
|
|
In all my experience along the dirtiest ways of this dirty
|
|
little world, I have never met with such a thing as a trifle yet.
|
|
Before we go a step further in this business we must see the petticoat
|
|
that made the smear, and we must know for certain when that paint
|
|
was wet."
|
|
|
|
Mr. Superintendent--taking his set-down rather sulkily--
|
|
asked if he should summon the women. Sergeant Cuff,
|
|
after considering a minute, sighed, and shook his head.
|
|
|
|
"No," he said, "we'll take the matter of the paint first.
|
|
It's a question of Yes or No with the paint--which is short.
|
|
It's a question of petticoats with the women--which is long.
|
|
What o'clock was it when the servants were in this room
|
|
yesterday morning? Eleven o'clock--eh? Is there anybody in
|
|
the house who knows whether that paint was wet or dry, at eleven
|
|
yesterday morning?"
|
|
|
|
"Her ladyship's nephew, Mr. Franklin Blake, knows," I said.
|
|
|
|
"Is the gentleman in the house?"
|
|
|
|
Mr. Franklin was as close at hand as could be--waiting for
|
|
his first chance of being introduced to the great Cuff.
|
|
In half a minute he was in the room, and was giving his evidence
|
|
as follows:
|
|
|
|
"That door, Sergeant," he said, "has been painted by Miss Verinder,
|
|
under my inspection, with my help, and in a vehicle of my own composition.
|
|
The vehicle dries whatever colours may be used with it, in twelve hours."
|
|
|
|
"Do you remember when the smeared bit was done, sir?" asked the Sergeant.
|
|
|
|
"Perfectly," answered Mr. Franklin. "That was the last morsel of the door
|
|
to be finished. We wanted to get it done, on Wednesday last--and I myself
|
|
completed it by three in the afternoon, or soon after."
|
|
|
|
"To-day is Friday," said Sergeant Cuff, addressing himself to
|
|
Superintendent Seegrave. "Let us reckon back, sir. At three on
|
|
the Wednesday afternoon, that bit of the painting was completed.
|
|
The vehicle dried it in twelve hours--that is to say, dried it
|
|
by three o'clock on Thursday morning. At eleven on Thursday
|
|
morning you held your inquiry here. Take three from eleven,
|
|
and eight remains. That paint had been EIGHT HOURS DRY,
|
|
Mr. Superintendent, when you supposed that the women-servants'
|
|
petticoats smeared it."
|
|
|
|
First knock-down blow for Mr. Seegrave! If he had not suspected
|
|
poor Penelope, I should have pitied him.
|
|
|
|
Having settled the question of the paint, Sergeant Cuff,
|
|
from that moment, gave his brother-officer up as a bad job--
|
|
and addressed himself to Mr. Franklin, as the more promising
|
|
assistant of the two.
|
|
|
|
"It's quite on the cards, sir," he said, "that you have put
|
|
the clue into our hands."
|
|
|
|
As the words passed his lips, the bedroom door opened, and Miss
|
|
Rachel came out among us suddenly.
|
|
|
|
She addressed herself to the Sergeant, without appearing to notice
|
|
(or to heed) that he was a perfect stranger to her.
|
|
|
|
"Did you say," she asked, pointing to Mr. Franklin, "that HE
|
|
had put the clue into your hands?"
|
|
|
|
("This is Miss Verinder," I whispered, behind the Sergeant.)
|
|
|
|
"That gentleman, miss," says the Sergeant--with his steely-grey
|
|
eyes carefully studying my young lady's face--"has possibly put
|
|
the clue into our hands."
|
|
|
|
She turned for one moment, and tried to look at Mr. Franklin.
|
|
I say, tried, for she suddenly looked away again before their eyes met.
|
|
There seemed to be some strange disturbance in her mind.
|
|
She coloured up, and then she turned pale again. With the paleness,
|
|
there came a new look into her face--a look which it startled me
|
|
to see.
|
|
|
|
"Having answered your question, miss," says the Sergeant,
|
|
"I beg leave to make an inquiry in my turn. There is a smear
|
|
on the painting of your door, here. Do you happen to know
|
|
when it was done? or who did it?"
|
|
|
|
Instead of making any reply, Miss Rachel went on with her questions,
|
|
as if he had not spoken, or as if she had not heard him.
|
|
|
|
"Are you another police-officer?" she asked.
|
|
|
|
"I am Sergeant Cuff, miss, of the Detective Police."
|
|
|
|
"Do you think a young lady's advice worth having?"
|
|
|
|
"I shall be glad to hear it, miss."
|
|
|
|
"Do your duty by yourself--and don't allow Mr Franklin Blake to help you!"
|
|
|
|
She said those words so spitefully, so savagely, with such
|
|
an extraordinary outbreak of ill-will towards Mr. Franklin,
|
|
in her voice and in her look, that--though I had known her from
|
|
a baby, though I loved and honoured her next to my lady herself--
|
|
I was ashamed of Miss Rachel for the first time in my life.
|
|
|
|
Sergeant Cuff's immovable eyes never stirred from off her face.
|
|
"Thank you, miss," he said. "Do you happen to know anything about
|
|
the smear? Might you have done it by accident yourself?"
|
|
|
|
"I know nothing about the smear."
|
|
|
|
With that answer, she turned away, and shut herself up again in her
|
|
bed-room. This time, I heard her--as Penelope had heard her before--
|
|
burst out crying as soon as she was alone again.
|
|
|
|
I couldn't bring myself to look at the Sergeant--I looked at Mr. Franklin,
|
|
who stood nearest to me. He seemed to be even more sorely distressed at
|
|
what had passed than I was.
|
|
|
|
"I told you I was uneasy about her," he said. "And now you see why."
|
|
|
|
"Miss Verinder appears to be a little out of temper about the loss
|
|
of her Diamond," remarked the Sergeant. "It's a valuable jewel.
|
|
Natural enough! natural enough!"
|
|
|
|
Here was the excuse that I had made for her (when she forgot
|
|
herself before Superintendent Seegrave, on the previous day)
|
|
being made for her over again, by a man who couldn't have had
|
|
MY interest in making it--for he was a perfect stranger!
|
|
A kind of cold shudder ran through me, which I couldn't
|
|
account for at the time. I know, now, that I must have got my
|
|
first suspicion, at that moment, of a new light (and horrid light)
|
|
having suddenly fallen on the case, in the mind of Sergeant Cuff--
|
|
purely and entirely in consequence of what he had seen in
|
|
Miss Rachel, and heard from Miss Rachel, at that first interview
|
|
between them.
|
|
|
|
"A young lady's tongue is a privileged member, sir," says the Sergeant
|
|
to Mr. Franklin. "Let us forget what has passed, and go straight on
|
|
with this business. Thanks to you, we know when the paint was dry.
|
|
The next thing to discover is when the paint was last seen without
|
|
that smear. YOU have got a head on your shoulders--and you understand
|
|
what I mean."
|
|
|
|
Mr. Franklin composed himself, and came back with an effort
|
|
from Miss Rachel to the matter in hand.
|
|
|
|
"I think I do understand," he said. "The more we narrow the question of time,
|
|
the more we also narrow the field of inquiry."
|
|
|
|
"That's it, sir," said the Sergeant. "Did you notice your work here,
|
|
on the Wednesday afternoon, after you had done it?"
|
|
|
|
Mr. Franklin shook his head, and answered, "I can't say I did."
|
|
|
|
"Did you?" inquired Sergeant Cuff, turning to me.
|
|
|
|
"I can't say I did either, sir."
|
|
|
|
"Who was the last person in the room, the last thing on Wednesday night?"
|
|
|
|
"Miss Rachel, I suppose, sir."
|
|
|
|
Mr. Franklin struck in there, "Or possibly your daughter, Betteredge."
|
|
He turned to Sergeant Cuff, and explained that my daughter was Miss
|
|
Verinder's maid.
|
|
|
|
"Mr. Betteredge, ask your daughter to step up. Stop!" says the Sergeant,
|
|
taking me away to the window, out of earshot, "Your Superintendent here,"
|
|
he went on, in a whisper, "has made a pretty full report to me
|
|
of the manner in which he has managed this case. Among other things,
|
|
he has, by his own confession, set the servants' backs up.
|
|
It's very important to smooth them down again. Tell your daughter,
|
|
and tell the rest of them, these two things, with my compliments:
|
|
First, that I have no evidence before me, yet, that the Diamond
|
|
has been stolen; I only know that the Diamond has been lost.
|
|
Second, that my business here with the servants is simply to ask them to
|
|
lay their heads together and help me to find it."
|
|
|
|
My experience of the women-servants, when Superintendent Seegrave
|
|
laid his embargo on their rooms, came in handy here.
|
|
|
|
"May I make so bold, Sergeant, as to tell the women a third thing?"
|
|
I asked. "Are they free (with your compliments) to fidget up
|
|
and downstairs, and whisk in and out of their bed-rooms, if the fit
|
|
takes them?"
|
|
|
|
"Perfectly free," said the Sergeant.
|
|
|
|
"THAT will smooth them down, sir," I remarked, "from the cook
|
|
to the scullion."
|
|
|
|
"Go, and do it at once, Mr. Betteredge."
|
|
|
|
I did it in less than five minutes. There was only one difficulty
|
|
when I came to the bit about the bed-rooms. It took a pretty stiff
|
|
exertion of my authority, as chief, to prevent the whole of the female
|
|
household from following me and Penelope up-stairs, in the character
|
|
of volunteer witnesses in a burning fever of anxiety to help Sergeant Cuff.
|
|
|
|
The Sergeant seemed to approve of Penelope. He became a trifle less dreary;
|
|
and he looked much as he had looked when he noticed the white musk rose
|
|
in the flower-garden. Here is my daughter's evidence, as drawn off from
|
|
her by the Sergeant. She gave it, I think, very prettily--but, there! she
|
|
is my child all over: nothing of her mother in her; Lord bless you,
|
|
nothing of her mother in her!
|
|
|
|
Penelope examined: Took a lively interest in the painting
|
|
on the door, having helped to mix the colours. Noticed the bit
|
|
of work under the lock, because it was the last bit done.
|
|
Had seen it, some hours afterwards, without a smear.
|
|
Had left it, as late as twelve at night, without a smear.
|
|
Had, at that hour, wished her young lady good night in the bedroom;
|
|
had heard the clock strike in the "boudoir"; had her hand
|
|
at the time on the handle of the painted door; knew the paint
|
|
was wet (having helped to mix the colours, as aforesaid);
|
|
took particular pains not to touch it; could swear that she
|
|
held up the skirts of her dress, and that there was no smear
|
|
on the paint then; could not swear that her dress mightn't
|
|
have touched it accidentally in going out; remembered the dress
|
|
she had on, because it was new, a present from Miss Rachel;
|
|
her father remembered, and could speak to it, too; could, and would,
|
|
and did fetch it; dress recognised by her father as the dress
|
|
she wore that night; skirts examined, a long job from the size
|
|
of them; not the ghost of a paint-stain discovered anywhere.
|
|
End of Penelope's evidence--and very pretty and convincing, too.
|
|
Signed, Gabriel Betteredge.
|
|
|
|
The Sergeant's next proceeding was to question me about any
|
|
large dogs in the house who might have got into the room,
|
|
and done the mischief with a whisk of their tails.
|
|
Hearing that this was impossible, he next sent for a
|
|
magnifying-glass, and tried how the smear looked, seen that way.
|
|
No skin-mark (as of a human hand) printed off on the paint.
|
|
All the signs visible--signs which told that the paint had been
|
|
smeared by some loose article of somebody's dress touching
|
|
it in going by. That somebody (putting together Penelope's
|
|
evidence and Mr. Franklin's evidence) must have been in the room,
|
|
and done the mischief, between midnight and three o'clock on the
|
|
Thursday morning.
|
|
|
|
Having brought his investigation to this point, Sergeant Cuff discovered
|
|
that such a person as Superintendent Seegrave was still left in the room,
|
|
upon which he summed up the proceedings for his brother-officer's benefit,
|
|
as follows:
|
|
|
|
"This trifle of yours, Mr. Superintendent," says the Sergeant,
|
|
pointing to the place on the door, "has grown a little in importance
|
|
since you noticed it last. At the present stage of the inquiry there are,
|
|
as I take it, three discoveries to make, starting from that smear.
|
|
Find out (first) whether there is any article of dress in this house with
|
|
the smear of the paint on it. Find out (second) who that dress belongs to.
|
|
Find out (third) how the person can account for having been in this room,
|
|
and smeared the paint, between midnight and three in the morning.
|
|
If the person can't satisfy you, you haven't far to look for the hand
|
|
that has got the Diamond. I'll work this by myself, if you please,
|
|
and detain you no longer-from your regular business in the town.
|
|
You have got one of your men here, I see. Leave him here at
|
|
my disposal, in case I want him--and allow me to wish you
|
|
good morning."
|
|
|
|
Superintendent Seegrave's respect for the Sergeant was great;
|
|
but his respect for himself was greater still. Hit hard by the
|
|
celebrated Cuff, he hit back smartly, to the best of his ability,
|
|
on leaving the room.
|
|
|
|
"I have abstained from expressing any opinion, so far,"
|
|
says Mr. Superintendent, with his military voice still in good
|
|
working order. "I have now only one remark to offer on leaving
|
|
this case in your hands. There IS such a thing, Sergeant,
|
|
as making a mountain out of a molehill. Good morning."
|
|
|
|
"There is also such a thing as making nothing out of a molehill,
|
|
in consequence of your head being too high to see it."
|
|
Having returned his brother-officer's compliments in those terms,
|
|
Sergeant Cuff wheeled about, and walked away to the window
|
|
by himself.
|
|
|
|
Mr. Franklin and I waited to see what was coming next.
|
|
The Sergeant stood at the window with his hands in his pockets,
|
|
looking out, and whistling the tune of "The Last Rose of Summer"
|
|
softly to himself. Later in the proceedings, I discovered
|
|
that he only forgot his manners so far as to whistle, when his
|
|
mind was hard at work, seeing its way inch by inch to its own
|
|
private ends, on which occasions "The Last Rose of Summer"
|
|
evidently helped and encouraged him. I suppose it fitted
|
|
in somehow with his character. It reminded him, you see, of his
|
|
favourite roses, and, as HE whistled it, it was the most melancholy
|
|
tune going.
|
|
|
|
Turning from the window, after a minute or two, the Sergeant
|
|
walked into the middle of the room, and stopped there,
|
|
deep in thought, with his eyes on Miss Rachel's bed-room door.
|
|
After a little he roused himself, nodded his head, as much
|
|
as to say, "That will do," and, addressing me, asked for
|
|
ten minutes' conversation with my mistress, at her ladyship's
|
|
earliest convenience.
|
|
|
|
Leaving the room with this message, I heard Mr. Franklin ask the Sergeant
|
|
a question, and stopped to hear the answer also at the threshold of the door.
|
|
|
|
"Can you guess yet," inquired Mr. Franklin, "who has stolen the Diamond?"
|
|
|
|
"NOBODY HAS STOLEN THE DIAMOND," answered Sergeant Cuff.
|
|
|
|
We both started at that extraordinary view of the case,
|
|
and both earnestly begged him to tell us what he meant.
|
|
|
|
"Wait a little," said the Sergeant. "The pieces of the puzzle
|
|
are not all put together yet."
|
|
|
|
|
|
|
|
CHAPTER XIII
|
|
|
|
|
|
I found my lady in her own sitting room. She started and looked
|
|
annoyed when I mentioned that Sergeant Cuff wished to speak to her.
|
|
|
|
"MUST I see him?" she asked. "Can't you represent me, Gabriel?"
|
|
|
|
I felt at a loss to understand this, and showed it plainly,
|
|
I suppose, in my face. My lady was so good as to explain herself.
|
|
|
|
"I am afraid my nerves are a little shaken," she said.
|
|
"There is something in that police-officer from London which I
|
|
recoil from--I don't know why. I have a presentiment that
|
|
he is bringing trouble and misery with him into the house.
|
|
Very foolish, and very unlike ME--but so it is."
|
|
|
|
I hardly knew what to say to this. The more I saw of Sergeant Cuff,
|
|
the better I liked him. My lady rallied a little after having opened
|
|
her heart to me--being, naturally, a woman of a high courage, as I
|
|
have already told you.
|
|
|
|
"If I must see him, I must," she said. "But I can't prevail on myself
|
|
to see him alone. Bring him in, Gabriel, and stay here as long as he stays."
|
|
|
|
This was the first attack of the megrims that I remembered
|
|
in my mistress since the time when she was a young girl.
|
|
I went back to the "boudoir." Mr. Franklin strolled out into
|
|
the garden, and joined Mr. Godfrey, whose time for departure
|
|
was now drawing near. Sergeant Cuff and I went straight to my
|
|
mistress's room.
|
|
|
|
I declare my lady turned a shade paler at the sight of him!
|
|
She commanded herself, however, in other respects, and asked
|
|
the Sergeant if he had any objection to my being present.
|
|
She was so good as to add, that I was her trusted adviser,
|
|
as well as her old servant, and that in anything which related
|
|
to the household I was the person whom it might be most
|
|
profitable to consult. The Sergeant politely answered
|
|
that he would take my presence as a favour, having something
|
|
to say about the servants in general, and having found
|
|
my experience in that quarter already of some use to him.
|
|
My lady pointed to two chairs, and we set in for our
|
|
conference immediately.
|
|
|
|
"I have already formed an opinion on this case, says Sergeant Cuff,
|
|
"which I beg your ladyship's permission to keep to myself for the present.
|
|
My business now is to mention what I have discovered up-stairs in Miss
|
|
Verinder's sitting-room, and what I have decided (with your ladyship's leave)
|
|
on doing next."
|
|
|
|
He then went into the matter of the smear on the paint, and stated
|
|
the conclusions he drew from it--just as he had stated them
|
|
(only with greater respect of language) to Superintendent Seegrave.
|
|
"One thing," he said, in conclusion, "is certain.
|
|
The Diamond is missing out of the drawer in the cabinet.
|
|
Another thing is next to certain. The marks from the smear on
|
|
the door must be on some article of dress belonging to somebody
|
|
in this house. We must discover that article of dress before we go a
|
|
step further."
|
|
|
|
"And that discovery," remarked my mistress, "implies, I presume,
|
|
the discovery of the thief?"
|
|
|
|
"I beg your ladyship's pardon--I don't say the Diamond is stolen.
|
|
I only say, at present, that the Diamond is missing.
|
|
The discovery of the stained dress may lead the way to
|
|
finding it."
|
|
|
|
Her ladyship looked at me. "Do you understand this?" she said.
|
|
|
|
"Sergeant Cuff understands it, my lady," I answered.
|
|
|
|
"How do you propose to discover the stained dress?" inquired my mistress,
|
|
addressing herself once more to the Sergeant. "My good servants,
|
|
who have been with me for years, have, I am ashamed to say,
|
|
had their boxes and rooms searched already by the other officer.
|
|
I can't and won't permit them to be insulted in that way a
|
|
second time!"
|
|
|
|
(There was a mistress to serve! There was a woman in ten thousand,
|
|
if you like!)
|
|
|
|
"That is the very point I was about to put to your ladyship,"
|
|
said the Sergeant. "The other officer has done a world of harm
|
|
to this inquiry, by letting the servants see that he suspected them.
|
|
If I give them cause to think themselves suspected a second time,
|
|
there's no knowing what obstacles they may not throw in my way--
|
|
the women especially. At the same time, their boxes must be
|
|
searched again--for this plain reason, that the first investigation
|
|
only looked for the Diamond, and that the second investigation
|
|
must look for the stained dress. I quite agree with you,
|
|
my lady, that the servants' feelings ought to be consulted.
|
|
But I am equally clear that the servants' wardrobes ought to
|
|
be searched."
|
|
|
|
This looked very like a dead-lock. My lady said so, in choicer
|
|
language than mine.
|
|
|
|
"I have got a plan to meet the difficulty," said Sergeant Cuff,
|
|
"if your ladyship will consent to it. I propose explaining
|
|
the case to the servants."
|
|
|
|
"The women will think themselves suspected directly, I said,
|
|
interrupting him.
|
|
|
|
"The women won't, Mr. Betteredge," answered the Sergeant, "if I
|
|
can tell them I am going to examine the wardrobes of EVERYBODY--
|
|
from her ladyship downwards--who slept in the house on Wednesday night.
|
|
It's a mere formality," he added, with a side look at my mistress;
|
|
"but the servants will accept it as even dealing between them
|
|
and their betters; and, instead of hindering the investigation,
|
|
they will make a point of honour of assisting it."
|
|
|
|
I saw the truth of that. My lady, after her first surprise was over,
|
|
saw the truth of it also.
|
|
|
|
"You are certain the investigation is necessary?" she said.
|
|
|
|
"It's the shortest way that I can see, my lady, to the end we have in view."
|
|
|
|
My mistress rose to ring the bell for her maid. "You shall speak
|
|
to the servants," she said, "with the keys of my wardrobe in your hand."
|
|
|
|
Sergeant Cuff stopped her by a very unexpected question.
|
|
|
|
"Hadn't we better make sure first," he asked, "that the other ladies
|
|
and gentlemen in the house will consent, too?"
|
|
|
|
"The only other lady in the house is Miss Verinder," answered my mistress,
|
|
with a look of surprise. "The only gentlemen are my nephews, Mr. Blake
|
|
and Mr. Ablewhite. There is not the least fear of a refusal from any of
|
|
the three."
|
|
|
|
I reminded my lady here that Mr. Godfrey was going away.
|
|
As I said the words, Mr. Godfrey himself knocked at the door to say
|
|
good-bye, and was followed in by Mr. Franklin, who was going
|
|
with him to the station. My lady explained the difficulty.
|
|
Mr. Godfrey settled it directly. He called to Samuel,
|
|
through the window, to take his portmanteau up-stairs again,
|
|
and he then put the key himself into Sergeant Cuff's hand.
|
|
"My luggage can follow me to London," he said, "when the inquiry
|
|
is over." The Sergeant received the key with a becoming apology.
|
|
"I am sorry to put you to any inconvenience, sir, for a
|
|
mere formality; but the example of their betters will do wonders
|
|
in reconciling the servants to this inquiry." Mr. Godfrey,
|
|
after taking leave of my lady, in a most sympathising manner?
|
|
left a farewell message for Miss Rachel, the terms of which made
|
|
it clear to my mind that he had not taken No for an answer,
|
|
and that he meant to put the marriage question to her once more,
|
|
at the next opportunity. Mr. Franklin, on following his
|
|
cousin out, informed the Sergeant that all his clothes were open
|
|
to examination, and that nothing he possessed was kept under
|
|
lock and key. Sergeant Cuff made his best acknowledgments.
|
|
His views, you will observe, had been met with the utmost
|
|
readiness by my lady, by Mr. Godfrey, and by Mr. Franklin.
|
|
There was only Miss. Rachel now wanting to follow their lead,
|
|
before we-called the servants together, and began the search for
|
|
the stained dress.
|
|
|
|
My lady's unaccountable objection to the Sergeant seemed to make
|
|
our conference more distasteful to her than ever, as soon as we
|
|
were left alone again. "If I send you down Miss Verinder's keys,"
|
|
she said to him, "I presume I shall have done all you want of me
|
|
for the present?"
|
|
|
|
"I beg your ladyship's pardon," said Sergeant Cuff. "Before we begin,
|
|
I should like, if convenient, to have the washing-book. The stained article
|
|
of dress may be an article of linen. If the search leads to nothing,
|
|
I want to be able to account next for all the linen in the house,
|
|
and for all the linen sent to the wash. If there is an article missing,
|
|
there will be at least a presumption that it has got the paint-stain on it,
|
|
and that it has been purposely made away with, yesterday or to-day,
|
|
by the person owning it. Superintendent Seegrave," added the Sergeant,
|
|
turning to me, "pointed the attention of the women-servants to the smear,
|
|
when they all crowded into the room on Thursday morning. That may turn out,
|
|
Mr. Betteredge, to have been one more of Superintendent Seegrave's
|
|
many mistakes."
|
|
|
|
My lady desired me to ring the bell, and order the washing-book.
|
|
She remained with us until it was produced, in case Sergeant Cuff
|
|
had any further request to make of her after looking at it.
|
|
|
|
The washing-book was brought in by Rosanna Spearman.
|
|
The girl had come down to breakfast that morning miserably
|
|
pale and haggard, but sufficiently recovered from her
|
|
illness of the previous day to do her usual work.
|
|
Sergeant Cuff looked attentively at our second housemaid--
|
|
at her face, when she came in; at her crooked shoulder, when she
|
|
went out.
|
|
|
|
"Have you anything more to say to me?" asked my lady, still as eager
|
|
as ever to be out of the Sergeant's society.
|
|
|
|
The great Cuff opened the washing-book, understood it
|
|
perfectly in half a minute, and shut it up again. "I venture
|
|
to trouble your ladyship with one last question," he said.
|
|
"Has the young woman who brought us this book been in your
|
|
employment as long as the other servants?"
|
|
|
|
"Why do you ask?" said my lady.
|
|
|
|
"The last time I saw her," answered the Sergeant, "she was in prison
|
|
for theft."
|
|
|
|
After that, there was no help for it, but to tell him the truth.
|
|
My mistress dwelt strongly on Rosanna's good conduct in her service,
|
|
and on the high opinion entertained of her by the matron at the reformatory.
|
|
"You don't suspect her, I hope?" my lady added, in conclusion,
|
|
very earnestly.
|
|
|
|
"I have already told your ladyship that I don't suspect any person
|
|
in the house of thieving--up to the present time."
|
|
|
|
After that answer, my lady rose to go up-stairs, and ask
|
|
for Miss Rachel's keys. The Sergeant was before-hand with me
|
|
in opening the door for her. He made a very low bow.
|
|
My lady shuddered as she passed him.
|
|
|
|
We waited, and waited, and no keys appeared. Sergeant Cuff made
|
|
no remark to me. He turned his melancholy face to the window;
|
|
he put his lanky hands into his pockets; and he whistled "The Last
|
|
Rose of Summer" softly to himself.
|
|
|
|
At last, Samuel came in, not with the keys, but with a morsel of paper
|
|
for me. I got at my spectacles, with some fumbling and difficulty,
|
|
feeling the Sergeant's dismal eyes fixed on me all the time.
|
|
There were two or three lines on the paper, written in pencil by my lady.
|
|
They informed me that Miss Rachel flatly refused to have her
|
|
wardrobe examined. Asked for her reasons, she had burst out crying.
|
|
Asked again, she had said: "I won't, because I won't. I must
|
|
yield to force if you use it, but I will yield to nothing else."
|
|
I understood my lady's disinclination to face Sergeant Cuff with such
|
|
an answer from her daughter as that. If I had not been too old for
|
|
the amiable weaknesses of youth, I believe I should have blushed at
|
|
the notion of facing him myself.
|
|
|
|
"Any news of Miss Verinder's keys?" asked the Sergeant.
|
|
|
|
"My young lady refuses to have her wardrobe examined."
|
|
|
|
"Ah!" said the Sergeant.
|
|
|
|
His voice was not quite in such a perfect state of discipline as his face.
|
|
When he said "Ah!" he said it in the tone of a man who had heard something
|
|
which he expected to hear. He half angered and half frightened me--why, I
|
|
couldn't tell, but he did it.
|
|
|
|
"Must the search be given up?" I asked.
|
|
|
|
"Yes," said the Sergeant, "the search must be given up,
|
|
because your young lady refuses to submit to it like the rest.
|
|
We must examine all the wardrobes in the house or none.
|
|
Send Mr. Ablewhite's portmanteau to London by the next train,
|
|
and return the washing-book, with my compliments and thanks,
|
|
to the young woman who brought it in."
|
|
|
|
He laid the washing-book on the table, and taking out his penknife,
|
|
began to trim his nails.
|
|
|
|
"You don't seem to be much disappointed," I said.
|
|
|
|
"No," said Sergeant Cuff; "I am not much disappointed."
|
|
|
|
I tried to make him explain himself.
|
|
|
|
"Why should Miss Rachel put an obstacle in your way?" I inquired.
|
|
"Isn't it her interest to help you?"
|
|
|
|
"Wait a little, Mr. Betteredge--wait a little."
|
|
|
|
Cleverer heads than mine might have seen his drift. Or a person
|
|
less fond of Miss Rachel than I was, might have seen his drift.
|
|
My lady's horror of him might (as I have since thought)
|
|
have meant that she saw his drift (as the scripture says)
|
|
"in a glass darkly." I didn't see it yet--that's all
|
|
I know.
|
|
|
|
"What's to be done next?" I asked.
|
|
|
|
Sergeant Cuff finished the nail on which he was then at work,
|
|
looked at it for a moment with a melancholy interest, and put up
|
|
his penknife.
|
|
|
|
"Come out into the garden," he said " and let's have a look at the roses."
|
|
|
|
|
|
|
|
CHAPTER XIV
|
|
|
|
|
|
The nearest way to the garden, on going out of my lady's
|
|
sitting-room, was by the shrubbery path, which you already know of.
|
|
For the sake of your better understanding of what is now to come,
|
|
I may add to this, that the shrubbery path was Mr. Franklin's
|
|
favourite walk. When he was out in the grounds, and when we failed
|
|
to find him anywhere else, we generally found him here.
|
|
|
|
I am afraid I must own that I am rather an obstinate old man.
|
|
The more firmly Sergeant Cuff kept his thoughts shut up from me,
|
|
the more firmly I persisted in trying to look in at them.
|
|
As we turned into the shrubbery path, I attempted to circumvent him in
|
|
another way.
|
|
|
|
"As things are now," I said, "if I was in your place, I should
|
|
be at my wits' end."
|
|
|
|
"If you were in my place," answered the Sergeant, "you would have formed
|
|
an opinion--and, as things are now, any doubt you might previously
|
|
have felt about your own conclusions would be completely set at rest.
|
|
Never mind for the present what those conclusions are, Mr. Betteredge.
|
|
I haven't brought you out here to draw me like a badger; I have brought
|
|
you out here to ask for some information. You might have given it to me
|
|
no doubt, in the house, instead of out of it. But doors and listeners
|
|
have a knack of getting together; and, in my line of life, we cultivate
|
|
a healthy taste for the open air."
|
|
|
|
Who was to circumvent THIS man? I gave in--and waited as patiently
|
|
as I could to hear what was coming next.
|
|
|
|
"We won't enter into your young lady's motives," the Sergeant went on;
|
|
"we will only say it's a pity she declines to assist me, because,
|
|
by so doing, she makes this investigation more difficult than it
|
|
might otherwise have been. We must now try to solve the mystery
|
|
of the smear on the door--which, you may take my word for it,
|
|
means the mystery of the Diamond also--in some other way.
|
|
I have decided to see the servants, and to search their thoughts
|
|
and actions, Mr. Betteredge, instead of searching their wardrobes.
|
|
Before I begin, however, I want to ask you a question or two.
|
|
You are an observant man--did you notice anything strange in any of
|
|
the servants (making due allowance, of course, for fright and fluster),
|
|
after the loss of the Diamond was found out? Any particular quarrel
|
|
among them? Any one of them not in his or her usual spirits?
|
|
Unexpectedly out of temper, for instance? or unexpectedly
|
|
taken ill?"
|
|
|
|
I had just time to think of Rosanna Spearman's sudden illness
|
|
at yesterday's dinner--but not time to make any answer--when I saw
|
|
Sergeant Cuff's eyes suddenly turn aside towards the shrubbery;
|
|
and I heard him say softly to himself, "Hullo!"
|
|
|
|
"What's the matter?" I asked.
|
|
|
|
"A touch of the rheumatics in my back," said the Sergeant,
|
|
in a loud voice, as if he wanted some third person to hear us.
|
|
"We shall have a change in the weather before long."
|
|
|
|
A few steps further brought us to the corner of the house.
|
|
Turning off sharp to the right, we entered on the terrace,
|
|
and went down, by the steps in the middle, into the garden below.
|
|
Sergeant Cuff stopped there, in the open space, where we could see
|
|
round us on every side.
|
|
|
|
"About that young person, Rosanna Spearman?" he said.
|
|
"It isn't very likely, with her personal appearance, that she has
|
|
got a lover. But, for the girl's own sake, I must ask you at once
|
|
whether SHE has provided herself with a sweetheart, poor wretch,
|
|
like the rest of them?"
|
|
|
|
What on earth did he mean, under present circumstances,
|
|
by putting such a question to me as that? I stared at him,
|
|
instead of answering him.
|
|
|
|
"I saw Rosanna Spearman hiding in the shrubbery as we went by,"
|
|
said the Sergeant.
|
|
|
|
"When you said 'Hullo'?"
|
|
|
|
"Yes--when I said 'Hullo!' If there's a sweetheart in the case,
|
|
the hiding doesn't much matter. If there isn't--as things are
|
|
in this house--the hiding is a highly suspicious circumstance,
|
|
and it will be my painful duty to act on it accordingly."
|
|
|
|
What, in God's name, was I to say to him? I knew the shrubbery
|
|
was Mr. Franklin's favourite walk; I knew he would most
|
|
likely turn that way when he came back from the station;
|
|
I knew that Penelope had over and over again caught her
|
|
fellow-servant hanging about there, and had always declared to me
|
|
that Rosanna's object was to attract Mr. Franklin's attention.
|
|
If my daughter was right, she might well have been lying in wait
|
|
for Mr. Franklin's return when the Sergeant noticed her.
|
|
I was put between the two difficulties of mentioning Penelope's
|
|
fanciful notion as if it was mine, or of leaving an unfortunate
|
|
creature to suffer the consequences, the very serious consequences,
|
|
of exciting the suspicion of Sergeant Cuff. Out of pure pity
|
|
for the girl--on my soul and my character, out of pure pity
|
|
for the girl--I gave the Sergeant the necessary explanations,
|
|
and told him that Rosanna had been mad enough to set her heart on
|
|
Mr. Franklin Blake.
|
|
|
|
Sergeant Cuff never laughed. On the few occasions when anything amused him,
|
|
he curled up a little at the corners of the lips, nothing more. He curled
|
|
up now.
|
|
|
|
"Hadn't you better say she's mad enough to be an ugly girl and only
|
|
a servant?" he asked. "The falling in love with a gentleman of Mr. Franklin
|
|
Blake's manners and appearance doesn't seem to me to be the maddest part
|
|
of her conduct by any means. However, I'm glad the thing is cleared up:
|
|
it relieves one's mind to have things cleared up. Yes, I'll keep it
|
|
a secret, Mr. Betteredge. I like to be tender to human infirmity--
|
|
though I don't get many chances of exercising that virtue in my line of life.
|
|
You think Mr. Franklin Blake hasn't got a suspicion of the girl's fancy
|
|
for him? Ah! he would have found it out fast enough if she had been
|
|
nice-looking. The ugly women have a bad time of it in this world;
|
|
let's hope it will be made up to them in another. You have got a nice
|
|
garden here, and a well-kept lawn. See for yourself how much better
|
|
the flowers look with grass about them instead of gravel. No, thank you.
|
|
I won't take a rose. It goes to my heart to break them off the stem.
|
|
Just as it goes to your heart, you know, when there's something wrong
|
|
in the servants' hall. Did you notice anything you couldn't account
|
|
for in any of the servants when the loss of the Diamond was first
|
|
found out?"
|
|
|
|
I had got on very fairly well with Sergeant Cuff so far.
|
|
But the slyness with which he slipped in that last question
|
|
put me on my guard. In plain English, I didn't at all relish
|
|
the notion of helping his inquiries, when those inquiries
|
|
took him (in the capacity of snake in the grass) among my
|
|
fellow-servants.
|
|
|
|
"I noticed nothing," I said, "except that we all lost our heads together,
|
|
myself included."
|
|
|
|
"Oh," says the Sergeant, "that's all you have to tell me,
|
|
is it?"
|
|
|
|
I answered, with (as I flattered myself) an unmoved countenance,
|
|
"That is all."
|
|
|
|
Sergeant Cuff's dismal eyes looked me hard in the face.
|
|
|
|
"Mr. Betteredge," he said, "have you any objection to oblige me
|
|
by shaking hands? I have taken an extraordinary liking to you."
|
|
|
|
(Why he should have chosen the exact moment when I was deceiving him
|
|
to give me that proof of his good opinion, is beyond all comprehension!
|
|
I felt a little proud--I really did feel a little proud of having been
|
|
one too many at last for the celebrated Cuff!)
|
|
|
|
We went back to the house; the Sergeant requesting that I would
|
|
give him a room to himself, and then send in the servants
|
|
(the indoor servants only), one after another, in the order
|
|
of their rank, from first to last.
|
|
|
|
I showed Sergeant Cuff into my own room, and then called the servants
|
|
together in the hall. Rosanna Spearman appeared among them, much as usual.
|
|
She was as quick in her way as the Sergeant in his, and I suspect she
|
|
had heard what he said to me about the servants in general, just before
|
|
he discovered her. There she was, at any rate, looking as if she had never
|
|
heard of such a place as the shrubbery in her life.
|
|
|
|
I sent them in, one by one, as desired. The cook was
|
|
the first to enter the Court of Justice, otherwise my room.
|
|
She remained but a short time. Report, on coming out:
|
|
"Sergeant Cuff is depressed in his spirits; but Sergeant
|
|
Cuff is a perfect gentleman." My lady's own maid followed.
|
|
Remained much longer. Report, on coming out: "If Sergeant
|
|
Cuff doesn't believe a respectable woman, he might keep
|
|
his opinion to himself, at any rate!" Penelope went next.
|
|
Remained only a moment or two. Report, on coming out:
|
|
"Sergeant Cuff is much to be pitied. He must have been
|
|
crossed in love, father, when he was a young man."
|
|
The first housemaid followed Penelope. Remained, like my
|
|
lady's maid, a long time. Report, on coming out: "I didn't
|
|
enter her ladyship's service, Mr. Betteredge, to be doubted
|
|
to my face by a low police-officer!" Rosanna Spearman went next.
|
|
Remained longer than any of them. No report on coming out--
|
|
dead silence, and lips as pale as ashes. Samuel, the footman,
|
|
followed Rosanna. Remained a minute or two. Report, on coming out:
|
|
"Whoever blacks Sergeant Cuff's boots ought to be ashamed
|
|
of himself." Nancy, the kitchen-maid, went last. Remained a minute
|
|
or two. Report, on coming out: "Sergeant Cuff has a heart;
|
|
HE doesn't cut jokes, Mr. Betteredge, with a poor hard-working
|
|
girl."
|
|
|
|
Going into the Court of Justice, when it was all over, to hear if there
|
|
were any further commands for me, I found the Sergeant at his old trick--
|
|
looking out of window, and whistling "The Last Rose of Summer"
|
|
to himself.
|
|
|
|
"Any discoveries, sir?" I inquired.
|
|
|
|
"If Rosanna Spearman asks leave to go out," said the Sergeant,
|
|
"let the poor thing go; but let me know first."
|
|
|
|
I might as well have held my tongue about Rosanna and Mr. Franklin!
|
|
It was plain enough; the unfortunate girl had fallen under Sergeant
|
|
Cuff's suspicions, in spite of all I could do to prevent it.
|
|
|
|
"I hope you don't think Rosanna is concerned in the loss of the Diamond?"
|
|
I ventured to say.
|
|
|
|
The corners of the Sergeant's melancholy mouth curled up,
|
|
and he looked hard in my face, just as he had looked in the garden.
|
|
|
|
"I think I had better not tell you, Mr. Betteredge," he said.
|
|
"You might lose your head, you know, for the second time."
|
|
|
|
I began to doubt whether I had been one too many for the celebrated Cuff,
|
|
after all! It was rather a relief to me that we were interrupted
|
|
here by a knock at the door, and a message from the cook.
|
|
Rosanna Spearman HAD asked to go out, for the usual reason,
|
|
that her head was bad, and she wanted a breath of fresh air.
|
|
At a sign from the Sergeant, I said, Yes. "Which is the servants'
|
|
way out?" he asked, when the messenger had gone.
|
|
I showed him the servants' way out. "Lock the door of your room,"
|
|
says the Sergeant; "and if anybody asks for me, say I'm in there,
|
|
composing my mind." He curled up again at the corners of the lips,
|
|
and disappeared.
|
|
|
|
Left alone, under those circumstances, a devouring curiosity
|
|
pushed me on to make some discoveries for myself.
|
|
|
|
It was plain that Sergeant Cuff's suspicions of Rosanna had been roused
|
|
by something that he had found out at his examination of the servants
|
|
in my room. Now, the only two servants (excepting Rosanna herself)
|
|
who had remained under examination for any length of time, were my lady's own
|
|
maid and the first housemaid, those two being also the women who had taken
|
|
the lead in persecuting their unfortunate fellow-servant from the first.
|
|
Reaching these conclusions, I looked in on them, casually as it might be,
|
|
in the servants' hall, and, finding tea going forward, instantly invited
|
|
myself to that meal. (For, NOTA BENE, a drop of tea is to a woman's tongue
|
|
what a drop of oil is to a wasting lamp.)
|
|
|
|
My reliance on the tea-pot, as an ally, did not go unrewarded.
|
|
In less than half an hour I knew as much as the Sergeant himself.
|
|
|
|
My lady's maid and the housemaid, had, it appeared, neither of them
|
|
believed in Rosanna's illness of the previous day. These two devils--
|
|
I ask your pardon; but how else CAN you describe a couple of spiteful women?--
|
|
had stolen up-stairs, at intervals during the Thursday afternoon; had tried
|
|
Rosanna's door, and found it locked; had knocked, and not been answered;
|
|
had listened, and not heard a sound inside. When the girl had come
|
|
down to tea, and had been sent up, still out of sorts, to bed again,
|
|
the two devils aforesaid had tried her door once more, and found it locked;
|
|
had looked at the keyhole, and found it stopped up; had seen a light
|
|
under the door at midnight, and had heard the crackling of a fire (a fire
|
|
in a servant's bed-room in the month of June!) at four in the morning.
|
|
All this they had told Sergeant Cuff, who, in return for their anxiety
|
|
to enlighten him, had eyed them with sour and suspicious looks, and had
|
|
shown them plainly that he didn't believe either one or the other.
|
|
Hence, the unfavourable reports of him which these two women had brought
|
|
out with them from the examination. Hence, also (without reckoning
|
|
the influence of the tea-pot), their readiness to let their tongues run
|
|
to any length on the subject of the Sergeant's ungracious behaviour
|
|
to them.
|
|
|
|
Having had some experience of the great Cuff's round-about ways,
|
|
and having last seen him evidently bent on following Rosanna
|
|
privately when she went out for her walk, it seemed clear to me
|
|
that he had thought it unadvisable to let the lady's maid
|
|
and the housemaid know how materially they had helped him.
|
|
They were just the sort of women, if he had treated their evidence
|
|
as trustworthy, to have been puffed up by it, and to have said
|
|
or done something which would have put Rosanna Spearman on
|
|
her guard.
|
|
|
|
I walked out in the fine summer afternoon, very sorry for the poor girl,
|
|
and very uneasy in my mind at the turn things had taken.
|
|
Drifting towards the shrubbery, some time later, there I met Mr. Franklin.
|
|
After returning from seeing his cousin off at the station,
|
|
he had been with my lady, holding a long conversation with her.
|
|
She had told him of Miss Rachel's unaccountable refusal to let her
|
|
wardrobe be examined; and had put him in such low spirits about my
|
|
young lady that he seemed to shrink from speaking on the subject.
|
|
The family temper appeared in his face that evening, for the first time
|
|
in my experience of him.
|
|
|
|
"Well, Betteredge," he said, "how does the atmosphere of mystery
|
|
and suspicion in which we are all living now, agree with you?
|
|
Do you remember that morning when I first came here with the Moonstone?
|
|
I wish to God we had thrown it into the quicksand!"
|
|
|
|
After breaking out in that way, he abstained from speaking again
|
|
until he had composed himself. We walked silently, side by side,
|
|
for a minute or two, and then he asked me what had become of Sergeant Cuff.
|
|
It was impossible to put Mr. Franklin off with the excuse of the Sergeant
|
|
being in my room, composing his mind. I told him exactly what had happened,
|
|
mentioning particularly what my lady's maid and the house-maid had said
|
|
about Rosanna Spearman.
|
|
|
|
Mr. Franklin's clear head saw the turn the Sergeant's suspicions had taken,
|
|
in the twinkling of an eye.
|
|
|
|
"Didn't you tell me this morning," he said, "that one of the tradespeople
|
|
declared he had met Rosanna yesterday, on the footway to Frizinghall,
|
|
when we supposed her to be ill in her room?"
|
|
|
|
"Yes, sir."
|
|
|
|
"If my aunt's maid and the other woman have spoken the truth,
|
|
you may depend upon it the tradesman did meet her.
|
|
The girl's attack of illness was a blind to deceive us.
|
|
She had some guilty reason for going to the town secretly.
|
|
The paint-stained dress is a dress of hers; and the fire heard
|
|
crackling in her room at four in the morning was a fire lit
|
|
to destroy it. Rosanna Spearman has stolen the Diamond.
|
|
I'll go in directly, and tell my aunt the turn things
|
|
have taken."
|
|
|
|
"Not just yet, if you please, sir," said a melancholy voice behind us.
|
|
|
|
We both turned about, and found ourselves face to face with Sergeant Cuff.
|
|
|
|
"Why not just yet?" asked Mr. Franklin.
|
|
|
|
"Because, sir, if you tell her ladyship, her ladyship will tell
|
|
Miss Verinder."
|
|
|
|
"Suppose she does. What then?" Mr. Franklin said those words with a sudden
|
|
heat and vehemence, as if the Sergeant had mortally offended him.
|
|
|
|
"Do you think it's wise, sir," said Sergeant Cuff, quietly, "to put
|
|
such a question as that to me--at such a time as this?"
|
|
|
|
There was a moment's silence between them: Mr. Franklin walked close
|
|
up to the Sergeant. The two looked each other straight in the face.
|
|
Mr. Franklin spoke first, dropping his voice as suddenly as he had
|
|
raised it.
|
|
|
|
"I suppose you know, Mr. Cuff," he said, "that you are treading
|
|
on delicate ground?"
|
|
|
|
"It isn't the first time, by a good many hundreds, that I
|
|
find myself treading on delicate ground," answered the other,
|
|
as immovable as ever.
|
|
|
|
"I am to understand that you forbid me to tell my aunt what has happened?"
|
|
|
|
"You are to understand, if you please, sir, that I throw up the case,
|
|
if you tell Lady Verinder, or tell anybody, what has happened, until I
|
|
give you leave."
|
|
|
|
That settled it. Mr. Franklin had no choice but to submit.
|
|
He turned away in anger--and left us.
|
|
|
|
I had stood there listening to them, all in a tremble;
|
|
not knowing whom to suspect, or what to think next.
|
|
In the midst of my confusion, two things, however, were plain to me.
|
|
First, that my young lady was, in some unaccountable manner,
|
|
at the bottom of the sharp speeches that had passed between them.
|
|
Second, that they thoroughly understood each other,
|
|
without having previously exchanged a word of explanation on
|
|
either side.
|
|
|
|
"Mr. Betteredge," says the Sergeant, "you have done a very foolish thing in
|
|
my absence. You have done a little detective business on your own account.
|
|
For the future, perhaps you will be so obliging as to do your detective
|
|
business along with me."
|
|
|
|
He took me by the arm, and walked me away with him along the road
|
|
by which he had come. I dare say I had deserved his reproof--
|
|
but I was not going to help him to set traps for Rosanna Spearman,
|
|
for all that. Thief or no thief, legal or not legal, I don't care--
|
|
I pitied her.
|
|
|
|
"What do you want of me?" I asked, shaking him off, and stopping short.
|
|
|
|
"Only a little information about the country round here,"
|
|
said the Sergeant.
|
|
|
|
I couldn't well object to improve Sergeant Cuff in his geography.
|
|
|
|
"Is there any path, in that direction, leading to the sea-beach
|
|
from this house?" asked the Sergeant. He pointed, as he spoke,
|
|
to the fir-plantation which led to the Shivering Sand.
|
|
|
|
"Yes," I said, "there is a path."
|
|
|
|
"Show it to me."
|
|
|
|
Side by side, in the grey of the summer evening, Sergeant Cuff
|
|
and I set forth for the Shivering Sand.
|
|
|
|
|
|
|
|
CHAPTER XV
|
|
|
|
|
|
The Sergeant remained silent, thinking his own thoughts, till we
|
|
entered the plantation of firs which led to the quicksand.
|
|
There he roused himself, like a man whose mind was made up,
|
|
and spoke to me again.
|
|
|
|
"Mr. Betteredge," he said, "as you have honoured me by taking an oar
|
|
in my boat, and as you may, I think, be of some assistance to me before
|
|
the evening is out, I see no use in our mystifying one another any longer,
|
|
and I propose to set you an example of plain speaking on my side. You are
|
|
determined to give me no information to the prejudice of Rosanna Spearman,
|
|
because she has been a good girl to YOU, and because you pity her heartily.
|
|
Those humane considerations do you a world of credit, but they happen
|
|
in this instance to be humane considerations clean thrown away.
|
|
Rosanna Spearman is not in the slightest danger of getting into trouble--
|
|
no, not if I fix her with being concerned in the disappearance of the Diamond,
|
|
on evidence which is as plain as the nose on your face!"
|
|
|
|
"Do you mean that my lady won't prosecute?" I asked.
|
|
|
|
"I mean that your lady CAN'T prosecute," said the Sergeant.
|
|
"Rosanna Spearman is simply an instrument in the hands of
|
|
another person, and Rosanna Spearman will be held harmless for
|
|
that other person's sake."
|
|
|
|
He spoke like a man in earnest--there was no denying that.
|
|
Still, I felt something stirring uneasily against him in my mind.
|
|
"Can't you give that other person a name?" I said.
|
|
|
|
"Can't you, Mr. Betteredge?"
|
|
|
|
"No."
|
|
|
|
Sergeant Cuff stood stock still, and surveyed me with a look
|
|
of melancholy interest.
|
|
|
|
"It's always a pleasure to me to be tender towards human infirmity,"
|
|
he said. "I feel particularly tender at the present moment,
|
|
Mr. Betteredge, towards you. And you, with the same excellent motive,
|
|
feel particularly tender towards Rosanna Spearman, don't you?
|
|
Do you happen to know whether she has had a new outfit of
|
|
linen lately?"
|
|
|
|
What he meant by slipping in this extraordinary question unawares,
|
|
I was at a total loss to imagine. Seeing no possible injury
|
|
to Rosanna if I owned the truth, I answered that the girl had
|
|
come to us rather sparely provided with linen, and that my lady,
|
|
in recompense for her good conduct (I laid a stress on her good
|
|
conduct), had given her a new outfit not a fortnight since.
|
|
|
|
"This is a miserable world," says the Sergeant. "Human life,
|
|
Mr. Betteredge, is a sort of target--misfortune is always firing
|
|
at it, and always hitting the mark. But for that outfit,
|
|
we should have discovered a new nightgown or petticoat
|
|
among Rosanna's things, and have nailed her in that way.
|
|
You're not at a loss to follow me, are you? You have examined
|
|
the servants yourself, and you know what discoveries two of them
|
|
made outside Rosanna's door. Surely you know what the girl
|
|
was about yesterday, after she was taken ill? You can't guess?
|
|
Oh dear me, it's as plain as that strip of light there,
|
|
at the end of the trees. At eleven, on Thursday morning,
|
|
Superintendent Seegrave (who is a mass of human infirmity)
|
|
points out to all the women servants the smear on the door.
|
|
Rosanna has her own reasons for suspecting her own things;
|
|
she takes the first opportunity of getting to her room,
|
|
finds the paint-stain on her night-gown, or petticoat,
|
|
or what not, shams ill and slips away to the town,
|
|
gets the materials for making a new petticoat or nightgown,
|
|
makes it alone in her room on the Thursday night lights a fire
|
|
(not to destroy it; two of her fellow-servants are prying outside
|
|
her door, and she knows better than to make a smell of burning,
|
|
and to have a lot of tinder to get rid of)--lights a fire, I say,
|
|
to dry and iron the substitute dress after wringing it out,
|
|
keeps the stained dress hidden (probably ON her), and is at this
|
|
moment occupied in making away with it, in some convenient place,
|
|
on that lonely bit of beach ahead of us. I have traced her this
|
|
evening to your fishing village, and to one particular cottage,
|
|
which we may possibly have to visit, before we go back.
|
|
She stopped in the cottage for some time, and she came
|
|
out with (as I believe) something hidden under her cloak.
|
|
A cloak (on a woman's back) is an emblem of charity--
|
|
it covers a multitude of sins. I saw her set off northwards
|
|
along the coast, after leaving the cottage. Is your sea-shore
|
|
here considered a fine specimen of marine landscape,
|
|
Mr. Betteredge?"
|
|
|
|
I answered, "Yes," as shortly as might be.
|
|
|
|
"Tastes differ," says Sergeant Cuff. "Looking at it from my point
|
|
of view, I never saw a marine landscape that I admired less.
|
|
If you happen to be following another person along your
|
|
sea-coast, and if that person happens to look round, there isn't
|
|
a scrap of cover to hide you anywhere. I had to choose
|
|
between taking Rosanna in custody on suspicion, or leaving her,
|
|
for the time being, with her little game in her own hands.
|
|
For reasons which I won't trouble you with, I decided on making
|
|
any sacrifice rather than give the alarm as soon as to-night
|
|
to a certain person who shall be nameless between us.
|
|
I came back to the house to ask you to take me to the north end
|
|
of the beach by another way. Sand--in respect of its printing off
|
|
people's footsteps--is one of the best detective officers I know.
|
|
If we don't meet with Rosanna Spearman by coming round on her in
|
|
this way, the sand may tell us what she has been at, if the light
|
|
only lasts long enough. Here IS the sand. If you will excuse
|
|
my suggesting it--suppose you hold your tongue, and let me
|
|
go first?"
|
|
|
|
If there is such a thing known at the doctor's shop as a DETECTIVE-FEVER,
|
|
that disease had now got fast hold of your humble servant.
|
|
Sergeant Cuff went on between the hillocks of sand, down to the beach.
|
|
I followed him (with my heart in my mouth); and waited at a little distance
|
|
for what was to happen next.
|
|
|
|
As it turned out, I found myself standing nearly in the same place
|
|
where Rosanna Spearman and I had been talking together when Mr. Franklin
|
|
suddenly appeared before us, on arriving at our house from London.
|
|
While my eyes were watching the Sergeant, my mind wandered away in spite
|
|
of me to what had passed, on that former occasion, between Rosanna and me.
|
|
I declare I almost felt the poor thing slip her hand again into mine,
|
|
and give it a little grateful squeeze to thank me for speaking kindly to her.
|
|
I declare I almost heard her voice telling me again that the Shivering
|
|
Sand seemed to draw her to it against her own will, whenever she went out--
|
|
almost saw her face brighten again, as it brightened when she first set
|
|
eyes upon Mr. Franklin coming briskly out on us from among the hillocks.
|
|
My spirits fell lower and lower as I thought of these things--and the view
|
|
of the lonesome little bay, when I looked about to rouse myself, only served
|
|
to make me feel more uneasy still.
|
|
|
|
The last of the evening light was fading away; and over all the desolate
|
|
place there hung a still and awful calm. The heave of the main ocean
|
|
on the great sandbank out in the bay, was a heave that made no sound.
|
|
The inner sea lay lost and dim, without a breath of wind to stir it.
|
|
Patches of nasty ooze floated, yellow-white, on the dead surface
|
|
of the water. Scum and slime shone faintly in certain places,
|
|
where the last of the light still caught them on the two great spits
|
|
of rock jutting out, north and south, into the sea. It was now
|
|
the time of the turn of the tide: and even as I stood there waiting,
|
|
the broad brown face of the quicksand began to dimple and quiver--
|
|
the only moving thing in all the horrid place.
|
|
|
|
I saw the Sergeant start as the shiver of the sand caught his eye.
|
|
After looking at it for a minute or so, he turned and came back
|
|
to me.
|
|
|
|
"A treacherous place, Mr. Betteredge," he said; "and no signs
|
|
of Rosanna Spearman anywhere on the beach, look where you may."
|
|
|
|
He took me down lower on the shore, and I saw for myself that his footsteps
|
|
and mine were the only footsteps printed off on the sand.
|
|
|
|
"How does the fishing village bear, standing where we are now?"
|
|
asked Sergeant Cuff.
|
|
|
|
"Cobb's Hole," I answered (that being the name of the place),
|
|
"bears as near as may be, due south."
|
|
|
|
"I saw the girl this evening, walking northward along
|
|
the shore, from Cobb's Hole," said the Sergeant.
|
|
"Consequently, she must have been walking towards this place.
|
|
Is Cobb's Hole on the other side of that point of land there?
|
|
And can we get to it--now it's low water--by the beach?"
|
|
|
|
I answered, "Yes," to both those questions.
|
|
|
|
"If you'll excuse my suggesting it, we'll step out briskly,"
|
|
said the Sergeant. "I want to find the place where she left
|
|
the shore, before it gets dark."
|
|
|
|
We had walked, I should say, a couple of hundred yards towards Cobb's Hole,
|
|
when Sergeant Cuff suddenly went down on his knees on the beach, to all
|
|
appearance seized with a sudden frenzy for saying his prayers.
|
|
|
|
"There's something to be said for your marine landscape here,
|
|
after all," remarked the Sergeant. "Here are a woman's footsteps,
|
|
Mr. Betteredge! Let us call them Rosanna's footsteps,
|
|
until we find evidence to the contrary that we can't resist.
|
|
Very confused footsteps, you will please to observe--
|
|
purposely confused, I should say. Ah, poor soul, she understands
|
|
the detective virtues of sand as well as I do! But hasn't she been
|
|
in rather too great a hurry to tread out the marks thoroughly?
|
|
I think she has. Here's one footstep going FROM Cobb's Hole;
|
|
and here is another going back to it. Isn't that the toe of her
|
|
shoe pointing straight to the water's edge? And don't I see two
|
|
heel-marks further down the beach, close at the water's edge also?
|
|
I don't want to hurt your feelings, but I'm afraid Rosanna is sly.
|
|
It looks as if she had determined to get to that place you and I
|
|
have just come from, without leaving any marks on the sand
|
|
to trace her by. Shall we say that she walked through the water
|
|
from this point till she got to that ledge of rocks behind us,
|
|
and came back the same way, and then took to the beach again
|
|
where those two heel marks are still left? Yes, we'll say that.
|
|
It seems to fit in with my notion that she had something under
|
|
her cloak, when she left the cottage. No! not something to destroy--
|
|
for, in that case, where would have been the need of all these
|
|
precautions to prevent my tracing the place at which her walk ended?
|
|
Something to hide is, I think, the better guess of the two.
|
|
Perhaps, if we go on to the cottage, we may find out what that something
|
|
is?"
|
|
|
|
At this proposal, my detective-fever suddenly cooled.
|
|
"You don't want me," I said. "What good can I do?"
|
|
|
|
"The longer I know you, Mr. Betteredge," said the Sergeant,
|
|
"the more virtues I discover. Modesty--oh dear me, how rare
|
|
modesty is in this world! and how much of that rarity you possess!
|
|
If I go alone to the cottage, the people's tongues will be
|
|
tied at the first question I put to them. If I go with you,
|
|
I go introduced by a justly respected neighbour, and a flow of
|
|
conversation is the necessary result. It strikes me in that light;
|
|
how does it strike you?"
|
|
|
|
Not having an answer of the needful smartness as ready as I could have wished,
|
|
I tried to gain time by asking him what cottage he wanted to go to.
|
|
|
|
On the Sergeant describing the place, I recognised it
|
|
as a cottage inhabited by a fisherman named Yolland,
|
|
with his wife and two grown-up children, a son and a daughter.
|
|
If you will look back, you will find that, in first presenting
|
|
Rosanna Spearman to your notice, I have described her
|
|
as occasionally varying her walk to the Shivering Sand,
|
|
by a visit to some friends of hers at Cobb's Hole.
|
|
Those friends were the Yollands--respectable, worthy people,
|
|
a credit to the neighbourhood. Rosanna's acquaintance with them
|
|
had begun by means of the daughter, who was afflicted with a
|
|
misshapen foot, and who was known in our parts by the name
|
|
of Limping Lucy. The two deformed girls had, I suppose,
|
|
a kind of fellow-feeling for each other. Anyway, the Yollands
|
|
and Rosanna always appeared to get on together, at the few
|
|
chances they had of meeting, in a pleasant and friendly manner.
|
|
The fact of Sergeant Cuff having traced the girl to THEIR cottage,
|
|
set the matter of my helping his inquiries in quite a new light.
|
|
Rosanna had merely gone where she was in the habit of going;
|
|
and to show that she had been in company with the fisherman
|
|
and his family was as good as to prove that she had been
|
|
innocently occupied so far, at any rate. It would be doing
|
|
the girl a service, therefore, instead of an injury, if I
|
|
allowed myself to be convinced by Sergeant Cuff's logic.
|
|
I professed myself convinced by it accordingly.
|
|
|
|
We went on to Cobb's Hole, seeing the footsteps on the sand,
|
|
as long as the light lasted.
|
|
|
|
On reaching the cottage, the fisherman and his son proved to be out
|
|
in the boat; and Limping Lucy, always weak and weary, was resting on
|
|
her bed up-stairs. Good Mrs. Yolland received us alone in her kitchen.
|
|
When she heard that Sergeant Cuff was a celebrated character in London,
|
|
she clapped a bottle of Dutch gin and a couple of clean pipes on the table,
|
|
and stared as if she could never see enough of him.
|
|
|
|
I sat quiet in a corner, waiting to hear how the Sergeant
|
|
would find his way to the subject of Rosanna Spearman.
|
|
His usual roundabout manner of going to work proved, on this occasion,
|
|
to be more roundabout than ever. How he managed it is more
|
|
than I could tell at the time, and more than I can tell now.
|
|
But this is certain, he began with the Royal Family,
|
|
the Primitive Methodists, and the price of fish; and he got from that
|
|
(in his dismal, underground way) to the loss of the Moonstone,
|
|
the spitefulness of our first house-maid, and the hard behaviour
|
|
of the women-servants generally towards Rosanna Spearman.
|
|
Having reached his subject in this fashion, he described himself
|
|
as making his inquiries about the lost Diamond, partly with a view
|
|
to find it, and partly for the purpose of clearing Rosanna
|
|
from the unjust suspicions of her enemies in the house.
|
|
In about a quarter of an hour from the time when we entered
|
|
the kitchen, good Mrs. Yolland was persuaded that she was
|
|
talking to Rosanna's best friend, and was pressing Sergeant
|
|
Cuff to comfort his stomach and revive his spirits out of the
|
|
Dutch bottle.
|
|
|
|
Being firmly persuaded that the Sergeant was wasting his breath
|
|
to no purpose on Mrs. Yolland, I sat enjoying the talk between them,
|
|
much as I have sat, in my time, enjoying a stage play.
|
|
The great Cuff showed a wonderful patience; trying his luck
|
|
drearily this way and that way, and firing shot after shot,
|
|
as it were, at random, on the chance of hitting the mark.
|
|
Everything to Rosanna's credit, nothing to Rosanna's prejudice--
|
|
that was how it ended, try as he might; with Mrs. Yolland
|
|
talking nineteen to the dozen, and placing the most entire
|
|
confidence in him. His last effort was made, when we had
|
|
looked at our watches, and had got on our legs previous to
|
|
taking leave.
|
|
|
|
"I shall now wish you good-night, ma'am," says the Sergeant.
|
|
"And I shall only say, at parting, that Rosanna Spearman has
|
|
a sincere well-wisher in myself, your obedient servant.
|
|
But, oh dear me! she will never get on in her present place;
|
|
and my advice to her is--leave it."
|
|
|
|
"Bless your heart alive! she is GOING to leave it!" cries Mrs. Yolland.
|
|
(NOTA BENE--I translate Mrs. Yolland out of the Yorkshire language into
|
|
the English language. When I tell you that the all-accomplished Cuff
|
|
was every now and then puzzled to understand her until I helped him,
|
|
you will draw your own conclusions as to what your state of mind would be
|
|
if I reported her in her native tongue.)
|
|
|
|
Rosanna Spearman going to leave us! I pricked up my ears at that.
|
|
It seemed strange, to say the least of it, that she should have
|
|
given no warning, in the first place, to my lady or to me.
|
|
A certain doubt came up in my mind whether Sergeant Cuff's last
|
|
random shot might not have hit the mark. I began to question
|
|
whether my share in the proceedings was quite as harmless a one
|
|
as I had thought it. It might be all in the way of the Sergeant's
|
|
business to mystify an honest woman by wrapping her round
|
|
in a network of lies but it was my duty to have remembered,
|
|
as a good Protestant, that the father of lies is the Devil--
|
|
and that mischief and the Devil are never far apart.
|
|
Beginning to smell mischief in the air, I tried to take
|
|
Sergeant Cuff out. He sat down again instantly, and asked
|
|
for a little drop of comfort out of the Dutch bottle.
|
|
Mrs Yolland sat down opposite to him, and gave him his nip.
|
|
I went on to the door, excessively uncomfortable,
|
|
and said I thought I must bid them good-night--and yet I
|
|
didn't go.
|
|
|
|
"So she means to leave?" says the Sergeant. "What is she to do when she
|
|
does leave? Sad, sad! The poor creature has got no friends in the world,
|
|
except you and me."
|
|
|
|
"Ah, but she has though!" says Mrs. Yolland. "She came in here, as I
|
|
told you, this evening; and, after sitting and talking a little with my
|
|
girl Lucy and me she asked to go up-stairs by herself, into Lucy's room.
|
|
It's the only room in our place where there's pen and ink.
|
|
"I want to write a letter to a friend," she says "and I can't do
|
|
it for the prying and peeping of the servants up at the house."
|
|
Who the letter was written to I can't tell you: it must have been
|
|
a mortal long one, judging by the time she stopped up-stairs over it.
|
|
I offered her a postage-stamp when she came down. She hadn't
|
|
got the letter in her hand, and she didn't accept the stamp.
|
|
A little close, poor soul (as you know), about herself and her doings.
|
|
But a friend she has got somewhere, I can tell you; and to that friend you may
|
|
depend upon it, she will go."
|
|
|
|
"Soon?" asked the Sergeant.
|
|
|
|
"As soon as she can." says Mrs. Yolland.
|
|
|
|
Here I stepped in again from the door. As chief of my lady's establishment,
|
|
I couldn't allow this sort of loose talk about a servant of ours going,
|
|
or not going, to proceed any longer in my presence, without noticing it.
|
|
|
|
"You must be mistaken about Rosanna Spearman, I said.
|
|
"If she had been going to leave her present situation, she would
|
|
have mentioned it, in the first place, to ME.
|
|
|
|
"Mistaken?" cries Mrs. Yolland. "Why, only an hour ago she bought some things
|
|
she wanted for travelling--of my own self, Mr. Betteredge, in this very room.
|
|
And that reminds me," says the wearisome woman, suddenly beginning to feel
|
|
in her pocket, "of something I have got it on my mind to say about Rosanna
|
|
and her money. Are you either of you likely to see her when you go back to
|
|
the house?"
|
|
|
|
"I'll take a message to the poor thing, with the greatest pleasure,"
|
|
answered Sergeant Cuff, before I could put in a word edgewise.
|
|
|
|
Mrs. Yolland produced out of her pocket, a few shillings and sixpences,
|
|
and counted them out with a most particular and exasperating carefulness
|
|
in the palm of her hand. She offered the money to the Sergeant,
|
|
looking mighty loth to part with it all the while.
|
|
|
|
"Might I ask you to give this back to Rosanna, with my love
|
|
and respects?" says Mrs. Yolland. "She insisted on paying me
|
|
for the one or two things she took a fancy to this evening--
|
|
and money's welcome enough in our house, I don't deny it.
|
|
Still, I m not easy in my mind about taking the poor thing's
|
|
little savings. And to tell you the truth, I don't think my man
|
|
would like to hear that I had taken Rosanna Spearman's money,
|
|
when he comes back to-morrow morning from his work. Please say
|
|
she's heartily welcome to the things she bought of me--as a gift.
|
|
And don't leave the money on the table," says Mrs. Yolland,
|
|
putting it down suddenly before the Sergeant, as if it burnt
|
|
her fingers--"don't, there's a good man! For times are hard,
|
|
and flesh is weak; and I MIGHT feel tempted to put it back in my
|
|
pocket again."
|
|
|
|
"Come along!" I said, "I can't wait any longer: I must go back
|
|
to the house."
|
|
|
|
"I'll follow you directly," says Sergeant Cuff.
|
|
|
|
For the second time, I went to the door; and, for the second time,
|
|
try as I might, I couldn't cross the threshold.
|
|
|
|
"It's a delicate matter, ma'am," I heard the Sergeant say,
|
|
"giving money back. You charged her cheap for the things,
|
|
I'm sure?"
|
|
|
|
"Cheap!" says Mrs. Yolland. "Come and judge for yourself."
|
|
|
|
She took up the candle and led the Sergeant to a corner of the kitchen.
|
|
For the life of me, I couldn't help following them. Shaken down
|
|
in the corner was a heap of odds and ends (mostly old metal), which
|
|
the fisherman had picked up at different times from wrecked ships,
|
|
and which he hadn't found a market for yet, to his own mind.
|
|
Mrs. Yolland dived into this rubbish, and brought up an old japanned
|
|
tin case, with a cover to it, and a hasp to hang it up by--the sort
|
|
of thing they use, on board ship, for keeping their maps and charts,
|
|
and such-like, from the wet.
|
|
|
|
"There!" says she. "When Rosanna came in this evening, she bought the fellow
|
|
to that. 'It will just do,' she says, 'to put my cuffs and collars in,
|
|
and keep them from being crumpled in my box.' One and ninepence, Mr. Cuff.
|
|
As I live by bread, not a halfpenny more!"
|
|
|
|
"Dirt cheap!" says the Sergeant, with a heavy sigh.
|
|
|
|
He weighed the case in his hand. I thought I heard a note
|
|
or two of "The Last Rose of Summer" as he looked at it.
|
|
There was no doubt now! He had made another discovery to
|
|
the prejudice of Rosanna Spearman, in the place of all others
|
|
where I thought her character was safest, and all through me!
|
|
I leave you to imagine what I felt, and how sincerely I repented
|
|
having been the medium of introduction between Mrs. Yolland and
|
|
Sergeant Cuff.
|
|
|
|
"That will do," I said. "We really must go."
|
|
|
|
Without paying the least attention to me, Mrs. Yolland took
|
|
another dive into the rubbish, and came up out of it, this time,
|
|
with a dog-chain.
|
|
|
|
"Weigh it in your hand, sir," she said to the Sergeant.
|
|
"We had three of these; and Rosanna has taken two of them.
|
|
'What can you want, my dear, with a couple of dog's chains?'
|
|
says I. 'If I join them together they'll do round my box nicely,'
|
|
says she. 'Rope's cheapest,' says I. 'Chain's surest,'
|
|
says she. 'Who ever heard of a box corded with chain,'
|
|
says I. 'Oh, Mrs. Yolland, don't make objections!' says she;
|
|
'let me have my chains!' A strange girl, Mr. Cuff--
|
|
good as gold, and kinder than a sister to my Lucy--but always
|
|
a little strange. There! I humoured her. Three and sixpence.
|
|
On the word of an honest woman, three and sixpence,
|
|
Mr. Cuff!"
|
|
|
|
"Each?" says the Sergeant.
|
|
|
|
"Both together!" says Mrs. Yolland. "Three and sixpence for the two."
|
|
|
|
"Given away, ma'am," says the Sergeant, shaking his head.
|
|
"Clean given away!"
|
|
|
|
"There's the money," says Mrs. Yolland, getting back sideways to the little
|
|
heap of silver on the table, as if it drew her in spite of herself.
|
|
"The tin case and the dog chains were all she bought, and all she took away.
|
|
One and ninepence and three and sixpence--total, five and three.
|
|
With my love and respects--and I can't find it in my conscience to take a poor
|
|
girl's savings, when she may want them herself."
|
|
|
|
"I can't find it in MY conscience, ma'am, to give the money back,"
|
|
says Sergeant Cuff. "You have as good as made her a present of the things--
|
|
you have indeed."
|
|
|
|
"Is that your sincere opinion, sir?" says Mrs. Yolland brightening
|
|
up wonderfully.
|
|
|
|
"There can't be a doubt about it," answered the Sergeant.
|
|
"Ask Mr. Betteredge."
|
|
|
|
It was no use asking ME. All they got out of ME was, "Good-night."
|
|
|
|
"Bother the money!" says Mrs. Yolland. With these words, she appeared to lose
|
|
all command over herself; and, making a sudden snatch at the heap of silver,
|
|
put it back, holus-bolus, in her pocket. "It upsets one's temper, it does,
|
|
to see it lying there, and nobody taking it," cries this unreasonable woman,
|
|
sitting down with a thump, and looking at Sergeant Cuff, as much as to say,
|
|
"It's in my pocket again now--get it out if you can!"
|
|
|
|
This time, I not only went to the door, but went fairly out on the road back.
|
|
Explain it how you may, I felt as if one or both of them had mortally
|
|
offended me. Before I had taken three steps down the village, I heard
|
|
the Sergeant behind me.
|
|
|
|
"Thank you for your introduction, Mr. Betteredge," he said.
|
|
"I am indebted to the fisherman's wife for an entirely new sensation.
|
|
Mrs. Yolland has puzzled me."
|
|
|
|
It was on the tip of my tongue to have given him a sharp answer,
|
|
for no better reason than this--that I was out of temper
|
|
with him, because I was out of temper with myself.
|
|
But when he owned to being puzzled, a comforting doubt crossed
|
|
my mind whether any great harm had been done after all.
|
|
I waited in discreet silence to hear more.
|
|
|
|
"Yes," says the Sergeant, as if he was actually reading my
|
|
thoughts in the dark. "Instead of putting me on the scent,
|
|
it may console you to know, Mr. Betteredge (with your interest
|
|
in Rosanna), that you have been the means of throwing me off.
|
|
What the girl has done, to-night, is clear enough, of course.
|
|
She has joined the two chains, and has fastened them to the hasp in
|
|
the tin case. She has sunk the case, in the water or in the quicksand.
|
|
She has made the loose end of the chain fast to some place under
|
|
the rocks, known only to herself. And she will leave the case
|
|
secure at its anchorage till the present proceedings have come
|
|
to an end; after which she can privately pull it up again
|
|
out of its hiding-place, at her own leisure and convenience.
|
|
All perfectly plain, so far. But," says the Sergeant,
|
|
with the first tone of impatience in his voice that I had
|
|
heard yet, "the mystery is--what the devil has she hidden in the
|
|
tin case?"
|
|
|
|
I thought to myself, "The Moonstone!" But I only said to Sergeant Cuff,
|
|
"Can't you guess?"
|
|
|
|
"It's not the Diamond," says the Sergeant. "The whole experience
|
|
of my life is at fault, if Rosanna Spearman has got the Diamond."
|
|
|
|
On hearing those words, the infernal detective-fever began,
|
|
I suppose, to burn in me again. At any rate, I forgot myself
|
|
in the interest of guessing this new riddle. I said rashly,
|
|
"The stained dress!"
|
|
|
|
Sergeant Cuff stopped short in the dark, and laid his hand on my arm.
|
|
|
|
"Is anything thrown into that quicksand of yours, ever thrown
|
|
up on the surface again?" he asked.
|
|
|
|
"Never," I answered. "Light or heavy whatever goes into the Shivering
|
|
Sand is sucked down, and seen no more."
|
|
|
|
"Does Rosanna Spearman know that?"
|
|
|
|
"She knows it as well as I do."
|
|
|
|
"Then," says the Sergeant, "what on earth has she got to do but to tie
|
|
up a bit of stone in the stained dress and throw it into the quicksand?
|
|
There isn't the shadow of a reason why she should have hidden it--and yet
|
|
she must have hidden it. Query," says the Sergeant, walking on again,
|
|
"is the paint-stained dress a petticoat or a night-gown? or is it
|
|
something else which there is a reason for preserving at any risk?
|
|
Mr. Betteredge, if nothing occurs to prevent it, I must go to
|
|
Frizinghall to-morrow, and discover what she bought in the town,
|
|
when she privately got the materials for making the substitute dress.
|
|
It's a risk to leave the house, as things are now--but it's a worse
|
|
risk still to stir another step in this matter in the dark.
|
|
Excuse my being a little out of temper; I'm degraded in my own estimation--
|
|
I have let Rosanna Spearman puzzle me."
|
|
|
|
When we got back, the servants were at supper. The first person
|
|
we saw in the outer yard was the policeman whom Superintendent
|
|
Seegrave had left at the Sergeant's disposal. The Sergeant asked
|
|
if Rosanna Spearman had returned. Yes. When? Nearly an hour since.
|
|
What had she done? She had gone up-stairs to take off her bonnet
|
|
and cloak--and she was now at supper quietly with the rest.
|
|
|
|
Without making any remark, Sergeant Cuff walked on, sinking lower
|
|
and lower in his own estimation, to the back of the house.
|
|
Missing the entrance in the dark, he went on (in spite of my calling
|
|
to him) till he was stopped by a wicket-gate which led into the garden.
|
|
When I joined him to bring him back by the right way, I found
|
|
that he was looking up attentively at one particular window,
|
|
on the bed-room floor, at the back of the house.
|
|
|
|
Looking up, in my turn, I discovered that the object of his contemplation
|
|
was the window of Miss Rachel's room, and that lights were passing backwards
|
|
and forwards there as if something unusual was going on.
|
|
|
|
"Isn't that Miss Verinder's room?" asked Sergeant Cuff.
|
|
|
|
I replied that it was, and invited him to go in with me to supper.
|
|
The Sergeant remained in his place, and said something about enjoying
|
|
the smell of the garden at night. I left him to his enjoyment.
|
|
Just as I was turning in at the door, I heard "The Last Rose of Summer"
|
|
at the wicket-gate. Sergeant Cuff had made another discovery!
|
|
And my young lady's window was at the bottom of it this time!
|
|
|
|
The latter reflection took me back again to the Sergeant, with a polite
|
|
intimation that I could not find it in my heart to leave him by himself.
|
|
"Is there anything you don't understand up there?" I added, pointing to Miss
|
|
Rachel's window.
|
|
|
|
Judging by his voice, Sergeant Cuff had suddenly risen again to the right
|
|
place in his own estimation. "You are great people for betting in Yorkshire,
|
|
are you not?" he asked.
|
|
|
|
"Well?" I said. "Suppose we are?"
|
|
|
|
"If I was a Yorkshireman," proceeded the Sergeant, taking my arm,
|
|
"I would lay you an even sovereign, Mr. Betteredge,
|
|
that your young lady has suddenly resolved to leave the house.
|
|
If I won on that event, I should offer to lay another sovereign,
|
|
that the idea has occurred to her within the last hour."
|
|
The first of the Sergeant's guesses startled me.
|
|
The second mixed itself up somehow in my head with the report
|
|
we had heard from the policeman, that Rosanna Spearman
|
|
had returned from the sands with in the last hour.
|
|
The two together had a curious effect on me as we went in to supper.
|
|
I shook off Sergeant Cuff's arm, and, forgetting my manners,
|
|
pushed by him through the door to make my own inquiries
|
|
for myself.
|
|
|
|
Samuel, the footman, was the first person I met in the passage.
|
|
|
|
"Her ladyship is waiting to see you and Sergeant Cuff," he said,
|
|
before I could put any questions to him.
|
|
|
|
"How long has she been waiting?" asked the Sergeant's voice behind me.
|
|
|
|
"For the last hour, sir."
|
|
|
|
There it was again! Rosanna had come back; Miss Rachel
|
|
had taken some resolution out of the common; and my lady had
|
|
been waiting to see the Sergeant--all within the last hour!
|
|
It was not pleasant to find these very different persons and things
|
|
linking themselves together in this way. I went on upstairs,
|
|
without looking at Sergeant Cuff, or speaking to him.
|
|
My hand took a sudden fit of trembling as I lifted it to knock at my
|
|
mistress's door.
|
|
|
|
"I shouldn't be surprised," whispered the Sergeant over my shoulder,
|
|
"if a scandal was to burst up in the house to-night. Don't be alarmed!
|
|
I have put the muzzle on worse family difficulties than this,
|
|
in my time."
|
|
|
|
As he said the words I heard my mistress's voice calling to us to come in.
|
|
|
|
|
|
|
|
CHAPTER XVI
|
|
|
|
|
|
We found my lady with no light in the room but the reading-lamp.
|
|
The shade was screwed down so as to overshadow her face.
|
|
Instead of looking up at us in her usual straightforward way,
|
|
she sat close at the table, and kept her eyes fixed obstinately
|
|
on an open book.
|
|
|
|
"Officer," she said, "is it important to the inquiry you are conducting,
|
|
to know beforehand if any person now in this house wishes to leave it?"
|
|
|
|
"Most important, my lady."
|
|
|
|
"I have to tell you, then, that Miss Verinder proposes going
|
|
to stay with her aunt, Mrs. Ablewhite, of Frizinghall.
|
|
She has arranged to leave us the first thing to-morrow morning."
|
|
|
|
Sergeant Cuff looked at me. I made a step forward to speak to my mistress--
|
|
and, feeling my heart fail me (if I must own it), took a step back again,
|
|
and said nothing.
|
|
|
|
"May I ask your ladyship WHEN Miss Verinder informed you that she
|
|
was going to her aunt's?" inquired the Sergeant.
|
|
|
|
"About an hour since," answered my mistress.
|
|
|
|
Sergeant Cuff looked at me once more. They say old people's hearts
|
|
are not very easily moved. My heart couldn't have thumped much harder
|
|
than it did now, if I had been five-and-twenty again!
|
|
|
|
"I have no claim, my lady," says the Sergeant, "to control
|
|
Miss Verinder's actions. All I can ask you to do is to put
|
|
off her departure, if possible, till later in the day.
|
|
I must go to Frizinghall myself to-morrow morning--and I shall
|
|
be back by two o'clock, if not before. If Miss Verinder can
|
|
be kept here till that time, I should wish to say two words
|
|
to her--unexpectedly--before she goes."
|
|
|
|
My lady directed me to give the coachman her orders, that the carriage
|
|
was not to come for Miss Rachel until two o'clock. "Have you more to say?"
|
|
she asked of the Sergeant, when this had been done.
|
|
|
|
"Only one thing, your ladyship. If Miss Verinder is surprised at this
|
|
change in the arrangements, please not to mention Me as being the cause
|
|
of putting off her journey."
|
|
|
|
My mistress lifted her head suddenly from her book as if she was going
|
|
to say something--checked herself by a great effort--and, looking back
|
|
again at the open page, dismissed us with a sign of her hand.
|
|
|
|
"That's a wonderful woman," said Sergeant Cuff, when we were
|
|
out in the hall again. "But for her self-control, the mystery
|
|
that puzzles you, Mr. Betteredge, would have been at an end to-night."
|
|
|
|
At those words, the truth rushed at last into my stupid old head.
|
|
For the moment, I suppose I must have gone clean out of my senses.
|
|
I seized the Sergeant by the collar of his coat, and pinned him against
|
|
the wall.
|
|
|
|
"Damn you!" I cried out, "there's something wrong about Miss Rachel--
|
|
and you have been hiding it from me all this time!"
|
|
|
|
Sergeant Cuff looked up at me--flat against the wall--without stirring a hand,
|
|
or moving a muscle of his melancholy face.
|
|
|
|
"Ah," he said, "you've guessed it at last."
|
|
|
|
My hand dropped from his collar, and my head sunk on my breast.
|
|
Please to remember, as some excuse for my breaking out
|
|
as I did, that I had served the family for fifty years.
|
|
Miss Rachel had climbed upon my knees, and pulled my whiskers,
|
|
many and many a time when she was a child. Miss Rachel,
|
|
with all her faults, had been, to my mind, the dearest and
|
|
prettiest and best young mistress that ever an old servant
|
|
waited on, and loved. I begged Sergeant's Cuff's pardon,
|
|
but I am afraid I did it with watery eyes, and not in a very
|
|
becoming way.
|
|
|
|
"Don't distress yourself, Mr. Betteredge," says the Sergeant,
|
|
with more kindness than I had any right to expect from him.
|
|
"In my line of life if we were quick at taking offence, we shouldn't
|
|
be worth salt to our porridge. If it's any comfort to you,
|
|
collar me again. You don't in the least know how to do it;
|
|
but I'll overlook your awkwardness in consideration of
|
|
your feelings."
|
|
|
|
He curled up at the corners of his lips, and, in his own dreary way,
|
|
seemed to think he had delivered himself of a very good joke.
|
|
|
|
I led him into my own little sitting-room, and closed the door.
|
|
|
|
"Tell me the truth, Sergeant," I said. "What do you suspect?
|
|
It's no kindness to hide it from me now."
|
|
|
|
"I don't suspect," said Sergeant Cuff. "I know."
|
|
|
|
My unlucky temper began to get the better of me again.
|
|
|
|
"Do you mean to tell me, in plain English," I said, "that Miss
|
|
Rachel has stolen her own Diamond?"
|
|
|
|
"Yes," says the Sergeant; "that is what I mean to tell you, in so many words.
|
|
Miss Verinder has been in secret possession of the Moonstone from
|
|
first to last; and she has taken Rosanna Spearman into her confidence,
|
|
because she has calculated on our suspecting Rosanna Spearman of the theft.
|
|
There is the whole case in a nutshell. Collar me again, Mr. Betteredge.
|
|
If it's any vent to your feelings, collar me again."
|
|
|
|
God help me! my feelings were not to be relieved in that way.
|
|
"Give me your reasons!" That was all I could say to him.
|
|
|
|
"You shall hear my reasons to-morrow," said the Sergeant.
|
|
"If Miss Verinder refuses to put off her visit to her aunt
|
|
(which you will find Miss Verinder will do), I shall be obliged
|
|
to lay the whole case before your mistress to-morrow. And,
|
|
as I don't know what may come of it, I shall request you
|
|
to be present, and to hear what passes on both sides.
|
|
Let the matter rest for to-night. No, Mr. Betteredge, you don't
|
|
get a word more on the subject of the Moonstone out of me.
|
|
There is your table spread for supper. That's one of
|
|
the many human infirmities which I always treat tenderly.
|
|
If you will ring the bell, I'll say grace. 'For what we are going to
|
|
receive----'"
|
|
|
|
"I wish you a good appetite to it, Sergeant," I said. "My appetite is gone.
|
|
I'll wait and see you served, and then I'll ask you to excuse me, if I
|
|
go away, and try to get the better of this by myself."
|
|
|
|
I saw him served with the best of everything--and I shouldn't
|
|
have been sorry if the best of everything had choked him.
|
|
The head gardener (Mr. Begbie) came in at the same time,
|
|
with his weekly account. The Sergeant got on the subject of roses
|
|
and the merits of grass walks and gravel walks immediately.
|
|
I left the two together, and went out with a heavy heart.
|
|
This was the first trouble I remember for many a long
|
|
year which wasn't to be blown off by a whiff of tobacco,
|
|
and which was even beyond the reach of ROBINSON CRUSOE.
|
|
|
|
Being restless and miserable, and having no particular room to go to,
|
|
I took a turn on the terrace, and thought it over in peace and quietness
|
|
by myself. It doesn't much matter what my thoughts were. I felt
|
|
wretchedly old, and worn out, and unfit for my place--and began to wonder,
|
|
for the first time in my life, when it would please God to take me.
|
|
With all this, I held firm, notwithstanding, to my belief in Miss Rachel.
|
|
If Sergeant Cuff had been Solomon in all his glory, and had told me that
|
|
my young lady had mixed herself up in a mean and guilty plot, I should
|
|
have had but one answer for Solomon, wise as he was, "You don't know her;
|
|
and I do."
|
|
|
|
My meditations were interrupted by Samuel. He brought me a written
|
|
message from my mistress.
|
|
|
|
Going into the house to get a light to read it by, Samuel remarked
|
|
that there seemed a change coming in the weather. My troubled mind
|
|
had prevented me from noticing it before. But, now my attention
|
|
was roused, I heard the dogs uneasy, and the wind moaning low.
|
|
Looking up at the sky, I saw the rack of clouds getting blacker
|
|
and blacker, and hurrying faster and faster over a watery moon.
|
|
Wild weather coming--Samuel was right, wild weather coming.
|
|
|
|
The message from my lady informed me, that the magistrate at
|
|
Frizinghall had written to remind her about the three Indians.
|
|
Early in the coming week, the rogues must needs be released,
|
|
and left free to follow their own devices. If we had any
|
|
more questions to ask them, there was no time to lose.
|
|
Having forgotten to mention this, when she had last seen
|
|
Sergeant Cuff, my mistress now desired me to supply the omission.
|
|
The Indians had gone clean out of my head (as they have, no doubt,
|
|
gone clean out of yours). I didn't see much use in stirring that
|
|
subject again. However, I obeyed my orders on the spot, as a matter
|
|
of course.
|
|
|
|
I found Sergeant Cuff and the gardener, with a bottle of Scotch whisky
|
|
between them, head over ears in an argument on the growing of roses.
|
|
The Sergeant was so deeply interested that he held up his hand,
|
|
and signed to me not to interrupt the discussion, when I came in.
|
|
As far as I could understand it, the question between them was,
|
|
whether the white moss rose did, or did not, require to be budded
|
|
on the dog-rose to make it grow well. Mr. Begbie said, Yes;
|
|
and Sergeant Cuff said, No. They appealed to me, as hotly as a couple
|
|
of boys. Knowing nothing whatever about the growing of roses,
|
|
I steered a middle course--just as her Majesty's judges do,
|
|
when the scales of justice bother them by hanging even to a hair.
|
|
"Gentlemen," I remarked, "there is much to be said on both sides."
|
|
In the temporary lull produced by that impartial sentence, I laid
|
|
my lady's written message on the table, under the eyes of Sergeant
|
|
Cuff.
|
|
|
|
I had got by this time, as nearly as might be, to hate the Sergeant.
|
|
But truth compels me to acknowledge that, in respect of readiness of mind,
|
|
he was a wonderful man.
|
|
|
|
In half a minute after he had read the message, he had looked back into
|
|
his memory for Superintendent Seegrave's report; had picked out that part
|
|
of it in which the Indians were concerned; and was ready with his answer.
|
|
A certain great traveller, who understood the Indians and their language,
|
|
had figured in Mr. Seegrave's report, hadn't he? Very well.
|
|
Did I know the gentleman's name and address? Very well again.
|
|
Would I write them on the back of my lady's message? Much obliged to me.
|
|
Sergeant Cuff would look that gentleman up, when he went to Frizinghall in
|
|
the morning.
|
|
|
|
"Do you expect anything to come of it?" I asked. "Superintendent Seegrave
|
|
found the Indians as innocent as the babe unborn."
|
|
|
|
"Superintendent Seegrave has been proved wrong, up to
|
|
this time, in all his conclusions," answered the Sergeant.
|
|
"It may be worth while to find out to-morrow whether
|
|
Superintendent Seegrave was wrong about the Indians as well."
|
|
With that he turned to Mr. Begbie, and took up the argument
|
|
again exactly at the place where it had left off.
|
|
"This question between us is a question of soils and seasons,
|
|
and patience and pains, Mr. Gardener. Now let me put it
|
|
to you from another point of view. You take your white
|
|
moss rose----"
|
|
|
|
By that time, I had closed the door on them, and was out of hearing
|
|
of the rest of the dispute.
|
|
|
|
In the passage, I met Penelope hanging about, and asked what she
|
|
was waiting for.
|
|
|
|
She was waiting for her young lady's bell, when her young lady chose
|
|
to call her back to go on with the packing for the next day's journey.
|
|
Further inquiry revealed to me, that Miss Rachel had given it as a
|
|
reason for wanting to go to her aunt at Frizinghall, that the house
|
|
was unendurable to her, and that she could bear the odious presence
|
|
of a policeman under the same roof with herself no longer.
|
|
On being informed, half an hour since, that her departure would be
|
|
delayed till two in the afternoon, she had flown into a violent passion.
|
|
My lady, present at the time, had severely rebuked her, and then
|
|
(having apparently something to say, which was reserved for her
|
|
daughter's private ear) had sent Penelope out of the room.
|
|
My girl was in wretchedly low spirits about the changed state of things
|
|
in the house. "Nothing goes right, father; nothing is like what it
|
|
used to be. I feel as if some dreadful misfortune was hanging over
|
|
us all."
|
|
|
|
That was my feeling too. But I put a good face on it, before my daughter.
|
|
Miss Rachel's bell rang while we were talking. Penelope ran up the back
|
|
stairs to go on with the packing. I went by the other way to the hall,
|
|
to see what the glass said about the change in the weather.
|
|
|
|
Just as I approached the swing-door leading into the hall from the servants'
|
|
offices, it was violently opened from the other side, and Rosanna Spearman
|
|
ran by me, with a miserable look of pain in her face, and one of her
|
|
hands pressed hard over her heart, as if the pang was in that quarter.
|
|
"What's the matter, my girl?" I asked, stopping her. "Are you ill?"
|
|
"For God's sake, don't speak to me," she answered, and twisted herself
|
|
out of my hands, and ran on towards the servants' staircase. I called
|
|
to the cook (who was within hearing) to look after the poor girl.
|
|
Two other persons proved to be within hearing, as well as the cook.
|
|
Sergeant Cuff darted softly out of my room, and asked what was the matter.
|
|
I answered, "Nothing." Mr. Franklin, on the other side, pulled open the
|
|
swing-door, and beckoning me into the hall, inquired if I had seen anything of
|
|
Rosanna Spearman.
|
|
|
|
"She has just passed me, sir, with a very disturbed face,
|
|
and in a very odd manner."
|
|
|
|
"I am afraid I am innocently the cause of that disturbance, Betteredge."
|
|
|
|
"You, sir!"
|
|
|
|
"I can't explain it," says Mr. Franklin; "but, if the girl IS concerned
|
|
in the loss of the Diamond, I do really believe she was on the point
|
|
of confessing everything--to me, of all the people in the world--
|
|
not two minutes since."
|
|
|
|
Looking towards the swing-door, as he said those last words,
|
|
I fancied I saw it opened a little way from the inner side.
|
|
|
|
Was there anybody listening? The door fell to, before I could get to it.
|
|
Looking through, the moment after, I thought I saw the tails of Sergeant
|
|
Cuff's respectable black coat disappearing round the corner of the passage.
|
|
He knew, as well as I did, that he could expect no more help from me, now that
|
|
I had discovered the turn which his investigations were really taking.
|
|
Under those circumstances, it was quite in his character to help himself, and
|
|
to do it by the underground way.
|
|
|
|
Not feeling sure that I had really seen the Sergeant--
|
|
and not desiring to make needless mischief, where, Heaven knows,
|
|
there was mischief enough going on already--I told Mr. Franklin
|
|
that I thought one of the dogs had got into the house--
|
|
and then begged him to describe what had happened between Rosanna
|
|
and himself.
|
|
|
|
"Were you passing through the hall, sir?" I asked.
|
|
"Did you meet her accidentally, when she spoke to you?"
|
|
|
|
Mr. Franklin pointed to the billiard-table.
|
|
|
|
"I was knocking the balls about," he said, "and trying to get
|
|
this miserable business of the Diamond out of my mind.
|
|
I happened to look up--and there stood Rosanna Spearman at
|
|
the side of me, like a ghost! Her stealing on me in that way
|
|
was so strange, that I hardly knew what to do at first.
|
|
Seeing a very anxious expression in her face, I asked her if
|
|
she wished to speak to me. She answered, "Yes, if I dare."
|
|
Knowing what suspicion attached to her, I could only put
|
|
one construction on such language as that. I confess it made
|
|
me uncomfortable. I had no wish to invite the girl's confidence.
|
|
At the same time, in the difficulties that now beset us,
|
|
I could hardly feel justified in refusing to listen to her, if she
|
|
was really bent on speaking to me. It was an awkward position;
|
|
and I dare say I got out of it awkwardly enough. I said to her,
|
|
"I don't quite understand you. Is there anything you want
|
|
me to do?" Mind, Betteredge, I didn't speak unkindly!
|
|
The poor girl can't help being ugly--I felt that, at the time.
|
|
The cue was still in my hand, and I went on knocking
|
|
the balls about, to take off the awkwardness of the thing.
|
|
As it turned out, I only made matters worse still. I'm afraid
|
|
I mortified her without meaning it! She suddenly turned away.
|
|
"He looks at the billiard balls," I heard her say.
|
|
"Anything rather than look at ME!" Before I could stop her,
|
|
she had left the hall. I am not quite easy about it, Betteredge.
|
|
Would you mind telling Rosanna that I meant no unkindness?
|
|
I have been a little hard on her, perhaps, in my own thoughts--
|
|
I have almost hoped that the loss of the Diamond
|
|
might be traced to HER. Not from any ill-will to the
|
|
poor girl: but----" He stopped there, and going back
|
|
to the billiard-table, began to knock the balls about once
|
|
more.
|
|
|
|
After what had passed between the Sergeant and me, I knew what it
|
|
was that he had left unspoken as well as he knew it himself.
|
|
|
|
Nothing but the tracing of the Moonstone to our second
|
|
housemaid could now raise Miss Rachel above the infamous
|
|
suspicion that rested on her in the mind of Sergeant Cuff.
|
|
It was no longer a question of quieting my young lady's
|
|
nervous excitement; it was a question of proving her innocence.
|
|
If Rosanna had done nothing to compromise herself, the hope
|
|
which Mr. Franklin confessed to having felt would have been hard
|
|
enough on her in all conscience. But this was not the case.
|
|
She had pretended to be ill, and had gone secretly to Frizinghall.
|
|
She had been up all night, making something or destroying something,
|
|
in private. And she had been at the Shivering Sand,
|
|
that evening, under circumstances which were highly suspicious,
|
|
to say the least of them. For all these reasons (sorry as I
|
|
was for Rosanna) I could not but think that Mr. Franklin's way
|
|
of looking at the matter was neither unnatural nor unreasonable,
|
|
in Mr. Franklin's position. I said a word to him to
|
|
that effect.
|
|
|
|
"Yes, yes!" he said in return. "But there is just a chance--
|
|
a very poor one, certainly--that Rosanna's conduct may
|
|
admit of some explanation which we don't see at present.
|
|
I hate hurting a woman's feelings, Betteredge! Tell the poor
|
|
creature what I told you to tell her. And if she wants to
|
|
speak to me--I don't care whether I get into a scrape or not--
|
|
send her to me in the library." With those kind words he laid
|
|
down the cue and left me.
|
|
|
|
Inquiry at the servants' offices informed me that Rosanna had
|
|
retired to her own room. She had declined all offers of assistance
|
|
with thanks, and had only asked to be left to rest in quiet.
|
|
Here, therefore, was an end of any confession on her part
|
|
(supposing she really had a confession to make) for that night.
|
|
I reported the result to Mr. Franklin, who, thereupon, left
|
|
the library, and went up to bed.
|
|
|
|
I was putting the lights out, and making the windows fast,
|
|
when Samuel came in with news of the two guests whom I had left
|
|
in my room.
|
|
|
|
The argument about the white moss rose had apparently come to an end at last.
|
|
The gardener had gone home, and Sergeant Cuff was nowhere to be found in the
|
|
lower regions of the house.
|
|
|
|
I looked into my room. Quite true--nothing was to be discovered
|
|
there but a couple of empty tumblers and a strong smell of hot grog.
|
|
Had the Sergeant gone of his own accord to the bed-chamber that was
|
|
prepared for him? I went up-stairs to see.
|
|
|
|
After reaching the second landing, I thought I heard a sound of quiet
|
|
and regular breathing on my left-hand side. My left-hand side
|
|
led to the corridor which communicated with Miss Rachel's room.
|
|
I looked in, and there, coiled up on three chairs placed right across
|
|
the passage--there, with a red handkerchief tied round his grizzled head,
|
|
and his respectable black coat rolled up for a pillow, lay and slept
|
|
Sergeant Cuff!
|
|
|
|
He woke, instantly and quietly, like a dog, the moment I approached him.
|
|
|
|
"Good night, Mr. Betteredge," he said. "And mind, if you ever take
|
|
to growing roses, the white moss rose is all the better for not being
|
|
budded on the dog-rose, whatever the gardener may say to the contrary!"
|
|
|
|
"What are you doing here?" I asked. "Why are you not in your proper bed?"
|
|
|
|
"I am not in my proper bed," answered the Sergeant, "because I
|
|
am one of the many people in this miserable world who can't
|
|
earn their money honestly and easily at the same time.
|
|
There was a coincidence, this evening, between the period
|
|
of Rosanna Spearman's return from the Sands and the period
|
|
when Miss Verinder stated her resolution to leave the house.
|
|
Whatever Rosanna may have hidden, it's clear to my mind that your
|
|
young lady couldn't go away until she knew that it WAS hidden.
|
|
The two must have communicated privately once already to-night.
|
|
If they try to communicate again, when the house is quiet,
|
|
I want to be in the way, and stop it. Don't blame me
|
|
for upsetting your sleeping arrangements, Mr. Betteredge--
|
|
blame the Diamond."
|
|
|
|
"I wish to God the Diamond had never found its way into this house!"
|
|
I broke out.
|
|
|
|
Sergeant Cuff looked with a rueful face at the three chairs
|
|
on which he had condemned himself to pass the night.
|
|
|
|
"So do I," he said, gravely.
|
|
|
|
|
|
|
|
CHAPTER XVII
|
|
|
|
|
|
Nothing happened in the night; and (I am happy to add)
|
|
no attempt at communication between Miss Rachel and Rosanna
|
|
rewarded the vigilance of Sergeant Cuff.
|
|
|
|
I had expected the Sergeant to set off for Frizinghall the first thing
|
|
in the morning. He waited about, however, as if he had something else
|
|
to do first. I left him to his own devices; and going into the grounds
|
|
shortly after, met Mr. Franklin on his favourite walk by the shrubbery side.
|
|
|
|
Before we had exchanged two words, the Sergeant unexpectedly joined us.
|
|
He made up to Mr. Franklin, who received him, I must own, haughtily enough.
|
|
"Have you anything to say to me?" was all the return he got for politely
|
|
wishing Mr. Franklin good morning.
|
|
|
|
"I have something to say to you, sir," answered the Sergeant,
|
|
"on the subject of the inquiry I am conducting here.
|
|
You detected the turn that inquiry was really taking, yesterday.
|
|
Naturally enough, in your position, you are shocked and distressed.
|
|
Naturally enough, also, you visit your own angry sense of your own
|
|
family scandal upon Me."
|
|
|
|
"What do you want?" Mr. Franklin broke in, sharply enough.
|
|
|
|
"I want to remind you, sir, that I have at any rate, thus far,
|
|
not been PROVED to be wrong. Bearing that in mind, be pleased
|
|
to remember, at the same time, that I am an officer of the law
|
|
acting here under the sanction of the mistress of the house.
|
|
Under these circumstances, is it, or is it not, your duty
|
|
as a good citizen, to assist me with any special information
|
|
which you may happen to possess?"
|
|
|
|
"I possess no special information," says Mr. Franklin.
|
|
|
|
Sergeant Cuff put that answer by him, as if no answer had been made.
|
|
|
|
"You may save my time, sir, from being wasted on an inquiry at a distance,"
|
|
he went on, "if you choose to understand me and speak out."
|
|
|
|
"I don't understand you," answered Mr. Franklin; "and I have nothing to say."
|
|
|
|
"One of the female servants (I won't mention names) spoke to you privately,
|
|
sir, last night."
|
|
|
|
Once more Mr. Franklin cut him short; once more Mr. Franklin answered,
|
|
"I have nothing to say."
|
|
|
|
Standing by in silence, I thought of the movement in the swing-door
|
|
on the previous evening, and of the coat-tails which I had seen
|
|
disappearing down the passage. Sergeant Cuff had, no doubt,
|
|
just heard enough, before I interrupted him, to make him suspect
|
|
that Rosanna had relieved her mind by confessing something
|
|
to Mr. Franklin Blake.
|
|
|
|
This notion had barely struck me--when who should appear at the end
|
|
of the shrubbery walk but Rosanna Spearman in her own proper person!
|
|
She was followed by Penelope, who was evidently trying to make
|
|
her retrace her steps to the house. Seeing that Mr. Franklin
|
|
was not alone, Rosanna came to a standstill, evidently in great
|
|
perplexity what to do next. Penelope waited behind her.
|
|
Mr. Franklin saw the girls as soon as I saw them. The Sergeant,
|
|
with his devilish cunning, took on not to have noticed them at all.
|
|
All this happened in an instant. Before either Mr. Franklin or I
|
|
could say a word, Sergeant Cuff struck in smoothly, with an appearance
|
|
of continuing the previous conversation.
|
|
|
|
"You needn't be afraid of harming the girl, sir," he said to Mr. Franklin,
|
|
speaking in a loud voice, so that Rosanna might hear him. "On the contrary,
|
|
I recommend you to honour me with your confidence, if you feel any interest
|
|
in Rosanna Spearman."
|
|
|
|
Mr. Franklin instantly took on not to have noticed the girls either.
|
|
He answered, speaking loudly on his side:
|
|
|
|
"I take no interest whatever in Rosanna Spearman."
|
|
|
|
I looked towards the end of the walk. All I saw at the distance was
|
|
that Rosanna suddenly turned round, the moment Mr. Franklin had spoken.
|
|
Instead of resisting Penelope, as she had done the moment before,
|
|
she now let my daughter take her by the arm and lead her back to
|
|
the house.
|
|
|
|
The breakfast-bell rang as the two girls disappeared--and even
|
|
Sergeant Cuff was now obliged to give it up as a bad job!
|
|
He said to me quietly, "I shall go to Frizinghall, Mr. Betteredge;
|
|
and I shall be back before two." He went his way without
|
|
a word more--and for some few hours we were well rid
|
|
of him.
|
|
|
|
"You must make it right with Rosanna," Mr. Franklin said to me, when we
|
|
were alone. "I seem to be fated to say or do something awkward, before that
|
|
unlucky girl. You must have seen yourself that Sergeant Cuff laid a trap
|
|
for both of us. If he could confuse ME, or irritate HER into breaking out,
|
|
either she or I might have said something which would answer his purpose.
|
|
On the spur of the moment, I saw no better way out of it than the way I took.
|
|
It stopped the girl from saying anything, and it showed the Sergeant that I
|
|
saw through him. He was evidently listening, Betteredge, when I was speaking
|
|
to you last night."
|
|
|
|
He had done worse than listen, as I privately thought to myself.
|
|
He had remembered my telling him that the girl was in love with
|
|
Mr. Franklin; and he had calculated on THAT, when he appealed to
|
|
Mr. Franklin's interest in Rosanna--in Rosanna's hearing.
|
|
|
|
"As to listening, sir," I remarked (keeping the other point
|
|
to myself), we shall all be rowing in the same boat if this sort
|
|
of thing goes on much longer. Prying, and peeping, and listening
|
|
are the natural occupations of people situated as we are.
|
|
In another day or two, Mr. Franklin, we shall all be struck
|
|
dumb together--for this reason, that we shall all be
|
|
listening to surprise each other's secrets, and all know it.
|
|
Excuse my breaking out, sir. The horrid mystery hanging
|
|
over us in this house gets into my head like liquor,
|
|
and makes me wild. I won't forget what you have told me.
|
|
I'll take the first opportunity of making it right with
|
|
Rosanna Spearman."
|
|
|
|
"You haven't said anything to her yet about last night, have you?"
|
|
Mr. Franklin asked.
|
|
|
|
"No, sir."
|
|
|
|
"Then say nothing now. I had better not invite the girl's confidence,
|
|
with the Sergeant on the look-out to surprise us together.
|
|
My conduct is not very consistent, Betteredge--is it?
|
|
I see no way out of this business, which isn't dreadful
|
|
to think of, unless the Diamond is traced to Rosanna.
|
|
And yet I can't, and won't, help Sergeant Cuff to find the
|
|
girl out."
|
|
|
|
Unreasonable enough, no doubt. But it was my state of mind as well.
|
|
I thoroughly understood him. If you will, for once in your life,
|
|
remember that you are mortal, perhaps you will thoroughly understand
|
|
him too.
|
|
|
|
|
|
|
|
The state of things, indoors and out, while Sergeant Cuff was on his way
|
|
to Frizinghall, was briefly this:
|
|
|
|
Miss Rachel waited for the time when the carriage was to take
|
|
her to her aunt's, still obstinately shut up in her own room.
|
|
My lady and Mr. Franklin breakfasted together.
|
|
After breakfast, Mr. Franklin took one of his sudden resolutions,
|
|
and went out precipitately to quiet his mind by a long walk.
|
|
I was the only person who saw him go; and he told
|
|
me he should be back before the Sergeant returned.
|
|
The change in the weather, foreshadowed overnight, had come.
|
|
Heavy rain had been followed soon after dawn, by high wind.
|
|
It was blowing fresh, as the day got on. But though the clouds
|
|
threatened more than once, the rain still held off.
|
|
It was not a bad day for a walk, if you were young and strong,
|
|
and could breast the great gusts of wind which came sweeping in from
|
|
the sea.
|
|
|
|
I attended my lady after breakfast, and assisted her in the settlement of our
|
|
household accounts. She only once alluded to the matter of the Moonstone,
|
|
and that was in the way of forbidding any present mention of it between us.
|
|
"Wait till that man comes back," she said, meaning the Sergeant. "We MUST
|
|
speak of it then: we are not obliged to speak of it now."
|
|
|
|
After leaving my mistress, I found Penelope waiting for me in my room.
|
|
|
|
"I wish, father, you would come and speak to Rosanna," she said.
|
|
"I am very uneasy about her."
|
|
|
|
I suspected what was the matter readily enough. But it is a maxim
|
|
of mine that men (being superior creatures) are bound to improve women--
|
|
if they can. When a woman wants me to do anything (my daughter,
|
|
or not, it doesn't matter), I always insist on knowing why.
|
|
The oftener you make them rummage their own minds for a reason,
|
|
the more manageable you will find them in all the relations of life.
|
|
It isn't their fault (poor wretches!) that they act first and
|
|
think afterwards; it's the fault of the fools who humour them.
|
|
|
|
Penelope's reason why, on this occasion, may be given in her own words.
|
|
"I am afraid, father," she said, "Mr. Franklin has hurt Rosanna cruelly,
|
|
without intending it."
|
|
|
|
"What took Rosanna into the shrubbery walk?" I asked.
|
|
|
|
"Her own madness," says Penelope; "I can call it nothing else.
|
|
She was bent on speaking to Mr. Franklin, this morning,
|
|
come what might of it. I did my best to stop her; you saw that.
|
|
If I could only have got her away before she heard those
|
|
dreadful words----"
|
|
|
|
"There! there!" I said, "don't lose your head. I can't call
|
|
to mind that anything happened to alarm Rosanna."
|
|
|
|
"Nothing to alarm her, father. But Mr. Franklin said he took no interest
|
|
whatever in her--and, oh, he said it in such a cruel voice!"
|
|
|
|
"He said it to stop the Sergeant's mouth," I answered.
|
|
|
|
"I told her that," says Penelope. "But you see, father (though Mr. Franklin
|
|
isn't to blame), he's been mortifying and disappointing her for weeks
|
|
and weeks past; and now this comes on the top of it all! She has no right,
|
|
of course, to expect him to take any interest in her. It's quite
|
|
monstrous that she should forget herself and her station in that way.
|
|
But she seems to have lost pride, and proper feeling, and everything.
|
|
She frightened me, father, when Mr. Franklin said those words.
|
|
They seemed to turn her into stone. A sudden quiet came over her,
|
|
and she has gone about her work, ever since, like a woman in
|
|
a dream."
|
|
|
|
I began to feel a little uneasy. There was something in
|
|
the way Penelope put it which silenced my superior sense.
|
|
I called to mind, now my thoughts were directed that way,
|
|
what had passed between Mr. Franklin and Rosanna overnight.
|
|
She looked cut to the heart on that occasion; and now,
|
|
as ill-luck would have it, she had been unavoidably stung again,
|
|
poor soul, on the tender place. Sad! sad!--all the more sad
|
|
because the girl had no reason to justify her, and no right to
|
|
feel it.
|
|
|
|
I had promised Mr. Franklin to speak to Rosanna, and this seemed
|
|
the fittest time for keeping my word.
|
|
|
|
We found the girl sweeping the corridor outside the bedrooms,
|
|
pale and composed, and neat as ever in her modest print dress.
|
|
I noticed a curious dimness and dullness in her eyes--not as if she
|
|
had been crying but as if she had been looking at something too long.
|
|
Possibly, it was a misty something raised by her own thoughts.
|
|
There was certainly no object about her to look at which she had not
|
|
seen already hundreds on hundreds of times.
|
|
|
|
"Cheer up, Rosanna!" I said. "You mustn't fret over your own fancies.
|
|
I have got something to say to you from Mr. Franklin."
|
|
|
|
I thereupon put the matter in the right view before her,
|
|
in the friendliest and most comforting words I could find.
|
|
My principles, in regard to the other sex, are, as you
|
|
may have noticed, very severe. But somehow or other,
|
|
when I come face to face with the women, my practice (I own)
|
|
is not conformable.
|
|
|
|
"Mr. Franklin is very kind and considerate. Please to thank him."
|
|
That was all the answer she made me.
|
|
|
|
My daughter had already noticed that Rosanna went about her work
|
|
like a woman in a dream. I now added to this observation,
|
|
that she also listened and spoke like a woman in a dream.
|
|
I doubted if her mind was in a fit condition to take in what I
|
|
had said to her.
|
|
|
|
"Are you quite sure, Rosanna, that you understand me?"
|
|
I asked.
|
|
|
|
"Quite sure."
|
|
|
|
She echoed me, not like a living woman, but like a creature
|
|
moved by machinery. She went on sweeping all the time.
|
|
I took away the broom as gently and as kindly as I could.
|
|
|
|
"Come, come, my girl!" I said, "this is not like yourself.
|
|
You have got something on your mind. I'm your friend--
|
|
and I'll stand your friend, even if you have done wrong.
|
|
Make a clean breast of it, Rosanna--make a clean breast
|
|
of it!"
|
|
|
|
The time had been, when my speaking to her in that way would have brought
|
|
the tears into her eyes. I could see no change in them now.
|
|
|
|
"Yes," she said, "I'll make a clean breast of it."
|
|
|
|
"To my lady?" I asked.
|
|
|
|
"No."
|
|
|
|
"To Mr. Franklin?"
|
|
|
|
"Yes; to Mr. Franklin."
|
|
|
|
I hardly knew what to say to that. She was in no condition
|
|
to understand the caution against speaking to him in private,
|
|
which Mr. Franklin had directed me to give her. Feeling my way,
|
|
little by little, I only told her Mr. Franklin had gone out for
|
|
a walk.
|
|
|
|
"It doesn't matter," she answered. "I shan't trouble Mr. Franklin, to-day."
|
|
|
|
"Why not speak to my lady?" I said. "The way to relieve your mind
|
|
is to speak to the merciful and Christian mistress who has always
|
|
been kind to you."
|
|
|
|
She looked at me for a moment with a grave and steady attention,
|
|
as if she was fixing what I said in her mind. Then she took
|
|
the broom out of my hands and moved off with it slowly, a little
|
|
way down the corridor.
|
|
|
|
"No," she said, going on with her sweeping, and speaking to herself;
|
|
"I know a better way of relieving my mind than that."
|
|
|
|
"What is it?"
|
|
|
|
"Please to let me go on with my work."
|
|
|
|
Penelope followed her, and offered to help her.
|
|
|
|
She answered, "No. I want to do my work. Thank you, Penelope."
|
|
She looked round at me. "Thank you, Mr. Betteredge."
|
|
|
|
There was no moving her--there was nothing more to be said.
|
|
I signed to Penelope to come away with me. We left her,
|
|
as we had found her, sweeping the corridor, like a woman in
|
|
a dream.
|
|
|
|
"This is a matter for the doctor to look into," I said.
|
|
"It's beyond me."
|
|
|
|
My daughter reminded me of Mr. Candy's illness, owing (as you may remember)
|
|
to the chill he had caught on the night of the dinner-party. His assistant--
|
|
a certain Mr. Ezra Jennings--was at our disposal, to be sure.
|
|
But nobody knew much about him in our parts. He had been engaged by Mr. Candy
|
|
under rather peculiar circumstances; and, right or wrong, we none of us
|
|
liked him or trusted him. There were other doctors at Frizinghall.
|
|
But they were strangers to our house; and Penelope doubted, in Rosanna's
|
|
present state, whether strangers might not do her more harm than good.
|
|
|
|
I thought of speaking to my lady. But, remembering the heavy
|
|
weight of anxiety which she already had on her mind,
|
|
I hesitated to add to all the other vexations this new trouble.
|
|
Still, there was a necessity for doing something.
|
|
The girl's state was, to my thinking, downright alarming--
|
|
and my mistress ought to be informed of it. Unwilling enough,
|
|
I went to her sitting-room. No one was there. My lady was shut
|
|
up with Miss Rachel. It was impossible for me to see her till
|
|
she came out again.
|
|
|
|
I waited in vain till the clock on the front staircase struck
|
|
the quarter to two. Five minutes afterwards, I heard my name called,
|
|
from the drive outside the house. I knew the voice directly.
|
|
Sergeant Cuff had returned from Frizinghall.
|
|
|
|
|
|
|
|
CHAPTER XVIII
|
|
|
|
|
|
Going down to the front door, I met the Sergeant on the steps.
|
|
|
|
It went against the grain with me, after what had passed between us,
|
|
to show him that I felt any sort of interest in his proceedings.
|
|
In spite of myself, however, I felt an interest that there was no resisting.
|
|
My sense of dignity sank from under me, and out came the words:
|
|
"What news from Frizinghall?"
|
|
|
|
"I have seen the Indians," answered Sergeant Cuff. "And I have found
|
|
out what Rosanna bought privately in the town, on Thursday last.
|
|
The Indians will be set free on Wednesday in next week.
|
|
There isn't a doubt on my mind, and there isn't a doubt on
|
|
Mr. Murthwaite's mind, that they came to this place to steal
|
|
the Moonstone. Their calculations were all thrown out, of course,
|
|
by what happened in the house on Wednesday night; and they have
|
|
no more to do with the actual loss of the jewel than you have.
|
|
But I can tell you one thing, Mr. Betteredge--if WE don't find
|
|
the Moonstone, THEY will. You have not heard the last of the three
|
|
jugglers yet."
|
|
|
|
Mr. Franklin came back from his walk as the Sergeant said
|
|
those startling words. Governing his curiosity better than I had
|
|
governed mine, he passed us without a word, and went on into the house.
|
|
|
|
As for me, having already dropped my dignity, I determined to have
|
|
the whole benefit of the sacrifice. "So much for the Indians," I said.
|
|
"What about Rosanna next?"
|
|
|
|
Sergeant Cuff shook his head.
|
|
|
|
"The mystery in that quarter is thicker than ever," he said.
|
|
"I have traced her to a shop at Frizinghall, kept by a linen
|
|
draper named Maltby. She bought nothing whatever at any of
|
|
the other drapers' shops, or at any milliners' or tailors' shops;
|
|
and she bought nothing at Maltby's but a piece of long cloth.
|
|
She was very particular in choosing a certain quality.
|
|
As to quantity, she bought enough to make a nightgown."
|
|
|
|
"Whose nightgown?" I asked.
|
|
|
|
"Her own, to be sure. Between twelve and three, on the Thursday morning,
|
|
she must have slipped down to your young lady's room, to settle
|
|
the hiding of the Moonstone while all the rest of you were in bed.
|
|
In going back to her own room, her nightgown must have brushed the wet
|
|
paint on the door. She couldn't wash out the stain; and she couldn't
|
|
safely destroy the night-gown without first providing another like it,
|
|
to make the inventory of her linen complete."
|
|
|
|
"What proves that it was Rosanna's nightgown?" I objected.
|
|
|
|
"The material she bought for making the substitute dress,"
|
|
answered the Sergeant. "If it had been Miss Verinder's nightgown,
|
|
she would have had to buy lace, and frilling, and Lord knows
|
|
what besides; and she wouldn't have had time to make it in one night.
|
|
Plain long cloth means a plain servant's nightgown.
|
|
No, no, Mr. Betteredge--all that is clear enough. The pinch of
|
|
the question is--why, after having provided the substitute dress,
|
|
does she hide the smeared nightgown, instead of destroying it?
|
|
If the girl won't speak out, there is only one way of settling
|
|
the difficulty. The hiding-place at the Shivering Sand
|
|
must be searched--and the true state of the case will be
|
|
discovered there."
|
|
|
|
"How are you to find the place?" I inquired.
|
|
|
|
"I am sorry to disappoint you," said the Sergeant--"but that's
|
|
a secret which I mean to keep to myself."
|
|
|
|
(Not to irritate your curiosity, as he irritated mine, I may here inform
|
|
you that he had come back from Frizinghall provided with a search-warrant.
|
|
His experience in such matters told him that Rosanna was in all probability
|
|
carrying about her a memorandum of the hiding-place, to guide her, in case
|
|
she returned to it, under changed circumstances and after a lapse of time.
|
|
Possessed of this memorandum, the Sergeant would be furnished with all
|
|
that he could desire.)
|
|
|
|
"Now, Mr. Betteredge," he went on, "suppose we drop speculation,
|
|
and get to business. I told Joyce to have an eye on Rosanna.
|
|
Where is Joyce?"
|
|
|
|
Joyce was the Frizinghall policeman, who had been left
|
|
by Superintendent Seegrave at Sergeant Cuff's disposal.
|
|
The clock struck two, as he put the question; and, punctual to
|
|
the moment, the carriage came round to take Miss Rachel to her
|
|
aunt's.
|
|
|
|
"One thing at a time," said the Sergeant, stopping me as I was about to send
|
|
in search of Joyce. "I must attend to Miss Verinder first."
|
|
|
|
As the rain was still threatening, it was the close carriage
|
|
that had been appointed to take Miss Rachel to Frizinghall.
|
|
Sergeant Cuff beckoned Samuel to come down to him from the
|
|
rumble behind.
|
|
|
|
"You will see a friend of mine waiting among the trees,
|
|
on this side of the lodge gate," he said. "My friend,
|
|
without stopping the carriage, will get up into the rumble with you.
|
|
You have nothing to do but to hold your tongue, and shut your eyes.
|
|
Otherwise, you will get into trouble."
|
|
|
|
With that advice, he sent the footman back to his place.
|
|
What Samuel thought I don't know. It was plain, to my mind,
|
|
that Miss Rachel was to be privately kept in view from
|
|
the time when she left our house--if she did leave it.
|
|
A watch set on my young lady! A spy behind her in the rumble
|
|
of her mother's carriage! I could have cut my own tongue
|
|
out for having forgotten myself so far as to speak to
|
|
Sergeant Cuff.
|
|
|
|
The first person to come out of the house was my lady. She stood aside,
|
|
on the top step, posting herself there to see what happened.
|
|
Not a word did she say, either to the Sergeant or to me.
|
|
With her lips closed, and her arms folded in the light garden
|
|
cloak which she had wrapped round her on coming into the air,
|
|
there she stood, as still as a statue, waiting for her daughter
|
|
to appear.
|
|
|
|
In a minute more, Miss Rachel came downstairs--very nicely dressed
|
|
in some soft yellow stuff, that set off her dark complexion,
|
|
and clipped her tight (in the form of a jacket) round the waist.
|
|
She had a smart little straw hat on her head, with a white veil
|
|
twisted round it. She had primrose-coloured gloves that fitted
|
|
her hands like a second skin. Her beautiful black hair looked
|
|
as smooth as satin under her hat. Her little ears were like
|
|
rosy shells--they had a pearl dangling from each of them.
|
|
She came swiftly out to us, as straight as a lily on its stem,
|
|
and as lithe and supple in every movement she made as a young cat.
|
|
Nothing that I could discover was altered in her pretty face,
|
|
but her eyes and her lips. Her eyes were brighter and fiercer
|
|
than I liked to see; and her lips had so completely lost
|
|
their colour and their smile that I hardly knew them again.
|
|
She kissed her mother in a hasty and sudden manner on the cheek.
|
|
She said, "Try to forgive me, mamma"--and then pulled down her veil
|
|
over her face so vehemently that she tore it. In another moment she
|
|
had run down the steps, and had rushed into the carriage as if it was a
|
|
hiding-place.
|
|
|
|
Sergeant Cuff was just as quick on his side. He put Samuel back,
|
|
and stood before Miss Rachel, with the open carriage-door in his hand,
|
|
at the instant when she settled herself in her place.
|
|
|
|
"What do you want?" says Miss Rachel, from behind her veil.
|
|
|
|
"I want to say one word to you, miss," answered the Sergeant,
|
|
"before you go. I can't presume to stop your paying a visit to your aunt.
|
|
I can only venture to say that your leaving us, as things are now,
|
|
puts an obstacle in the way of my recovering your Diamond.
|
|
Please to understand that; and now decide for yourself whether you go
|
|
or stay."
|
|
|
|
Miss Rachel never even answered him. "Drive on, James!" she called
|
|
out to the coachman.
|
|
|
|
Without another word, the Sergeant shut the carriage-door. Just
|
|
as he closed it, Mr. Franklin came running down the steps.
|
|
"Good-bye, Rachel," he said, holding out his hand.
|
|
|
|
"Drive on!" cried Miss Rachel, louder than ever, and taking no more notice
|
|
of Mr. Franklin than she had taken of Sergeant Cuff.
|
|
|
|
Mr. Franklin stepped back thunderstruck, as well he might be.
|
|
The coachman, not knowing what to do, looked towards my lady,
|
|
still standing immovable on the top step. My lady, with anger
|
|
and sorrow and shame all struggling together in her face,
|
|
made him a sign to start the horses, and then turned back hastily
|
|
into the house. Mr. Franklin, recovering the use of his speech,
|
|
called after her, as the carriage drove off, "Aunt! you were
|
|
quite right. Accept my thanks for all your kindness--and let
|
|
me go."
|
|
|
|
My lady turned as though to speak to him. Then, as if distrusting herself,
|
|
waved her hand kindly. "Let me see you, before you leave us, Franklin,"
|
|
she said, in a broken voice--and went on to her own room.
|
|
|
|
"Do me a last favour, Betteredge," says Mr. Franklin, turning to me,
|
|
with the tears in his eyes. "Get me away to the train as soon as
|
|
you can!"
|
|
|
|
He too went his way into the house. For the moment, Miss Rachel
|
|
had completely unmanned him. Judge from that, how fond he must
|
|
have been of her!
|
|
|
|
Sergeant Cuff and I were left face to face, at the bottom of the steps.
|
|
The Sergeant stood with his face set towards a gap in the trees, commanding a
|
|
view of one of the windings of the drive which led from the house.
|
|
He had his hands in his pockets, and he was softly whistling "The Last Rose
|
|
of Summer" to himself.
|
|
|
|
"There's a time for everything," I said savagely enough.
|
|
"This isn't a time for whistling."
|
|
|
|
At that moment, the carriage appeared in the distance, through the gap,
|
|
on its way to the lodge-gate. There was another man, besides Samuel,
|
|
plainly visible in the rumble behind.
|
|
|
|
"All right!" said the Sergeant to himself. He turned round to me.
|
|
"It's no time for whistling, Mr. Betteredge, as you say.
|
|
It's time to take this business in hand, now, without sparing anybody.
|
|
We'll begin with Rosanna Spearman. Where is Joyce?"
|
|
|
|
We both called for Joyce, and received no answer. I sent one
|
|
of the stable-boys to look for him.
|
|
|
|
"You heard what I said to Miss Verinder?" remarked the Sergeant,
|
|
while we were waiting. "And you saw how she received it?
|
|
I tell her plainly that her leaving us will be an obstacle
|
|
in the way of my recovering her Diamond--and she leaves,
|
|
in the face of that statement! Your young lady has got
|
|
a travelling companion in her mother's carriage, Mr. Betteredge--
|
|
and the name of it is, the Moonstone."
|
|
|
|
I said nothing. I only held on like death to my belief in Miss Rachel.
|
|
|
|
The stable-boy came back, followed--very unwillingly, as it appeared to me--
|
|
by Joyce.
|
|
|
|
"Where is Rosanna Spearman?" asked Sergeant Cuff.
|
|
|
|
"I can't account for it, sir," Joyce began; "and I am very sorry.
|
|
But somehow or other----"
|
|
|
|
"Before I went to Frizinghall," said the Sergeant, cutting him short,
|
|
"I told you to keep your eyes on Rosanna Spearman, without allowing
|
|
her to discover that she was being watched. Do you mean to tell me
|
|
that you have let her give you the slip?"
|
|
|
|
"I am afraid, sir," says Joyce, beginning to tremble, "that I
|
|
was perhaps a little TOO careful not to let her discover me.
|
|
There are such a many passages in the lower parts of this house----"
|
|
|
|
"How long is it since you missed her?"
|
|
|
|
"Nigh on an hour since, sir."
|
|
|
|
"You can go back to your regular business at Frizinghall," said the Sergeant,
|
|
speaking just as composedly as ever, in his usual quiet and dreary way.
|
|
"I don't think your talents are at all in our line, Mr. Joyce. Your present
|
|
form of employment is a trifle beyond you. Good morning."
|
|
|
|
The man slunk off. I find it very difficult to describe how I
|
|
was affected by the discovery that Rosanna Spearman was missing.
|
|
I seemed to be in fifty different minds about it, all at the same time.
|
|
In that state, I stood staring at Sergeant Cuff--and my powers of
|
|
language quite failed me.
|
|
|
|
"No, Mr. Betteredge," said the Sergeant, as if he had
|
|
discovered the uppermost thought in me, and was picking it
|
|
out to be answered, before all the rest. "Your young friend,
|
|
Rosanna, won't slip through my fingers so easy as you think.
|
|
As long as I know where Miss Verinder is, I have the means
|
|
at my disposal of tracing Miss Verinder's accomplice.
|
|
I prevented them from communicating last night. Very good.
|
|
They will get together at Frizinghall, instead of getting
|
|
together here. The present inquiry must be simply shifted
|
|
(rather sooner than I had anticipated) from this house,
|
|
to the house at which Miss Verinder is visiting.
|
|
In the meantime, I'm afraid I must trouble you to call the servants
|
|
together again."
|
|
|
|
I went round with him to the servants' hall. It is very disgraceful,
|
|
but it is not the less true, that I had another attack of the detective-fever,
|
|
when he said those last words. I forgot that I hated Sergeant Cuff.
|
|
I seized him confidentially by the arm. I said, "For goodness' sake, tell us
|
|
what you are going to do with the servants now?"
|
|
|
|
The great Cuff stood stock still, and addressed himself in a kind
|
|
of melancholy rapture to the empty air.
|
|
|
|
"If this man," said the Sergeant (apparently meaning me), "only
|
|
understood the growing of roses he would be the most completely
|
|
perfect character on the face of creation!" After that strong
|
|
expression of feeling, he sighed, and put his arm through mine.
|
|
"This is how it stands," he said, dropping down again to business.
|
|
"Rosanna has done one of two things. She has either gone
|
|
direct to Frizinghall (before I can get there), or she has
|
|
gone first to visit her hiding-place at the Shivering Sand.
|
|
The first thing to find out is, which of the servants saw the last
|
|
of her before she left the house."
|
|
|
|
On instituting this inquiry, it turned out that the last person
|
|
who had set eyes on Rosanna was Nancy, the kitchenmaid.
|
|
|
|
Nancy had seen her slip out with a letter in her hand, and stop the butcher's
|
|
man who had just been delivering some meat at the back door. Nancy had
|
|
heard her ask the man to post the letter when he got back to Frizinghall.
|
|
The man had looked at the address, and had said it was a roundabout way
|
|
of delivering a letter directed to Cobb's Hole, to post it at Frizinghall--
|
|
and that, moreover, on a Saturday, which would prevent the letter from
|
|
getting to its destination until Monday morning, Rosanna had answered that
|
|
the delivery of the letter being delayed till Monday was of no importance.
|
|
The only thing she wished to be sure of was that the man would do what she
|
|
told him. The man had promised to do it, and had driven away. Nancy had been
|
|
called back to her work in the kitchen. And no other person had seen anything
|
|
afterwards of Rosanna Spearman.
|
|
|
|
"Well?" I asked, when we were alone again.
|
|
|
|
"Well," says the Sergeant. "I must go to Frizinghall."
|
|
|
|
"About the letter, sir?"
|
|
|
|
"Yes. The memorandum of the hiding-place is in that letter.
|
|
I must see the address at the post-office. If it is the address
|
|
I suspect, I shall pay our friend, Mrs. Yolland, another visit on
|
|
Monday next."
|
|
|
|
I went with the Sergeant to order the pony-chaise. In the stable-yard
|
|
we got a new light thrown on the missing girl.
|
|
|
|
|
|
|
|
CHAPTER XIX
|
|
|
|
|
|
The news of Rosanna's disappearance had, as it appeared, spread among
|
|
the out-of-door servants. They too had made their inquiries;
|
|
and they had just laid hands on a quick little imp, nicknamed "Duffy"--
|
|
who was occasionally employed in weeding the garden, and who had seen
|
|
Rosanna Spearman as lately as half-an-hour since. Duffy was certain
|
|
that the girl had passed him in the fir-plantation, not walking,
|
|
but RUNNING, in the direction of the sea-shore.
|
|
|
|
"Does this boy know the coast hereabouts?" asked Sergeant Cuff.
|
|
|
|
"He has been born and bred on the coast," I answered.
|
|
|
|
"Duffy!" says the Sergeant, "do you want to earn a shilling?
|
|
If you do, come along with me. Keep the pony-chaise ready,
|
|
Mr. Betteredge, till I come back."
|
|
|
|
He started for the Shivering Sand, at a rate that my legs
|
|
(though well enough preserved for my time of life) had no hope
|
|
of matching. Little Duffy, as the way is with the young savages
|
|
in our parts when they are in high spirits, gave a howl,
|
|
and trotted off at the Sergeant's heels.
|
|
|
|
Here again, I find it impossible to give anything like a clear account
|
|
of the state of my mind in the interval after Sergeant Cuff had left us.
|
|
A curious and stupefying restlessness got possession of me.
|
|
I did a dozen different needless things in and out of the house,
|
|
not one of which I can now remember. I don't even know how long
|
|
it was after the Sergeant had gone to the sands, when Duffy came
|
|
running back with a message for me. Sergeant Cuff had given
|
|
the boy a leaf torn out of his pocket-book, on which was written
|
|
in pencil, "Send me one of Rosanna Spearman's boots, and be quick
|
|
about it."
|
|
|
|
I despatched the first woman-servant I could find to Rosanna's room;
|
|
and I sent the boy back to say that I myself would follow him with
|
|
the boot.
|
|
|
|
This, I am well aware, was not the quickest way to take
|
|
of obeying the directions which I had received. But I was
|
|
resolved to see for myself what new mystification was going
|
|
on before I trusted Rosanna's boot in the Sergeant's hands.
|
|
My old notion of screening the girl, if I could,
|
|
seemed to have come back on me again, at the eleventh hour.
|
|
This state of feeling (to say nothing of the detective-fever)
|
|
hurried me off, as soon as I had got the boot, at the nearest
|
|
approach to a run which a man turned seventy can reasonably hope
|
|
to make.
|
|
|
|
As I got near the shore, the clouds gathered black, and the rain
|
|
came down, drifting in great white sheets of water before the wind.
|
|
I heard the thunder of the sea on the sand-bank at the mouth of the bay.
|
|
A little further on, I passed the boy crouching for shelter
|
|
under the lee of the sand hills. Then I saw the raging sea,
|
|
and the rollers tumbling in on the sand-bank, and the driven rain
|
|
sweeping over the waters like a flying garment, and the yellow
|
|
wilderness of the beach with one solitary black figure standing on it--
|
|
the figure of Sergeant Cuff.
|
|
|
|
He waved his hand towards the north, when he first saw me.
|
|
"Keep on that side!" he shouted. "And come on down here
|
|
to me!"
|
|
|
|
I went down to him, choking for breath, with my heart leaping
|
|
as if it was like to leap out of me. I was past speaking.
|
|
I had a hundred questions to put to him; and not one
|
|
of them would pass my lips. His face frightened me.
|
|
I saw a look in his eyes which was a look of horror.
|
|
He snatched the boot out of my hand, and set it in a footmark
|
|
on the sand, bearing south from us as we stood, and pointing
|
|
straight towards the rocky ledge called the South Spit.
|
|
The mark was not yet blurred out by the rain--and the girl's boot
|
|
fitted it to a hair.
|
|
|
|
The Sergeant pointed to the boot in the footmark, without saying a word.
|
|
|
|
I caught at his arm, and tried to speak to him, and failed as I
|
|
had failed when I tried before. He went on, following the
|
|
footsteps down and down to where the rocks and the sand joined.
|
|
The South Spit was just awash with the flowing tide;
|
|
the waters heaved over the hidden face of the Shivering Sand.
|
|
Now this way and now that, with an obstinate patience that was
|
|
dreadful to see, Sergeant Cuff tried the boot in the footsteps,
|
|
and always found it pointing the same way--straight TO the rocks.
|
|
Hunt as he might, no sign could he find anywhere of the footsteps
|
|
walking FROM them.
|
|
|
|
He gave it up at last. Still keeping silence, he looked
|
|
again at me; and then he looked out at the waters before us,
|
|
heaving in deeper and deeper over the quicksand.
|
|
I looked where he looked--and I saw his thought in his face.
|
|
A dreadful dumb trembling crawled all over me on a sudden.
|
|
I fell upon my knees on the beach.
|
|
|
|
"She has been back at the hiding-place," I heard the Sergeant say to himself.
|
|
"Some fatal accident has happened to her on those rocks."
|
|
|
|
The girl's altered looks, and words, and actions--the numbed,
|
|
deadened way in which she listened to me, and spoke to me--
|
|
when I had found her sweeping the corridor but a few hours since,
|
|
rose up in my mind, and warned me, even as the Sergeant spoke,
|
|
that his guess was wide of the dreadful truth. I tried to tell
|
|
him of the fear that had frozen me up. I tried to say,
|
|
"The death she has died, Sergeant, was a death of her own seeking."
|
|
No! the words wouldn't come. The dumb trembling held me in its grip.
|
|
I couldn't feel the driving rain. I couldn't see the rising tide.
|
|
As in the vision of a dream, the poor lost creature came back
|
|
before me. I saw her again as I had seen her in the past time--
|
|
on the morning when I went to fetch her into the house.
|
|
I heard her again, telling me that the Shivering Sand seemed
|
|
to draw her to it against her will, and wondering whether
|
|
her grave was waiting for her THERE. The horror of it struck
|
|
at me, in some unfathomable way, through my own child.
|
|
My girl was just her age. My girl, tried as Rosanna was tried,
|
|
might have lived that miserable life, and died this dreadful
|
|
death.
|
|
|
|
The Sergeant kindly lifted me up, and turned me away from the sight
|
|
of the place where she had perished.
|
|
|
|
With that relief, I began to fetch my breath again,
|
|
and to see things about me, as things really were.
|
|
Looking towards the sand-hills, I saw the men-servants from
|
|
out-of-doors, and the fisherman, named Yolland, all running
|
|
down to us together; and all, having taken the alarm, calling out
|
|
to know if the girl had been found. In the fewest words,
|
|
the Sergeant showed them the evidence of the footmarks,
|
|
and told them that a fatal accident must have happened to her.
|
|
He then picked out the fisherman from the rest, and put
|
|
a question to him, turning about again towards the sea:
|
|
"Tell me," he said. "Could a boat have taken her off,
|
|
in such weather as this, from those rocks where her
|
|
footmarks stop?"
|
|
|
|
The fisherman pointed to the rollers tumbling in on the sand-bank,
|
|
and to the great waves leaping up in clouds of foam against the headlands
|
|
on either side of us.
|
|
|
|
"No boat that ever was built," he answered, "could have got
|
|
to her through THAT."
|
|
|
|
Sergeant Cuff looked for the last time at the foot-marks on the sand,
|
|
which the rain was now fast blurring out.
|
|
|
|
"There," he said, "is the evidence that she can't have left this
|
|
place by land. And here," he went on, looking at the fisherman,
|
|
"is the evidence that she can't have got away by sea." He stopped,
|
|
and considered for a minute. "She was seen running towards this place,
|
|
half an hour before I got here from the house," he said to Yolland.
|
|
"Some time has passed since then. Call it, altogether, an hour ago.
|
|
How high would the water be, at that time, on this side of the rocks?"
|
|
He pointed to the south side--otherwise, the side which was not filled up by
|
|
the quicksand.
|
|
|
|
"As the tide makes to-day," said the fisherman, "there wouldn't
|
|
have been water enough to drown a kitten on that side of the Spit,
|
|
an hour since."
|
|
|
|
Sergeant Cuff turned about northward, towards the quicksand.
|
|
|
|
"How much on this side?" he asked.
|
|
|
|
"Less still," answered Yolland. "The Shivering Sand would have been
|
|
just awash, and no more."
|
|
|
|
The Sergeant turned to me, and said that the accident must have happened on
|
|
the side of the quicksand. My tongue was loosened at that. "No accident!"
|
|
I told him. "When she came to this place, she came weary of her life, to end
|
|
it here."
|
|
|
|
He started back from me. "How do you know? " he asked. The rest
|
|
of them crowded round. The Sergeant recovered himself instantly.
|
|
He put them back from me; he said I was an old man; he said
|
|
the discovery had shaken me; he said, "Let him alone a little."
|
|
Then he turned to Yolland, and asked, "Is there any chance of
|
|
finding her, when the tide ebbs again?" And Yolland answered, "None.
|
|
What the Sand gets, the Sand keeps for ever." Having said that,
|
|
the fisherman came a step nearer, and addressed himself
|
|
to me.
|
|
|
|
"Mr. Betteredge," he said, "I have a word to say to you about the young
|
|
woman's death. Four foot out, broadwise, along the side of the Spit,
|
|
there's a shelf of rock, about half fathom down under the sand.
|
|
My question is--why didn't she strike that? If she slipped,
|
|
by accident, from off the Spit, she fell in where there's foothold
|
|
at the bottom, at a depth that would barely cover her to the waist.
|
|
She must have waded out, or jumped out, into the Deeps beyond--
|
|
or she wouldn't be missing now. No accident, sir! The Deeps
|
|
of the Quicksand have got her. And they have got her by her
|
|
own act."
|
|
|
|
After that testimony from a man whose knowledge was to be relied on,
|
|
the Sergeant was silent. The rest of us, like him, held our peace.
|
|
With one accord, we all turned back up the slope of the beach.
|
|
|
|
At the sand-hillocks we were met by the under-groom, running to us from
|
|
the house. The lad is a good lad, and has an honest respect for me.
|
|
He handed me a little note, with a decent sorrow in his face.
|
|
"Penelope sent me with this, Mr. Betteredge," he said. "She found it in
|
|
Rosanna's room."
|
|
|
|
It was her last farewell word to the old man who had done his best--
|
|
thank God, always done his best--to befriend her.
|
|
|
|
"You have often forgiven me, Mr. Betteredge, in past times.
|
|
When you next see the Shivering Sand, try to forgive me once more.
|
|
I have found my grave where my grave was waiting for me.
|
|
I have lived, and died, sir, grateful for your kindness."
|
|
|
|
There was no more than that. Little as it was, I hadn't manhood enough
|
|
to hold up against it. Your tears come easy, when you're young,
|
|
and beginning the world. Your tears come easy, when you're old,
|
|
and leaving it. I burst out crying.
|
|
|
|
Sergeant Cuff took a step nearer to me--meaning kindly, I don't doubt.
|
|
I shrank back from him. "Don't touch me," I said. "It's the dread of you,
|
|
that has driven her to it."
|
|
|
|
"You are wrong, Mr. Betteredge," he answered, quietly.
|
|
"But there will be time enough to speak of it when we are
|
|
indoors again."
|
|
|
|
I followed the rest of them, with the help of the groom's arm.
|
|
Through the driving rain we went back--to meet the trouble
|
|
and the terror that were waiting for us at the house.
|
|
|
|
|
|
|
|
CHAPTER XX
|
|
|
|
|
|
Those in front had spread the news before us. We found the servants
|
|
in a state of panic. As we passed my lady's door, it was thrown
|
|
open violently from the inner side. My mistress came out among us
|
|
(with Mr. Franklin following, and trying vainly to compose her), quite
|
|
beside herself with the horror of the thing.
|
|
|
|
"You are answerable for this!" she cried out, threatening the Sergeant
|
|
wildly with her hand. "Gabriel! give that wretch his money--and release
|
|
me from the sight of him!"
|
|
|
|
The Sergeant was the only one among us who was fit to cope with her--
|
|
being the only one among us who was in possession of himself.
|
|
|
|
"I am no more answerable for this distressing calamity, my lady,
|
|
than you are," he said. "If, in half an hour from this,
|
|
you still insist on my leaving the house, I will accept your
|
|
ladyship's dismissal, but not your ladyship's money."
|
|
|
|
It was spoken very respectfully, but very firmly at the same time--
|
|
and it had its effect on my mistress as well as on me.
|
|
She suffered Mr. Franklin to lead her back into the room.
|
|
As the door closed on the two, the Sergeant, looking about among
|
|
the women-servants in his observant way, noticed that while
|
|
all the rest were merely frightened, Penelope was in tears.
|
|
"When your father has changed his wet clothes," he said to her,
|
|
"come and speak to us, in your father's room."
|
|
|
|
Before the half-hour was out, I had got my dry clothes on,
|
|
and had lent Sergeant Cuff such change of dress as he required.
|
|
Penelope came in to us to hear what the Sergeant wanted
|
|
with her. I don't think I ever felt what a good dutiful
|
|
daughter I had, so strongly as I felt it at that moment.
|
|
I took her and sat her on my knee and I prayed God bless her.
|
|
She hid her head on my bosom, and put her arms round my neck--
|
|
and we waited a little while in silence. The poor dead girl must
|
|
have been at the bottom of it, I think, with my daughter and with me.
|
|
The Sergeant went to the window, and stood there looking out.
|
|
I thought it right to thank him for considering us both in this way--
|
|
and I did.
|
|
|
|
People in high life have all the luxuries to themselves--
|
|
among others, the luxury of indulging their feelings.
|
|
People in low life have no such privilege. Necessity, which spares
|
|
our betters, has no pity on us. We learn to put our feelings
|
|
back into ourselves, and to jog on with our duties as patiently
|
|
as may be. I don't complain of this--I only notice it.
|
|
Penelope and I were ready for the Sergeant, as soon as the
|
|
Sergeant was ready on his side. Asked if she knew what had led
|
|
her fellow-servant to destroy herself, my daughter answered
|
|
(as you will foresee) that it was for love of Mr. Franklin Blake.
|
|
Asked next, if she had mentioned this notion of hers to any
|
|
other person, Penelope answered, "I have not mentioned it,
|
|
for Rosanna's sake." I felt it necessary to add a word to this.
|
|
I said, "And for Mr. Franklin's sake, my dear, as well.
|
|
If Rosanna HAS died for love of him, it is not with his knowledge
|
|
or by his fault. Let him leave the house to-day, if he does
|
|
leave it, without the useless pain of knowing the truth."
|
|
Sergeant Cuff said, "Quite right," and fell silent again;
|
|
comparing Penelope's notion (as it seemed to me) with some other
|
|
notion of his own which he kept to himself.
|
|
|
|
At the end of the half-hour, my mistress's bell rang.
|
|
|
|
On my way to answer it, I met Mr. Franklin coming out of his
|
|
aunt's sitting-room. He mentioned that her ladyship was ready
|
|
to see Sergeant Cuff--in my presence as before--and he added
|
|
that he himself wanted to say two words to the Sergeant first.
|
|
On our way back to my room, he stopped, and looked at the railway
|
|
time-table in the hall.
|
|
|
|
"Are you really going to leave us, sir? " I asked.
|
|
"Miss Rachel will surely come right again, if you only give
|
|
her time?"
|
|
|
|
"She will come right again," answered Mr. Franklin, "when she
|
|
hears that I have gone away, and that she will see me no more."
|
|
|
|
I thought he spoke in resentment of my young lady's treatment of him.
|
|
But it was not so. My mistress had noticed, from the time
|
|
when the police first came into the house, that the bare mention
|
|
of him was enough to set Miss Rachel's temper in a flame.
|
|
He had been too fond of his cousin to like to confess this
|
|
to himself, until the truth had been forced on him, when she
|
|
drove off to her aunt's. His eyes once opened in that cruel
|
|
way which you know of, Mr. Franklin had taken his resolution--
|
|
the one resolution which a man of any spirit COULD take--to leave
|
|
the house.
|
|
|
|
What he had to say to the Sergeant was spoken in my presence.
|
|
He described her ladyship as willing to acknowledge that she had
|
|
spoken over-hastily. And he asked if Sergeant Cuff would consent--
|
|
in that case--to accept his fee, and to leave the matter of the Diamond
|
|
where the matter stood now. The Sergeant answered, "No, sir.
|
|
My fee is paid me for doing my duty. I decline to take it, until my duty
|
|
is done."
|
|
|
|
"I don't understand you," says Mr. Franklin.
|
|
|
|
"I'll explain myself, sir," says the Sergeant. "When I came here,
|
|
I undertook to throw the necessary light on the matter of the
|
|
missing Diamond. I am now ready, and waiting to redeem my pledge.
|
|
When I have stated the case to Lady Verinder as the case now stands,
|
|
and when I have told her plainly what course of action to take for the
|
|
recovery of the Moonstone, the responsibility will be off my shoulders.
|
|
Let her ladyship decide, after that, whether she does, or does not,
|
|
allow me to go on. I shall then have done what I undertook to do--
|
|
and I'll take my fee."
|
|
|
|
In those words Sergeant Cuff reminded us that, even in the Detective Police,
|
|
a man may have a reputation to lose.
|
|
|
|
The view he took was so plainly the right one, that there
|
|
was no more to be said. As I rose to conduct him to my
|
|
lady's room, he asked if Mr. Franklin wished to be present.
|
|
Mr. Franklin answered, "Not unless Lady Verinder desires it."
|
|
He added, in a whisper to me, as I was following the Sergeant out,
|
|
"I know what that man is going to say about Rachel; and I am
|
|
too fond of her to hear it, and keep my temper. Leave me
|
|
by myself."
|
|
|
|
I left him, miserable enough, leaning on the sill of my window, with his
|
|
face hidden in his hands and Penelope peeping through the door, longing to
|
|
comfort him. In Mr. Franklin's place, I should have called her in.
|
|
When you are ill-used by one woman, there is great comfort in telling
|
|
it to another--because, nine times out of ten, the other always takes
|
|
your side. Perhaps, when my back was turned, he did call her in?
|
|
In that case it is only doing my daughter justice to declare that she would
|
|
stick at nothing, in the way of comforting Mr. Franklin Blake.
|
|
|
|
In the meantime, Sergeant Cuff and I proceeded to my lady's room.
|
|
|
|
At the last conference we had held with her, we had found her
|
|
not over willing to lift her eyes from the book which she had on
|
|
the table. On this occasion there was a change for the better.
|
|
She met the Sergeant's eye with an eye that was as steady as his own.
|
|
The family spirit showed itself in every line of her face;
|
|
and I knew that Sergeant Cuff would meet his match, when a woman
|
|
like my mistress was strung up to hear the worst he could say
|
|
to her.
|
|
|
|
|
|
|
|
CHAPTER XXI
|
|
|
|
|
|
The first words, when we had taken our seats, were spoken by my lady.
|
|
|
|
"Sergeant Cuff," she said, "there was perhaps some excuse
|
|
for the inconsiderate manner in which I spoke to you half
|
|
an hour since. I have no wish, however, to claim that excuse.
|
|
I say, with perfect sincerity, that I regret it, if I
|
|
wronged you."
|
|
|
|
The grace of voice and manner with which she made him that atonement had its
|
|
due effect on the Sergeant. He requested permission to justify himself--
|
|
putting his justification as an act of respect to my mistress.
|
|
It was impossible, he said, that he could be in any way responsible
|
|
for the calamity, which had shocked us all, for this sufficient reason,
|
|
that his success in bringing his inquiry to its proper end depended on
|
|
his neither saying nor doing anything that could alarm Rosanna Spearman.
|
|
He appealed to me to testify whether he had, or had not, carried that
|
|
object out. I could, and did, bear witness that he had. And there,
|
|
as I thought, the matter might have been judiciously left to come to
|
|
an end.
|
|
|
|
Sergeant Cuff, however, took it a step further, evidently (as you shall
|
|
now judge) with the purpose of forcing the most painful of all possible
|
|
explanations to take place between her ladyship and himself.
|
|
|
|
"I have heard a motive assigned for the young woman's suicide,"
|
|
said the Sergeant, "which may possibly be the right one.
|
|
It is a motive quite unconnected with the case which I am conducting here.
|
|
I am bound to add, however, that my own opinion points the other way.
|
|
Some unbearable anxiety in connexion with the missing Diamond,
|
|
has, I believe, driven the poor creature to her own destruction.
|
|
I don't pretend to know what that unbearable anxiety may have been.
|
|
But I think (with your ladyship's permission) I can lay my hand
|
|
on a person who is capable of deciding whether I am right
|
|
or wrong."
|
|
|
|
"Is the person now in the house?" my mistress asked, after waiting a little.
|
|
|
|
"The person has left the house," my lady.
|
|
|
|
That answer pointed as straight to Miss Rachel as straight could be.
|
|
A silence dropped on us which I thought would never come to an end.
|
|
Lord! how the wind howled, and how the rain drove at the window, as I sat
|
|
there waiting for one or other of them to speak again!
|
|
|
|
"Be so good as to express yourself plainly," said my lady.
|
|
"Do you refer to my daughter?"
|
|
|
|
"I do," said Sergeant Cuff, in so many words.
|
|
|
|
My mistress had her cheque-book on the table when we entered the room--
|
|
no doubt to pay the Sergeant his fee. She now put it back in the drawer.
|
|
It went to my heart to see how her poor hand trembled--the hand that
|
|
had loaded her old servant with benefits; the hand that, I pray God,
|
|
may take mine, when my time comes, and I leave my place for ever!
|
|
|
|
"I had hoped," said my lady, very slowly and quietly, "to have recompensed
|
|
your services, and to have parted with you without Miss Verinder's name
|
|
having been openly mentioned between us as it has been mentioned now.
|
|
My nephew has probably said something of this, before you came into
|
|
my room?"
|
|
|
|
"Mr. Blake gave his message, my lady. And I gave Mr. Blake a reason----"
|
|
|
|
"It is needless to tell me your reason. After what you have just said,
|
|
you know as well as I do that you have gone too far to go back.
|
|
I owe it to myself, and I owe it to my child, to insist on your
|
|
remaining here, and to insist on your speaking out."
|
|
|
|
The Sergeant looked at his watch.
|
|
|
|
"If there had been time, my lady," he answered, "I should have preferred
|
|
writing my report, instead of communicating it by word of mouth.
|
|
But, if this inquiry is to go on, time is of too much importance
|
|
to be wasted in writing. I am ready to go into the matter at once.
|
|
It is a very painful matter for me to speak of, and for you to
|
|
hear
|
|
|
|
There my mistress stopped him once more.
|
|
|
|
"I may possibly make it less painful to you, and to my good servant and
|
|
friend here," she said, "if I set the example of speaking boldly, on my side.
|
|
You suspect Miss Verinder of deceiving us all, by secreting the Diamond for
|
|
some purpose of her own? Is that true?"
|
|
|
|
"Quite true, my lady."
|
|
|
|
"Very well. Now, before you begin, I have to tell you,
|
|
as Miss Verinder's mother, that she is ABSOLUTELY
|
|
INCAPABLE of doing what you suppose her to have done.
|
|
Your knowledge of her character dates from a day or two since.
|
|
My knowledge of her character dates from the beginning of her life.
|
|
State your suspicion of her as strongly as you please--
|
|
it is impossible that you can offend me by doing so.
|
|
I am sure, beforehand, that (with all your experience)
|
|
the circumstances have fatally misled you in this case. Mind! I am
|
|
in possession of no private information. I am as absolutely shut
|
|
out of my daughter's confidence as you are. My one reason for
|
|
speaking positively, is the reason you have heard already. I know
|
|
my child."
|
|
|
|
She turned to me, and gave me her hand. I kissed it in silence.
|
|
"You may go on," she said, facing the Sergeant again as steadily
|
|
as ever.
|
|
|
|
Sergeant Cuff bowed. My mistress had produced but one effect on him.
|
|
His hatchet-face softened for a moment, as if he was sorry for her.
|
|
As to shaking him in his own conviction, it was plain to see that she
|
|
had not moved him by a single inch. He settled himself in his chair;
|
|
and he began his vile attack on Miss Rachel's character in
|
|
these words:
|
|
|
|
"I must ask your ladyship," he said, "to look this matter
|
|
in the face, from my point of view as well as from yours.
|
|
Will you please to suppose yourself coming down here, in my place,
|
|
and with my experience? and will you allow me to mention very briefly
|
|
what that experience has been?"
|
|
|
|
My mistress signed to him that she would do this. The Sergeant went on:
|
|
|
|
"For the last twenty years," he said, "I have been largely employed
|
|
in cases of family scandal, acting in the capacity of confidential man.
|
|
The one result of my domestic practice which has any bearing on
|
|
the matter now in hand, is a result which I may state in two words.
|
|
It is well within my experience, that young ladies of rank
|
|
and position do occasionally have private debts which they
|
|
dare not acknowledge to their nearest relatives and friends.
|
|
Sometimes, the milliner and the jeweller are at the bottom of it.
|
|
Sometimes, the money is wanted for purposes which I don't suspect
|
|
in this case, and which I won't shock you by mentioning.
|
|
Bear in mind what I have said, my lady--and now let us see how
|
|
events in this house have forced me back on my own experience,
|
|
whether I liked it or not!"
|
|
|
|
He considered with himself for a moment, and went on--
|
|
with a horrid clearness that obliged you to understand him;
|
|
with an abominable justice that favoured nobody.
|
|
|
|
"My first information relating to the loss of the Moonstone,"
|
|
said the Sergeant, "came to me from Superintendent Seegrave.
|
|
He proved to my complete satisfaction that he was perfectly
|
|
incapable of managing the case. The one thing he said which
|
|
struck me as worth listening to, was this--that Miss Verinder
|
|
had declined to be questioned by him, and had spoken to him
|
|
with a perfectly incomprehensible rudeness and contempt.
|
|
I thought this curious--but I attributed it mainly to some clumsiness
|
|
on the Superintendent's part which might have offended the young lady.
|
|
After that, I put it by in my mind, and applied myself,
|
|
single-handed, to the case. It ended, as you are aware,
|
|
in the discovery of the smear on the door, and in Mr. Franklin
|
|
Blake's evidence satisfying me, that this same smear,
|
|
and the loss of the Diamond, were pieces of the same puzzle.
|
|
So far, if I suspected anything, I suspected that the Moonstone
|
|
had been stolen, and that one of the servants might prove to be
|
|
the thief. Very good. In this state of things, what happens?
|
|
Miss Verinder suddenly comes out of her room, and speaks to me.
|
|
I observe three suspicious appearances in that young lady.
|
|
She is still violently agitated, though more than
|
|
four-and-twenty hours have passed since the Diamond was lost.
|
|
She treats me as she has already treated Superintendent Seegrave.
|
|
And she is mortally offended with Mr. Franklin Blake.
|
|
Very good again. Here (I say to myself) is a young lady
|
|
who has lost a valuable jewel--a young lady, also, as my own
|
|
eyes and ears inform me, who is of an impetuous temperament.
|
|
Under these circumstances, and with that character, what does she do?
|
|
She betrays an incomprehensible resentment against Mr. Blake,
|
|
Mr. Superintendent, and myself--otherwise, the very three people
|
|
who have all, in their different ways, been trying to help
|
|
her to recover her lost jewel. Having brought my inquiry
|
|
to that point--THEN, my lady, and not till then, I begin to look
|
|
back into my own mind for my own experience. My own experience
|
|
explains Miss Verinder's otherwise incomprehensible conduct.
|
|
It associates her with those other young ladies that I know of.
|
|
It tells me she has debts she daren't acknowledge, that must be paid.
|
|
And it sets me asking myself, whether the loss of the Diamond may
|
|
not mean--that the Diamond must be secretly pledged to pay them.
|
|
That is the conclusion which my experience draws from plain facts.
|
|
What does your ladyship's experience say against
|
|
it?"
|
|
|
|
"What I have said already," answered my mistress. "The circumstances
|
|
have misled you."
|
|
|
|
I said nothing on my side. ROBINSON CRUSOE--God knows how--
|
|
had got into my muddled old head. If Sergeant Cuff had
|
|
found himself, at that moment, transported to a desert island,
|
|
without a man Friday to keep him company, or a ship to take him off--
|
|
he would have found himself exactly where I wished him to be!
|
|
(Nota bene:--I am an average good Christian, when you don't
|
|
push my Christianity too far. And all the rest of you--
|
|
which is a great comfort--are, in this respect, much the same as I
|
|
am.)
|
|
|
|
Sergeant Cuff went on:
|
|
|
|
"Right or wrong, my lady," he said, "having drawn my conclusion,
|
|
the next thing to do was to put it to the test. I suggested to
|
|
your ladyship the examination of all the wardrobes in the house.
|
|
It was a means of finding the article of dress which had,
|
|
in all probability, made the smear; and it was a means
|
|
of putting my conclusion to the test. How did it turn out?
|
|
Your ladyship consented; Mr. Blake consented; Mr. Ablewhite consented.
|
|
Miss Verinder alone stopped the whole proceeding by refusing
|
|
point-blank. That result satisfied me that my view was the right one.
|
|
If your ladyship and Mr. Betteredge persist in not agreeing with me,
|
|
you must be blind to what happened before you this very day.
|
|
In your hearing, I told the young lady that her leaving the house
|
|
(as things were then) would put an obstacle in the way of my
|
|
recovering her jewel. You saw yourselves that she drove off
|
|
in the face of that statement. You saw yourself that, so far from
|
|
forgiving Mr. Blake for having done more than all the rest of you
|
|
to put the clue into my hands, she publicly insulted Mr. Blake,
|
|
on the steps of her mother's house. What do these things mean?
|
|
If Miss Verinder is not privy to the suppression of the Diamond, what do
|
|
these things mean?"
|
|
|
|
This time he looked my way. It was downright frightful to hear
|
|
him piling up proof after proof against Miss Rachel, and to know,
|
|
while one was longing to defend her, that there was no disputing the truth
|
|
of what he said. I am (thank God!) constitutionally superior to reason.
|
|
This enabled me to hold firm to my lady's view, which was my view also.
|
|
This roused my spirit, and made me put a bold face on it before
|
|
Sergeant Cuff. Profit, good friends, I beseech you, by my example.
|
|
It will save you from many troubles of the vexing sort.
|
|
Cultivate a superiority to reason, and see how you pare the claws
|
|
of all the sensible people when they try to scratch you for your
|
|
own good!
|
|
|
|
Finding that I made no remark, and that my mistress made no remark,
|
|
Sergeant Cuff proceeded. Lord! how it did enrage me to notice
|
|
that he was not in the least put out by our silence!
|
|
|
|
"There is the case, my lady, as it stands against Miss Verinder alone,"
|
|
he said. "The next thing is to put the case as it stands against
|
|
Miss Verinder and the deceased Rosanna Spearman taken together.
|
|
We will go back for a moment, if you please, to your daughter's
|
|
refusal to let her wardrobe be examined. My mind being made up,
|
|
after that circumstance, I had two questions to consider next.
|
|
First, as to the right method of conducting my inquiry.
|
|
Second, as to whether Miss Verinder had an accomplice among
|
|
the female servants in the house. After carefully thinking it over,
|
|
I determined to conduct the inquiry in, what we should call
|
|
at our office, a highly irregular manner. For this reason:
|
|
I had a family scandal to deal with, which it was my business
|
|
to keep within the family limits. The less noise made,
|
|
and the fewer strangers employed to help me, the better.
|
|
As to the usual course of taking people in custody on suspicion,
|
|
going before the magistrate, and all the rest of it--
|
|
nothing of the sort was to be thought of, when your ladyship's
|
|
daughter was (as I believed) at the bottom of the whole business.
|
|
In this case, I felt that a person of Mr. Betteredge's character
|
|
and position in the house--knowing the servants as he did,
|
|
and having the honour of the family at heart--would be safer
|
|
to take as an assistant than any other person whom I could
|
|
lay my hand on. I should have tried Mr. Blake as well--
|
|
but for one obstacle in the way. HE saw the drift of my proceedings
|
|
at a very early date; and, with his interest in Miss Verinder,
|
|
any mutual understanding was impossible between him and me.
|
|
I trouble your ladyship with these particulars to show you
|
|
that I have kept the family secret within the family circle.
|
|
I am the only outsider who knows it--and my professional existence
|
|
depends on holding my tongue."
|
|
|
|
Here I felt that my professional existence depended on not holding
|
|
my tongue. To be held up before my mistress, in my old age,
|
|
as a sort of deputy-policeman, was, once again, more than my
|
|
Christianity was strong enough to bear.
|
|
|
|
"I beg to inform your ladyship," I said, "that I never, to my knowledge,
|
|
helped this abominable detective business, in any way, from first to last;
|
|
and I summon Sergeant Cuff to contradict me, if he dares!"
|
|
|
|
Having given vent in those words, I felt greatly relieved.
|
|
Her ladyship honoured me by a little friendly pat on the shoulder.
|
|
I looked with righteous indignation at the Sergeant,
|
|
to see what he thought of such a testimony as THAT.
|
|
The Sergeant looked back like a lamb, and seemed to like me better
|
|
than ever.
|
|
|
|
My lady informed him that he might continue his statement.
|
|
"I understand," she said, "that you have honestly done your best,
|
|
in what you believe to be my interest. I am ready to hear what you
|
|
have to say next."
|
|
|
|
"What I have to say next," answered Sergeant Cuff, "relates to
|
|
Rosanna Spearman. I recognised the young woman, as your ladyship
|
|
may remember, when she brought the washing-book into this room.
|
|
Up to that time I was inclined to doubt whether Miss Verinder had
|
|
trusted her secret to any one. When I saw Rosanna, I altered my mind.
|
|
I suspected her at once of being privy to the suppression of the Diamond.
|
|
The poor creature has met her death by a dreadful end, and I don't want
|
|
your ladyship to think, now she's gone, that I was unduly hard on her.
|
|
If this had been a common case of thieving, I should have given
|
|
Rosanna the benefit of the doubt just as freely as I should have
|
|
given it to any of the other servants in the house. Our experience
|
|
of the Reformatory woman is, that when tried in service--and when kindly
|
|
and judiciously treated--they prove themselves in the majority of cases
|
|
to be honestly penitent, and honestly worthy of the pains taken with them.
|
|
But this was not a common case of thieving. It was a case--in my mind--
|
|
of a deeply planned fraud, with the owner of the Diamond at the bottom
|
|
of it. Holding this view, the first consideration which naturally
|
|
presented itself to me, in connection with Rosanna, was this:
|
|
Would Miss Verinder be satisfied (begging your ladyship's pardon)
|
|
with leading us all to think that the Moonstone was merely lost?
|
|
Or would she go a step further, and delude us into believing that the
|
|
Moonstone was stolen? In the latter event there was Rosanna Spearman--
|
|
with the character of a thief--ready to her hand; the person of all
|
|
others to lead your ladyship off, and to lead me off, on a false
|
|
scent."
|
|
|
|
Was it possible (I asked myself) that he could put his case against
|
|
Miss Rachel and Rosanna in a more horrid point of view than this?
|
|
It WAS possible, as you shall now see.
|
|
|
|
"I had another reason for suspecting the deceased woman,"
|
|
he said, "which appears to me to have been stronger still.
|
|
Who would be the very person to help Miss Verinder in
|
|
raising money privately on the Diamond? Rosanna Spearman.
|
|
No young lady in Miss Verinder's position could manage
|
|
such a risky matter as that by herself. A go-between she
|
|
must have, and who so fit, I ask again, as Rosanna Spearman?
|
|
Your ladyship's deceased housemaid was at the top of her
|
|
profession when she was a thief. She had relations,
|
|
to my certain knowledge, with one of the few men in London
|
|
(in the money-lending line) who would advance a large sum on such
|
|
a notable jewel as the Moonstone, without asking awkward questions,
|
|
or insisting on awkward conditions. Bear this in mind, my lady;
|
|
and now let me show you how my suspicions have been justified
|
|
by Rosanna's own acts, and by the plain inferences to be drawn
|
|
from them."
|
|
|
|
He thereupon passed the whole of Rosanna's proceedings under review.
|
|
You are already as well acquainted with those proceedings as I am;
|
|
and you will understand how unanswerably this part of his report fixed
|
|
the guilt of being concerned in the disappearance of the Moonstone
|
|
on the memory of the poor dead girl. Even my mistress was daunted
|
|
by what he said now. She made him no answer when he had done.
|
|
It didn't seem to matter to the Sergeant whether he was answered or not.
|
|
On he went (devil take him!), just as steady as ever.
|
|
|
|
"Having stated the whole case as I understand it," he said,
|
|
"I have only to tell your ladyship, now, what I propose to do next.
|
|
I see two ways of bringing this inquiry successfully to an end.
|
|
One of those ways I look upon as a certainty. The other, I admit,
|
|
is a bold experiment, and nothing more. Your ladyship shall decide.
|
|
Shall we take the certainty first?"
|
|
|
|
My mistress made him a sign to take his own way, and choose for himself.
|
|
|
|
"Thank you," said the Sergeant. "We'll begin with the certainty,
|
|
as your ladyship is so good as to leave it to me. Whether Miss Verinder
|
|
remains at Frizinghall, or whether she returns here, I propose,
|
|
in either case, to keep a careful watch on all her proceedings--
|
|
on the people she sees, on the rides and walks she may take, and on
|
|
the letters she may write and receive."
|
|
|
|
"What next?" asked my mistress.
|
|
|
|
"I shall next," answered the Sergeant, "request your ladyship's leave
|
|
to introduce into the house, as a servant in the place of Rosanna Spearman,
|
|
a woman accustomed to private inquiries of this sort, for whose discretion
|
|
I can answer."
|
|
|
|
"What next? " repeated my mistress.
|
|
|
|
"Next," proceeded the Sergeant, "and last, I propose to send
|
|
one of my brother-officers to make an arrangement with that
|
|
money-lender in London, whom I mentioned just now as formerly
|
|
acquainted with Rosanna Spearman--and whose name and address,
|
|
your ladyship may rely on it, have been communicated by Rosanna
|
|
to Miss Verinder. I don't deny that the course of action
|
|
I am now suggesting will cost money, and consume time.
|
|
But the result is certain. We run a line round the Moonstone,
|
|
and we draw that line closer and closer till we find it in Miss
|
|
Verinder's possession, supposing she decides to keep it.
|
|
If her debts press, and she decides on sending it away, then we
|
|
have our man ready, and we meet the Moonstone on its arrival
|
|
in London."
|
|
|
|
To hear her own daughter made the subject of such a proposal as this,
|
|
stung my mistress into speaking angrily for the first time.
|
|
|
|
"Consider your proposal declined, in every particular," she said.
|
|
"And go on to your other way of bringing the inquiry to an end."
|
|
|
|
"My other way," said the Sergeant, going on as easy as ever,
|
|
"is to try that bold experiment to which I have alluded. I think I
|
|
have formed a pretty correct estimate of Miss Verinder's temperament.
|
|
She is quite capable (according to my belief) of committing
|
|
a daring fraud. But she is too hot and impetuous in temper,
|
|
and too little accustomed to deceit as a habit, to act the hypocrite
|
|
in small things, and to restrain herself under all provocations.
|
|
Her feelings, in this case, have repeatedly got beyond her control,
|
|
at the very time when it was plainly her interest to conceal them.
|
|
It is on this peculiarity in her character that I now propose to act.
|
|
I want to give her a great shock suddenly, under circumstances
|
|
that will touch her to the quick. In plain English, I want to tell
|
|
Miss Verinder, without a word of warning, of Rosanna's death--
|
|
on the chance that her own better feelings will hurry her
|
|
into making a clean breast of it. Does your ladyship accept
|
|
that alternative?"
|
|
|
|
My mistress astonished me beyond all power of expression.
|
|
She answered him on the instant:
|
|
|
|
"Yes; I do."
|
|
|
|
"The pony-chaise is ready," said the Sergeant. "I wish your ladyship
|
|
good morning."
|
|
|
|
My lady held up her hand, and stopped him at the door.
|
|
|
|
"My daughter's better feelings shall be appealed to, as you propose,"
|
|
she said. "But I claim the right, as her mother, of putting her to
|
|
the test myself. You will remain here, if you please; and I will go
|
|
to Frizinghall."
|
|
|
|
For once in his life, the great Cuff stood speechless with amazement,
|
|
like an ordinary man.
|
|
|
|
My mistress rang the bell, and ordered her water-proof things.
|
|
It was still pouring with rain; and the close carriage had gone,
|
|
as you know, with Miss Rachel to Frizinghall. I tried to dissuade
|
|
her ladyship from facing the severity of the weather. Quite useless!
|
|
I asked leave to go with her, and hold the umbrella. She wouldn't
|
|
hear of it. The pony-chaise came round, with the groom in charge.
|
|
"You may rely on two things," she said to Sergeant Cuff, in the hall.
|
|
"I will try the experiment on Miss Verinder as boldly as you
|
|
could try it yourself. And I will inform you of the result,
|
|
either personally or by letter, before the last train leaves for London
|
|
to-night."
|
|
|
|
With that, she stepped into the chaise, and, taking the reins herself,
|
|
drove off to Frizinghall.
|
|
|
|
|
|
|
|
CHAPTER XXII
|
|
|
|
|
|
My mistress having left us, I had leisure to think of Sergeant Cuff.
|
|
I found him sitting in a snug corner of the hall, consulting his
|
|
memorandum book, and curling up viciously at the corners of
|
|
the lips.
|
|
|
|
"Making notes of the case? " I asked.
|
|
|
|
"No," said the Sergeant. "Looking to see what my next professional
|
|
engagement is."
|
|
|
|
"Oh!" I said. "You think it's all over then, here?"
|
|
|
|
"I think," answered Sergeant Cuff, "that Lady Verinder is one
|
|
of the cleverest women in England. I also think a rose much
|
|
better worth looking at than a diamond. Where is the gardener,
|
|
Mr. Betteredge?"
|
|
|
|
There was no getting a word more out of him on the matter of the Moonstone.
|
|
He had lost all interest in his own inquiry; and he would persist in looking
|
|
for the gardener. An hour afterwards, I heard them at high words in
|
|
the conservatory, with the dog-rose once more at the bottom of the dispute.
|
|
|
|
|
|
|
|
In the meantime, it was my business to find out whether Mr. Franklin
|
|
persisted in his resolution to leave us by the afternoon train.
|
|
After having been informed of the conference in my lady's room,
|
|
and of how it had ended, he immediately decided on waiting to hear
|
|
the news from Frizinghall. This very natural alteration in his plans--
|
|
which, with ordinary people, would have led to nothing in particular--
|
|
proved, in Mr. Franklin's case, to have one objectionable result.
|
|
It left him unsettled, with a legacy of idle time on his hands, and,
|
|
in so doing, it let out all the foreign sides of his character,
|
|
one on the top of another, like rats out of a bag.
|
|
|
|
Now as an Italian-Englishman, now as a German-Englishman, and now
|
|
as a French-Englishman, he drifted in and out of all the sitting-rooms
|
|
in the house, with nothing to talk of but Miss Rachel's
|
|
treatment of him; and with nobody to address himself to but me.
|
|
I found him (for example) in the library, sitting under the map
|
|
of Modern Italy, and quite unaware of any other method of
|
|
meeting his troubles, except the method of talking about them.
|
|
"I have several worthy aspirations, Betteredge; but what am
|
|
I to do with them now? I am full of dormant good qualities,
|
|
if Rachel would only have helped me to bring them out!"
|
|
He was so eloquent in drawing the picture of his own neglected merits,
|
|
and so pathetic in lamenting over it when it was done, that I
|
|
felt quite at my wits' end how to console him, when it suddenly
|
|
occurred to me that here was a case for the wholesome application
|
|
of a bit of ROBINSON CRUSOE. I hobbled out to my own room,
|
|
and hobbled back with that immortal book. Nobody in the library!
|
|
The map of Modern Italy stared at ME; and I stared at the map of
|
|
Modern Italy.
|
|
|
|
I tried the drawing-room. There was his handkerchief on the floor,
|
|
to prove that he had drifted in. And there was the empty room
|
|
to prove that he had drifted out again.
|
|
|
|
I tried the dining-room, and discovered Samuel with a biscuit
|
|
and a glass of sherry, silently investigating the empty air.
|
|
A minute since, Mr. Franklin had rung furiously for a little
|
|
light refreshment. On its production, in a violent hurry,
|
|
by Samuel, Mr. Franklin had vanished before the bell
|
|
downstairs had quite done ringing with the pull he had given
|
|
to it.
|
|
|
|
I tried the morning-room, and found him at last. There he was at the window,
|
|
drawing hieroglyphics with his finger in the damp on the glass.
|
|
|
|
"Your sherry is waiting for you, sir," I said to him.
|
|
I might as well have addressed myself to one of the four
|
|
walls of the room; he was down in the bottomless deep of his
|
|
own meditations, past all pulling up. "How do YOU explain
|
|
Rachel's conduct, Betteredge?" was the only answer I received.
|
|
Not being ready with the needful reply, I produced ROBINSON CRUSOE,
|
|
in which I am firmly persuaded some explanation might have
|
|
been found, if we had only searched long enough for it.
|
|
Mr. Franklin shut up ROBINSON CRUSOE, and floundered into his
|
|
German-English gibberish on the spot. "Why not look into it?"
|
|
he said, as if I had personally objected to looking into it.
|
|
"Why the devil lose your patience, Betteredge, when patience is
|
|
all that's wanted to arrive at the truth? Don't interrupt me.
|
|
Rachel's conduct is perfectly intelligible, if you will only
|
|
do her the common justice to take the Objective view first.
|
|
and the Subjective view next, and the Objective-Subjective
|
|
view to wind up with. What do we know? We know that the loss
|
|
of the Moonstone, on Thursday morning last, threw her into a state
|
|
of nervous excitement, from which she has not recovered yet.
|
|
Do you mean to deny the Objective view, so far? Very well, then--
|
|
don't interrupt me. Now, being in a state of nervous excitement,
|
|
how are we to expect that she should behave as she might
|
|
otherwise have behaved to any of the people about her?
|
|
Arguing in this way, from within-outwards, what do we reach?
|
|
We reach the Subjective view. I defy you to controvert
|
|
the Subjective view. Very well then--what follows? Good Heavens!
|
|
the Objective-Subjective explanation follows, of course!
|
|
Rachel, properly speaking, is not Rachel, but Somebody Else.
|
|
Do I mind being cruelly treated by Somebody Else?
|
|
You are unreasonable enough, Betteredge; but you can
|
|
hardly accuse me of that. Then how does it end? It ends,
|
|
in spite of your confounded English narrowness and prejudice,
|
|
in my being perfectly happy and comfortable. Where's the
|
|
sherry?"
|
|
|
|
My head was by this time in such a condition, that I was not quite sure
|
|
whether it was my own head, or Mr. Franklin's. In this deplorable state,
|
|
I contrived to do, what I take to have been, three Objective things.
|
|
I got Mr. Franklin his sherry; I retired to my own room; and I solaced
|
|
myself with the most composing pipe of tobacco I ever remember to have
|
|
smoked in my life.
|
|
|
|
Don't suppose, however, that I was quit of Mr. Franklin on such
|
|
easy terms as these. Drifting again, out of the morning-room
|
|
into the hall, he found his way to the offices next, smelt my pipe,
|
|
and was instantly reminded that he had been simple enough to give
|
|
up smoking for Miss Rachel's sake. In the twinkling of an eye,
|
|
he burst in on me with his cigar-case, and came out strong on the one
|
|
everlasting subject, in his neat, witty, unbelieving, French way.
|
|
"Give me a light, Betteredge. Is it conceivable that a man can have
|
|
smoked as long as I have without discovering that there is a complete
|
|
system for the treatment of women at the bottom of his cigar-case? Follow
|
|
me carefully, and I will prove it in two words. You choose a cigar,
|
|
you try it, and it disappoints you. What do you do upon that?
|
|
You throw it away and try another. Now observe the application!
|
|
You choose a woman, you try her, and she breaks your heart.
|
|
Fool! take a lesson from your cigar-case. Throw her away,
|
|
and try another!"
|
|
|
|
I shook my head at that. Wonderfully clever, I dare say, but my own
|
|
experience was dead against it. "In the time of the late Mrs. Betteredge,"
|
|
I said, "I felt pretty often inclined to try your philosophy, Mr. Franklin.
|
|
But the law insists on your smoking your cigar, sir, when you
|
|
have once chosen it." I pointed that observation with a wink.
|
|
Mr. Franklin burst out laughing--and we were as merry as crickets,
|
|
until the next new side of his character turned up in due course.
|
|
So things went on with my young master and me; and so (while the Sergeant
|
|
and the gardener were wrangling over the roses) we two spent the interval
|
|
before the news came back from Frizinghall.
|
|
|
|
The pony-chaise returned a good half hour before I had ventured to expect it.
|
|
My lady had decided to remain for the present, at her sister's house.
|
|
The groom brought two letters from his mistress; one addressed to
|
|
Mr. Franklin, and the other to me.
|
|
|
|
Mr. Franklin's letter I sent to him in the library--into which
|
|
refuge his driftings had now taken him for the second time.
|
|
My own letter, I read in my own room. A cheque, which dropped out
|
|
when I opened it, informed me (before I had mastered the contents)
|
|
that Sergeant Cuff's dismissal from the inquiry after the Moonstone
|
|
was now a settled thing.
|
|
|
|
I sent to the conservatory to say that I wished to speak
|
|
to the Sergeant directly. He appeared, with his mind full
|
|
of the gardener and the dog-rose, declaring that the equal
|
|
of Mr. Begbie for obstinacy never had existed yet, and never
|
|
would exist again. I requested him to dismiss such wretched
|
|
trifling as this from our conversation, and to give his best
|
|
attention to a really serious matter. Upon that he exerted
|
|
himself sufficiently to notice the letter in my hand.
|
|
"Ah!" he said in a weary way, "you have heard from her ladyship.
|
|
Have I anything to do with it, Mr. Betteredge?"
|
|
|
|
"You shall judge for yourself, Sergeant." I thereupon read him the letter
|
|
(with my best emphasis and discretion), in the following words:
|
|
|
|
|
|
|
|
"MY GOOD GABRIEL,--I request that you will inform Sergeant Cuff,
|
|
that I have performed the promise I made to him; with this result,
|
|
so far as Rosanna Spearman is concerned. Miss Verinder solemnly
|
|
declares, that she has never spoken a word in private to Rosanna,
|
|
since that unhappy woman first entered my house. They never met,
|
|
even accidentally, on the night when the Diamond was lost;
|
|
and no communication of any sort whatever took place between them,
|
|
from the Thursday morning when the alarm was first raised in the house,
|
|
to this present Saturday afternoon, when Miss Verinder left us.
|
|
After telling my daughter suddenly, and in so many words, of Rosanna
|
|
Spearman's suicide--this is what has come of it."
|
|
|
|
|
|
|
|
Having reached that point, I looked up, and asked Sergeant Cuff
|
|
what he thought of the letter, so far?
|
|
|
|
"I should only offend you if I expressed MY opinion," answered the Sergeant.
|
|
"Go on, Mr. Betteredge," he said, with the most exasperating resignation,
|
|
"go on."
|
|
|
|
When I remembered that this man had had the audacity to complain
|
|
of our gardener's obstinacy, my tongue itched to "go on" in other words
|
|
than my mistress's. This time, however, my Christianity held firm.
|
|
I proceeded steadily with her ladyship's letter:
|
|
|
|
|
|
|
|
"Having appealed to Miss Verinder in the manner which the officer
|
|
thought most desirable, I spoke to her next in the manner
|
|
which I myself thought most likely to impress her.
|
|
On two different occasions, before my daughter left my roof,
|
|
I privately warned her that she was exposing herself to
|
|
suspicion of the most unendurable and most degrading kind.
|
|
I have now told her, in the plainest terms, that my apprehensions
|
|
have been realised.
|
|
|
|
"Her answer to this, on her own solemn affirmation, is as plain
|
|
as words can be. In the first place, she owes no money privately
|
|
to any living creature. In the second place, the Diamond is not now,
|
|
and never has been, in her possession, since she put it into her
|
|
cabinet on Wednesday night.
|
|
|
|
"The confidence which my daughter has placed in me goes no
|
|
further than this. She maintains an obstinate silence, when I
|
|
ask her if she can explain the disappearance of the Diamond.
|
|
She refuses, with tears, when I appeal to her to speak out
|
|
for my sake. "The day will come when you will know why I am
|
|
careless about being suspected, and why I am silent even to you.
|
|
I have done much to make my mother pity me--nothing to
|
|
make my mother blush for me." Those are my daughter's
|
|
own words.
|
|
|
|
"After what has passed between the officer and me, I think--
|
|
stranger as he is--that he should be made acquainted with what
|
|
Miss Verinder has said, as well as you. Read my letter to him,
|
|
and then place in his hands the cheque which I enclose.
|
|
In resigning all further claim on his services, I have only
|
|
to say that I am convinced of his honesty and his intelligence;
|
|
but I am more firmly persuaded than ever, that the circumstances,
|
|
in this case, have fatally misled him."
|
|
|
|
|
|
|
|
There the letter ended. Before presenting the cheque, I asked
|
|
Sergeant Cuff if he had any remark to make.
|
|
|
|
"It's no part of my duty, Mr. Betteredge," he answered,
|
|
"to make remarks on a case, when I have done with it."
|
|
|
|
I tossed the cheque across the table to him. "Do you believe
|
|
in THAT part of her ladyship's letter?" I said, indignantly.
|
|
|
|
The Sergeant looked at the cheque, and lifted up his dismal
|
|
eyebrows in acknowledgment of her ladyship's liberality.
|
|
|
|
"This is such a generous estimate of the value of my time,"
|
|
he said, "that I feel bound to make some return for it.
|
|
I'll bear in mind the amount in this cheque, Mr. Betteredge,
|
|
when the occasion comes round for remembering it."
|
|
|
|
"What do you mean? " I asked.
|
|
|
|
"Her ladyship has smoothed matters over for the present very cleverly,"
|
|
said the Sergeant. "But THIS family scandal is of the sort that bursts up
|
|
again when you least expect it. We shall have more detective-business on
|
|
our hands, sir, before the Moonstone is many months older."
|
|
|
|
If those words meant anything, and if the manner in which
|
|
he spoke them meant anything--it came to this. My mistress's
|
|
letter had proved, to his mind, that Miss Rachel was hardened
|
|
enough to resist the strongest appeal that could be addressed
|
|
to her, and that she had deceived her own mother (good God,
|
|
under what circumstances!) by a series of abominable lies.
|
|
How other people, in my place, might have replied to the Sergeant,
|
|
I don't know. I answered what he said in these plain terms:
|
|
|
|
"Sergeant Cuff, I consider your last observation as an insult
|
|
to my lady and her daughter!"
|
|
|
|
"Mr. Betteredge, consider it as a warning to yourself, and you
|
|
will be nearer the mark."
|
|
|
|
Hot and angry as I was, the infernal confidence with which he gave
|
|
me that answer closed my lips.
|
|
|
|
I walked to the window to compose myself. The rain had given over;
|
|
and, who should I see in the court-yard, but Mr. Begbie, the gardener,
|
|
waiting outside to continue the dog-rose controversy with Sergeant Cuff.
|
|
|
|
"My compliments to the Sairgent," said Mr. Begbie, the moment
|
|
he set eyes on me. "If he's minded to walk to the station,
|
|
I'm agreeable to go with him."
|
|
|
|
"What!" cries the Sergeant, behind me, "are you not convinced yet?"
|
|
|
|
"The de'il a bit I'm convinced!" answered Mr. Begbie.
|
|
|
|
"Then I'll walk to the station!" says the Sergeant.
|
|
|
|
"Then I'll meet you at the gate!" says Mr. Begbie.
|
|
|
|
I was angry enough, as you know--but how was any man's anger
|
|
to hold out against such an interruption as this? Sergeant Cuff
|
|
noticed the change in me, and encouraged it by a word in season.
|
|
"Come! come!" he said, "why not treat my view of the case as her
|
|
ladyship treats it? Why not say, the circumstances have fatally
|
|
misled me?"
|
|
|
|
To take anything as her ladyship took it was a privilege worth enjoying--
|
|
even with the disadvantage of its having been offered to me by Sergeant Cuff.
|
|
I cooled slowly down to my customary level. I regarded any other opinion
|
|
of Miss Rachel, than my lady's opinion or mine, with a lofty contempt.
|
|
The only thing I could not do, was to keep off the subject of the Moonstone!
|
|
My own good sense ought to have warned me, I know, to let the matter rest--
|
|
but, there! the virtues which distinguish the present generation were not
|
|
invented in my time. Sergeant Cuff had hit me on the raw, and, though I
|
|
did look down upon him with contempt, the tender place still tingled for
|
|
all that. The end of it was that I perversely led him back to the subject
|
|
of her ladyship's letter. "I am quite satisfied myself," I said. "But never
|
|
mind that! Go on, as if I was still open to conviction. You think Miss
|
|
Rachel is not to be believed on her word; and you say we shall hear of the
|
|
Moonstone again. Back your opinion, Sergeant," I concluded, in an airy way.
|
|
"Back your opinion."
|
|
|
|
Instead of taking offence, Sergeant Cuff seized my hand,
|
|
and shook it till my fingers ached again.
|
|
|
|
"I declare to heaven," says this strange officer solemnly,
|
|
"I would take to domestic service to-morrow, Mr. Betteredge,
|
|
if I had a chance of being employed along with You!
|
|
To say you are as transparent as a child, sir, is to pay
|
|
the children a compliment which nine out of ten of them
|
|
don't deserve. There! there! we won't begin to dispute again.
|
|
You shall have it out of me on easier terms than that.
|
|
I won't say a word more about her ladyship, or about Miss Verinder--
|
|
I'll only turn prophet, for once in a way, and for your sake.
|
|
I have warned you already that you haven't done with the
|
|
Moonstone yet. Very well. Now I'll tell you, at parting,
|
|
of three things which will happen in the future, and which, I believe,
|
|
will force themselves on your attention, whether you like it
|
|
or not."
|
|
|
|
"Go on!" I said, quite unabashed, and just as airy as ever.
|
|
|
|
"First," said the Sergeant, "you will hear something from the Yollands--
|
|
when the postman delivers Rosanna's letter at Cobb's Hole, on Monday next."
|
|
|
|
If he had thrown a bucket of cold water over me, I doubt if I could
|
|
have felt it much more unpleasantly than I felt those words.
|
|
Miss Rachel's assertion of her innocence had left Rosanna's conduct--
|
|
the making the new nightgown, the hiding the smeared nightgown,
|
|
and all the rest of it--entirely without explanation.
|
|
And this had never occurred to me, till Sergeant Cuff forced it
|
|
on my mind all in a moment!
|
|
|
|
"In the second place," proceeded the Sergeant, "you will hear of
|
|
the three Indians again. You will hear of them in the neighbourhood,
|
|
if Miss Rachel remains in the neighbourhood. You will hear of them
|
|
in London, if Miss Rachel goes to London."
|
|
|
|
Having lost all interest in the three jugglers, and having
|
|
thoroughly convinced myself of my young lady's innocence,
|
|
I took this second prophecy easily enough. "So much for two
|
|
of the three things that are going to happen," I said.
|
|
"Now for the third!"
|
|
|
|
"Third, and last," said Sergeant Cuff, "you will, sooner or later,
|
|
hear something of that money-lender in London, whom I have twice
|
|
taken the liberty of mentioning already. Give me your pocket-book,
|
|
and I'll make a note for you of his name and address--so that there
|
|
may be no mistake about it if the thing really happens."
|
|
|
|
He wrote accordingly on a blank leaf--"Mr. Septimus Luker,
|
|
Middlesex-place, Lambeth, London."
|
|
|
|
"There," he said, pointing to the address, "are the last words,
|
|
on the subject of the Moonstone, which I shall trouble you with
|
|
for the present. Time will show whether I am right or wrong.
|
|
In the meanwhile, sir, I carry away with me a sincere personal
|
|
liking for you, which I think does honour to both of us.
|
|
If we don't meet again before my professional retirement takes place,
|
|
I hope you will come and see me in a little house near London,
|
|
which I have got my eye on. There will be grass walks,
|
|
Mr. Betteredge, I promise you, in my garden. And as for the white
|
|
moss rose----"
|
|
|
|
"The de'il a bit ye'll get the white moss rose to grow,
|
|
unless you bud him on the dogue-rose first," cried a voice
|
|
at the window.
|
|
|
|
We both turned round. There was the everlasting Mr. Begbie,
|
|
too eager for the controversy to wait any longer at the gate.
|
|
The Sergeant wrung my hand, and darted out into the court-yard,
|
|
hotter still on his side. "Ask him about the moss rose,
|
|
when he comes back, and see if I have left him a leg to stand on!"
|
|
cried the great Cuff, hailing me through the window in his turn.
|
|
"Gentlemen, both!" I answered, moderating them again as I had
|
|
moderated them once already.
|
|
|
|
In the matter of the moss rose there is a great deal to be said
|
|
on both sides!" I might as well (as the Irish say) have whistled
|
|
jigs to a milestone. Away they went together, fighting the battle
|
|
of the roses without asking or giving quarter on either side.
|
|
The last I saw of them, Mr. Begbie was shaking his obstinate head,
|
|
and Sergeant Cuff had got him by the arm like a prisoner in charge.
|
|
Ah, well! well! I own I couldn't help liking the Sergeant--
|
|
though I hated him all the time.
|
|
|
|
Explain that state of mind, if you can. You will soon be rid, now, of me
|
|
and my contradictions. When I have reported Mr. Franklin's departure,
|
|
the history of the Saturday's events will be finished at last.
|
|
And when I have next described certain strange things that happened
|
|
in the course of the new week, I shall have done my part of the Story,
|
|
and shall hand over the pen to the person who is appointed to follow my lead.
|
|
If you are as tired of reading this narrative as I am of writing it--
|
|
Lord, how we shall enjoy ourselves on both sides a few pages
|
|
further on!
|
|
|
|
|
|
|
|
CHAPTER XXIII
|
|
|
|
|
|
I had kept the pony chaise ready, in case Mr. Franklin persisted
|
|
in leaving us by the train that night. The appearance of the luggage,
|
|
followed downstairs by Mr. Franklin himself, informed me plainly
|
|
enough that he had held firm to a resolution for once in his life.
|
|
|
|
"So you have really made up your mind, sir?" I said, as we met in the hall.
|
|
"Why not wait a day or two longer, and give Miss Rachel another chance?"
|
|
|
|
The foreign varnish appeared to have all worn off Mr. Franklin,
|
|
now that the time had come for saying good-bye. Instead of replying
|
|
to me in words, he put the letter which her ladyship had addressed
|
|
to him into my hand. The greater part of it said over again what
|
|
had been said already in the other communication received by me.
|
|
But there was a bit about Miss Rachel added at the end, which will
|
|
account for the steadiness of Mr. Franklin's determination,
|
|
if it accounts for nothing else.
|
|
|
|
|
|
|
|
"You will wonder, I dare say" (her ladyship wrote), "at my
|
|
allowing my own daughter to keep me perfectly in the dark.
|
|
A Diamond worth twenty thousand pounds has been lost--and I am
|
|
left to infer that the mystery of its disappearance is no mystery
|
|
to Rachel, and that some incomprehensible obligation of silence
|
|
has been laid on her, by some person or persons utterly unknown
|
|
to me, with some object in view at which I cannot even guess.
|
|
Is it conceivable that I should allow myself to be trifled with in
|
|
this way? It is quite conceivable, in Rachel's present state.
|
|
She is in a condition of nervous agitation pitiable to see.
|
|
I dare not approach the subject of the Moonstone again until
|
|
time has done something to quiet her. To help this end,
|
|
I have not hesitated to dismiss the police-officer. The
|
|
mystery which baffles us, baffles him too. This is not a
|
|
matter in which any stranger can help us. He adds to what I
|
|
have to suffer; and he maddens Rachel if she only hears
|
|
his name.
|
|
|
|
"My plans for the future are as well settled as they can be.
|
|
My present idea is to take Rachel to London--partly to relieve her mind
|
|
by a complete change, partly to try what may be done by consulting
|
|
the best medical advice. Can I ask you to meet us in town?
|
|
My dear Franklin, you, in your way, must imitate my patience,
|
|
and wait, as I do, for a fitter time. The valuable assistance
|
|
which you rendered to the inquiry after the lost jewel is still an
|
|
unpardoned offence, in the present dreadful state of Rachel's mind.
|
|
Moving blindfold in this matter, you have added to the burden
|
|
of anxiety which she has had to bear, by innocently threatening
|
|
her secret with discovery, through your exertions. It is impossible
|
|
for me to excuse the perversity that holds you responsible for
|
|
consequences which neither you nor I could imagine or foresee.
|
|
She is not to be reasoned with--she can only be pitied.
|
|
I am grieved to have to say it, but for the present, you and Rachel
|
|
are better apart. The only advice I can offer you is, to give
|
|
her time."
|
|
|
|
|
|
|
|
I handed the letter back, sincerely sorry for Mr. Franklin,
|
|
for I knew how fond he was of my young lady; and I saw
|
|
that her mother's account of her had cut him to the heart.
|
|
"You know the proverb, sir," was all I said to him.
|
|
"When things are at the worst, they're sure to mend.
|
|
Things can't be much worse, Mr. Franklin, than they
|
|
are now."
|
|
|
|
Mr. Franklin folded up his aunt's letter, without appearing to be much
|
|
comforted by the remark which I had ventured on addressing to him.
|
|
|
|
"When I came here from London with that horrible Diamond,"
|
|
he said, "I don't believe there was a happier household in England
|
|
than this. Look at the household now! Scattered, disunited--
|
|
the very air of the place poisoned with mystery and suspicion!
|
|
Do you remember that morning at the Shivering Sand, when we
|
|
talked about my uncle Herncastle, and his birthday gift?
|
|
The Moonstone has served the Colonel's vengeance, Betteredge, by means
|
|
which the Colonel himself never dreamt of!"
|
|
|
|
With that he shook me by the hand, and went out to the pony chaise.
|
|
|
|
I followed him down the steps. It was very miserable to see him leaving
|
|
the old place, where he had spent the happiest years of his life,
|
|
in this way. Penelope (sadly upset by all that had happened in the house)
|
|
came round crying, to bid him good-bye. Mr. Franklin kissed her.
|
|
I waved my hand as much as to say, "You're heartily welcome, sir."
|
|
Some of the other female servants appeared, peeping after him round
|
|
the corner. He was one of those men whom the women all like.
|
|
At the last moment, I stopped the pony chaise, and begged
|
|
as a favour that he would let us hear from him by letter.
|
|
He didn't seem to heed what I said--he was looking round from one thing
|
|
to another, taking a sort of farewell of the old house and grounds.
|
|
"Tell us where you are going to, sir!" I said, holding on by
|
|
the chaise, and trying to get at his future plans in that way.
|
|
Mr. Franklin pulled his hat down suddenly over his eyes.
|
|
"Going?" says he, echoing the word after me. "I am going to the devil!"
|
|
The pony started at the word, as if he had felt a Christian horror of it.
|
|
"God bless you, sir, go where you may!" was all I had time to say,
|
|
before he was out of sight and hearing. A sweet and pleasant gentleman!
|
|
With all his faults and follies, a sweet and pleasant gentleman!
|
|
He left a sad gap behind him, when he left my lady's
|
|
house.
|
|
|
|
It was dull and dreary enough, when the long summer evening closed in,
|
|
on that Saturday night.
|
|
|
|
I kept my spirits from sinking by sticking fast to my pipe
|
|
and my ROBINSON CRUSOE. The women (excepting Penelope)
|
|
beguiled the time by talking of Rosanna's suicide. They were all
|
|
obstinately of opinion that the poor girl had stolen the Moonstone,
|
|
and that she had destroyed herself in terror of being found out.
|
|
My daughter, of course, privately held fast to what she had
|
|
said all along. Her notion of the motive which was really
|
|
at the bottom of the suicide failed, oddly enough, just where
|
|
my young lady's assertion of her innocence failed also.
|
|
It left Rosanna's secret journey to Frizinghall, and Rosanna's
|
|
proceedings in the matter of the nightgown entirely unaccounted for.
|
|
There was no use in pointing this out to Penelope; the objection
|
|
made about as much impression on her as a shower of rain
|
|
on a waterproof coat. The truth is, my daughter inherits my
|
|
superiority to reason--and, in respect to that accomplishment,
|
|
has got a long way ahead of her own father.
|
|
|
|
On the next day (Sunday), the close carriage, which had been kept
|
|
at Mr. Ablewhite's, came back to us empty. The coachman brought
|
|
a message for me, and written instructions for my lady's own maid
|
|
and for Penelope.
|
|
|
|
The message informed me that my mistress had determined
|
|
to take Miss Rachel to her house in London, on the Monday.
|
|
The written instructions informed the two maids of the clothing
|
|
that was wanted, and directed them to meet their mistresses in town
|
|
at a given hour. Most of the other servants were to follow.
|
|
My lady had found Miss Rachel so unwilling to return to the house,
|
|
after what had happened in it, that she had decided on going
|
|
to London direct from Frizinghall. I was to remain in the country,
|
|
until further orders, to look after things indoors and out.
|
|
The servants left with me were to be put on board wages.
|
|
|
|
Being reminded, by all this, of what Mr. Franklin had said
|
|
about our being a scattered and disunited household, my mind
|
|
was led naturally to Mr. Franklin himself. The more I thought
|
|
of him, the more uneasy I felt about his future proceedings.
|
|
It ended in my writing, by the Sunday's post, to his father's valet,
|
|
Mr. Jeffco (whom I had known in former years) to beg he would
|
|
let me know what Mr. Franklin had settled to do, on arriving
|
|
in London.
|
|
|
|
The Sunday evening was, if possible, duller even than the Saturday evening.
|
|
We ended the day of rest, as hundreds of thousands of people end it regularly,
|
|
once a week, in these islands--that is to say, we all anticipated bedtime,
|
|
and fell asleep in our chairs.
|
|
|
|
|
|
|
|
How the Monday affected the rest of the household I don't know.
|
|
The Monday gave ME a good shake up. The first of Sergeant Cuff's
|
|
prophecies of what was to happen--namely, that I should hear from
|
|
the Yollands--came true on that day.
|
|
|
|
I had seen Penelope and my lady's maid off in the railway with the luggage
|
|
for London, and was pottering about the grounds, when I heard my name called.
|
|
Turning round, I found myself face to face with the fisherman's daughter,
|
|
Limping Lucy. Bating her lame foot and her leanness (this last a horrid
|
|
draw-back to a woman, in my opinion), the girl had some pleasing qualities
|
|
in the eye of a man. A dark, keen, clever face, and a nice clear voice,
|
|
and a beautiful brown head of hair counted among her merits. A crutch
|
|
appeared in the list of her misfortunes. And a temper reckoned high in
|
|
the sum total of her defects.
|
|
|
|
"Well, my dear," I said, "what do you want with me?"
|
|
|
|
"Where's the man you call Franklin Blake?" says the girl,
|
|
fixing me with a fierce look, as she rested herself on her crutch.
|
|
|
|
"That's not a respectful way to speak of any gentleman," I answered.
|
|
"If you wish to inquire for my lady's nephew, you will please to mention
|
|
him as MR. Franklin Blake."
|
|
|
|
She limped a step nearer to me, and looked as if she could have
|
|
eaten me alive. "MR. Franklin Blake?" she repeated after me.
|
|
"Murderer Franklin Blake would be a fitter name for him."
|
|
|
|
My practice with the late Mrs. Betteredge came in handy here.
|
|
Whenever a woman tries to put you out of temper, turn the tables,
|
|
and put HER out of temper instead. They are generally prepared
|
|
for every effort you can make in your own defence, but that.
|
|
One word does it as well as a hundred; and one word did it
|
|
with Limping Lucy. I looked her pleasantly in the face;
|
|
and I said--"Pooh!"
|
|
|
|
The girl's temper flamed out directly. She poised herself on her sound foot,
|
|
and she took her crutch, and beat it furiously three times on the ground.
|
|
"He's a murderer! he's a murderer! he's a murderer! He has been the death
|
|
of Rosanna Spearman!" She screamed that answer out at the top of her voice.
|
|
One or two of the people at work in the grounds near us looked up--
|
|
saw it was Limping Lucy--knew what to expect from that quarter--and looked
|
|
away again.
|
|
|
|
"He has been the death of Rosanna Spearman?" I repeated.
|
|
"What makes you say that, Lucy?"
|
|
|
|
"What do you care? What does any man care? Oh! if she had only thought
|
|
of the men as I think, she might have been living now!"
|
|
|
|
"She always thought kindly of ME, poor soul," I said;
|
|
"and, to the best of my ability, I always tried to act kindly
|
|
by HER."
|
|
|
|
I spoke those words in as comforting a manner as I could. The truth is,
|
|
I hadn't the heart to irritate the girl by another of my smart replies.
|
|
I had only noticed her temper at first. I noticed her wretchedness now--
|
|
and wretchedness is not uncommonly insolent, you will find, in humble life.
|
|
My answer melted Limping Lucy. She bent her head down, and laid it on the top
|
|
of her crutch.
|
|
|
|
"I loved her," the girl said softly. "She had lived a miserable life,
|
|
Mr. Betteredge--vile people had ill-treated her and led her wrong--
|
|
and it hadn't spoiled her sweet temper. She was an angel.
|
|
She might have been happy with me. I had a plan for our going
|
|
to London together like sisters, and living by our needles.
|
|
That man came here, and spoilt it all. He bewitched her.
|
|
Don't tell me he didn't mean it, and didn't know it.
|
|
He ought to have known it. He ought to have taken pity on her.
|
|
'I can't live without him--and, oh, Lucy, he never even looks at me.'
|
|
That's what she said. Cruel, cruel, cruel. I said, 'No man
|
|
is worth fretting for in that way.' And she said, 'There are men
|
|
worth dying for, Lucy, and he is one of them.' I had saved up
|
|
a little money. I had settled things with father and mother.
|
|
I meant to take her away from the mortification she was suffering here.
|
|
We should have had a little lodging in London, and lived together
|
|
like sisters. She had a good education, sir, as you know,
|
|
and she wrote a good hand. She was quick at her needle.
|
|
I have a good education, and I write a good hand.
|
|
I am not as quick at my needle as she was--but I could have done.
|
|
We might have got our living nicely. And, oh! what happens
|
|
this morning? what happens this morning? Her letter comes
|
|
and tells me that she has done with the burden of her life.
|
|
Her letter comes, and bids me good-bye for ever. Where is he?"
|
|
cries the girl, lifting her head from the crutch, and flaming
|
|
out again through her tears. "Where's this gentleman that I
|
|
mustn't speak of, except with respect? Ha, Mr. Betteredge, the day
|
|
is not far off when the poor will rise against the rich. I pray
|
|
Heaven they may begin with HIM. I pray Heaven they may begin with
|
|
HIM."
|
|
|
|
Here was another of your average good Christians, and here was the usual
|
|
break-down, consequent on that same average Christianity being pushed
|
|
too far! The parson himself (though I own this is saying a great deal)
|
|
could hardly have lectured the girl in the state she was in now.
|
|
All I ventured to do was to keep her to the point--in the hope of something
|
|
turning up which might be worth hearing.
|
|
|
|
"What do you want with Mr. Franklin Blake?" I asked.
|
|
|
|
"I want to see him."
|
|
|
|
"For anything particular?"
|
|
|
|
"I have got a letter to give him."
|
|
|
|
"From Rosanna Spearman?"
|
|
|
|
"Yes."
|
|
|
|
"Sent to you in your own letter?"
|
|
|
|
"Yes."
|
|
|
|
Was the darkness going to lift? Were all the discoveries that I was dying
|
|
to make, coming and offering themselves to me of their own accord?
|
|
I was obliged to wait a moment. Sergeant Cuff had left his infection
|
|
behind him. Certain signs and tokens, personal to myself, warned me that
|
|
the detective-fever was beginning to set in again.
|
|
|
|
"You can't see Mr. Franklin," I said.
|
|
|
|
"I must, and will, see him."
|
|
|
|
"He went to London last night."
|
|
|
|
Limping Lucy looked me hard in the face, and saw that I was speaking
|
|
the truth. Without a word more, she turned about again instantly
|
|
towards Cobb's Hole.
|
|
|
|
"Stop!" I said. "I expect news of Mr. Franklin Blake to-morrow.
|
|
Give me your letter, and I'll send it on to him by the post."
|
|
|
|
Limping Lucy steadied herself on her crutch and looked back
|
|
at me over her shoulder.
|
|
|
|
"I am to give it from my hands into his hands," she said.
|
|
"And I am to give it to him in no other way."
|
|
|
|
"Shall I write, and tell him what you have said?"
|
|
|
|
"Tell him I hate him. And you will tell him the truth."
|
|
|
|
"Yes, yes. But about the letter?"
|
|
|
|
"If he wants the letter, he must come back here, and get it from Me."
|
|
|
|
With those words she limped off on the way to Cobb's Hole.
|
|
The detective-fever burnt up all my dignity on the spot.
|
|
I followed her, and tried to make her talk. All in vain.
|
|
It was my misfortune to be a man--and Limping Lucy enjoyed
|
|
disappointing me. Later in the day, I tried my luck with her mother.
|
|
Good Mrs. Yolland could only cry, and recommend a drop of comfort
|
|
out of the Dutch bottle. I found the fisherman on the beach.
|
|
He said it was "a bad job," and went on mending his net.
|
|
Neither father nor mother knew more than I knew. The one way left
|
|
to try was the chance, which might come with the morning, of writing
|
|
to Mr. Franklin Blake.
|
|
|
|
I leave you to imagine how I watched for the postman on Tuesday morning.
|
|
He brought me two letters. One, from Penelope (which I had hardly patience
|
|
enough to read), announced that my lady and Miss Rachel were safely
|
|
established in London. The other, from Mr. Jeffco, informed me that his
|
|
master's son had left England already.
|
|
|
|
On reaching the metropolis, Mr. Franklin had,
|
|
it appeared, gone straight to his father's residence.
|
|
He arrived at an awkward time. Mr. Blake, the elder,
|
|
was up to his eyes in the business of the House of Commons,
|
|
and was amusing himself at home that night with the favourite
|
|
parliamentary plaything which they call "a private bill."
|
|
Mr. Jeffco himself showed Mr. Franklin into his father's study.
|
|
"My dear Franklin! why do you surprise me in this way?
|
|
Anything wrong?" "Yes; something wrong with Rachel;
|
|
I am dreadfully distressed about it." "Grieved to hear it.
|
|
But I can't listen to you now." "When can you listen?"
|
|
"My dear boy! I won't deceive you. I can listen at the end of
|
|
the session, not a moment before. Good-night." "Thank you, sir.
|
|
Good-night."
|
|
|
|
Such was the conversation, inside the study, as reported to me by
|
|
Mr. Jeffco. The conversation outside the study, was shorter still.
|
|
"Jeffco, see what time the tidal train starts to-morrow morning."
|
|
"At six-forty, Mr. Franklin." "Have me called at five."
|
|
"Going abroad, sir?" "Going, Jeffco, wherever the railway chooses
|
|
to take me." "Shall I tell your father, sir?" "Yes; tell him at
|
|
the end of the session."
|
|
|
|
The next morning Mr. Franklin had started for foreign parts.
|
|
To what particular place he was bound, nobody (himself included)
|
|
could presume to guess. We might hear of him next in Europe,
|
|
Asia, Africa, or America. The chances were as equally divided
|
|
as possible, in Mr. Jeffco's opinion, among the four quarters of
|
|
the globe.
|
|
|
|
This news--by closing up all prospects of my bringing
|
|
Limping Lucy and Mr. Franklin together--at once stopped
|
|
any further progress of mine on the way to discovery.
|
|
Penelope's belief that her fellow-servant had destroyed herself
|
|
through unrequited love for Mr. Franklin Blake, was confirmed--
|
|
and that was all. Whether the letter which Rosanna had left
|
|
to be given to him after her death did, or did not, contain the
|
|
confession which Mr. Franklin had suspected her of trying
|
|
to make to him in her life-time, it was impossible to say.
|
|
It might be only a farewell word, telling nothing but the
|
|
secret of her unhappy fancy for a person beyond her reach.
|
|
Or it might own the whole truth about the strange
|
|
proceedings in which Sergeant Cuff had detected her,
|
|
from the time when the Moonstone was lost, to the time when
|
|
she rushed to her own destruction at the Shivering Sand.
|
|
A sealed letter it had been placed in Limping Lucy's hand,
|
|
and a sealed letter it remained to me and to every one about the girl,
|
|
her own parents included. We all suspected her of having been
|
|
in the dead woman's confidence; we all tried to make her speak;
|
|
we all failed. Now one, and now another, of the servants--
|
|
still holding to the belief that Rosanna had stolen the Diamond
|
|
and had hidden it--peered and poked about the rocks to
|
|
which she had been traced, and peered and poked in vain.
|
|
The tide ebbed, and the tide flowed; the summer went on,
|
|
and the autumn came. And the Quicksand, which hid her body, hid her
|
|
secret too.
|
|
|
|
The news of Mr. Franklin's departure from England on the Sunday morning,
|
|
and the news of my lady's arrival in London with Miss Rachel on the
|
|
Monday afternoon, had reached me, as you are aware, by the Tuesday's post.
|
|
The Wednesday came, and brought nothing. The Thursday produced a second
|
|
budget of news from Penelope.
|
|
|
|
My girl's letter informed me that some great London doctor
|
|
had been consulted about her young lady, and had earned
|
|
a guinea by remarking that she had better be amused.
|
|
Flower-shows, operas, balls--there was a whole round of gaieties
|
|
in prospect; and Miss Rachel, to her mother's astonishment,
|
|
eagerly took to it all. Mr. Godfrey had called; evidently as sweet
|
|
as ever on his cousin, in spite of the reception he had met with,
|
|
when he tried his luck on the occasion of the birthday.
|
|
To Penelope's great regret, he had been most graciously received,
|
|
and had added Miss Rachel's name to one of his Ladies'
|
|
Charities on the spot. My mistress was reported to be out
|
|
of spirits, and to have held two long interviews with her lawyer.
|
|
Certain speculations followed, referring to a poor relation
|
|
of the family--one Miss Clack, whom I have mentioned in my
|
|
account of the birthday dinner, as sitting next to Mr. Godfrey,
|
|
and having a pretty taste in champagne. Penelope was
|
|
astonished to find that Miss Clack had not called yet.
|
|
She would surely not be long before she fastened herself
|
|
on my lady as usual--and so forth, and so forth, in the way
|
|
women have of girding at each other, on and off paper.
|
|
This would not have been worth mentioning, I admit,
|
|
but for one reason. I hear you are likely to be turned
|
|
over to Miss Clack, after parting with me. In that case,
|
|
just do me the favour of not believing a word she says,
|
|
if she speaks of your humble servant.
|
|
|
|
|
|
|
|
On Friday, nothing happened--except that one of the dogs showed signs
|
|
of a breaking out behind the ears. I gave him a dose of syrup of buckthorn,
|
|
and put him on a diet of pot-liquor and vegetables till further orders.
|
|
Excuse my mentioning this. It has slipped in somehow. Pass it over please.
|
|
I am fast coming to the end of my offences against your cultivated
|
|
modern taste. Besides, the dog was a good creature, and deserved a
|
|
good physicking; he did indeed.
|
|
|
|
Saturday, the last day of the week, is also the last day in my narrative.
|
|
|
|
The morning's post brought me a surprise in the shape of a London newspaper.
|
|
The handwriting on the direction puzzled me. I compared it with the
|
|
money-lender's name and address as recorded in my pocket-pook, and identified
|
|
it at once as the writing of Sergeant Cuff.
|
|
|
|
Looking through the paper eagerly enough, after this discovery,
|
|
I found an ink-mark drawn round one of the police reports.
|
|
Here it is, at your service. Read it as I read it, and you will set
|
|
the right value on the Sergeant's polite attention in sending me
|
|
the news of the day:
|
|
|
|
|
|
|
|
"LAMBETH--Shortly before the closing of the court, Mr. Septimus Luker,
|
|
the well-known dealer in ancient gems, carvings, intagli, &c., &c.,
|
|
applied to the sitting magistrate for advice. The applicant stated
|
|
that he had been annoyed, at intervals throughout the day, by the
|
|
proceedings of some of those strolling Indians who infest the streets.
|
|
The persons complained of were three in number. After having been sent
|
|
away by the police, they had returned again and again, and had attempted
|
|
to enter the house on pretence of asking for charity. Warned off in
|
|
the front, they had been discovered again at the back of the premises.
|
|
Besides the annoyance complained of, Mr. Luker expressed himself
|
|
as being under some apprehension that robbery might be contemplated.
|
|
His collection contained many unique gems, both classical and Oriental,
|
|
of the highest value. He had only the day before been compelled
|
|
to dismiss a skilled workman in ivory carving from his employment
|
|
(a native of India, as we understood), on suspicion of attempted theft;
|
|
and he felt by no means sure that this man and the street jugglers
|
|
of whom he complained, might not be acting in concert. It might be
|
|
their object to collect a crowd, and create a disturbance in the street,
|
|
and, in the confusion thus caused, to obtain access to the house.
|
|
In reply to the magistrate, Mr. Luker admitted that he had no evidence
|
|
to produce of any attempt at robbery being in contemplation.
|
|
He could speak positively to the annoyance and interruption caused
|
|
by the Indians, but not to anything else. The magistrate remarked that,
|
|
if the annoyance were repeated, the applicant could summon the Indians
|
|
to that court, where they might easily be dealt with under the Act.
|
|
As to the valuables in Mr. Luker's possession, Mr. Luker himself must
|
|
take the best measures for their safe custody. He would do well perhaps
|
|
to communicate with the police, and to adopt such additional precautions
|
|
as their experience might suggest. The applicant thanked his worship,
|
|
and withdrew."
|
|
|
|
|
|
|
|
One of the wise ancients is reported (I forget on what occasion)
|
|
as having recommended his fellow-creatures to "look to the end."
|
|
Looking to the end of these pages of mine, and wondering for some
|
|
days past how I should manage to write it, I find my plain statement
|
|
of facts coming to a conclusion, most appropriately, of its own self.
|
|
We have gone on, in this matter of the Moonstone, from on marvel
|
|
to another; and here we end with the greatest marvel of all--
|
|
namely, the accomplishment of Sergeant Cuff's three predictions in less
|
|
than a week from the time when he had made them.
|
|
|
|
After hearing from the Yollands on the Monday, I had now heard of
|
|
the Indians, and heard of the money-lender, in the news from London--
|
|
Miss Rachel herself remember, being also in London at the time.
|
|
You see, I put things at their worst, even when they tell dead
|
|
against my own view. If you desert me, and side with the Sergeant,
|
|
on the evidence before you--if the only rational explanation you
|
|
can see is, that Miss Rachel and Mr. Luker must have got together,
|
|
and that the Moonstone must be now in pledge in the money-lender's house--
|
|
I own, I can't blame you for arriving at that conclusion. In the dark,
|
|
I have brought you thus far. In the dark I am compelled to leave you,
|
|
with my best respects.
|
|
|
|
Why compelled? it may be asked. Why not take the persons who have gone
|
|
along with me, so far, up into those regions of superior enlightenment
|
|
in which I sit myself?
|
|
|
|
In answer to this, I can only state that I am acting under orders,
|
|
and that those orders have been given to me (as I understand)
|
|
in the interests of truth. I am forbidden to tell more in this
|
|
narrative than I knew myself at the time. Or, to put it plainer,
|
|
I am to keep strictly within the limits of my own experience,
|
|
and am not to inform you of what other persons told me--
|
|
for the very sufficient reason that you are to have the
|
|
information from those other persons themselves, at first hand.
|
|
In this matter of the Moonstone the plan is, not to present reports,
|
|
but to produce witnesses. I picture to myself a member
|
|
of the family reading these pages fifty years hence.
|
|
Lord! what a compliment he will feel it, to be asked to take nothing
|
|
on hear-say, and to be treated in all respects like a Judge on
|
|
the bench.
|
|
|
|
At this place, then, we part--for the present, at least--after long
|
|
journeying together, with a companionable feeling, I hope, on both sides.
|
|
The devil's dance of the Indian Diamond has threaded its way to London;
|
|
and to London you must go after it, leaving me at the country-house.
|
|
Please to excuse the faults of this composition--my talking
|
|
so much of myself, and being too familiar, I am afraid, with you.
|
|
I mean no harm; and I drink most respectfully (having just done dinner)
|
|
to your health and prosperity, in a tankard of her ladyship's ale.
|
|
May you find in these leaves of my writing, what ROBINSON CRUSOE found
|
|
in his experience on the desert island--namely, "something to comfort
|
|
yourselves from, and to set in the Description of Good and Evil,
|
|
on the Credit Side of the Account."--Farewell.
|
|
|
|
|
|
|
|
THE END OF THE FIRST PERIOD.
|
|
|
|
|
|
|
|
|
|
|
|
SECOND PERIOD
|
|
|
|
THE DISCOVERY OF THE TRUTH (1848-1849)
|
|
|
|
The events related in several narratives.
|
|
|
|
|
|
|
|
FIRST NARRATIVE
|
|
|
|
Contributed by MISS CLACK; niece of the late
|
|
SIR JOHN VERINDER
|
|
|
|
|
|
|
|
CHAPTER I
|
|
|
|
|
|
I am indebted to my dear parents (both now in heaven) for having had habits
|
|
of order and regularity instilled into me at a very early age.
|
|
|
|
In that happy bygone time, I was taught to keep my hair tidy
|
|
at all hours of the day and night, and to fold up every article
|
|
of my clothing carefully, in the same order, on the same chair,
|
|
in the same place at the foot of the bed, before retiring to rest.
|
|
An entry of the day's events in my little diary invariably
|
|
preceded the folding up. The "Evening Hymn" (repeated in bed)
|
|
invariably followed the folding up. And the sweet sleep of childhood
|
|
invariably followed the "Evening Hymn."
|
|
|
|
In later life (alas!) the Hymn has been succeeded by sad and
|
|
bitter meditations; and the sweet sleep has been but ill exchanged
|
|
for the broken slumbers which haunt the uneasy pillow of care.
|
|
On the other hand, I have continued to fold my clothes,
|
|
and to keep my little diary. The former habit links me to my
|
|
happy childhood--before papa was ruined. The latter habit--
|
|
hitherto mainly useful in helping me to discipline the fallen
|
|
nature which we all inherit from Adam--has unexpectedly proved
|
|
important to my humble interests in quite another way.
|
|
It has enabled poor Me to serve the caprice of a wealthy
|
|
member of the family into which my late uncle married.
|
|
I am fortunate enough to be useful to Mr. Franklin Blake.
|
|
|
|
I have been cut off from all news of my relatives by marriage for some
|
|
time past. When we are isolated and poor, we are not infrequently forgotten.
|
|
I am now living, for economy's sake, in a little town in Brittany,
|
|
inhabited by a select circle of serious English friends, and possessed of
|
|
the inestimable advantages of a Protestant clergyman and a cheap market.
|
|
|
|
In this retirement--a Patmos amid the howling ocean of popery
|
|
that surrounds us--a letter from England has reached me at last.
|
|
I find my insignificant existence suddenly remembered by
|
|
Mr. Franklin Blake. My wealthy relative--would that I could add
|
|
my spiritually-wealthy relative!--writes, without even an attempt
|
|
at disguising that he wants something of me. The whim has
|
|
seized him to stir up the deplorable scandal of the Moonstone:
|
|
and I am to help him by writing the account of what I myself
|
|
witnessed while visiting at Aunt Verinder's house in London.
|
|
Pecuniary remuneration is offered to me--with the want
|
|
of feeling peculiar to the rich. I am to re-open wounds
|
|
that Time has barely closed; I am to recall the most intensely
|
|
painful remembrances--and this done, I am to feel myself compensated
|
|
by a new laceration, in the shape of Mr. Blake's cheque.
|
|
My nature is weak. It cost me a hard struggle, before Christian
|
|
humility conquered sinful pride, and self-denial accepted
|
|
the cheque.
|
|
|
|
Without my diary, I doubt--pray let me express it in the grossest terms!--
|
|
if I could have honestly earned my money. With my diary, the poor labourer
|
|
(who forgives Mr. Blake for insulting her) is worthy of her hire.
|
|
Nothing escaped me at the time I was visiting dear Aunt Verinder.
|
|
Everything was entered (thanks to my early training) day by day
|
|
as it happened; and everything down to the smallest particular,
|
|
shall be told here. My sacred regard for truth is (thank God)
|
|
far above my respect for persons. It will be easy for Mr. Blake
|
|
to suppress what may not prove to be sufficiently flattering
|
|
in these pages to the person chiefly concerned in them. He has
|
|
purchased my time, but not even HIS wealth can purchase my conscience
|
|
too.*
|
|
|
|
|
|
|
|
* NOTE. ADDED BY FRANKLIN BLAKE.--Miss Clack may make her mind quite
|
|
easy on this point. Nothing will be added, altered or removed,
|
|
in her manuscript, or in any of the other manuscripts which
|
|
pass through my hands. Whatever opinions any of the writers
|
|
may express, whatever peculiarities of treatment may mark,
|
|
and perhaps in a literary sense, disfigure the narratives which I
|
|
am now collecting, not a line will be tampered with anywhere,
|
|
from first to last. As genuine documents they are sent to me--
|
|
and as genuine documents I shall preserve them, endorsed by
|
|
the attestations of witnesses who can speak to the facts.
|
|
It only remains to be added that "the person chiefly concerned"
|
|
in Miss Clack's narrative, is happy enough at the present moment,
|
|
not only to brave the smartest exercise of Miss Clack's pen,
|
|
but even to recognise its unquestionable value as an instrument for the
|
|
exhibition of Miss Clack's character.
|
|
|
|
|
|
|
|
My diary informs me, that I was accidentally passing Aunt Verinder's
|
|
house in Montagu Square, on Monday, 3rd July, 1848.
|
|
|
|
Seeing the shutters opened, and the blinds drawn up, I felt that it
|
|
would be an act of polite attention to knock, and make inquiries.
|
|
The person who answered the door, informed me that my aunt and
|
|
her daughter (I really cannot call her my cousin!) had arrived from
|
|
the country a week since, and meditated making some stay in London.
|
|
I sent up a message at once, declining to disturb them, and only
|
|
begging to know whether I could be of any use.
|
|
|
|
The person who answered the door, took my message in insolent silence,
|
|
and left me standing in the hall. She is the daughter of a heathen old
|
|
man named Betteredge--long, too long, tolerated in my aunt's family.
|
|
I sat down in the hall to wait for my answer--and, having always
|
|
a few tracts in my bag, I selected one which proved to be quite
|
|
providentially applicable to the person who answered the door.
|
|
The hall was dirty, and the chair was hard; but the blessed
|
|
consciousness of returning good for evil raised me quite above
|
|
any trifling considerations of that kind. The tract was one
|
|
of a series addressed to young women on the sinfulness of dress.
|
|
In style it was devoutly familiar. Its title was, "A Word With You On
|
|
Your Cap-Ribbons."
|
|
|
|
"My lady is much obliged, and begs you will come and lunch to-morrow at two."
|
|
|
|
I passed over the manner in which she gave her message,
|
|
and the dreadful boldness of her look. I thanked this
|
|
young castaway; and I said, in a tone of Christian interest,
|
|
"Will you favour me by accepting a tract?"
|
|
|
|
She looked at the title. "Is it written by a man or a woman, Miss?
|
|
If it's written by a woman, I had rather not read it on that account.
|
|
If it's written by a man, I beg to inform him that he knows nothing
|
|
about it." She handed me back the tract, and opened the door.
|
|
We must sow the good seed somehow. I waited till the door was shut on me,
|
|
and slipped the tract into the letter-box. When I had dropped another
|
|
tract through the area railings, I felt relieved, in some small degree,
|
|
of a heavy responsibility towards others.
|
|
|
|
|
|
|
|
We had a meeting that evening of the Select Committee
|
|
of the Mothers'-Small-Clothes-Conversion-Society. The object
|
|
of this excellent Charity is--as all serious people know--
|
|
to rescue unredeemed fathers' trousers from the pawnbroker,
|
|
and to prevent their resumption, on the part of the
|
|
irreclaimable parent, by abridging them immediately to suit
|
|
the proportions of the innocent son. I was a member, at that time,
|
|
of the select committee; and I mention the Society here,
|
|
because my precious and admirable friend, Mr. Godfrey Ablewhite,
|
|
was associated with our work of moral and material usefulness.
|
|
I had expected to see him in the boardroom, on the Monday
|
|
evening of which I am now writing, and had proposed to tell him,
|
|
when we met, of dear Aunt Verinder's arrival in London.
|
|
To my great disappointment he never appeared.
|
|
On my expressing a feeling of surprise at his absence,
|
|
my sisters of the Committee all looked up together from
|
|
their trousers (we had a great pressure of business that
|
|
night), and asked in amazement, if I had not heard the news.
|
|
I acknowledged my ignorance, and was then told, for the first time,
|
|
of an event which forms, so to speak, the starting-point
|
|
of this narrative. On the previous Friday, two gentlemen--
|
|
occupying widely-different positions in society--had been
|
|
the victims of an outrage which had startled all London.
|
|
One of the gentlemen was Mr. Septimus Luker, of Lambeth.
|
|
The other was Mr. Godfrey Ablewhite.
|
|
|
|
Living in my present isolation, I have no means of introducing
|
|
the newspaper-account of the outrage into my narrative.
|
|
I was also deprived, at the time, of the inestimable advantage of hearing
|
|
the events related by the fervid eloquence of Mr. Godfrey Ablewhite.
|
|
All I can do is to state the facts as they were stated,
|
|
on that Monday evening, to me; proceeding on the plan which I
|
|
have been taught from infancy to adopt in folding up my clothes.
|
|
Everything shall be put neatly, and everything shall be put
|
|
in its place. These lines are written by a poor weak woman.
|
|
From a poor weak woman who will be cruel enough to expect more?
|
|
|
|
The date--thanks to my dear parents, no dictionary that ever
|
|
was written can be more particular than I am about dates--
|
|
was Friday, June 30th, 1848.
|
|
|
|
Early on that memorable day, our gifted Mr. Godfrey happened
|
|
to be cashing a cheque at a banking-house in Lombard Street.
|
|
The name of the firm is accidentally blotted in my diary, and my
|
|
sacred regard for truth forbids me to hazard a guess in a matter
|
|
of this kind. Fortunately, the name of the firm doesn't matter.
|
|
What does matter is a circumstance that occurred when Mr. Godfrey
|
|
had transacted his business. On gaining the door, he encountered
|
|
a gentleman--a perfect stranger to him--who was accidentally
|
|
leaving the office exactly at the same time as himself.
|
|
A momentary contest of politeness ensued between them as to
|
|
who should be the first to pass through the door of the bank.
|
|
The stranger insisted on making Mr. Godfrey precede him;
|
|
Mr. Godfrey said a few civil words; they bowed, and parted in
|
|
the street.
|
|
|
|
Thoughtless and superficial people may say, Here is surely a very
|
|
trumpery little incident related in an absurdly circumstantial manner.
|
|
Oh, my young friends and fellow-sinners! beware of presuming
|
|
to exercise your poor carnal reason. Oh, be morally tidy.
|
|
Let your faith be as your stockings, and your stockings as your faith.
|
|
Both ever spotless, and both ready to put on at a moment's notice!
|
|
|
|
I beg a thousand pardons. I have fallen insensibly into my
|
|
Sunday-school style. Most inappropriate in such a record as this.
|
|
Let me try to be worldly--let me say that trifles,
|
|
in this case as in many others, led to terrible results.
|
|
Merely premising that the polite stranger was Mr. Luker,
|
|
of Lambeth, we will now follow Mr. Godfrey home to his residence
|
|
at Kilburn.
|
|
|
|
He found waiting for him, in the hall, a poorly clad but delicate
|
|
and interesting-looking little boy. The boy handed him a letter,
|
|
merely mentioning that he had been entrusted with it by an old
|
|
lady whom he did not know, and who had given him no instructions
|
|
to wait for an answer. Such incidents as these were not uncommon
|
|
in Mr. Godfrey's large experience as a promoter of public charities.
|
|
He let the boy go, and opened the letter.
|
|
|
|
The handwriting was entirely unfamiliar to him. It requested
|
|
his attendance, within an hour's time, at a house in Northumberland
|
|
Street, Strand, which he had never had occasion to enter before.
|
|
The object sought was to obtain from the worthy manager certain details
|
|
on the subject of the Mothers'-Small-Clothes-Conver-sion-Society,
|
|
and the information was wanted by an elderly lady who proposed adding
|
|
largely to the resources of the charity, if her questions were met
|
|
by satisfactory replies. She mentioned her name, and she added
|
|
that the shortness of her stay in London prevented her from giving
|
|
any longer notice to the eminent philanthropist whom she addressed.
|
|
|
|
Ordinary people might have hesitated before setting aside
|
|
their own engagements to suit the convenience of a stranger.
|
|
The Christian Hero never hesitates where good is to be done.
|
|
Mr. Godfrey instantly turned back, and proceeded to the house
|
|
in Northumberland Street. A most respectable though somewhat
|
|
corpulent man answered the door, and, on hearing Mr. Godfrey's name,
|
|
immediately conducted him into an empty apartment at the back,
|
|
on the drawing-room floor. He noticed two unusual things on entering
|
|
the room. One of them was a faint odour of musk and camphor.
|
|
The other was an ancient Oriental manuscript, richly illuminated
|
|
with Indian figures and devices, that lay open to inspection on
|
|
a table.
|
|
|
|
He was looking at the book, the position of which caused him to stand
|
|
with his back turned towards the closed folding doors communicating
|
|
with the front room, when, without the slightest previous noise to
|
|
warn him, he felt himself suddenly seized round the neck from behind.
|
|
He had just time to notice that the arm round his neck was naked and of a
|
|
tawny-brown colour, before his eyes were bandaged, his mouth was gagged,
|
|
and he was thrown helpless on the floor by (as he judged) two men.
|
|
A third rifled his pockets, and--if, as a lady, I may venture to use
|
|
such an expression--searched him, without ceremony, through and through to
|
|
his skin.
|
|
|
|
Here I should greatly enjoy saying a few cheering words on the devout
|
|
confidence which could alone have sustained Mr. Godfrey in an emergency
|
|
so terrible as this. Perhaps, however, the position and appearance of my
|
|
admirable friend at the culminating period of the outrage (as above described)
|
|
are hardly within the proper limits of female discussion.
|
|
Let me pass over the next few moments, and return to Mr. Godfrey
|
|
at the time when the odious search of his person had been completed.
|
|
The outrage had been perpetrated throughout in dead silence.
|
|
At the end of it some words were exchanged, among the invisible wretches,
|
|
in a language which he did not understand, but in tones which were
|
|
plainly expressive (to his cultivated ear) of disappointment and rage.
|
|
He was suddenly lifted from the ground, placed in a chair, and bound
|
|
there hand and foot. The next moment he felt the air flowing in from
|
|
the open door, listened, and concluded that he was alone again in
|
|
the room.
|
|
|
|
An interval elapsed, and he heard a sound below like the rustling
|
|
sound of a woman's dress. It advanced up the stairs, and stopped.
|
|
A female scream rent the atmosphere of guilt. A man's voice
|
|
below exclaimed "Hullo!" A man's feet ascended the stairs.
|
|
Mr. Godfrey felt Christian fingers unfastening his bandage,
|
|
and extracting his gag. He looked in amazement at two
|
|
respectable strangers, and faintly articulated, "What does it mean?"
|
|
The two respectable strangers looked back, and said, "Exactly the
|
|
question we were going to ask YOU."
|
|
|
|
The inevitable explanation followed. No! Let me be scrupulously particular.
|
|
Sal volatile and water followed, to compose dear Mr. Godfrey's nerves.
|
|
The explanation came next.
|
|
|
|
It appeared from the statement of the landlord and landlady of the house
|
|
(persons of good repute in the neighbourhood), that their first and
|
|
second floor apartments had been engaged, on the previous day, for a
|
|
week certain, by a most respectable-looking gentleman--the same who has
|
|
been already described as answering the door to Mr. Godfrey's knock.
|
|
The gentleman had paid the week's rent and all the week's extras in advance,
|
|
stating that the apartments were wanted for three Oriental noblemen,
|
|
friends of his, who were visiting England for the first time.
|
|
Early on the morning of the outrage, two of the Oriental strangers,
|
|
accompanied by their respectable English friend, took possession
|
|
of the apartments. The third was expected to join them shortly;
|
|
and the luggage (reported as very bulky) was announced to follow
|
|
when it had passed through the Custom-house, late in the afternoon.
|
|
Not more than ten minutes previous to Mr. Godfrey's visit, the third
|
|
foreigner had arrived. Nothing out of the common had happened,
|
|
to the knowledge of the landlord and landlady down-stairs, until
|
|
within the last five minutes--when they had seen the three foreigners,
|
|
accompanied by their respectable English friend, all leave
|
|
the house together, walking quietly in the direction of the Strand.
|
|
Remembering that a visitor had called, and not having seen
|
|
the visitor also leave the house, the landlady had thought it
|
|
rather strange that the gentleman should be left by himself
|
|
up-stairs. After a short discussion with her husband, she had
|
|
considered it advisable to ascertain whether anything was wrong.
|
|
The result had followed, as I have already attempted to describe it;
|
|
and there the explanation of the landlord and the landlady came to
|
|
an end.
|
|
|
|
An investigation was next made in the room. Dear Mr. Godfrey's
|
|
property was found scattered in all directions.
|
|
When the articles were collected, however, nothing was missing;
|
|
his watch, chain, purse, keys, pocket-handkerchief, note-book,
|
|
and all his loose papers had been closely examined,
|
|
and had then been left unharmed to be resumed by the owner.
|
|
In the same way, not the smallest morsel of property belonging
|
|
to the proprietors of the house had been abstracted.
|
|
The Oriental noblemen had removed their own illuminated manuscript,
|
|
and had removed nothing else.
|
|
|
|
What did it mean? Taking the worldly point of view,
|
|
it appeared to mean that Mr. Godfrey had been the victim of some
|
|
incomprehensible error, committed by certain unknown men.
|
|
A dark conspiracy was on foot in the midst of us; and our
|
|
beloved and innocent friend had been entangled in its meshes.
|
|
When the Christian hero of a hundred charitable victories plunges
|
|
into a pitfall that has been dug for him by mistake, oh, what a
|
|
warning it is to the rest of us to be unceasingly on our guard!
|
|
How soon may our own evil passions prove to be Oriental noblemen who
|
|
pounce on us unawares!
|
|
|
|
I could write pages of affectionate warning on this one theme, but
|
|
(alas!) I am not permitted to improve--I am condemned to narrate.
|
|
My wealthy relative's cheque--henceforth, the incubus of my existence--
|
|
warns me that I have not done with this record of violence yet.
|
|
We must leave Mr. Godfrey to recover in Northumberland Street,
|
|
and must follow the proceedings of Mr. Luker at a later period of
|
|
the day.
|
|
|
|
After leaving the bank, Mr. Luker had visited various parts
|
|
of London on business errands. Returning to his own residence,
|
|
he found a letter waiting for him, which was described
|
|
as having been left a short time previously by a boy.
|
|
In this case, as in Mr. Godfrey's case, the handwriting was strange;
|
|
but the name mentioned was the name of one of Mr. Luker's customers.
|
|
His correspondent announced (writing in the third person--
|
|
apparently by the hand of a deputy) that he had been
|
|
unexpectedly summoned to London. He had just established
|
|
himself in lodgings in Alfred Place, Tottenham Court Road;
|
|
and he desired to see Mr. Luker immediately, on the subject
|
|
of a purchase which he contemplated making. The gentleman was
|
|
an enthusiastic collector of Oriental antiquities, and had been
|
|
for many years a liberal patron of the establishment in Lambeth.
|
|
Oh, when shall we wean ourselves from the worship of Mammon!
|
|
Mr. Luker called a cab, and drove off instantly to his
|
|
liberal patron.
|
|
|
|
Exactly what had happened to Mr. Godfrey in Northumberland Street
|
|
now happened to Mr. Luker in Alfred Place. Once more the respectable
|
|
man answered the door, and showed the visitor up-stairs into the back
|
|
drawing-room. There, again, lay the illuminated manuscript on a table.
|
|
Mr. Luker's attention was absorbed, as Mr. Godfrey's attention
|
|
had been absorbed, by this beautiful work of Indian art.
|
|
He too was aroused from his studies by a tawny naked arm round
|
|
his throat, by a bandage over his eyes, and by a gag in his mouth.
|
|
He too was thrown prostrate and searched to the skin. A longer interval
|
|
had then elapsed than had passed in the experience of Mr. Godfrey;
|
|
but it had ended as before, in the persons of the house suspecting
|
|
something wrong, and going up-stairs to see what had happened.
|
|
Precisely the same explanation which the landlord in Northumberland
|
|
Street had given to Mr. Godfrey, the landlord in Alfred Place now
|
|
gave to Mr. Luker. Both had been imposed on in the same way by the
|
|
plausible address and well-filled purse of the respectable stranger,
|
|
who introduced himself as acting for his foreign friends. The one
|
|
point of difference between the two cases occurred when the scattered
|
|
contents of Mr. Luker's pockets were being collected from the floor.
|
|
His watch and purse were safe, but (less fortunate than Mr. Godfrey)
|
|
one of the loose papers that he carried about him had been taken away.
|
|
The paper in question acknowledged the receipt of a valuable of great
|
|
price which Mr. Luker had that day left in the care of his bankers.
|
|
This document would be useless for purposes of fraud, inasmuch as it
|
|
provided that the valuable should only be given up on the personal
|
|
application of the owner. As soon as he recovered himself, Mr. Luker
|
|
hurried to the bank, on the chance that the thieves who had robbed him
|
|
might ignorantly present themselves with the receipt. Nothing had
|
|
been seen of them when he arrived at the establishment, and nothing
|
|
was seen of them afterwards. Their respectable English friend had
|
|
(in the opinion of the bankers) looked the receipt over before they
|
|
attempted to make use of it, and had given them the necessary warning in
|
|
good time.
|
|
|
|
Information of both outrages was communicated to the police,
|
|
and the needful investigations were pursued, I believe,
|
|
with great energy. The authorities held that a robbery had
|
|
been planned, on insufficient information received by the thieves.
|
|
They had been plainly not sure whether Mr. Luker had,
|
|
or had not, trusted the transmission of his precious gem
|
|
to another person; and poor polite Mr. Godfrey had paid
|
|
the penalty of having been seen accidentally speaking to him.
|
|
Add to this, that Mr. Godfrey's absence from our Monday
|
|
evening meeting had been occasioned by a consultation
|
|
of the authorities, at which he was requested to assist--
|
|
and all the explanations required being now given, I may proceed
|
|
with the simpler story of my own little personal experiences in
|
|
Montagu Square.
|
|
|
|
|
|
|
|
I was punctual to the luncheon hour on Tuesday. Reference to my diary shows
|
|
this to have been a chequered day--much in it to be devoutly regretted,
|
|
much in it to be devoutly thankful for.
|
|
|
|
Dear Aunt Verinder received me with her usual grace and kindness.
|
|
But I noticed, after a little while, that something was wrong.
|
|
Certain anxious looks escaped my aunt, all of which took the direction
|
|
of her daughter. I never see Rachel myself without wondering how it
|
|
can be that so insignificant-looking a person should be the child
|
|
of such distinguished parents as Sir John and Lady Verinder.
|
|
On this occasion, however, she not only disappointed--she really shocked me.
|
|
There was an absence of all lady-like restraint in her language
|
|
and manner most painful to see. She was possessed by some feverish
|
|
excitement which made her distressingly loud when she laughed,
|
|
and sinfully wasteful and capricious in what she ate and drank at lunch.
|
|
I felt deeply for her poor mother, even before the true state of the case
|
|
had been confidentially made known to me.
|
|
|
|
Luncheon over, my aunt said: "Remember what the doctor told you,
|
|
Rachel, about quieting yourself with a book after taking your meals."
|
|
|
|
"I'll go into the library, mamma," she answered.
|
|
"But if Godfrey calls, mind I am told of it. I am dying for more
|
|
news of him, after his adventure in Northumberland Street."
|
|
She kissed her mother on the forehead, and looked my way.
|
|
"Good-bye, Clack," she said, carelessly. Her insolence roused
|
|
no angry feeling in me; I only made a private memorandum to pray
|
|
for her.
|
|
|
|
When we were left by ourselves, my aunt told me the whole
|
|
horrible story of the Indian Diamond, which, I am happy to know,
|
|
it is not necessary to repeat here. She did not conceal from me
|
|
that she would have preferred keeping silence on the subject.
|
|
But when her own servants all knew of the loss of the Moonstone,
|
|
and when some of the circumstances had actually found their way
|
|
into the newspapers--when strangers were speculating whether
|
|
there was any connection between what had happened at Lady
|
|
Verinder's country-house, and what had happened in Northumberland
|
|
Street and Alfred Place--concealment was not to be thought of;
|
|
and perfect frankness became a necessity as well as a virtue.
|
|
|
|
Some persons, hearing what I now heard, would have been
|
|
probably overwhelmed with astonishment. For my own part,
|
|
knowing Rachel's spirit to have been essentially unregenerate
|
|
from her childhood upwards, I was prepared for whatever
|
|
my aunt could tell me on the subject of her daughter.
|
|
It might have gone on from bad to worse till it ended in Murder;
|
|
and I should still have said to myself, The natural result! oh,
|
|
dear, dear, the natural result! The one thing that DID shock
|
|
me was the course my aunt had taken under the circumstances.
|
|
Here surely was a case for a clergyman, if ever there was one yet!
|
|
Lady Verinder had thought it a case for a physician. All my poor
|
|
aunt's early life had been passed in her father's godless household.
|
|
The natural result again! Oh, dear, dear, the natural
|
|
result again!
|
|
|
|
"The doctors recommend plenty of exercise and amusement for Rachel,
|
|
and strongly urge me to keep her mind as much as possible from dwelling
|
|
on the past," said Lady Verinder.
|
|
|
|
"Oh, what heathen advice!" I thought to myself. "In this Christian country,
|
|
what heathen advice!"
|
|
|
|
My aunt went on, "I do my best to carry out my instructions.
|
|
But this strange adventure of Godfrey's happens at a most unfortunate time.
|
|
Rachel has been incessantly restless and excited since she first heard of it.
|
|
She left me no peace till I had written and asked my nephew Ablewhite
|
|
to come here. She even feels an interest in the other person who was
|
|
roughly used--Mr. Luker, or some such name--though the man is, of course,
|
|
a total stranger to her."
|
|
|
|
"Your knowledge of the world, dear aunt, is superior to mine,"
|
|
I suggested diffidently. "But there must be a reason
|
|
surely for this extraordinary conduct on Rachel's part.
|
|
She is keeping a sinful secret from you and from everybody.
|
|
May there not be something in these recent events which threatens her
|
|
secret with discovery?"
|
|
|
|
"Discovery?" repeated my aunt. "What can you possibly mean?
|
|
Discovery through Mr. Luker? Discovery through my nephew?"
|
|
|
|
As the word passed her lips, a special providence occurred.
|
|
The servant opened the door, and announced Mr. Godfrey Ablewhite.
|
|
|
|
|
|
|
|
CHAPTER II
|
|
|
|
|
|
|
|
Mr. Godfrey followed the announcement of his name--
|
|
as Mr. Godfrey does everything else--exactly at the right time.
|
|
He was not so close on the servant's heels as to startle us.
|
|
He was not so far behind as to cause us the double inconvenience
|
|
of a pause and an open door. It is in the completeness of his
|
|
daily life that the true Christian appears. This dear man was
|
|
very complete.
|
|
|
|
"Go to Miss Verinder," said my aunt, addressing the servant,
|
|
"and tell her Mr. Ablewhite is here."
|
|
|
|
We both inquired after his health. We both asked him together whether
|
|
he felt like himself again, after his terrible adventure of the past week.
|
|
With perfect tact, he contrived to answer us at the same moment.
|
|
Lady Verinder had his reply in words. I had his charming smile.
|
|
|
|
"What," he cried, with infinite tenderness, "have I done to
|
|
deserve all this sympathy? My dear aunt! my dear Miss Clack!
|
|
I have merely been mistaken for somebody else.
|
|
I have only been blindfolded; I have only been strangled;
|
|
I have only been thrown flat on my back, on a very thin carpet,
|
|
covering a particularly hard floor. Just think how much
|
|
worse it might have been! I might have been murdered;
|
|
I might have been robbed. What have I lost? Nothing but
|
|
Nervous Force--which the law doesn't recognise as property;
|
|
so that, strictly speaking, I have lost nothing at all.
|
|
If I could have had my own way, I would have kept my adventure
|
|
to myself--I shrink from all this fuss and publicity.
|
|
But Mr. Luker made HIS injuries public, and my injuries,
|
|
as the necessary consequence, have been proclaimed in their turn.
|
|
I have become the property of the newspapers, until the gentle reader
|
|
gets sick of the subject. I am very sick indeed of it myself.
|
|
May the gentle reader soon be like me! And how is dear Rachel?
|
|
Still enjoying the gaieties of London? So glad to hear it!
|
|
Miss Clack, I need all your indulgence. I am sadly behind-hand
|
|
with my Committee Work and my dear Ladies. But I really
|
|
do hope to look in at the Mothers'-Small-Clothes next week.
|
|
Did you make cheering progress at Monday's Committee? Was the Board
|
|
hopeful about future prospects? And are we nicely off for
|
|
Trousers?"
|
|
|
|
The heavenly gentleness of his smile made his apologies irresistible.
|
|
The richness of his deep voice added its own indescribable charm to
|
|
the interesting business question which he had just addressed to me.
|
|
In truth, we were almost TOO nicely off for Trousers; we were quite
|
|
overwhelmed by them. I was just about to say so, when the door
|
|
opened again, and an element of worldly disturbance entered the room,
|
|
in the person of Miss Verinder.
|
|
|
|
She approached dear Mr. Godfrey at a most unladylike rate of speed,
|
|
with her hair shockingly untidy, and her face, what I should call,
|
|
unbecomingly flushed.
|
|
|
|
"I am charmed to see you, Godfrey," she said, addressing him,
|
|
I grieve to add, in the off-hand manner of one young man talking
|
|
to another. "I wish you had brought Mr. Luker with you.
|
|
You and he (as long as our present excitement lasts) are the two
|
|
most interesting men in all London. It's morbid to say this;
|
|
it's unhealthy; it's all that a well-regulated mind like Miss
|
|
Clack's most instinctively shudders at. Never mind that.
|
|
Tell me the whole of the Northumberland Street story directly.
|
|
I know the newspapers have left some of it out."
|
|
|
|
Even dear Mr. Godfrey partakes of the fallen nature which we
|
|
all inherit from Adam--it is a very small share of our
|
|
human legacy, but, alas! he has it. I confess it grieved
|
|
me to see him take Rachel's hand in both of his own hands,
|
|
and lay it softly on the left side of his waistcoat.
|
|
It was a direct encouragement to her reckless way of talking,
|
|
and her insolent reference to me.
|
|
|
|
"Dearest Rachel," he said, in the same voice which had thrilled me
|
|
when he spoke of our prospects and our trousers, "the newspapers
|
|
have told you everything--and they have told it much better than
|
|
I can."
|
|
|
|
"Godfrey thinks we all make too much of the matter," my aunt remarked.
|
|
"He has just been saying that he doesn't care to speak of it."
|
|
|
|
"Why?"
|
|
|
|
She put the question with a sudden flash in her eyes,
|
|
and a sudden look up into Mr. Godfrey's face. On his side,
|
|
he looked down at her with an indulgence so injudicious and so
|
|
ill-deserved, that I really felt called on to interfere.
|
|
|
|
"Rachel, darling!" I remonstrated gently, "true greatness and true
|
|
courage are ever modest."
|
|
|
|
"You are a very good fellow in your way, Godfrey," she said--
|
|
not taking the smallest notice, observe, of me, and still speaking
|
|
to her cousin as if she was one young man addressing another.
|
|
"But I am quite sure you are not great; I don't believe you
|
|
possess any extraordinary courage; and I am firmly persuaded--
|
|
if you ever had any modesty--that your lady-worshippers relieved
|
|
you of that virtue a good many years since. You have some private
|
|
reason for not talking of your adventure in Northumberland Street;
|
|
and I mean to know it."
|
|
|
|
"My reason is the simplest imaginable, and the most easily acknowledged,"
|
|
he answered, still bearing with her. "I am tired of the subject."
|
|
|
|
"You are tired of the subject? My dear Godfrey, I am going to make a remark."
|
|
|
|
"What is it?"
|
|
|
|
"You live a great deal too much in the society of women.
|
|
And you have contracted two very bad habits in consequence.
|
|
You have learnt to talk nonsense seriously, and you have got
|
|
into a way of telling fibs for the pleasure of telling them.
|
|
You can't go straight with your lady-worshippers. I mean
|
|
to make you go straight with me. Come, and sit down.
|
|
I am brimful of downright questions; and I expect you to be brimful of
|
|
downright answers."
|
|
|
|
She actually dragged him across the room to a chair by the window,
|
|
where the light would fall on his face. I deeply feel being obliged
|
|
to report such language, and to describe such conduct. But, hemmed in,
|
|
as I am, between Mr. Franklin Blake's cheque on one side and my own sacred
|
|
regard for truth on the other, what am I to do? I looked at my aunt.
|
|
She sat unmoved; apparently in no way disposed to interfere.
|
|
I had never noticed this kind of torpor in her before. It was, perhaps,
|
|
the reaction after the trying time she had had in the country.
|
|
Not a pleasant symptom to remark, be it what it might, at dear Lady
|
|
Verinder's age, and with dear Lady Verinder's autumnal exuberance
|
|
of figure.
|
|
|
|
In the meantime, Rachel had settled herself at the window with
|
|
our amiable and forbearing--our too forbearing--Mr. Godfrey.
|
|
She began the string of questions with which she had threatened him,
|
|
taking no more notice of her mother, or of myself, than if we had
|
|
not been in the room.
|
|
|
|
"Have the police done anything, Godfrey?"
|
|
|
|
"Nothing whatever."
|
|
|
|
"It is certain, I suppose, that the three men who laid the trap for you
|
|
were the same three men who afterwards laid the trap for Mr. Luker?"
|
|
|
|
"Humanly speaking, my dear Rachel, there can be no doubt of it."
|
|
|
|
"And not a trace of them has been discovered?"
|
|
|
|
"Not a trace."
|
|
|
|
"It is thought--is it not?--that these three men are the three Indians
|
|
who came to our house in the country."
|
|
|
|
"Some people think so."
|
|
|
|
"Do you think so?"
|
|
|
|
"My dear Rachel, they blindfolded me before I could see their faces.
|
|
I know nothing whatever of the matter. How can I offer an opinion
|
|
on it?"
|
|
|
|
Even the angelic gentleness of Mr. Godfrey was, you see,
|
|
beginning to give way at last under the persecution inflicted
|
|
on him. Whether unbridled curiosity, or ungovernable dread,
|
|
dictated Miss Verinder's questions I do not presume to inquire.
|
|
I only report that, on Mr. Godfrey's attempting to rise,
|
|
after giving her the answer just described, she actually
|
|
took him by the two shoulders, and pushed him back into
|
|
his chair--Oh, don't say this was immodest! don't even hint
|
|
that the recklessness of guilty terror could alone account
|
|
for such conduct as I have described! We must not judge others.
|
|
My Christian friends, indeed, indeed, indeed, we must not
|
|
judge others!
|
|
|
|
She went on with her questions, unabashed. Earnest Biblical students will
|
|
perhaps be reminded--as I was reminded--of the blinded children of the devil,
|
|
who went on with their orgies, unabashed, in the time before the Flood.
|
|
|
|
"I want to know something about Mr. Luker, Godfrey."
|
|
|
|
"I am again unfortunate, Rachel. No man knows less of Mr. Luker than I do."
|
|
|
|
"You never saw him before you and he met accidentally at the bank?"
|
|
|
|
"Never."
|
|
|
|
"You have seen him since?"
|
|
|
|
"Yes. We have been examined together, as well as separately,
|
|
to assist the police."
|
|
|
|
"Mr. Luker was robbed of a receipt which he had got from his banker's--
|
|
was he not? What was the receipt for?"
|
|
|
|
"For a valuable gem which he had placed in the safe keeping of the bank."
|
|
|
|
"That's what the newspapers say. It may be enough for the general reader;
|
|
but it is not enough for me. The banker's receipt must have mentioned
|
|
what the gem was?"
|
|
|
|
"The banker's receipt, Rachel--as I have heard it described--
|
|
mentioned nothing of the kind. A valuable gem, belonging to
|
|
Mr. Luker; deposited by Mr. Luker; sealed with Mr. Luker's seal;
|
|
and only to be given up on Mr. Luker's personal application.
|
|
That was the form, and that is all I know about it."
|
|
|
|
She waited a moment, after he had said that. She looked at her mother,
|
|
and sighed. She looked back again at Mr. Godfrey, and went on.
|
|
|
|
"Some of our private affairs, at home," she said, "seem to have got
|
|
into the newspapers?"
|
|
|
|
"I grieve to say, it is so."
|
|
|
|
"And some idle people, perfect strangers to us, are trying to trace
|
|
a connexion between what happened at our house in Yorkshire and what has
|
|
happened since, here in London?"
|
|
|
|
"The public curiosity, in certain quarters, is, I fear,
|
|
taking that turn."
|
|
|
|
"The people who say that the three unknown men who ill-used you
|
|
and Mr. Luker are the three Indians, also say that the valuable gem----"
|
|
|
|
There she stopped. She had become gradually, within the last
|
|
few moments, whiter and whiter in the face. The extraordinary
|
|
blackness of her hair made this paleness, by contrast, so ghastly
|
|
to look at, that we all thought she would faint, at the moment
|
|
when she checked herself in the middle of her question.
|
|
Dear Mr. Godfrey made a second attempt to leave his chair.
|
|
My aunt entreated her to say no more. I followed my aunt with a
|
|
modest medicinal peace-offering, in the shape of a bottle of salts.
|
|
We none of us produced the slightest effect on her. "Godfrey, stay
|
|
where you are. Mamma, there is not the least reason to be alarmed
|
|
about me. Clack, you're dying to hear the end of it--I won't faint,
|
|
expressly to oblige YOU."
|
|
|
|
Those were the exact words she used--taken down in my diary
|
|
the moment I got home. But, oh, don't let us judge!
|
|
My Christian friends, don't let us judge!
|
|
|
|
She turned once more to Mr. Godfrey. With an obstinacy dreadful to see,
|
|
she went back again to the place where she had checked herself, and completed
|
|
her question in these words:
|
|
|
|
"I spoke to you, a minute since, about what people were saying
|
|
in certain quarters. Tell me plainly, Godfrey, do they any
|
|
of them say that Mr. Luker's valuable gem is--the Moonstone?"
|
|
|
|
As the name of the Indian Diamond passed her lips, I saw a change
|
|
come over my admirable friend. His complexion deepened.
|
|
He lost the genial suavity of manner which is one of his greatest charms.
|
|
A noble indignation inspired his reply.
|
|
|
|
"They DO say it," he answered. "There are people who don't hesitate
|
|
to accuse Mr. Luker of telling a falsehood to serve some private
|
|
interests of his own. He has over and over again solemnly declared that,
|
|
until this scandal assailed him, he had never even heard of the Moonstone.
|
|
And these vile people reply, without a shadow of proof to justify them,
|
|
He has his reasons for concealment; we decline to believe him on his oath.
|
|
Shameful! shameful!"
|
|
|
|
Rachel looked at him very strangely--I can't well describe how--
|
|
while he was speaking. When he had done, she said, "Considering that
|
|
Mr. Luker is only a chance acquaintance of yours, you take up
|
|
his cause, Godfrey, rather warmly."
|
|
|
|
My gifted friend made her one of the most truly evangelical
|
|
answers I ever heard in my life.
|
|
|
|
"I hope, Rachel, I take up the cause of all oppressed people rather warmly,"
|
|
he said.
|
|
|
|
The tone in which those words were spoken might have melted
|
|
a stone. But, oh dear, what is the hardness of stone?
|
|
Nothing, compared to the hardness of the unregenerate human heart!
|
|
She sneered. I blush to record it--she sneered at him to
|
|
his face.
|
|
|
|
"Keep your noble sentiments for your Ladies' Committees, Godfrey.
|
|
I am certain that the scandal which has assailed Mr. Luker,
|
|
has not spared You."
|
|
|
|
Even my aunt's torpor was roused by those words.
|
|
|
|
"My dear Rachel," she remonstrated, "you have really no right to say that!"
|
|
|
|
"I mean no harm, mamma--I mean good. Have a moment's patience with me,
|
|
and you will see."
|
|
|
|
She looked back at Mr. Godfrey, with what appeared to be a sudden
|
|
pity for him. She went the length--the very unladylike length--
|
|
of taking him by the hand.
|
|
|
|
"I am certain," she said, "that I have found out the true reason of your
|
|
unwillingness to speak of this matter before my mother and before me.
|
|
An unlucky accident has associated you in people's minds with Mr. Luker.
|
|
You have told me what scandal says of HIM. What does scandal say
|
|
of you?"
|
|
|
|
Even at the eleventh hour, dear Mr. Godfrey--always ready to return
|
|
good for evil--tried to spare her.
|
|
|
|
"Don't ask me!" he said. "It's better forgotten, Rachel--it is, indeed."
|
|
|
|
"I WILL hear it!" she cried out, fiercely, at the top of her voice.
|
|
|
|
"Tell her, Godfrey!" entreated my aunt. "Nothing can do her such harm
|
|
as your silence is doing now!"
|
|
|
|
Mr. Godfrey's fine eyes filled with tears. He cast one last appealing
|
|
look at her--and then he spoke the fatal words:
|
|
|
|
"If you will have it, Rachel--scandal says that the Moonstone
|
|
is in pledge to Mr. Luker, and that I am the man who has pawned it."
|
|
|
|
She started to her feet with a scream. She looked backwards
|
|
and forwards from Mr. Godfrey to my aunt, and from my aunt
|
|
to Mr. Godfrey, in such a frantic manner that I really thought
|
|
she had gone mad.
|
|
|
|
"Don't speak to me! Don't touch me!" she exclaimed, shrinking back from
|
|
all of us (I declare like some hunted animal!) into a corner of the room.
|
|
"This is my fault! I must set it right. I have sacrificed myself--
|
|
I had a right to do that, if I liked. But to let an innocent man be ruined;
|
|
to keep a secret which destroys his character for life--Oh, good God,
|
|
it's too horrible! I can't bear it!"
|
|
|
|
My aunt half rose from her chair, then suddenly sat down again.
|
|
She called to me faintly, and pointed to a little phial in her
|
|
work-box.
|
|
|
|
"Quick!" she whispered. "Six drops, in water. Don't let Rachel see."
|
|
|
|
Under other circumstances, I should have thought this strange.
|
|
There was no time now to think--there was only time to give the medicine.
|
|
Dear Mr. Godfrey unconsciously assisted me in concealing what I was about
|
|
from Rachel, by speaking composing words to her at the other end of
|
|
the room.
|
|
|
|
"Indeed, indeed, you exaggerate," I heard him say. "My reputation stands
|
|
too high to be destroyed by a miserable passing scandal like this.
|
|
It will be all forgotten in another week. Let us never speak of it again."
|
|
She was perfectly inaccessible, even to such generosity as this.
|
|
She went on from bad to worse.
|
|
|
|
"I must, and will, stop it," she said. "Mamma! hear what I say.
|
|
Miss Clack! hear what I say. I know the hand that took the Moonstone.
|
|
I know--" she laid a strong emphasis on the words; she stamped her foot
|
|
in the rage that possessed her--"I KNOW THAT GODFREY ABLEWHITE IS INNOCENT.
|
|
Take me to the magistrate, Godfrey! Take me to the magistrate, and I will
|
|
swear it!"
|
|
|
|
My aunt caught me by the hand, and whispered, "Stand between
|
|
us for a minute or two. Don't let Rachel see me."
|
|
I noticed a bluish tinge in her face which alarmed me.
|
|
She saw I was startled. "The drops will put me right in a
|
|
minute or two," she said, and so closed her eyes, and waited
|
|
a little.
|
|
|
|
While this was going on, I heard dear Mr. Godfrey still gently remonstrating.
|
|
|
|
"You must not appear publicly in such a thing as this," he sad.
|
|
"YOUR reputation, dearest Rachel, is something too pure and too sacred
|
|
to be trifled with."
|
|
|
|
"MY reputation!" She burst out laughing. "Why, I am accused,
|
|
Godfrey, as well as you. The best detective officer in England
|
|
declares that I have stolen my own Diamond. Ask him what he thinks--
|
|
and he will tell you that I have pledged the Moonstone to pay
|
|
my private debts!" She stopped, ran across the room--and fell
|
|
on her knees at her mother's feet. "Oh mamma! mamma! mamma!
|
|
I must be mad--mustn't I?--not to own the truth NOW?"
|
|
She was too vehement to notice her mother's condition--she was
|
|
on her feet again, and back with Mr. Godfrey, in an instant.
|
|
"I won't let you--I won't let any innocent man--be accused
|
|
and disgraced through my fault. If you won't take me before
|
|
the magistrate, draw out a declaration of your innocence on paper,
|
|
and I will sign it. Do as I tell you, Godfrey, or I'll
|
|
write it to the newspapers I'll go out, and cry it in
|
|
the streets!"
|
|
|
|
We will not say this was the language of remorse--we will say it
|
|
was the language of hysterics. Indulgent Mr. Godfrey pacified
|
|
her by taking a sheet of paper, and drawing out the declaration.
|
|
She signed it in a feverish hurry. "Show it everywhere--
|
|
don't think of ME," she said, as she gave it to him. "I am afraid,
|
|
Godfrey, I have not done you justice, hitherto, in my thoughts.
|
|
You are more unselfish--you are a better man than I believed you to be.
|
|
Come here when you can, and I will try and repair the wrong I have
|
|
done you."
|
|
|
|
She gave him her hand. Alas, for our fallen nature! Alas, for Mr. Godfrey!
|
|
He not only forgot himself so far as to kiss her hand--he adopted
|
|
a gentleness of tone in answering her which, in such a case, was little
|
|
better than a compromise with sin. "I will come, dearest," he said,
|
|
"on condition that we don't speak of this hateful subject again."
|
|
Never had I seen and heard our Christian Hero to less advantage than on
|
|
this occasion.
|
|
|
|
Before another word could be said by anybody, a thundering knock
|
|
at the street door startled us all. I looked through the window,
|
|
and saw the World, the Flesh, and the Devil waiting before the house--
|
|
as typified in a carriage and horses, a powdered footman,
|
|
and three of the most audaciously dressed women I ever beheld in
|
|
my life.
|
|
|
|
Rachel started, and composed herself. She crossed the room to her mother.
|
|
|
|
"They have come to take me to the flower-show," she said.
|
|
"One word, mamma, before I go. I have not distressed you,
|
|
have I?"
|
|
|
|
(Is the bluntness of moral feeling which could ask such a question
|
|
as that, after what had just happened, to be pitied or condemned?
|
|
I like to lean towards mercy. Let us pity it.)
|
|
|
|
The drops had produced their effect. My poor aunt's complexion
|
|
was like itself again. "No, no, my dear," she said.
|
|
"Go with our friends, and enjoy yourself."
|
|
|
|
Her daughter stooped, and kissed her. I had left the window,
|
|
and was near the door, when Rachel approached it to go out.
|
|
Another change had come over her--she was in tears. I looked
|
|
with interest at the momentary softening of that obdurate heart.
|
|
I felt inclined to say a few earnest words. Alas! my well-meant
|
|
sympathy only gave offence. "What do you mean by pitying me?"
|
|
she asked in a bitter whisper, as she passed to the door.
|
|
"Don't you see how happy I am? I'm going to the flower-show, Clack;
|
|
and I've got the prettiest bonnet in London." She completed
|
|
the hollow mockery of that address by blowing me a kiss--and so left
|
|
the room.
|
|
|
|
I wish I could describe in words the compassion I felt for this miserable and
|
|
misguided girl. But I am almost as poorly provided with words as with money.
|
|
Permit me to say--my heart bled for her.
|
|
|
|
Returning to my aunt's chair, I observed dear Mr. Godfrey searching
|
|
for something softly, here and there, in different parts of the room.
|
|
Before I could offer to assist him he had found what he wanted.
|
|
He came back to my aunt and me, with his declaration of innocence
|
|
in one hand, and with a box of matches in the other.
|
|
|
|
"Dear aunt, a little conspiracy!" he said. "Dear Miss Clack,
|
|
a pious fraud which even your high moral rectitude will excuse!
|
|
Will you leave Rachel to suppose that I accept the generous
|
|
self-sacrifice which has signed this paper? And will you kindly
|
|
bear witness that I destroy it in your presence, before I leave
|
|
the house?" He kindled a match, and, lighting the paper,
|
|
laid it to burn in a plate on the table. "Any trifling
|
|
inconvenience that I may suffer is as nothing," he remarked,
|
|
"compared with the importance of preserving that pure name from
|
|
the contaminating contact of the world. There! We have reduced
|
|
it to a little harmless heap of ashes; and our dear impulsive
|
|
Rachel will never know what we have done! How do you feel?
|
|
My precious friends, how do you feel? For my poor part, I am as
|
|
light-hearted as a boy!"
|
|
|
|
He beamed on us with his beautiful smile; he held out a hand to my aunt,
|
|
and a hand to me. I was too deeply affected by his noble conduct
|
|
to speak. I closed my eyes; I put his hand, in a kind of spiritual
|
|
self-forgetfulness, to my lips. He murmured a soft remonstrance.
|
|
Oh the ecstasy, the pure, unearthly ecstasy of that moment!
|
|
I sat--I hardly know on what--quite lost in my own exalted feelings.
|
|
When I opened my eyes again, it was like descending from
|
|
heaven to earth. There was nobody but my aunt in the room.
|
|
He had gone.
|
|
|
|
I should like to stop here--I should like to close my
|
|
narrative with the record of Mr. Godfrey's noble conduct.
|
|
Unhappily there is more, much more, which the unrelenting
|
|
pecuniary pressure of Mr. Blake's cheque obliges me to tell.
|
|
The painful disclosures which were to reveal themselves
|
|
in my presence, during that Tuesday's visit to Montagu Square,
|
|
were not at an end yet.
|
|
|
|
Finding myself alone with Lady Verinder, I turned naturally
|
|
to the subject of her health; touching delicately on the strange
|
|
anxiety which she had shown to conceal her indisposition,
|
|
and the remedy applied to it, from the observation of her daughter.
|
|
|
|
My aunt's reply greatly surprised me.
|
|
|
|
"Drusilla," she said (if I have not already mentioned that my Christian name
|
|
is Drusilla, permit me to mention it now), "you are touching quite innocently,
|
|
I know--on a very distressing subject."
|
|
|
|
I rose immediately. Delicacy left me but one alternative--
|
|
the alternative, after first making my apologies, of taking
|
|
my leave. Lady Verinder stopped me, and insisted on my sitting
|
|
down again.
|
|
|
|
"You have surprised a secret," she said, "which I had confided to my
|
|
sister Mrs. Ablewhite, and to my lawyer Mr. Bruff, and to no one else.
|
|
I can trust in their discretion; and I am sure, when I tell you
|
|
the circumstances, I can trust in yours. Have you any pressing engagement,
|
|
Drusilla? or is your time your own this afternoon?"
|
|
|
|
It is needless to say that my time was entirely at my aunt's disposal.
|
|
|
|
"Keep me company then," she said, "for another hour. I have
|
|
something to tell you which I believe you will be sorry to hear.
|
|
And I shall have a service to ask of you afterwards, if you don't
|
|
object to assist me."
|
|
|
|
It is again needless to say that, so far from objecting,
|
|
I was all eagerness to assist her.
|
|
|
|
"You can wait here," she went on, "till Mr. Bruff comes at five.
|
|
And you can be one of the witnesses, Drusilla, when I sign
|
|
my Will."
|
|
|
|
Her Will! I thought of the drops which I had seen in her work-box. I
|
|
thought of the bluish tinge which I had noticed in her complexion.
|
|
A light which was not of this world--a light shining prophetically
|
|
from an unmade grave--dawned on my mind. My aunt's secret was a secret
|
|
no longer.
|
|
|
|
|
|
|
|
CHAPTER III
|
|
|
|
|
|
Consideration for poor Lady Verinder forbade me even to hint that I
|
|
had guessed the melancholy truth, before she opened her lips.
|
|
I waited her pleasure in silence; and, having privately arranged
|
|
to say a few sustaining words at the first convenient opportunity,
|
|
felt prepared for any duty that could claim me, no matter how painful it
|
|
might be.
|
|
|
|
"I have been seriously ill, Drusilla, for some time past," my aunt began.
|
|
"And, strange to say, without knowing it myself."
|
|
|
|
I thought of the thousands and thousands of perishing human creatures
|
|
who were all at that moment spiritually ill, without knowing it themselves.
|
|
And I greatly feared that my poor aunt might be one of the number.
|
|
"Yes, dear," I said, sadly. "Yes."
|
|
|
|
"I brought Rachel to London, as you know, for medical advice," she went on.
|
|
"I thought it right to consult two doctors."
|
|
|
|
Two doctors! And, oh me (in Rachel's state), not one clergyman!
|
|
"Yes, dear?" I said once more. "Yes?"
|
|
|
|
"One of the two medical men," proceeded my aunt, "was a stranger to me.
|
|
The other had been an old friend of my husband's, and had
|
|
always felt a sincere interest in me for my husband's sake.
|
|
After prescribing for Rachel, he said he wished to speak to me
|
|
privately in another room. I expected, of course, to receive some
|
|
special directions for the management of my daughter's health.
|
|
To my surprise, he took me gravely by the hand, and said,
|
|
"I have been looking at you, Lady Verinder, with a professional
|
|
as well as a personal interest. You are, I am afraid,
|
|
far more urgently in need of medical advice than your daughter."
|
|
He put some questions to me, which I was at first inclined to treat
|
|
lightly enough, until I observed that my answers distressed him.
|
|
It ended in his making an appointment to come and see me,
|
|
accompanied by a medical friend, on the next day, at an hour
|
|
when Rachel would not be at home. The result of that visit--
|
|
most kindly and gently conveyed to me--satisfied both the physicians
|
|
that there had been precious time lost, which could never be regained,
|
|
and that my case had now passed beyond the reach of their art.
|
|
For more than two years I have been suffering under an
|
|
insidious form of heart disease, which, without any symptoms
|
|
to alarm me, has, by little and little, fatally broken me down.
|
|
I may live for some months, or I may die before another day
|
|
has passed over my head--the doctors cannot, and dare not,
|
|
speak more positively than this. It would be vain to say, my dear,
|
|
that I have not had some miserable moments since my real situation
|
|
has been made known to me. But I am more resigned than I was,
|
|
and I am doing my best to set my worldly affairs in order.
|
|
My one great anxiety is that Rachel should be kept in ignorance
|
|
of the truth. If she knew it, she would at once attribute my
|
|
broken health to anxiety about the Diamond, and would reproach
|
|
herself bitterly, poor child, for what is in no sense her fault.
|
|
Both the doctors agree that the mischief began two, if not
|
|
three years since. I am sure you will keep my secret, Drusilla--
|
|
for I am sure I see sincere sorrow and sympathy for me in your
|
|
face."
|
|
|
|
Sorrow and sympathy! Oh, what Pagan emotions to expect from a Christian
|
|
Englishwoman anchored firmly on her faith!
|
|
|
|
Little did my poor aunt imagine what a gush of devout thankfulness
|
|
thrilled through me as she approached the close of her melancholy story.
|
|
Here was a career of usefulness opened before me! Here was a beloved
|
|
relative and perishing fellow-creature, on the eve of the great change,
|
|
utterly unprepared; and led, providentially led, to reveal her
|
|
situation to Me! How can I describe the joy with which I now
|
|
remembered that the precious clerical friends on whom I could rely,
|
|
were to be counted, not by ones or twos, but by tens and twenties.
|
|
I took my aunt in my arms--my overflowing tenderness was not to
|
|
be satisfied, now, with anything less than an embrace. "Oh!" I said
|
|
to her, fervently, "the indescribable interest with which you inspire me!
|
|
Oh! the good I mean to do you, dear, before we part!" After another word
|
|
or two of earnest prefatory warning, I gave her her choice of three
|
|
precious friends, all plying the work of mercy from morning to night
|
|
in her own neighbourhood; all equally inexhaustible in exhortation;
|
|
all affectionately ready to exercise their gifts at a word from me.
|
|
Alas! the result was far from encouraging. Poor Lady Verinder
|
|
looked puzzled and frightened, and met everything I could say to her
|
|
with the purely worldly objection that she was not strong enough
|
|
to face strangers. I yielded--for the moment only, of course.
|
|
My large experience (as Reader and Visitor, under not less, first and last,
|
|
than fourteen beloved clerical friends) informed me that this was
|
|
another case for preparation by books. I possessed a little library
|
|
of works, all suitable to the present emergency, all calculated
|
|
to arouse, convince, prepare, enlighten, and fortify my aunt.
|
|
"You will read, dear, won't you?" I said, in my most winning way.
|
|
"You will read, if I bring you my own precious books?
|
|
Turned down at all the right places, aunt. And marked in pencil
|
|
where you are to stop and ask yourself, "Does this apply to me?""
|
|
Even that simple appeal--so absolutely heathenising is the influence
|
|
of the world--appeared to startle my aunt. She said, "I will do what
|
|
I can, Drusilla, to please you," with a look of surprise, which was at
|
|
once instructive and terrible to see. Not a moment was to be lost.
|
|
The clock on the mantel-piece informed me that I had just time to
|
|
hurry home; to provide myself with a first series of selected readings
|
|
(say a dozen only); and to return in time to meet the lawyer,
|
|
and witness Lady Verinder's Will. Promising faithfully to be back by
|
|
five o'clock, I left the house on my errand of mercy.
|
|
|
|
When no interests but my own are involved, I am humbly content
|
|
to get from place to place by the omnibus. Permit me to give
|
|
an idea of my devotion to my aunt's interests by recording that,
|
|
on this occasion, I committed the prodigality of taking a cab.
|
|
|
|
I drove home, selected and marked my first series of readings,
|
|
and drove back to Montagu Square, with a dozen works in a carpet-bag,
|
|
the like of which, I firmly believe, are not to be found in the literature
|
|
of any other country in Europe. I paid the cabman exactly his fare.
|
|
He received it with an oath; upon which I instantly gave him a tract.
|
|
If I had presented a pistol at his head, this abandoned wretch
|
|
could hardly have exhibited greater consternation. He jumped up on
|
|
his box, and, with profane exclamations of dismay, drove off furiously.
|
|
Quite useless, I am happy to say! I sowed the good seed,
|
|
in spite of him, by throwing a second tract in at the window of
|
|
the cab.
|
|
|
|
The servant who answered the door--not the person with the cap-ribbons,
|
|
to my great relief, but the foot-man--informed me that the doctor
|
|
had called, and was still shut up with Lady Verinder. Mr. Bruff,
|
|
the lawyer, had arrived a minute since and was waiting in the library.
|
|
I was shown into the library to wait too.
|
|
|
|
Mr. Bruff looked surprised to see me. He is the family solicitor, and we
|
|
had met more than once, on previous occasions, under Lady Verinder's roof.
|
|
A man, I grieve to say, grown old and grizzled in the service of the world.
|
|
A man who, in his hours of business, was the chosen prophet of Law and Mammon;
|
|
and who, in his hours of leisure, was equally capable of reading a novel and
|
|
of tearing up a tract.
|
|
|
|
"Have you come to stay here, Miss Clack?" he asked, with a look
|
|
at my carpet-bag.
|
|
|
|
To reveal the contents of my precious bag to such a person as this
|
|
would have been simply to invite an outburst of profanity.
|
|
I lowered myself to his own level, and mentioned my business in
|
|
the house.
|
|
|
|
"My aunt has informed me that she is about to sign her Will," I answered.
|
|
"She has been so good as to ask me to be one of the witnesses."
|
|
|
|
"Aye? aye? Well, Miss Clack, you will do. You are over twenty-one,
|
|
and you have not the slightest pecuniary interest in Lady Verinder's Will."
|
|
|
|
Not the slightest pecuniary interest in Lady Verinder's Will.
|
|
Oh, how thankful I felt when I heard that! If my aunt,
|
|
possessed of thousands, had remembered poor Me, to whom five
|
|
pounds is an object--if my name had appeared in the Will,
|
|
with a little comforting legacy attached to it--my enemies
|
|
might have doubted the motive which had loaded me with
|
|
the choicest treasures of my library, and had drawn upon
|
|
my failing resources for the prodigal expenses of a cab.
|
|
Not the cruellest scoffer of them all could doubt now.
|
|
Much better as it was! Oh, surely, surely, much better as
|
|
it was!
|
|
|
|
I was aroused from these consoling reflections by the voice of Mr. Bruff.
|
|
My meditative silence appeared to weigh upon the spirits of this worldling,
|
|
and to force him, as it were, into talking to me against his own will.
|
|
|
|
"Well, Miss Clack, what's the last news in the charitable circles?
|
|
How is your friend Mr. Godfrey Ablewhite, after the mauling
|
|
he got from the rogues in Northumberland Street? Egad! they're
|
|
telling a pretty story about that charitable gentleman at
|
|
my club!"
|
|
|
|
I had passed over the manner in which this person had remarked
|
|
that I was more than twenty-one, and that I had no pecuniary
|
|
interest in my aunt's Will. But the tone in which he alluded
|
|
to dear Mr. Godfrey was too much for my forbearance.
|
|
Feeling bound, after what had passed in my presence that afternoon,
|
|
to assert the innocence of my admirable friend, whenever I
|
|
found it called in question--I own to having also felt bound
|
|
to include in the accomplishment of this righteous purpose,
|
|
a stinging castigation in the case of Mr. Bruff.
|
|
|
|
"I live very much out of the world," I said; "and I don't
|
|
possess the advantage, sir, of belonging to a club.
|
|
But I happen to know the story to which you allude;
|
|
and I also know that a viler falsehood than that story never
|
|
was told."
|
|
|
|
"Yes, yes, Miss Clack--you believe in your friend. Natural enough.
|
|
Mr. Godfrey Ablewhite, won't find the world in general quite so easy
|
|
to convince as a committee of charitable ladies. Appearances are
|
|
dead against him. He was in the house when the Diamond was lost.
|
|
And he was the first person in the house to go to London afterwards.
|
|
Those are ugly circumstances, ma'am, viewed by the light of
|
|
later events."
|
|
|
|
I ought, I know, to have set him right before he went any farther.
|
|
I ought to have told him that he was speaking in ignorance of a testimony
|
|
to Mr. Godfrey's innocence, offered by the only person who was
|
|
undeniably competent to speak from a positive knowledge of the subject.
|
|
Alas! the temptation to lead the lawyer artfully on to his own discomfiture
|
|
was too much for me. I asked what he meant by "later events"--with an
|
|
appearance of the utmost innocence.
|
|
|
|
"By later events, Miss Clack, I mean events in which the Indians
|
|
are concerned," proceeded Mr. Bruff, getting more and more superior
|
|
to poor Me, the longer he went on. "What do the Indians do,
|
|
the moment they are let out of the prison at Frizinghall?
|
|
They go straight to London, and fix on Mr. Luker.
|
|
What follows? Mr. Luker feels alarmed for the safety of "a
|
|
valuable of great price," which he has got in the house.
|
|
He lodges it privately (under a general description)
|
|
in his bankers' strong-room. Wonderfully clever of him:
|
|
but the Indians are just as clever on their side.
|
|
They have their suspicions that the "valuable of great price"
|
|
is being shifted from one place to another; and they
|
|
hit on a singularly bold and complete way of clearing
|
|
those suspicions up. Whom do they seize and search?
|
|
Not Mr. Luker only--which would be intelligible enough--
|
|
but Mr. Godfrey Ablewhite as well. Why? Mr. Ablewhite's
|
|
explanation is, that they acted on blind suspicion,
|
|
after seeing him accidentally speaking to Mr. Luker. Absurd!
|
|
Half-a-dozen other people spoke to Mr. Luker that morning.
|
|
Why were they not followed home too, and decoyed into the trap?
|
|
No! no! The plain inference is, that Mr. Ablewhite had his
|
|
private interest in the "valuable" as well as Mr. Luker,
|
|
and that the Indians were so uncertain as to which of the two
|
|
had the disposal of it, that there was no alternative but to
|
|
search them both. Public opinion says that, Miss Clack.
|
|
And public opinion, on this occasion, is not easily
|
|
refuted."
|
|
|
|
He said those last words, looking so wonderfully wise in his
|
|
own worldly conceit, that I really (to my shame be it spoken)
|
|
could not resist leading him a little farther still, before I
|
|
overwhelmed him with the truth.
|
|
|
|
"I don't presume to argue with a clever lawyer like you," I said.
|
|
"But is it quite fair, sir, to Mr. Ablewhite to pass over the opinion
|
|
of the famous London police officer who investigated this case?
|
|
Not the shadow of a suspicion rested upon anybody but Miss Verinder,
|
|
in the mind of Sergeant Cuff."
|
|
|
|
"Do you mean to tell me, Miss Clack, that you agree with the Sergeant?"
|
|
|
|
"I judge nobody, sir, and I offer no opinion."
|
|
|
|
"And I commit both those enormities, ma'am. I judge the Sergeant
|
|
to have been utterly wrong; and I offer the opinion that,
|
|
if he had known Rachel's character as I know it,
|
|
he would have suspected everybody in the house but HER.
|
|
I admit that she has her faults--she is secret, and self-willed;
|
|
odd and wild, and unlike other girls of her age.
|
|
But true as steel, and high-minded and generous to a fault.
|
|
If the plainest evidence in the world pointed one way,
|
|
and if nothing but Rachel's word of honour pointed the other,
|
|
I would take her word before the evidence, lawyer as I am!
|
|
Strong language, Miss Clack; but I mean it."
|
|
|
|
"Would you object to illustrate your meaning, Mr. Bruff, so that I may be
|
|
sure I understand it? Suppose you found Miss Verinder quite unaccountably
|
|
interested in what has happened to Mr. Ablewhite and Mr. Luker?
|
|
Suppose she asked the strangest questions about this dreadful scandal,
|
|
and displayed the most ungovernable agitation when she found out the turn it
|
|
was taking?"
|
|
|
|
"Suppose anything you please, Miss Clack, it wouldn't shake
|
|
my belief in Rachel Verinder by a hair's-breadth."
|
|
|
|
"She is so absolutely to be relied on as that?"
|
|
|
|
"So absolutely to be relied on as that."
|
|
|
|
"Then permit me to inform you, Mr. Bruff, that Mr. Godfrey Ablewhite
|
|
was in this house not two hours since, and that his entire innocence
|
|
of all concern in the disappearance of the Moonstone was proclaimed
|
|
by Miss Verinder herself, in the strongest language I ever heard used
|
|
by a young lady in my life.
|
|
|
|
I enjoyed the triumph--the unholy triumph, I fear I must admit--
|
|
of seeing Mr. Bruff utterly confounded and overthrown by a few plain
|
|
words from Me. He started to his feet, and stared at me in silence.
|
|
I kept my seat, undisturbed, and related the whole scene as it
|
|
had occurred. "And what do you say about Mr. Ablewhite now?"
|
|
I asked, with the utmost possible gentleness, as soon as I
|
|
had done.
|
|
|
|
"If Rachel has testified to his innocence, Miss Clack, I don't
|
|
scruple to say that I believe in his innocence as firmly as you do:
|
|
I have been misled by appearances, like the rest of the world;
|
|
and I will make the best atonement I can, by publicly contradicting
|
|
the scandal which has assailed your friend wherever I meet with it.
|
|
In the meantime, allow me to congratulate you on the masterly
|
|
manner in which you have opened the full fire of your batteries
|
|
on me at the moment when I least expected it. You would have done
|
|
great things in my profession, ma'am, if you had happened to be
|
|
a man."
|
|
|
|
With those words he turned away from me, and began walking irritably
|
|
up and down the room.
|
|
|
|
I could see plainly that the new light I had thrown on the subject
|
|
had greatly surprised and disturbed him. Certain expressions dropped
|
|
from his lips, as he became more and more absorbed in his own thoughts,
|
|
which suggested to my mind the abominable view that he had hitherto taken
|
|
of the mystery of the lost Moonstone. He had not scrupled to suspect
|
|
dear Mr. Godfrey of the infamy of stealing the Diamond, and to attribute
|
|
Rachel's conduct to a generous resolution to conceal the crime.
|
|
On Miss Verinder's own authority--a perfectly unassailable authority,
|
|
as you are aware, in the estimation of Mr. Bruff--that explanation
|
|
of the circumstances was now shown to be utterly wrong. The perplexity
|
|
into which I had plunged this high legal authority was so overwhelming
|
|
that he was quite unable to conceal it from notice. "What a case!"
|
|
I heard him say to himself, stopping at the window in his walk, and drumming
|
|
on the glass with his fingers. "It not only defies explanation, it's even
|
|
beyond conjecture."
|
|
|
|
There was nothing in these words which made any reply at all needful,
|
|
on my part--and yet, I answered them! It seems hardly credible
|
|
that I should not have been able to let Mr. Bruff alone, even now.
|
|
It seems almost beyond mere mortal perversity that I should
|
|
have discovered, in what he had just said, a new opportunity of making
|
|
myself personally disagreeable to him. But--ah, my friends! nothing
|
|
is beyond mortal perversity; and anything is credible when our fallen
|
|
natures get the better of us!
|
|
|
|
"Pardon me for intruding on your reflections," I said to the unsuspecting
|
|
Mr. Bruff. "But surely there is a conjecture to make which has not occurred
|
|
to us yet."
|
|
|
|
"Maybe, Miss Clack. I own I don't know what it is."
|
|
|
|
"Before I was so fortunate, sir, as to convince you of Mr. Ablewhite's
|
|
innocence, you mentioned it as one of the reasons for suspecting him,
|
|
that he was in the house at the time when the Diamond was lost.
|
|
Permit me to remind you that Mr. Franklin Blake was also in the house at
|
|
the time when the Diamond was lost."
|
|
|
|
The old wordling left the window, took a chair exactly opposite to mine,
|
|
and looked at me steadily, with a hard and vicious smile.
|
|
|
|
"You are not so good a lawyer, Miss Clack," he remarked in a
|
|
meditative manner, "as I supposed. You don't know how to let
|
|
well alone."
|
|
|
|
"I am afraid I fail to follow you, Mr. Bruff," I said, modestly.
|
|
|
|
"It won't do, Miss Clack--it really won't do a second time.
|
|
Franklin Blake is a prime favourite of mine, as you are
|
|
well aware. But that doesn't matter. I'll adopt your view,
|
|
on this occasion, before you have time to turn round on me.
|
|
You're quite right, ma'am. I have suspected Mr. Ablewhite,
|
|
on grounds which abstractedly justify suspecting Mr. Blake too.
|
|
Very good--let's suspect them together. It's quite in his character,
|
|
we will say, to be capable of stealing the Moonstone.
|
|
The only question is, whether it was his interest to
|
|
do so."
|
|
|
|
"Mr. Franklin Blake's debts," I remarked, "are matters of family notoriety."
|
|
|
|
"And Mr. Godfrey Ablewhite's debts have not arrived at that
|
|
stage of development yet. Quite true. But there happen
|
|
to be two difficulties in the way of your theory, Miss Clack.
|
|
I manage Franklin Blake's affairs, and I beg to inform you
|
|
that the vast majority of his creditors (knowing his father to be
|
|
a rich man) are quite content to charge interest on their debts,
|
|
and to wait for their money. There is the first difficulty--
|
|
which is tough enough. You will find the second tougher still.
|
|
I have it on the authority of Lady Verinder herself, that her
|
|
daughter was ready to marry Franklin Blake, before that infernal
|
|
Indian Diamond disappeared from the house. She had drawn him
|
|
on and put him off again, with the coquetry of a young girl.
|
|
But she had confessed to her mother that she loved cousin Franklin,
|
|
and her mother had trusted cousin Franklin with the secret.
|
|
So there he was, Miss Clack, with his creditors content to wait,
|
|
and with the certain prospect before him of marrying an heiress.
|
|
By all means consider him a scoundrel; but tell me, if you please,
|
|
why he should steal the Moonstone?"
|
|
|
|
"The human heart is unsearchable," I said gently. "Who is to fathom it?"
|
|
|
|
"In other words, ma'am--though he hadn't the shadow of a reason for taking
|
|
the Diamond--he might have taken it, nevertheless, through natural depravity.
|
|
Very well. Say he did. Why the devil----"
|
|
|
|
"I beg your pardon, Mr. Bruff. If I hear the devil referred
|
|
to in that manner, I must leave the room."
|
|
|
|
"I beg YOUR pardon, Miss Clack--I'll be more careful in my choice
|
|
of language for the future. All I meant to ask was this.
|
|
Why--even supposing he did take the Diamond--should Franklin
|
|
Blake make himself the most prominent person in the house
|
|
in trying to recover it? You may tell me he cunningly did
|
|
that to divert suspicion from himself. I answer that he had
|
|
no need to divert suspicion--because nobody suspected him.
|
|
He first steals the Moonstone (without the slightest reason)
|
|
through natural depravity; and he then acts a part, in relation
|
|
to the loss of the jewel, which there is not the slightest
|
|
necessity to act, and which leads to his mortally offending
|
|
the young lady who would otherwise have married him.
|
|
That is the monstrous proposition which you are driven
|
|
to assert, if you attempt to associate the disappearance
|
|
of the Moonstone with Franklin Blake. No, no, Miss Clack!
|
|
After what has passed here to-day, between us two, the dead-lock,
|
|
in this case, is complete. Rachel's own innocence is
|
|
(as her mother knows, and as I know) beyond a doubt.
|
|
Mr. Ablewhite's innocence is equally certain--or Rachel would
|
|
never have testified to it. And Franklin Blake's innocence,
|
|
as you have just seen, unanswerably asserts itself.
|
|
On the one hand, we are morally certain of all these things.
|
|
And, on the other hand, we are equally sure that somebody has
|
|
brought the Moonstone to London, and that Mr. Luker, or his banker,
|
|
is in private possession of it at this moment. What is the use
|
|
of my experience, what is the use of any person's experience,
|
|
in such a case as that? It baffles me; it baffles you,
|
|
it baffles everybody."
|
|
|
|
No--not everybody. It had not baffled Sergeant Cuff.
|
|
I was about to mention this, with all possible mildness,
|
|
and with every necessary protest against being supposed
|
|
to cast a slur upon Rachel--when the servant came in to say
|
|
that the doctor had gone, and that my aunt was waiting to
|
|
receive us.
|
|
|
|
This stopped the discussion. Mr. Bruff collected his papers, looking a
|
|
little exhausted by the demands which our conversation had made on him.
|
|
I took up my bag-full of precious publications, feeling as if I could
|
|
have gone on talking for hours. We proceeded in silence to Lady
|
|
Verinder's room.
|
|
|
|
Permit me to add here, before my narrative advances to other events,
|
|
that I have not described what passed between the lawyer and me,
|
|
without having a definite object in view. I am ordered to include
|
|
in my contribution to the shocking story of the Moonstone
|
|
a plain disclosure, not only of the turn which suspicion took,
|
|
but even of the names of the persons on whom suspicion rested,
|
|
at the time when the Indian Diamond was believed to be in London.
|
|
A report of my conversation in the library with Mr. Bruff appeared to me
|
|
to be exactly what was wanted to answer this purpose--while, at the
|
|
same time, it possessed the great moral advantage of rendering
|
|
a sacrifice of sinful self-esteem essentially necessary on my part.
|
|
I have been obliged to acknowledge that my fallen nature got
|
|
the better of me. In making that humiliating confession, I get
|
|
the better of my fallen nature. The moral balance is restored;
|
|
the spiritual atmosphere feels clear once more. Dear friends, we may go
|
|
on again.
|
|
|
|
|
|
|
|
CHAPTER IV
|
|
|
|
|
|
The signing of the Will was a much shorter matter than I had anticipated.
|
|
It was hurried over, to my thinking, in indecent haste. Samuel, the footman,
|
|
was sent for to act as second witness--and the pen was put at once into my
|
|
aunt's hand. I felt strongly urged to say a few appropriate words on this
|
|
solemn occasion. But Mr. Bruff's manner convinced me that it was wisest
|
|
to check the impulse while he was in the room. In less than two minutes it
|
|
was all over--and Samuel (unbenefited by what I might have said) had gone
|
|
downstairs again.
|
|
|
|
Mr. Bruff folded up the Will, and then looked my way;
|
|
apparently wondering whether I did or did not mean to leave
|
|
him alone with my aunt. I had my mission of mercy to fulfil,
|
|
and my bag of precious publications ready on my lap.
|
|
He might as well have expected to move St. Paul's Cathedral
|
|
by looking at it, as to move Me. There was one merit about him
|
|
(due no doubt to his worldly training) which I have no wish to deny.
|
|
He was quick at seeing things. I appeared to produce almost
|
|
the same impression on him which I had produced on the cabman.
|
|
HE too uttered a profane expression, and withdrew in a violent hurry,
|
|
and left me mistress of the field.
|
|
|
|
As soon as we were alone, my aunt reclined on the sofa, and then alluded,
|
|
with some appearance of confusion, to the subject of her Will.
|
|
|
|
"I hope you won't think yourself neglected, Drusilla," she said.
|
|
"I mean to GIVE you your little legacy, my dear, with my
|
|
own hand."
|
|
|
|
Here was a golden opportunity! I seized it on the spot.
|
|
In other words, I instantly opened my bag, and took out
|
|
the top publication. It proved to be an early edition--
|
|
only the twenty-fifth--of the famous anonymous work (believed to
|
|
be by precious Miss Bellows), entitled THE SERPENT AT HOME.
|
|
The design of the book--with which the worldly reader may not
|
|
be acquainted--is to show how the Evil One lies in wait for us
|
|
in all the most apparently innocent actions of our daily lives.
|
|
The chapters best adapted to female perusal are "Satan
|
|
in the Hair Brush;" "Satan behind the Looking Glass;"
|
|
"Satan under the Tea Table;" "Satan out of the Window'--
|
|
and many others.
|
|
|
|
"Give your attention, dear aunt, to this precious book--
|
|
and you will give me all I ask. "With those words, I handed
|
|
it to her open, at a marked passage--one continuous burst of
|
|
burning eloquence! Subject: Satan among the Sofa Cushions.
|
|
|
|
Poor Lady Verinder (reclining thoughtlessly on her own sofa cushions)
|
|
glanced at the book, and handed it back to me looking more confused
|
|
than ever.
|
|
|
|
"I'm afraid, Drusilla," she said, "I must wait till I am a little better,
|
|
before I can read that. The doctor----"
|
|
|
|
The moment she mentioned the doctor's name, I knew what was coming.
|
|
Over and over again in my past experience among my perishing
|
|
fellow-creatures, the members of the notoriously infidel profession
|
|
of Medicine had stepped between me and my mission of mercy--
|
|
on the miserable pretence that the patient wanted quiet,
|
|
and that the disturbing influence of all others which they
|
|
most dreaded, was the influence of Miss Clack and her Books.
|
|
Precisely the same blinded materialism (working treacherously
|
|
behind my back) now sought to rob me of the only right of property
|
|
that my poverty could claim--my right of spiritual property in my
|
|
perishing aunt.
|
|
|
|
"The doctor tells me," my poor misguided relative went on, "that I am
|
|
not so well to-day. He forbids me to see any strangers; and he orders me,
|
|
if I read at all, only to read the lightest and the most amusing books.
|
|
'Do nothing, Lady Verinder, to weary your head, or to quicken your pulse'--
|
|
those were his last words, Drusilla, when he left me to-day."
|
|
|
|
There was no help for it but to yield again--for the moment only, as before.
|
|
Any open assertion of the infinitely superior importance of such a ministry
|
|
as mine, compared with the ministry of the medical man, would only have
|
|
provoked the doctor to practise on the human weakness of his patient,
|
|
and to threaten to throw up the case. Happily, there are more ways than one
|
|
of sowing the good seed, and few persons are better versed in those ways
|
|
than myself.
|
|
|
|
"You might feel stronger, dear, in an hour or two," I said.
|
|
"Or you might wake, to-morrow morning, with a sense of something wanting,
|
|
and even this unpretending volume might be able to supply it.
|
|
You will let me leave the book, aunt? The doctor can hardly object
|
|
to that!"
|
|
|
|
I slipped it under the sofa cushions, half in, and half out,
|
|
close by her handkerchief, and her smelling-bottle. Every time
|
|
her hand searched for either of these, it would touch the book;
|
|
and, sooner or later (who knows?) the book might touch HER.
|
|
After making this arrangement, I thought it wise to withdraw.
|
|
"Let me leave you to repose, dear aunt; I will call again to-morrow."
|
|
I looked accidentally towards the window as I said that.
|
|
It was full of flowers, in boxes and pots. Lady Verinder was
|
|
extravagantly fond of these perishable treasures, and had a habit of
|
|
rising every now and then, and going to look at them and smell them.
|
|
A new idea flashed across my mind. "Oh! may I take a flower?"
|
|
I said--and got to the window unsuspected, in that way.
|
|
Instead of taking away a flower, I added one, in the shape
|
|
of another book from my bag, which I left, to surprise my aunt,
|
|
among the geraniums and roses. The happy thought followed,
|
|
"Why not do the same for her, poor dear, in every other room
|
|
that she enters?" I immediately said good-bye; and, crossing
|
|
the hall, slipped into the library. Samuel, coming up to let
|
|
me out, and supposing I had gone, went down-stairs again.
|
|
On the library table I noticed two of the "amusing books"
|
|
which the infidel doctor had recommended. I instantly covered
|
|
them from sight with two of my own precious publications.
|
|
In the breakfast-room I found my aunt's favourite canary singing
|
|
in his cage. She was always in the habit of feeding the bird herself.
|
|
Some groundsel was strewed on a table which stood immediately
|
|
under the cage. I put a book among the groundsel.
|
|
In the drawing-room I found more cheering opportunities
|
|
of emptying my bag. My aunt's favourite musical pieces were
|
|
on the piano. I slipped in two more books among the music.
|
|
I disposed of another in the back drawing-room, under some
|
|
unfinished embroidery, which I knew to be of Lady Verinder's working.
|
|
A third little room opened out of the back drawing-room,
|
|
from which it was shut off by curtains instead of a door.
|
|
My aunt's plain old-fashioned fan was on the chimney-piece. I
|
|
opened my ninth book at a very special passage, and put the fan
|
|
in as a marker, to keep the place. The question then came,
|
|
whether I should go higher still, and try the bed-room floor--
|
|
at the risk, undoubtedly, of being insulted, if the person
|
|
with the cap-ribbons happened to be in the upper regions
|
|
of the house, and to find me put. But oh, what of that?
|
|
It is a poor Christian that is afraid of being insulted.
|
|
I went upstairs, prepared to bear anything. All was silent
|
|
and solitary--it was the servants' tea-time, I suppose.
|
|
My aunt's room was in front. The minature of my late
|
|
dear uncle, Sir John, hung on the wall opposite the bed.
|
|
It seemed to smile at me; it seemed to say, "Drusilla! deposit
|
|
a book." There were tables on either side of my aunt's bed.
|
|
She was a bad sleeper, and wanted, or thought she wanted,
|
|
many things at night. I put a book near the matches on one side,
|
|
and a book under the box of chocolate drops on the other.
|
|
Whether she wanted a light, or whether she wanted a drop,
|
|
there was a precious publication to meet her eye, or to meet
|
|
her hand, and to say with silent eloquence, in either case,
|
|
"Come, try me! try me!" But one book was now left at the bottom
|
|
of my bag, and but one apartment was still unexplored--
|
|
the bath-room, which opened out of the bed-room. I peeped in;
|
|
and the holy inner voice that never deceives, whispered to me,
|
|
"You have met her, Drusilla, everywhere else; meet her at
|
|
the bath, and the work is done." I observed a dressing-gown
|
|
thrown across a chair. It had a pocket in it, and in that
|
|
pocket I put my last book. Can words express my exquisite
|
|
sense of duty done, when I had slipped out of the house,
|
|
unsuspected by any of them, and when I found myself in the street
|
|
with my empty bag under my arm? Oh, my worldly friends,
|
|
pursuing the phantom, Pleasure, through the guilty mazes
|
|
of Dissipation, how easy it is to be happy, if you will only be
|
|
good!
|
|
|
|
When I folded up my things that night--when I reflected on
|
|
the true riches which I had scattered with such a lavish hand,
|
|
from top to bottom of the house of my wealthy aunt--I declare I
|
|
felt as free from all anxiety as if I had been a child again.
|
|
I was so light-hearted that I sang a verse of the Evening Hymn.
|
|
I was so light-hearted that I fell asleep before I could
|
|
sing another. Quite like a child again! quite like a
|
|
child again!
|
|
|
|
So I passed that blissful night. On rising the next morning,
|
|
how young I felt! I might add, how young I looked, if I were
|
|
capable of dwelling on the concerns of my own perishable body.
|
|
But I am not capable--and I add nothing.
|
|
|
|
Towards luncheon time--not for the sake of the creature-comforts, but for the
|
|
certainty of finding dear aunt--I put on my bonnet to go to Montagu Square.
|
|
Just as I was ready, the maid at the lodgings in which I then lived looked
|
|
in at the door, and said, "Lady Verinder's servant, to see Miss Clack."
|
|
|
|
I occupied the parlour-floor, at that period of my residence in London.
|
|
The front parlour was my sitting-room. Very small, very low in the ceiling,
|
|
very poorly furnished--but, oh, so neat! I looked into the passage
|
|
to see which of Lady Verinder's servants had asked for me.
|
|
It was the young footman, Samuel--a civil fresh-coloured person, with a
|
|
teachable look and a very obliging manner. I had always felt a spiritual
|
|
interest in Samuel, and a wish to try him with a few serious words.
|
|
On this occasion, I invited him into my sitting-room.
|
|
|
|
He came in, with a large parcel under his arm.
|
|
When he put the parcel down, it appeared to frighten him.
|
|
"My lady's love, Miss; and I was to say that you would find
|
|
a letter inside." Having given that message, the fresh-coloured
|
|
young footman surprised me by looking as if he would have liked
|
|
to run away.
|
|
|
|
I detained him to make a few kind inquiries. Could I see my aunt,
|
|
if I called in Montagu Square? No; she had gone out for a drive.
|
|
Miss Rachel had gone with her, and Mr. Ablewhite had taken a seat
|
|
in the carriage, too. Knowing how sadly dear Mr. Godfrey's charitable
|
|
work was in arrear, I thought it odd that he should be going out driving,
|
|
like an idle man. I stopped Samuel at the door, and made a few
|
|
more kind inquiries. Miss Rachel was going to a ball that night,
|
|
and Mr. Ablewhite had arranged to come to coffee, and go with her.
|
|
There was a morning concert advertised for to-morrow, and Samuel was ordered
|
|
to take places for a large party, including a place for Mr. Ablewhite.
|
|
"All the tickets may be gone, Miss," said this innocent youth,
|
|
"if I don't run and get them at once!" He ran as he said the words--
|
|
and I found myself alone again, with some anxious thoughts to
|
|
occupy me.
|
|
|
|
We had a special meeting of the Mothers'-Small-Clothes-Conversion Society
|
|
that night, summoned expressly with a view to obtaining Mr. Godfrey's advice
|
|
and assistance. Instead of sustaining our sisterhood, under an overwhelming
|
|
flow of Trousers which quite prostrated our little community, he had
|
|
arranged to take coffee in Montagu Square, and to go to a ball afterwards!
|
|
The afternoon of the next day had been selected for the Festival of
|
|
the British-Ladies'- Servants'-Sunday-Sweetheart-Supervision Society.
|
|
Instead of being present, the life and soul of that struggling Institution,
|
|
he had engaged to make one of a party of worldlings at a morning concert!
|
|
I asked myself what did it mean? Alas! it meant that our Christian
|
|
Hero was to reveal himself to me in a new character, and to become
|
|
associated in my mind with one of the most awful backslidings of
|
|
modern times.
|
|
|
|
To return, however, to the history of the passing day.
|
|
On finding myself alone in my room, I naturally turned
|
|
my attention to the parcel which appeared to have so
|
|
strangely intimidated the fresh-coloured young footman.
|
|
Had my aunt sent me my promised legacy? and had it taken
|
|
the form of cast-off clothes, or worn-out silver spoons,
|
|
or unfashionable jewellery, or anything of that sort?
|
|
Prepared to accept all, and to resent nothing, I opened the parcel--
|
|
and what met my view? The twelve precious publications
|
|
which I had scattered through the house, on the previous day;
|
|
all returned to me by the doctor's orders! Well might the youthful
|
|
Samuel shrink when he brought his parcel into my room!
|
|
Well might he run when he had performed his miserable errand!
|
|
As to my aunt's letter, it simply amounted, poor soul, to this--
|
|
that she dare not disobey her medical man.
|
|
|
|
What was to be done now? With my training and my principles,
|
|
I never had a moment's doubt.
|
|
|
|
Once self-supported by conscience, once embarked on a career
|
|
of manifest usefulness, the true Christian never yields.
|
|
Neither public nor private influences produce the slightest
|
|
effect on us, when we have once got our mission. Taxation may
|
|
be the consequence of a mission; riots may be the consequence
|
|
of a mission; wars may be the consequence of a mission:
|
|
we go on with our work, irrespective of every human consideration
|
|
which moves the world outside us. We are above reason;
|
|
we are beyond ridicule; we see with nobody's eyes, we hear
|
|
with nobody's ears, we feel with nobody's hearts, but our own.
|
|
Glorious, glorious privilege! And how is it earned? Ah, my friends,
|
|
you may spare yourselves the useless inquiry! We are the only
|
|
people who can earn it--for we are the only people who are
|
|
always right.
|
|
|
|
In the case of my misguided aunt, the form which pious perseverance
|
|
was next to take revealed itself to me plainly enough.
|
|
|
|
Preparation by clerical friends had failed, owing to Lady Verinder's
|
|
own reluctance. Preparation by books had failed, owing to the doctor's
|
|
infidel obstinacy. So be it! What was the next thing to try?
|
|
The next thing to try was--Preparation by Little Notes.
|
|
In other words, the books themselves having been sent back,
|
|
select extracts from the books, copied by different hands, and all
|
|
addressed as letters to my aunt, were, some to be sent by post,
|
|
and some to be distributed about the house on the plan I had adopted
|
|
on the previous day. As letters they would excite no suspicion;
|
|
as letters they would be opened--and, once opened, might be read.
|
|
Some of them I wrote myself. "Dear aunt, may I ask your attention
|
|
to a few lines?" &c. "Dear aunt, I was reading last night,
|
|
and I chanced on the following passage," &c. Other letters
|
|
were written for me by my valued fellow-workers, the sisterhood
|
|
at the Mothers'-Small-Clothes. "Dear madam, pardon the interest
|
|
taken in you by a true, though humble, friend." " Dear madam,
|
|
may a serious person surprise you by saying a few cheering words?"
|
|
Using these and other similar forms of courteous appeal,
|
|
we reintroduced all my precious passages under a form which
|
|
not even the doctor's watchful materialism could suspect.
|
|
Before the shades of evening had closed around us, I had a dozen
|
|
awakening letters for my aunt, instead of a dozen awakening books.
|
|
Six I made immediate arrangements for sending through the post,
|
|
and six I kept in my pocket for personal distribution in the house
|
|
the next day.
|
|
|
|
Soon after two o'clock I was again on the field of pious conflict,
|
|
addressing more kind inquiries to Samuel at Lady Verinder's door.
|
|
|
|
My aunt had had a bad night. She was again in the room in which I had
|
|
witnessed her Will, resting on the sofa, and trying to get a little sleep.
|
|
|
|
I said I would wait in the library, on the chance of seeing her.
|
|
In the fervour of my zeal to distribute the letters, it never
|
|
occurred to me to inquire about Rachel. The house was quiet,
|
|
and it was past the hour at which the musical performance began.
|
|
I took it for granted that she and her party of pleasure-seekers
|
|
(Mr. Godfrey, alas! included) were all at the concert, and eagerly
|
|
devoted myself to my good work, while time and opportunity were still at
|
|
my own disposal.
|
|
|
|
My aunt's correspondence of the morning--including the six awakening letters
|
|
which I had posted overnight--was lying unopened on the library table.
|
|
She had evidently not felt herself equal to dealing with a large
|
|
mass of letters--and she might be daunted by the number of them,
|
|
if she entered the library later in the day. I put one of my second set
|
|
of six letters on the chimney-piece by itself; leaving it to attract
|
|
her curiosity, by means of its solitary position, apart from the rest.
|
|
A second letter I put purposely on the floor in the breakfast-room.
|
|
The first servant who went in after me would conclude that my aunt
|
|
had dropped it, and would be specially careful to restore it to her.
|
|
The field thus sown on the basement story, I ran lightly upstairs to scatter
|
|
my mercies next over the drawing-room floor.
|
|
|
|
Just as I entered the front room, I heard a double knock at
|
|
the street-door--a soft, fluttering, considerate little knock.
|
|
Before I could think of slipping back to the library (in which I
|
|
was supposed to be waiting), the active young footman was in
|
|
the hall, answering the door. It mattered little, as I thought.
|
|
In my aunt's state of health, visitors in general were not admitted.
|
|
To my horror and amazement, the performer of the soft little
|
|
knock proved to be an exception to general rules. Samuel's voice
|
|
below me (after apparently answering some questions which I did
|
|
not hear) said, unmistakably, "Upstairs, if you please, sir."
|
|
The next moment I heard footsteps--a man's footsteps--
|
|
approaching the drawing-room floor. Who could this favoured
|
|
male visitor possibly be? Almost as soon as I asked myself
|
|
the question, the answer occurred to me. Who COULD it be but
|
|
the doctor?
|
|
|
|
In the case of any other visitor, I should have allowed
|
|
myself to be discovered in the drawing-room. There would
|
|
have been nothing out of the common in my having got tired
|
|
of the library, and having gone upstairs for a change.
|
|
But my own self-respect stood in the way of my meeting
|
|
the person who had insulted me by sending me back my books.
|
|
I slipped into the little third room, which I have mentioned as
|
|
communicating with the back drawing-room, and dropped the curtains
|
|
which closed the open doorway. If I only waited there for a
|
|
minute or two, the usual result in such cases would take place.
|
|
That is to say, the doctor would be conducted to his
|
|
patient's room.
|
|
|
|
I waited a minute or two, and more than a minute or two.
|
|
I heard the visitor walking restlessly backwards and forwards.
|
|
I also heard him talking to himself. I even thought I
|
|
recognised the voice. Had I made a mistake? Was it not
|
|
the doctor, but somebody else? Mr. Bruff, for instance?
|
|
No! an unerring instinct told me it was not Mr. Bruff.
|
|
Whoever he was, he was still talking to himself.
|
|
I parted the heavy curtains the least little morsel in the world,
|
|
and listened.
|
|
|
|
The words I heard were, "I'll do it to-day!" And the voice that spoke
|
|
them was Mr. Godfrey Ablewhite's.
|
|
|
|
|
|
|
|
CHAPTER V
|
|
|
|
|
|
My hand dropped from the curtain. But don't suppose--oh, don't suppose--
|
|
that the dreadful embarrassment of my situation was the uppermost
|
|
idea in my mind! So fervent still was the sisterly interest
|
|
I felt in Mr. Godfrey, that I never stopped to ask myself why
|
|
he was not at the concert. No! I thought only of the words--
|
|
the startling words--which had just fallen from his lips.
|
|
He would do it to-day. He had said, in a tone of terrible resolution,
|
|
he would do it to-day. What, oh what, would he do? Something even
|
|
more deplorably unworthy of him than what he had done already?
|
|
Would he apostatise from the faith? Would he abandon us at
|
|
the Mothers'-Small-Clothes? Had we seen the last of his angelic
|
|
smile in the committee-room? Had we heard the last of his unrivalled
|
|
eloquence at Exeter Hall? I was so wrought up by the bare idea
|
|
of such awful eventualities as these in connection with such a man,
|
|
that I believe I should have rushed from my place of concealment,
|
|
and implored him in the name of all the Ladies' Committees in
|
|
London to explain himself--when I suddenly heard another voice
|
|
in the room. It penetrated through the curtains; it was loud,
|
|
it was bold, it was wanting in every female charm. The voice of
|
|
Rachel Verinder.
|
|
|
|
"Why have you come up here, Godfrey?" she asked. "Why didn't
|
|
you go into the library?"
|
|
|
|
He laughed softly, and answered, "Miss Clack is in the library."
|
|
|
|
"Clack in the library!" She instantly seated herself on the ottoman
|
|
in the back drawing-room. "You are quite right, Godfrey. We had much
|
|
better stop here."
|
|
|
|
I had been in a burning fever, a moment since, and in some doubt what
|
|
to do next. I became extremely cold now, and felt no doubt whatever.
|
|
To show myself, after what I had heard, was impossible. To retreat--
|
|
except into the fireplace--was equally out of the question.
|
|
A martyrdom was before me. In justice to myself, I noiselessly
|
|
arranged the curtains so that I could both see and hear. And then I
|
|
met my martyrdom, with the spirit of a primitive Christian.
|
|
|
|
"Don't sit on the ottoman," the young lady proceeded.
|
|
"Bring a chair, Godfrey. I like people to be opposite to me when I
|
|
talk to them."
|
|
|
|
He took the nearest seat. It was a low chair. He was very tall,
|
|
and many sizes too large for it. I never saw his legs to such
|
|
disadvantage before.
|
|
|
|
"Well?" she went on. "What did you say to them?"
|
|
|
|
"Just what you said, dear Rachel, to me."
|
|
|
|
"That mamma was not at all well to-day? And that I didn't quite
|
|
like leaving her to go to the concert?"
|
|
|
|
"Those were the words. They were grieved to lose you at the concert,
|
|
but they quite understood. All sent their love; and all expressed
|
|
a cheering belief that Lady Verinder's indisposition would soon
|
|
pass away."
|
|
|
|
"YOU don't think it's serious, do you, Godfrey?"
|
|
|
|
"Far from it! In a few days, I feel quite sure, all will be well again."
|
|
|
|
"I think so, too. I was a little frightened at first, but I think so too.
|
|
It was very kind to go and make my excuses for me to people who are almost
|
|
strangers to you. But why not have gone with them to the concert?
|
|
It seems very hard that you should miss the music too."
|
|
|
|
"Don't say that, Rachel! If you only knew how much happier
|
|
I am--here, with you!"
|
|
|
|
He clasped his hands, and looked at her. In the position
|
|
which he occupied, when he did that, he turned my way.
|
|
Can words describe how I sickened when I noticed exactly
|
|
the same pathetic expression on his face, which had charmed me
|
|
when he was pleading for destitute millions of his fellow-creatures
|
|
on the platform at Exeter Hall!
|
|
|
|
"It's hard to get over one's bad habits, Godfrey. But do try
|
|
to get over the habit of paying compliments--do, to please me."
|
|
|
|
"I never paid you a compliment, Rachel, in my life.
|
|
Successful love may sometimes use the language of flattery, I admit.
|
|
But hopeless love, dearest, always speaks the truth."
|
|
|
|
He drew his chair close, and took her hand, when he said "hopeless love."
|
|
There was a momentary silence. He, who thrilled everybody, had doubtless
|
|
thrilled HER. I thought I now understood the words which had dropped
|
|
from him when he was alone in the drawing-room, "I'll do it to-day."
|
|
Alas! the most rigid propriety could hardly have failed to discover that
|
|
he was doing it now.
|
|
|
|
"Have you forgotten what we agreed on, Godfrey, when you spoke
|
|
to me in the country? We agreed that we were to be cousins,
|
|
and nothing more."
|
|
|
|
"I break the agreement, Rachel, every time I see you."
|
|
|
|
"Then don't see me."
|
|
|
|
"Quite useless! I break the agreement every time I think of you.
|
|
Oh, Rachel! how kindly you told me, only the other day, that my place
|
|
in your estimation was a higher place than it had ever been yet!
|
|
Am I mad to build the hopes I do on those dear words?
|
|
Am I mad to dream of some future day when your heart may soften to me?
|
|
Don't tell me so, if I am! Leave me my delusion, dearest!
|
|
I must have THAT to cherish, and to comfort me, if I have
|
|
nothing else!"
|
|
|
|
His voice trembled, and he put his white handkerchief to his eyes.
|
|
Exeter Hall again! Nothing wanting to complete the parallel but
|
|
the audience, the cheers, and the glass of water.
|
|
|
|
Even her obdurate nature was touched. I saw her lean a little nearer to him.
|
|
I heard a new tone of interest in her next words.
|
|
|
|
"Are you really sure, Godfrey, that you are so fond of me as that?"
|
|
|
|
"Sure! You know what I was, Rachel. Let me tell you what I am.
|
|
I have lost every interest in life, but my interest in you.
|
|
A transformation has come over me which I can't account for, myself.
|
|
Would you believe it? My charitable business is an unendurable
|
|
nuisance to me; and when I see a Ladies' Committee now, I wish
|
|
myself at the uttermost ends of the earth!"
|
|
|
|
If the annals of apostasy offer anything comparable to such a declaration
|
|
as that, I can only say that the case in point is not producible from
|
|
the stores of my reading. I thought of the Mothers'-Small-Clothes. I thought
|
|
of the Sunday-Sweetheart-Supervision. I thought of the other Societies,
|
|
too numerous to mention, all built up on this man as on a tower of strength.
|
|
I thought of the struggling Female Boards, who, so to speak, drew the breath
|
|
of their business-life through the nostrils of Mr. Godfrey--of that same
|
|
Mr. Godfrey who had just reviled our good work as a "nuisance"--and just
|
|
declared that he wished he was at the uttermost ends of the earth when he
|
|
found himself in our company! My young female friends will feel encouraged
|
|
to persevere, when I mention that it tried even My discipline before I could
|
|
devour my own righteous indignation in silence. At the same time, it is only
|
|
justice to myself to add, that I didn't lose a syllable of the conversation.
|
|
Rachel was the next to speak.
|
|
|
|
"You have made your confession," she said. "I wonder whether it
|
|
would cure you of your unhappy attachment to me, if I made mine?"
|
|
|
|
He started. I confess I started too. He thought, and I thought,
|
|
that she was about to divulge the mystery of the Moonstone.
|
|
|
|
"Would you think, to look at me," she went on, "that I am the wretchedest
|
|
girl living? It's true, Godfrey. What greater wretchedness can there
|
|
be than to live degraded in your own estimation? That is my life now."
|
|
|
|
"My dear Rachel! it's impossible you can have any reason to speak
|
|
of yourself in that way!"
|
|
|
|
"How do you know I have no reason?"
|
|
|
|
"Can you ask me the question! I know it, because I know you.
|
|
Your silence, dearest, has never lowered you in the estimation
|
|
of your true friends. The disappearance of your precious birthday
|
|
gift may seem strange; your unexplained connection with that event
|
|
may seem stranger still
|
|
|
|
"Are you speaking of the Moonstone, Godfrey----"
|
|
|
|
"I certainly thought that you referred----"
|
|
|
|
"I referred to nothing of the sort. I can hear of the loss of the Moonstone,
|
|
let who will speak of it, without feeling degraded in my own estimation.
|
|
If the story of the Diamond ever comes to light, it will be known that I
|
|
accepted a dreadful responsibility; it will be known that I involved myself
|
|
in the keeping of a miserable secret--but it will be as clear as the sun
|
|
at noon-day that I did nothing mean! You have misunderstood me, Godfrey.
|
|
It's my fault for not speaking more plainly. Cost me what it may, I will be
|
|
plainer now. Suppose you were not in love with me? Suppose you were in love
|
|
with some other woman?"
|
|
|
|
"Yes?"
|
|
|
|
"Suppose you discovered that woman to be utterly unworthy of you?
|
|
Suppose you were quite convinced that it was a disgrace to you
|
|
to waste another thought on her? Suppose the bare idea of ever
|
|
marrying such a person made your face burn, only with thinking
|
|
of it."
|
|
|
|
"Yes?"
|
|
|
|
"And, suppose, in spite of all that--you couldn't tear her from your heart?
|
|
Suppose the feeling she had roused in you (in the time when you
|
|
believed in her) was not a feeling to be hidden? Suppose the love this
|
|
wretch had inspired in you? Oh, how can I find words to say it in!
|
|
How can I make a MAN understand that a feeling which horrifies me at myself,
|
|
can be a feeling that fascinates me at the same time? It's the breath
|
|
of my life, Godfrey, and it's the poison that kills me--both in one!
|
|
Go away! I must be out of my mind to talk as I am talking now.
|
|
No! you mustn't leave me--you mustn't carry away a wrong impression.
|
|
I must say what is to be said in my own defence. Mind this!
|
|
HE doesn't know--he never will know, what I have told you.
|
|
I will never see him--I don't care what happens--I will never, never,
|
|
never see him again! Don't ask me his name! Don't ask me any more!
|
|
Let's change the subject. Are you doctor enough, Godfrey, to tell me
|
|
why I feel as if I was stifling for want of breath? Is there a form
|
|
of hysterics that bursts into words instead of tears? I dare say!
|
|
What does it matter? You will get over any trouble I have caused you,
|
|
easily enough now. I have dropped to my right place in your estimation,
|
|
haven't I? Don't notice me! Don't pity me! For God's sake, go
|
|
away!"
|
|
|
|
She turned round on a sudden, and beat her hands wildly on
|
|
the back of the ottoman. Her head dropped on the cushions;
|
|
and she burst out crying. Before I had time to feel shocked,
|
|
at this, I was horror-struck by an entirely unexpected proceeding
|
|
on the part of Mr. Godfrey. Will it be credited that he fell
|
|
on his knees at her feet.?--on BOTH knees, I solemnly declare!
|
|
May modesty mention that he put his arms round her next?
|
|
And may reluctant admiration acknowledge that he electrified her with
|
|
two words?
|
|
|
|
"Noble creature!"
|
|
|
|
No more than that! But he did it with one of the bursts which have made
|
|
his fame as a public speaker. She sat, either quite thunderstruck,
|
|
or quite fascinated--I don't know which--without even making
|
|
an effort to put his arms back where his arms ought to have been.
|
|
As for me, my sense of propriety was completely bewildered.
|
|
I was so painfully uncertain whether it was my first duty
|
|
to close my eyes, or to stop my ears, that I did neither.
|
|
I attribute my being still able to hold the curtain in the right
|
|
position for looking and listening, entirely to suppressed hysterics.
|
|
In suppressed hysterics, it is admitted, even by the doctors, that one
|
|
must hold something.
|
|
|
|
"Yes," he said, with all the fascination of his
|
|
evangelical voice and manner, "you are a noble creature!
|
|
A woman who can speak the truth, for the truth's own sake--
|
|
a woman who will sacrifice her pride, rather than sacrifice an
|
|
honest man who loves her--is the most priceless of all treasures.
|
|
When such a woman marries, if her husband only wins her esteem
|
|
and regard, he wins enough to ennoble his whole life.
|
|
You have spoken, dearest, of your place in my estimation.
|
|
Judge what that place is--when I implore you on my knees,
|
|
to let the cure of your poor wounded heart be my care.
|
|
Rachel! will you honour me, will you bless me, by being
|
|
my wife?"
|
|
|
|
By this time I should certainly have decided on stopping my ears,
|
|
if Rachel had not encouraged me to keep them open, by answering him
|
|
in the first sensible words I had ever heard fall from her lips.
|
|
|
|
"Godfrey!" she said, "you must be mad!"
|
|
|
|
"I never spoke more reasonably, dearest--in your interests,
|
|
as well as in mine. Look for a moment to the future.
|
|
Is your happiness to be sacrificed to a man who has never known how you
|
|
feel towards him, and whom you are resolved never to see again?
|
|
Is it not your duty to yourself to forget this ill-fated attachment?
|
|
and is forgetfulness to be found in the life you are leading now?
|
|
You have tried that life, and you are wearying of it already.
|
|
Surround yourself with nobler interests than the wretched interests
|
|
of the world. A heart that loves and honours you; a home whose
|
|
peaceful claims and happy duties win gently on you day by day--
|
|
try the consolation, Rachel, which is to be found THERE!
|
|
I don't ask for your love--I will be content with your affection
|
|
and regard. Let the rest be left, confidently left, to your
|
|
husband's devotion, and to Time that heals even wounds as deep
|
|
as yours."
|
|
|
|
She began to yield already. Oh, what a bringing-up she must have had!
|
|
Oh, how differently I should have acted in her place!
|
|
|
|
"Don't tempt me, Godfrey," she said; "I am wretched enough and reckless enough
|
|
as it is. Don't tempt me to be more wretched and more wreckless still!"
|
|
|
|
"One question, Rachel. Have you any personal objection to me?"
|
|
|
|
"I! I always liked you. After what you have just said to me,
|
|
I should be insensible indeed if I didn't respect and admire you
|
|
as well."
|
|
|
|
"Do you know many wives, my dear Rachel, who respect and admire
|
|
their husbands? And yet they and their husbands get on very well.
|
|
How many brides go to the altar with hearts that would bear inspection
|
|
by the men who take them there? And yet it doesn't end unhappily--
|
|
somehow or other the nuptial establishment jogs on. The truth is,
|
|
that women try marriage as a Refuge, far more numerously than they
|
|
are willing to admit; and, what is more, they find that marriage has
|
|
justified their confidence in it. Look at your own case once again.
|
|
At your age, and with your attractions, is it possible for you to
|
|
sentence yourself to a single life? Trust my knowledge of the world--
|
|
nothing is less possible. It is merely a question of time.
|
|
You may marry some other man, some years hence. Or you may marry
|
|
the man, dearest, who is now at your feet, and who prizes your respect
|
|
and admiration above the love of any other woman on the face of
|
|
the earth."
|
|
|
|
"Gently, Godfrey! you are putting something into my head
|
|
which I never thought of before. You are tempting me with a
|
|
new prospect, when all my other prospects are closed before me.
|
|
I tell you again, I am miserable enough and desperate enough,
|
|
if you say another word, to marry you on your own terms.
|
|
Take the warning, and go!"
|
|
|
|
"I won't even rise from my knees, till you have said yes!"
|
|
|
|
"If I say yes you will repent, and I shall repent, when it is too late!"
|
|
|
|
"We shall both bless the day, darling, when I pressed, and when you yielded."
|
|
|
|
"Do you feel as confidently as you speak?"
|
|
|
|
"You shall judge for yourself. I speak from what I have seen in my
|
|
own family. Tell me what you think of our household at Frizinghall.
|
|
Do my father and mother live unhappily together?"
|
|
|
|
"Far from it--so far as I can see."
|
|
|
|
"When my mother was a girl, Rachel (it is no secret in the family), she had
|
|
loved as you love--she had given her heart to a man who was unworthy of her.
|
|
She married my father, respecting him, admiring him, but nothing more.
|
|
Your own eyes have seen the result. Is there no encouragement in it for you
|
|
and for me?" *
|
|
|
|
|
|
* See Betteredge's Narrative, chapter viii.
|
|
|
|
|
|
"You won't hurry me, Godfrey?"
|
|
|
|
"My time shall be yours."
|
|
|
|
"You won't ask me for more than I can give?"
|
|
|
|
"My angel! I only ask you to give me yourself."
|
|
|
|
"Take me!"
|
|
|
|
In those two words she accepted him!
|
|
|
|
He had another burst--a burst of unholy rapture this time.
|
|
He drew her nearer and nearer to him till her face touched his;
|
|
and then--No! I really cannot prevail upon myself to carry this
|
|
shocking disclosure any farther. Let me only say, that I tried to close
|
|
my eyes before it happened, and that I was just one moment too late.
|
|
I had calculated, you see, on her resisting. She submitted.
|
|
To every right-feeling person of my own sex, volumes could say
|
|
no more.
|
|
|
|
Even my innocence in such matters began to see its way to the end of
|
|
the interview now. They understood each other so thoroughly by this time,
|
|
that I fully expected to see them walk off together, arm in arm,
|
|
to be married. There appeared, however, judging by Mr. Godfrey's next words,
|
|
to be one more trifling formality which it was necessary to observe.
|
|
He seated himself--unforbidden this time--on the ottoman by her side.
|
|
"Shall I speak to your dear mother?" he asked. "Or will you?"
|
|
|
|
She declined both alternatives.
|
|
|
|
"Let my mother hear nothing from either of us, until she is better.
|
|
I wish it to be kept a secret for the present, Godfrey. Go now,
|
|
and come back this evening. We have been here alone together quite
|
|
long enough."
|
|
|
|
She rose, and in rising, looked for the first time towards the little
|
|
room in which my martyrdom was going on.
|
|
|
|
"Who has drawn those curtains?" she exclaimed.
|
|
|
|
"The room is close enough, as it is, without keeping the air
|
|
out of it in that way."
|
|
|
|
She advanced to the curtains. At the moment when she laid her hand on them--
|
|
at the moment when the discovery of me appeared to be quite inevitable--
|
|
the voice of the fresh-coloured young footman, on the stairs,
|
|
suddenly suspended any further proceedings on her side or on mine.
|
|
It was unmistakably the voice of a man in great alarm.
|
|
|
|
"Miss Rachel!" he called out, "where are you, Miss Rachel?"
|
|
|
|
She sprang back from the curtains, and ran to the door.
|
|
|
|
The footman came just inside the room. His ruddy colour was all gone.
|
|
He said, "Please to come down-stairs, Miss! My lady has fainted, and we
|
|
can't bring her to again."
|
|
|
|
In a moment more I was alone, and free to go down-stairs in my turn,
|
|
quite unobserved.
|
|
|
|
Mr. Godfrey passed me in the hall, hurrying out, to fetch the doctor.
|
|
"Go in, and help them!" he said, pointing to the room.
|
|
I found Rachel on her knees by the sofa, with her mother's head
|
|
on her bosom. One look at my aunt's face (knowing what I knew)
|
|
was enough to warn me of the dreadful truth. I kept my thoughts
|
|
to myself till the doctor came in. It was not long before he arrived.
|
|
He began by sending Rachel out of the room--and then he told
|
|
the rest of us that Lady Verinder was no more. Serious persons,
|
|
in search of proofs of hardened scepticism, may be interested
|
|
in hearing that he showed no signs of remorse when he looked
|
|
at Me.
|
|
|
|
At a later hour I peeped into the breakfast-room, and the library.
|
|
My aunt had died without opening one of the letters which I had addressed
|
|
to her. I was so shocked at this, that it never occurred to me,
|
|
until some days afterwards, that she had also died without giving me my
|
|
little legacy.
|
|
|
|
|
|
|
|
CHAPTER VI
|
|
|
|
|
|
(1.) "Miss Clack presents her compliments to Mr. Franklin Blake;
|
|
and, in sending him the fifth chapter of her humble narrative,
|
|
begs to say that she feels quite unequal to enlarge as she could wish
|
|
on an event so awful, under the circumstances, as Lady Verinder's death.
|
|
She has, therefore, attached to her own manuscripts, copious Extracts
|
|
from precious publications in her possession, all bearing on this
|
|
terrible subject. And may those Extracts (Miss Clack fervently hopes)
|
|
sound as the blast of a trumpet in the ears of her respected kinsman,
|
|
Mr. Franklin Blake."
|
|
|
|
(2.) "Mr. Franklin Blake presents his compliments to Miss Clack,
|
|
and begs to thank her for the fifth chapter of her narrative.
|
|
In returning the extracts sent with it, he will refrain from
|
|
mentioning any personal objection which he may entertain to this
|
|
species of literature, and will merely say that the proposed
|
|
additions to the manuscript are not necessary to the fulfilment
|
|
of the purpose that he has in view."
|
|
|
|
(3.) "Miss Clack begs to acknowledge the return of her Extracts.
|
|
She affectionately reminds Mr. Franklin Blake that she is a Christian,
|
|
and that it is, therefore, quite impossible for him to offend her.
|
|
Miss C. persists in feeling the deepest interest in Mr. Blake,
|
|
and pledges herself, on the first occasion when sickness may lay
|
|
him low, to offer him the use of her Extracts for the second time.
|
|
In the meanwhile she would be glad to know, before beginning
|
|
the final chapters of her narrative, whether she may be permitted
|
|
to make her humble contribution complete, by availing herself
|
|
of the light which later discoveries have thrown on the mystery of
|
|
the Moonstone."
|
|
|
|
(4.) "Mr. Franklin Blake is sorry to disappoint Miss Clack.
|
|
He can only repeat the instructions which he had the honour
|
|
of giving her when she began her narrative. She is requested
|
|
to limit herself to her own individual experience of persons
|
|
and events, as recorded in her diary. Later discoveries she
|
|
will be good enough to leave to the pens of those persons who can
|
|
write in the capacity of actual witnesses."
|
|
|
|
(5.) "Miss Clack is extremely sorry to trouble Mr. Franklin Blake with
|
|
another letter. Her Extracts have been returned, and the expression
|
|
of her matured views on the subject of the Moonstone has been forbidden.
|
|
Miss Clack is painfully conscious that she ought (in the worldly phrase)
|
|
to feel herself put down. But, no--Miss C. has learnt Perseverance
|
|
in the School of Adversity. Her object in writing is to know whether
|
|
Mr. Blake (who prohibits everything else) prohibits the appearance
|
|
of the present correspondence in Miss Clack's narrative?
|
|
Some explanation of the position in which Mr. Blake's interference has
|
|
placed her as an authoress, seems due on the ground of common justice.
|
|
And Miss Clack, on her side, is most anxious that her letters should be
|
|
produced to speak for themselves."
|
|
|
|
(6.) "Mr. Franklin Blake agrees to Miss Clack's proposal,
|
|
on the understanding that she will kindly consider this intimation
|
|
of his consent as closing the correspondence between them."
|
|
|
|
(7.) "Miss Clack feels it an act of Christian duty
|
|
(before the correspondence closes) to inform Mr. Franklin
|
|
Blake that his last letter--evidently intended to offend her--
|
|
has not succeeded in accomplishing the object of the writer.
|
|
She affectionately requests Mr. Blake to retire to the privacy
|
|
of his own room, and to consider with himself whether
|
|
the training which can thus elevate a poor weak woman above
|
|
the reach of insult, be not worthy of greater admiration
|
|
than he is now disposed to feel for it. On being favoured
|
|
with an intimation to that effect, Miss C. solemnly pledges
|
|
herself to send back the complete series of her Extracts to
|
|
Mr. Franklin Blake."
|
|
|
|
[To this letter no answer was received. Comment is needless.
|
|
|
|
(Signed) DRUSILLA CLACK.]
|
|
|
|
|
|
|
|
CHAPTER VII
|
|
|
|
|
|
The foregoing correspondence will sufficiently explain why no choice
|
|
is left to me but to pass over Lady Verinder's death with the simple
|
|
announcement of the fact which ends my fifth chapter.
|
|
|
|
Keeping myself for the future strictly within the limits of my own
|
|
personal experience, I have next to relate that a month elapsed from
|
|
the time of my aunt's decease before Rachel Verinder and I met again.
|
|
That meeting was the occasion of my spending a few days under the same
|
|
roof with her. In the course of my visit, something happened,
|
|
relative to her marriage-engagement with Mr. Godfrey Ablewhite,
|
|
which is important enough to require special notice in these pages.
|
|
When this last of many painful family circumstances has been disclosed,
|
|
my task will be completed; for I shall then have told all that I know,
|
|
as an actual (and most unwilling) witness of events.
|
|
|
|
My aunt's remains were removed from London, and were buried
|
|
in the little cemetery attached to the church in her own park.
|
|
I was invited to the funeral with the rest of the family.
|
|
But it was impossible (with my religious views) to rouse myself
|
|
in a few days only from the shock which this death had caused me.
|
|
I was informed, moreover, that the rector of Frizinghall
|
|
was to read the service. Having myself in past times seen
|
|
this clerical castaway making one of the players at Lady
|
|
Verinder's whist-table, I doubt, even if I had been fit
|
|
to travel, whether I should have felt justified in attending
|
|
the ceremony.
|
|
|
|
Lady Verinder's death left her daughter under the care of her
|
|
brother-in-law, Mr. Ablewhite the elder. He was appointed
|
|
guardian by the will, until his niece married, or came of age.
|
|
Under these circumstances, Mr. Godfrey informed his father,
|
|
I suppose, of the new relation in which he stood towards Rachel.
|
|
At any rate, in ten days from my aunt's death, the secret of
|
|
the marriage-engagement was no secret at all within the circle
|
|
of the family, and the grand question for Mr. Ablewhite senior--
|
|
another confirmed castaway!--was how to make himself and his authority
|
|
most agreeable to the wealthy young lady who was going to marry
|
|
his son.
|
|
|
|
Rachel gave him some trouble at the outset, about the choice
|
|
of a place in which she could be prevailed upon to reside.
|
|
The house in Montagu Square was associated with the calamity
|
|
of her mother's death. The house in Yorkshire was associated with
|
|
the scandalous affair of the lost Moonstone. Her guardian's own
|
|
residence at Frizinghall was open to neither of these objections.
|
|
But Rachel's presence in it, after her recent bereavement,
|
|
operated as a check on the gaieties of her cousins,
|
|
the Miss Ablewhites--and she herself requested that her
|
|
visit might be deferred to a more favourable opportunity.
|
|
It ended in a proposal, emanating from old Mr. Ablewhite, to try
|
|
a furnished house at Brighton. His wife, an invalid daughter,
|
|
and Rachel were to inhabit it together, and were to expect him
|
|
to join them later in the season. They would see no society
|
|
but a few old friends, and they would have his son Godfrey,
|
|
travelling backwards and forwards by the London train, always at
|
|
their disposal.
|
|
|
|
I describe this aimless flitting about from one place of residence
|
|
to another--this insatiate restlessness of body and appalling
|
|
stagnation of soul--merely with the view to arriving at results.
|
|
The event which (under Providence) proved to be the means of bringing
|
|
Rachel Verinder and myself together again, was no other than the hiring
|
|
of the house at Brighton.
|
|
|
|
My Aunt Ablewhite is a large, silent, fair-complexioned woman,
|
|
with one noteworthy point in her character. From the hour of
|
|
her birth she has never been known to do anything for herself.
|
|
She has gone through life, accepting everybody's help, and adopting
|
|
everybody's opinions. A more hopeless person, in a spiritual
|
|
point of view, I have never met with--there is absolutely, in this
|
|
perplexing case, no obstructive material to work upon. Aunt Ablewhite
|
|
would listen to the Grand Lama of Thibet exactly as she listens to Me,
|
|
and would reflect his views quite as readily as she reflects mine.
|
|
She found the furnished house at Brighton by stopping at an hotel
|
|
in London, composing herself on a sofa, and sending for her son.
|
|
She discovered the necessary servants by breakfasting in bed one morning
|
|
(still at the hotel), and giving her maid a holiday on condition
|
|
that the girl "would begin enjoying herself by fetching Miss Clack."
|
|
I found her placidly fanning herself in her dressing-gown at eleven
|
|
o'clock. "Drusilla, dear, I want some servants. You are so clever--
|
|
please get them for me." I looked round the untidy room.
|
|
The church-bells were going for a week-day service; they suggested
|
|
a word of affectionate remonstrance on my part. "Oh, aunt!"
|
|
I said sadly. "Is THIS worthy of a Christian Englishwoman?
|
|
Is the passage from time to eternity to be made in THIS manner?"
|
|
My aunt answered, "I'll put on my gown, Drusilla, if you will
|
|
be kind enough to help me." What was to be said after that?
|
|
I have done wonders with murderesses--I have never advanced an inch
|
|
with Aunt Ablewhite. "Where is the list," I asked, "of the servants
|
|
whom you require?" My aunt shook her head; she hadn't even energy
|
|
enough to keep the list. "Rachel has got it, dear," she said,
|
|
"in the next room." I went into the next room, and so saw
|
|
Rachel again for the first time since we had parted in Montagu
|
|
Square.
|
|
|
|
She looked pitiably small and thin in her deep mourning.
|
|
If I attached any serious importance to such a perishable
|
|
trifle as personal appearance, I might be inclined to add
|
|
that hers was one of those unfortunate complexions which always
|
|
suffer when not relieved by a border of white next the skin.
|
|
But what are our complexions and our looks? Hindrances and pitfalls,
|
|
dear girls, which beset us on our way to higher things!
|
|
Greatly to my surprise, Rachel rose when I entered the room, and came
|
|
forward to meet me with outstretched hand.
|
|
|
|
"I am glad to see you," she said. "Drusilla, I have been in the habit
|
|
of speaking very foolishly and very rudely to you, on former occasions.
|
|
I beg your pardon. I hope you will forgive me."
|
|
|
|
My face, I suppose, betrayed the astonishment I felt at this.
|
|
She coloured up for a moment, and then proceeded to explain herself.
|
|
|
|
"In my poor mother's lifetime," she went on, "her friends
|
|
were not always my friends, too. Now I have lost her, my heart
|
|
turns for comfort to the people she liked. She liked you.
|
|
Try to be friends with me, Drusilla, if you can."
|
|
|
|
To any rightly-constituted mind, the motive thus acknowledged was
|
|
simply shocking. Here in Christian England was a young woman in a state
|
|
of bereavement, with so little idea of where to look for true comfort,
|
|
that she actually expected to find it among her mother's friends!
|
|
Here was a relative of mine, awakened to a sense of her shortcomings
|
|
towards others, under the influence, not of conviction and duty, but of
|
|
sentiment and impulse! Most deplorable to think of--but, still, suggestive of
|
|
something hopeful, to a person of my experience in plying the good work.
|
|
There could be no harm, I thought, in ascertaining the extent of the change
|
|
which the loss of her mother had wrought in Rachel's character. I decided,
|
|
as a useful test, to probe her on the subject of her marriage-engagement to
|
|
Mr. Godfrey Ablewhite.
|
|
|
|
Having first met her advances with all possible cordiality,
|
|
I sat by her on the sofa, at her own request.
|
|
We discussed family affairs and future plans--always excepting
|
|
that one future plan which was to end in her marriage.
|
|
Try as I might to turn the conversation that way, she resolutely
|
|
declined to take the hint. Any open reference to the question,
|
|
on my part, would have been premature at this early stage of
|
|
our reconciliation. Besides, I had discovered all I wanted to know.
|
|
She was no longer the reckless, defiant creature whom I had heard
|
|
and seen, on the occasion of my martyrdom in Montagu Square.
|
|
This was, of itself, enough to encourage me to take her future
|
|
conversion in hand--beginning with a few words of earnest warning
|
|
directed against the hasty formation of the marriage tie,
|
|
and so getting on to higher things. Looking at her, now, with this
|
|
new interest--and calling to mind the headlong suddenness
|
|
with which she had met Mr. Godfrey's matrimonial views--
|
|
I felt the solemn duty of interfering with a fervour which
|
|
assured me that I should achieve no common results. Rapidity of
|
|
proceeding was, as I believed, of importance in this case.
|
|
I went back at once to the question of the servants wanted for the
|
|
furnished house.
|
|
|
|
"Where is the list, dear?"
|
|
|
|
Rachel produced it.
|
|
|
|
"Cook, kitchen-maid, housemaid, and footman," I read.
|
|
My dear Rachel, these servants are only wanted for a term--
|
|
the term during which your guardian has taken the house.
|
|
We shall have great difficulty in finding persons of character
|
|
and capacity to accept a temporary engagement of that sort,
|
|
if we try in London. Has the house in Brighton been
|
|
found yet?"
|
|
|
|
"Yes. Godfrey has taken it; and persons in the house wanted him
|
|
to hire them as servants. He thought they would hardly do for us,
|
|
and came back having settled nothing."
|
|
|
|
"And you have no experience yourself in these matters, Rachel?"
|
|
|
|
"None whatever."
|
|
|
|
"And Aunt Ablewhite won't exert herself?"
|
|
|
|
"No, poor dear. Don't blame her, Drusilla. I think she is the only really
|
|
happy woman I have ever met with."
|
|
|
|
"There are degrees in happiness, darling. We must have a little talk,
|
|
some day, on that subject. In the meantime I will undertake to meet
|
|
the difficulty about the servants. Your aunt will write a letter
|
|
to the people of the house----"
|
|
|
|
"She will sign a letter, if I write it for her, which comes
|
|
to the same thing."
|
|
|
|
"Quite the same thing. I shall get the letter, and I will go
|
|
to Brighton to-morrow."
|
|
|
|
"How extremely kind of you! We will join you as soon as you
|
|
are ready for us. And you will stay, I hope, as my guest.
|
|
Brighton is so lively; you are sure to enjoy it."
|
|
|
|
In those words the invitation was given, and the glorious prospect
|
|
of interference was opened before me.
|
|
|
|
It was then the middle of the week. By Saturday afternoon
|
|
the house was ready for them. In that short interval I had sifted,
|
|
not the characters only, but the religious views as well,
|
|
of all the disengaged servants who applied to me, and had
|
|
succeeded in making a selection which my conscience approved.
|
|
I also discovered, and called on two serious friends of mine,
|
|
residents in the town, to whom I knew I could confide the pious
|
|
object which had brought me to Brighton. One of them--
|
|
a clerical friend--kindly helped me to take sittings for our
|
|
little party in the church in which he himself ministered.
|
|
The other--a single lady, like myself--placed the resources
|
|
of her library (composed throughout of precious publications)
|
|
entirely at my disposal. I borrowed half-a-dozen works,
|
|
all carefully chosen with a view to Rachel. When these had been
|
|
judiciously distributed in the various rooms she would be likely
|
|
to occupy, I considered that my preparations were complete.
|
|
Sound doctrine in the servants who waited on her;
|
|
sound doctrine in the minister who preached to her; sound doctrine
|
|
in the books that lay on her table--such was the treble
|
|
welcome which my zeal had prepared for the motherless girl!
|
|
A heavenly composure filled my mind, on that Saturday afternoon,
|
|
as I sat at the window waiting the arrival of my relatives.
|
|
The giddy throng passed and repassed before my eyes. Alas! how many
|
|
of them felt my exquisite sense of duty done? An awful question.
|
|
Let us not pursue it.
|
|
|
|
Between six and seven the travellers arrived. To my indescribable surprise,
|
|
they were escorted, not by Mr. Godfrey (as I had anticipated), but by
|
|
the lawyer, Mr. Bruff.
|
|
|
|
"How do you do, Miss Clack?" he said. "I mean to stay this time."
|
|
|
|
That reference to the occasion on which I had obliged him
|
|
to postpone his business to mine, when we were both visiting
|
|
in Montagu Square, satisfied me that the old worldling
|
|
had come to Brighton with some object of his own in view.
|
|
I had prepared quite a little Paradise for my beloved Rachel--
|
|
and here was the Serpent already!
|
|
|
|
"Godfrey was very much vexed, Drusilla, not to be able to come with us,"
|
|
said my Aunt Ablewhite. "There was something in the way which kept him
|
|
in town. Mr. Bruff volunteered to take his place, and make a holiday of it
|
|
till Monday morning. By-the-by, Mr. Bruff, I'm ordered to take exercise,
|
|
and I don't like it. That," added Aunt Ablewhite, pointing out of
|
|
window to an invalid going by in a chair on wheels, drawn by a man,
|
|
"is my idea of exercise. If it's air you want, you get it in your chair.
|
|
And if it's fatigue you want, I am sure it's fatigue enough to look at
|
|
the man."
|
|
|
|
Rachel stood silent, at a window by herself, with her eyes fixed on the sea.
|
|
|
|
"Tired, love?" I inquired.
|
|
|
|
"No. Only a little out of spirits," she answered. "I have often
|
|
seen the sea, on our Yorkshire coast, with that light on it.
|
|
And I was thinking, Drusilla, of the days that can never
|
|
come again."
|
|
|
|
Mr. Bruff remained to dinner, and stayed through the evening.
|
|
The more I saw of him, the more certain I felt that he had some
|
|
private end to serve in coming to Brighton. I watched him carefully.
|
|
He maintained the same appearance of ease, and talked the same
|
|
godless gossip, hour after hour, until it was time to take leave.
|
|
As he shook hands with Rachel, I caught his hard and cunning eyes
|
|
resting on her for a moment with a peculiar interest and attention.
|
|
She was plainly concerned in the object that he had in view.
|
|
He said nothing out of the common to her or to anyone on leaving.
|
|
He invited himself to luncheon the next day, and then he went away
|
|
to his hotel.
|
|
|
|
It was impossible the next morning to get my Aunt Ablewhite out
|
|
of her dressing-gown in time for church. Her invalid daughter
|
|
(suffering from nothing, in my opinion, but incurable laziness,
|
|
inherited from her mother) announced that she meant to remain
|
|
in bed for the day. Rachel and I went alone together to church.
|
|
A magnificent sermon was preached by my gifted friend on the heathen
|
|
indifference of the world to the sinfulness of little sins.
|
|
For more than an hour his eloquence (assisted by his glorious voice)
|
|
thundered through the sacred edifice. I said to Rachel,
|
|
when we came out, "Has it found its way to your heart, dear?"
|
|
And she answered, "No; it has only made my head ache."
|
|
This might have been discouraging to some people;
|
|
but, once embarked on a career of manifest usefulness,
|
|
nothing discourages Me.
|
|
|
|
We found Aunt Ablewhite and Mr. Bruff at luncheon.
|
|
When Rachel declined eating anything, and gave as a reason
|
|
for it that she was suffering from a headache, the lawyer's
|
|
cunning instantly saw, and seized, the chance that she had
|
|
given him.
|
|
|
|
"There is only one remedy for a headache," said this horrible old man.
|
|
"A walk, Miss Rachel, is the thing to cure you. I am entirely at
|
|
your service, if you will honour me by accepting my arm."
|
|
|
|
"With the greatest pleasure. A walk is the very thing I was longing for."
|
|
|
|
"It's past two," I gently suggested. "And the afternoon service,
|
|
Rachel, begins at three."
|
|
|
|
"How can you expect me to go to church again," she asked, petulantly,
|
|
"with such a headache as mine?"
|
|
|
|
Mr. Bruff officiously opened the door for her.
|
|
In another minute more they were both out of the house.
|
|
I don't know when I have felt the solemn duty of interfering
|
|
so strongly as I felt it at that moment. But what was to be done?
|
|
Nothing was to be done but to interfere at the first opportunity,
|
|
later in the day.
|
|
|
|
On my return from the afternoon service I found that they had just got back.
|
|
One look at them told me that the lawyer had said what he wanted to say.
|
|
I had never before seen Rachel so silent and so thoughtful.
|
|
I had never before seen Mr. Bruff pay her such devoted attention,
|
|
and look at her with such marked respect. He had (or pretended that he had)
|
|
an engagement to dinner that day--and he took an early leave of us all;
|
|
intending to go back to London by the first train the next morning.
|
|
|
|
"Are you sure of your own resolution?" he said to Rachel at the door.
|
|
|
|
"Quite sure," she answered--and so they parted.
|
|
|
|
The moment his back was turned, Rachel withdrew to her own room.
|
|
She never appeared at dinner. Her maid (the person with the cap-ribbons)
|
|
was sent down-stairs to announce that her headache had returned.
|
|
I ran up to her and made all sorts of sisterly offers through the door.
|
|
It was locked, and she kept it locked. Plenty of obstructive material
|
|
to work on here! I felt greatly cheered and stimulated by her locking
|
|
the door.
|
|
|
|
When her cup of tea went up to her the next morning, I followed
|
|
it in. I sat by her bedside and said a few earnest words.
|
|
She listened with languid civility. I noticed my serious friend's
|
|
precious publications huddled together on a table in a corner.
|
|
Had she chanced to look into them?--I asked. Yes--and they
|
|
had not interested her. Would she allow me to read a few
|
|
passages of the deepest interest, which had probably escaped
|
|
her eye? No, not now--she had other things to think of.
|
|
She gave these answers, with her attention apparently absorbed
|
|
in folding and refolding the frilling on her nightgown.
|
|
It was plainly necessary to rouse her by some reference
|
|
to those worldly interests which she still had
|
|
at heart.
|
|
|
|
"Do you know, love," I said, "I had an odd fancy, yesterday, about Mr. Bruff?
|
|
I thought, when I saw you after your walk with him, that he had been telling
|
|
you some bad news."
|
|
|
|
Her fingers dropped from the frilling of her nightgown,
|
|
and her fierce black eyes flashed at me.
|
|
|
|
"Quite the contrary!" she said. "It was news I was interested in hearing--
|
|
and I am deeply indebted to Mr. Bruff for telling me of it."
|
|
|
|
"Yes?" I said, in a tone of gentle interest.
|
|
|
|
Her fingers went back to the frilling, and she turned her
|
|
head sullenly away from me. I had been met in this manner,
|
|
in the course of plying the good work, hundreds of times.
|
|
She merely stimulated me to try again. In my dauntless zeal
|
|
for her welfare, I ran the great risk, and openly alluded to her
|
|
marriage engagement.
|
|
|
|
"News you were interested in hearing?" I repeated. "I suppose,
|
|
my dear Rachel, that must be news of Mr. Godfrey Ablewhite?"
|
|
|
|
She started up in the bed, and turned deadly pale.
|
|
It was evidently on the tip of her tongue to retort on me with
|
|
the unbridled insolence of former times. She checked herself--
|
|
laid her head back on the pillow--considered a minute--and then
|
|
answered in these remarkable words:
|
|
|
|
"I SHALL NEVER MARRY MR. GODFREY ABLEWHITE."
|
|
|
|
It was my turn to start at that.
|
|
|
|
"What can you possibly mean?" I exclaimed. "The marriage is considered
|
|
by the whole family as a settled thing!"
|
|
|
|
"Mr. Godfrey Ablewhite is expected here to-day," she said doggedly.
|
|
"Wait till he comes--and you will see."
|
|
|
|
"But my dear Rachel----"
|
|
|
|
She rang the bell at the head of her bed. The person
|
|
with the cap-ribbons appeared.
|
|
|
|
"Penelope! my bath."
|
|
|
|
Let me give her her due. In the state of my feelings at that moment,
|
|
I do sincerely believe that she had hit on the only possible way
|
|
of forcing me to leave the room.
|
|
|
|
By the mere worldly mind my position towards Rachel might have
|
|
been viewed as presenting difficulties of no ordinary kind.
|
|
I had reckoned on leading her to higher things by means of a
|
|
little earnest exhortation on the subject of her marriage.
|
|
And now, if she was to be believed, no such event as her marriage
|
|
was to take place at all. But ah, my friends! a working Christian
|
|
of my experience (with an evangelising prospect before her)
|
|
takes broader views than these. Supposing Rachel really broke
|
|
off the marriage, on which the Ablewhites, father and son,
|
|
counted as a settled thing, what would be the result?
|
|
It could only end, if she held firm, in an exchanging of hard
|
|
words and bitter accusations on both sides. And what would
|
|
be the effect on Rachel when the stormy interview was over?
|
|
A salutary moral depression would be the effect.
|
|
Her pride would be exhausted, her stubbornness would
|
|
be exhausted, by the resolute resistance which it was in her
|
|
character to make under the circumstances. She would turn
|
|
for sympathy to the nearest person who had sympathy to offer.
|
|
And I was that nearest person--brimful of comfort, charged to
|
|
overflowing with seasonable and reviving words. Never had
|
|
the evangelising prospect looked brighter, to my eyes, than it
|
|
looked now.
|
|
|
|
She came down to breakfast, but she ate nothing, and hardly uttered a word.
|
|
|
|
After breakfast she wandered listlessly from room to room--
|
|
then suddenly roused herself, and opened the piano.
|
|
The music she selected to play was of the most scandalously
|
|
profane sort, associated with performances on the stage
|
|
which it curdles one's blood to think of. It would have been
|
|
premature to interfere with her at such a time as this.
|
|
I privately ascertained the hour at which Mr. Godfrey Ablewhite
|
|
was expected, and then I escaped the music by leaving
|
|
the house.
|
|
|
|
Being out alone, I took the opportunity of calling upon my
|
|
two resident friends. It was an indescribable luxury to find
|
|
myself indulging in earnest conversation with serious persons.
|
|
Infinitely encouraged and refreshed, I turned my steps back
|
|
again to the house, in excellent time to await the arrival
|
|
of our expected visitor. I entered the dining-room, always empty
|
|
at that hour of the day, and found myself face to face with
|
|
Mr. Godfrey Ablewhite!
|
|
|
|
He made no attempt to fly the place. Quite the contrary.
|
|
He advanced to meet me with the utmost eagerness.
|
|
|
|
"Dear Miss Clack, I have been only waiting to see you!
|
|
Chance set me free of my London engagements to-day sooner
|
|
than I had expected, and I have got here, in consequence,
|
|
earlier than my appointed time."
|
|
|
|
Not the slightest embarrassment encumbered his explanation, though this
|
|
was his first meeting with me after the scene in Montagu Square.
|
|
He was not aware, it is true, of my having been a witness of that scene.
|
|
But he knew, on the other hand, that my attendances at the Mothers'
|
|
Small-Clothes, and my relations with friends attached to other charities,
|
|
must have informed me of his shameless neglect of his Ladies and of his Poor.
|
|
And yet there he was before me, in full possession of his charming voice and
|
|
his irresistible smile!
|
|
|
|
"Have you seen Rachel yet?" I asked.
|
|
|
|
He sighed gently, and took me by the hand. I should certainly have snatched
|
|
my hand away, if the manner in which he gave his answer had not paralysed me
|
|
with astonishment.
|
|
|
|
"I have seen Rachel," he said with perfect tranquillity.
|
|
"You are aware, dear friend, that she was engaged to me?
|
|
Well, she has taken a sudden resolution to break the engagement.
|
|
Reflection has convinced her that she will best consult
|
|
her welfare and mine by retracting a rash promise,
|
|
and leaving me free to make some happier choice elsewhere.
|
|
That is the only reason she will give, and the only
|
|
answer she will make to every question that I can ask
|
|
of her."
|
|
|
|
"What have you done on your side?" I inquired. "Have you submitted."
|
|
|
|
"Yes," he said with the most unruffled composure, "I have submitted."
|
|
|
|
His conduct, under the circumstances, was so utterly inconceivable,
|
|
that I stood bewildered with my hand in his. It is a piece of rudeness
|
|
to stare at anybody, and it is an act of indelicacy to stare at a gentleman.
|
|
I committed both those improprieties. And I said, as if in a dream,
|
|
"What does it mean?"
|
|
|
|
"Permit me to tell you," he replied. "And suppose we sit down?"
|
|
|
|
He led me to a chair. I have an indistinct remembrance that he was
|
|
very affectionate. I don't think he put his arm round my waist
|
|
to support me--but I am not sure. I was quite helpless, and his
|
|
ways with ladies were very endearing. At any rate, we sat down.
|
|
I can answer for that, if I can answer for nothing more.
|
|
|
|
|
|
|
|
CHAPTER VIII
|
|
|
|
|
|
"I have lost a beautiful girl, an excellent social position,
|
|
and a handsome income," Mr. Godfrey began; "and I have
|
|
submitted to it without a struggle. What can be the motive
|
|
for such extraordinary conduct as that? My precious friend,
|
|
there is no motive."
|
|
|
|
"No motive?" I repeated.
|
|
|
|
"Let me appeal, my dear Miss Clack, to your experience of children,"
|
|
he went on. "A child pursues a certain course of conduct.
|
|
You are greatly struck by it, and you attempt to get at the motive.
|
|
The dear little thing is incapable of telling you its motive.
|
|
You might as well ask the grass why it grows, or the birds
|
|
why they sing. Well! in this matter, I am like the dear
|
|
little thing--like the grass--like the birds. I don't
|
|
know why I made a proposal of marriage to Miss Verinder.
|
|
I don't know why I have shamefully neglected my dear Ladies.
|
|
I don't know why I have apostatised from the Mothers'
|
|
Small-Clothes. You say to the child, Why have you been naughty?
|
|
And the little angel puts its finger into its mouth,
|
|
and doesn't know. My case exactly, Miss Clack! I couldn't
|
|
confess it to anybody else. I feel impelled to confess it to
|
|
YOU!"
|
|
|
|
I began to recover myself. A mental problem was involved here.
|
|
I am deeply interested in mental problems--and I am not, it is thought,
|
|
without some skill in solving them.
|
|
|
|
"Best of friends, exert your intellect, and help me," he proceeded.
|
|
"Tell me--why does a time come when these matrimonial proceedings
|
|
of mine begin to look like something done in a dream?
|
|
Why does it suddenly occur to me that my true happiness is in
|
|
helping my dear Ladies, in going my modest round of useful work,
|
|
in saying my few earnest words when called on by my Chairman?
|
|
What do I want with a position? I have got a position?
|
|
What do I want with an income? I can pay for my bread and cheese,
|
|
and my nice little lodging, and my two coats a year.
|
|
What do I want with Miss Verinder? She has told me
|
|
with her own lips (this, dear lady, is between ourselves)
|
|
that she loves another man, and that her only idea in marrying
|
|
me is to try and put that other man out of her head.
|
|
What a horrid union is this! Oh, dear me, what a horrid
|
|
union is this! Such are my reflections, Miss Clack,
|
|
on my way to Brighton. I approach Rachel with the feeling
|
|
of a criminal who is going to receive his sentence.
|
|
When I find that she has changed her mind too--when I hear
|
|
her propose to break the engagement--I experience (there is no
|
|
sort of doubt about it) a most overpowering sense of relief.
|
|
A month ago I was pressing her rapturously to my bosom.
|
|
An hour ago, the happiness of knowing that I shall never
|
|
press her again, intoxicates me like strong liquor.
|
|
The thing seems impossible--the thing can't be.
|
|
And yet there are the facts, as I had the honour of stating
|
|
them when we first sat down together in these two chairs.
|
|
I have lost a beautiful girl, an excellent social position,
|
|
and a handsome income; and I have submitted to it without a struggle.
|
|
Can you account for it, dear friend? It's quite beyond
|
|
ME."
|
|
|
|
His magnificent head sank on his breast, and he gave up his own
|
|
mental problem in despair.
|
|
|
|
I was deeply touched. The case (if I may speak as a spiritual physician)
|
|
was now quite plain to me. It is no uncommon event, in the experience
|
|
of us all, to see the possessors of exalted ability occasionally
|
|
humbled to the level of the most poorly-gifted people about them.
|
|
The object, no doubt, in the wise economy of Providence, is to remind
|
|
greatness that it is mortal and that the power which has conferred
|
|
it can also take it away. It was now--to my mind--easy to discern
|
|
one of these salutary humiliations in the deplorable proceedings
|
|
on dear Mr. Godfrey's part, of which I had been the unseen witness.
|
|
And it was equally easy to recognise the welcome reappearance of his own
|
|
finer nature in the horror with which he recoiled from the idea of a
|
|
marriage with Rachel, and in the charming eagerness which he showed to
|
|
return to his Ladies and his Poor.
|
|
|
|
I put this view before him in a few simple and sisterly words.
|
|
His joy was beautiful to see. He compared himself, as I went on,
|
|
to a lost man emerging from the darkness into the light.
|
|
When I answered for a loving reception of him at the Mothers'
|
|
Small-Clothes, the grateful heart of our Christian Hero overflowed.
|
|
He pressed my hands alternately to his lips. Overwhelmed by
|
|
the exquisite triumph of having got him back among us,
|
|
I let him do what he liked with my hands. I closed my eyes.
|
|
I felt my head, in an ecstasy of spiritual self-forgetfulness,
|
|
sinking on his shoulder. In a moment more I should certainly
|
|
have swooned away in his arms, but for an interruption
|
|
from the outer world, which brought me to myself again.
|
|
A horrid rattling of knives and forks sounded outside
|
|
the door, and the footman came in to lay the table
|
|
for luncheon.
|
|
|
|
Mr. Godfrey started up, and looked at the clock on the mantelpiece.
|
|
|
|
"How time flies with YOU!" he exclaimed. "I shall barely catch the train."
|
|
|
|
I ventured on asking why he was in such a hurry to get back to town.
|
|
His answer reminded me of family difficulties that were still
|
|
to be reconciled, and of family disagreements that were yet
|
|
to come.
|
|
|
|
"I have heard from my father," he said. "Business obliges him to leave
|
|
Frizinghall for London to-day, and he proposes coming on here, either this
|
|
evening or to-morrow. I must tell him what has happened between Rachel
|
|
and me. His heart is set on our marriage--there will be great difficulty,
|
|
I fear, in reconciling him to the breaking-off of the engagement.
|
|
I must stop him, for all our sakes, from coming here till he IS reconciled.
|
|
Best and dearest of friends, we shall meet again!"
|
|
|
|
With those words he hurried out. In equal haste on my side,
|
|
I ran upstairs to compose myself in my own room before meeting
|
|
Aunt Ablewhite and Rachel at the luncheon-table.
|
|
|
|
I am well aware--to dwell for a moment yet on the subject of Mr. Godfrey--
|
|
that the all-profaning opinion of the world has charged him with having
|
|
his own private reasons for releasing Rachel from her engagement,
|
|
at the first opportunity she gave him. It has also reached my ears,
|
|
that his anxiety to recover his place in my estimation has been attributed
|
|
in certain quarters, to a mercenary eagerness to make his peace (through me)
|
|
with a venerable committee-woman at the Mothers' Small-Clothes, abundantly
|
|
blessed with the goods of this world, and a beloved and intimate
|
|
friend of my own. I only notice these odious slanders for the sake
|
|
of declaring that they never had a moment's influence on my mind.
|
|
In obedience to my instructions, I have exhibited the fluctuations in my
|
|
opinion of our Christian Hero, exactly as I find them recorded in my diary.
|
|
In justice to myself, let me here add that, once reinstated in his
|
|
place in my estimation, my gifted friend never lost that place again.
|
|
I write with the tears in my eyes, burning to say more. But no--
|
|
I am cruelly limited to my actual experience of persons and things.
|
|
In less than a month from the time of which I am now writing, events in
|
|
the money-market (which diminished even my miserable little income) forced me
|
|
into foreign exile, and left me with nothing but a loving remembrance
|
|
of Mr. Godfrey which the slander of the world has assailed, and assailed
|
|
in vain.
|
|
|
|
Let me dry my eyes, and return to my narrative.
|
|
|
|
I went downstairs to luncheon, naturally anxious to see how Rachel
|
|
was affected by her release from her marriage engagement.
|
|
|
|
It appeared to me--but I own I am a poor authority in such matters--
|
|
that the recovery of her freedom had set her thinking again of that
|
|
other man whom she loved, and that she was furious with herself
|
|
for not being able to control a revulsion of feeling of which she
|
|
was secretly ashamed. Who was the man? I had my suspicions--
|
|
but it was needless to waste time in idle speculation.
|
|
When I had converted her, she would, as a matter of course,
|
|
have no concealments from Me. I should hear all about the man;
|
|
I should hear all about the Moonstone. If I had had no higher
|
|
object in stirring her up to a sense of spiritual things, the motive
|
|
of relieving her mind of its guilty secrets would have been enough
|
|
of itself to encourage me to go on.
|
|
|
|
Aunt Ablewhite took her exercise in the afternoon in an invalid chair.
|
|
Rachel accompanied her. "I wish I could drag the chair,"
|
|
she broke out, recklessly. "I wish I could fatigue myself till I
|
|
was ready to drop."
|
|
|
|
She was in the same humour in the evening. I discovered in one
|
|
of my friend's precious publications--the Life, Letters, and Labours
|
|
of Miss Jane Ann Stamper, forty-fourth edition--passages which bore
|
|
with a marvellous appropriateness on Rachel's present position.
|
|
Upon my proposing to read them, she went to the piano.
|
|
Conceive how little she must have known of serious people,
|
|
if she supposed that my patience was to be exhausted in that way!
|
|
I kept Miss Jane Ann Stamper by me, and waited for events with the most
|
|
unfaltering trust in the future.
|
|
|
|
Old Mr. Ablewhite never made his appearance that night.
|
|
But I knew the importance which his worldly greed attached to his
|
|
son's marriage with Miss Verinder--and I felt a positive conviction
|
|
(do what Mr. Godfrey might to prevent it) that we should see him
|
|
the next day. With his interference in the matter, the storm
|
|
on which I had counted would certainly come, and the salutary
|
|
exhaustion of Rachel's resisting powers would as certainly follow.
|
|
I am not ignorant that old Mr. Ablewhite has the reputation generally
|
|
(especially among his inferiors) of being a remarkably good-natured man.
|
|
According to my observation of him, he deserves his reputation as long
|
|
as he has his own way, and not a moment longer.
|
|
|
|
The next day, exactly as I had foreseen, Aunt Ablewhite
|
|
was as near to being astonished as her nature would permit,
|
|
by the sudden appearance of her husband. He had barely been
|
|
a minute in the house, before he was followed, to MY astonishment
|
|
this time, by an unexpected complication in the shape of Mr. Bruff.
|
|
|
|
I never remember feeling the presence of the lawyer to be more unwelcome
|
|
than I felt it at that moment. He looked ready for anything in the way
|
|
of an obstructive proceeding--capable even of keeping the peace with Rachel
|
|
for one of the combatants!
|
|
|
|
"This is a pleasant surprise, sir," said Mr. Ablewhite,
|
|
addressing himself with his deceptive cordiality to Mr. Bruff.
|
|
"When I left your office yesterday, I didn't expect to have
|
|
the honour of seeing you at Brighton to-day."
|
|
|
|
"I turned over our conversation in my mind, after you had gone,"
|
|
replied Mr. Bruff. "And it occurred to me that I might perhaps be
|
|
of some use on this occasion. I was just in time to catch the train,
|
|
and I had no opportunity of discovering the carriage in which you
|
|
were travelling."
|
|
|
|
Having given that explanation, he seated himself by Rachel.
|
|
I retired modestly to a corner--with Miss Jane Ann Stamper
|
|
on my lap, in case of emergency. My aunt sat at the window;
|
|
placidly fanning herself as usual. Mr. Ablewhite stood up
|
|
in the middle of the room, with his bald head much pinker than I
|
|
had ever seen it yet, and addressed himself in the most affectionate
|
|
manner to his niece.
|
|
|
|
"Rachel, my dear," he said, "I have heard some very extraordinary
|
|
news from Godfrey. And I am here to inquire about it.
|
|
You have a sitting-room of your own in this house.
|
|
Will you honour me by showing me the way to it?"
|
|
|
|
Rachel never moved. Whether she was determined to bring matters to a crisis,
|
|
or whether she was prompted by some private sign from Mr. Bruff, is more than
|
|
I can tell. She declined doing old Mr. Ablewhite the honour of conducting him
|
|
into her sitting-room.
|
|
|
|
"Whatever you wish to say to me," she answered, "can be said here--
|
|
in the presence of my relatives, and in the presence" (she looked at
|
|
Mr. Bruff) "of my mother's trusted old friend."
|
|
|
|
"Just as you please, my dear," said the amiable Mr. Ablewhite.
|
|
He took a chair. The rest of them looked at his face--
|
|
as if they expected it, after seventy years of worldly training,
|
|
to speak the truth. I looked at the top of his bald head;
|
|
having noticed on other occasions that the temper which was really
|
|
in him had a habit of registering itself THERE.
|
|
|
|
"Some weeks ago," pursued the old gentleman, "my son informed me that
|
|
Miss Verinder had done him the honour to engage herself to marry him.
|
|
Is it possible, Rachel, that he can have misinterpreted--or presumed upon--
|
|
what you really said to him?"
|
|
|
|
"Certainly not," she replied. "I did engage myself to marry him."
|
|
|
|
"Very frankly answered!" said Mr. Ablewhite. "And most satisfactory,
|
|
my dear, so far. In respect to what happened some weeks since, Godfrey has
|
|
made no mistake. The error is evidently in what he told me yesterday.
|
|
I begin to see it now. You and he have had a lovers' quarrel--and my
|
|
foolish son has interpreted it seriously. Ah! I should have known better
|
|
than that at his age."
|
|
|
|
The fallen nature in Rachel--the mother Eve, so to speak--
|
|
began to chafe at this.
|
|
|
|
"Pray let us understand each other, Mr. Ablewhite," she said.
|
|
"Nothing in the least like a quarrel took place yesterday
|
|
between your son and me. If he told you that I proposed breaking
|
|
off our marriage engagement, and that he agreed on his side--
|
|
he told you the truth."
|
|
|
|
The self-registering thermometer at the top of Mr. Ablewhite's bald head
|
|
began to indicate a rise of temper. His face was more amiable than ever--
|
|
but THERE was the pink at the top of his face, a shade deeper already!
|
|
|
|
"Come, come, my dear!" he said, in his most soothing manner,
|
|
"now don't be angry, and don't be hard on poor Godfrey!
|
|
He has evidently said some unfortunate thing. He was always clumsy
|
|
from a child--but he means well, Rachel, he means well!"
|
|
|
|
"Mr. Ablewhite, I have either expressed myself very badly,
|
|
or you are purposely mistaking me. Once for all, it is
|
|
a settled thing between your son and myself that we remain,
|
|
for the rest of our lives, cousins and nothing more.
|
|
Is that plain enough?"
|
|
|
|
The tone in which she said those words made it impossible,
|
|
even for old Mr. Ablewhite, to mistake her any longer.
|
|
His thermometer went up another degree, and his voice when
|
|
he next spoke, ceased to be the voice which is appropriate to a
|
|
notoriously good-natured man.
|
|
|
|
"I am to understand, then," he said, "that your marriage engagement
|
|
is broken off?"
|
|
|
|
"You are to understand that, Mr. Ablewhite, if you please."
|
|
|
|
"I am also to take it as a matter of fact that the proposal
|
|
to withdraw from the engagement came, in the first instance,
|
|
from YOU?"
|
|
|
|
"It came, in the first instance, from me. And it met, as I have told you,
|
|
with your son's consent and approval."
|
|
|
|
The thermometer went up to the top of the register. I mean,
|
|
the pink changed suddenly to scarlet.
|
|
|
|
"My son is a mean-spirited hound!" cried this furious old worldling.
|
|
"In justice to myself as his father--not in justice to HIM--
|
|
I beg to ask you, Miss Verinder, what complaint you have to make of
|
|
Mr. Godfrey Ablewhite?"
|
|
|
|
Here Mr. Bruff interfered for the first time.
|
|
|
|
"You are not bound to answer that question," he said to Rachel.
|
|
|
|
Old Mr. Ablewhite fastened on him instantly.
|
|
|
|
"Don't forget, sir," he said, "that you are a self-invited guest here.
|
|
Your interference would have come with a better grace if you had waited
|
|
until it was asked for."
|
|
|
|
Mr. Bruff took no notice. The smooth varnish on HIS wicked
|
|
old face never cracked. Rachel thanked him for the advice
|
|
he had given to her, and then turned to old Mr. Ablewhite--
|
|
preserving her composure in a manner which (having regard to her
|
|
age and her sex) was simply awful to see.
|
|
|
|
"Your son put the same question to me which you have just asked," she said.
|
|
"I had only one answer for him, and I have only one answer for you.
|
|
I proposed that we should release each other, because reflection
|
|
had convinced me that I should best consult his welfare and mine
|
|
by retracting a rash promise, and leaving him free to make his
|
|
choice elsewhere."
|
|
|
|
"What has my son done?" persisted Mr. Ablewhite. "I have a right
|
|
to know that. What has my son done?"
|
|
|
|
She persisted just as obstinately on her side.
|
|
|
|
"You have had the only explanation which I think it necessary to give to you,
|
|
or to him," she answered.
|
|
|
|
"In plain English, it's your sovereign will and pleasure, Miss Verinder,
|
|
to jilt my son?"
|
|
|
|
Rachel was silent for a moment. Sitting close behind her, I heard her sigh.
|
|
Mr. Bruff took her hand, and gave it a little squeeze. She recovered herself,
|
|
and answered Mr. Ablewhite as boldly as ever.
|
|
|
|
"I have exposed myself to worse misconstruction than that," she said.
|
|
"And I have borne it patiently. The time has gone by, when you could
|
|
mortify me by calling me a jilt."
|
|
|
|
She spoke with a bitterness of tone which satisfied me that the scandal
|
|
of the Moonstone had been in some way recalled to her mind.
|
|
"I have no more to say," she added, wearily, not addressing
|
|
the words to anyone in particular, and looking away from us all,
|
|
out of the window that was nearest to her.
|
|
|
|
Mr. Ablewhite got upon his feet, and pushed away his chair so violently
|
|
that it toppled over and fell on the floor.
|
|
|
|
"I have something more to say on my side," he announced,
|
|
bringing down the flat of his hand on the table with a bang.
|
|
"I have to say that if my son doesn't feel this insult,
|
|
I do!"
|
|
|
|
Rachel started, and looked at him in sudden surprise.
|
|
|
|
"Insult?" she repeated. "What do you mean?"
|
|
|
|
"Insult!" reiterated Mr. Ablewhite. "I know your motive,
|
|
Miss Verinder, for breaking your promise to my son!
|
|
I know it as certainly as if you had confessed it in so many words.
|
|
Your cursed family pride is insulting Godfrey, as it insulted
|
|
ME when I married your aunt. Her family--her beggarly family--
|
|
turned their backs on her for marrying an honest man,
|
|
who had made his own place and won his own fortune.
|
|
I had no ancestors. I wasn't descended from a set of
|
|
cut-throat scoundrels who lived by robbery and murder.
|
|
I. couldn't point to the time when the Ablewhites hadn't
|
|
a shirt to their backs, and couldn't sign their own names.
|
|
Ha! ha! I wasn't good enough for the Herncastles,
|
|
when I married. And now, it comes to the pinch, my son
|
|
isn't good enough for YOU. I suspected it, all along.
|
|
You have got the Herncastle blood in you, my young lady!
|
|
I suspected it all along."
|
|
|
|
"A very unworthy suspicion," remarked Mr. Bruff. "I am astonished
|
|
that you have the courage to acknowledge it."
|
|
|
|
Before Mr. Ablewhite could find words to answer in, Rachel spoke
|
|
in a tone of the most exasperating contempt.
|
|
|
|
"Surely," she said to the lawyer, "this is beneath notice.
|
|
If he can think in THAT way, let us leave him to think as
|
|
he pleases."
|
|
|
|
From scarlet, Mr. Ablewhite was now becoming purple.
|
|
He gasped for breath; he looked backwards and forwards
|
|
from Rachel to Mr. Bruff in such a frenzy of rage with both
|
|
of them that he didn't know which to attack first. His wife,
|
|
who had sat impenetrably fanning herself up to this time,
|
|
began to be alarmed, and attempted, quite uselessly, to quiet him.
|
|
I had, throughout this distressing interview, felt more
|
|
than one inward call to interfere with a few earnest words,
|
|
and had controlled myself under a dread of the possible results,
|
|
very unworthy of a Christian Englishwoman who looks,
|
|
not to what is meanly prudent, but to what is morally right.
|
|
At the point at which matters had now arrived, I rose
|
|
superior to all considerations of mere expediency.
|
|
If I had contemplated interposing any remonstrance of my own
|
|
humble devising, I might possibly have still hesitated.
|
|
But the distressing domestic emergency which now confronted me,
|
|
was most marvellously and beautifully provided for in the
|
|
Correspondence of Miss Jane Ann Stamper--Letter one thousand and one,
|
|
on "Peace in Families." I rose in my modest corner, and I opened my
|
|
precious book.
|
|
|
|
"Dear Mr. Ablewhite," I said, "one word!"
|
|
|
|
When I first attracted the attention of the company by rising,
|
|
I could see that he was on the point of saying something rude to me.
|
|
My sisterly form of address checked him. He stared at me in
|
|
heathen astonishment.
|
|
|
|
"As an affectionate well-wisher and friend," I proceeded, "and as one long
|
|
accustomed to arouse, convince, prepare, enlighten, and fortify others,
|
|
permit me to take the most pardonable of all liberties--the liberty
|
|
of composing your mind."
|
|
|
|
He began to recover himself; he was on the point of breaking out--
|
|
he WOULD have broken out, with anybody else. But my voice
|
|
(habitually gentle) possesses a high note or so, in emergencies.
|
|
In this emergency, I felt imperatively called upon to have the highest
|
|
voice of the two.
|
|
|
|
I held up my precious book before him; I rapped the open
|
|
page impressively with my forefinger. "Not my words!"
|
|
I exclaimed, in a burst of fervent interruption.
|
|
"Oh, don't suppose that I claim attention for My humble words!
|
|
Manna in the wilderness, Mr. Ablewhite! Dew on the parched earth!
|
|
Words of comfort, words of wisdom, words of love--
|
|
the blessed, blessed, blessed words of Miss Jane
|
|
Ann Stamper!"
|
|
|
|
I was stopped there by a momentary impediment of the breath.
|
|
Before I could recover myself, this monster in human form shouted
|
|
out furiously,--
|
|
|
|
"Miss Jane Ann Stamper be----!"
|
|
|
|
It is impossible for me to write the awful word,
|
|
which is here represented by a blank. I shrieked as it
|
|
passed his lips; I flew to my little bag on the side table;
|
|
I shook out all my tracts; I seized the one particular tract
|
|
on profane swearing, entitled, "Hush, for Heaven's Sake!";
|
|
I handed it to him with an expression of agonised entreaty.
|
|
He tore it in two, and threw it back at me across the table.
|
|
The rest of them rose in alarm, not knowing what might happen next.
|
|
I instantly sat down again in my corner. There had once been
|
|
an occasion, under somewhat similar circumstances, when Miss Jane
|
|
Ann Stamper had been taken by the two shoulders and turned out
|
|
of a room. I waited, inspired by HER spirit, for a repetition of
|
|
HER martyrdom.
|
|
|
|
But no--it was not to be. His wife was the next person whom he addressed.
|
|
"Who--who--who," he said, stammering with rage, "who asked this impudent
|
|
fanatic into the house? Did you?"
|
|
|
|
Before Aunt Ablewhite could say a word, Rachel answered for her.
|
|
|
|
"Miss Clack is here," she said, "as my guest."
|
|
|
|
Those words had a singular effect on Mr. Ablewhite.
|
|
They suddenly changed him from a man in a state of
|
|
red-hot anger to a man in a state of icy-cold contempt.
|
|
It was plain to everybody that Rachel had said something--
|
|
short and plain as her answer had been--which gave him the upper
|
|
hand of her at last.
|
|
|
|
"Oh?" he said. "Miss Clack is here as YOUR guest--in MY house?"
|
|
|
|
It was Rachel's turn to lose her temper at that.
|
|
Her colour rose, and her eyes brightened fiercely.
|
|
She turned to the lawyer, and, pointing to Mr. Ablewhite,
|
|
asked haughtily, "What does he mean?"
|
|
|
|
Mr. Bruff interfered for the third time.
|
|
|
|
"You appear to forget," he said, addressing Mr. Ablewhite,
|
|
"that you took this house as Miss Verinder's guardian, for Miss
|
|
Verinder's use."
|
|
|
|
"Not quite so fast," interposed Mr. Ablewhite. "I have a last word
|
|
to say, which I should have said some time since, if this----"
|
|
He looked my way, pondering what abominable name he should
|
|
call me--"if this Rampant Spinster had not interrupted us.
|
|
I beg to inform you, sir, that, if my son is not good enough
|
|
to be Miss Verinder's husband, I cannot presume to consider
|
|
his father good enough to be Miss Verinder's guardian.
|
|
Understand, if you please, that I refuse to accept the position
|
|
which is offered to me by Lady Verinder's will. In your legal phrase,
|
|
I decline to act. This house has necessarily been hired in my name.
|
|
I take the entire responsibility of it on my shoulders.
|
|
It is my house. I can keep it, or let it, just as I please.
|
|
I have no wish to hurry Miss Verinder. On the contrary,
|
|
I beg her to remove her guest and her luggage, at her own
|
|
entire convenience." He made a low bow, and walked out of
|
|
the room.
|
|
|
|
That was Mr. Ablewhite's revenge on Rachel, for refusing to marry his son!
|
|
|
|
The instant the door closed, Aunt Ablewhite exhibited a phenomenon
|
|
which silenced us all. She became endowed with energy enough to cross
|
|
the room!
|
|
|
|
"My dear," she said, taking Rachel by the hand, "I should be ashamed
|
|
of my husband, if I didn't know that it is his temper which has spoken
|
|
to you, and not himself. You," continued Aunt Ablewhite, turning on me
|
|
in my corner with another endowment of energy, in her looks this time
|
|
instead of her limbs--"you are the mischievous person who irritated him.
|
|
I hope I shall never see you or your tracts again." She went back
|
|
to Rachel and kissed her. "I beg your pardon, my dear," she said,
|
|
"in my husband's name. What can I do for you?"
|
|
|
|
Consistently perverse in everything--capricious and unreasonable in all
|
|
the actions of her life--Rachel melted into tears at those commonplace words,
|
|
and returned her aunt's kiss in silence.
|
|
|
|
"If I may be permitted to answer for Miss Verinder," said Mr. Bruff,
|
|
"might I ask you, Mrs. Ablewhite, to send Penelope down with her
|
|
mistress's bonnet and shawl. Leave us ten minutes together," he added,
|
|
in a lower tone, "and you may rely on my setting matters right,
|
|
to your satisfaction as well as to Rachel's."
|
|
|
|
The trust of the family in this man was something wonderful to see.
|
|
Without a word more, on her side, Aunt Ablewhite left the room.
|
|
|
|
"Ah!" said Mr. Bruff, looking after her. "The Herncastle blood has
|
|
its drawbacks, I admit. But there IS something in good breeding
|
|
after all!"
|
|
|
|
Having made that purely worldly remark, he looked hard at my corner,
|
|
as if he expected me to go. My interest in Rachel--an infinitely
|
|
higher interest than his--riveted me to my chair.
|
|
|
|
Mr. Bruff gave it up, exactly as he had given it up at Aunt Verinder's,
|
|
in Montagu Square. He led Rachel to a chair by the window, and spoke
|
|
to her there.
|
|
|
|
"My dear young lady," he said, "Mr. Ablewhite's conduct
|
|
has naturally shocked you, and taken you by surprise.
|
|
If it was worth while to contest the question with such a man,
|
|
we might soon show him that he is not to have things all his own way.
|
|
But it isn't worth while. You were quite right in what you said
|
|
just now; he is beneath our notice."
|
|
|
|
He stopped, and looked round at my corner. I sat there quite immovable,
|
|
with my tracts at my elbow and with Miss Jane Ann Stamper on my lap.
|
|
|
|
"You know," he resumed, turning back again to Rachel,
|
|
"that it was part of your poor mother's fine nature always
|
|
to see the best of the people about her, and never the worst.
|
|
She named her brother-in-law your guardian because she believed
|
|
in him, and because she thought it would please her sister.
|
|
I had never liked Mr. Ablewhite myself, and I induced your mother
|
|
to let me insert a clause in the will, empowering her executors,
|
|
in certain events, to consult with me about the appointment
|
|
of a new guardian. One of those events has happened to-day;
|
|
and I find myself in a position to end all these dry
|
|
business details, I hope agreeably, with a message from my wife.
|
|
Will you honour Mrs. Bruff by becoming her guest? And will you
|
|
remain under my roof, and be one of my family, until we wise people
|
|
have laid our heads together, and have settled what is to be
|
|
done next?"
|
|
|
|
At those words, I rose to interfere. Mr. Bruff had done exactly what I
|
|
had dreaded he would do, when he asked Mrs. Ablewhite for Rachel's bonnet
|
|
and shawl.
|
|
|
|
Before I could interpose a word, Rachel had accepted his invitation
|
|
in the warmest terms. If I suffered the arrangement thus made
|
|
between them to be carried out--if she once passed the threshold
|
|
of Mr. Bruff's door--farewell to the fondest hope of my life,
|
|
the hope of bringing my lost sheep back to the fold!
|
|
The bare idea of such a calamity as this quite overwhelmed me.
|
|
I cast the miserable trammels of worldly discretion to the winds,
|
|
and spoke with the fervour that filled me, in the words that
|
|
came first.
|
|
|
|
"Stop!" I said--"stop! I must be heard. Mr. Bruff! you are not related
|
|
to her, and I am. I invite her--I summon the executors to appoint
|
|
me guardian. Rachel, dearest Rachel, I offer you my modest home;
|
|
come to London by the next train, love, and share it with me!"
|
|
|
|
Mr. Bruff said nothing. Rachel looked at me with a cruel astonishment
|
|
which she made no effort to conceal.
|
|
|
|
"You are very kind, Drusilla," she said. "I shall hope to visit you whenever
|
|
I happen to be in London. But I have accepted Mr. Bruff's invitation, and I
|
|
think it will be best, for the present, if I remain under Mr. Bruff's care."
|
|
|
|
"Oh, don't say so!" I pleaded. "I can't part with you, Rachel--I can't
|
|
part with you!"
|
|
|
|
I tried to fold her in my arms. But she drew back.
|
|
My fervour did not communicate itself; it only alarmed her.
|
|
|
|
"Surely," she said, "this is a very unnecessary display of agitation?
|
|
I don't understand it."
|
|
|
|
"No more do I," said Mr. Bruff.
|
|
|
|
Their hardness--their hideous, worldly hardness--revolted me.
|
|
|
|
"Oh, Rachel! Rachel!" I burst out. "Haven't you seen yet,
|
|
that my heart yearns to make a Christian of you?
|
|
Has no inner voice told you that I am trying to do for you,
|
|
what I was trying to do for your dear mother when death snatched
|
|
her out of my hands?"
|
|
|
|
Rachel advanced a step nearer, and looked at me very strangely.
|
|
|
|
"I don't understand your reference to my mother," she said.
|
|
"Miss Clack, will you have the goodness to explain yourself?"
|
|
|
|
Before I could answer, Mr. Bruff came forward, and offering his arm to Rachel,
|
|
tried to lead her out of the room.
|
|
|
|
"You had better not pursue the subject, my dear," he said.
|
|
"And Miss Clack had better not explain herself."
|
|
|
|
If I had been a stock or a stone, such an interference
|
|
as this must have roused me into testifying to the truth.
|
|
I put Mr. Bruff aside indignantly with my own hand, and, in solemn
|
|
and suitable language, I stated the view with which sound
|
|
doctrine does not scruple to regard the awful calamity of
|
|
dying unprepared.
|
|
|
|
Rachel started back from me--I blush to write--with a scream of horror.
|
|
|
|
"Come away!" she said to Mr. Bruff. "Come away, for God's sake,
|
|
before that woman can say any more! Oh, think of my poor
|
|
mother's harmless, useful, beautiful life! You were at the funeral,
|
|
Mr. Bruff; you saw how everybody loved her; you saw the poor helpless
|
|
people crying at her grave over the loss of their best friend.
|
|
And that wretch stands there, and tries to make me doubt that
|
|
my mother, who was an angel on earth, is an angel in heaven now!
|
|
Don't stop to talk about it! Come away! It stifles me to breathe
|
|
the same air with her! It frightens me to feel that we are in the same
|
|
room together!"
|
|
|
|
Deaf to all remonstrance, she ran to the door.
|
|
|
|
At the same moment, her maid entered with her bonnet and shawl.
|
|
She huddled them on anyhow. "Pack my things," she said,
|
|
"and bring them to Mr. Bruff's." I attempted to approach her--
|
|
I was shocked and grieved, but, it is needless to say, not offended.
|
|
I only wished to say to her, "May your hard heart be softened!
|
|
I freely forgive you!" She pulled down her veil, and tore
|
|
her shawl away from my hand, and, hurrying out, shut the door
|
|
in my face. I bore the insult with my customary fortitude.
|
|
I remember it now with my customary superiority to all feeling
|
|
of offence.
|
|
|
|
Mr. Bruff had his parting word of mockery for me, before he too hurried out,
|
|
in his turn.
|
|
|
|
"You had better not have explained yourself, Miss Clack,"
|
|
he said, and bowed, and left the room.
|
|
|
|
The person with the cap-ribbons followed.
|
|
|
|
"It's easy to see who has set them all by the ears together," she said.
|
|
"I'm only a poor servant--but I declare I'm ashamed of you!"
|
|
She too went out, and banged the door after her.
|
|
|
|
I was left alone in the room. Reviled by them all, deserted by them all,
|
|
I was left alone in the room.
|
|
|
|
Is there more to be added to this plain statement of facts--
|
|
to this touching picture of a Christian persecuted by the world?
|
|
No! my diary reminds me that one more of the many chequered
|
|
chapters in my life ends here. From that day forth, I never saw
|
|
Rachel Verinder again. She had my forgiveness at the time when she
|
|
insulted me. She has had my prayerful good wishes ever since.
|
|
And when I die--to complete the return on my part of good for evil--
|
|
she will have the LIFE, LETTERS, AND LABOURS OF MISS JANE ANN STAMPER
|
|
left her as a legacy by my will.
|
|
|
|
|
|
|
|
SECOND NARRATIVE
|
|
|
|
Contributed by MATHEW BRUFF, Solicitor, of Gray's Inn
|
|
Square
|
|
|
|
CHAPTER I
|
|
|
|
|
|
My fair friend, Miss Clack, having laid down the pen, there are two reasons
|
|
for my taking it up next, in my turn.
|
|
|
|
In the first place, I am in a position to throw the necessary light on
|
|
certain points of interest which have thus far been left in the dark.
|
|
Miss Verinder had her own private reason for breaking her marriage engagement--
|
|
and I was at the bottom of it. Mr. Godfrey Ablewhite had his own private
|
|
reason for withdrawing all claim to the hand of his charming cousin--and I
|
|
discovered what it was.
|
|
|
|
In the second place, it was my good or ill fortune, I hardly know which,
|
|
to find myself personally involved--at the period of which I am now writing--
|
|
in the mystery of the Indian Diamond. I had the honour of an interview,
|
|
at my own office, with an Oriental stranger of distinguished manners,
|
|
who was no other, unquestionably, than the chief of the three Indians.
|
|
Add to this, that I met with the celebrated traveller, Mr. Murthwaite,
|
|
the day afterwards, and that I held a conversation with him on the subject
|
|
of the Moonstone, which has a very important bearing on later events.
|
|
And there you have the statement of my claims to fill the position which I
|
|
occupy in these pages.
|
|
|
|
|
|
|
|
The true story of the broken marriage engagement comes first in point
|
|
of time, and must therefore take the first place in the present narrative.
|
|
Tracing my way back along the chain of events, from one end to the other,
|
|
I find it necessary to open the scene, oddly enough as you will think,
|
|
at the bedside of my excellent client and friend, the late Sir
|
|
John Verinder.
|
|
|
|
Sir John had his share--perhaps rather a large share--of the more
|
|
harmless and amiable of the weaknesses incidental to humanity.
|
|
Among these, I may mention as applicable to the matter in hand,
|
|
an invincible reluctance--so long as he enjoyed his usual
|
|
good health--to face the responsibility of making his will.
|
|
Lady Verinder exerted her influence to rouse him to a sense
|
|
of duty in this matter; and I exerted my influence. He admitted
|
|
the justice of our views--but he went no further than that,
|
|
until he found himself afflicted with the illness which ultimately
|
|
brought him to his grave. Then, I was sent for at last,
|
|
to take my client's instructions on the subject of his will.
|
|
They proved to be the simplest instructions I had ever received
|
|
in the whole of my professional career.
|
|
|
|
Sir John was dozing, when I entered the room. He roused himself
|
|
at the sight of me.
|
|
|
|
"How do you do, Mr. Bruff?" he said. "I sha'n't be very long about this.
|
|
And then I'll go to sleep again." He looked on with great interest
|
|
while I collected pens, ink, and paper. "Are you ready?" he asked.
|
|
I bowed and took a dip of ink, and waited for my instructions.
|
|
|
|
"I leave everything to my wife," said Sir John. "That's all."
|
|
He turned round on his pillow, and composed himself to
|
|
sleep again.
|
|
|
|
I was obliged to disturb him.
|
|
|
|
"Am I to understand," I asked, "that you leave the whole of the property,
|
|
of every sort and description, of which you die possessed, absolutely to
|
|
Lady Verinder?"
|
|
|
|
"Yes," said Sir John. "Only, I put it shorter. Why can't you put
|
|
it shorter, and let me go to sleep again? Everything to my wife.
|
|
That's my Will."
|
|
|
|
His property was entirely at his own disposal, and was of two kinds.
|
|
Property in land (I purposely abstain from using technical language),
|
|
and property in money. In the majority of cases, I am afraid I should
|
|
have felt it my duty to my client to ask him to reconsider his Will.
|
|
In the case of Sir John, I knew Lady Verinder to be, not only worthy
|
|
of the unreserved trust which her husband had placed in her (all good wives
|
|
are worthy of that)--but to be also capable of properly administering
|
|
a trust (which, in my experience of the fair sex, not one in a thousand
|
|
of them is competent to do). In ten minutes, Sir John's Will was drawn,
|
|
and executed, and Sir John himself, good man, was finishing his
|
|
interrupted nap.
|
|
|
|
Lady Verinder amply justified the confidence which her husband had placed
|
|
in her. In the first days of her widowhood, she sent for me, and made
|
|
her Will. The view she took of her position was so thoroughly sound
|
|
and sensible, that I was relieved of all necessity for advising her.
|
|
My responsibility began and ended with shaping her instructions into
|
|
the proper legal form. Before Sir John had been a fortnight in his grave,
|
|
the future of his daughter had been most wisely and most affectionately
|
|
provided for.
|
|
|
|
The Will remained in its fireproof box at my office, through more years
|
|
than I Like to reckon up. It was not till the summer of eighteen
|
|
hundred and forty-eight that I found occasion to look at it again
|
|
under very melancholy circumstances.
|
|
|
|
At the date I have mentioned, the doctors pronounced the sentence
|
|
on poor Lady Verinder, which was literally a sentence of death.
|
|
I was the first person whom she informed of her situation;
|
|
and I found her anxious to go over her Will again with me.
|
|
|
|
It was impossible to improve the provisions relating to her daughter.
|
|
But, in the lapse of time, her wishes in regard to certain minor legacies,
|
|
left to different relatives, had undergone some modification; and it
|
|
became necessary to add three or four Codicils to the original document.
|
|
Having done this at once, for fear of accident, I obtained her ladyship's
|
|
permission to embody her recent instructions in a second Will.
|
|
My object was to avoid certain inevitable confusions and repetitions
|
|
which now disfigured the original document, and which, to own the truth,
|
|
grated sadly on my professional sense of the fitness of things.
|
|
|
|
The execution of this second Will has been described
|
|
by Miss Clack, who was so obliging as to witness it.
|
|
So far as regarded Rachel Verinder's pecuniary interests,
|
|
it was, word for word, the exact counterpart of the first Will.
|
|
The only changes introduced related to the appointment of a guardian,
|
|
and to certain provisions concerning that appointment,
|
|
which were made under my advice. On Lady Verinder's death,
|
|
the Will was placed in the hands of my proctor to be "proved"
|
|
(as the phrase is) in the usual way.
|
|
|
|
In about three weeks from that time--as well as I can remember--the first
|
|
warning reached me of something unusual going on under the surface.
|
|
I happened to be looking in at my friend the proctor's office, and I
|
|
observed that he received me with an appearance of greater interest
|
|
than usual.
|
|
|
|
"I have some news for you," he said. "What do you think I heard
|
|
at Doctors' Commons this morning? Lady Verinder's Will has been
|
|
asked for, and examined, already!"
|
|
|
|
This was news indeed! There was absolutely nothing which
|
|
could be contested in the Will; and there was nobody I could
|
|
think of who had the slightest interest in examining it.
|
|
(I shall perhaps do well if I explain in this place,
|
|
for the benefit of the few people who don't know it already,
|
|
that the law allows all Wills to be examined at Doctors'
|
|
Commons by anybody who applies, on the payment of a shilling fee.)
|
|
|
|
"Did you hear who asked for the Will?" I asked.
|
|
|
|
"Yes; the clerk had no hesitation in telling ME.
|
|
Mr. Smalley, of the firm of Skipp and Smalley, asked for it.
|
|
The Will has not been copied yet into the great Folio Registers.
|
|
So there was no alternative but to depart from the usual course,
|
|
and to let him see the original document. He looked it
|
|
over carefully, and made a note in his pocket-book. Have you any idea
|
|
of what he wanted with it?"
|
|
|
|
I shook my head. "I shall find out," I answered, "before I am a day older.
|
|
With that I went back at once to my own office.
|
|
|
|
If any other firm of solicitors had been concerned in this
|
|
unaccountable examination of my deceased client's Will, I might
|
|
have found some difficulty in making the necessary discovery.
|
|
But I had a hold over Skipp and Smalley which made
|
|
my course in this matter a comparatively easy one.
|
|
My common-law clerk (a most competent and excellent man)
|
|
was a brother of Mr. Smalley's; and, owing to this sort of indirect
|
|
connection with me, Skipp and Smalley had, for some years past,
|
|
picked up the crumbs that fell from my table, in the shape
|
|
of cases brought to my office, which, for various reasons,
|
|
I did not think it worth while to undertake. My professional
|
|
patronage was, in this way, of some importance to the firm.
|
|
I intended, if necessary, to remind them of that patronage, on the
|
|
present occasion.
|
|
|
|
The moment I got back I spoke to my clerk; and, after telling
|
|
him what had happened, I sent him to his brother's office,
|
|
"with Mr. Bruff's compliments, and he would be glad to know
|
|
why Messrs. Skipp and Smalley had found it necessary to examine
|
|
Lady Verinder's will."
|
|
|
|
This message brought Mr. Smalley back to my office in company
|
|
with his brother. He acknowledged that he had acted under
|
|
instructions received from a client. And then he put it to me,
|
|
whether it would not be a breach of professional confidence
|
|
on his part to say more.
|
|
|
|
We had a smart discussion upon that. He was right, no doubt;
|
|
and I was wrong. The truth is, I was angry and suspicious--and I
|
|
insisted on knowing more. Worse still, I declined to consider any
|
|
additional information offered me, as a secret placed in my keeping:
|
|
I claimed perfect freedom to use my own discretion. Worse even
|
|
than that, I took an unwarrantable advantage of my position.
|
|
"Choose, sir," I said to Mr. Smalley, "between the risk of
|
|
losing your client's business and the risk of losing Mine."
|
|
Quite indefensible, I admit--an act of tyranny, and nothing less.
|
|
Like other tyrants, I carried my point. Mr. Smalley chose his
|
|
alternative, without a moment's hesitation.
|
|
|
|
He smiled resignedly, and gave up the name of his client:
|
|
|
|
Mr. Godfrey Ablewhite.
|
|
|
|
That was enough for me--I wanted to know no more.
|
|
|
|
|
|
|
|
Having reached this point in my narrative, it now becomes necessary to place
|
|
the reader of these lines--so far as Lady Verinder's Will is concerned--
|
|
on a footing of perfect equality, in respect of information, with myself.
|
|
|
|
Let me state, then, in the fewest possible words, that Rachel
|
|
Verinder had nothing but a life-interest in the property.
|
|
Her mother's excellent sense, and my long experience,
|
|
had combined to relieve her of all responsibility,
|
|
and to guard her from all danger of becoming the victim in
|
|
the future of some needy and unscrupulous man. Neither she,
|
|
nor her husband (if she married), could raise sixpence,
|
|
either on the property in land, or on the property in money.
|
|
They would have the houses in London and in Yorkshire to
|
|
live in, and they would have the handsome income--and that
|
|
was all.
|
|
|
|
When I came to think over what I had discovered, I was sorely
|
|
perplexed what to do next.
|
|
|
|
Hardly a week had passed since I had heard (to my surprise
|
|
and distress) of Miss Verinder's proposed marriage.
|
|
I had the sincerest admiration and affection for her; and I had been
|
|
inexpressibly grieved when I heard that she was about to throw
|
|
herself away on Mr. Godfrey Ablewhite. And now, here was the man--
|
|
whom I had always believed to be a smooth-tongued impostor--
|
|
justifying the very worst that I had thought of him, and plainly
|
|
revealing the mercenary object of the marriage, on his side!
|
|
And what of that?--you may reply--the thing is done every day.
|
|
Granted, my dear sir. But would you think of it quite as
|
|
lightly as you do, if the thing was done (let us say) with your
|
|
own sister?
|
|
|
|
The first consideration which now naturally occurred to me was this.
|
|
Would Mr. Godfrey Ablewhite hold to his engagement, after what his lawyer
|
|
had discovered for him?
|
|
|
|
It depended entirely on his pecuniary position, of which I knew nothing.
|
|
If that position was not a desperate one, it would be well worth his
|
|
while to marry Miss Verinder for her income alone. If, on the other hand,
|
|
he stood in urgent need of realising a large sum by a given time, then Lady
|
|
Verinder's Will would exactly meet the case, and would preserve her daughter
|
|
from falling into a scoundrel's hands.
|
|
|
|
In the latter event, there would be no need for me to distress
|
|
Miss Rachel, in the first days of her mourning for her mother,
|
|
by an immediate revelation of the truth. In the former event,
|
|
if I remained silent, I should be conniving at a marriage which
|
|
would make her miserable for life.
|
|
|
|
My doubts ended in my calling at the hotel in London,
|
|
at which I knew Mrs. Ablewhite and Miss Verinder to be staying.
|
|
They informed me that they were going to Brighton the next day,
|
|
and that an unexpected obstacle prevented Mr. Godfrey Ablewhite
|
|
from accompanying them. I at once proposed to take his place.
|
|
While I was only thinking of Rachel Verinder, it was possible
|
|
to hesitate. When I actually saw her, my mind was made up directly,
|
|
come what might of it, to tell her the truth.
|
|
|
|
I found my opportunity, when I was out walking with her,
|
|
on the day after my arrival.
|
|
|
|
"May I speak to you," I asked, "about your marriage engagement?"
|
|
|
|
"Yes," she said, indifferently, "if you have nothing more interesting
|
|
to talk about."
|
|
|
|
"Will you forgive an old friend and servant of your family,
|
|
Miss Rachel, if I venture on asking whether your heart is set
|
|
on this marriage?"
|
|
|
|
"I am marrying in despair, Mr. Bruff--on the chance of dropping into
|
|
some sort of stagnant happiness which may reconcile me to my life."
|
|
|
|
Strong language! and suggestive of something below the surface,
|
|
in the shape of a romance. But I had my own object in view,
|
|
and I declined (as we lawyers say) to pursue the question into its
|
|
side issues.
|
|
|
|
"Mr. Godfrey Ablewhite can hardly be of your way of thinking," I said.
|
|
"HIS heart must be set on the marriage at any rate?"
|
|
|
|
"He says so, and I suppose I ought to believe him.
|
|
He would hardly marry me, after what I have owned to him,
|
|
unless he was fond of me."
|
|
|
|
Poor thing! the bare idea of a man marrying her for his own
|
|
selfish and mercenary ends had never entered her head.
|
|
The task I had set myself began to look like a harder task than I
|
|
had bargained for.
|
|
|
|
"It sounds strangely," I went on, "in my old-fashioned ears----"
|
|
|
|
"What sounds strangely?" she asked.
|
|
|
|
"To hear you speak of your future husband as if you were not quite sure
|
|
of the sincerity of his attachment. Are you conscious of any reason
|
|
in your own mind for doubting him?"
|
|
|
|
Her astonishing quickness of perception, detected a change in my voice,
|
|
or my manner, when I put that question, which warned her that I
|
|
had been speaking all along with some ulterior object in view.
|
|
She stopped, and taking her arm out of mine, looked me searchingly in
|
|
the face.
|
|
|
|
"Mr. Bruff," she said, "you have something to tell me about
|
|
Godfrey Ablewhite. Tell it."
|
|
|
|
I knew her well enough to take her at her word. I told it.
|
|
|
|
She put her arm again into mine, and walked on with me slowly.
|
|
I felt her hand tightening its grasp mechanically on my arm,
|
|
and I saw her getting paler and paler as I went on--but, not a
|
|
word passed her lips while I was speaking. When I had done,
|
|
she still kept silence. Her head drooped a little, and she
|
|
walked by my side, unconscious of my presence, unconscious of
|
|
everything about her; lost--buried, I might almost say--in her
|
|
own thoughts.
|
|
|
|
I made no attempt to disturb her. My experience of her disposition warned me,
|
|
on this, as on former occasions, to give her time.
|
|
|
|
The first instinct of girls in general, on being told of anything
|
|
which interests them, is to ask a multitude of questions, and then
|
|
to run off, and talk it all over with some favourite friend.
|
|
Rachel Verinder's first instinct, under similar circumstances,
|
|
was to shut herself up in her own mind, and to think it over by herself.
|
|
This absolute self-dependence is a great virtue in a man.
|
|
In a woman it has a serious drawback of morally separating her
|
|
from the mass of her sex, and so exposing her to misconstruction
|
|
by the general opinion. I strongly suspect myself of thinking
|
|
as the rest of the world think in this matter--except in the case
|
|
of Rachel Verinder. The self-dependence in HER character,
|
|
was one of its virtues in my estimation; partly, no doubt,
|
|
because I sincerely admired and liked her; partly, because the
|
|
view I took of her connexion with the loss of the Moonstone
|
|
was based on my own special knowledge of her disposition.
|
|
Badly as appearances might look, in the matter of the Diamond--
|
|
shocking as it undoubtedly was to know that she was associated
|
|
in any way with the mystery of an undiscovered theft--I was satisfied
|
|
nevertheless that she had done nothing unworthy of her, because I
|
|
was also satisfied that she had not stirred a step in the business,
|
|
without shutting herself up in her own mind, and thinking it
|
|
over first.
|
|
|
|
We had walked on, for nearly a mile I should say before Rachel
|
|
roused herself. She suddenly looked up at me with a faint
|
|
reflection of her smile of happier times--the most irresistible
|
|
smile I have ever seen on a woman's face.
|
|
|
|
"I owe much already to your kindness," she said.
|
|
"And I feel more deeply indebted to it now than ever.
|
|
If you hear any rumours of my marriage when you get back to London
|
|
contradict them at once, on my authority."
|
|
|
|
"Have you resolved to break your engagement?" I asked.
|
|
|
|
"Can you doubt it?" she returned proudly, "after what you have told me!"
|
|
|
|
"My dear Miss Rachel, you are very young--and you may find
|
|
more difficulty in withdrawing from your present position than
|
|
you anticipate. Have you no one--I mean a lady, of course--
|
|
whom you could consult?"
|
|
|
|
"No one," she answered.
|
|
|
|
It distressed me, it did indeed distress me, to hear her say that.
|
|
She was so young and so lonely--and she bore it so well!
|
|
The impulse to help her got the better of any sense of my own
|
|
unfitness which I might have felt under the circumstances;
|
|
and I stated such ideas on the subject as occurred to me
|
|
on the spur of the moment, to the best of my ability.
|
|
I have advised a prodigious number of clients, and have dealt
|
|
with some exceedingly awkward difficulties, in my time. But this
|
|
was the first occasion on which I had ever found myself advising
|
|
a young lady how to obtain her release from a marriage engagement.
|
|
The suggestion I offered amounted briefly to this.
|
|
I recommended her to tell Mr. Godfrey Ablewhite--at a private
|
|
interview, of course--that he had, to her certain knowledge,
|
|
betrayed the mercenary nature of the motive on his side.
|
|
She was then to add that their marriage, after what she
|
|
had discovered, was a simple impossibility--and she was
|
|
to put it to him, whether he thought it wisest to secure
|
|
her silence by falling in with her views, or to force her,
|
|
by opposing them, to make the motive under which she was
|
|
acting generally known. If he attempted to defend himself,
|
|
or to deny the facts, she was, in that event, to refer him
|
|
to ME.
|
|
|
|
Miss Verinder listened attentively till I had done.
|
|
She then thanked me very prettily for my advice, but informed me
|
|
at the same time that it was impossible for her to follow it.
|
|
|
|
"May I ask," I said, "what objection you see to following it?"
|
|
|
|
She hesitated--and then met me with a question on her side.
|
|
|
|
"Suppose you were asked to express your opinion of Mr. Godfrey
|
|
Ablewhite's conduct?" she began.
|
|
|
|
"Yes?"
|
|
|
|
"What would you call it?"
|
|
|
|
"I should call it the conduct of a meanly deceitful man."
|
|
|
|
"Mr. Bruff! I have believed in that man. I have promised to marry that man.
|
|
How can I tell him he is mean, how can I tell him he has deceived me,
|
|
how can I disgrace him in the eyes of the world after that? I have degraded
|
|
myself by ever thinking of him as my husband. If I say what you tell
|
|
me to say to him--l am owning that I have degraded myself to his face.
|
|
I can't do that. After what has passed between us, I can't do that!
|
|
The shame of it would be nothing to HIM. But the shame of it would be
|
|
unendurable to ME."
|
|
|
|
Here was another of the marked peculiarities in her character disclosing
|
|
itself to me without reserve. Here was her sensitive horror of the bare
|
|
contact with anything mean, blinding her to every consideration
|
|
of what she owed to herself, hurrying her into a false position
|
|
which might compromise her in the estimation of all her friends!
|
|
Up to this time, I had been a little diffident about the propriety
|
|
of the advice I had given to her. But, after what she had just said,
|
|
I had no sort of doubt that it was the best advice that could have
|
|
been offered; and I felt no sort of hesitation in pressing it on
|
|
her again.
|
|
|
|
She only shook her head, and repeated her objection in other words.
|
|
|
|
"He has been intimate enough with me to ask me to be his wife.
|
|
He has stood high enough in my estimation to obtain my consent.
|
|
I can't tell him to his face that he is the most contemptible
|
|
of living creatures, after that!"
|
|
|
|
"But, my dear Miss Rachel," I remonstrated, "it's equally impossible
|
|
for you to tell him that you withdraw from your engagement without
|
|
giving some reason for it."
|
|
|
|
"I shall say that I have thought it over, and that I am satisfied
|
|
it will be best for both of us if we part.
|
|
|
|
"No more than that?"
|
|
|
|
"No more."
|
|
|
|
"Have you thought of what he may say, on his side?"
|
|
|
|
"He may say what he pleases."
|
|
|
|
It was impossible not to admire her delicacy and her resolution, and it was
|
|
equally impossible not to feel that she was putting herself in the wrong.
|
|
I entreated her to consider her own position I reminded her that she would
|
|
be exposing herself to the most odious misconstruction of her motives.
|
|
"You can't brave public opinion," I said, "at the command of private feeling."
|
|
|
|
"I can," she answered. "I have done it already."
|
|
|
|
"What do you mean?"
|
|
|
|
"You have forgotten the Moonstone, Mr. Bruff. Have I not braved
|
|
public opinion, THERE, with my own private reasons for it?"
|
|
|
|
Her answer silenced me for the moment. It set me trying to trace
|
|
the explanation of her conduct, at the time of the loss of
|
|
the Moonstone, out of the strange avowal which had just escaped her.
|
|
I might perhaps have done it when I was younger. I certainly
|
|
couldn't do it now.
|
|
|
|
I tried a last remonstrance before we returned to the house.
|
|
She was just as immovable as ever. My mind was in a strange
|
|
conflict of feelings about her when I left her that day.
|
|
She was obstinate; she was wrong. She was interesting;
|
|
she was admirable; she was deeply to be pitied. I made her
|
|
promise to write to me the moment she had any news to send.
|
|
And I went back to my business in London, with a mind exceedingly ill
|
|
at ease.
|
|
|
|
On the evening of my return, before it was possible for me to receive my
|
|
promised letter, I was surprised by a visit from Mr. Ablewhite the elder,
|
|
and was informed that Mr. Godfrey had got his dismissal--AND HAD ACCEPTED IT--
|
|
that very day.
|
|
|
|
With the view I already took of the case, the bare fact stated
|
|
in the words that I have underlined, revealed Mr. Godfrey Ablewhite's
|
|
motive for submission as plainly as if he had acknowledged it himself.
|
|
He needed a large sum of money; and he needed it by a given time.
|
|
Rachel's income, which would have helped him to anything else,
|
|
would not help him here; and Rachel had accordingly released herself,
|
|
without encountering a moment's serious opposition on his part.
|
|
If I am told that this is a mere speculation, I ask, in my turn,
|
|
what other theory will account for his giving up a marriage
|
|
which would have maintained him in splendour for the rest of
|
|
his life?
|
|
|
|
Any exultation I might otherwise have felt at the lucky turn which things
|
|
had now taken, was effectually checked by what passed at my interview
|
|
with old Mr. Ablewhite.
|
|
|
|
He came, of course, to know whether I could give him any explanation
|
|
of Miss Verinder's extraordinary conduct. It is needless to say
|
|
that I was quite unable to afford him the information he wanted.
|
|
The annoyance which I thus inflicted, following on the irritation produced
|
|
by a recent interview with his son, threw Mr. Ablewhite off his guard.
|
|
Both his looks and his language convinced me that Miss Verinder would find
|
|
him a merciless man to deal with, when he joined the ladies at Brighton
|
|
the next day.
|
|
|
|
I had a restless night, considering what I ought to do next.
|
|
How my reflections ended, and how thoroughly well founded my distrust
|
|
of Mr. Ablewhite proved to be, are items of information which
|
|
(as I am told) have already been put tidily in their proper places,
|
|
by that exemplary person, Miss Clack. I have only to add--
|
|
in completion of her narrative--that Miss Verinder found the quiet
|
|
and repose which she sadly needed, poor thing, in my house at Hampstead.
|
|
She honoured us by making a long stay. My wife and daughters
|
|
were charmed with her; and, when the executors decided on the
|
|
appointment of a new guardian, I feel sincere pride and pleasure
|
|
in recording that my guest and my family parted like old friends,
|
|
on either side.
|
|
|
|
|
|
|
|
CHAPTER II
|
|
|
|
|
|
The next thing I have to do, is to present such additional information
|
|
as I possess on the subject of the Moonstone, or, to speak
|
|
more correctly, on the subject of the Indian plot to steal the Diamond.
|
|
The little that I have to tell is (as I think I have already said)
|
|
of some importance, nevertheless, in respect of its bearing very
|
|
remarkably on events which are still to come.
|
|
|
|
About a week or ten days after Miss Verinder had left us,
|
|
one of my clerks entered the private room at my office, with a
|
|
card in his hand, and informed me that a gentleman was below,
|
|
who wanted to speak to me.
|
|
|
|
I looked at the card. There was a foreign name written on it,
|
|
which has escaped my memory. It was followed by a line written in
|
|
English at the bottom of the card, which I remember perfectly well:
|
|
|
|
"Recommended by Mr. Septimus Luker."
|
|
|
|
The audacity of a person in Mr. Luker's position presuming to recommend
|
|
anybody to me, took me so completely by surprise, that I sat silent
|
|
for the moment, wondering whether my own eyes had not deceived me.
|
|
The clerk, observing my bewilderment, favoured me with the result
|
|
of his own observation of the stranger who was waiting downstairs.
|
|
|
|
"He is rather a remarkable-looking man, sir. So dark in the complexion
|
|
that we all set him down in the office for an Indian, or something
|
|
of that sort."
|
|
|
|
Associating the clerk's idea with the line inscribed on the card in my hand,
|
|
I thought it possible that the Moonstone might be at the bottom of
|
|
Mr. Luker's recommendation, and of the stranger's visit at my office.
|
|
To the astonishment of my clerk, I at once decided on granting an interview
|
|
to the gentleman below.
|
|
|
|
In justification of the highly unprofessional sacrifice to mere
|
|
curiosity which I thus made, permit me to remind anybody
|
|
who may read these lines, that no living person (in England,
|
|
at any rate) can claim to have had such an intimate connexion
|
|
with the romance of the Indian Diamond as mine has been.
|
|
I was trusted with the secret of Colonel Herncastle's plan
|
|
for escaping assassination. I received the Colonel's
|
|
letters, periodically reporting himself a living man.
|
|
I drew his Will, leaving the Moonstone to Miss Verinder.
|
|
I persuaded his executor to act, on the chance that the jewel
|
|
might prove to be a valuable acquisition to the family.
|
|
And, lastly, I combated Mr. Franklin Blake's scruples,
|
|
and induced him to be the means of transporting the Diamond
|
|
to Lady Verinder's house. If anyone can claim a prescriptive
|
|
right of interest in the Moonstone, and in everything
|
|
connected with it, I think it is hardly to be denied that I am
|
|
the man.
|
|
|
|
The moment my mysterious client was shown in, I felt an inner conviction that
|
|
I was in the presence of one of the three Indians--probably of the chief.
|
|
He was carefully dressed in European costume. But his swarthy complexion,
|
|
his long lithe figure, and his grave and graceful politeness of manner were
|
|
enough to betray his Oriental origin to any intelligent eyes that looked
|
|
at him.
|
|
|
|
I pointed to a chair, and begged to be informed of the nature
|
|
of his business with me.
|
|
|
|
After first apologising--in an excellent selection of English words--
|
|
for the liberty which he had taken in disturbing me, the Indian produced
|
|
a small parcel the outer covering of which was of cloth of gold.
|
|
Removing this and a second wrapping of some silken fabric, he placed
|
|
a little box, or casket, on my table, most beautifully and richly inlaid
|
|
in jewels, on an ebony ground.
|
|
|
|
"I have come, sir," he said, "to ask you to lend me some money.
|
|
And I leave this as an assurance to you that my debt will be
|
|
paid back."
|
|
|
|
I pointed to his card. "And you apply to me," I rejoined,
|
|
"at Mr. Luker's recommendation?"
|
|
|
|
The Indian bowed.
|
|
|
|
"May I ask how it is that Mr. Luker himself did not advance
|
|
the money that you require?"
|
|
|
|
"Mr. Luker informed me, sir, that he had no money to lend."
|
|
|
|
"And so he recommended you to come to me?"
|
|
|
|
The Indian, in his turn, pointed to the card. It is written there,"
|
|
he said.
|
|
|
|
Briefly answered, and thoroughly to the purpose! If the Moonstone
|
|
had been in my possession, this Oriental gentleman would have
|
|
murdered me, I am well aware, without a moment's hesitation.
|
|
At the same time, and barring that slight drawback, I am
|
|
bound to testify that he was the perfect model of a client.
|
|
He might not have respected my life. But he did what none
|
|
of my own countrymen had ever done, in all my experience of them--
|
|
he respected my time.
|
|
|
|
"I am sorry," I said, "that you should have had the trouble of
|
|
coming to me. Mr. Luker is quite mistaken in sending you here.
|
|
I am trusted, like other men in my profession, with money to lend.
|
|
But I never lend it to strangers, and I never lend it on such a security
|
|
as you have produced."
|
|
|
|
Far from attempting, as other people would have done, to induce
|
|
me to relax my own rules, the Indian only made me another bow,
|
|
and wrapped up his box in its two coverings without a word of protest.
|
|
He rose--this admirable assassin rose to go, the moment I had
|
|
answered him!
|
|
|
|
"Will your condescension towards a stranger, excuse my asking one question,"
|
|
he said, "before I take my leave?"
|
|
|
|
I bowed on my side. Only one question at parting! The average
|
|
in my experience was fifty.
|
|
|
|
"Supposing, sir, it had been possible (and customary) for you to lend me
|
|
the money," he said, "in what space of time would it have been possible
|
|
(and customary) for me to pay it back?"
|
|
|
|
"According to the usual course pursued in this country," I answered,
|
|
"you would have been entitled to pay the money back (if you liked)
|
|
in one year's time from the date at which it was first advanced
|
|
to you."
|
|
|
|
The Indian made me a last bow, the lowest of all--and suddenly
|
|
and softly walked out of the room.
|
|
|
|
It was done in a moment, in a noiseless, supple, cat-like way,
|
|
which a little startled me, I own. As soon as I was composed
|
|
enough to think, I arrived at one distinct conclusion in reference
|
|
to the otherwise incomprehensible visitor who had favoured me
|
|
with a call.
|
|
|
|
His face, voice, and manner--while I was in his company--
|
|
were under such perfect control that they set all scrutiny
|
|
at defiance. But he had given me one chance of looking
|
|
under the smooth outer surface of him, for all that.
|
|
He had not shown the slightest sign of attempting to fix anything
|
|
that I had said to him in his mind, until I mentioned the time
|
|
at which it was customary to permit the earliest repayment,
|
|
on the part of a debtor, of money that had been advanced
|
|
as a loan. When I gave him that piece of information,
|
|
he looked me straight in the face, while I was speaking,
|
|
for the first time. The inference I drew from this was--
|
|
that he had a special purpose in asking me his last question,
|
|
and a special interest in hearing my answer to it.
|
|
The more carefully I reflected on what had passed between us,
|
|
the more shrewdly I suspected the production of the casket,
|
|
and the application for the loan, of having been mere formalities,
|
|
designed to pave the way for the parting inquiry addressed
|
|
to me.
|
|
|
|
I had satisfied myself of the correctness of this conclusion--
|
|
and was trying to get on a step further, and penetrate the Indian's
|
|
motives next--when a letter was brought to me, which proved
|
|
to be from no less a person that Mr. Septimus Luker himself.
|
|
He asked my pardon in terms of sickening servility, and assured
|
|
me that he could explain matters to my satisfaction, if I would
|
|
honour him by consenting to a personal interview.
|
|
|
|
I made another unprofessional sacrifice to mere curiosity.
|
|
I honoured him by making an appointment at my office, for the
|
|
next day.
|
|
|
|
Mr. Luker was, in every respect, such an inferior creature to the Indian--
|
|
he was so vulgar, so ugly, so cringing, and so prosy--that he is
|
|
quite unworthy of being reported, at any length, in these pages.
|
|
The substance of what he had to tell me may be fairly stated
|
|
as follows:
|
|
|
|
The day before I had received the visit of the Indian, Mr. Luker
|
|
had been favoured with a call from that accomplished gentleman.
|
|
In spite of his European disguise, Mr. Luker had instantly
|
|
identified his visitor with the chief of the three Indians,
|
|
who had formerly annoyed him by loitering about his house,
|
|
and who had left him no alternative but to consult a magistrate.
|
|
From this startling discovery he had rushed to the conclusion
|
|
(naturally enough I own) that he must certainly be in the
|
|
company of one of the three men, who had blindfolded him,
|
|
gagged him, and robbed him of his banker's receipt.
|
|
The result was that he became quite paralysed with terror,
|
|
and that he firmly believed his last hour had come.
|
|
|
|
On his side, the Indian preserved the character of a perfect stranger.
|
|
He produced the little casket, and made exactly the same application
|
|
which he had afterwards made to me. As the speediest way of getting
|
|
rid of him, Mr. Luker had at once declared that he had no money.
|
|
The Indian had thereupon asked to be informed of the best and safest person
|
|
to apply to for the loan he wanted. Mr. Luker had answered that the best
|
|
and safest person, in such cases, was usually a respectable solicitor.
|
|
Asked to name some individual of that character and profession,
|
|
Mr. Luker had mentioned me--for the one simple reason that, in the
|
|
extremity of his terror, mine was the first name which occurred to him.
|
|
"The perspiration was pouring off me like rain, sir," the wretched
|
|
creature concluded. "I didn't know what I was talking about.
|
|
And I hope you'll look over it, Mr. Bruff, sir, in consideration of my
|
|
having been really and truly frightened out of my wits."
|
|
|
|
I excused the fellow graciously enough. It was the readiest way
|
|
of releasing myself from the sight of him. Before he left me,
|
|
I detained him to make one inquiry.
|
|
|
|
Had the Indian said anything noticeable, at the moment of quitting
|
|
Mr. Luker's house?
|
|
|
|
Yes! The Indian had put precisely the same question to Mr. Luker,
|
|
at parting, which he had put to me; receiving of course, the same
|
|
answer as the answer which I had given him.
|
|
|
|
What did it mean? Mr. Luker's explanation gave me no assistance
|
|
towards solving the problem. My own unaided ingenuity,
|
|
consulted next, proved quite unequal to grapple with the difficulty.
|
|
I had a dinner engagement that evening; and I went upstairs,
|
|
in no very genial frame of mind, little suspecting that the way
|
|
to my dressing-room and the way to discovery, meant, on this
|
|
particular occasion, one and the same thing.
|
|
|
|
|
|
|
|
CHAPTER III
|
|
|
|
|
|
The prominent personage among the guests at the dinner party
|
|
I found to be Mr. Murthwaite.
|
|
|
|
On his appearance in England, after his wanderings, society had been
|
|
greatly interested in the traveller, as a man who had passed through
|
|
many dangerous adventures, and who had escaped to tell the tale.
|
|
He had now announced his intention of returning to the scene of
|
|
his exploits, and of penetrating into regions left still unexplored.
|
|
This magnificent indifference to placing his safety in peril for the
|
|
second time, revived the flagging interest of the worshippers in the hero.
|
|
The law of chances was clearly against his escaping on this occasion.
|
|
It is not every day that we can meet an eminent person at dinner, and feel
|
|
that there is a reasonable prospect of the news of his murder being the news
|
|
that we hear of him next.
|
|
|
|
When the gentlemen were left by themselves in the dining-room, I found myself
|
|
sitting next to Mr. Murthwaite. The guests present being all English,
|
|
it is needless to say that, as soon as the wholesome check exercised by
|
|
the presence of the ladies was removed, the conversation turned on politics
|
|
as a necessary result.
|
|
|
|
In respect to this all-absorbing national topic, I happen
|
|
to be one of the most un-English Englishmen living.
|
|
As a general rule, political talk appears to me to be
|
|
of all talk the most dreary and the most profitless.
|
|
Glancing at Mr. Murthwaite, when the bottles had made their
|
|
first round of the table, I found that he was apparently
|
|
of my way of thinking. He was doing it very dexterously--
|
|
with all possible consideration for the feelings of his host--
|
|
but it is not the less certain that he was composing himself
|
|
for a nap. It struck me as an experiment worth attempting,
|
|
to try whether a judicious allusion to the subject of the Moonstone
|
|
would keep him awake, and, if it did, to see what HE thought
|
|
of the last new complication in the Indian conspiracy, as revealed
|
|
in the prosaic precincts of my office.
|
|
|
|
"If I am not mistaken, Mr. Murthwaite," I began, "you were acquainted
|
|
with the late Lady Verinder, and you took some interest in the strange
|
|
succession of events which ended in the loss of the Moonstone?"
|
|
|
|
The eminent traveller did me the honour of waking up in an instant,
|
|
and asking me who I was.
|
|
|
|
I informed him of my professional connection with the Herncastle family,
|
|
not forgetting the curious position which I had occupied towards the Colonel
|
|
and his Diamond in the bygone time.
|
|
|
|
Mr. Murthwaite shifted round in his chair, so as to put the rest
|
|
of the company behind him (Conservatives and Liberals alike),
|
|
and concentrated his whole attention on plain Mr. Bruff, of Gray's
|
|
Inn Square.
|
|
|
|
"Have you heard anything, lately, of the Indians?" he asked.
|
|
|
|
"I have every reason to believe," I answered, "that one of them
|
|
had an interview with me, in my office, yesterday."
|
|
|
|
Mr. Murthwaite was not an easy man to astonish; but that last answer of mine
|
|
completely staggered him. I described what had happened to Mr. Luker,
|
|
and what had happened to myself, exactly as I have described it here.
|
|
"It is clear that the Indian's parting inquiry had an object," I added.
|
|
"Why should he be so anxious to know the time at which a borrower of money is
|
|
usually privileged to pay the money back?"
|
|
|
|
"Is it possible that you don't see his motive, Mr. Bruff?"
|
|
|
|
"I am ashamed of my stupidity, Mr. Murthwaite--but I certainly don't see it."
|
|
|
|
The great traveller became quite interested in sounding the immense
|
|
vacuity of my dulness to its lowest depths.
|
|
|
|
"Let me ask you one question," he said. "In what position does
|
|
the conspiracy to seize the Moonstone now stand?"
|
|
|
|
"I can't say," I answered. "The Indian plot is a mystery to me."
|
|
|
|
"The Indian plot, Mr. Bruff, can only be a mystery to you, because you
|
|
have never seriously examined it. Shall we run it over together,
|
|
from the time when you drew Colonel Herncastle's Will, to the time
|
|
when the Indian called at your office? In your position, it may be
|
|
of very serious importance to the interests of Miss Verinder, that you
|
|
should be able to take a clear view of this matter in case of need.
|
|
Tell me, bearing that in mind, whether you will penetrate the Indian's
|
|
motive for yourself? or whether you wish me to save you the trouble
|
|
of making any inquiry into it?"
|
|
|
|
It is needless to say that I thoroughly appreciated the practical
|
|
purpose which I now saw that he had in view, and that the first
|
|
of the two alternatives was the alternative I chose.
|
|
|
|
"Very good," said Mr. Murthwaite. "We will take the question
|
|
of the ages of the three Indians first. I can testify that they
|
|
all look much about the same age--and you can decide for yourself,
|
|
whether the man whom you saw was, or was not, in the prime of life.
|
|
Not forty, you think? My idea too. We will say not forty.
|
|
Now look back to the time when Colonel Herncastle came
|
|
to England, and when you were concerned in the plan he adopted
|
|
to preserve his life. I don't want you to count the years.
|
|
I will only say, it is clear that these present Indians,
|
|
at their age, must be the successors of three other Indians
|
|
(high caste Brahmins all of them, Mr. Bruff, when they left
|
|
their native country!) who followed the Colonel to these shores.
|
|
Very well. These present men of ours have succeeded to the men
|
|
who were here before them. If they had only done that,
|
|
the matter would not have been worth inquiring into.
|
|
But they have done more. They have succeeded to the organisation
|
|
which their predecessors established in this country.
|
|
Don't start! The organisation is a very trumpery affair,
|
|
according to our ideas, I have no doubt. I should reckon it up
|
|
as including the command of money; the services, when needed,
|
|
of that shady sort of Englishman, who lives in the byways
|
|
of foreign life in London; and, lastly, the secret sympathy
|
|
of such few men of their own country, and (formerly, at least)
|
|
of their own religion, as happen to be employed in ministering
|
|
to some of the multitudinous wants of this great city.
|
|
Nothing very formidable, as you see! But worth notice
|
|
at starting, because we may find occasion to refer
|
|
to this modest little Indian organisation as we go on.
|
|
Having now cleared the ground, I am going to ask you a question;
|
|
and I expect your experience to answer it. What was the event
|
|
which gave the Indians their first chance of seizing the
|
|
Diamond?"
|
|
|
|
I understood the allusion to my experience.
|
|
|
|
"The first chance they got," I replied, "was clearly offered to them
|
|
by Colonel Herncastle's death. They would be aware of his death,
|
|
I suppose, as a matter of course?"
|
|
|
|
"As a matter of course. And his death, as you say, gave them
|
|
their first chance. Up to that time the Moonstone was safe in
|
|
the strong-room of the bank. You drew the Colonel's Will leaving
|
|
his jewel to his niece; and the Will was proved in the usual way.
|
|
As a lawyer, you can be at no loss to know what course the Indians
|
|
would take (under English advice) after THAT."
|
|
|
|
"They would provide themselves with a copy of the Will
|
|
from Doctors' Commons," I said.
|
|
|
|
"Exactly. One or other of those shady Englishmen to whom I
|
|
have alluded, would get them the copy you have described.
|
|
That copy would inform them that the Moonstone was bequeathed
|
|
to the daughter of Lady Verinder, and that Mr. Blake the elder,
|
|
or some person appointed by him, was to place it in her hands.
|
|
You will agree with me that the necessary information about
|
|
persons in the position of Lady Verinder and Mr. Blake,
|
|
would be perfectly easy information to obtain. The one difficulty
|
|
for the Indians would be to decide whether they should make
|
|
their attempt on the Diamond when it was in course of removal
|
|
from the keeping of the bank, or whether they should wait until
|
|
it was taken down to Yorkshire to Lady Verinder's house.
|
|
The second way would be manifestly the safest way--and there
|
|
you have the explanation of the appearance of the Indians
|
|
at Frizinghall, disguised as jugglers, and waiting their time.
|
|
In London, it is needless to say, they had their organisation at their
|
|
disposal to keep them informed of events. Two men would do it.
|
|
One to follow anybody who went from Mr. Blake's house to the bank.
|
|
And one to treat the lower men servants with beer, and to hear
|
|
the news of the house. These commonplace precautions would
|
|
readily inform them that Mr. Franklin Blake had been to the bank,
|
|
and that Mr. Franklin Blake was the only person in the house
|
|
who was going to visit Lady Verinder. What actually followed upon
|
|
that discovery, you remember, no doubt, quite as correctly as I
|
|
do."
|
|
|
|
I remembered that Franklin Blake had detected one of the spies, in the street--
|
|
that he had, in consequence, advanced the time of his arrival in Yorkshire
|
|
by some hours--and that (thanks to old Betteredge's excellent advice) he had
|
|
lodged the Diamond in the bank at Frizinghall, before the Indians were so much
|
|
as prepared to see him in the neighbourhood. All perfectly clear so far.
|
|
But the Indians being ignorant of the precautions thus taken, how was it that
|
|
they had made no attempt on Lady Verinder's house (in which they must have
|
|
supposed the Diamond to be) through the whole of the interval that elapsed
|
|
before Rachel's birthday?
|
|
|
|
In putting this difficulty to Mr. Murthwaite, I thought it right
|
|
to add that I had heard of the little boy, and the drop of ink,
|
|
and the rest of it, and that any explanation based on the theory
|
|
of clairvoyance was an explanation which would carry no conviction
|
|
whatever with it, to MY mind.
|
|
|
|
"Nor to mine either," said Mr. Murthwaite. "The clairvoyance in this case
|
|
is simply a development of the romantic side of the Indian character.
|
|
It would be refreshment and an encouragement to those men--
|
|
quite inconceivable, I grant you, to the English mind--to surround
|
|
their wearisome and perilous errand in this country with a certain halo
|
|
of the marvellous and the supernatural. Their boy is unquestionably
|
|
a sensitive subject to the mesmeric influence--and, under that influence,
|
|
he has no doubt reflected what was already in the mind of the person
|
|
mesmerising him. I have tested the theory of clairvoyance--
|
|
and I have never found the manifestations get beyond that point.
|
|
The Indians don't investigate the matter in this way; the Indians
|
|
look upon their boy as a Seer of things invisible to their eyes--
|
|
and, I repeat, in that marvel they find the source of a new interest
|
|
in the purpose that unites them. I only notice this as offering
|
|
a curious view of human character, which must be quite new to you.
|
|
We have nothing whatever to do with clairvoyance, or with mesmerism,
|
|
or with anything else that is hard of belief to a practical man,
|
|
in the inquiry that we are now pursuing. My object in following
|
|
the Indian plot, step by step, is to trace results back, by rational
|
|
means, to natural causes. Have I succeeded to your satisfaction
|
|
so far?"
|
|
|
|
"Not a doubt of it, Mr. Murthwaite! I am waiting, however, with some anxiety,
|
|
to hear the rational explanation of the difficulty which I have just had
|
|
the honour of submitting to you."
|
|
|
|
Mr. Murthwaite smiled. "It's the easiest difficulty to deal
|
|
with of all," he said. "Permit me to begin by admitting
|
|
your statement of the case as a perfectly correct one.
|
|
The Indians were undoubtedly not aware of what Mr. Franklin
|
|
Blake had done with the Diamond--for we find them making their
|
|
first mistake, on the first night of Mr. Blake's arrival at his
|
|
aunt's house."
|
|
|
|
"Their first mistake?" I repeated.
|
|
|
|
"Certainly! The mistake of allowing themselves to be surprised,
|
|
lurking about the terrace at night, by Gabriel Betteredge.
|
|
However, they had the merit of seeing for themselves that they
|
|
had taken a false step--for, as you say, again, with plenty
|
|
of time at their disposal, they never came near the house for
|
|
weeks afterwards."
|
|
|
|
"Why, Mr. Murthwaite? That's what I want to know! Why?"
|
|
|
|
"Because no Indian, Mr. Bruff, ever runs an unnecessary risk.
|
|
The clause you drew in Colonel Herncastle's Will, informed them
|
|
(didn't it?) that the Moonstone was to pass absolutely into
|
|
Miss Verinder's possession on her birthday. Very well.
|
|
Tell me which was the safest course for men in their position?
|
|
To make their attempt on the Diamond while it was under the control
|
|
of Mr. Franklin Blake, who had shown already that he could
|
|
suspect and outwit them? Or to wait till the Diamond was at
|
|
the disposal of a young girl, who would innocently delight
|
|
in wearing the magnificent jewel at every possible opportunity?
|
|
Perhaps you want a proof that my theory is correct?
|
|
Take the conduct of the Indians themselves as the proof.
|
|
They appeared at the house, after waiting all those weeks,
|
|
on Miss Verinder's birthday; and they were rewarded
|
|
for the patient accuracy of their calculations by seeing
|
|
the Moonstone in the bosom of her dress! When I heard
|
|
the story of the Colonel and the Diamond, later in the evening,
|
|
I felt so sure about the risk Mr. Franklin Blake had run
|
|
(they would have certainly attacked him, if he had not happened
|
|
to ride back to Lady Verinder's in the company of other people);
|
|
and I was so strongly convinced of the worse risk still,
|
|
in store for Miss Verinder, that I recommended following
|
|
the Colonel's plan, and destroying the identity of the gem
|
|
by having it cut into separate stones. How its extraordinary
|
|
disappearance that night, made my advice useless, and utterly
|
|
defeated the Hindoo plot--and how all further action on the part
|
|
of the Indians was paralysed the next day by their confinement
|
|
in prison as rogues and vagabonds--you know as well as I do.
|
|
The first act in the conspiracy closes there. Before we go
|
|
on to the second, may I ask whether I have met your difficulty,
|
|
with an explanation which is satisfactory to the mind of a practical
|
|
man?"
|
|
|
|
It was impossible to deny that he had met my difficulty fairly;
|
|
thanks to his superior knowledge of the Indian character--
|
|
and thanks to his not having had hundreds of other Wills to think
|
|
of since Colonel Herncastle's time!
|
|
|
|
"So far, so good," resumed Mr. Murthwaite. "The first chance
|
|
the Indians had of seizing the Diamond was a chance lost,
|
|
on the day when they were committed to the prison at Frizinghall.
|
|
When did the second chance offer itself? The second chance
|
|
offered itself--as I am in a condition to prove--while they
|
|
were still in confinement."
|
|
|
|
He took out his pocket-book, and opened it at a particular leaf,
|
|
before he went on.
|
|
|
|
"I was staying," he resumed, "with some friends at Frizinghall,
|
|
at the time. A day or two before the Indians were set free
|
|
(on a Monday, I think), the governor of the prison came to me
|
|
with a letter. It had been left for the Indians by one Mrs. Macann,
|
|
of whom they had hired the lodging in which they lived;
|
|
and it had been delivered at Mrs. Macann's door, in ordinary
|
|
course of post, on the previous morning. The prison authorities
|
|
had noticed that the postmark was 'Lambeth,' and that the address
|
|
on the outside, though expressed in correct English, was, in form,
|
|
oddly at variance with the customary method of directing a letter.
|
|
On opening it, they had found the contents to be written in a
|
|
foreign language, which they rightly guessed at as Hindustani.
|
|
Their object in coming to me was, of course, to have the letter
|
|
translated to them. I took a copy in my pocket-book of
|
|
the original, and of my translation--and there they are at
|
|
your service."
|
|
|
|
He handed me the open pocket-book. The address on the letter
|
|
was the first thing copied. It was all written in one paragraph,
|
|
without any attempt at punctuation, thus: "To the three Indian men
|
|
living with the lady called Macann at Frizinghall in Yorkshire."
|
|
The Hindoo characters followed; and the English translation appeared at
|
|
the end, expressed in these mysterious words:
|
|
|
|
"In the name of the Regent of the Night, whose seat is on the Antelope,
|
|
whose arms embrace the four corners of the earth.
|
|
|
|
"Brothers, turn your faces to the south, and come to me in the street
|
|
of many noises, which leads down to the muddy river.
|
|
|
|
"The reason is this.
|
|
|
|
"My own eyes have seen it."
|
|
|
|
There the letter ended, without either date or signature.
|
|
I handed it back to Mr. Murthwaite, and owned that this curious
|
|
specimen of Hindoo correspondence rather puzzled me.
|
|
|
|
"I can explain the first sentence to you," he said;
|
|
"and the conduct of the Indians themselves will explain the rest.
|
|
The god of the moon is represented, in the Hindoo mythology,
|
|
as a four-armed deity, seated on an antelope; and one of his
|
|
titles is the regent of the night. Here, then, to begin with,
|
|
is something which looks suspiciously like an indirect reference
|
|
to the Moonstone. Now, let us see what the Indians did,
|
|
after the prison authorities had allowed them to receive their letter.
|
|
On the very day when they were set free they went at once
|
|
to the railway station, and took their places in the first
|
|
train that started for London. We all thought it a pity at
|
|
Frizinghall that their proceedings were not privately watched.
|
|
But, after Lady Verinder had dismissed the police-officer,
|
|
and had stopped all further inquiry into the loss of
|
|
the Diamond, no one else could presume to stir in the matter.
|
|
The Indians were free to go to London, and to London they went.
|
|
What was the next news we heard of them, Mr. Bruff?"
|
|
|
|
"They were annoying Mr. Luker," I answered, "by loitering about the house
|
|
at Lambeth."
|
|
|
|
"Did you read the report of Mr. Luker's application to the magistrate?"
|
|
|
|
"Yes."
|
|
|
|
"In the course of his statement he referred, if you remember,
|
|
to a foreign workman in his employment, whom he had just dismissed
|
|
on suspicion of attempted theft, and whom he also distrusted as
|
|
possibly acting in collusion with the Indians who had annoyed him.
|
|
The inference is pretty plain, Mr. Bruff, as to who wrote that letter
|
|
which puzzled you just now, and as to which of Mr. Luker's Oriental
|
|
treasures the workman had attempted to steal."
|
|
|
|
The inference (as I hastened to acknowledge) was too plain to need
|
|
being pointed out. I had never doubted that the Moonstone had found
|
|
its way into Mr. Luker's hands, at the time Mr. Murthwaite alluded to.
|
|
My only question had been, How had the Indians discovered the circumstance?
|
|
This question (the most difficult to deal with of all, as I had thought)
|
|
had now received its answer, like the rest. Lawyer as I was, I began
|
|
to feel that I might trust Mr. Murthwaite to lead me blindfold through
|
|
the last windings of the labyrinth, along which he had guided me thus far.
|
|
I paid him the compliment of telling him this, and found my little concession
|
|
very graciously received.
|
|
|
|
"You shall give me a piece of information in your turn before we go on,"
|
|
he said. "Somebody must have taken the Moonstone from Yorkshire to London.
|
|
And somebody must have raised money on it, or it would never have been
|
|
in Mr. Luker's possession. Has there been any discovery made of who that
|
|
person was?"
|
|
|
|
"None that I know of."
|
|
|
|
"There was a story (was there not?) about Mr. Godfrey Ablewhite.
|
|
I am told he is an eminent philanthropist--which is decidedly
|
|
against him, to begin with."
|
|
|
|
I heartily agreed in this with Mr. Murthwaite. At the same time,
|
|
I felt bound to inform him (without, it is needless to say,
|
|
mentioning Miss Verinder's name) that Mr. Godfrey Ablewhite had
|
|
been cleared of all suspicion, on evidence which I could answer
|
|
for as entirely beyond dispute.
|
|
|
|
"Very well," said Mr. Murthwaite, quietly, "let us leave it
|
|
to time to clear the matter up. In the meanwhile, Mr. Bruff,
|
|
we must get back again to the Indians, on your account.
|
|
Their journey to London simply ended in their becoming the victims
|
|
of another defeat. The loss of their second chance of seizing
|
|
the Diamond is mainly attributable, as I think, to the cunning
|
|
and foresight of Mr. Luker--who doesn't stand at the top
|
|
of the prosperous and ancient profession of usury for nothing!
|
|
By the prompt dismissal of the man in his employment,
|
|
he deprived the Indians of the assistance which their
|
|
confederate would have rendered them in getting into the house.
|
|
By the prompt transport of the Moonstone to his banker's,
|
|
he took the conspirators by surprise before they were
|
|
prepared with a new plan for robbing him. How the Indians,
|
|
in this latter case, suspected what he had done, and how they
|
|
contrived to possess themselves of his banker's receipt,
|
|
are events too recent to need dwelling on. Let it be enough
|
|
to say that they know the Moonstone to be once more out of
|
|
their reach; deposited (under the general description of "a valuable
|
|
of great price") in a banker's strong room. Now, Mr. Bruff,
|
|
what is their third chance of seizing the Diamond? and when will
|
|
it come?"
|
|
|
|
As the question passed his lips, I penetrated the motive of the Indian's
|
|
visit to my office at last!
|
|
|
|
"I see it!" I exclaimed. "The Indians take it for granted, as we do,
|
|
that the Moonstone has been pledged; and they want to be certainly
|
|
informed of the earliest period at which the pledge can be redeemed--
|
|
because that will be the earliest period at which the Diamond can be
|
|
removed from the safe keeping of the bank!"
|
|
|
|
"I told you you would find it out for yourself, Mr. Bruff, if I only
|
|
gave you a fair chance. In a year from the time when the Moonstone
|
|
was pledged, the Indians will be on the watch for their third chance.
|
|
Mr. Luker's own lips have told them how long they will have to wait,
|
|
and your respectable authority has satisfied them that Mr. Luker has spoken
|
|
the truth. When do we suppose, at a rough guess, that the Diamond found
|
|
its way into the money-lender's hands?"
|
|
|
|
"Towards the end of last June," I answered, "as well as I can reckon it."
|
|
|
|
"And we are now in the year 'forty-eight. Very good.
|
|
If the unknown person who has pledged the Moonstone can redeem
|
|
it in a year, the jewel will be in that person's possession
|
|
again at the end of June, 'forty-nine. I shall be thousands
|
|
of miles from England and English news at that date.
|
|
But it may be worth YOUR while to take a note of it, and to arrange
|
|
to be in London at the time."
|
|
|
|
"You think something serious will happen?" I said.
|
|
|
|
"I think I shall be safer," he answered, "among the fiercest
|
|
fanatics of Central Asia than I should be if I crossed
|
|
the door of the bank with the Moonstone in my pocket.
|
|
The Indians have been defeated twice running, Mr. Bruff.
|
|
It's my firm belief that they won't be defeated a third time."
|
|
|
|
Those were the last words he said on the subject. The coffee came in;
|
|
the guests rose, and dispersed themselves about the room; and we joined
|
|
the ladies of the dinner-party upstairs.
|
|
|
|
I made a note of the date, and it may not be amiss if I close
|
|
my narrative by repeating that note here:
|
|
|
|
JUNE, 'FORTY-NINE. EXPECT NEWS OF THE INDIANS, TOWARDS THE END OF THE MONTH.
|
|
|
|
And that done, I hand the pen, which I have now no further claim to use,
|
|
to the writer who follows me next.
|
|
|
|
|
|
|
|
THIRD NARRATIVE
|
|
|
|
Contributed by FRANKLIN BLAKE
|
|
|
|
|
|
CHAPTER I
|
|
|
|
|
|
In the spring of the year eighteen hundred and forty-nine
|
|
I was wandering in the East, and had then recently altered
|
|
the travelling plans which I had laid out some months before,
|
|
and which I had communicated to my lawyer and my banker
|
|
in London.
|
|
|
|
This change made it necessary for me to send one of my servants to obtain my
|
|
letters and remittances from the English consul in a certain city, which was
|
|
no longer included as one of my resting-places in my new travelling scheme.
|
|
The man was to join me again at an appointed place and time.
|
|
An accident, for which he was not responsible, delayed him on his errand.
|
|
For a week I and my people waited, encamped on the borders of a desert.
|
|
At the end of that time the missing man made his appearance, with the money
|
|
and the letters, at the entrance of my tent.
|
|
|
|
"I am afraid I bring you bad news, sir," he said, and pointed
|
|
to one of the letters, which had a mourning border round it,
|
|
and the address on which was in the handwriting of Mr. Bruff.
|
|
|
|
I know nothing, in a case of this kind, so unendurable as suspense.
|
|
The letter with the mourning border was the letter that I
|
|
opened first.
|
|
|
|
It informed me that my father was dead, and that I was heir
|
|
to his great fortune. The wealth which had thus fallen into
|
|
my hands brought its responsibilities with it, and Mr. Bruff
|
|
entreated me to lose no time in returning to England.
|
|
|
|
By daybreak the next morning, I was on my way back to my own country.
|
|
|
|
|
|
|
|
The picture presented of me, by my old friend Betteredge, at the time
|
|
of my departure from England, is (as I think) a little overdrawn.
|
|
He has, in his own quaint way, interpreted seriously one of his
|
|
young mistress's many satirical references to my foreign education;
|
|
and has persuaded himself that he actually saw those French, German,
|
|
and Italian sides to my character, which my lively cousin only
|
|
professed to discover in jest, and which never had any real existence,
|
|
except in our good Betteredge's own brain. But, barring this drawback,
|
|
I am bound to own that he has stated no more than the truth
|
|
in representing me as wounded to the heart by Rachel's treatment,
|
|
and as leaving England in the first keenness of suffering caused
|
|
by the bitterest disappointment of my life.
|
|
|
|
I went abroad, resolved--if change and absence could help me--to forget her.
|
|
It is, I am persuaded, no true view of human nature which denies that change
|
|
and absence DO help a man under these circumstances; they force his attention
|
|
away from the exclusive contemplation of his own sorrow. I never forgot her;
|
|
but the pang of remembrance lost its worst bitterness, little by little,
|
|
as time, distance, and novelty interposed themselves more and more effectually
|
|
between Rachel and me.
|
|
|
|
On the other hand, it is no less certain that, with the act
|
|
of turning homeward, the remedy which had gained its ground
|
|
so steadily, began now, just as steadily, to drop back.
|
|
The nearer I drew to the country which she inhabited,
|
|
and to the prospect of seeing her again, the more irresistibly
|
|
her influence began to recover its hold on me. On leaving
|
|
England she was the last person in the world whose name I
|
|
would have suffered to pass my lips. On returning to England,
|
|
she was the first person I inquired after, when Mr. Bruff and I
|
|
met again.
|
|
|
|
I was informed, of course, of all that had happened in my absence;
|
|
in other words, of all that has been related here in continuation
|
|
of Betteredge's narrative--one circumstance only being excepted.
|
|
Mr. Bruff did not, at that time, feel himself at liberty to inform
|
|
me of the motives which had privately influenced Rachel and Godfrey
|
|
Ablewhite in recalling the marriage promise, on either side.
|
|
I troubled him with no embarrassing questions on this delicate subject.
|
|
It was relief enough to me, after the jealous disappointment caused
|
|
by hearing that she had ever contemplated being Godfrey's wife, to know
|
|
that reflection had convinced her of acting rashly, and that she had
|
|
effected her own release from her marriage engagement.
|
|
|
|
Having heard the story of the past, my next inquiries (still inquiries
|
|
after Rachel!) advanced naturally to the present time. Under whose care
|
|
had she been placed after leaving Mr. Bruff's house? and where was she
|
|
living now?
|
|
|
|
She was living under the care of a widowed sister of the late Sir
|
|
John Verinder--one Mrs. Merridew--whom her mother's executors had
|
|
requested to act as guardian, and who had accepted the proposal.
|
|
They were reported to me as getting on together admirably well,
|
|
and as being now established, for the season, in Mrs. Merridew's
|
|
house in Portland Place.
|
|
|
|
Half an hour after receiving this information, I was on my way
|
|
to Portland Place--without having had the courage to own it
|
|
to Mr. Bruff!
|
|
|
|
The man who answered the door was not sure whether Miss
|
|
Verinder was at home or not. I sent him upstairs with my card,
|
|
as the speediest way of setting the question at rest.
|
|
The man came down again with an impenetrable face, and informed me
|
|
that Miss Verinder was out.
|
|
|
|
I might have suspected other people of purposely denying themselves to me.
|
|
But it was impossible to suspect Rachel. I left word that I would call again
|
|
at six o'clock that evening.
|
|
|
|
At six o'clock I was informed for the second time that Miss
|
|
Verinder was not at home. Had any message been left for me.
|
|
No message had been left for me. Had Miss Verinder not received
|
|
my card? The servant begged my pardon--Miss Verinder HAD
|
|
received it.
|
|
|
|
The inference was too plain to be resisted. Rachel declined to see me.
|
|
|
|
On my side, I declined to be treated in this way, without making an attempt,
|
|
at least, to discover a reason for it. I sent up my name to Mrs. Merridew,
|
|
and requested her to favour me with a personal interview at any hour which it
|
|
might be most convenient to her to name.
|
|
|
|
Mrs. Merridew made no difficulty about receiving me at once.
|
|
I was shown into a comfortable little sitting-room, and found
|
|
myself in the presence of a comfortable little elderly lady.
|
|
She was so good as to feel great regret and much surprise,
|
|
entirely on my account. She was at the same time, however, not in a
|
|
position to offer me any explanation, or to press Rachel on a matter
|
|
which appeared to relate to a question of private feeling alone.
|
|
This was said over and over again, with a polite patience that
|
|
nothing could tire; and this was all I gained by applying to
|
|
Mrs. Merridew.
|
|
|
|
My last chance was to write to Rachel. My servant took a letter
|
|
to her the next day, with strict instructions to wait for an answer.
|
|
|
|
The answer came back, literally in one sentence.
|
|
|
|
"Miss Verinder begs to decline entering into any correspondence
|
|
with Mr. Franklin Blake."
|
|
|
|
Fond as I was of her, I felt indignantly the insult offered to me
|
|
in that reply. Mr. Bruff came in to speak to me on business,
|
|
before I had recovered possession of myself. I dismissed
|
|
the business on the spot, and laid the whole case before him.
|
|
He proved to be as incapable of enlightening me as Mrs. Merridew herself.
|
|
I asked him if any slander had been spoken of me in Rachel's hearing.
|
|
Mr. Bruff was not aware of any slander of which I was the object.
|
|
Had she referred to me in any way while she was staying
|
|
under Mr. Bruff's roof? Never. Had she not so much as asked,
|
|
during all my long absence, whether I was living or dead?
|
|
No such question had ever passed her lips. I took out of my
|
|
pocket-book the letter which poor Lady Verinder had written to me
|
|
from Frizinghall, on the day when I left her house in Yorkshire.
|
|
And I pointed Mr. Bruff's attention to these two sentences
|
|
in it:
|
|
|
|
"The valuable assistance which you rendered to the inquiry after
|
|
the lost jewel is still an unpardoned offence, in the present
|
|
dreadful state of Rachel's mind. Moving blindfold in this matter,
|
|
you have added to the burden of anxiety which she has had to bear,
|
|
by innocently threatening her secret with discovery through
|
|
your exertions."
|
|
|
|
"Is it possible," I asked, "that the feeling towards me which is
|
|
there described, is as bitter as ever against me now?"
|
|
|
|
Mr. Bruff looked unaffectedly distressed.
|
|
|
|
"If you insist on an answer," he said, "I own I can place
|
|
no other interpretation on her conduct than that."
|
|
|
|
I rang the bell, and directed my servant to pack my portmanteau,
|
|
and to send out for a railway guide. Mr. Bruff asked, in astonishment,
|
|
what I was going to do.
|
|
|
|
"I am going to Yorkshire," I answered, "by the next train."
|
|
|
|
"May I ask for what purpose?"
|
|
|
|
"Mr. Bruff, the assistance I innocently rendered to the inquiry
|
|
after the Diamond was an unpardoned offence, in Rachel's mind,
|
|
nearly a year since; and it remains an unpardoned offence still.
|
|
I won't accept that position! I am determined to find out the secret
|
|
of her silence towards her mother, and her enmity towards me.
|
|
If time, pains, and money can do it, I will lay my hand on the thief who
|
|
took the Moonstone!"
|
|
|
|
The worthy old gentleman attempted to remonstrate--to induce
|
|
me to listen to reason--to do his duty towards me, in short.
|
|
I was deaf to everything that he could urge. No earthly
|
|
consideration would, at that moment, have shaken the resolution
|
|
that was in me.
|
|
|
|
"I shall take up the inquiry again," I went on, "at the point
|
|
where I dropped it; and I shall follow it onwards, step by step,
|
|
till I come to the present time. There are missing links in
|
|
the evidence, as I left it, which Gabriel Betteredge can supply,
|
|
and to Gabriel Betteredge I go!"
|
|
|
|
Towards sunset that evening I stood again on the well-remembered
|
|
terrace, and looked once more at the peaceful old country house.
|
|
The gardener was the first person whom I saw in the deserted grounds.
|
|
He had left Betteredge, an hour since, sunning himself in the customary
|
|
corner of the back yard. I knew it well; and I said I would go and seek
|
|
him myself.
|
|
|
|
I walked round by the familiar paths and passages, and looked
|
|
in at the open gate of the yard.
|
|
|
|
There he was--the dear old friend of the happy days that were never
|
|
to come again--there he was in the old corner, on the old beehive chair,
|
|
with his pipe in his mouth, and his ROBINSON CRUSOE on his lap,
|
|
and his two friends, the dogs, dozing on either side of him!
|
|
In the position in which I stood, my shadow was projected in front of me
|
|
by the last slanting rays of the sun. Either the dogs saw it, or their
|
|
keen scent informed them of my approach; they started up with a growl.
|
|
Starting in his turn, the old man quieted them by a word, and then shaded
|
|
his failing eyes with his hand, and looked inquiringly at the figure at
|
|
the gate.
|
|
|
|
My own eyes were full of tears. I was obliged to wait a moment
|
|
before I could trust myself to speak to him.
|
|
|
|
|
|
|
|
CHAPTER II
|
|
|
|
|
|
"Betteredge!" I said, pointing to the well-remembered book on his knee,
|
|
"has ROBINSON CRUSOE informed you, this evening, that you might expect
|
|
to see Franklin Blake?"
|
|
|
|
"By the lord Harry, Mr. Franklin!" cried the old man, "that's exactly
|
|
what ROBINSON CRUSOE has done!"
|
|
|
|
He struggled to his feet with my assistance, and stood for a moment,
|
|
looking backwards and forwards between ROBINSON CRUSOE and me,
|
|
apparently at a loss to discover which of us had surprised him most.
|
|
The verdict ended in favour of the book. Holding it open before
|
|
him in both hands, he surveyed the wonderful volume with a stare
|
|
of unutterable anticipation--as if he expected to see Robinson
|
|
Crusoe himself walk out of the pages, and favour us with a
|
|
personal interview.
|
|
|
|
"Here's the bit, Mr. Franklin!" he said, as soon as he had
|
|
recovered the use of his speech. "As I live by bread, sir,
|
|
here's the bit I was reading, the moment before you came in!
|
|
Page one hundred and fifty-six as follows:--'I stood like
|
|
one Thunderstruck, or as if I had seen an Apparition.'
|
|
If that isn't as much as to say: 'Expect the sudden appearance
|
|
of Mr. Franklin Blake'--there's no meaning in the English language!"
|
|
said Betteredge, closing the book with a bang, and getting
|
|
one of his hands free at last to take the hand which I
|
|
offered him.
|
|
|
|
I had expected him, naturally enough under the circumstances,
|
|
to overwhelm me with questions. But no--the hospitable
|
|
impulse was the uppermost impulse in the old servant's mind,
|
|
when a member of the family appeared (no matter how!)
|
|
as a visitor at the house.
|
|
|
|
"Walk in, Mr. Franklin," he said, opening the door behind him,
|
|
with his quaint old-fashioned bow. "I'll ask what brings
|
|
you here afterwards--I must make you comfortable first.
|
|
There have been sad changes, since you went away.
|
|
The house is shut up, and the servants are gone. Never mind that!
|
|
I'll cook your dinner; and the gardener's wife will make your bed--
|
|
and if there's a bottle of our famous Latour claret left in
|
|
the cellar, down your throat, Mr. Franklin, that bottle shall go.
|
|
I bid you welcome, sir! I bid you heartily welcome!" said the poor
|
|
old fellow, fighting manfully against the gloom of the deserted house,
|
|
and receiving me with the sociable and courteous attention of the
|
|
bygone time.
|
|
|
|
It vexed me to disappoint him. But the house was Rachel's house, now.
|
|
Could I eat in it, or sleep in it, after what had happened in London?
|
|
The commonest sense of self-respect forbade me--properly forbade me--
|
|
to cross the threshold.
|
|
|
|
I took Betteredge by the arm, and led him out into the garden.
|
|
There was no help for it. I was obliged to tell him the truth.
|
|
Between his attachment to Rachel, and his attachment to me,
|
|
he was sorely puzzled and distressed at the turn things had taken.
|
|
His opinion, when he expressed it, was given in his usual
|
|
downright manner, and was agreeably redolent of the most positive
|
|
philosophy I know--the philosophy of the Betteredge school.
|
|
|
|
"Miss Rachel has her faults--I've never denied it," he began.
|
|
"And riding the high horse, now and then, is one of them.
|
|
She has been trying to ride over you--and you have put up
|
|
with it. Lord, Mr. Franklin, don't you know women by this
|
|
time better than that? You have heard me talk of the late
|
|
Mrs. Betteredge?"
|
|
|
|
I had heard him talk of the late Mrs. Betteredge pretty often--
|
|
invariably producing her as his one undeniable example
|
|
of the inbred frailty and perversity of the other sex.
|
|
In that capacity he exhibited her now.
|
|
|
|
"Very well, Mr. Franklin. Now listen to me. Different women have
|
|
different ways of riding the high horse. The late Mrs. Betteredge
|
|
took her exercise on that favourite female animal whenever I
|
|
happened to deny her anything that she had set her heart on.
|
|
So sure as I came home form my work on these occasions,
|
|
so sure was my wife to call to me up the kitchen stairs,
|
|
and to say that, after my brutal treatment of her, she hadn't
|
|
the heart to cook me my dinner. I put up with it for some time--
|
|
just as you are putting up with it now from Miss Rachel.
|
|
At last my patience wore out. I went downstairs, and I
|
|
took Mrs. Betteredge--affectionately, you understand--
|
|
up in my arms, and carried her, holus-bolus, into the best
|
|
parlour where she received her company. I said "That's the right
|
|
place for you, my dear," and so went back to the kitchen.
|
|
I locked myself in, and took off my coat, and turned up my
|
|
shirt-sleeves, and cooked my own dinner. When it was done,
|
|
I served it up in my best manner, and enjoyed it most heartily.
|
|
I had my pipe and my drop of grog afterwards; and then I cleared
|
|
the table, and washed the crockery, and cleaned the knives
|
|
and forks, and put the things away, and swept up the hearth.
|
|
When things were as bright and clean again, as bright and clean
|
|
could be, I opened the door and let Mrs. Betteredge in.
|
|
"I've had my dinner, my dear," I said; "and I hope you will
|
|
find that I have left the kitchen all that your fondest wishes
|
|
can desire." For the rest of that woman's life, Mr. Franklin,
|
|
I never had to cook my dinner again! Moral: You have put up
|
|
with Miss Rachel in London; don't put up with her in Yorkshire.
|
|
Come back to the house!"
|
|
|
|
Quite unanswerable! I could only assure my good friend that even HIS
|
|
powers of persuasion were, in this case, thrown away on me.
|
|
|
|
"It's a lovely evening," I said. "I shall walk to Frizinghall, and stay
|
|
at the hotel, and you must come to-morrow morning and breakfast with me.
|
|
I have something to say to you."
|
|
|
|
Betteredge shook his head gravely.
|
|
|
|
"I am heartily sorry for this," he said. "I had hoped,
|
|
Mr. Franklin, to hear that things were all smooth and pleasant
|
|
again between you and Miss Rachel. If you must have your
|
|
own way, sir," he continued, after a moment's reflection,
|
|
"there is no need to go to Frizinghall to-night for a bed.
|
|
It's to be had nearer than that. There's Hotherstone's Farm,
|
|
barely two miles from here. You can hardly object to THAT
|
|
on Miss Rachel's account," the old man added slily.
|
|
"Hotherstone lives, Mr. Franklin, on his own freehold."
|
|
|
|
I remembered the place the moment Betteredge mentioned it.
|
|
The farm-house stood in a sheltered inland valley,
|
|
on the banks of the prettiest stream in that part of Yorkshire:
|
|
and the farmer had a spare bedroom and parlour, which he was
|
|
accustomed to let to artists, anglers, and tourists in general.
|
|
A more agreeable place of abode, during my stay in the neighbourhood,
|
|
I could not have wished to find.
|
|
|
|
"Are the rooms to let?" I inquired.
|
|
|
|
"Mrs. Hotherstone herself, sir, asked for my good word to recommend
|
|
the rooms, yesterday."
|
|
|
|
"I'll take them, Betteredge, with the greatest pleasure."
|
|
|
|
We went back to the yard, in which I had left my travelling-bag. After
|
|
putting a stick through the handle, and swinging the bag over his shoulder,
|
|
Betteredge appeared to relapse into the bewilderment which my sudden
|
|
appearance had caused, when I surprised him in the beehive chair.
|
|
He looked incredulously at the house, and then he wheeled about, and looked
|
|
more incredulously still at me.
|
|
|
|
"I've lived a goodish long time in the world," said this best and dearest
|
|
of all old servants--"but the like of this, I never did expect to see.
|
|
There stands the house, and here stands Mr. Franklin Blake--and, Damme,
|
|
if one of them isn't turning his back on the other, and going to sleep in
|
|
a lodging!"
|
|
|
|
He led the way out, wagging his head and growling ominously.
|
|
"There's only one more miracle that CAN happen," he said to me,
|
|
over his shoulder. "The next thing you'll do, Mr. Franklin,
|
|
will be to pay me back that seven-and-sixpence you borrowed of me
|
|
when you were a boy."
|
|
|
|
This stroke of sarcasm put him in a better humour with himself and with me.
|
|
We left the house, and passed through the lodge gates. Once clear of
|
|
the grounds, the duties of hospitality (in Betteredge's code of morals)
|
|
ceased, and the privileges of curiosity began.
|
|
|
|
He dropped back, so as to let me get on a level with him.
|
|
"Fine evening for a walk, Mr. Franklin," he said, as if we
|
|
had just accidentally encountered each other at that moment.
|
|
"Supposing you had gone to the hotel at Frizinghall, sir?"
|
|
|
|
"Yes?"
|
|
|
|
"I should have had the honour of breakfasting with you,
|
|
to-morrow morning."
|
|
|
|
"Come and breakfast with me at Hotherstone's Farm, instead."
|
|
|
|
"Much obliged to you for your kindness, Mr. Franklin.
|
|
But it wasn't exactly breakfast that I was driving at.
|
|
I think you mentioned that you had something to say to me?
|
|
If it's no secret, sir," said Betteredge, suddenly abandoning
|
|
the crooked way, and taking the straight one, "I'm burning
|
|
to know what's brought you down here, if you please, in this
|
|
sudden way."
|
|
|
|
"What brought me here before?" I asked.
|
|
|
|
"The Moonstone, Mr. Franklin. But what brings you now, sir?"
|
|
|
|
"The Moonstone again, Betteredge."
|
|
|
|
The old man suddenly stood still, and looked at me in the grey
|
|
twilight as if he suspected his own ears of deceiving him.
|
|
|
|
"If that's a joke, sir," he said, "I'm afraid I'm getting a little
|
|
dull in my old age. I don't take it."
|
|
|
|
"It's no joke," I answered. "I have come here to take
|
|
up the inquiry which was dropped when I left England.
|
|
I have come here to do what nobody has done yet--to find out who
|
|
took the Diamond."
|
|
|
|
"Let the Diamond be, Mr. Franklin! Take my advice, and let the Diamond be!
|
|
That cursed Indian jewel has misguided everybody who has come near it.
|
|
Don't waste your money and your temper--in the fine spring time of
|
|
your life, sir--by meddling with the Moonstone. How can YOU hope to succeed
|
|
(saving your presence), when Sergeant Cuff himself made a mess of it?
|
|
Sergeant Cuff!" repeated Betteredge, shaking his forefinger at me sternly.
|
|
"The greatest policeman in England!"
|
|
|
|
"My mind is made up, my old friend. Even Sergeant Cuff doesn't daunt me.
|
|
By-the-bye, I may want to speak to him, sooner or later. Have you heard
|
|
anything of him lately?"
|
|
|
|
"The Sergeant won't help you, Mr. Franklin."
|
|
|
|
"Why not?"
|
|
|
|
"There has been an event, sir, in the police-circles, since you went away.
|
|
The great Cuff has retired from business. He has got a little
|
|
cottage at Dorking; and he's up to his eyes in the growing of roses.
|
|
I have it in his own handwriting, Mr. Franklin. He has grown the white
|
|
moss rose, without budding it on the dog-rose first. And Mr. Begbie
|
|
the gardener is to go to Dorking, and own that the Sergeant has beaten him
|
|
at last."
|
|
|
|
"It doesn't much matter," I said. "I must do without Sergeant Cuff's help.
|
|
And I must trust to you, at starting."
|
|
|
|
It is likely enough that I spoke rather carelessly.
|
|
|
|
At any rate, Betteredge seemed to be piqued by something in the reply which I
|
|
had just made to him. "You might trust to worse than me, Mr. Franklin--
|
|
I can tell you that," he said a little sharply.
|
|
|
|
The tone in which he retorted, and a certain disturbance, after he had spoken,
|
|
which I detected in his manner, suggested to me that he was possessed of some
|
|
information which he hesitated to communicate.
|
|
|
|
"I expect you to help me," I said, "in picking up the fragments of evidence
|
|
which Sergeant Cuff has left behind him. I know you can do that.
|
|
Can you do no more?"
|
|
|
|
"What more can you expect from me, sir?" asked Betteredge,
|
|
with an appearance of the utmost humility.
|
|
|
|
"I expect more--from what you said just now."
|
|
|
|
"Mere boasting, Mr. Franklin," returned the old man obstinately.
|
|
"Some people are born boasters, and they never get over it to their
|
|
dying day. I'm one of them."
|
|
|
|
There was only one way to take with him. I appealed to his interest
|
|
in Rachel, and his interest in me.
|
|
|
|
"Betteredge, would you be glad to hear that Rachel and I were
|
|
good friends again?"
|
|
|
|
"I have served your family, sir, to mighty little purpose,
|
|
if you doubt it!"
|
|
|
|
"Do you remember how Rachel treated me, before I left England?"
|
|
|
|
"As well as if it was yesterday! My lady herself wrote you a letter
|
|
about it; and you were so good as to show the letter to me.
|
|
It said that Miss Rachel was mortally offended with you,
|
|
for the part you had taken in trying to recover her jewel.
|
|
And neither my lady, nor you, nor anybody else could
|
|
guess why.
|
|
|
|
"Quite true, Betteredge! And I come back from my travels,
|
|
and find her mortally offended with me still.
|
|
I knew that the Diamond was at the bottom of it, last year,
|
|
and I know that the Diamond is at the bottom of it now.
|
|
I have tried to speak to her, and she won't see me.
|
|
I have tried to write to her, and she won't answer me.
|
|
How, in Heaven's name, am I to clear the matter up?
|
|
The chance of searching into the loss of the Moonstone,
|
|
is the one chance of inquiry that Rachel herself has
|
|
left me."
|
|
|
|
Those words evidently put the case before him, as he had not seen it yet.
|
|
He asked a question which satisfied me that I had shaken him.
|
|
|
|
"There is no ill-feeling in this, Mr. Franklin, on your side--
|
|
is there?"
|
|
|
|
"There was some anger," I answered, "when I left London.
|
|
But that is all worn out now. I want to make Rachel come to an
|
|
understanding with me--and I want nothing more."
|
|
|
|
"You don't feel any fear, sir--supposing you make any discoveries--
|
|
in regard to what you may find out about Miss Rachel?"
|
|
|
|
I understood the jealous belief in his young mistress which prompted
|
|
those words.
|
|
|
|
"I am as certain of her as you are," I answered. "The fullest disclosure
|
|
of her secret will reveal nothing that can alter her place in your estimation,
|
|
or in mine."
|
|
|
|
Betteredge's last-left scruples vanished at that.
|
|
|
|
"If I am doing wrong to help you, Mr. Franklin," he exclaimed,
|
|
"all I can say is--I am as innocent of seeing it as the babe unborn!
|
|
I can put you on the road to discovery, if you can only go on by yourself.
|
|
You remember that poor girl of ours--Rosanna Spearman?"
|
|
|
|
"Of course!"
|
|
|
|
"You always thought she had some sort of confession in regard
|
|
to this matter of the Moonstone, which she wanted to make to you?"
|
|
|
|
"I certainly couldn't account for her strange conduct in any other way."
|
|
|
|
"You may set that doubt at rest, Mr. Franklin, whenever you please."
|
|
|
|
It was my turn to come to a standstill now. I tried vainly,
|
|
in the gathering darkness, to see his face. In the surprise
|
|
of the moment, I asked a little impatiently what he meant.
|
|
|
|
"Steady, sir!" proceeded Betteredge. "I mean what I say.
|
|
Rosanna Spearman left a sealed letter behind her--a letter addressed
|
|
to YOU."
|
|
|
|
"Where is it?"
|
|
|
|
"In the possession of a friend of hers, at Cobb's Hole.
|
|
You must have heard tell, when you were here last, sir, of Limping Lucy--
|
|
a lame girl with a crutch."
|
|
|
|
"The fisherman's daughter?"
|
|
|
|
"The same, Mr. Franklin."
|
|
|
|
"Why wasn't the letter forwarded to me?"
|
|
|
|
"Limping Lucy has a will of her own, sir. She wouldn't give it
|
|
into any hands but yours. And you had left England before I
|
|
could write to you."
|
|
|
|
"Let's go back, Betteredge, and get it at once!"
|
|
|
|
"Too late, sir, to-night. They're great savers of candles along our coast;
|
|
and they go to bed early at Cobb's Hole."
|
|
|
|
"Nonsense! We might get there in half an hour."
|
|
|
|
"You might, sir. And when you did get there, you would find the door locked.
|
|
He pointed to a light, glimmering below us; and, at the same moment,
|
|
I heard through the stillness of the evening the bubbling of a stream.
|
|
"There's the Farm, Mr. Franklin! Make yourself comfortable for to-night, and
|
|
come to me to-morrow morning if you'll be so kind?"
|
|
|
|
"You will go with me to the fisherman's cottage?"
|
|
|
|
"Yes, sir."
|
|
|
|
"Early?"
|
|
|
|
"As early, Mr. Franklin, as you like."
|
|
|
|
We descended the path that led to the Farm.
|
|
|
|
|
|
|
|
CHAPTER III
|
|
|
|
|
|
I have only the most indistinct recollection of what happened
|
|
at Hotherstone's Farm.
|
|
|
|
I remember a hearty welcome; a prodigious supper, which would
|
|
have fed a whole village in the East; a delightfully clean bedroom,
|
|
with nothing in it to regret but that detestable product of the folly
|
|
of our fore-fathers--a feather-bed; a restless night, with much
|
|
kindling of matches, and many lightings of one little candle;
|
|
and an immense sensation of relief when the sun rose, and there was
|
|
a prospect of getting up.
|
|
|
|
It had been arranged over-night with Betteredge, that I was to call for him,
|
|
on our way to Cobb's Hole, as early as I liked--which, interpreted by my
|
|
impatience to get possession of the letter, meant as early as I could.
|
|
Without waiting for breakfast at the Farm, I took a crust of bread in my hand,
|
|
and set forth, in some doubt whether I should not surprise the excellent
|
|
Betteredge in his bed. To my great relief he proved to be quite as excited
|
|
about the coming event as I was. I found him ready, and waiting for me,
|
|
with his stick in his hand.
|
|
|
|
"How are you this morning, Betteredge?"
|
|
|
|
"Very poorly, sir."
|
|
|
|
"Sorry to hear it. What do you complain of?"
|
|
|
|
"I complain of a new disease, Mr. Franklin, of my own inventing.
|
|
I don't want to alarm you, but you're certain to catch it before
|
|
the morning is out."
|
|
|
|
"The devil I am!"
|
|
|
|
"Do you feel an uncomfortable heat at the pit of your stomach,
|
|
sir? and a nasty thumping at the top of your head? Ah! not yet?
|
|
It will lay hold of you at Cobb's Hole, Mr. Franklin.
|
|
I call it the detective-fever; and I first caught it in the company of
|
|
Sergeant Cuff."
|
|
|
|
"Aye! aye! and the cure in this instance is to open Rosanna Spearman's letter,
|
|
I suppose? Come along, and let's get it."
|
|
|
|
Early as it was, we found the fisherman's wife astir in her kitchen.
|
|
On my presentation by Betteredge, good Mrs. Yolland performed
|
|
a social ceremony, strictly reserved (as I afterwards learnt)
|
|
for strangers of distinction. She put a bottle of Dutch gin and a couple
|
|
of clean pipes on the table, and opened the conversation by saying,
|
|
"What news from London, sir?"
|
|
|
|
Before I could find an answer to this immensely comprehensive question,
|
|
an apparition advanced towards me, out of a dark corner of the kitchen.
|
|
A wan, wild, haggard girl, with remarkably beautiful hair, and with a fierce
|
|
keenness in her eyes, came limping up on a crutch to the table at which I
|
|
was sitting, and looked at me as if I was an object of mingled interest
|
|
and horror, which it quite fascinated her to see.
|
|
|
|
"Mr. Betteredge," she said, without taking her eyes off me,
|
|
"mention his name again, if you please."
|
|
|
|
"This gentleman's name," answered Betteredge (with a strong
|
|
emphasis on GENTLEMAN), "is Mr. Franklin Blake."
|
|
|
|
The girl turned her back on me, and suddenly left the room.
|
|
Good Mrs. Yolland--as I believe--made some apologies for her
|
|
daughter's odd behaviour, and Betteredge (probably) translated them
|
|
into polite English. I speak of this in complete uncertainty.
|
|
My attention was absorbed in following the sound of the girl's crutch.
|
|
Thump-thump, up the wooden stairs; thump-thump across the room
|
|
above our heads; thump-thump down the stairs again--and there
|
|
stood the apparition at the open door, with a letter in its hand,
|
|
beckoning me out!
|
|
|
|
I left more apologies in course of delivery behind me, and followed
|
|
this strange creature--limping on before me, faster and faster--
|
|
down the slope of the beach. She led me behind some boats,
|
|
out of sight and hearing of the few people in the fishing-village,
|
|
and then stopped, and faced me for the first time.
|
|
|
|
"Stand there," she said, "I want to look at you."
|
|
|
|
There was no mistaking the expression on her face. I inspired
|
|
her with the strongest emotions of abhorrence and disgust.
|
|
Let me not be vain enough to say that no woman had ever looked
|
|
at me in this manner before. I will only venture on the more
|
|
modest assertion that no woman had ever let me perceive it yet.
|
|
There is a limit to the length of the inspection which a man
|
|
can endure, under certain circumstances. I attempted to direct
|
|
Limping Lucy's attention to some less revolting object than
|
|
my face.
|
|
|
|
"I think you have got a letter to give me," I began.
|
|
"Is it the letter there, in your hand?"
|
|
|
|
"Say that again," was the only answer I received.
|
|
|
|
I repeated the words, like a good child learning its lesson.
|
|
|
|
"No," said the girl, speaking to herself, but keeping her eyes
|
|
still mercilessly fixed on me. "I can't find out what she saw
|
|
in his face. I can't guess what she heard in his voice."
|
|
She suddenly looked away from me, and rested her head wearily
|
|
on the top of her crutch. "Oh, my poor dear!" she said,
|
|
in the first soft tones which had fallen from her, in my hearing.
|
|
"Oh, my lost darling! what could you see in this man?"
|
|
She lifted her head again fiercely, and looked at me once more.
|
|
"Can you eat and drink?" she asked.
|
|
|
|
I did my best to preserve my gravity, and answered, "Yes."
|
|
|
|
"Can you sleep?"
|
|
|
|
"Yes."
|
|
|
|
"When you see a poor girl in service, do you feel no remorse?"
|
|
|
|
"Certainly not. Why should I?"
|
|
|
|
She abruptly thrust the letter (as the phrase is) into my face.
|
|
|
|
"Take it!" she exclaimed furiously. "I never set eyes on you before.
|
|
God Almighty forbid I should ever set eyes on you again."
|
|
|
|
With those parting words she limped away from me at the top of her speed.
|
|
The one interpretation that I could put on her conduct has, no doubt,
|
|
been anticipated by everybody. I could only suppose that she
|
|
was mad.
|
|
|
|
Having reached that inevitable conclusion, I turned to the more
|
|
interesting object of investigation which was presented to me
|
|
by Rosanna Spearman's letter. The address was written as
|
|
follows:--'For Franklin Blake, Esq. To be given into his own hands
|
|
(and not to be trusted to any one else), by Lucy Yolland."
|
|
|
|
I broke the seal. The envelope contained a letter:
|
|
and this, in its turn, contained a slip of paper. I read
|
|
the letter first:--
|
|
|
|
"Sir,--If you are curious to know the meaning of my behaviour to you,
|
|
whilst you were staying in the house of my mistress, Lady Verinder,
|
|
do what you are told to do in the memorandum enclosed with this--
|
|
and do it without any person being present to overlook you.
|
|
Your humble servant,
|
|
|
|
"ROSANNA SPEARMAN."
|
|
|
|
|
|
|
|
I turned to the slip of paper next. Here is the literal copy of it,
|
|
word for word:
|
|
|
|
"Memorandum:--To go to the Shivering Sand at the turn of the tide.
|
|
To walk out on the South Spit, until I get the South Spit Beacon,
|
|
and the flagstaff at the Coast-guard station above Cobb's Hole in a
|
|
line together. To lay down on the rocks, a stick, or any straight thing
|
|
to guide my hand, exactly in the line of the beacon and the flagstaff.
|
|
To take care, in doing this, that one end of the stick shall be at
|
|
the edge of the rocks, on the side of them which overlooks the quicksand.
|
|
To feel along the stick, among the sea-weed (beginning from the end
|
|
of the stick which points towards the beacon), for the Chain.
|
|
To run my hand along the Chain, when found, until I come to the part of it
|
|
which stretches over the edge of the rocks, down into the quicksand.
|
|
AND THEN TO PULL THE CHAIN."
|
|
|
|
Just as I had read the last words--underlined in the original--
|
|
I heard the voice of Betteredge behind me. The inventor of the
|
|
detective-fever had completely succumbed to that irresistible malady.
|
|
"I can't stand it any longer, Mr. Franklin. What does her letter say?
|
|
For mercy's sake, sir, tell us, what does her letter say?"
|
|
|
|
I handed him the letter, and the memorandum. He read
|
|
the first without appearing to be much interested in it.
|
|
But the second--the memorandum--produced a strong impression
|
|
on him.
|
|
|
|
"The Sergeant said it!" cried Betteredge. "From first to last, sir,
|
|
the Sergeant said she had got a memorandum of the hiding-place.
|
|
And here it is! Lord save us, Mr. Franklin, here is the secret
|
|
that puzzled everybody, from the great Cuff downwards,
|
|
ready and waiting, as one may say, to show itself to YOU!
|
|
It's the ebb now, sir, as anybody may see for themselves.
|
|
How long will it be till the turn of the tide?" He looked up,
|
|
and observed a lad at work, at some little distance from us,
|
|
mending a net. "Tammie Bright!" he shouted at the top of
|
|
his voice.
|
|
|
|
"I hear you!" Tammie shouted back.
|
|
|
|
"When's the turn of the tide?"
|
|
|
|
"In an hour's time."
|
|
|
|
We both looked at our watches.
|
|
|
|
"We can go round by the coast, Mr. Franklin," said Betteredge;
|
|
"and get to the quicksand in that way with plenty of time to spare.
|
|
What do you say, sir?"
|
|
|
|
"Come along!"
|
|
|
|
On our way to the Shivering Sand, I applied to Betteredge to revive
|
|
my memory of events (as affecting Rosanna Spearman) at the period
|
|
of Sergeant Cuff's inquiry. With my old friend's help, I soon
|
|
had the succession of circumstances clearly registered in my mind.
|
|
Rosanna's journey to Frizinghall, when the whole household believed
|
|
her to be ill in her own room--Rosanna's mysterious employment
|
|
of the night-time with her door locked, and her candle burning till
|
|
the morning--Rosanna's suspicious purchase of the japanned tin case,
|
|
and the two dog's chains from Mrs. Yolland--the Sergeant's positive
|
|
conviction that Rosanna had hidden something at the Shivering Sand,
|
|
and the Sergeant's absolute ignorance as to what that something might be--
|
|
all these strange results of the abortive inquiry into the loss
|
|
of the Moonstone were clearly present to me again, when we reached
|
|
the quicksand, and walked out together on the low ledge of rocks called
|
|
the South Spit.
|
|
|
|
With Betteredge's help, I soon stood in the right position to see
|
|
the Beacon and the Coast-guard flagstaff in a line together.
|
|
Following the memorandum as our guide, we next laid my stick
|
|
in the necessary direction, as neatly as we could, on the uneven
|
|
surface of the rocks. And then we looked at our watches
|
|
once more.
|
|
|
|
It wanted nearly twenty minutes yet of the turn of the tide.
|
|
I suggested waiting through this interval on the beach,
|
|
instead of on the wet and slippery surface of the rocks.
|
|
Having reached the dry sand, I prepared to sit down;
|
|
and, greatly to my surprise, Betteredge prepared to
|
|
leave me.
|
|
|
|
"What are you going away for?" I asked.
|
|
|
|
"Look at the letter again, sir, and you will see."
|
|
|
|
A glance at the letter reminded me that I was charged, when I
|
|
made my discovery, to make it alone.
|
|
|
|
"It's hard enough for me to leave you, at such a time as this,"
|
|
said Betteredge. "But she died a dreadful death, poor soul--
|
|
and I feel a kind of call on me, Mr. Franklin, to humour that fancy
|
|
of hers. Besides," he added, confidentially, "there's nothing
|
|
in the letter against your letting out the secret afterwards.
|
|
I'll hang about in the fir plantation, and wait till you pick me up.
|
|
Don't be longer than you can help, sir. The detective-fever isn't
|
|
an easy disease to deal with, under THESE circumstances."
|
|
|
|
With that parting caution, he left me.
|
|
|
|
The interval of expectation, short as it was when reckoned by the measure
|
|
of time, assumed formidable proportions when reckoned by the measure
|
|
of suspense. This was one of the occasions on which the invaluable habit
|
|
of smoking becomes especially precious and consolatory. I lit a cigar,
|
|
and sat down on the slope of the beach.
|
|
|
|
The sunlight poured its unclouded beauty on every object that I could see.
|
|
The exquisite freshness of the air made the mere act of living and breathing
|
|
a luxury. Even the lonely little bay welcomed the morning with a show
|
|
of cheerfulness; and the bared wet surface of the quicksand itself,
|
|
glittering with a golden brightness, hid the horror of its false brown face
|
|
under a passing smile. It was the finest day I had seen since my return
|
|
to England.
|
|
|
|
The turn of the tide came, before my cigar was finished.
|
|
I saw the preliminary heaving of the Sand, and then the awful
|
|
shiver that crept over its surface--as if some spirit of terror
|
|
lived and moved and shuddered in the fathomless deeps beneath.
|
|
I threw away my cigar, and went back again to the rocks.
|
|
|
|
My directions in the memorandum instructed me to feel along the line
|
|
traced by the stick, beginning with the end which was nearest to the beacon.
|
|
|
|
I advanced, in this manner, more than half way along the stick,
|
|
without encountering anything but the edges of the rocks.
|
|
An inch or two further on, however, my patience was rewarded.
|
|
In a narrow little fissure, just within reach of my forefinger,
|
|
I felt the chain. Attempting, next, to follow it, by touch,
|
|
in the direction of the quicksand, I found my progress stopped
|
|
by a thick growth of seaweed--which had fastened itself into
|
|
the fissure, no doubt, in the time that had elapsed since Rosanna
|
|
Spearman had chosen her hiding-place.
|
|
|
|
It was equally impossible to pull up the seaweed, or to force
|
|
my hand through it. After marking the spot indicated by the end
|
|
of the stick which was placed nearest to the quicksand,
|
|
I determined to pursue the search for the chain on a plan of my own.
|
|
My idea was to "sound" immediately under the rocks, on the chance
|
|
of recovering the lost trace of the chain at the point at which it
|
|
entered the sand. I took up the stick, and knelt down on the brink
|
|
of the South Spit.
|
|
|
|
In this position, my face was within a few feet of the surface
|
|
of the quicksand. The sight of it so near me, still disturbed at
|
|
intervals by its hideous shivering fit, shook my nerves for the moment.
|
|
A horrible fancy that the dead woman might appear on the scene of
|
|
her suicide, to assist my search--an unutterable dread of seeing her
|
|
rise through the heaving surface of the sand, and point to the place--
|
|
forced itself into my mind, and turned me cold in the warm sunlight.
|
|
I own I closed my eyes at the moment when the point of the stick first
|
|
entered the quicksand.
|
|
|
|
The instant afterwards, before the stick could have been submerged more
|
|
than a few inches, I was free from the hold of my own superstitious terror,
|
|
and was throbbing with excitement from head to foot. Sounding blindfold,
|
|
at my first attempt--at that first attempt I had sounded right!
|
|
The stick struck the chain.
|
|
|
|
Taking a firm hold of the roots of the seaweed with my left hand,
|
|
I laid myself down over the brink, and felt with my right hand
|
|
under the overhanging edges of the rock. My right hand found
|
|
the chain.
|
|
|
|
I drew it up without the slightest difficulty. And there was the japanned
|
|
tin case fastened to the end of it.
|
|
|
|
The action of the water had so rusted the chain, that it was impossible
|
|
for me to unfasten it from the hasp which attached it to the case.
|
|
Putting the case between my knees and exerting my utmost strength,
|
|
I contrived to draw off the cover. Some white substance filled
|
|
the whole interior when I looked in. I put in my hand, and found it to
|
|
be linen.
|
|
|
|
In drawing out the linen, I also drew out a letter crumpled up with it.
|
|
After looking at the direction, and discovering that it bore my name,
|
|
I put the letter in my pocket, and completely removed the linen.
|
|
It came out in a thick roll, moulded, of course, to the shape of the case
|
|
in which it had been so long confined, and perfectly preserved from any
|
|
injury by the sea.
|
|
|
|
I carried the linen to the dry sand of the beach, and there unrolled
|
|
and smoothed it out. There was no mistaking it as an article of dress.
|
|
It was a nightgown.
|
|
|
|
The uppermost side, when I spread it out, presented to
|
|
view innumerable folds and creases, and nothing more.
|
|
I tried the undermost side, next--and instantly discovered
|
|
the smear of the paint from the door of Rachel's boudoir!
|
|
|
|
My eyes remained riveted on the stain, and my mind took me back at a leap
|
|
from present to past. The very words of Sergeant Cuff recurred to me,
|
|
as if the man himself was at my side again, pointing to the unanswerable
|
|
inference which he drew from the smear on the door.
|
|
|
|
"Find out whether there is any article of dress in this house
|
|
with the stain of paint on it. Find out who that dress belongs to.
|
|
Find out how the person can account for having been in the room,
|
|
and smeared the paint between midnight and three in the morning.
|
|
If the person can't satisfy you, you haven't far to look for the hand
|
|
that took the Diamond."
|
|
|
|
One after another those words travelled over my memory, repeating
|
|
themselves again and again with a wearisome, mechanical reiteration.
|
|
I was roused from what felt like a trance of many hours--from what was really,
|
|
no doubt, the pause of a few moments only--by a voice calling to me.
|
|
I looked up, and saw that Betteredge's patience had failed him at last.
|
|
He was just visible between the sandhills, returning to the beach.
|
|
|
|
The old man's appearance recalled me, the moment I perceived it,
|
|
to my sense of present things, and reminded me that the inquiry
|
|
which I had pursued thus far still remained incomplete.
|
|
I had discovered the smear on the nightgown. To whom did the
|
|
nightgown belong?
|
|
|
|
My first impulse was to consult the letter in my pocket--
|
|
the letter which I had found in the case.
|
|
|
|
As I raised my hand to take it out, I remembered that there
|
|
was a shorter way to discovery than this. The nightgown itself
|
|
would reveal the truth, for, in all probability, the nightgown
|
|
was marked with its owner's name.
|
|
|
|
I took it up from the sand, and looked for the mark.
|
|
|
|
I found the mark, and read--
|
|
|
|
MY OWN NAME.
|
|
|
|
There were the familiar letters which told me that the nightgown was mine.
|
|
I looked up from them. There was the sun; there were the glittering waters
|
|
of the bay; there was old Betteredge, advancing nearer and nearer to me.
|
|
I looked back again at the letters. My own name. Plainly confronting me--
|
|
my own name.
|
|
|
|
"If time, pains, and money can do it, I will lay my hand on the thief
|
|
who took the Moonstone."--I had left London, with those words on my lips.
|
|
I had penetrated the secret which the quicksand had kept from every other
|
|
living creature. And, on the unanswerable evidence of the paint-stain, I
|
|
had discovered Myself as the Thief.
|
|
|
|
|
|
|
|
CHAPTER IV
|
|
|
|
|
|
I have not a word to say about my own sensations.
|
|
|
|
My impression is that the shock inflicted on me completely
|
|
suspended my thinking and feeling power. I certainly could
|
|
not have known what I was about when Betteredge joined me--
|
|
for I have it on his authority that I laughed, when he asked
|
|
what was the matter, and putting the nightgown into his hands,
|
|
told him to read the riddle for himself.
|
|
|
|
Of what was said between us on the beach, I have not
|
|
the faintest recollection. The first place in which I can
|
|
now see myself again plainly is the plantation of firs.
|
|
Betteredge and I are walking back together to the house;
|
|
and Betteredge is telling me that I shall be able to face it,
|
|
and he will be able to face it, when we have had a glass
|
|
of grog.
|
|
|
|
|
|
|
|
The scene shifts from the plantation, to Betteredge's little
|
|
sitting-room. My resolution not to enter Rachel's house is forgotten.
|
|
I feel gratefully the coolness and shadiness and quiet of the room.
|
|
I drink the grog (a perfectly new luxury to me, at that time of day),
|
|
which my good old friend mixes with icy-cold water from the well.
|
|
Under any other circumstances, the drink would simply stupefy me.
|
|
As things are, it strings up my nerves. I begin to "face it,"
|
|
as Betteredge has predicted. And Betteredge, on his side, begins to
|
|
"face it," too.
|
|
|
|
The picture which I am now presenting of myself, will, I suspect,
|
|
be thought a very strange one, to say the least of it.
|
|
Placed in a situation which may, I think, be described as entirely
|
|
without parallel, what is the first proceeding to which I resort?
|
|
Do I seclude myself from all human society? Do I set my mind
|
|
to analyse the abominable impossibility which, nevertheless,
|
|
confronts me as an undeniable fact? Do I hurry back to London
|
|
by the first train to consult the highest authorities,
|
|
and to set a searching inquiry on foot immediately?
|
|
No. I accept the shelter of a house which I had resolved
|
|
never to degrade myself by entering again; and I sit,
|
|
tippling spirits and water in the company of an old servant,
|
|
at ten o'clock in the morning. Is this the conduct that might
|
|
have been expected from a man placed in my horrible position?
|
|
I can only answer that the sight of old Betteredge's familiar
|
|
face was an inexpressible comfort to me, and that the drinking
|
|
of old Betteredge's grog helped me, as I believe nothing else
|
|
would have helped me, in the state of complete bodily and mental
|
|
prostration into which I had fallen. I can only offer this
|
|
excuse for myself; and I can only admire that invariable
|
|
preservation of dignity, and that strictly logical consistency
|
|
of conduct which distinguish every man and woman who may read
|
|
these lines, in every emergency of their lives from the cradle to
|
|
the grave.
|
|
|
|
"Now, Mr. Franklin, there's one thing certain, at any rate,"
|
|
said Betteredge, throwing the nightgown down on the table between us,
|
|
and pointing to it as if it was a living creature that could hear him.
|
|
"HE'S a liar, to begin with."
|
|
|
|
This comforting view of the matter was not the view that presented
|
|
itself to my mind.
|
|
|
|
"I am as innocent of all knowledge of having taken the Diamond
|
|
as you are," I said. "But there is the witness against me!
|
|
The paint on the nightgown, and the name on the nightgown
|
|
are facts."
|
|
|
|
Betteredge lifted my glass, and put it persuasively into my hand.
|
|
|
|
"Facts?" he repeated. "Take a drop more grog, Mr. Franklin,
|
|
and you'll get over the weakness of believing in facts!
|
|
Foul play, sir!" he continued, dropping his voice confidentially.
|
|
"That is how I read the riddle. Foul play somewhere--and you
|
|
and I must find it out. Was there nothing else in the tin case,
|
|
when you put your hand into it?"
|
|
|
|
The question instantly reminded me of the letter in my pocket.
|
|
I took it out, and opened it. It was a letter of many pages,
|
|
closely written. I looked impatiently for the signature at the end.
|
|
"Rosanna Spearman."
|
|
|
|
As I read the name, a sudden remembrance illuminated my mind,
|
|
and a sudden suspicion rose out of the new light.
|
|
|
|
"Stop!" I exclaimed. "Rosanna Spearman came to my aunt out of a reformatory?
|
|
Rosanna Spearman had once been a thief?"
|
|
|
|
"There's no denying that, Mr. Franklin. What of it now,
|
|
if you please?"
|
|
|
|
"What of it now? How do we know she may not have stolen the Diamond
|
|
after all? How do we know she may not have smeared my nightgown
|
|
purposely with the paint?"
|
|
|
|
Betteredge laid his hand on my arm, and stopped me before I
|
|
could say any more.
|
|
|
|
"You will be cleared of this, Mr. Franklin, beyond all doubt.
|
|
But I hope you won't be cleared in THAT way. See what the
|
|
letter says, sir. In justice to the girl's memory, see what
|
|
it says."
|
|
|
|
I felt the earnestness with which he spoke--felt it as a friendly rebuke
|
|
to me. "You shall form your own judgment on her letter," I said.
|
|
"I will read it out."
|
|
|
|
I began--and read these lines:
|
|
|
|
"Sir--I have something to own to you. A confession which
|
|
means much misery, may sometimes be made in very few words.
|
|
This confession can be made in three words. I love you.
|
|
|
|
|
|
|
|
The letter dropped from my hand. I looked at Betteredge.
|
|
"In the name of Heaven," I said, "what does it mean?"
|
|
|
|
He seemed to shrink from answering the question.
|
|
|
|
"You and Limping Lucy were alone together this morning, sir, he said.
|
|
"Did she say nothing about Rosanna Spearman?"
|
|
|
|
"She never even mentioned Rosanna Spearman's name."
|
|
|
|
"Please to go back to the letter, Mr. Franklin. I tell you plainly, I can't
|
|
find it in my heart to distress you, after what you have had to bear already.
|
|
Let her speak for herself, sir. And get on with your grog. For your
|
|
own sake, get on with your grog."
|
|
|
|
I resumed the reading of the letter.
|
|
|
|
|
|
|
|
"It would be very disgraceful to me to tell you this, if I was a living woman
|
|
when you read it. I shall be dead and gone, sir, when you find my letter.
|
|
It is that which makes me bold. Not even my grave will be left to tell
|
|
of me. I may own the truth--with the quicksand waiting to hide me when the
|
|
words are written.
|
|
|
|
"Besides, you will find your nightgown in my hiding-place,
|
|
with the smear of the paint on it; and you will want to know
|
|
how it came to be hidden by me? and why I said nothing to you
|
|
about it in my life-time? I have only one reason to give.
|
|
I did these strange things, because I loved you.
|
|
|
|
"I won't trouble you with much about myself, or my life,
|
|
before you came to my lady's house. Lady Verinder took me out
|
|
of a reformatory. I had gone to the reformatory from the prison.
|
|
I was put in the prison, because I was a thief. I was a thief,
|
|
because my mother went on the streets when I was quite a little girl.
|
|
My mother went on the streets, because the gentleman who was my
|
|
father deserted her. There is no need to tell such a common
|
|
story as this, at any length. It is told quite often enough in
|
|
the newspapers.
|
|
|
|
"Lady Verinder was very kind to me, and Mr. Betteredge was very kind to me.
|
|
Those two, and the matron at the reformatory, are the only good people
|
|
I have ever met with in all my life. I might have got on in my place--
|
|
not happily--but I might have got on, if you had not come visiting.
|
|
I don't blame you, sir. It's my fault--all my fault.
|
|
|
|
"Do you remember when you came out on us from among the sand hills,
|
|
that morning, looking for Mr. Betteredge? You were like a
|
|
prince in a fairy-story. You were like a lover in a dream.
|
|
You were the most adorable human creature I had ever seen.
|
|
Something that felt like the happy life I had never led yet,
|
|
leapt up in me at the instant I set eyes on you. Don't laugh
|
|
at this if you can help it. Oh, if I could only make you feel
|
|
how serious it is to ME!
|
|
|
|
"I went back to the house, and wrote your name and mine in my work-box,
|
|
and drew a true lovers' knot under them. Then, some devil--no, I ought
|
|
to say some good angel--whispered to me, "Go and look in the glass."
|
|
The glass told me--never mind what. I was too foolish to take the warning.
|
|
I went on getting fonder and fonder of you, just as if I was a lady
|
|
in your own rank of life, and the most beautiful creature your eyes ever
|
|
rested on. I tried--oh, dear, how I tried--to get you to look at me.
|
|
If you had known how I used to cry at night with the misery and
|
|
the mortification of your never taking any notice of me, you would
|
|
have pitied me perhaps, and have given me a look now and then to
|
|
live on.
|
|
|
|
"It would have been no very kind look, perhaps, if you had known how I hated
|
|
Miss Rachel. I believe I found out you were in love with her, before you knew
|
|
it yourself. She used to give you roses to wear in your button-hole. Ah,
|
|
Mr. Franklin, you wore my roses oftener than either you or she thought!
|
|
The only comfort I had at that time, was putting my rose secretly in your
|
|
glass of water, in place of hers--and then throwing her rose away.
|
|
|
|
"If she had been really as pretty as you thought her,
|
|
I might have borne it better. No; I believe I should have
|
|
been more spiteful against her still. Suppose you put Miss
|
|
Rachel into a servant's dress, and took her ornaments off?
|
|
I don't know what is the use of my writing in this way.
|
|
It can't be denied that she had a bad figure; she was too thin.
|
|
But who can tell what the men like? And young ladies may
|
|
behave in a manner which would cost a servant her place.
|
|
It's no business of mine. I can't expect you to read
|
|
my letter, if I write it in this way. But it does stir
|
|
one up to hear Miss Rachel called pretty, when one knows
|
|
all the time that it's her dress does it, and her confidence
|
|
in herself.
|
|
|
|
"Try not to lose patience with me, sir. I will get on as fast as I can
|
|
to the time which is sure to interest you--the time when the Diamond was lost.
|
|
|
|
"But there is one thing which I have got it on my mind to tell you first.
|
|
|
|
"My life was not a very hard life to bear, while I was a thief.
|
|
It was only when they had taught me at the reformatory to feel
|
|
my own degradation, and to try for better things, that the days
|
|
grew long and weary. Thoughts of the future forced themselves
|
|
on me now. I felt the dreadful reproach that honest people--
|
|
even the kindest of honest people--were to me in themselves.
|
|
A heart-breaking sensation of loneliness kept with me, go where
|
|
I might, and do what I might, and see what persons I might.
|
|
It was my duty, I know, to try and get on with my fellow-servants in my
|
|
new place. Somehow, I couldn't make friends with them. They looked
|
|
(or I thought they looked) as if they suspected what I had been.
|
|
I don't regret, far from it, having been roused to make the effort
|
|
to be a reformed woman--but, indeed, indeed it was a weary life.
|
|
You had come across it like a beam of sunshine at first--and then you
|
|
too failed me. I was mad enough to love you; and I couldn't even
|
|
attract your notice. There was great misery--there really was great
|
|
misery in that.
|
|
|
|
"Now I am coming to what I wanted to tell you. In those days
|
|
of bitterness, I went two or three times, when it was my turn to
|
|
go out, to my favourite place--the beach above the Shivering Sand.
|
|
And I said to myself, "I think it will end here.
|
|
When I can bear it no longer, I think it will end here."
|
|
You will understand, sir, that the place had laid a kind of spell
|
|
on me before you came. I had always had a notion that something
|
|
would happen to me at the quicksand. But I had never looked at it,
|
|
with the thought of its being the means of my making away
|
|
with myself, till the time came of which I am now writing.
|
|
Then I did think that here was a place which would end
|
|
all my troubles for me in a moment or two--and hide me for
|
|
ever afterwards.
|
|
|
|
"This is all I have to say about myself, reckoning from the morning
|
|
when I first saw you, to the morning when the alarm was raised
|
|
in the house that the Diamond was lost.
|
|
|
|
"I was so aggravated by the foolish talk among the women servants,
|
|
all wondering who was to be suspected first; and I was so angry with you
|
|
(knowing no better at that time) for the pains you took in hunting for
|
|
the jewel, and sending for the police, that I kept as much as possible
|
|
away by myself, until later in the day, when the officer from Frizinghall
|
|
came to the house.
|
|
|
|
"Mr. Seegrave began, as you may remember, by setting a guard
|
|
on the women's bedrooms; and the women all followed him up-stairs
|
|
in a rage, to know what he meant by the insult he had put on them.
|
|
I went with the rest, because if I had done anything different
|
|
from the rest, Mr. Seegrave was the sort of man who would have
|
|
suspected me directly. We found him in Miss Rachel's room.
|
|
He told us he wouldn't have a lot of women there; and he pointed
|
|
to the smear on the painted door, and said some of our petticoats
|
|
had done the mischief, and sent us all down-stairs again.
|
|
|
|
"After leaving Miss Rachel's room, I stopped a moment on one of the landings,
|
|
by myself, to see if I had got the paint-stain by any chance on MY gown.
|
|
Penelope Betteredge (the only one of the women with whom I was on friendly
|
|
terms) passed, and noticed what I was about.
|
|
|
|
"'You needn't trouble yourself, Rosanna,' she said.
|
|
'The paint on Miss Rachel's door has been dry for hours.
|
|
If Mr. Seegrave hadn't set a watch on our bedrooms,
|
|
I might have told him as much. I don't know what you think--
|
|
I was never so insulted before in my life!'
|
|
|
|
"Penelope was a hot-tempered girl. I quieted her, and brought her back
|
|
to what she had said about the paint on the door having been dry for hours.
|
|
|
|
"'How do you know that?' I asked.
|
|
|
|
"'I was with Miss Rachel, and Mr. Franklin, all yesterday morning,'
|
|
Penelope said, 'mixing the colours, while they finished the door.
|
|
I heard Miss Rachel ask whether the door would be dry that evening,
|
|
in time for the birthday company to see it. And Mr. Franklin shook
|
|
his head, and said it wouldn't be dry in less than twelve hours.
|
|
It was long past luncheon-time--it was three o'clock before they had done.
|
|
What does your arithmetic say, Rosanna? Mine says the door was dry by three
|
|
this morning.'
|
|
|
|
"'Did some of the ladies go up-stairs yesterday evening to see it?'
|
|
I asked. 'I thought I heard Miss Rachel warning them to keep clear of
|
|
the door.'
|
|
|
|
"'None of the ladies made the smear,' Penelope answered.
|
|
'I left Miss Rachel in bed at twelve last night.
|
|
And I noticed the door, and there was nothing wrong with
|
|
it then.'
|
|
|
|
"'Oughtn't you to mention this to Mr. Seegrave, Penelope?'
|
|
|
|
"'I wouldn't say a word to help Mr. Seegrave for anything that could
|
|
be offered to me!'
|
|
|
|
"She went to her work, and I went to mine."
|
|
|
|
"My work, sir, was to make your bed, and to put your room tidy.
|
|
It was the happiest hour I had in the whole day. I used
|
|
to kiss the pillow on which your head had rested all night.
|
|
No matter who has done it since, you have never had your
|
|
clothes folded as nicely as I folded them for you.
|
|
Of all the little knick-knacks in your dressing-case,
|
|
there wasn't one that had so much as a speck on it.
|
|
You never noticed it, any more than you noticed me.
|
|
I beg your pardon; I am forgetting myself. I will make haste, and go
|
|
on again.
|
|
|
|
"Well, I went in that morning to do my work in your room.
|
|
There was your nightgown tossed across the bed, just as you
|
|
had thrown it off. I took it up to fold it--and I saw the stain
|
|
of the paint from Miss Rachel's door!
|
|
|
|
"I was so startled by the discovery that I ran out with the nightgown in
|
|
my hand, and made for the back stairs, and locked myself into my own room,
|
|
to look at it in a place where nobody could intrude and interrupt me.
|
|
|
|
"As soon as I got my breath again, I called to mind my talk with Penelope,
|
|
and I said to myself, "Here's the proof that he was in Miss Rachel's
|
|
sitting-room between twelve last night, and three this morning!"
|
|
|
|
"I shall not tell you in plain words what was the first
|
|
suspicion that crossed my mind, when I had made that discovery.
|
|
You would only be angry--and, if you were angry, you might tear my
|
|
letter up and read no more of it.
|
|
|
|
"Let it be enough, if you please, to say only this.
|
|
After thinking it over to the best of my ability, I made it out
|
|
that the thing wasn't likely, for a reason that I will tell you.
|
|
If you had been in Miss Rachel's sitting-room, at that time
|
|
of night, with Miss Rachel's knowledge (and if you had been
|
|
foolish enough to forget to take care of the wet door) SHE would
|
|
have reminded you--SHE would never have let you carry away such
|
|
a witness against her, as the witness I was looking at now!
|
|
At the same time, I own I was not completely certain in my
|
|
own mind that I had proved my own suspicion to be wrong.
|
|
You will not have forgotten that I have owned to hating Miss Rachel.
|
|
Try to think, if you can, that there was a little of that hatred
|
|
in all this. It ended in my determining to keep the nightgown,
|
|
and to wait, and watch, and see what use I might make of it.
|
|
At that time, please to remember, not the ghost of an idea entered
|
|
my head that you had stolen the Diamond."
|
|
|
|
|
|
|
|
There, I broke off in the reading of the letter for the second time.
|
|
|
|
I had read those portions of the miserable woman's confession
|
|
which related to myself, with unaffected surprise, and, I can
|
|
honestly add, with sincere distress. I had regretted,
|
|
truly regretted, the aspersion which I had thoughtlessly
|
|
cast on her memory, before I had seen a line of her letter.
|
|
But when I had advanced as far as the passage which is quoted above,
|
|
I own I felt my mind growing bitterer and bitterer against
|
|
Rosanna Spearman as I went on. "Read the rest for yourself,"
|
|
I said, handing the letter to Betteredge across the table.
|
|
"If there is anything in it that I must look at, you can tell me
|
|
as you go on."
|
|
|
|
"I understand you, Mr. Franklin," he answered. "It's natural, sir, in YOU.
|
|
And, God help us all!" he added, in a lower tone, "it's no less natural
|
|
in HER."
|
|
|
|
I proceed to copy the continuation of the letter from the original,
|
|
in my own possession:--
|
|
|
|
|
|
|
|
"Having determined to keep the nightgown, and to see what use my love,
|
|
or my revenge (I hardly know which) could turn it to in the future,
|
|
the next thing to discover was how to keep it without the risk of being
|
|
found out.
|
|
|
|
"There was only one way--to make another nightgown exactly like it,
|
|
before Saturday came, and brought the laundry-woman and her inventory
|
|
to the house
|
|
|
|
"I was afraid to put it off till next day (the Friday);
|
|
being in doubt lest some accident might happen in the interval.
|
|
I determined to make the new nightgown on that same day
|
|
(the Thursday), while I could count, if I played my cards properly,
|
|
on having my time to myself. The first thing to do
|
|
(after locking up your nightgown in my drawer) was to go
|
|
back to your bed-room--not so much to put it to rights
|
|
(Penelope would have done that for me, if I had asked her)
|
|
as to find out whether you had smeared off any of the paint-stain
|
|
from your nightgown, on the bed, or on any piece of furniture in
|
|
the room.
|
|
|
|
"I examined everything narrowly, and at last, I found a few
|
|
streaks of the paint on the inside of your dressing-gown--
|
|
not the linen dressing-gown you usually wore in that summer season,
|
|
but a flannel dressing-gown which you had with you also.
|
|
I suppose you felt chilly after walking to and fro in nothing
|
|
but your nightdress, and put on the warmest thing you could find.
|
|
At any rate, there were the stains, just visible, on the inside
|
|
of the dressing-gown. I easily got rid of these by scraping away
|
|
the stuff of the flannel. This done, the only proof left against you
|
|
was the proof locked up in my drawer.
|
|
|
|
"I had just finished your room when I was sent for to be
|
|
questioned by Mr. Seegrave, along with the rest of the servants.
|
|
Next came the examination of all our boxes. And then followed
|
|
the most extraordinary event of the day--to ME--since I had found
|
|
the paint on your nightgown. This event came out of the second
|
|
questioning of Penelope Betteredge by Superintendent Seegrave.
|
|
|
|
"Penelope returned to us quite beside herself with rage
|
|
at the manner in which Mr. Seegrave had treated her.
|
|
He had hinted, beyond the possibility of mistaking him,
|
|
that he suspected her of being the thief. We were all equally
|
|
astonished at hearing this, and we all asked, Why?
|
|
|
|
"'Because the Diamond was in Miss Rachel's sitting-room," Penelope answered.
|
|
"And because I was the last person in the sitting-room at night!"
|
|
|
|
"Almost before the words had left her lips, I remembered that another person
|
|
had been in the sitting-room later than Penelope. That person was yourself.
|
|
My head whirled round, and my thoughts were in dreadful confusion.
|
|
In the midst of it all, something in my mind whispered to me that the smear on
|
|
your nightgown might have a meaning entirely different to the meaning which I
|
|
had given to it up to that time. "If the last person who was in the room is
|
|
the person to be suspected," I thought to myself, "the thief is not Penelope,
|
|
but Mr. Franklin Blake!"
|
|
|
|
"In the case of any other gentleman, I believe I should have been
|
|
ashamed of suspecting him of theft, almost as soon as the suspicion
|
|
had passed through my mind.
|
|
|
|
"But the bare thought that YOU had let yourself down to my level,
|
|
and that I, in possessing myself of your nightgown, had also possessed
|
|
myself of the means of shielding you from being discovered,
|
|
and disgraced for life--I say, sir, the bare thought of this seemed
|
|
to open such a chance before me of winning your good will, that I
|
|
passed blindfold, as one may say, from suspecting to believing.
|
|
I made up my mind, on the spot, that you had shown yourself the busiest
|
|
of anybody in fetching the police, as a blind to deceive us all;
|
|
and that the hand which had taken Miss Rachel's jewel could by no
|
|
possibility be any other hand than yours.
|
|
|
|
"The excitement of this new discovery of mine must, I think,
|
|
have turned my head for a while. I felt such a devouring eagerness
|
|
to see you--to try you with a word or two about the Diamond,
|
|
and to MAKE you look at me, and speak to me, in that way--
|
|
that I put my hair tidy, and made myself as nice as I could,
|
|
and went to you boldly in the library where I knew you
|
|
were writing.
|
|
|
|
"You had left one of your rings up-stairs, which made
|
|
as good an excuse for my intrusion as I could have desired.
|
|
But, oh, sir! if you have ever loved, you will understand how it
|
|
was that all my courage cooled, when I walked into the room,
|
|
and found myself in your presence. And then, you looked up
|
|
at me so coldly, and you thanked me for finding your ring
|
|
in such an indifferent manner, that my knees trembled under me,
|
|
and I felt as if I should drop on the floor at your feet.
|
|
When you had thanked me, you looked back, if you remember,
|
|
at your writing. I was so mortified at being treated
|
|
in this way, that I plucked up spirit enough to speak.
|
|
I said, 'This is a strange thing about the Diamond, sir.'
|
|
And you looked up again, and said, 'Yes, it is!'
|
|
You spoke civilly (I can't deny that); but still you kept
|
|
a distance--a cruel distance between us. Believing, as I did,
|
|
that you had got the lost Diamond hidden about you, while you
|
|
were speaking, your coolness so provoked me that I got
|
|
bold enough, in the heat of the moment, to give you a hint.
|
|
I said, 'They will never find the Diamond, sir, will they?
|
|
No! nor the person who took it--I'll answer for that.'
|
|
I nodded, and smiled at you, as much as to say, 'I know!'
|
|
THIS time, you looked up at me with something like interest
|
|
in your eyes; and I felt that a few more words on your side
|
|
and mine might bring out the truth. Just at that moment,
|
|
Mr. Betteredge spoilt it all by coming to the door.
|
|
I knew his footstep, and I also knew that it was against
|
|
his rules for me to be in the library at that time of day--
|
|
let alone being there along with you. I had only just
|
|
time to get out of my own accord, before he could come
|
|
in and tell me to go. I was angry and disappointed;
|
|
but I was not entirely without hope for all that. The ice,
|
|
you see, was broken between us--and I thought I would take care,
|
|
on the next occasion, that Mr. Betteredge was out of the
|
|
way.
|
|
|
|
"When I got back to the servants' hall, the bell was going for our dinner.
|
|
Afternoon already! and the materials for making the new nightgown
|
|
were still to be got! There was but one chance of getting them.
|
|
I shammed ill at dinner; and so secured the whole of the interval from then
|
|
till tea-time to my own use.
|
|
|
|
"What I was about, while the household believed me to be lying down
|
|
in my own room; and how I spent the night, after shamming ill again at
|
|
tea-time, and having been sent up to bed, there is no need to tell you.
|
|
Sergeant Cuff discovered that much, if he discovered nothing more.
|
|
And I can guess how. I was detected (though I kept my veil down)
|
|
in the draper's shop at Frizinghall. There was a glass in front of me,
|
|
at the counter where I was buying the longcloth; and--in that glass--
|
|
I saw one of the shopmen point to my shoulder and whisper to another.
|
|
At night again, when I was secretly at work, locked into my room,
|
|
I heard the breathing of the women servants who suspected me,
|
|
outside my door.
|
|
|
|
"It didn't matter then; it doesn't matter now. On the Friday morning,
|
|
hours before Sergeant Cuff entered the house, there was the new nightgown--
|
|
to make up your number in place of the nightgown that I had got--
|
|
made, wrung out, dried, ironed, marked, and folded as the laundry woman
|
|
folded all the others, safe in your drawer. There was no fear (if the linen
|
|
in the house was examined) of the newness of the nightgown betraying me.
|
|
All your underclothing had been renewed, when you came to our house--
|
|
I suppose on your return home from foreign parts.
|
|
|
|
"The next thing was the arrival of Sergeant Cuff; and the next great surprise
|
|
was the announcement of what HE thought about the smear on the door.
|
|
|
|
"I had believed you to be guilty (as I have owned), more
|
|
because I wanted you to be guilty than for any other reason.
|
|
And now, the Sergeant had come round by a totally different way
|
|
to the same conclusion (respecting the nightgown) as mine!
|
|
And I had got the dress that was the only proof against you!
|
|
And not a living creature knew it--yourself included!
|
|
I am afraid to tell you how I felt when I called these things to mind--
|
|
you would hate my memory for ever afterwards."
|
|
|
|
|
|
|
|
At that place, Betteredge looked up from the letter.
|
|
|
|
"Not a glimmer of light so far, Mr. Franklin," said the old man,
|
|
taking off his heavy tortoiseshell spectacles, and pushing
|
|
Rosanna Spearman's confession a little away from him.
|
|
"Have you come to any conclusion, sir, in your own mind, while I
|
|
have been reading?"
|
|
|
|
"Finish the letter first, Betteredge; there may be something to enlighten
|
|
us at the end of it. I shall have a word or two to say to you after that."
|
|
|
|
"Very good, sir. I'll just rest my eyes, and then I'll go on again.
|
|
In the meantime, Mr. Franklin--I don't want to hurry you--but would
|
|
you mind telling me, in one word, whether you see your way out of this
|
|
dreadful mess yet?"
|
|
|
|
"I see my way back to London," I said, "to consult Mr. Bruff.
|
|
If he can't help me----"
|
|
|
|
"Yes, sir?"
|
|
|
|
"And if the Sergeant won't leave his retirement at Dorking----"
|
|
|
|
"He won't, Mr. Franklin!"
|
|
|
|
"Then, Betteredge--as far as I can see now--I am at the end of my resources.
|
|
After Mr. Bruff and the Sergeant, I don't know of a living creature who can be
|
|
of the slightest use to me."
|
|
|
|
As the words passed my lips, some person outside knocked at the door
|
|
of the room.
|
|
|
|
Betteredge looked surprised as well as annoyed by the interruption.
|
|
|
|
"Come in," he called out, irritably, "whoever you are!"
|
|
|
|
The door opened, and there entered to us, quietly,
|
|
the most remarkable-looking man that I had ever seen.
|
|
Judging him by his figure and his movements, he was still young.
|
|
Judging him by his face, and comparing him with Betteredge,
|
|
he looked the elder of the two. His complexion was of a
|
|
gipsy darkness; his fleshless cheeks had fallen into deep hollows,
|
|
over which the bone projected like a pent-house. His nose
|
|
presented the fine shape and modelling so often found among
|
|
the ancient people of the East, so seldom visible among the newer
|
|
races of the West. His forehead rose high and straight
|
|
from the brow. His marks and wrinkles were innumerable.
|
|
From this strange face, eyes, stranger still, of the softest brown--
|
|
eyes dreamy and mournful, and deeply sunk in their orbits--
|
|
looked out at you, and (in my case, at least) took your attention
|
|
captive at their will. Add to this a quantity of thick
|
|
closely-curling hair, which, by some freak of Nature, had lost
|
|
its colour in the most startlingly partial and capricious manner.
|
|
Over the top of his head it was still of the deep black
|
|
which was its natural colour. Round the sides of his head--
|
|
without the slightest gradation of grey to break the force
|
|
of the extraordinary contrast--it had turned completely white.
|
|
The line between the two colours preserved no sort of regularity.
|
|
At one place, the white hair ran up into the black;
|
|
at another, the black hair ran down into the white.
|
|
I looked at the man with a curiosity which, I am ashamed to say,
|
|
I found it quite impossible to control. His soft brown eyes
|
|
looked back at me gently; and he met my involuntary rudeness
|
|
in staring at him, with an apology which I was conscious that I
|
|
had not deserved.
|
|
|
|
"I beg your pardon," he said. "I had no idea that Mr. Betteredge
|
|
was engaged." He took a slip of paper from his pocket,
|
|
and handed it to Betteredge. "The list for next week," he said.
|
|
His eyes just rested on me again--and he left the room as quietly
|
|
as he had entered it.
|
|
|
|
"Who is that?" I asked.
|
|
|
|
"Mr. Candy's assistant," said Betteredge. "By-the-bye, Mr. Franklin,
|
|
you will be sorry to hear that the little doctor has never recovered
|
|
that illness he caught, going home from the birthday dinner.
|
|
He's pretty well in health; but he lost his memory in the fever,
|
|
and he has never recovered more than the wreck of it since.
|
|
The work all falls on his assistant. Not much of it now,
|
|
except among the poor. THEY can't help themselves, you know.
|
|
THEY must put up with the man with the piebald hair,
|
|
and the gipsy complexion--or they would get no doctoring
|
|
at all."
|
|
|
|
"You don't seem to like him, Betteredge?"
|
|
|
|
"Nobody likes him, sir."
|
|
|
|
"Why is he so unpopular?"
|
|
|
|
"Well, Mr. Franklin, his appearance is against him, to begin with.
|
|
And then there's a story that Mr. Candy took him with a very
|
|
doubtful character. Nobody knows who he is--and he hasn't
|
|
a friend in the place. How can you expect one to like him,
|
|
after that?"
|
|
|
|
"Quite impossible, of course! May I ask what he wanted with you,
|
|
when he gave you that bit of paper?"
|
|
|
|
"Only to bring me the weekly list of the sick people
|
|
about here, sir, who stand in need of a little wine.
|
|
My lady always had a regular distribution of good sound port
|
|
and sherry among the infirm poor; and Miss Rachel wishes the custom
|
|
to be kept up. Times have changed! times have changed!
|
|
I remember when Mr. Candy himself brought the list to my mistress.
|
|
Now it's Mr. Candy's assistant who brings the list to me.
|
|
I'll go on with the letter, if you will allow me, sir,"
|
|
said Betteredge, drawing Rosanna Spearman's confession back to him.
|
|
"It isn't lively reading, I grant you. But, there! it
|
|
keeps me from getting sour with thinking of the past."
|
|
He put on his spectacles, and wagged his head gloomily.
|
|
"There's a bottom of good sense, Mr. Franklin, in our conduct
|
|
to our mothers, when they first start us on the journey of life.
|
|
We are all of us more or less unwilling to be brought into the world.
|
|
And we are all of us right."
|
|
|
|
Mr. Candy's assistant had produced too strong an impression
|
|
on me to be immediately dismissed from my thoughts. I passed
|
|
over the last unanswerable utterance of the Betteredge philosophy;
|
|
and returned to the subject of the man with the piebald hair.
|
|
|
|
"What is his name?" I asked.
|
|
|
|
"As ugly a name as need be," Betteredge answered gruffly.
|
|
"Ezra Jennings."
|
|
|
|
|
|
|
|
CHAPTER V
|
|
|
|
|
|
Having told me the name of Mr. Candy's assistant, Betteredge appeared
|
|
to think that we had wasted enough of our time on an insignificant subject.
|
|
He resumed the perusal of Rosanna Spearman's letter.
|
|
|
|
On my side, I sat at the window, waiting until he had done.
|
|
Little by little, the impression produced on me by Ezra Jennings--
|
|
it seemed perfectly unaccountable, in such a situation as mine,
|
|
that any human being should have produced an impression on me at all!--
|
|
faded from my mind. My thoughts flowed back into their former channel.
|
|
Once more, I forced myself to look my own incredible position resolutely
|
|
in the face. Once more, I reviewed in my own mind the course
|
|
which I had at last summoned composure enough to plan out for
|
|
the future.
|
|
|
|
To go back to London that day; to put the whole case before Mr. Bruff;
|
|
and, last and most important, to obtain (no matter by what means
|
|
or at what sacrifice) a personal interview with Rachel--this was my
|
|
plan of action, so far as I was capable of forming it at the time.
|
|
There was more than an hour still to spare before the train started.
|
|
And there was the bare chance that Betteredge might discover
|
|
something in the unread portion of Rosanna Spearman's letter,
|
|
which it might be useful for me to know before I left the house
|
|
in which the Diamond had been lost. For that chance I was
|
|
now waiting.
|
|
|
|
|
|
|
|
The letter ended in these terms:
|
|
|
|
|
|
|
|
"You have no need to be angry, Mr. Franklin, even if I did feel
|
|
some little triumph at knowing that I held all your prospects
|
|
in life in my own hands. Anxieties and fears soon came back to me.
|
|
With the view Sergeant Cuff took of the loss of the Diamond,
|
|
he would be sure to end in examining our linen and our dresses.
|
|
There was no place in my room--there was no place in the house--
|
|
which I could feel satisfied would be safe from him.
|
|
How to hide the nightgown so that not even the Sergeant
|
|
could find it? and how to do that without losing one moment
|
|
of precious time?--these were not easy questions to answer.
|
|
My uncertainties ended in my taking a way that may make you laugh.
|
|
I undressed, and put the nightgown on me. You had worn it--
|
|
and I had another little moment of pleasure in wearing it after
|
|
you.
|
|
|
|
"The next news that reached us in the servants' hall showed
|
|
that I had not made sure of the nightgown a moment too soon.
|
|
Sergeant Cuff wanted to see the washing-book.
|
|
|
|
"I found it, and took it to him in my lady's sitting-room. The Sergeant
|
|
and I had come across each other more than once in former days.
|
|
I was certain he would know me again--and I was NOT certain of what
|
|
he might do when he found me employed as servant in a house in which
|
|
a valuable jewel had been lost. In this suspense, I felt it would
|
|
be a relief to me to get the meeting between us over, and to know
|
|
the worst of it at once.
|
|
|
|
"He looked at me as if I was a stranger, when I handed him
|
|
the washing-book; and he was very specially polite in thanking
|
|
me for bringing it. I thought those were both bad signs.
|
|
There was no knowing what he might say of me behind my back;
|
|
there was no knowing how soon I might not find myself taken
|
|
in custody on suspicion, and searched. It was then time for your
|
|
return from seeing Mr. Godfrey Ablewhite off by the railway;
|
|
and I went to your favourite walk in the shrubbery, to try for
|
|
another chance of speaking to you--the last chance, for all I knew
|
|
to the contrary, that I might have.
|
|
|
|
"You never appeared; and, what was worse still, Mr. Betteredge
|
|
and Sergeant Cuff passed by the place where I was hiding--
|
|
and the Sergeant saw me.
|
|
|
|
"I had no choice, after that, but to return to my proper place
|
|
and my proper work, before more disasters happened to me.
|
|
Just as I was going to step across the path, you came back
|
|
from the railway. You were making straight for the shrubbery,
|
|
when you saw me--I am certain, sir, you saw me--and you turned
|
|
away as if I had got the plague, and went into the house.*
|
|
|
|
|
|
* NOTE: by Franklin Blake.--The writer is entirely mistaken, poor creature.
|
|
I never noticed her. My intention was certainly to have taken a turn in
|
|
the shrubbery. But, remembering at the same moment that my aunt might wish
|
|
to see me, after my return from the railway, I altered my mind, and went into
|
|
the house.
|
|
|
|
|
|
"I made the best of my way indoors again, returning by
|
|
the servants' entrance. There was nobody in the laundry-room
|
|
at that time; and I sat down there alone. I have told you already
|
|
of the thoughts which the Shivering Sand put into my head.
|
|
Those thoughts came back to me now. I wondered in myself
|
|
which it would be harder to do, if things went on in this manner--
|
|
to bear Mr. Franklin Blake's indifference to me, or to jump into
|
|
the quicksand and end it for ever in that way?
|
|
|
|
"It's useless to ask me to account for my own conduct, at this time.
|
|
I try--and I can't understand it myself.
|
|
|
|
"Why didn't I stop you, when you avoided me in that cruel manner?
|
|
Why didn't I call out, 'Mr. Franklin, I have got something to say
|
|
to you; it concerns yourself, and you must, and shall, hear it?'
|
|
You were at my mercy--I had got the whip-hand of you, as they say.
|
|
And better than that, I had the means (if I could only make you trust me)
|
|
of being useful to you in the future. Of course, I never supposed that you--
|
|
a gentleman--had stolen the Diamond for the mere pleasure of stealing it.
|
|
No. Penelope had heard Miss Rachel, and I had heard Mr. Betteredge,
|
|
talk about your extravagance and your debts. It was plain enough
|
|
to me that you had taken the Diamond to sell it, or pledge it,
|
|
and so to get the money of which you stood in need. Well! I could
|
|
have told you of a man in London who would have advanced a good large
|
|
sum on the jewel, and who would have asked no awkward questions
|
|
about it either.
|
|
|
|
"Why didn't I speak to you! why didn't I speak to you!
|
|
|
|
"I wonder whether the risks and difficulties of keeping
|
|
the nightgown were as much as I could manage, without having
|
|
other risks and difficulties added to them? This might have been
|
|
the case with some women--but how could it be the case with me?
|
|
In the days when I was a thief, I had run fifty times greater risks,
|
|
and found my way out of difficulties to which THIS difficulty
|
|
was mere child's play. I had been apprenticed, as you may say,
|
|
to frauds and deceptions--some of them on such a grand scale,
|
|
and managed so cleverly, that they became famous,
|
|
and appeared in the newspapers. Was such a little thing
|
|
as the keeping of the nightgown likely to weigh on my spirits,
|
|
and to set my heart sinking within me, at the time when I ought
|
|
to have spoken to you? What nonsense to ask the question!
|
|
The thing couldn't be.
|
|
|
|
"Where is the use of my dwelling in this way on my own folly?
|
|
The plain truth is plain enough, surely? Behind your back,
|
|
I loved you with all my heart and soul. Before your face--
|
|
there's no denying it--I was frightened of you;
|
|
frightened of making you angry with me; frightened of what
|
|
you might say to me (though you HAD taken the Diamond)
|
|
if I presumed to tell you that I had found it out.
|
|
I had gone as near to it as I dared when I spoke to you
|
|
in the library. You had not turned your back on me then.
|
|
You had not started away from me as if I had got the plague.
|
|
I tried to provoke myself into feeling angry with you,
|
|
and to rouse up my courage in that way. No! I couldn't
|
|
feel anything but the misery and the mortification of it.
|
|
"You're a plain girl; you have got a crooked shoulder; you're only
|
|
a housemaid--what do you mean by attempting to speak to Me?"
|
|
You never uttered a word of that, Mr. Franklin; but you said it all
|
|
to me, nevertheless! Is such madness as this to be accounted for?
|
|
No. There is nothing to be done but to confess it, and let it
|
|
be.
|
|
|
|
"I ask your pardon, once more, for this wandering of my pen.
|
|
There is no fear of its happening again. I am close at the
|
|
end now.
|
|
|
|
"The first person who disturbed me by coming into the empty
|
|
room was Penelope. She had found out my secret long since,
|
|
and she had done her best to bring me to my senses--and done it
|
|
kindly too.
|
|
|
|
"'Ah!' she said, 'I know why you're sitting here, and fretting,
|
|
all by yourself. The best thing that can happen for your advantage,
|
|
Rosanna, will be for Mr. Franklin's visit here to come to an end.
|
|
It's my belief that he won't be long now before he leaves
|
|
the house."
|
|
|
|
"In all my thoughts of you I had never thought of your going away.
|
|
I couldn't speak to Penelope. I could only look at her.
|
|
|
|
"'I've just left Miss Rachel,' Penelope went on.
|
|
'And a hard matter I have had of it to put up with her temper.
|
|
She says the house is unbearable to her with the police in it;
|
|
and she's determined to speak to my lady this evening, and to go
|
|
to her Aunt Ablewhite to-morrow. If she does that, Mr. Franklin
|
|
will be the next to find a reason for going away, you may depend
|
|
on it!'
|
|
|
|
"I recovered the use of my tongue at that. 'Do you mean to say
|
|
Mr. Franklin will go with her?' I asked.
|
|
|
|
"'Only too gladly, if she would let him; but she won't. HE has
|
|
been made to feel her temper; HE is in her black books too--
|
|
and that after having done all he can to help her, poor fellow!
|
|
No! no! If they don't make it up before to-morrow, you
|
|
will see Miss Rachel go one way, and Mr. Franklin another.
|
|
Where he may betake himself to I can't say. But he will never
|
|
stay here, Rosanna, after Miss Rachel has left us.'
|
|
|
|
"I managed to master the despair I felt at the prospect of your going away.
|
|
To own the truth, I saw a little glimpse of hope for myself if there was
|
|
really a serious disagreement between Miss Rachel and you. 'Do you know,'
|
|
I asked, 'what the quarrel is between them?'
|
|
|
|
"'It is all on Miss Rachel's side,' Penelope said. 'And, for anything I
|
|
know to the contrary, it's all Miss Rachel's temper, and nothing else.
|
|
I am loth to distress you, Rosanna; but don't run away with the notion
|
|
that Mr. Franklin is ever likely to quarrel with HER. He's a great deal
|
|
too fond of her for that!'
|
|
|
|
"She had only just spoken those cruel words when there came a call to us
|
|
from Mr. Betteredge. All the indoor servants were to assemble in the hall.
|
|
And then we were to go in, one by one, and be questioned in Mr. Betteredge's
|
|
room by Sergeant Cuff.
|
|
|
|
"It came to my turn to go in, after her ladyship's maid
|
|
and the upper housemaid had been questioned first.
|
|
Sergeant Cuff's inquiries--though he wrapped them up very cunningly--
|
|
soon showed me that those two women (the bitterest enemies I
|
|
had in the house) had made their discoveries outside my door,
|
|
on the Tuesday afternoon, and again on the Thursday night. They had
|
|
told the Sergeant enough to open his eyes to some part of the truth.
|
|
He rightly believed me to have made a new nightgown secretly,
|
|
but he wrongly believed the paint-stained nightgown to be mine.
|
|
I felt satisfied of another thing, from what he said,
|
|
which it puzzled me to understand. He suspected me, of course,
|
|
of being concerned in the disappearance of the Diamond.
|
|
But, at the same time, he let me see--purposely, as I thought--
|
|
that he did not consider me as the person chiefly answerable
|
|
for the loss of the jewel. He appeared to think that I
|
|
had been acting under the direction of somebody else.
|
|
Who that person might be, I couldn't guess then, and can't
|
|
guess now.
|
|
|
|
"In this uncertainty, one thing was plain--that Sergeant Cuff
|
|
was miles away from knowing the whole truth. You were safe
|
|
as long as the nightgown was safe--and not a moment longer.
|
|
|
|
"I quite despair of making you understand the distress and terror
|
|
which pressed upon me now. It was impossible for me to risk
|
|
wearing your nightgown any longer. I might find myself taken off,
|
|
at a moment's notice, to the police court at Frizinghall,
|
|
to be charged on suspicion, and searched accordingly.
|
|
While Sergeant Cuff still left me free, I had to choose--and at once--
|
|
between destroying the nightgown, or hiding it in some safe place,
|
|
at some safe distance from the house.
|
|
|
|
"If I had only been a little less fond of you, I think I
|
|
should have destroyed it. But oh! how could destroy the only
|
|
thing I had which proved that I had saved you from discovery?
|
|
If we did come to an explanation together, and if you suspected
|
|
me of having some bad motive, and denied it all, how could I win
|
|
upon you to trust me, unless I had the nightgown to produce?
|
|
Was it wronging you to believe, as I did and do still,
|
|
that you might hesitate to let a poor girl like me be
|
|
the sharer of your secret, and your accomplice in the theft
|
|
which your money-troubles had tempted you to commit?
|
|
Think of your cold behaviour to me, sir, and you will hardly
|
|
wonder at my unwillingness to destroy the only claim on
|
|
your confidence and your gratitude which it was my fortune
|
|
to possess.
|
|
|
|
"I determined to hide it; and the place I fixed on was the place I knew best--
|
|
the Shivering Sand.
|
|
|
|
"As soon as the questioning was over, I made the first excuse that came
|
|
into my head, and got leave to go out for a breath of fresh air.
|
|
I went straight to Cobb's Hole, to Mr. Yolland's cottage.
|
|
His wife and daughter were the best friends I had.
|
|
Don't suppose I trusted them with your secret--I have trusted nobody.
|
|
All I wanted was to write this letter to you, and to have a safe
|
|
opportunity of taking the nightgown off me. Suspected as I was,
|
|
I could do neither of those things with any sort of security, at
|
|
the house.
|
|
|
|
"And now I have nearly got through my long letter, writing it
|
|
alone in Lucy Yolland's bedroom. When it is done, I shall go
|
|
downstairs with the nightgown rolled up, and hidden under my cloak.
|
|
I shall find the means I want for keeping it safe and dry in its
|
|
hiding-place, among the litter of old things in Mrs. Yolland's kitchen.
|
|
And then I shall go to the Shivering Sand--don't be afraid of my letting
|
|
my footmarks betray me!--and hide the nightgown down in the sand,
|
|
where no living creature can find it without being first let into the
|
|
secret by myself.
|
|
|
|
"And, when that's done, what then?
|
|
|
|
"Then, Mr. Franklin, I shall have two reasons for making another
|
|
attempt to say the words to you which I have not said yet.
|
|
If you leave the house, as Penelope believes you will leave it, and if I
|
|
haven't spoken to you before that, I shall lose my opportunity forever.
|
|
That is one reason. Then, again, there is the comforting knowledge--
|
|
if my speaking does make you angry--that I have got the nightgown ready
|
|
to plead my cause for me as nothing else can. That is my other reason.
|
|
If these two together don't harden my heart against the coldness
|
|
which has hitherto frozen it up (I mean the coldness of your
|
|
treatment of me), there will be the end of my efforts--and the end of
|
|
my life.
|
|
|
|
"Yes. If I miss my next opportunity--if you are as cruel
|
|
as ever, and if I feel it again as I have felt it already--
|
|
good-bye to the world which has grudged me the happiness that it
|
|
gives to others. Good-bye to life, which nothing but a little
|
|
kindness from you can ever make pleasurable to me again.
|
|
Don't blame yourself, sir, if it ends in this way.
|
|
But try--do try--to feel some forgiving sorrow for me!
|
|
I shall take care that you find out what I have done
|
|
for you, when I am past telling you of it myself.
|
|
Will you say something kind of me then--in the same
|
|
gentle way that you have when you speak to Miss Rachel?
|
|
If you do that, and if there are such things as ghosts,
|
|
I believe my ghost will hear it, and tremble with the pleasure
|
|
of it.
|
|
|
|
"It's time I left off. I am making myself cry. How am I to see my way
|
|
to the hiding-place if I let these useless tears come and blind me?
|
|
|
|
"Besides, why should I look at the gloomy side?
|
|
Why not believe, while I can, that it will end well after all?
|
|
I may find you in a good humour to-night--or, if not,
|
|
I may succeed better to-morrow morning. I sha'n't improve
|
|
my plain face by fretting--shall I? Who knows but I may have
|
|
filled all these weary long pages of paper for nothing?
|
|
They will go, for safety's sake (never mind now for what
|
|
other reason) into the hiding-place along with the nightgown.
|
|
It has been hard, hard work writing my letter. Oh! if we
|
|
only end in understanding each other, how I shall enjoy tearing
|
|
it up!
|
|
|
|
"I beg to remain, sir, your true lover and humble servant,
|
|
|
|
"ROSANNA SPEARMAN."
|
|
|
|
|
|
|
|
The reading of the letter was completed by Betteredge in silence.
|
|
After carefully putting it back in the envelope, he sat thinking,
|
|
with his head bowed down, and his eyes on the ground.
|
|
|
|
"Betteredge," I said, "is there any hint to guide me at the end
|
|
of the letter?"
|
|
|
|
He looked up slowly, with a heavy sigh.
|
|
|
|
"There is nothing to guide you, Mr. Franklin," he answered.
|
|
"If you take my advice you will keep the letter in the cover
|
|
till these present anxieties of yours have come to an end.
|
|
It will sorely distress you, whenever you read it. Don't read
|
|
it now."
|
|
|
|
I put the letter away in my pocket-book.
|
|
|
|
A glance back at the sixteenth and seventeenth chapters
|
|
of Betteredge's Narrative will show that there really
|
|
was a reason for my thus sparing myself, at a time when my
|
|
fortitude had been already cruelly tried. Twice over,
|
|
the unhappy woman had made her last attempt to speak to me.
|
|
And twice over, it had been my misfortune (God knows
|
|
how innocently!) to repel the advances she had made to me.
|
|
On the Friday night, as Betteredge truly describes it,
|
|
she had found me alone at the billiard-table. Her manner and
|
|
language suggested to me and would have suggested to any man,
|
|
under the circumstances--that she was about to confess a guilty
|
|
knowledge of the disappearance of the Diamond. For her own sake,
|
|
I had purposely shown no special interest in what was coming;
|
|
for her own sake, I had purposely looked at the billiard-balls,
|
|
instead of looking at HER--and what had been the result?
|
|
I had sent her away from me, wounded to the heart!
|
|
On the Saturday again--on the day when she must have foreseen,
|
|
after what Penelope had told her, that my departure was close
|
|
at hand--the same fatality still pursued us. She had once
|
|
more attempted to meet me in the shrubbery walk, and she had
|
|
found me there in company with Betteredge and Sergeant Cuff.
|
|
In her hearing, the Sergeant, with his own underhand object
|
|
in view, had appealed to my interest in Rosanna Spearman.
|
|
Again for the poor creature's own sake, I had met
|
|
the police-officer with a flat denial, and had declared--
|
|
loudly declared, so that she might hear me too--that I felt
|
|
"no interest whatever in Rosanna Spearman." At those words,
|
|
solely designed to warn her against attempting to gain my private ear,
|
|
she had turned away and left the place: cautioned of her danger,
|
|
as I then believed; self-doomed to destruction, as I know now.
|
|
From that point, I have already traced the succession of events
|
|
which led me to the astounding discovery at the quicksand.
|
|
The retrospect is now complete. I may leave the miserable
|
|
story of Rosanna Spearman--to which, even at this distance
|
|
of time, I cannot revert without a pang of distress--
|
|
to suggest for itself all that is here purposely left unsaid.
|
|
I may pass from the suicide at the Shivering Sand, with its
|
|
strange and terrible influence on my present position and
|
|
future prospects, to interests which concern the living people
|
|
of this narrative, and to events which were already paving my
|
|
way for the slow and toilsome journey from the darkness to the
|
|
light.
|
|
|
|
|
|
|
|
CHAPTER VI
|
|
|
|
|
|
I walked to the railway station accompanied, it is needless to say,
|
|
by Gabriel Betteredge. I had the letter in my pocket, and the nightgown
|
|
safely packed in a little bag--both to be submitted, before I slept
|
|
that night, to the investigation of Mr. Bruff.
|
|
|
|
We left the house in silence. For the first time in my experience of him,
|
|
I found old Betteredge in my company without a word to say to me.
|
|
Having something to say on my side, I opened the conversation as soon as we
|
|
were clear of the lodge gates.
|
|
|
|
"Before I go to London," I began, "I have two questions to ask you.
|
|
They relate to myself, and I believe they will rather surprise you."
|
|
|
|
"If they will put that poor creature's letter out of my head,
|
|
Mr. Franklin, they may do anything else they like with me.
|
|
Please to begin surprising me, sir, as soon as you can."
|
|
|
|
"My first question, Betteredge, is this. Was I drunk on the night
|
|
of Rachel's Birthday?"
|
|
|
|
"YOU drunk!" exclaimed the old man. "Why it's the great defect
|
|
of your character, Mr. Franklin that you only drink with your dinner,
|
|
and never touch a drop of liquor afterwards!"
|
|
|
|
"But the birthday was a special occasion. I might have abandoned
|
|
my regular habits, on that night of all others."
|
|
|
|
Betteredge considered for a moment.
|
|
|
|
"You did go out of your habits, sir," he said. "And I'll tell you how.
|
|
You looked wretchedly ill--and we persuaded you to have a drop of brandy
|
|
and water to cheer you up a little."
|
|
|
|
"I am not used to brandy and water. It is quite possible----"
|
|
|
|
"Wait a bit, Mr. Franklin. I knew you were not used, too. I poured you out
|
|
half a wineglass-full of our fifty year old Cognac; and (more shame for me!)
|
|
I drowned that noble liquor in nigh on a tumbler-full of cold water.
|
|
A child couldn't have got drunk on it--let alone a grown man!"
|
|
|
|
I knew I could depend on his memory, in a matter of this kind.
|
|
It was plainly impossible that I could have been intoxicated.
|
|
I passed on to the second question.
|
|
|
|
"Before I was sent abroad, Betteredge, you saw a great deal
|
|
of me when I was a boy? Now tell me plainly, do you remember
|
|
anything strange of me, after I had gone to bed at night?
|
|
Did you ever discover me walking in my sleep?"
|
|
|
|
Betteredge stopped, looked at me for a moment, nodded his head,
|
|
and walked on again.
|
|
|
|
"I see your drift now, Mr. Franklin!" he said "You're trying to account
|
|
for how you got the paint on your nightgown, without knowing it yourself.
|
|
It won't do, sir. You're miles away still from getting at the truth.
|
|
Walk in your sleep? You never did such a thing in your life!"
|
|
|
|
Here again, I felt that Betteredge must be right. Neither at
|
|
home nor abroad had my life ever been of the solitary sort.
|
|
If I had been a sleep-walker, there were hundreds on hundreds
|
|
of people who must have discovered me, and who, in the interest
|
|
of my own safety, would have warned me of the habit, and have taken
|
|
precautions to restrain it.
|
|
|
|
Still, admitting all this, I clung--with an obstinacy which
|
|
was surely natural and excusable, under the circumstances--
|
|
to one or other of the only two explanations that I could see
|
|
which accounted for the unendurable position in which I then stood.
|
|
Observing that I was not yet satisfied, Betteredge shrewdly
|
|
adverted to certain later events in the history of the Moonstone;
|
|
and scattered both my theories to the wind at once and
|
|
for ever.
|
|
|
|
"Let's try it another way, sir," he said. "Keep your own opinion,
|
|
and see how far it will take you towards finding out the truth.
|
|
If we are to believe the nightgown--which I don't for one--
|
|
you not only smeared off the paint from the door, without knowing it,
|
|
but you also took the Diamond without knowing it. Is that right,
|
|
so far?"
|
|
|
|
"Quite right. Go on."
|
|
|
|
"Very good, sir. We'll say you were drunk,
|
|
or walking in your sleep, when you took the jewel.
|
|
That accounts for the night and morning, after the birthday.
|
|
But how does it account for what has happened since that time?
|
|
The Diamond has been taken to London, since that time.
|
|
The Diamond has been pledged to Mr. Luker, since that time.
|
|
Did you do those two things, without knowing it, too?
|
|
Were you drunk when I saw you off in the pony-chaise on that
|
|
Saturday evening? And did you walk in your sleep to Mr. Luker's,
|
|
when the train had brought you to your journey's end?
|
|
Excuse me for saying it, Mr. Franklin, but this business has
|
|
so upset you, that you're not fit yet to judge for yourself.
|
|
The sooner you lay your head alongside Mr. Bruff's head,
|
|
the sooner you will see your way out of the dead-lock that has got
|
|
you now."
|
|
|
|
We reached the station, with only a minute or two to spare.
|
|
|
|
I hurriedly gave Betteredge my address in London, so that
|
|
he might write to me, if necessary; promising, on my side,
|
|
to inform him of any news which I might have to communicate.
|
|
This done, and just as I was bidding him farewell,
|
|
I happened to glance towards the book-and-newspaper stall.
|
|
There was Mr. Candy's remarkable-looking assistant again, speaking to
|
|
the keeper of the stall! Our eyes met at the same moment.
|
|
Ezra Jennings took off his hat to me. I returned the salute,
|
|
and got into a carriage just as the train started.
|
|
It was a relief to my mind, I suppose, to dwell on any subject
|
|
which appeared to be, personally, of no sort of importance to me.
|
|
At all events, I began the momentous journey back which was
|
|
to take me to Mr. Bruff, wondering--absurdly enough, I admit--
|
|
that I should have seen the man with the piebald hair twice in
|
|
one day!
|
|
|
|
The hour at which I arrived in London precluded all hope
|
|
of my finding Mr. Bruff at his place of business.
|
|
I drove from the railway to his private residence at Hampstead,
|
|
and disturbed the old lawyer dozing alone in his dining-room,
|
|
with his favourite pug-dog on his lap, and his bottle of wine at
|
|
his elbow.
|
|
|
|
I shall best describe the effect which my story produced on the mind
|
|
of Mr. Bruff by relating his proceedings when he had heard it to the end.
|
|
He ordered lights, and strong tea, to be taken into his study;
|
|
and he sent a message to the ladies of his family, forbidding them
|
|
to disturb us on any pretence whatever. These preliminaries disposed of,
|
|
he first examined the nightgown, and then devoted himself to the reading
|
|
of Rosanna Spearman's letter.
|
|
|
|
The reading completed, Mr. Bruff addressed me for the first time
|
|
since we had been shut up together in the seclusion of his own room.
|
|
|
|
"Franklin Blake," said the old gentleman, "this is a very serious matter,
|
|
in more respects than one. In my opinion, it concerns Rachel quite as
|
|
nearly as it concerns you. Her extraordinary conduct is no mystery NOW.
|
|
She believes you have stolen the Diamond."
|
|
|
|
I had shrunk from reasoning my own way fairly to that revolting conclusion.
|
|
But it had forced itself on me, nevertheless. My resolution to obtain
|
|
a personal interview with Rachel, rested really and truly on the ground just
|
|
stated by Mr. Bruff.
|
|
|
|
"The first step to take in this investigation," the lawyer proceeded,
|
|
"is to appeal to Rachel. She has been silent all this time, from motives
|
|
which I (who know her character) can readily understand. It is impossible,
|
|
after what has happened, to submit to that silence any longer.
|
|
She must be persuaded to tell us, or she must be forced to tell us,
|
|
on what grounds she bases her belief that you took the Moonstone.
|
|
The chances are, that the whole of this case, serious as it seems now,
|
|
will tumble to pieces, if we can only break through Rachel's inveterate
|
|
reserve, and prevail upon her to speak out."
|
|
|
|
"That is a very comforting opinion for ME," I said.
|
|
"I own I should like to know
|
|
|
|
"You would like to know how I can justify it," inter-posed Mr. Bruff.
|
|
"I can tell you in two minutes. Understand, in the first place,
|
|
that I look at this matter from a lawyer's point of view.
|
|
It's a question of evidence, with me. Very well. The evidence
|
|
breaks down, at the outset, on one important point."
|
|
|
|
"On what point?"
|
|
|
|
"You shall hear. I admit that the mark of the name proves
|
|
the nightgown to be yours. I admit that the mark of the paint
|
|
proves the nightgown to have made the smear on Rachel's door.
|
|
But what evidence is there to prove that you are the person who
|
|
wore it, on the night when the Diamond was lost?"
|
|
|
|
The objection struck me, all the more forcibly that it reflected
|
|
an objection which I had felt myself.
|
|
|
|
"As to this," pursued the lawyer taking up Rosanna Spearman's confession,
|
|
"I can understand that the letter is a distressing one to YOU.
|
|
I can understand that you may hesitate to analyse it from a purely
|
|
impartial point of view. But I am not in your position.
|
|
I can bring my professional experience to bear on this document,
|
|
just as I should bring it to bear on any other. Without alluding
|
|
to the woman's career as a thief, I will merely remark that her letter
|
|
proves her to have been an adept at deception, on her own showing;
|
|
and I argue from that, that I am justified in suspecting her
|
|
of not having told the whole truth. I won't start any theory,
|
|
at present, as to what she may or may not have done.
|
|
I will only say that, if Rachel has suspected you ON THE EVIDENCE
|
|
OF THE NIGHTGOWN ONLY, the chances are ninety-nine to a hundred
|
|
that Rosanna Spearman was the person who showed it to her.
|
|
In that case, there is the woman's letter, confessing that she
|
|
was jealous of Rachel, confessing that she changed the roses,
|
|
confessing that she saw a glimpse of hope for herself,
|
|
in the prospect of a quarrel between Rachel and you.
|
|
I don't stop to ask who took the Moonstone (as a means to
|
|
her end, Rosanna Spearman would have taken fifty Moonstones)--
|
|
I only say that the disappearance of the jewel gave this
|
|
reclaimed thief who was in love with you, an opportunity of
|
|
setting you and Rachel at variance for the rest of your lives.
|
|
She had not decided on destroying herself, THEN, remember; and, having
|
|
the opportunity, I distinctly assert that it was in her character,
|
|
and in her position at the time, to take it. What do you say
|
|
to that?"
|
|
|
|
"Some such suspicion," I answered, "crossed my own mind,
|
|
as soon as I opened the letter."
|
|
|
|
"Exactly! And when you had read the letter, you pitied the poor creature,
|
|
and couldn't find it in your heart to suspect her. Does you credit,
|
|
my dear sir--does you credit!"
|
|
|
|
"But suppose it turns out that I did wear the nightgown?
|
|
What then?"
|
|
|
|
"I don't see how the fact can be proved," said Mr. Bruff.
|
|
"But assuming the proof to be possible, the vindication of your
|
|
innocence would be no easy matter. We won't go into that, now.
|
|
Let us wait and see whether Rachel hasn't suspected you on
|
|
the evidence of the nightgown only."
|
|
|
|
"Good God, how coolly you talk of Rachel suspecting me!"
|
|
I broke out. "What right has she to suspect Me, on any evidence,
|
|
of being a thief?"
|
|
|
|
"A very sensible question, my dear sir. Rather hotly put--
|
|
but well worth considering for all that. What puzzles you,
|
|
puzzles me too. Search your memory, and tell me this.
|
|
Did anything happen while you were staying at the house--not, of course,
|
|
to shake Rachel's belief in your honour--but, let us say,
|
|
to shake her belief (no matter with how little reason) in your
|
|
principles generally?"
|
|
|
|
I started, in ungovernable agitation, to my feet. The lawyer's
|
|
question reminded me, for the first time since I had left England,
|
|
that something HAD happened.
|
|
|
|
In the eighth chapter of Betteredge's Narrative, an allusion
|
|
will be found to the arrival of a foreigner and a stranger
|
|
at my aunt's house, who came to see me on business.
|
|
The nature of his business was this.
|
|
|
|
I had been foolish enough (being, as usual, straitened for money
|
|
at the time) to accept a loan from the keeper of a small
|
|
restaurant in Paris, to whom I was well known as a customer.
|
|
A time was settled between us for paying the money back;
|
|
and when the time came, I found it (as thousands of other
|
|
honest men have found it) impossible to keep my engagement.
|
|
I sent the man a bill. My name was unfortunately too well
|
|
known on such documents: he failed to negotiate it.
|
|
His affairs had fallen into disorder, in the interval since I
|
|
had borrowed of him; bankruptcy stared him in the face;
|
|
and a relative of his, a French lawyer, came to England
|
|
to find me, and to insist upon the payment of my debt.
|
|
He was a man of violent temper; and he took the wrong way with me.
|
|
High words passed on both sides; and my aunt and Rachel
|
|
were unfortunately in the next room, and heard us.
|
|
Lady Verinder came in, and insisted on knowing what was the matter.
|
|
The Frenchman produced his credentials, and declared me to be
|
|
responsible for the ruin of a poor man, who had trusted in my honour.
|
|
My aunt instantly paid him the money, and sent him off.
|
|
She knew me better of course than to take the Frenchman's view
|
|
of the transaction. But she was shocked at my carelessness,
|
|
and justly angry with me for placing myself in a position, which,
|
|
but for her interference, might have become a very disgraceful one.
|
|
Either her mother told her, or Rachel heard what passed--
|
|
I can't say which. She took her own romantic, high-flown view
|
|
of the matter. I was "heartless"; I was "dishonourable";
|
|
I had "no principle"; there was "no knowing what I might
|
|
do next"--in short, she said some of the severest things
|
|
to me which I had ever heard from a young lady's lips.
|
|
The breach between us lasted for the whole of the next day.
|
|
The day after, I succeeded in making my peace, and thought
|
|
no more of it. Had Rachel reverted to this unlucky accident,
|
|
at the critical moment when my place in her estimation was again,
|
|
and far more seriously, assailed? Mr. Bruff, when I had mentioned
|
|
the circumstances to him, answered the question at once in the
|
|
affirmative.
|
|
|
|
"It would have its effect on her mind," he said gravely.
|
|
"And I wish, for your sake, the thing had not happened.
|
|
However, we have discovered that there WAS a predisposing
|
|
influence against you--and there is one uncertainty cleared out
|
|
of our way, at any rate. I see nothing more that we can do now.
|
|
Our next step in this inquiry must be the step that takes us
|
|
to Rachel."
|
|
|
|
He rose, and began walking thoughtfully up and down the room.
|
|
Twice, I was on the point of telling him that I had determined
|
|
on seeing Rachel personally; and twice, having regard to his age
|
|
and his character, I hesitated to take him by surprise at an
|
|
unfavourable moment.
|
|
|
|
"The grand difficulty is," he resumed, "how to make her show her whole
|
|
mind in this matter, without reserve. Have you any suggestions to offer?"
|
|
|
|
"I have made up my mind, Mr. Bruff, to speak to Rachel myself."
|
|
|
|
"You!" He suddenly stopped in his walk, and looked at me as if he thought
|
|
I had taken leave of my senses. "You, of all the people in the world!"
|
|
He abruptly checked himself, and took another turn in the room.
|
|
"Wait a little," he said. "In cases of this extraordinary kind, the rash
|
|
way is sometimes the best way." He considered the question for a moment
|
|
or two, under that new light, and ended boldly by a decision in my favour.
|
|
"Nothing venture, nothing have," the old gentleman resumed. "You have a
|
|
chance in your favour which I don't possess--and you shall be the first to try
|
|
the experiment."
|
|
|
|
"A chance in my favour?" I repeated, in the greatest surprise.
|
|
|
|
Mr. Bruff's face softened, for the first time, into a smile.
|
|
|
|
"This is how it stands," he said. "I tell you fairly,
|
|
I don't trust your discretion, and I don't trust your temper.
|
|
But I do trust in Rachel's still preserving, in some remote
|
|
little corner of her heart, a certain perverse weakness for YOU.
|
|
Touch that--and trust to the consequences for the fullest
|
|
disclosures that can flow from a woman's lips! The question is--
|
|
how are you to see her?"
|
|
|
|
"She has been a guest of yours at this house," I answered.
|
|
"May I venture to suggest--if nothing was said about me beforehand--
|
|
that I might see her here?"
|
|
|
|
"Cool!" said Mr. Bruff. With that one word of comment on the reply
|
|
that I had made to him, he took another turn up and down the room.
|
|
|
|
"In plain English," he said, "my house is to be turned
|
|
into a trap to catch Rachel; with a bait to tempt her,
|
|
in the shape of an invitation from my wife and daughters.
|
|
If you were anybody else but Franklin Blake, and if this matter
|
|
was one atom less serious than it really is, I should refuse
|
|
point-blank. As things are, I firmly believe Rachel will
|
|
live to thank me for turning traitor to her in my old age.
|
|
Consider me your accomplice. Rachel shall be asked
|
|
to spend the day here; and you shall receive due notice
|
|
of it."
|
|
|
|
"When? To-morrow?"
|
|
|
|
"To-morrow won't give us time enough to get her answer.
|
|
Say the day after."
|
|
|
|
"How shall I hear from you?"
|
|
|
|
"Stay at home all the morning and expect me to call on you."
|
|
|
|
I thanked him for the inestimable assistance which he was rendering to me,
|
|
with the gratitude that I really felt; and, declining a hospitable invitation
|
|
to sleep that night at Hampstead, returned to my lodgings in London.
|
|
|
|
Of the day that followed, I have only to say that it was the longest
|
|
day of my life. Innocent as I knew myself to be, certain as I was
|
|
that the abominable imputation which rested on me must sooner or later
|
|
be cleared off, there was nevertheless a sense of self-abasement in my
|
|
mind which instinctively disinclined me to see any of my friends.
|
|
We often hear (almost invariably, however, from superficial observers)
|
|
that guilt can look like innocence. I believe it to be infinitely
|
|
the truer axiom of the two that innocence can look like guilt.
|
|
I caused myself to be denied all day, to every visitor who called;
|
|
and I only ventured out under cover of the night.
|
|
|
|
The next morning, Mr. Bruff surprised me at the breakfast-table. He
|
|
handed me a large key, and announced that he felt ashamed of himself
|
|
for the first time in his life.
|
|
|
|
"Is she coming?"
|
|
|
|
"She is coming to-day, to lunch and spend the afternoon with my wife
|
|
and my girls."
|
|
|
|
"Are Mrs. Bruff, and your daughters, in the secret?"
|
|
|
|
"Inevitably. But women, as you may have observed, have no principles.
|
|
My family don't feel my pangs of conscience. The end being to bring you
|
|
and Rachel together again, my wife and daughters pass over the means employed
|
|
to gain it, as composedly as if they were Jesuits."
|
|
|
|
"I am infinitely obliged to them. What is this key?"
|
|
|
|
"The key of the gate in my back-garden wall. Be there at three
|
|
this afternoon. Let yourself into the garden, and make your way
|
|
in by the conservatory door. Cross the small drawing-room, and open
|
|
the door in front of you which leads into the music-room. There,
|
|
you will find Rachel--and find her, alone."
|
|
|
|
"How can I thank you!"
|
|
|
|
"I will tell you how. Don't blame me for what happens afterwards."
|
|
|
|
With those words, he went out.
|
|
|
|
I had many weary hours still to wait through. To while away the time,
|
|
I looked at my letters. Among them was a letter from Betteredge.
|
|
|
|
I opened it eagerly. To my surprise and disappointment, it began
|
|
with an apology warning me to expect no news of any importance.
|
|
In the next sentence the everlasting Ezra Jennings appeared again!
|
|
He had stopped Betteredge on the way out of the station,
|
|
and had asked who I was. Informed on this point,
|
|
he had mentioned having seen me to his master Mr. Candy.
|
|
Mr. Candy hearing of this, had himself driven over to Betteredge,
|
|
to express his regret at our having missed each other.
|
|
He had a reason for wishing particularly to speak to me;
|
|
and when I was next in the neighbourhood of Frizinghall,
|
|
he begged I would let him know. Apart from a few
|
|
characteristic utterances of the Betteredge philosophy,
|
|
this was the sum and substance of my correspondent's letter.
|
|
The warm-hearted, faithful old man acknowledged that
|
|
he had written "mainly for the pleasure of writing
|
|
to me."
|
|
|
|
I crumpled up the letter in my pocket, and forgot it the moment after,
|
|
in the all-absorbing interest of my coming interview with Rachel.
|
|
|
|
As the clock of Hampstead church struck three, I put
|
|
Mr. Bruff's key into the lock of the door in the wall.
|
|
When I first stepped into the garden, and while I was securing
|
|
the door again on the inner side, I own to having felt
|
|
a certain guilty doubtfulness about what might happen next.
|
|
I looked furtively on either side of me; suspicious of the presence
|
|
of some unexpected witness in some unknown corner of the garden.
|
|
Nothing appeared, to justify my apprehensions. The walks were,
|
|
one and all, solitudes; and the birds and the bees were the
|
|
only witnesses.
|
|
|
|
I passed through the garden; entered the conservatory; and crossed
|
|
the small drawing-room. As I laid my hand on the door opposite,
|
|
I heard a few plaintive chords struck on the piano in the room within.
|
|
She had often idled over the instrument in this way, when I was staying
|
|
at her mother's house. I was obliged to wait a little, to steady myself.
|
|
The past and present rose side by side, at that supreme moment--
|
|
and the contrast shook me.
|
|
|
|
After the lapse of a minute, I roused my manhood, and opened the door.
|
|
|
|
|
|
|
|
CHAPTER VII
|
|
|
|
|
|
At the moment when I showed myself in the doorway, Rachel rose from the piano.
|
|
|
|
I closed the door behind me. We confronted each other in silence,
|
|
with the full length of the room between us. The movement she had made
|
|
in rising appeared to be the one exertion of which she was capable.
|
|
All use of every other faculty, bodily or mental, seemed to be merged
|
|
in the mere act of looking at me.
|
|
|
|
A fear crossed my mind that I had shown myself too suddenly.
|
|
I advanced a few steps towards her. I said gently, "Rachel!"
|
|
|
|
The sound of my voice brought the life back to her limbs,
|
|
and the colour to her face. She advanced, on her side,
|
|
still without speaking. Slowly, as if acting under some influence
|
|
independent of her own will, she came nearer and nearer to me;
|
|
the warm dusky colour flushing her cheeks, the light of
|
|
reviving intelligence brightening every instant in her eyes.
|
|
I forgot the object that had brought me into her presence;
|
|
I forgot the vile suspicion that rested on my good name;
|
|
I forgot every consideration, past, present, and future, which I
|
|
was bound to remember. I saw nothing but the woman I loved coming
|
|
nearer and nearer to me. She trembled; she stood irresolute.
|
|
I could resist it no longer--I caught her in my arms, and covered
|
|
her face with kisses.
|
|
|
|
There was a moment when I thought the kisses were returned;
|
|
a moment when it seemed as if she, too might have forgotten.
|
|
Almost before the idea could shape itself in my mind,
|
|
her first voluntary action made me feel that she remembered.
|
|
With a cry which was like a cry of horror--with a strength
|
|
which I doubt if I could have resisted if I had tried--
|
|
she thrust me back from her. I saw merciless anger in her eyes;
|
|
I saw merciless contempt on her lips. She looked me over,
|
|
from head to foot, as she might have looked at a stranger who had
|
|
insulted her.
|
|
|
|
"You coward!" she said. "You mean, miserable, heartless coward!"
|
|
|
|
Those were her first words! The most unendurable reproach that a woman can
|
|
address to a man, was the reproach that she picked out to address to Me.
|
|
|
|
"I remember the time, Rachel," I said, "when you could have
|
|
told me that I had offended you, in a worthier way than that.
|
|
I beg your pardon."
|
|
|
|
Something of the bitterness that I felt may have communicated itself
|
|
to my voice. At the first words of my reply, her eyes, which had
|
|
been turned away the moment before, looked back at me unwillingly.
|
|
She answered in a low tone, with a sullen submission of manner which was
|
|
quite new in my experience of her.
|
|
|
|
"Perhaps there is some excuse for me," she said.
|
|
"After what you have done, is it a manly action, on your part,
|
|
to find your way to me as you have found it to-day? It seems
|
|
a cowardly experiment, to try an experiment on my weakness
|
|
for you. It seems a cowardly surprise, to surprise me
|
|
into letting you kiss me. But that is only a woman's view.
|
|
I ought to have known it couldn't be your view.
|
|
I should have done better if I had controlled myself,
|
|
and said nothing."
|
|
|
|
The apology was more unendurable than the insult. The most degraded
|
|
man living would have felt humiliated by it.
|
|
|
|
"If my honour was not in your hands," I said, "I would leave
|
|
you this instant, and never see you again. You have spoken
|
|
of what I have done. What have I done?"
|
|
|
|
"What have you done! YOU ask that question of ME?"
|
|
|
|
"I ask it."
|
|
|
|
"I have kept your infamy a secret," she answered.
|
|
"And I have suffered the consequences of concealing it.
|
|
Have I no claim to be spared the insult of your asking me
|
|
what you have done? Is ALL sense of gratitude dead in you?
|
|
You were once a gentleman. You were once dear to my mother,
|
|
and dearer still to me----"
|
|
|
|
Her voice failed her. She dropped into a chair, and turned her back on me,
|
|
and covered her face with her hands.
|
|
|
|
I waited a little before I trusted myself to say any more.
|
|
In that moment of silence, I hardly know which I felt most keenly--
|
|
the sting which her contempt had planted in me, or the proud
|
|
resolution which shut me out from all community with
|
|
her distress.
|
|
|
|
"If you will not speak first," I said, "I must.
|
|
I have come here with something serious to say to you.
|
|
Will you do me the common justice of listening while I
|
|
say it?"
|
|
|
|
She neither moved, nor answered. I made no second appeal
|
|
to her; I never advanced an inch nearer to her chair.
|
|
With a pride which was as obstinate as her pride, I told her of my
|
|
discovery at the Shivering Sand, and of all that had led to it.
|
|
The narrative, of necessity, occupied some little time.
|
|
From beginning to end, she never looked round at me, and she never
|
|
uttered a word.
|
|
|
|
I kept my temper. My whole future depended, in all probability,
|
|
on my not losing possession of myself at that moment.
|
|
The time had come to put Mr. Bruff's theory to the test.
|
|
In the breathless interest of trying that experiment, I moved round
|
|
so as to place myself in front of her.
|
|
|
|
"I have a question to ask you," I said. "It obliges me to refer again
|
|
to a painful subject. Did Rosanna Spearman show you the nightgown.
|
|
Yes, or No?"
|
|
|
|
She started to her feet; and walked close up to me of her own accord.
|
|
Her eyes looked me searchingly in the face, as if to read something there
|
|
which they had never read yet.
|
|
|
|
"Are you mad?" she asked.
|
|
|
|
I still restrained myself. I said quietly, "Rachel, will you
|
|
answer my question?"
|
|
|
|
She went on, without heeding me.
|
|
|
|
"Have you some object to gain which I don't understand?
|
|
Some mean fear about the future, in which I am concerned?
|
|
They say your father's death has made you a rich man.
|
|
Have you come here to compensate me for the loss of my Diamond?
|
|
And have you heart enough left to feel ashamed of your errand?
|
|
Is THAT the secret of your pretence of innocence,
|
|
and your story about Rosanna Spearman? Is there
|
|
a motive of shame at the bottom of all the falsehood,
|
|
this time?"
|
|
|
|
I stopped her there. I could control myself no longer.
|
|
|
|
"You have done me an infamous wrong!" I broke out hotly.
|
|
"You suspect me of stealing your Diamond. I have a right to know,
|
|
and I WILL know, the reason why!"
|
|
|
|
"Suspect you!" she exclaimed, her anger rising with mine.
|
|
"YOU VILLAIN, I SAW YOU TAKE THE DIAMOND WITH MY OWN EYES!"
|
|
|
|
The revelation which burst upon me in those words, the overthrow
|
|
which they instantly accomplished of the whole view of
|
|
the case on which Mr. Bruff had relied, struck me helpless.
|
|
Innocent as I was, I stood before her in silence. To her eyes,
|
|
to any eyes, I must have looked like a man overwhelmed by the
|
|
discovery of his own guilt.
|
|
|
|
She drew back from the spectacle of my humiliation and of her triumph.
|
|
The sudden silence that had fallen upon me seemed to frighten her.
|
|
"I spared you, at the time," she said. "I would have spared
|
|
you now, if you had not forced me to speak." She moved away
|
|
as if to leave the room--and hesitated before she got to the door.
|
|
"Why did you come here to humiliate yourself?" she asked.
|
|
"Why did you come here to humiliate me?" She went on a few steps,
|
|
and paused once more. "For God's sake, say something!"
|
|
she exclaimed, passionately. "If you have any mercy left, don't let
|
|
me degrade myself in this way! Say something--and drive me out of
|
|
the room!"
|
|
|
|
I advanced towards her, hardly conscious of what I was doing.
|
|
I had possibly some confused idea of detaining her until she
|
|
had told me more. From the moment when I knew that the evidence
|
|
on which I stood condemned in Rachel's mind, was the evidence of
|
|
her own eyes, nothing--not even my conviction of my own innocence--
|
|
was clear to my mind. I took her by the hand; I tried to speak
|
|
firmly and to the purpose. All I could say was, "Rachel, you once
|
|
loved me."
|
|
|
|
She shuddered, and looked away from me. Her hand lay powerless
|
|
and trembling in mine. Let go of it," she said faintly.
|
|
|
|
My touch seemed to have the same effect on her which the sound
|
|
of my voice had produced when I first entered the room.
|
|
After she had said the word which called me a coward,
|
|
after she had made the avowal which branded me as a thief--
|
|
while her hand lay in mine I was her master still!
|
|
|
|
I drew her gently back into the middle of the room.
|
|
I seated her by the side of me. "Rachel," I said, "I can't
|
|
explain the contradiction in what I am going to tell you.
|
|
I can only speak the truth as you have spoken it. You saw me--
|
|
with your own eyes, you saw me take the Diamond. Before God who
|
|
hears us, I declare that I now know I took it for the first time!
|
|
Do you doubt me still?"
|
|
|
|
She had neither heeded nor heard me. "Let go of my hand,"
|
|
she repeated faintly. That was her only answer. Her head sank
|
|
on my shoulder; and her hand unconsciously closed on mine,
|
|
at the moment when she asked me to release it.
|
|
|
|
I refrained from pressing the question. But there my forbearance stopped.
|
|
My chance of ever holding up my head again among honest men depended
|
|
on my chance of inducing her to make her disclosure complete.
|
|
The one hope left for me was the hope that she might have overlooked
|
|
something in the chain of evidence some mere trifle, perhaps, which
|
|
might nevertheless, under careful investigation, be made the means of
|
|
vindicating my innocence in the end. I own I kept possession of her hand.
|
|
I own I spoke to her with all that I could summon back of the sympathy and
|
|
confidence of the bygone time.
|
|
|
|
"I want to ask you something," I said. "I want you to tell me everything
|
|
that happened, from the time when we wished each other good night,
|
|
to the time when you saw me take the Diamond."
|
|
|
|
She lifted her head from my shoulder, and made an effort to release her hand.
|
|
"Oh, why go back to it!" she said. "Why go back to it!"
|
|
|
|
"I will tell you why, Rachel. You are the victim, and I am the victim,
|
|
of some monstrous delusion which has worn the mask of truth.
|
|
If we look at what happened on the night of your birthday together,
|
|
we may end in understanding each other yet."
|
|
|
|
Her head dropped back on my shoulder. The tears gathered
|
|
in her eyes, and fell slowly over her cheeks. "Oh!" she said,
|
|
"have I never had that hope? Have I not tried to see it,
|
|
as you are trying now?"
|
|
|
|
"You have tried by yourself," I answered. "You have not tried
|
|
with me to help you."
|
|
|
|
Those words seemed to awaken in her something of the hope which I felt myself
|
|
when I uttered them. She replied to my questions with more than docility--
|
|
she exerted her intelligence; she willingly opened her whole mind to me.
|
|
|
|
"Let us begin," I said, "with what happened after we had wished
|
|
each other good night. Did you go to bed? or did you sit up?"
|
|
|
|
"I went to bed."
|
|
|
|
"Did you notice the time? Was it late?"
|
|
|
|
"Not very. About twelve o'clock, I think."
|
|
|
|
"Did you fall asleep?"
|
|
|
|
"No. I couldn't sleep that night."
|
|
|
|
"You were restless?"
|
|
|
|
"I was thinking of you."
|
|
|
|
The answer almost unmanned me. Something in the tone,
|
|
even more than in the words, went straight to my heart.
|
|
It was only after pausing a little first that I was able to
|
|
go on.
|
|
|
|
"Had you any light in your room?" I asked.
|
|
|
|
"None--until I got up again, and lit my candle."
|
|
|
|
"How long was that, after you had gone to bed?"
|
|
|
|
"About an hour after, I think. About one o'clock."
|
|
|
|
"Did you leave your bedroom?"
|
|
|
|
"I was going to leave it. I had put on my dressing-gown;
|
|
and I was going into my sitting-room to get a book----"
|
|
|
|
"Had you opened your bedroom door?"
|
|
|
|
"I had just opened it."
|
|
|
|
"But you had not gone into the sitting-room?"
|
|
|
|
"No--I was stopped from going into it."
|
|
|
|
"What stopped you?
|
|
|
|
"I saw a light, under the door; and I heard footsteps approaching it."
|
|
|
|
"Were you frightened?"
|
|
|
|
"Not then. I knew my poor mother was a bad sleeper;
|
|
and I remembered that she had tried hard, that evening,
|
|
to persuade me to let her take charge of my Diamond.
|
|
She was unreasonably anxious about it, as I thought;
|
|
and I fancied she was coming to me to see if I was in bed,
|
|
and to speak to me about the Diamond again, if she found that I
|
|
was up."
|
|
|
|
"What did you do?"
|
|
|
|
"I blew out my candle, so that she might think I was in bed.
|
|
I was unreasonable, on my side--I was determined to keep my Diamond
|
|
in the place of my own choosing."
|
|
|
|
"After blowing out the candle, did you go back to bed?"
|
|
|
|
"I had no time to go back. At the moment when I blew the candle out,
|
|
the sitting-room door opened, and I saw----"
|
|
|
|
"You saw?"
|
|
|
|
"You."
|
|
|
|
"Dressed as usual?"
|
|
|
|
"No."
|
|
|
|
"In my nightgown?"
|
|
|
|
"In your nightgown--with your bedroom candle in your hand."
|
|
|
|
"Alone?"
|
|
|
|
"Alone."
|
|
|
|
"Could you see my face?"
|
|
|
|
"Yes."
|
|
|
|
"Plainly?"
|
|
|
|
"Quite plainly. The candle in your hand showed it to me."
|
|
|
|
"Were my eyes open?"
|
|
|
|
"Yes."
|
|
|
|
"Did you notice anything strange in them? Anything like a fixed,
|
|
vacant expression?"
|
|
|
|
"Nothing of the sort. Your eyes were bright--brighter than usual.
|
|
You looked about in the room, as if you knew you were where you
|
|
ought not to be, and as if you were afraid of being found out."
|
|
|
|
"Did you observe one thing when I came into the room--
|
|
did you observe how I walked?"
|
|
|
|
"You walked as you always do. You came in as far as the middle of the room--
|
|
and then you stopped and looked about you."
|
|
|
|
"What did you do, on first seeing me?"
|
|
|
|
"I could do nothing. I was petrified. I couldn't speak,
|
|
I couldn't call out, I couldn't even move to shut my door."
|
|
|
|
"Could I see you, where you stood?"
|
|
|
|
"You might certainly have seen me. But you never looked towards me.
|
|
It's useless to ask the question. I am sure you never saw me."
|
|
|
|
"How are you sure?"
|
|
|
|
"Would you have taken the Diamond? would you have acted as you
|
|
did afterwards? would you be here now--if you had seen that I was
|
|
awake and looking at you? Don't make me talk of that part of it!
|
|
I want to answer you quietly. Help me to keep as calm as I can.
|
|
Go on to something else."
|
|
|
|
She was right--in every way, right. I went on to other things.
|
|
|
|
"What did I do, after I had got to the middle of the room,
|
|
and had stopped there?"
|
|
|
|
"You turned away, and went straight to the corner near the window--
|
|
where my Indian cabinet stands."
|
|
|
|
"When I was at the cabinet, my back must have been turned towards you.
|
|
How did you see what I was doing?"
|
|
|
|
"When you moved, I moved."
|
|
|
|
"So as to see what I was about with my hands?"
|
|
|
|
"There are three glasses in my sitting-room. As you stood there,
|
|
I saw all that you did, reflected in one of them."
|
|
|
|
"What did you see?"
|
|
|
|
"You put your candle on the top of the cabinet. You opened, and shut,
|
|
one drawer after another, until you came to the drawer in which I
|
|
had put my Diamond. You looked at the open drawer for a moment.
|
|
And then you put your hand in, and took the Diamond out."
|
|
|
|
"How do you know I took the Diamond out?"
|
|
|
|
"I saw your hand go into the drawer. And I saw the gleam of the stone
|
|
between your finger and thumb, when you took your hand out."
|
|
|
|
"Did my hand approach the drawer again--to close it, for instance?"
|
|
|
|
"No. You had the Diamond in your right hand; and you took the candle
|
|
from the top of the cabinet with your left hand."
|
|
|
|
"Did I look about me again, after that?"
|
|
|
|
"No."
|
|
|
|
"Did I leave the room immediately?"
|
|
|
|
"No. You stood quite still, for what seemed a long time.
|
|
I saw your face sideways in the glass. You looked like a
|
|
man thinking, and dissatisfied with his own thoughts."
|
|
|
|
"What happened next?"
|
|
|
|
"You roused yourself on a sudden, and you went straight out of the room."
|
|
|
|
"Did I close the door after me?"
|
|
|
|
"No. You passed out quickly into the passage, and left the door open."
|
|
|
|
"And then?"
|
|
|
|
"Then, your light disappeared, and the sound of your steps died away,
|
|
and I was left alone in the dark."
|
|
|
|
"Did nothing happen--from that time, to the time when the whole
|
|
house knew that the Diamond was lost?"
|
|
|
|
"Nothing."
|
|
|
|
"Are you sure of that? Might you not have been asleep a part of the time?"
|
|
|
|
"I never slept. I never went back to my bed. Nothing happened
|
|
until Penelope came in, at the usual time in the morning."
|
|
|
|
I dropped her hand, and rose, and took a turn in the room.
|
|
Every question that I could put had been answered.
|
|
Every detail that I could desire to know had been placed before me.
|
|
I had even reverted to the idea of sleep-walking, and the idea
|
|
of intoxication; and, again, the worthlessness of the one theory
|
|
and the other had been proved--on the authority, this time,
|
|
of the witness who had seen me. What was to be said next? what
|
|
was to be done next? There rose the horrible fact of the Theft--
|
|
the one visible, tangible object that confronted me, in the midst
|
|
of the impenetrable darkness which enveloped all besides!
|
|
Not a glimpse of light to guide me, when I had possessed
|
|
myself of Rosanna Spearman's secret at the Shivering Sand.
|
|
And not a glimpse of light now, when I had appealed to
|
|
Rachel herself, and had heard the hateful story of the night
|
|
from her own lips.
|
|
|
|
She was the first, this time, to break the silence.
|
|
|
|
"Well?" she said, "you have asked, and I have answered.
|
|
You have made me hope something from all this, because you hoped
|
|
something from it. What have you to say now?"
|
|
|
|
The tone in which she spoke warned me that my influence over her was a lost
|
|
influence once more.
|
|
|
|
"We were to look at what happened on my birthday night, together,"
|
|
she went an; "and we were then to understand each other.
|
|
Have we done that?"
|
|
|
|
She waited pitilessly for my reply. In answering her I committed
|
|
a fatal error--I let the exasperating helplessness of my situation
|
|
get the better of my self-control. Rashly and uselessly, I reproached
|
|
her for the silence which had kept me until that moment in ignorance
|
|
of the truth.
|
|
|
|
"If you had spoken when you ought to have spoken," I began;
|
|
"if you had done me the common justice to explain yourself----"
|
|
|
|
She broke in on me with a cry of fury. The few words I had said
|
|
seemed to have lashed her on the instant into a frenzy of rage.
|
|
|
|
"Explain myself!" she repeated. "Oh! is there another man like this
|
|
in the world? I spare him, when my heart is breaking; I screen him
|
|
when my own character is at stake; and HE--of all human beings, HE--
|
|
turns on me now, and tells me that I ought to have explained myself!
|
|
After believing in him as I did, after loving him as I did,
|
|
after thinking of him by day, and dreaming of him by night--
|
|
he wonders I didn't charge him with his disgrace the first time we met:
|
|
"My heart's darling, you are a Thief! My hero whom I love
|
|
and honour, you have crept into my room under cover of the night,
|
|
and stolen my Diamond!" That is what I ought to have said.
|
|
You villain, you mean, mean, mean villain, I would have lost
|
|
fifty diamonds, rather than see your face lying to me, as I see it
|
|
lying now!"
|
|
|
|
I took up my hat. In mercy to HER--yes! I can honestly say it--
|
|
in mercy to HER, I turned away without a word, and opened the door
|
|
by which I had entered the room.
|
|
|
|
She followed, and snatched the door out of my hand; she closed it,
|
|
and pointed back to the place that I had left.
|
|
|
|
"No!" she said. "Not yet! It seems that I owe a justification
|
|
of my conduct to you. You shall stay and hear it. Or you shall
|
|
stoop to the lowest infamy of all, and force your way out."
|
|
|
|
It wrung my heart to see her; it wrung my heart to hear her.
|
|
I answered by a sign--it was all I could do--that I submitted myself
|
|
to her will.
|
|
|
|
The crimson flush of anger began to fade out of her face, as I went back,
|
|
and took my chair in silence. She waited a little, and steadied herself.
|
|
When she went on, but one sign of feeling was discernible in her.
|
|
She spoke without looking at me. Her hands were fast clasped in her lap,
|
|
and her eyes were fixed on the ground.
|
|
|
|
"I ought to have done you the common justice to explain myself,"
|
|
she said, repeating my own words. "You shall see whether I did try
|
|
to do you justice, or not. I told you just now that I never slept,
|
|
and never returned to my bed, after you had left my sitting-room.
|
|
It's useless to trouble you by dwelling on what I thought--
|
|
you would not understand my thoughts--I will only tell you what I did,
|
|
when time enough had passed to help me to recover myself.
|
|
I refrained from alarming the house, and telling everybody
|
|
what had happened--as I ought to have done. In spite of what I
|
|
had seen, I was fond enough of you to believe--no matter what!--
|
|
any impossibility, rather than admit it to my own mind that you were
|
|
deliberately a thief. I thought and thought--and I ended in writing
|
|
to you."
|
|
|
|
"I never received the letter."
|
|
|
|
"I know you never received it. Wait a little, and you shall hear why.
|
|
My letter would have told you nothing openly. It would not have ruined
|
|
you for life, if it had fallen into some other person's hands.
|
|
It would only have said--in a manner which you yourself could not
|
|
possibly have mistaken--that I had reason to know you were in debt,
|
|
and that it was in my experience and in my mother's experience of you,
|
|
that you were not very discreet, or very scrupulous about how you
|
|
got money when you wanted it. You would have remembered the visit
|
|
of the French lawyer, and you would have known what I referred to.
|
|
If you had read on with some interest after that, you would
|
|
have come to an offer I had to make to you--the offer, privately
|
|
(not a word, mind, to be said openly about it between us!), of
|
|
the loan of as large a sum of money as I could get.--And I would
|
|
have got it!" she exclaimed, her colour beginning to rise again,
|
|
and her eyes looking up at me once more. "I would have pledged
|
|
the Diamond myself, if I could have got the money in no other way!
|
|
In those words I wrote to you. Wait! I did more than that.
|
|
I arranged with Penelope to give you the letter when nobody
|
|
was near. I planned to shut myself into my bedroom, and to
|
|
have the sitting-room left open and empty all the morning.
|
|
And I hoped--with all my heart and soul I hoped!--that you would
|
|
take the opportunity, and put the Diamond back secretly in
|
|
the drawer."
|
|
|
|
I attempted to speak. She lifted her hand impatiently, and stopped me.
|
|
In the rapid alternations of her temper, her anger was beginning to
|
|
rise again. She got up from her chair, and approached me.
|
|
|
|
"I know what you are going to say," she went on. "You are
|
|
going to remind me again that you never received my letter.
|
|
I can tell you why. I tore it up.
|
|
|
|
"For what reason?" I asked.
|
|
|
|
"For the best of reasons. I preferred tearing it up to throwing it
|
|
away upon such a man as you! What was the first news that reached me
|
|
in the morning? Just as my little plan was complete, what did I hear?
|
|
I heard that you--you!!!--were the foremost person in the house
|
|
in fetching the police. You were the active man; you were the leader;
|
|
you were working harder than any of them to recover the jewel!
|
|
You even carried your audacity far enough to ask to speak to ME
|
|
about the loss of the Diamond--the Diamond which you yourself
|
|
had stolen; the Diamond which was all the time in your own hands!
|
|
After that proof of your horrible falseness and cunning, I tore up
|
|
my letter. But even then--even when I was maddened by the searching
|
|
and questioning of the policeman, whom you had sent in--even then,
|
|
there was some infatuation in my mind which wouldn't let me give you up.
|
|
I said to myself, "He has played his vile farce before everybody
|
|
else in the house. Let me try if he can play it before me."
|
|
Somebody told me you were on the terrace. I went down to the terrace.
|
|
I forced myself to look at you; I forced myself to speak to you.
|
|
Have you forgotten what I said?"
|
|
|
|
I might have answered that I remembered every word of it.
|
|
But what purpose, at that moment, would the answer have served?
|
|
|
|
How could I tell her that what she had said had astonished me,
|
|
had distressed me, had suggested to me that she was in a state of dangerous
|
|
nervous excitement, had even roused a moment's doubt in my mind whether
|
|
the loss of the jewel was as much a mystery to her as to the rest of us--
|
|
but had never once given me so much as a glimpse at the truth?
|
|
Without the shadow of a proof to produce in vindication of my innocence,
|
|
how could I persuade her that I knew no more than the veriest stranger
|
|
could have known of what was really in her thoughts when she spoke to me on
|
|
the terrace?
|
|
|
|
"It may suit your convenience to forget; it suits my
|
|
convenience to remember," she went on. "I know what I said--
|
|
for I considered it with myself, before I said it.
|
|
I gave you one opportunity after another of owning the truth.
|
|
I left nothing unsaid that I COULD say--short of actually
|
|
telling you that I knew you had committed the theft.
|
|
And all the return you made, was to look at me with your vile
|
|
pretence of astonishment, and your false face of innocence--
|
|
just as you have looked at me to-day; just as you are looking
|
|
at me now! I left you, that morning, knowing you at last for
|
|
what you were--for what you are--as base a wretch as ever walked
|
|
the earth!"
|
|
|
|
"If you had spoken out at the time, you might have left me,
|
|
Rachel, knowing that you had cruelly wronged an innocent man."
|
|
|
|
"If I had spoken out before other people," she retorted, with another
|
|
burst of indignation, "you would have been disgraced for life!
|
|
If I had spoken out to no ears but yours, you would have denied it,
|
|
as you are denying it now! Do you think I should have believed you?
|
|
Would a man hesitate at a lie, who had done what I saw YOU do--
|
|
who had behaved about it afterwards, as I saw YOU behave?
|
|
I tell you again, I shrank from the horror of hearing you lie,
|
|
after the horror of seeing you thieve. You talk as if this
|
|
was a misunderstanding which a few words might have set right!
|
|
Well! the misunderstanding is at an end. Is the thing set right?
|
|
No! the thing is just where it was. I don't believe you NOW!
|
|
I don't believe you found the nightgown, I don't believe in
|
|
Rosanna Spearman's letter, I don't believe a word you have said.
|
|
You stole it--I saw you! You affected to help the police--
|
|
I saw you! You pledged the Diamond to the money-lender in London--
|
|
I am sure of it! You cast the suspicion of your disgrace
|
|
(thanks to my base silence!) on an innocent man!
|
|
You fled to the Continent with your plunder the next morning!
|
|
After all that vileness, there was but one thing more you COULD do.
|
|
You could come here with a last falsehood on your lips--
|
|
you could come here, and tell me that I have wronged
|
|
you!"
|
|
|
|
If I had stayed a moment more, I know not what words might have escaped
|
|
me which I should have remembered with vain repentance and regret.
|
|
I passed by her, and opened the door for the second time.
|
|
For the second time--with the frantic perversity of a roused woman--
|
|
she caught me by the arm, and barred my way out.
|
|
|
|
"Let me go, Rachel" I said. "It will be better for both of us.
|
|
Let me go."
|
|
|
|
The hysterical passion swelled in her bosom--her quickened convulsive
|
|
breathing almost beat on my face, as she held me back at the door.
|
|
|
|
"Why did you come here?" she persisted, desperately. "I ask you again--
|
|
why did you come here? Are you afraid I shall expose you?
|
|
Now you are a rich man, now you have got a place in the world,
|
|
now you may marry the best lady in the land--are you afraid I shall
|
|
say the words which I have never said yet to anybody but you?
|
|
I can't say the words! I can't expose you! I am worse, if worse
|
|
can be, than you are yourself." Sobs and tears burst from her.
|
|
She struggled with them fiercely; she held me more and more firmly.
|
|
"I can't tear you out of my heart," she said, "even now!
|
|
You may trust in the shameful, shameful weakness which can only
|
|
struggle against you in this way!" She suddenly let go of me--
|
|
she threw up her hands, and wrung them frantically in the air.
|
|
"Any other woman living would shrink from the disgrace of touching him!"
|
|
she exclaimed. "Oh, God! I despise myself even more heartily than I
|
|
despise HIM!"
|
|
|
|
The tears were forcing their way into my eyes in spite of me--
|
|
the horror of it was to be endured no longer.
|
|
|
|
"You shall know that you have wronged me, yet," I said.
|
|
"Or you shall never see me again!"
|
|
|
|
With those words, I left her. She started up from the chair
|
|
on which she had dropped the moment before: she started up--
|
|
the noble creature!--and followed me across the outer room,
|
|
with a last merciful word at parting.
|
|
|
|
"Franklin!" she said, "I forgive you! Oh, Franklin, Franklin! we
|
|
shall never meet again. Say you forgive ME!"
|
|
|
|
I turned, so as to let my face show her that I was past speaking--
|
|
I turned, and waved my hand, and saw her dimly, as in a vision,
|
|
through the tears that had conquered me at last.
|
|
|
|
The next moment, the worst bitterness of it was over.
|
|
I was out in the garden again. I saw her, and heard her,
|
|
no more.
|
|
|
|
|
|
|
|
CHAPTER VIII
|
|
|
|
|
|
Late that evening, I was surprised at my lodgings by a visit from Mr. Bruff.
|
|
|
|
There was a noticeable change in the lawyer's manner.
|
|
It had lost its usual confidence and spirit. He shook hands with me,
|
|
for the first time in his life, in silence.
|
|
|
|
"Are you going back to Hampstead?" I asked, by way of saying something.
|
|
|
|
"I have just left Hampstead," he answered. "I know, Mr. Franklin,
|
|
that you have got at the truth at last. But, I tell you plainly,
|
|
if I could have foreseen the price that was to be paid for it,
|
|
I should have preferred leaving you in the dark."
|
|
|
|
"You have seen Rachel?"
|
|
|
|
"I have come here after taking her back to Portland Place;
|
|
it was impossible to let her return in the carriage by herself.
|
|
I can hardly hold you responsible--considering that you
|
|
saw her in my house and by my permission--for the shock
|
|
that this unlucky interview has inflicted on her.
|
|
All I can do is to provide against a repetition of the mischief.
|
|
She is young--she has a resolute spirit--she will get over this,
|
|
with time and rest to help her. I want to be assured that you
|
|
will do nothing to hinder her recovery. May I depend on your
|
|
making no second attempt to see her--except with my sanction
|
|
and approval?"
|
|
|
|
"After what she has suffered, and after what I have suffered,"
|
|
I said, "you may rely on me."
|
|
|
|
"I have your promise?"
|
|
|
|
"You have my promise."
|
|
|
|
Mr. Bruff looked relieved. He put down his hat, and drew his chair
|
|
nearer to mine.
|
|
|
|
"That's settled!" he said. "Now, about the future--your future, I mean.
|
|
To my mind, the result of the extraordinary turn which the matter has
|
|
now taken is briefly this. In the first place, we are sure that Rachel
|
|
has told you the whole truth, as plainly as words can tell it.
|
|
In the second place--though we know that there must be some dreadful
|
|
mistake somewhere--we can hardly blame her for believing you to be guilty,
|
|
on the evidence of her own senses; backed, as that evidence has been,
|
|
by circumstances which appear, on the face of them, to tell dead
|
|
against you."
|
|
|
|
There I interposed. "I don't blame Rachel," I said.
|
|
"I only regret that she could not prevail on herself to speak more
|
|
plainly to me at the time."
|
|
|
|
"You might as well regret that Rachel is not somebody else,"
|
|
rejoined Mr. Bruff. "And even then, I doubt if a girl
|
|
of any delicacy, whose heart had been set on marrying you,
|
|
could have brought herself to charge you to your face with being
|
|
a thief. Anyhow, it was not in Rachel's nature to do it.
|
|
In a very different matter to this matter of yours--
|
|
which placed her, however, in a position not altogether
|
|
unlike her position towards you--I happen to know that she
|
|
was influenced by a similar motive to the motive which actuated
|
|
her conduct in your case. Besides, as she told me herself,
|
|
on our way to town this evening, if she had spoken plainly,
|
|
she would no more have believed your denial then than she
|
|
believes it now. What answer can you make to that?
|
|
There is no answer to be made to it. Come, come, Mr. Franklin!
|
|
my view of the case has been proved to be all wrong, I admit--
|
|
but, as things are now, my advice may be worth having for all that.
|
|
I tell you plainly, we shall be wasting our time, and cudgelling
|
|
our brains to no purpose, if we attempt to try back,
|
|
and unravel this frightful complication from the beginning.
|
|
Let us close our minds resolutely to all that happened last year
|
|
at Lady Verinder's country house; and let us look to what we CAN
|
|
discover in the future, instead of to what we can NOT discover in
|
|
the past."
|
|
|
|
"Surely you forget," I said, "that the whole thing is essentially
|
|
a matter of the past--so far as I am concerned?"
|
|
|
|
"Answer me this," retorted Mr. Bruff. "Is the Moonstone at the bottom
|
|
of all the mischief--or is it not?"
|
|
|
|
"It is--of course."
|
|
|
|
"Very good. What do we believe was done with the Moonstone,
|
|
when it was taken to London?"
|
|
|
|
"It was pledged to Mr. Luker."
|
|
|
|
"We know that you are not the person who pledged it.
|
|
Do we know who did?"
|
|
|
|
"No."
|
|
|
|
"Where do we believe the Moonstone to be now?"
|
|
|
|
"Deposited in the keeping of Mr. Luker's bankers."
|
|
|
|
"Exactly. Now observe. We are already in the month of June.
|
|
Towards the end of the month (I can't be particular to a day)
|
|
a year will have elapsed from the time when we believe the jewel
|
|
to have been pledged. There is a chance--to say the least--
|
|
that the person who pawned it, may be prepared to redeem
|
|
it when the year's time has expired. If he redeems it,
|
|
Mr. Luker must himself--according to the terms of his
|
|
own arrangement--take the Diamond out of his banker's hands.
|
|
Under these circumstances, I propose setting a watch at the bank,
|
|
as the present month draws to an end, and discovering who the
|
|
person is to whom Mr. Luker restores the Moonstone. Do you see
|
|
it now?"
|
|
|
|
I admitted (a little unwillingly) that the idea was a new one,
|
|
at any rate.
|
|
|
|
"It's Mr. Murthwaite's idea quite as much as mine,"
|
|
said Mr. Bruff. "It might have never entered my head,
|
|
but for a conversation we had together some time since.
|
|
If Mr. Murthwaite is right, the Indians are likely to be on
|
|
the lookout at the bank, towards the end of the month too--
|
|
and something serious may come of it. What comes of it
|
|
doesn't matter to you and me except as it may help us to lay
|
|
our hands on the mysterious Somebody who pawned the Diamond.
|
|
That person, you may rely on it, is responsible (I don't
|
|
pretend to know how) for the position in which you stand
|
|
at this moment; and that person alone can set you right in
|
|
Rachel's estimation."
|
|
|
|
"I can't deny," I said, "that the plan you propose meets the difficulty
|
|
in a way that is very daring, and very ingenious, and very new. But----"
|
|
|
|
"But you have an objection to make?"
|
|
|
|
"Yes. My objection is, that your proposal obliges us to wait."
|
|
|
|
"Granted. As I reckon the time, it requires you to wait about a fortnight--
|
|
more or less. Is that so very long?"
|
|
|
|
"It's a life-time, Mr. Bruff, in such a situation as mine.
|
|
My existence will be simply unendurable to me, unless I do something
|
|
towards clearing my character at once."
|
|
|
|
"Well, well, I understand that. Have you thought yet of what you can do?"
|
|
|
|
"I have thought of consulting Sergeant Cuff."
|
|
|
|
"He has retired from the police. It's useless to expect the Sergeant
|
|
to help you."
|
|
|
|
"I know where to find him; and I can but try."
|
|
|
|
"Try," said Mr. Bruff, after a moment's consideration.
|
|
"The case has assumed such an extraordinary aspect since Sergeant
|
|
Cuff's time, that you may revive his interest in the inquiry.
|
|
Try, and let me hear the result. In the meanwhile,"
|
|
he continued, rising, "if you make no discoveries between this,
|
|
and the end of the month, am I free to try, on my side, what can be
|
|
done by keeping a lookout at the bank?"
|
|
|
|
"Certainly," I answered--"unless I relieve you of all necessity
|
|
for trying the experiment in the interval."
|
|
|
|
Mr. Bruff smiled, and took up his hat.
|
|
|
|
"Tell Sergeant Cuff," he rejoined, "that I say the discovery of the truth
|
|
depends on the discovery of the person who pawned the Diamond.
|
|
And let me hear what the Sergeant's experience says to that."
|
|
|
|
So we parted.
|
|
|
|
Early the next morning, I set forth for the little town of Dorking--
|
|
the place of Sergeant Cuff's retirement, as indicated to me by Betteredge.
|
|
|
|
Inquiring at the hotel, I received the necessary directions
|
|
for finding the Sergeant's cottage. It was approached
|
|
by a quiet bye-road, a little way out of the town, and it
|
|
stood snugly in the middle of its own plot of garden ground,
|
|
protected by a good brick wall at the back and the sides,
|
|
and by a high quickset hedge in front. The gate, ornamented at
|
|
the upper part by smartly-painted trellis-work, was locked.
|
|
After ringing at the bell, I peered through the trellis-work,
|
|
and saw the great Cuff's favourite flower everywhere; blooming in
|
|
his garden, clustering over his door, looking in at his windows.
|
|
Far from the crimes and the mysteries of the great city,
|
|
the illustrious thief-taker was placidly living out the last Sybarite
|
|
years of his life, smothered in roses!
|
|
|
|
A decent elderly woman opened the gate to me, and at once annihilated
|
|
all the hopes I had built on securing the assistance of Sergeant Cuff.
|
|
He had started, only the day before, on a journey to Ireland.
|
|
|
|
"Has he gone there on business?" I asked.
|
|
|
|
The woman smiled. "He has only one business now, sir," she said;
|
|
"and that's roses. Some great man's gardener in Ireland has found
|
|
out something new in the growing of roses--and Mr. Cuff's away to
|
|
inquire into it."
|
|
|
|
"Do you know when he will be back?"
|
|
|
|
"It's quite uncertain, sir. Mr. Cuff said he should come
|
|
back directly, or be away some time, just according as he found
|
|
the new discovery worth nothing, or worth looking into.
|
|
If you have any message to leave for him, I'll take care, sir,
|
|
that he gets it."
|
|
|
|
I gave her my card, having first written on it in pencil:
|
|
"I have something to say about the Moonstone. Let me hear from
|
|
you as soon as you get back." That done, there was nothing left
|
|
but to submit to circumstances, and return to London.
|
|
|
|
In the irritable condition of my mind, at the time of which I am
|
|
now writing, the abortive result of my journey to the Sergeant's cottage
|
|
simply aggravated the restless impulse in me to be doing something.
|
|
On the day of my return from Dorking, I determined that the next
|
|
morning should find me bent on a new effort at forcing my way,
|
|
through all obstacles, from the darkness to the light.
|
|
|
|
What form was my next experiment to take?
|
|
|
|
If the excellent Betteredge had been present while I was
|
|
considering that question, and if he had been let into the secret
|
|
of my thoughts, he would, no doubt, have declared that the
|
|
German side of me was, on this occasion, my uppermost side.
|
|
To speak seriously, it is perhaps possible that my German
|
|
training was in some degree responsible for the labyrinth
|
|
of useless speculations in which I now involved myself.
|
|
For the greater part of the night, I sat smoking, and building
|
|
up theories, one more profoundly improbable than another.
|
|
When I did get to sleep, my waking fancies pursued me in dreams.
|
|
I rose the next morning, with Objective-Subjective and
|
|
Subjective-Objective inextricably entangled together in my mind;
|
|
and I began the day which was to witness my next effort
|
|
at practical action of some kind, by doubting whether I
|
|
had any sort of right (on purely philosophical grounds)
|
|
to consider any sort of thing (the Diamond included) as existing
|
|
at all.
|
|
|
|
How long I might have remained lost in the mist of my own metaphysics,
|
|
if I had been left to extricate myself, it is impossible for me to say.
|
|
As the event proved, accident came to my rescue, and happily delivered me.
|
|
I happened to wear, that morning, the same coat which I had worn on the day of
|
|
my interview with Rachel. Searching for something else in one of the pockets,
|
|
I came upon a crumpled piece of paper, and, taking it out, found Betteredge's
|
|
forgotten letter in my hand.
|
|
|
|
It seemed hard on my good old friend to leave him without a reply.
|
|
I went to my writing-table, and read his letter again.
|
|
|
|
A letter which has nothing of the slightest importance in it,
|
|
is not always an easy letter to answer. Betteredge's present
|
|
effort at corresponding with me came within this category.
|
|
Mr. Candy's assistant, otherwise Ezra Jennings, had told
|
|
his master that he had seen me; and Mr. Candy, in his turn,
|
|
wanted to see me and say something to me, when I was next in
|
|
the neighbourhood of Frizinghall. What was to be said in answer
|
|
to that, which would be worth the paper it was written on?
|
|
I sat idly drawing likenesses from memory of Mr. Candy's
|
|
remarkable-looking assistant, on the sheet of paper which I
|
|
had vowed to dedicate to Betteredge--until it suddenly
|
|
occurred to me that here was the irrepressible Ezra Jennings
|
|
getting in my way again! I threw a dozen portraits, at least,
|
|
of the man with the piebald hair (the hair in every case,
|
|
remarkably like), into the waste-paper basket--and then
|
|
and there, wrote my answer to Betteredge. It was a perfectly
|
|
commonplace letter--but it had one excellent effect on me.
|
|
The effort of writing a few sentences, in plain English,
|
|
completely cleared my mind of the cloudy nonsense which had filled
|
|
it since the previous day.
|
|
|
|
Devoting myself once more to the elucidation of the impenetrable
|
|
puzzle which my own position presented to me, I now tried to meet
|
|
the difficulty by investigating it from a plainly practical point of view.
|
|
The events of the memorable night being still unintelligible to me,
|
|
I looked a little farther back, and searched my memory of the earlier
|
|
hours of the birthday for any incident which might prove of some
|
|
assistance to me in finding the clue.
|
|
|
|
Had anything happened while Rachel and I were finishing the painted
|
|
door? or, later, when I rode over to Frizinghall? or afterwards,
|
|
when I went back with Godfrey Ablewhite and his sisters? or,
|
|
later again, when I put the Moonstone into Rachel's hands? or,
|
|
later still, when the company came, and we all assembled
|
|
round the dinner-table? My memory disposed of that string
|
|
of questions readily enough, until I came to the last.
|
|
Looking back at the social event of the birthday dinner, I found
|
|
myself brought to a standstill at the outset of the inquiry.
|
|
I was not even capable of accurately remembering the number of the
|
|
guests who had sat at the same table with me.
|
|
|
|
To feel myself completely at fault here, and to conclude, thereupon,
|
|
that the incidents of the dinner might especially repay the trouble of
|
|
investigating them, formed parts of the same mental process, in my case.
|
|
I believe other people, in a similar situation, would have reasoned as I did.
|
|
When the pursuit of our own interests causes us to become objects of
|
|
inquiry to ourselves, we are naturally suspicious of what we don't know.
|
|
Once in possession of the names of the persons who had been present at
|
|
the dinner, I resolved--as a means of enriching the deficient resources
|
|
of my own memory--to appeal to the memory of the rest of the guests;
|
|
to write down all that they could recollect of the social events of
|
|
the birthday; and to test the result, thus obtained, by the light of what had
|
|
happened afterwards, when the company had left the house.
|
|
|
|
This last and newest of my many contemplated experiments in the art
|
|
of inquiry--which Betteredge would probably have attributed to the
|
|
clear-headed, or French, side of me being uppermost for the moment--
|
|
may fairly claim record here, on its own merits. Unlikely as it may seem,
|
|
I had now actually groped my way to the root of the matter at last.
|
|
All I wanted was a hint to guide me in the right direction at starting.
|
|
Before another day had passed over my head, that hint was given me by one of
|
|
the company who had been present at the birthday feast!
|
|
|
|
|
|
|
|
With the plan of proceeding which I now had in view, it was
|
|
first necessary to possess the complete list of the guests.
|
|
This I could easily obtain from Gabriel Betteredge.
|
|
I determined to go back to Yorkshire on that day, and to begin
|
|
my contemplated investigation the next morning.
|
|
|
|
It was just too late to start by the train which left London before noon.
|
|
There was no alternative but to wait, nearly three hours, for the departure
|
|
of the next train. Was there anything I could do in London, which might
|
|
usefully occupy this interval of time?
|
|
|
|
My thoughts went back again obstinately to the birthday dinner.
|
|
|
|
Though I had forgotten the numbers, and, in many cases,
|
|
the names of the guests, I remembered readily enough that by far
|
|
the larger proportion of them came from Frizinghall, or from
|
|
its neighbourhood. But the larger proportion was not all.
|
|
Some few of us were not regular residents in the country.
|
|
I myself was one of the few. Mr. Murthwaite was another.
|
|
Godfrey Ablewhite was a third. Mr. Bruff--no: I called to mind
|
|
that business had prevented Mr. Bruff from making one of the party.
|
|
Had any ladies been present, whose usual residence was in London?
|
|
I could only remember Miss Clack as coming within this
|
|
latter category. However, here were three of the guests,
|
|
at any rate, whom it was clearly advisable for me to see
|
|
before I left town. I drove off at once to Mr. Bruff's office;
|
|
not knowing the addresses of the persons of whom I was in search,
|
|
and thinking it probable that he might put me in the way of finding
|
|
them.
|
|
|
|
Mr. Bruff proved to be too busy to give me more than a minute of his
|
|
valuable time. In that minute, however, he contrived to dispose--
|
|
in the most discouraging manner--of all the questions I had to put
|
|
to him.
|
|
|
|
In the first place, he considered my newly-discovered method of finding a clue
|
|
to the mystery as something too purely fanciful to be seriously discussed.
|
|
In the second, third, and fourth places, Mr. Murthwaite was now on his way
|
|
back to the scene of his past adventures; Miss Clack had suffered losses,
|
|
and had settled, from motives of economy, in France; Mr. Godfrey
|
|
Ablewhite might, or might not, be discoverable somewhere in London.
|
|
Suppose I inquired at his club? And suppose I excused Mr. Bruff, if he went
|
|
back to his business and wished me good morning?
|
|
|
|
The field of inquiry in London, being now so narrowed as only
|
|
to include the one necessity of discovering Godfrey's address,
|
|
I took the lawyer's hint, and drove to his club.
|
|
|
|
In the hall, I met with one of the members, who was an old friend
|
|
of my cousin's, and who was also an acquaintance of my own.
|
|
This gentleman, after enlightening me on the subject of
|
|
Godfrey's address, told me of two recent events in his life,
|
|
which were of some importance in themselves, and which had not
|
|
previously reached my ears.
|
|
|
|
It appeared that Godfrey, far from being discouraged by Rachel's
|
|
withdrawal from her engagement to him had made matrimonial advances
|
|
soon afterwards to another young lady, reputed to be a great heiress.
|
|
His suit had prospered, and his marriage had been considered
|
|
as a settled and certain thing. But, here again, the engagement
|
|
had been suddenly and unexpectedly broken off--owing, it was said,
|
|
on this occasion, to a serious difference of opinion between the
|
|
bridegroom and the lady's father, on the question of settlements.
|
|
|
|
As some compensation for this second matrimonial disaster,
|
|
Godfrey had soon afterwards found himself the object of fond
|
|
pecuniary remembrance, on the part of one of his many admirers.
|
|
A rich old lady--highly respected at the Mothers'
|
|
Small-Clothes-Conversion-Society, and a great friend of
|
|
Miss Clack's (to whom she left nothing but a mourning ring)--
|
|
had bequeathed to the admirable and meritorious Godfrey
|
|
a legacy of five thousand pounds. After receiving this
|
|
handsome addition to his own modest pecuniary resources,
|
|
he had been heard to say that he felt the necessity
|
|
of getting a little respite from his charitable labours,
|
|
and that his doctor prescribed "a run on the Continent,
|
|
as likely to be productive of much future benefit to his health."
|
|
If I wanted to see him, it would be advisable to lose no time in
|
|
paying my contemplated visit.
|
|
|
|
I went, then and there, to pay my visit.
|
|
|
|
The same fatality which had made me just one day too late in calling
|
|
on Sergeant Cuff, made me again one day too late in calling on Godfrey.
|
|
He had left London, on the previous morning, by the tidal train, for Dover.
|
|
He was to cross to Ostend; and his servant believed he was going on
|
|
to Brussels. The time of his return was rather uncertain; but I might be sure
|
|
he would be away at least three months.
|
|
|
|
I went back to my lodgings a little depressed in spirits.
|
|
Three of the guests at the birthday dinner--and those three
|
|
all exceptionally intelligent people--were out of my reach,
|
|
at the very time when it was most important to be able to
|
|
communicate with them. My last hopes now rested on Betteredge,
|
|
and on the friends of the late Lady Verinder whom I might still
|
|
find living in the neighbourhood of Rachel's country house.
|
|
|
|
|
|
|
|
On this occasion, I travelled straight to Frizinghall--
|
|
the town being now the central point in my field of inquiry.
|
|
I arrived too late in the evening to be able to communicate
|
|
with Betteredge. The next morning, I sent a messenger
|
|
with a letter, requesting him to join me at the hotel, at his
|
|
earliest convenience.
|
|
|
|
Having taken the precaution--partly to save time, partly to
|
|
accommodate Betteredge--of sending my messenger in a fly, I had
|
|
a reasonable prospect, if no delays occurred, of seeing the old man
|
|
within less than two hours from the time when I had sent for him.
|
|
During this interval, I arranged to employ myself in opening my
|
|
contemplated inquiry, among the guests present at the birthday dinner
|
|
who were personally known to me, and who were easily within my reach.
|
|
These were my relatives, the Ablewhites, and Mr. Candy.
|
|
The doctor had expressed a special wish to see me, and the doctor
|
|
lived in the next street. So to Mr. Candy I went first.
|
|
|
|
After what Betteredge had told me, I naturally anticipated finding traces
|
|
in the doctor's face of the severe illness from which he had suffered.
|
|
But I was utterly unprepared for such a change as I saw in him when
|
|
he entered the room and shook hands with me. His eyes were dim; his hair
|
|
had turned completely grey; his face was wizen; his figure had shrunk.
|
|
I looked at the once lively, rattlepated, humorous little doctor--
|
|
associated in my remembrance with the perpetration of incorrigible
|
|
social indiscretions and innumerable boyish jokes--and I saw nothing
|
|
left of his former self, but the old tendency to vulgar smartness
|
|
in his dress. The man was a wreck; but his clothes and his jewellery--
|
|
in cruel mockery of the change in him--were as gay and as gaudy
|
|
as ever.
|
|
|
|
"I have often thought of you, Mr. Blake," he said; "and I am heartily
|
|
glad to see you again at last. If there is anything I can do for you,
|
|
pray command my services, sir--pray command my services!"
|
|
|
|
He said those few commonplace words with needless hurry and eagerness,
|
|
and with a curiosity to know what had brought me to Yorkshire,
|
|
which he was perfectly--I might say childishly--incapable of concealing
|
|
from notice.
|
|
|
|
With the object that I had in view, I had of course foreseen
|
|
the necessity of entering into some sort of personal explanation,
|
|
before I could hope to interest people, mostly strangers to me,
|
|
in doing their best to assist my inquiry. On the journey
|
|
to Frizinghall I had arranged what my explanation was to be--
|
|
and I seized the opportunity now offered to me of trying the effect
|
|
of it on Mr. Candy.
|
|
|
|
"I was in Yorkshire, the other day, and I am in Yorkshire again now,
|
|
on rather a romantic errand," I said. "It is a matter, Mr. Candy,
|
|
in which the late Lady Verinder's friends all took some interest.
|
|
You remember the mysterious loss of the Indian Diamond, now nearly
|
|
a year since? Circumstances have lately happened which lead
|
|
to the hope that it may yet be found--and I am interesting myself,
|
|
as one of the family, in recovering it. Among the obstacles
|
|
in my way, there is the necessity of collecting again all the
|
|
evidence which was discovered at the time, and more if possible.
|
|
There are peculiarities in this case which make it desirable
|
|
to revive my recollection of everything that happened in the house,
|
|
on the evening of Miss Verinder's birthday. And I venture to appeal
|
|
to her late mother's friends who were present on that occasion,
|
|
to lend me the assistance of their memories----"
|
|
|
|
I had got as far as that in rehearsing my explanatory phrases,
|
|
when I was suddenly checked by seeing plainly in Mr. Candy's face
|
|
that my experiment on him was a total failure.
|
|
|
|
The little doctor sat restlessly picking at the points of his fingers
|
|
all the time I was speaking. His dim watery eyes were fixed on my
|
|
face with an expression of vacant and wistful inquiry very painful
|
|
to see. What he was thinking of, it was impossible to divine.
|
|
The one thing clearly visible was that I had failed, after the first
|
|
two or three words, in fixing his attention. The only chance of
|
|
recalling him to himself appeared to lie in changing the subject.
|
|
I tried a new topic immediately.
|
|
|
|
"So much," I said, gaily, "for what brings me to Frizinghall!
|
|
Now, Mr. Candy, it's your turn. You sent me a message by
|
|
Gabriel Betteredge----"
|
|
|
|
He left off picking at his fingers, and suddenly brightened up.
|
|
|
|
"Yes! yes! yes!" he exclaimed eagerly. "That's it!
|
|
I sent you a message!"
|
|
|
|
"And Betteredge duly communicated it by letter," I went on.
|
|
You had something to say to me, the next time I was in
|
|
your neighbourhood. Well, Mr. Candy, here I am!"
|
|
|
|
"Here you are!" echoed the doctor. "And Betteredge was quite right.
|
|
I had something to say to you. That was my message.
|
|
Betteredge is a wonderful man. What a memory! At his age,
|
|
what a memory!"
|
|
|
|
He dropped back into silence, and began picking at his fingers again.
|
|
Recollecting what I had heard from Betteredge about the effect of the fever
|
|
on his memory, I went on with the conversation, in the hope that I might
|
|
help him at starting.
|
|
|
|
"It's a long time since we met, I said. "We last saw each other
|
|
at the last birthday dinner my poor aunt was ever to give."
|
|
|
|
"That's it!" cried Mr. Candy. "The birthday dinner!"
|
|
He started impulsively to his feet, and looked at me.
|
|
A deep flush suddenly overspread his faded face, and he
|
|
abruptly sat down again, as if conscious of having betrayed
|
|
a weakness which he would fain have concealed. It was plain,
|
|
pitiably plain, that he was aware of his own defect of memory,
|
|
and that he was bent on hiding it from the observation of
|
|
his friends.
|
|
|
|
Thus far he had appealed to my compassion only.
|
|
But the words he had just said--few as they were--roused my
|
|
curiosity instantly to the highest pitch. The birthday dinner
|
|
had already become the one event in the past, at which I looked
|
|
back with strangely-mixed feelings of hope and distrust.
|
|
And here was the birthday dinner unmistakably proclaiming itself
|
|
as the subject on which Mr. Candy had something important to say
|
|
to me!
|
|
|
|
I attempted to help him out once more. But, this time,
|
|
my own interests were at the bottom of my compassionate motive,
|
|
and they hurried me on a little too abruptly, to the end I had
|
|
in view.
|
|
|
|
"It's nearly a year now," I said, "since we sat at that pleasant table.
|
|
Have you made any memorandum--in your diary, or otherwise--of what you wanted
|
|
to say to me?"
|
|
|
|
Mr. Candy understood the suggestion, and showed me that he understood it,
|
|
as an insult.
|
|
|
|
"I require no memorandum, Mr. Blake," he said, stiffly enough.
|
|
"I am not such a very old man, yet--and my memory (thank God)
|
|
is to be thoroughly depended on!"
|
|
|
|
It is needless to say that I declined to understand that he was offended
|
|
with me.
|
|
|
|
"I wish I could say the same of my memory," I answered.
|
|
"When I try to think of matters that are a year old, I seldom
|
|
find my remembrance as vivid as I could wish it to be.
|
|
Take the dinner at Lady Verinder's, for instance----"
|
|
|
|
Mr. Candy brightened up again, the moment the allusion passed my lips.
|
|
|
|
"Ah! the dinner, the dinner at Lady Verinder's!" he exclaimed,
|
|
more eagerly than ever. "I have got something to say to you
|
|
about that."
|
|
|
|
His eyes looked at me again with the painful expression of inquiry,
|
|
so wistful, so vacant, so miserably helpless to see. He was evidently
|
|
trying hard, and trying in vain, to recover the lost recollection.
|
|
"It was a very pleasant dinner," he burst out suddenly, with an air
|
|
of saying exactly what he wanted to say. "A very pleasant dinner,
|
|
Mr. Blake, wasn't it?" He nodded and smiled, and appeared to think,
|
|
poor fellow, that he had succeeded in concealing the total failure
|
|
of his memory, by a well-timed exertion of his own presence
|
|
of mind.
|
|
|
|
It was so distressing that I at once shifted the talk--
|
|
deeply as I was interested in his recovering the lost remembrance--
|
|
to topics of local interest.
|
|
|
|
Here, he got on glibly enough. Trumpery little scandals
|
|
and quarrels in the town, some of them as much as a month old,
|
|
appeared to recur to his memory readily. He chattered on,
|
|
with something of the smooth gossiping fluency of former times.
|
|
But there were moments, even in the full flow of his talkativeness,
|
|
when he suddenly hesitated--looked at me for a moment with the vacant
|
|
inquiry once more in his eyes--controlled himself--and went on again.
|
|
I submitted patiently to my martyrdom (it is surely nothing
|
|
less than martyrdom to a man of cosmopolitan sympathies,
|
|
to absorb in silent resignation the news of a country town?)
|
|
until the clock on the chimney-piece told me that my visit
|
|
had been prolonged beyond half an hour. Having now some right
|
|
to consider the sacrifice as complete, I rose to take leave.
|
|
As we shook hands, Mr. Candy reverted to the birthday festival of his
|
|
own accord.
|
|
|
|
"I am so glad we have met again," he said. "I had it on my mind--
|
|
I really had it on my mind, Mr. Blake, to speak to you.
|
|
About the dinner at Lady Verinder's, you know? A pleasant dinner--
|
|
really a pleasant dinner now, wasn't it?"
|
|
|
|
On repeating the phrase, he seemed to feel hardly as certain of having
|
|
prevented me from suspecting his lapse of memory, as he had felt
|
|
on the first occasion. The wistful look clouded his face again:
|
|
and, after apparently designing to accompany me to the street door,
|
|
he suddenly changed his mind, rang the bell for the servant,
|
|
and remained in the drawing-room.
|
|
|
|
I went slowly down the doctor's stairs, feeling the disheartening
|
|
conviction that he really had something to say which it was vitally
|
|
important to me to hear, and that he was morally incapable of saying it.
|
|
The effort of remembering that he wanted to speak to me was,
|
|
but too evidently, the only effort that his enfeebled memory was now able
|
|
to achieve.
|
|
|
|
Just as I reached the bottom of the stairs, and had turned a corner on
|
|
my way to the outer hall, a door opened softly somewhere on the ground
|
|
floor of the house, and a gentle voice said behind me:--
|
|
|
|
"I am afraid, sir, you find Mr. Candy sadly changed?"
|
|
|
|
I turned round, and found myself face to face with Ezra Jennings.
|
|
|
|
|
|
|
|
CHAPTER IX
|
|
|
|
|
|
The doctor's pretty housemaid stood waiting for me, with the street
|
|
door open in her hand. Pouring brightly into the hall, the morning
|
|
light fell full on the face of Mr. Candy's assistant when I turned,
|
|
and looked at him.
|
|
|
|
It was impossible to dispute Betteredge's assertion that the appearance
|
|
of Ezra Jennings, speaking from a popular point of view, was against him.
|
|
His gipsy-complexion, his fleshless cheeks, his gaunt facial bones,
|
|
his dreamy eyes, his extraordinary parti-coloured hair, the puzzling
|
|
contradiction between his face and figure which made him look old
|
|
and young both together--were all more or less calculated to produce
|
|
an unfavourable impression of him on a stranger's mind. And yet--
|
|
feeling this as I certainly did--it is not to be denied that Ezra
|
|
Jennings made some inscrutable appeal to my sympathies, which I found it
|
|
impossible to resist. While my knowledge of the world warned me to answer
|
|
the question which he had put, acknowledging that I did indeed find
|
|
Mr. Candy sadly changed, and then to proceed on my way out of the house--
|
|
my interest in Ezra Jennings held me rooted to the place, and gave
|
|
him the opportunity of speaking to me in private about his employer,
|
|
for which he had been evidently on the watch.
|
|
|
|
"Are you walking my way, Mr. Jennings?" I said, observing that he held
|
|
his hat in his hand. "I am going to call on my aunt, Mrs. Ablewhite."
|
|
|
|
Ezra Jennings replied that he had a patient to see, and that he was walking
|
|
my way.
|
|
|
|
We left the house together. I observed that the pretty servant girl--
|
|
who was all smiles and amiability, when I wished her good morning
|
|
on my way out--received a modest little message from Ezra Jennings,
|
|
relating to the time at which he might be expected to return,
|
|
with pursed-up lips, and with eyes which ostentatiously looked
|
|
anywhere rather than look in his face. The poor wretch was evidently
|
|
no favourite in the house. Out of the house, I had Betteredge's
|
|
word for it that he was unpopular everywhere. "What a life!"
|
|
I thought to myself, as we descended the doctor's doorsteps.
|
|
|
|
Having already referred to Mr. Candy's illness on his side,
|
|
Ezra Jennings now appeared determined to leave it to me to resume
|
|
the subject. His silence said significantly, "It's your turn now."
|
|
I, too, had my reasons for referring to the doctor's illness:
|
|
and I readily accepted the responsibility of speaking first.
|
|
|
|
"Judging by the change I see in him," I began, "Mr. Candy's
|
|
illness must have been far more serious that I had supposed?"
|
|
|
|
"It is almost a miracle," said Ezra Jennings, "that he lived through it."
|
|
|
|
"Is his memory never any better than I have found it to-day?
|
|
He has been trying to speak to me----"
|
|
|
|
"Of something which happened before he was taken ill?" asked the assistant,
|
|
observing that I hesitated.
|
|
|
|
"Yes."
|
|
|
|
"His memory of events, at that past time, is hopelessly enfeebled,"
|
|
said Ezra Jennings. "It is almost to be deplored, poor fellow,
|
|
that even the wreck of it remains. While he remembers dimly
|
|
plans that he formed--things, here and there, that he had to say
|
|
or do before his illness--he is perfectly incapable of recalling
|
|
what the plans were, or what the thing was that he had to say or do.
|
|
He is painfully conscious of his own deficiency, and painfully
|
|
anxious, as you must have seen, to hide it from observation.
|
|
If he could only have recovered in a complete state of oblivion
|
|
as to the past, he would have been a happier man. Perhaps we
|
|
should all be happier," he added, with a sad smile, "if we could but
|
|
completely forget!"
|
|
|
|
"There are some events surely in all men's lives," I replied,
|
|
"the memory of which they would be unwilling entirely to lose?"
|
|
|
|
"That is, I hope, to be said of most men, Mr. Blake.
|
|
I am afraid it cannot truly be said of ALL. Have you any
|
|
reason to suppose that the lost remembrance which Mr. Candy
|
|
tried to recover--while you were speaking to him just now--
|
|
was a remembrance which it was important to YOU that he
|
|
should recall?"
|
|
|
|
In saying those words, he had touched, of his own accord,
|
|
on the very point upon which I was anxious to consult him.
|
|
The interest I felt in this strange man had impelled me,
|
|
in the first instance, to give him the opportunity of speaking
|
|
to me; reserving what I might have to say, on my side,
|
|
in relation to his employer, until I was first satisfied that
|
|
he was a person in whose delicacy and discretion I could trust.
|
|
The little that he had said, thus far, had been sufficient
|
|
to convince me that I was speaking to a gentleman.
|
|
He had what I may venture to describe as the UNSOUGHT
|
|
SELF-POSSESSION, which is a sure sign of good breeding,
|
|
not in England only, but everywhere else in the civilised world.
|
|
Whatever the object which he had in view, in putting
|
|
the question that he had just addressed to me, I felt
|
|
no doubt that I was justified--so far--in answering him
|
|
without reserve.
|
|
|
|
"I believe I have a strong interest," I said, "in tracing
|
|
the lost remembrance which Mr. Candy was unable to recall.
|
|
May I ask whether you can suggest to me any method by which I might
|
|
assist his memory?"
|
|
|
|
Ezra Jennings looked at me, with a sudden flash of interest
|
|
in his dreamy brown eyes.
|
|
|
|
"Mr. Candy's memory is beyond the reach of assistance," he said.
|
|
"I have tried to help it often enough since his recovery, to be able
|
|
to speak positively on that point."
|
|
|
|
This disappointed me; and I owned it.
|
|
|
|
"I confess you led me to hope for a less discouraging answer than that,"
|
|
I said.
|
|
|
|
Ezra Jennings smiled. "It may not, perhaps, be a final answer, Mr. Blake.
|
|
It may be possible to trace Mr. Candy's lost recollection, without the
|
|
necessity of appealing to Mr. Candy himself."
|
|
|
|
"Indeed? Is it an indiscretion, on my part, to ask how?"
|
|
|
|
"By no means. My only difficulty in answering your question,
|
|
is the difficulty of explaining myself. May I trust to
|
|
your patience, if I refer once more to Mr. Candy's illness:
|
|
and if I speak of it this time without sparing you certain
|
|
professional details?"
|
|
|
|
"Pray go on! You have interested me already in hearing the details."
|
|
|
|
My eagerness seemed to amuse--perhaps, I might rather say, to please him.
|
|
He smiled again. We had by this time left the last houses in the town
|
|
behind us. Ezra Jennings stopped for a moment, and picked some wild
|
|
flowers from the hedge by the roadside. "How beautiful they are!"
|
|
he said, simply, showing his little nosegay to me. "And how few people in
|
|
England seem to admire them as they deserve!"
|
|
|
|
"You have not always been in England?" I said.
|
|
|
|
"No. I was born, and partly brought up, in one of our colonies.
|
|
My father was an Englishman; but my mother---- We are straying away
|
|
from our subject, Mr. Blake; and it is my fault. The truth is,
|
|
I have associations with these modest little hedgeside flowers----"
|
|
It doesn't matter; we were speaking of Mr. Candy. To Mr. Candy let
|
|
us return."
|
|
|
|
Connecting the few words about himself which thus reluctantly
|
|
escaped him, with the melancholy view of life which led him to place
|
|
the conditions of human happiness in complete oblivion of the past,
|
|
I felt satisfied that the story which I had read in his face was,
|
|
in two particulars at least, the story that it really told.
|
|
He had suffered as few men suffer; and there was the mixture of some
|
|
foreign race in his English blood.
|
|
|
|
"You have heard, I dare say, of the original cause of Mr. Candy's illness?"
|
|
he resumed. "The night of Lady Verinder's dinner-party was a night
|
|
of heavy rain. My employer drove home through it in his gig,
|
|
and reached the house wetted to the skin. He found an urgent message
|
|
from a patient, waiting for him; and he most unfortunately went at once
|
|
to visit the sick person, without stopping to change his clothes.
|
|
I was myself professionally detained, that night, by a case at some
|
|
distance from Frizinghall. When I got back the next morning, I found
|
|
Mr. Candy's groom waiting in great alarm to take me to his master's room.
|
|
By that time the mischief was done; the illness had set in."
|
|
|
|
"The illness has only been described to me, in general terms, as a fever,"
|
|
I said.
|
|
|
|
"I can add nothing which will make the description more accurate,"
|
|
answered Ezra Jennings. "From first to last the fever assumed
|
|
no specific form. I sent at once to two of Mr. Candy's medical
|
|
friends in the town, both physicians, to come and give me their
|
|
opinion of the case. They agreed with me that it looked serious;
|
|
but they both strongly dissented from the view I took of the treatment.
|
|
We differed entirely in the conclusions which we drew from
|
|
the patient's pulse. The two doctors, arguing from the rapidity
|
|
of the beat, declared that a lowering treatment was the only treatment
|
|
to be adopted. On my side, I admitted the rapidity of the pulse,
|
|
but I also pointed to its alarming feebleness as indicating
|
|
an exhausted condition of the system, and as showing a plain
|
|
necessity for the administration of stimulants. The two doctors
|
|
were for keeping him on gruel, lemonade, barley-water, and so on.
|
|
I was for giving him champagne, or brandy, ammonia, and quinine.
|
|
A serious difference of opinion, as you see! a difference between
|
|
two physicians of established local repute, and a stranger
|
|
who was only an assistant in the house. For the first few days,
|
|
I had no choice but to give way to my elders and betters;
|
|
the patient steadily sinking all the time. I made a second attempt
|
|
to appeal to the plain, undeniably plain, evidence of the pulse.
|
|
Its rapidity was unchecked, and its feebleness had increased.
|
|
The two doctors took offence at my obstinacy. They said,
|
|
"Mr. Jennings, either we manage this case, or you manage it.
|
|
Which is it to be?" I said, "Gentlemen, give me five minutes
|
|
to consider, and that plain question shall have a plain reply."
|
|
When the time expired, I was ready with my answer.
|
|
I said, "You positively refuse to try the stimulant treatment?"
|
|
They refused in so many words. "I mean to try it at once,
|
|
gentlemen."--"Try it, Mr. Jennings, and we withdraw from the case."
|
|
I sent down to the cellar for a bottle of champagne; and I administered
|
|
half a tumbler-full of it to the patient with my own hand.
|
|
The two physicians took up their hats in silence, and left the
|
|
house."
|
|
|
|
"You had assumed a serious responsibility," I said. In your place,
|
|
I am afraid I should have shrunk from it."
|
|
|
|
"In my place, Mr. Blake, you would have remembered that Mr. Candy
|
|
had taken you into his employment, under circumstances which made you
|
|
his debtor for life. In my place, you would have seen him sinking,
|
|
hour by hour; and you would have risked anything, rather than let
|
|
the one man on earth who had befriended you, die before your eyes.
|
|
Don't suppose that I had no sense of the terrible position in which I
|
|
had placed myself! There were moments when I felt all the misery
|
|
of my friendlessness, all the peril of my dreadful responsibility.
|
|
If I had been a happy man, if I had led a prosperous life,
|
|
I believe I should have sunk under the task I had imposed on myself.
|
|
But I had no happy time to look back at, no past peace of mind
|
|
to force itself into contrast with my present anxiety and suspense--
|
|
and I held firm to my resolution through it all. I took an interval
|
|
in the middle of the day, when my patient's condition was at its best,
|
|
for the repose I needed. For the rest of the four-and-twenty hours,
|
|
as long as his life was in danger, I never left his bedside. Towards sunset,
|
|
as usual in such cases, the delirium incidental to the fever came on.
|
|
It lasted more or less through the night; and then intermitted,
|
|
at that terrible time in the early morning--from two o'clock to five--
|
|
when the vital energies even of the healthiest of us are at their lowest.
|
|
It is then that Death gathers in his human harvest most abundantly.
|
|
It was then that Death and I fought our fight over the bed, which should
|
|
have the man who lay on it. I never hesitated in pursuing the treatment
|
|
on which I had staked everything. When wine failed, I tried brandy.
|
|
When the other stimulants lost their influence, I doubled the dose.
|
|
After an interval of suspense--the like of which I hope to God I shall
|
|
never feel again--there came a day when the rapidity of the pulse slightly,
|
|
but appreciably, diminished; and, better still, there came also a change
|
|
in the beat--an unmistakable change to steadiness and strength.
|
|
THEN, I knew that I had saved him; and then I own I broke down.
|
|
I laid the poor fellow's wasted hand back on the bed, and burst out crying.
|
|
An hysterical relief, Mr. Blake--nothing more! Physiology says, and says
|
|
truly, that some men are born with female constitutions--and I am one of
|
|
them!"
|
|
|
|
He made that bitterly professional apology for his tears,
|
|
speaking quietly and unaffectedly, as he had spoken throughout.
|
|
His tone and manner, from beginning to end, showed him to
|
|
be especially, almost morbidly, anxious not to set himself up
|
|
as an object of interest to me.
|
|
|
|
"You may well ask, why I have wearied you with all these details?"
|
|
he went on. "It is the only way I can see, Mr. Blake,
|
|
of properly introducing to you what I have to say next.
|
|
Now you know exactly what my position was, at the time of
|
|
Mr. Candy's illness, you will the more readily understand the sore
|
|
need I had of lightening the burden on my mind by giving it,
|
|
at intervals, some sort of relief. I have had the presumption
|
|
to occupy my leisure, for some years past, in writing a book,
|
|
addressed to the members of my profession--a book on the intricate
|
|
and delicate subject of the brain and the nervous system.
|
|
My work will probably never be finished; and it will certainly
|
|
never be published. It has none the less been the friend of many
|
|
lonely hours; and it helped me to while away the anxious time--
|
|
the time of waiting, and nothing else--at Mr. Candy's bedside.
|
|
I told you he was delirious, I think? And I mentioned the time at
|
|
which his delirium came on?"
|
|
|
|
"Yes."
|
|
|
|
"Well, I had reached a section of my book, at that time,
|
|
which touched on this same question of delirium. I won't trouble
|
|
you at any length with my theory on the subject--I will confine
|
|
myself to telling you only what it is your present interest to know.
|
|
It has often occurred to me in the course of my medical practice,
|
|
to doubt whether we can justifiably infer--in cases of delirium--
|
|
that the loss of the faculty of speaking connectedly, implies of
|
|
necessity the loss of the faculty of thinking connectedly as well.
|
|
Poor Mr. Candy's illness gave me an opportunity of putting this
|
|
doubt to the test. I understand the art of writing in shorthand;
|
|
and I was able to take down the patient's "wanderings", exactly as they
|
|
fell from his lips.--Do you see, Mr. Blake, what I am coming to
|
|
at last?"
|
|
|
|
I saw it clearly, and waited with breathless interest to hear more.
|
|
|
|
"At odds and ends of time," Ezra Jennings went on, "I reproduced
|
|
my shorthand notes, in the ordinary form of writing--leaving large
|
|
spaces between the broken phrases, and even the single words,
|
|
as they had fallen disconnectedly from Mr. Candy's lips.
|
|
I then treated the result thus obtained, on something like the
|
|
principle which one adopts in putting together a child's 'puzzle.'
|
|
It is all confusion to begin with; but it may be all brought
|
|
into order and shape, if you can only find the right way.
|
|
Acting on this plan, I filled in each blank space on the paper,
|
|
with what the words or phrases on either side of it suggested to me
|
|
as the speaker's meaning; altering over and over again, until my
|
|
additions followed naturally on the spoken words which came before them,
|
|
and fitted naturally into the spoken words which came after them.
|
|
The result was, that I not only occupied in this way many vacant
|
|
and anxious hours, but that I arrived at something which was
|
|
(as it seemed to me) a confirmation of the theory that I held.
|
|
In plainer words, after putting the broken sentences together
|
|
I found the superior faculty of thinking going on, more or
|
|
less connectedly, in my patient's mind, while the inferior faculty
|
|
of expression was in a state of almost complete incapacity
|
|
and confusion."
|
|
|
|
"One word!" I interposed eagerly. "Did my name occur in any
|
|
of his wanderings?"
|
|
|
|
"You shall hear, Mr. Blake. Among my written proofs of
|
|
the assertion which I have just advanced--or, I ought to say,
|
|
among the written experiments, tending to put my assertion
|
|
to the proof--there IS one, in which your name occurs.
|
|
For nearly the whole of one night, Mr. Candy's mind was occupied
|
|
with SOMETHING between himself and you. I have got the broken words,
|
|
as they dropped from his lips, on one sheet of paper.
|
|
And I have got the links of my own discovering which connect
|
|
those words together, on another sheet of paper. The product
|
|
(as the arithmeticians would say) is an intelligible statement--
|
|
first, of something actually done in the past; secondly, of
|
|
something which Mr. Candy contemplated doing in the future,
|
|
if his illness had not got in the way, and stopped him.
|
|
The question is whether this does, or does not, represent the lost
|
|
recollection which he vainly attempted to find when you called on him
|
|
this morning?"
|
|
|
|
"Not a doubt of it!" I answered. "Let us go back directly,
|
|
and look at the papers!"
|
|
|
|
"Quite impossible, Mr. Blake."
|
|
|
|
"Why?"
|
|
|
|
"Put yourself in my position for a moment," said Ezra Jennings.
|
|
"Would you disclose to another person what had dropped unconsciously
|
|
from the lips of your suffering patient and your helpless friend,
|
|
without first knowing that there was a necessity to justify you
|
|
in opening your lips?"
|
|
|
|
I felt that he was unanswerable, here; but I tried to argue
|
|
the question, nevertheless.
|
|
|
|
"My conduct in such a delicate matter as you describe," I replied,
|
|
"would depend greatly on whether the disclosure was of a nature
|
|
to compromise my friend or not."
|
|
|
|
"I have disposed of all necessity for considering that
|
|
side of the question, long since," said Ezra Jennings.
|
|
"Wherever my notes included anything which Mr. Candy might
|
|
have wished to keep secret, those notes have been destroyed.
|
|
My manuscript experiments at my friend's bedside,
|
|
include nothing, now, which he would have hesitated to communicate
|
|
to others, if he had recovered the use of his memory.
|
|
In your case, I have every reason to suppose that my notes
|
|
contain something which he actually wished to say to you
|
|
|
|
"And yet, you hesitate?"
|
|
|
|
"And yet, I hesitate. Remember the circumstances under which I
|
|
obtained the information which I possess! Harmless as it is,
|
|
I cannot prevail upon myself to give it up to you, unless you
|
|
first satisfy me that there is a reason for doing so.
|
|
He was so miserably ill, Mr. Blake! and he was so helplessly
|
|
dependent upon Me! Is it too much to ask, if I request you only
|
|
to hint to me what your interest is in the lost recollection--
|
|
or what you believe that lost recollection to be?"
|
|
|
|
To have answered him with the frankness which his language and his
|
|
manner both claimed from me, would have been to commit myself to openly
|
|
acknowledging that I was suspected of the theft of the Diamond.
|
|
Strongly as Ezra Jennings had intensified the first impulsive interest
|
|
which I had felt in him, he had not overcome my unconquerable
|
|
reluctance to disclose the degrading position in which I stood.
|
|
I took refuge once more in the explanatory phrases with which I had
|
|
prepared myself to meet the curiosity of strangers
|
|
|
|
This time I had no reason to complain of a want of attention
|
|
on the part of the person to whom I addressed myself.
|
|
Ezra Jennings listened patiently, even anxiously, until I
|
|
had done.
|
|
|
|
"I am sorry to have raised your expectations, Mr. Blake,
|
|
only to disappoint them," he said. "Throughout the whole period
|
|
of Mr. Candy's illness, from first to last, not one word about
|
|
the Diamond escaped his lips. The matter with which I heard him
|
|
connect your name has, I can assure you, no discoverable relation
|
|
whatever with the loss or the recovery of Miss Verinder's jewel."
|
|
|
|
We arrived, as he said those words, at a place where the highway
|
|
along which we had been walking branched off into two roads.
|
|
One led to Mr. Ablewhite's house, and the other to a moorland village
|
|
some two or three miles off. Ezra Jennings stopped at the road
|
|
which led to the village.
|
|
|
|
"My way lies in this direction," he said. "I am really and truly sorry,
|
|
Mr. Blake, that I can be of no use to you."
|
|
|
|
His voice told me that he spoke sincerely. His soft brown eyes
|
|
rested on me for a moment with a look of melancholy interest.
|
|
He bowed, and went, without another word, on his way to
|
|
the village.
|
|
|
|
For a minute or more I stood and watched him, walking farther
|
|
and farther away from me; carrying farther and farther away with him
|
|
what I now firmly believed to be the clue of which I was in search.
|
|
He turned, after walking on a little way, and looked back.
|
|
Seeing me still standing at the place where we had parted, he stopped,
|
|
as if doubting whether I might not wish to speak to him again.
|
|
There was no time for me to reason out my own situation--
|
|
to remind myself that I was losing my opportunity, at what might
|
|
be the turning point of my life, and all to flatter nothing
|
|
more important than my own self-esteem! There was only time
|
|
to call him back first, and to think afterwards. I suspect I am
|
|
one of the rashest of existing men. I called him back--and then
|
|
I said to myself, "Now there is no help for it. I must tell him
|
|
the truth!"
|
|
|
|
He retraced his steps directly. I advanced along the road to meet him.
|
|
|
|
"Mr. Jennings," I said. "I have not treated you quite fairly.
|
|
My interest in tracing Mr. Candy's lost recollection is
|
|
not the interest of recovering the Moonstone. A serious
|
|
personal matter is at the bottom of my visit to Yorkshire.
|
|
I have but one excuse for not having dealt frankly with you
|
|
in this matter. It is more painful to me than I can say,
|
|
to mention to anybody what my position really is."
|
|
|
|
Ezra Jennings looked at me with the first appearance of embarrassment
|
|
which I had seen in him yet.
|
|
|
|
"I have no right, Mr. Blake, and no wish," he said, "to intrude
|
|
myself into your private affairs. Allow me to ask your pardon,
|
|
on my side, for having (most innocently) put you to a painful test."
|
|
|
|
"You have a perfect right," I rejoined, "to fix the terms on which you
|
|
feel justified in revealing what you heard at Mr. Candy's bedside.
|
|
I understand and respect the delicacy which influences you in this matter.
|
|
How can I expect to be taken into your confidence if I decline
|
|
to admit you into mine? You ought to know, and you shall know,
|
|
why I am interested in discovering what Mr. Candy wanted to say to me.
|
|
If I turn out to be mistaken in my anticipations, and if you prove unable
|
|
to help me when you are really aware of what I want, I shall trust to your
|
|
honour to keep my secret--and something tells me that I shall not trust
|
|
in vain."
|
|
|
|
"Stop, Mr. Blake. I have a word to say, which must be said
|
|
before you go any farther." I looked at him in astonishment.
|
|
The grip of some terrible emotion seemed to have seized him,
|
|
and shaken him to the soul. His gipsy complexion had altered
|
|
to a livid greyish paleness; his eyes had suddenly become
|
|
wild and glittering; his voice had dropped to a tone--
|
|
low, stern, and resolute--which I now heard for the first time.
|
|
The latent resources in the man, for good or for evil--
|
|
it was hard, at that moment, to say which--leapt up in him
|
|
and showed themselves to me, with the suddenness of a flash
|
|
of light.
|
|
|
|
"Before you place any confidence in me," he went on, "you ought to know,
|
|
and you MUST know, under what circumstances I have been received into
|
|
Mr. Candy's house. It won't take long. I don't profess, sir, to tell
|
|
my story (as the phrase is) to any man. My story will die with me.
|
|
All I ask, is to be permitted to tell you, what I have told Mr. Candy.
|
|
If you are still in the mind, when you have heard that, to say what you
|
|
have proposed to say, you will command my attention and command my services.
|
|
Shall we walk on?"
|
|
|
|
The suppressed misery in his face silenced me. I answered his question
|
|
by a sign. We walked on.
|
|
|
|
After advancing a few hundred yards, Ezra Jennings stopped at a gap
|
|
in the rough stone wall which shut off the moor from the road,
|
|
at this part of it.
|
|
|
|
"Do you mind resting a little, Mr. Blake?" he asked. "I am not what I was--
|
|
and some things shake me."
|
|
|
|
I agreed of course. He led the way through the gap to a patch
|
|
of turf on the heathy ground, screened by bushes and dwarf trees
|
|
on the side nearest to the road, and commanding in the opposite
|
|
direction a grandly desolate view over the broad brown wilderness
|
|
of the moor. The clouds had gathered, within the last half hour.
|
|
The light was dull; the distance was dim. The lovely face
|
|
of Nature met us, soft and still colourless--met us without
|
|
a smile.
|
|
|
|
We sat down in silence. Ezra Jennings laid aside his hat,
|
|
and passed his hand wearily over his forehead, wearily through
|
|
his startling white and black hair. He tossed his little nosegay
|
|
of wild flowers away from him, as if the remembrances which it
|
|
recalled were remembrances which hurt him now.
|
|
|
|
"Mr. Blake!" he said, suddenly. "You are in bad company.
|
|
The cloud of a horrible accusation has rested on me for years.
|
|
I tell you the worst at once. I am a man whose life is a wreck,
|
|
and whose character is gone."
|
|
|
|
I attempted to speak. He stopped me.
|
|
|
|
"No," he said. "Pardon me; not yet. Don't commit yourself to
|
|
expressions of sympathy which you may afterwards wish to recall.
|
|
I have mentioned an accusation which has rested on me for years.
|
|
There are circumstances in connexion with it that tell against me.
|
|
I cannot bring myself to acknowledge what the accusation is.
|
|
And I am incapable, perfectly incapable, of proving my innocence.
|
|
I can only assert my innocence. I assert it, sir, on my oath,
|
|
as a Christian. It is useless to appeal to my honour as a
|
|
man."
|
|
|
|
He paused again. I looked round at him. He never looked at me in return.
|
|
His whole being seemed to be absorbed in the agony of recollecting,
|
|
and in the effort to speak.
|
|
|
|
"There is much that I might say," he went on,
|
|
"about the merciless treatment of me by my own family,
|
|
and the merciless enmity to which I have fallen a victim.
|
|
But the harm is done; the wrong is beyond all remedy.
|
|
I decline to weary or distress you, sir, if I can help it.
|
|
At the outset of my career in this country, the vile slander
|
|
to which I have referred struck me down at once and for ever.
|
|
I resigned my aspirations in my profession--obscurity was
|
|
the only hope left for me. I parted with the woman I loved--
|
|
how could I condemn her to share my disgrace? A medical
|
|
assistant's place offered itself, in a remote corner of England.
|
|
I got the place. It promised me peace; it promised me obscurity,
|
|
as I thought. I was wrong. Evil report, with time and
|
|
chance to help it, travels patiently, and travels far.
|
|
The accusation from which I had fled followed me.
|
|
I got warning of its approach. I was able to leave my
|
|
situation voluntarily, with the testimonials that I had earned.
|
|
They got me another situation in another remote district.
|
|
Time passed again; and again the slander that was death to my
|
|
character found me out. On this occasion I had no warning.
|
|
My employer said, "Mr. Jennings, I have no complaint to make
|
|
against you; but you must set yourself right, or leave me."
|
|
I had but one choice--I left him. It's useless to dwell on
|
|
what I suffered after that. I am only forty years old now.
|
|
Look at my face, and let it tell for me the story of some
|
|
miserable years. It ended in my drifting to this place,
|
|
and meeting with Mr. Candy. He wanted an assistant.
|
|
I referred him, on the question of capacity, to my last employer.
|
|
The question of character remained. I told him what I have told you--
|
|
and more. I warned him that there were difficulties in the way,
|
|
even if he believed me. "Here, as elsewhere," I said "I
|
|
scorn the guilty evasion of living under an assumed name:
|
|
I am no safer at Frizinghall than at other places from
|
|
the cloud that follows me, go where I may." He answered,
|
|
"I don't do things by halves--I believe you, and I pity you.
|
|
If you will risk what may happen, I will risk it too."
|
|
God Almighty bless him! He has given me shelter,
|
|
he has given me employment, he has given me rest of mind--
|
|
and I have the certain conviction (I have had it for some
|
|
months past) that nothing will happen now to make him regret
|
|
it."
|
|
|
|
"The slander has died out?" I said.
|
|
|
|
"The slander is as active as ever. But when it follows me here,
|
|
it will come too late."
|
|
|
|
"You will have left the place?"
|
|
|
|
"No, Mr. Blake--I shall be dead. For ten years past I
|
|
have suffered from an incurable internal complaint.
|
|
I don't disguise from you that I should have let the agony
|
|
of it kill me long since, but for one last interest in life,
|
|
which makes my existence of some importance to me still.
|
|
I want to provide for a person--very dear to me--whom I shall never
|
|
see again. My own little patrimony is hardly sufficient to make
|
|
her independent of the world. The hope, if I could only live
|
|
long enough, of increasing it to a certain sum, has impelled me
|
|
to resist the disease by such palliative means as I could devise.
|
|
The one effectual palliative in my case, is--opium. To that
|
|
all-potent and all-merciful drug I am indebted for a respite
|
|
of many years from my sentence of death. But even the virtues
|
|
of opium have their limit. The progress of the disease has
|
|
gradually forced me from the use of opium to the abuse of it.
|
|
I am feeling the penalty at last. My nervous system is shattered;
|
|
my nights are nights of horror. The end is not far off now.
|
|
Let it come--I have not lived and worked in vain. The little
|
|
sum is nearly made up; and I have the means of completing it,
|
|
if my last reserves of life fail me sooner than I expect.
|
|
I hardly know how I have wandered into telling you this.
|
|
I don't think I am mean enough to appeal to your pity.
|
|
Perhaps, I fancy you may be all the readier to believe me,
|
|
if you know that what I have said to you, I have said
|
|
with the certain knowledge in me that I am a dying man.
|
|
There is no disguising, Mr. Blake, that you interest me.
|
|
I have attempted to make my poor friend's loss of memory
|
|
the means of bettering my acquaintance with you.
|
|
I have speculated on the chance of your feeling a passing curiosity
|
|
about what he wanted to say, and of my being able to satisfy it.
|
|
Is there no excuse for my intruding myself on you?
|
|
Perhaps there is some excuse. A man who has lived as I have lived
|
|
has his bitter moments when he ponders over human destiny.
|
|
You have youth, health, riches, a place in the world, a prospect
|
|
before you. You, and such as you, show me the sunny side of
|
|
human life, and reconcile me with the world that I am leaving,
|
|
before I go. However this talk between us may end, I shall not
|
|
forget that you have done me a kindness in doing that. It rests
|
|
with you, sir, to say what you proposed saying, or to wish me good
|
|
morning."
|
|
|
|
I had but one answer to make to that appeal. Without a moment's hesitation
|
|
I told him the truth, as unreservedly as I have told it in these pages.
|
|
|
|
He started to his feet, and looked at me with breathless eagerness
|
|
as I approached the leading incident of my story.
|
|
|
|
"It is certain that I went into the room," I said; "it is certain that I
|
|
took the Diamond. I can only meet those two plain facts by declaring that,
|
|
do what I might, I did it without my own knowledge----"
|
|
|
|
Ezra Jennings caught me excitedly by the arm.
|
|
|
|
"Stop!" he said. "You have suggested more to me than you suppose.
|
|
Have you ever been accustomed to the use of opium?"
|
|
|
|
"I never tasted it in my life."
|
|
|
|
"Were your nerves out of order, at this time last year?
|
|
Were you unusually restless and irritable?"
|
|
|
|
"Yes."
|
|
|
|
"Did you sleep badly?"
|
|
|
|
"Wretchedly. Many nights I never slept at all."
|
|
|
|
"Was the birthday night an exception? Try, and remember.
|
|
Did you sleep well on that one occasion?"
|
|
|
|
"I do remember! I slept soundly."
|
|
|
|
He dropped my arm as suddenly as he had taken it--and looked at me
|
|
with the air of a man whose mind was relieved of the last doubt
|
|
that rested on it.
|
|
|
|
"This is a marked day in your life, and in mine," he said, gravely.
|
|
"I am absolutely certain, Mr. Blake, of one thing--I have got
|
|
what Mr. Candy wanted to say to you this morning, in the notes
|
|
that I took at my patient's bedside. Wait! that is not all.
|
|
I am firmly persuaded that I can prove you to have been unconscious
|
|
of what you were about, when you entered the room and took the Diamond.
|
|
Give me time to think, and time to question you. I believe the
|
|
vindication of your innocence is in my hands!"
|
|
|
|
"Explain yourself, for God's sake! What do you mean?"
|
|
|
|
In the excitement of our colloquy, we had walked on a few steps,
|
|
beyond the clump of dwarf trees which had hitherto screened us from view.
|
|
Before Ezra Jennings could answer me, he was hailed from the high road
|
|
by a man, in great agitation, who had been evidently on the look-out
|
|
for him.
|
|
|
|
"I am coming," he called back; "I am coming as fast as I can!"
|
|
He turned to me. "There is an urgent case waiting for me at
|
|
the village yonder; I ought to have been there half an hour since--
|
|
I must attend to it at once. Give me two hours from this time,
|
|
and call at Mr. Candy's again--and I will engage to be ready
|
|
for you."
|
|
|
|
"How am I to wait!" I exclaimed, impatiently. "Can't you quiet
|
|
my mind by a word of explanation before we part?"
|
|
|
|
"This is far too serious a matter to be explained in a hurry, Mr. Blake.
|
|
I am not wilfully trying your patience--I should only be adding
|
|
to your suspense, if I attempted to relieve it as things are now.
|
|
At Frizinghall, sir, in two hours' time!"
|
|
|
|
The man on the high road hailed him again. He hurried away,
|
|
and left me.
|
|
|
|
|
|
|
|
CHAPTER X
|
|
|
|
|
|
How the interval of suspense in which I was now condemned might
|
|
have affected other men in my position, I cannot pretend to say.
|
|
The influence of the two hours' probation upon my temperament
|
|
was simply this. I felt physically incapable of remaining still
|
|
in any one place, and morally incapable of speaking to any one
|
|
human being, until I had first heard all that Ezra Jennings
|
|
had to say to me.
|
|
|
|
In this frame of mind, I not only abandoned my contemplated
|
|
visit to Mrs. Ablewhite--I even shrank from encountering
|
|
Gabriel Betteredge himself.
|
|
|
|
Returning to Frizinghall, I left a note for Betteredge, telling him that I
|
|
had been unexpectedly called away for a few hours, but that he might
|
|
certainly expect me to return towards three o'clock in the afternoon.
|
|
I requested him, in the interval, to order his dinner at the usual hour,
|
|
and to amuse himself as he pleased. He had, as I well knew, hosts of friends
|
|
in Frizinghall; and he would be at no loss how to fill up his time until I
|
|
returned to the hotel.
|
|
|
|
This done, I made the best of my way out of the town again,
|
|
and roamed the lonely moorland country which surrounds Frizinghall,
|
|
until my watch told me that it was time, at last, to return
|
|
to Mr. Candy's house.
|
|
|
|
I found Ezra Jennings ready and waiting for me.
|
|
|
|
He was sitting alone in a bare little room, which communicated by a
|
|
glazed door with a surgery. Hideous coloured diagrams of the ravages
|
|
of hideous diseases decorated the barren buff-coloured walls.
|
|
A book-case filled with dingy medical works, and ornamented at the top
|
|
with a skull, in place of the customary bust; a large deal table
|
|
copiously splashed with ink; wooden chairs of the sort that are seen
|
|
in kitchens and cottages; a threadbare drugget in the middle of the floor;
|
|
a sink of water, with a basin and waste-pipe roughly let into the wall,
|
|
horribly suggestive of its connection with surgical operations--
|
|
comprised the entire furniture of the room. The bees were humming among
|
|
a few flowers placed in pots outside the window; the birds were singing
|
|
in the garden, and the faint intermittent jingle of a tuneless piano
|
|
in some neighbouring house forced itself now and again on the ear.
|
|
In any other place, these everyday sounds might have spoken pleasantly
|
|
of the everyday world outside. Here, they came in as intruders on a
|
|
silence which nothing but human suffering had the privilege to disturb.
|
|
I looked at the mahogany instrument case, and at the huge roll of lint,
|
|
occupying places of their own on the book-shelves, and shuddered inwardly
|
|
as I thought of the sounds, familiar and appropriate to the everyday use
|
|
of Ezra Jennings' room.
|
|
|
|
"I make no apology, Mr. Blake, for the place in which I am receiving you,"
|
|
he said. "It is the only room in the house, at this hour of the day,
|
|
in which we can feel quite sure of being left undisturbed.
|
|
Here are my papers ready for you; and here are two books to which we
|
|
may have occasion to refer, before we have done. Bring your chair
|
|
to the table, and we shall be able to consult them together."
|
|
|
|
I drew up to the table; and Ezra Jennings handed me his manuscript notes.
|
|
They consisted of two large folio leaves of paper. One leaf contained writing
|
|
which only covered the surface at intervals. The other presented writing,
|
|
in red and black ink, which completely filled the page from top to bottom.
|
|
In the irritated state of my curiosity, at that moment, I laid aside the
|
|
second sheet of paper in despair.
|
|
|
|
"Have some mercy on me!" I said. "Tell me what I am to expect,
|
|
before I attempt to read this."
|
|
|
|
"Willingly, Mr. Blake! Do you mind my asking you one or two more questions?"
|
|
|
|
"Ask me anything you like!"
|
|
|
|
He looked at me with the sad smile on his lips, and the kindly
|
|
interest in his soft brown eyes.
|
|
|
|
"You have already told me," he said, "that you have never--
|
|
to your knowledge--tasted opium in your life."
|
|
|
|
"To my knowledge," I repeated.
|
|
|
|
"You will understand directly why I speak with that reservation.
|
|
Let us go on. You are not aware of ever having taken opium.
|
|
At this time, last year, you were suffering from nervous irritation,
|
|
and you slept wretchedly at night. On the night of the birthday,
|
|
however, there was an exception to the rule--you slept soundly.
|
|
Am I right, so far?"
|
|
|
|
"Quite right!"
|
|
|
|
"Can you assign any cause for the nervous suffering, and your want of sleep?"
|
|
|
|
"I can assign no cause. Old Betteredge made a guess at the cause,
|
|
I remember. But that is hardly worth mentioning."
|
|
|
|
"Pardon me. Anything is worth mentioning in such a case as this.
|
|
Betteredge attributed your sleeplessness to something.
|
|
To what?"
|
|
|
|
"To my leaving off smoking."
|
|
|
|
"Had you been an habitual smoker?"
|
|
|
|
"Yes."
|
|
|
|
"Did you leave off the habit suddenly?"
|
|
|
|
"Yes."
|
|
|
|
"Betteredge was perfectly right, Mr. Blake. When smoking is
|
|
a habit a man must have no common constitution who can leave it
|
|
off suddenly without some temporary damage to his nervous system.
|
|
Your sleepless nights are accounted for, to my mind.
|
|
My next question refers to Mr. Candy. Do you remember
|
|
having entered into anything like a dispute with him--
|
|
at the birthday dinner, or afterwards--on the subject of
|
|
his profession?"
|
|
|
|
The question instantly awakened one of my dormant remembrances
|
|
in connection with the birthday festival. The foolish wrangle
|
|
which took place, on that occasion, between Mr. Candy and myself,
|
|
will be found described at much greater length than it
|
|
deserves in the tenth chapter of Betteredge's Narrative.
|
|
The details there presented of the dispute--so little had I
|
|
thought of it afterwards--entirely failed to recur to my memory.
|
|
All that I could now recall, and all that I could tell
|
|
Ezra Jennings was, that I had attacked the art of medicine
|
|
at the dinner-table with sufficient rashness and sufficient
|
|
pertinacity to put even Mr. Candy out of temper for the moment.
|
|
I also remembered that Lady Verinder had interfered to stop
|
|
the dispute, and that the little doctor and I had "made it up again,"
|
|
as the children say, and had become as good friends as ever, before we
|
|
shook hands that night.
|
|
|
|
"There is one thing more," said Ezra Jennings, "which it is very important
|
|
I should know. Had you any reason for feeling any special anxiety about
|
|
the Diamond, at this time last year?"
|
|
|
|
"I had the strongest reasons for feeling anxiety about the Diamond.
|
|
I knew it to be the object of a conspiracy; and I was warned to take
|
|
measures for Miss Verinder's protection, as the possessor of
|
|
the stone."
|
|
|
|
"Was the safety of the Diamond the subject of conversation
|
|
between you and any other person, immediately before you
|
|
retired to rest on the birthday night?"
|
|
|
|
"It was the subject of a conversation between Lady Verinder
|
|
and her daughter----"
|
|
|
|
"Which took place in your hearing?"
|
|
|
|
"Yes."
|
|
|
|
Ezra Jennings took up his notes from the table, and placed them in my hands.
|
|
|
|
"Mr. Blake," he said, "if you read those notes now, by the light
|
|
which my questions and your answers have thrown on them,
|
|
you will make two astounding discoveries concerning yourself.
|
|
You will find--First, that you entered Miss Verinder's
|
|
sitting-room and took the Diamond, in a state of trance,
|
|
produced by opium. Secondly, that the opium was given to you
|
|
by Mr. Candy--without your own knowledge--as a practical
|
|
refutation of the opinions which you had expressed to him at
|
|
the birthday dinner."
|
|
|
|
I sat with the papers in my hand completely stupefied.
|
|
|
|
"Try and forgive poor Mr. Candy," said the assistant gently.
|
|
"He has done dreadful mischief, I own; but he has done it innocently.
|
|
If you will look at the notes, you will see that--but for his illness--
|
|
he would have returned to Lady Verinder's the morning after the party,
|
|
and would have acknowledged the trick that he had played you.
|
|
Miss Verinder would have heard of it, and Miss Verinder would have
|
|
questioned him--and the truth which has laid hidden for a year would have
|
|
been discovered in a day."
|
|
|
|
I began to regain my self-possession. "Mr. Candy is beyond the reach
|
|
of my resentment," I said angrily. "But the trick that he played me
|
|
is not the less an act of treachery, for all that. I may forgive,
|
|
but I shall not forget it."
|
|
|
|
"Every medical man commits that act of treachery, Mr. Blake, in the
|
|
course of his practice. The ignorant distrust of opium (in England)
|
|
is by no means confined to the lower and less cultivated classes.
|
|
Every doctor in large practice finds himself, every now and then,
|
|
obliged to deceive his patients, as Mr. Candy deceived you.
|
|
I don't defend the folly of playing you a trick under the circumstances.
|
|
I only plead with you for a more accurate and more merciful construction
|
|
of motives."
|
|
|
|
"How was it done?" I asked. "Who gave me the laudanum,
|
|
without my knowing it myself?"
|
|
|
|
"I am not able to tell you. Nothing relating to that part of
|
|
the matter dropped from Mr. Candy's lips, all through his illness.
|
|
Perhaps your own memory may point to the person to be suspected."
|
|
|
|
"No."
|
|
|
|
"It is useless, in that case, to pursue the inquiry.
|
|
The laudanum was secretly given to you in some way.
|
|
Let us leave it there, and go on to matters of more
|
|
immediate importance. Read my notes, if you can.
|
|
Familiarise your mind with what has happened in the past.
|
|
I have something very bold and very startling to propose to you,
|
|
which relates to the future."
|
|
|
|
Those last words roused me.
|
|
|
|
I looked at the papers, in the order in which Ezra Jennings
|
|
had placed them in my hands. The paper which contained
|
|
the smaller quantity of writing was the uppermost of the two.
|
|
On this, the disconnected words, and fragments of sentences,
|
|
which had dropped from Mr. Candy in his delirium, appeared
|
|
as follows:
|
|
|
|
"... Mr. Franklin Blake ... and agreeable ... down a peg ... medicine ...
|
|
confesses ... sleep at night ... tell him ... out of order ... medicine ...
|
|
he tells me ... and groping in the dark mean one and the same thing ...
|
|
all the company at the dinner-table ... I say ... groping after sleep ...
|
|
nothing but medicine ... he says ... leading the blind ... know what it
|
|
means ... witty ... a night's rest in spite of his teeth ... wants sleep
|
|
... Lady Verinder's medicine chest ... five-and-twenty minims ... without
|
|
his knowing it ... to-morrow morning ... Well, Mr. Blake ... medicine
|
|
to-day ... never ... without it ... out, Mr. Candy ... excellent ...
|
|
without it ... down on him ... truth ... something besides ... excellent
|
|
... dose of laudanum, sir ... bed ... what ... medicine now."
|
|
|
|
There, the first of the two sheets of paper came to an end.
|
|
I handed it back to Ezra Jennings.
|
|
|
|
"That is what you heard at his bedside?" I said.
|
|
|
|
"Literally and exactly what I heard," he answered--"except that
|
|
the repetitions are not transferred here from my short-hand notes.
|
|
He reiterated certain words and phrases a dozen times over,
|
|
fifty times over, just as he attached more or less importance
|
|
to the idea which they represented. The repetitions, in this sense,
|
|
were of some assistance to me in putting together those fragments.
|
|
Don't suppose," he added, pointing to the second sheet
|
|
of paper, "that I claim to have reproduced the expressions
|
|
which Mr. Candy himself would have used if he had been capable
|
|
of speaking connectedly. I only say that I have penetrated
|
|
through the obstacle of the disconnected expression,
|
|
to the thought which was underlying it connectedly all the time.
|
|
Judge for yourself."
|
|
|
|
I turned to the second sheet of paper, which I now knew to be the key
|
|
to the first.
|
|
|
|
Once more, Mr. Candy's wanderings appeared, copied in black ink;
|
|
the intervals between the phrases being filled up by Ezra Jennings
|
|
in red ink. I reproduce the result here, in one plain form;
|
|
the original language and the interpretation of it coming
|
|
close enough together in these pages to be easily compared
|
|
and verified.
|
|
|
|
"... Mr. Franklin Blake is clever and agreeable, but he wants
|
|
taking down a peg when he talks of medicine. He confesses
|
|
that he has been suffering from want of sleep at night.
|
|
I tell him that his nerves are out of order, and that he ought
|
|
to take medicine. He tells me that taking medicine and groping
|
|
in the dark mean one and the same thing. This before all
|
|
the company at the dinner-table. I say to him, you are groping
|
|
after sleep, and nothing but medicine can help you to find it.
|
|
He says to me, I have heard of the blind leading the blind,
|
|
and now I know what it means. Witty--but I can give him
|
|
a night's rest in spite of his teeth. He really wants sleep;
|
|
and Lady Verinder's medicine chest is at my disposal.
|
|
Give him five-and-twenty minims of laudanum to-night,
|
|
without his knowing it; and then call to-morrow morning.
|
|
'Well, Mr. Blake, will you try a little medicine to-day? You
|
|
will never sleep without it.'--'There you are out, Mr. Candy:
|
|
I have had an excellent night's rest without it.'
|
|
Then, come down on him with the truth! 'You have had something
|
|
besides an excellent night's rest; you had a dose of laudanum,
|
|
sir, before you went to bed. What do you say to the art
|
|
of medicine, now?'"
|
|
|
|
Admiration of the ingenuity which had woven this smooth and finished
|
|
texture out of the ravelled skein was naturally the first impression
|
|
that I felt, on handing the manuscript back to Ezra Jennings.
|
|
He modestly interrupted the first few words in which my sense of
|
|
surprise expressed itself, by asking me if the conclusion which he had
|
|
drawn from his notes was also the conclusion at which my own mind
|
|
had arrived.
|
|
|
|
"Do you believe as I believe," he said, "that you were acting
|
|
under the influence of the laudanum in doing all that you did,
|
|
on the night of Miss Verinder's birthday, in Lady Verinder's house?"
|
|
|
|
"I am too ignorant of the influence of laudanum to have an opinion of my own,"
|
|
I answered. "I can only follow your opinion, and feel convinced that you
|
|
are right."
|
|
|
|
"Very well. The next question is this. You are convinced;
|
|
and I am convinced--how are we to carry our conviction to the minds
|
|
of other people?"
|
|
|
|
I pointed to the two manuscripts, lying on the table between us.
|
|
Ezra Jennings shook his head.
|
|
|
|
"Useless, Mr. Blake! Quite useless, as they stand now for three
|
|
unanswerable reasons. In the first place, those notes have been
|
|
taken under circumstances entirely out of the experience of the mass
|
|
of mankind. Against them, to begin with! In the second place,
|
|
those notes represent a medical and metaphysical theory. Against them,
|
|
once more! In the third place, those notes are of my making;
|
|
there is nothing but my assertion to the contrary, to guarantee
|
|
that they are not fabrications. Remember what I told you on the moor--
|
|
and ask yourself what my assertion is worth. No! my notes have
|
|
but one value, looking to the verdict of the world outside.
|
|
Your innocence is to be vindicated; and they show how it can be done.
|
|
We must put our conviction to the proof--and You are the man to
|
|
prove it!"
|
|
|
|
"How?" I asked.
|
|
|
|
He leaned eagerly nearer to me across the table that divided us.
|
|
|
|
"Are you willing to try a bold experiment?"
|
|
|
|
"I will do anything to clear myself of the suspicion that rests on me now."
|
|
|
|
"Will you submit to some personal inconvenience for a time?"
|
|
|
|
"To any inconvenience, no matter what it may be."
|
|
|
|
"Will you be guided implicitly by my advice? It may expose you
|
|
to the ridicule of fools; it may subject you to the remonstrances
|
|
of friends whose opinions you are bound to respect
|
|
|
|
"Tell me what to do!" I broke out impatiently. "And, come what may,
|
|
I'll do it."
|
|
|
|
"You shall do this, Mr. Blake," he answered. "You shall steal
|
|
the Diamond, unconsciously, for the second time, in the presence
|
|
of witnesses whose testimony is beyond dispute."
|
|
|
|
I started to my feet. I tried to speak. I could only look at him.
|
|
|
|
"I believe it CAN be done," he went on. "And it shall be done--
|
|
if you will only help me. Try to compose yourself--sit down,
|
|
and hear what I have to say to you. You have resumed the habit
|
|
of smoking; I have seen that for myself. How long have you
|
|
resumed it."
|
|
|
|
"For nearly a year."
|
|
|
|
"Do you smoke more or less than you did?"
|
|
|
|
"More."
|
|
|
|
"Will you give up the habit again? Suddenly, mind!--as you
|
|
gave it up before."
|
|
|
|
I began dimly to see his drift. "I will give it up, from this moment,"
|
|
I answered.
|
|
|
|
"If the same consequences follow, which followed last June,"
|
|
said Ezra Jennings--"if you suffer once more as you suffered then,
|
|
from sleepless nights, we shall have gained our first step.
|
|
We shall have put you back again into something assimilating to your
|
|
nervous condition on the birthday night. If we can next revive,
|
|
or nearly revive, the domestic circumstances which surrounded you;
|
|
and if we can occupy your mind again with the various questions
|
|
concerning the Diamond which formerly agitated it, we shall
|
|
have replaced you, as nearly as possible in the same position,
|
|
physically and morally, in which the opium found you last year.
|
|
In that case we may fairly hope that a repetition of the dose will lead,
|
|
in a greater or lesser degree, to a repetition of the result.
|
|
There is my proposal, expressed in a few hasty words.
|
|
You shall now see what reasons I have to justify me in making
|
|
it."
|
|
|
|
He turned to one of the books at his side, and opened it at a place
|
|
marked by a small slip of paper.
|
|
|
|
"Don't suppose that I am going to weary you with a lecture
|
|
on physiology," he said. "I think myself bound to prove,
|
|
in justice to both of us, that I am not asking you to try this
|
|
experiment in deference to any theory of my own devising.
|
|
Admitted principles, and recognised authorities, justify me
|
|
in the view that I take. Give me five minutes of your attention;
|
|
and I will undertake to show you that Science sanctions
|
|
my proposal, fanciful as it may seem. Here, in the first place,
|
|
is the physiological principle on which I am acting,
|
|
stated by no less a person than Dr. Carpenter. Read it
|
|
for yourself."
|
|
|
|
He handed me the slip of paper which had marked the place in the book.
|
|
It contained a few lines of writing, as follows:--
|
|
|
|
"There seems much ground for the belief, that every sensory impression
|
|
which has once been recognised by the perceptive consciousness, is registered
|
|
(so to speak) in the brain, and may be reproduced at some subsequent time,
|
|
although there may be no consciousness of its existence in the mind during
|
|
the whole intermediate period." "Is that plain, so far?" asked Ezra Jennings.
|
|
|
|
"Perfectly plain."
|
|
|
|
He pushed the open book across the table to me, and pointed to a passage,
|
|
marked by pencil lines.
|
|
|
|
"Now," he said, "read that account of a case, which has--as I believe--
|
|
a direct bearing on your own position, and on the experiment which I
|
|
am tempting you to try. Observe, Mr. Blake, before you begin, that I
|
|
am now referring you to one of the greatest of English physiologists.
|
|
The book in your hand is Doctor Elliotson's HUMAN PHYSIOLOGY;
|
|
and the case which the doctor cites rests on the well-known authority of
|
|
Mr. Combe."
|
|
|
|
The passage pointed out to me was expressed in these terms :--
|
|
|
|
"Dr. Abel informed me," says Mr. Combe, "of an Irish porter to a warehouse,
|
|
who forgot, when sober, what he had done when drunk; but, being drunk,
|
|
again recollected the transactions of his former state of intoxication.
|
|
On one occasion, being drunk, he had lost a parcel of some value, and in his
|
|
sober moments could give no account of it. Next time he was intoxicated,
|
|
he recollected that he had left the parcel at a certain house, and there being
|
|
no address on it, it had remained there safely, and was got on his calling
|
|
for it."
|
|
|
|
"Plain again?" asked Ezra Jennings.
|
|
|
|
"As plain as need be."
|
|
|
|
He put back the slip of paper in its place, and closed the book.
|
|
|
|
"Are you satisfied that I have not spoken without good authority to
|
|
support me?" he asked. "If not, I have only to go to those bookshelves,
|
|
and you have only to read the passages which I can point out to you."
|
|
|
|
"I am quite satisfied," I said, "without reading a word more."
|
|
|
|
"In that case, we may return to your own personal interest
|
|
in this matter. I am bound to tell you that there is something
|
|
to be said against the experiment as well as for it.
|
|
If we could, this year, exactly reproduce, in your case,
|
|
the conditions as they existed last year, it is physiologically
|
|
certain that we should arrive at exactly the same result.
|
|
But this--there is no denying it--is simply impossible.
|
|
We can only hope to approximate to the conditions;
|
|
and if we don't succeed in getting you nearly enough
|
|
back to what you were, this venture of ours will fail.
|
|
If we do succeed--and I am myself hopeful of success--you may
|
|
at least so far repeat your proceedings on the birthday night,
|
|
as to satisfy any reasonable person that you are guiltless,
|
|
morally speaking, of the theft of the Diamond. I believe,
|
|
Mr. Blake, I have now stated the question, on both sides of it,
|
|
as fairly as I can, within the limits that I have imposed
|
|
on myself. If there is anything that I have not made clear
|
|
to you, tell me what it is--and if I can enlighten you,
|
|
I will."
|
|
|
|
"All that you have explained to me," I said, "I understand perfectly.
|
|
But I own I am puzzled on one point, which you have not made clear to
|
|
me yet."
|
|
|
|
"What is the point?"
|
|
|
|
"I don't understand the effect of the laudanum on me.
|
|
I don't understand my walking down-stairs, and along corridors,
|
|
and my opening and shutting the drawers of a cabinet, and my going
|
|
back again to my own room. All these are active proceedings.
|
|
I thought the influence of opium was first to stupefy you,
|
|
and then to send you to sleep."
|
|
|
|
"The common error about opium, Mr. Blake! I am, at this moment,
|
|
exerting my intelligence (such as it is) in your service, under the
|
|
influence of a dose of laudanum, some ten times larger than the dose
|
|
Mr. Candy administered to you. But don't trust to my authority--
|
|
even on a question which comes within my own personal experience.
|
|
I anticipated the objection you have just made: and I have again
|
|
provided myself with independent testimony which will carry
|
|
its due weight with it in your own mind, and in the minds of
|
|
your friends."
|
|
|
|
He handed me the second of the two books which he had by him on the table.
|
|
|
|
"There," he said, "are the far-famed CONFESSIONS OF AN ENGLISH
|
|
OPIUM EATER! Take the book away with you, and read it.
|
|
At the passage which I have marked, you will find that when De
|
|
Quincey had committed what he calls "a debauch of opium,"
|
|
he either went to the gallery at the Opera to enjoy the music,
|
|
or he wandered about the London markets on Saturday night,
|
|
and interested himself in observing all the little shifts
|
|
and bargainings of the poor in providing their Sunday's dinner.
|
|
So much for the capacity of a man to occupy himself actively,
|
|
and to move about from place to place under the influence
|
|
of opium."
|
|
|
|
"I am answered so far," I said; "but I am not answered yet as to the effect
|
|
produced by the opium on myself."
|
|
|
|
"I will try to answer you in a few words," said Ezra Jennings.
|
|
"The action of opium is comprised, in the majority of cases,
|
|
in two influences--a stimulating influence first, and a sedative
|
|
influence afterwards. Under the stimulating influence,
|
|
the latest and most vivid impressions left on your mind--
|
|
namely, the impressions relating to the Diamond--
|
|
would be likely, in your morbidly sensitive nervous condition,
|
|
to become intensified in your brain, and would subordinate
|
|
to themselves your judgment and your will exactly as an ordinary
|
|
dream subordinates to itself your judgment and your will.
|
|
Little by little, under this action, any apprehensions about
|
|
the safety of the Diamond which you might have felt during
|
|
the day would be liable to develop themselves from the state
|
|
of doubt to the state of certainty--would impel you into
|
|
practical action to preserve the jewel--would direct your steps,
|
|
with that motive in view, into the room which you entered--
|
|
and would guide your hand to the drawers of the cabinet,
|
|
until you had found the drawer which held the stone.
|
|
In the spiritualised intoxication of opium, you would
|
|
do all that. Later, as the sedative action began to gain
|
|
on the stimulant action, you would slowly become inert
|
|
and stupefied. Later still you would fall into a deep sleep.
|
|
When the morning came, and the effect of the opium had
|
|
been all slept off, you would wake as absolutely ignorant
|
|
of what you had done in the night as if you had been living
|
|
at the Antipodes. Have I made it tolerably clear to you
|
|
so far?"
|
|
|
|
"You have made it so clear," I said, "that I want you to go farther.
|
|
You have shown me how I entered the room, and how I came to take the Diamond.
|
|
But Miss Verinder saw me leave the room again, with the jewel in my hand.
|
|
Can you trace my proceedings from that moment? Can you guess what I
|
|
did next?"
|
|
|
|
"That is the very point I was coming to," he rejoined.
|
|
"It is a question with me whether the experiment which I
|
|
propose as a means of vindicating your innocence, may not
|
|
also be made a means of recovering the lost Diamond as well.
|
|
When you left Miss Verinder's sitting-room, with the jewel
|
|
in your hand, you went back in all probability to your
|
|
own room----"
|
|
|
|
"Yes? and what then?"
|
|
|
|
"It is possible, Mr. Blake--I dare not say more--that your idea of preserving
|
|
the Diamond led, by a natural sequence, to the idea of hiding the Diamond,
|
|
and that the place in which you hid it was somewhere in your bedroom.
|
|
In that event, the case of the Irish porter may be your case.
|
|
You may remember, under the influence of the second dose of opium,
|
|
the place in which you hid the Diamond under the influence of
|
|
the first."
|
|
|
|
It was my turn, now, to enlighten Ezra Jennings. I stopped him,
|
|
before he could say any more.
|
|
|
|
"You are speculating," I said, "on a result which cannot possibly take place.
|
|
The Diamond is, at this moment, in London."
|
|
|
|
He started, and looked at me in great surprise.
|
|
|
|
"In London?" he repeated. "How did it get to London from Lady
|
|
Verinder's house?"
|
|
|
|
"Nobody knows."
|
|
|
|
"You removed it with your own hand from Miss Verinder's room.
|
|
How was it taken out of your keeping?"
|
|
|
|
"I have no idea how it was taken out of my keeping."
|
|
|
|
"Did you see it, when you woke in the morning?"
|
|
|
|
"No."
|
|
|
|
"Has Miss Verinder recovered possession of it?"
|
|
|
|
"No."
|
|
|
|
"Mr. Blake! there seems to be something here which wants clearing up.
|
|
May I ask how you know that the Diamond is, at this moment,
|
|
in London?"
|
|
|
|
I had put precisely the same question to Mr. Bruff when I made
|
|
my first inquiries about the Moonstone, on my return to England.
|
|
In answering Ezra Jennings, I accordingly repeated what I had myself
|
|
heard from the lawyer's own lips--and what is already familiar
|
|
to the readers of these pages.
|
|
|
|
He showed plainly that he was not satisfied with my reply.
|
|
|
|
"With all deference to you," he said, "and with all deference to your
|
|
legal adviser, I maintain the opinion which I expressed just now.
|
|
It rests, I am well aware, on a mere assumption. Pardon me for
|
|
reminding you, that your opinion also rests on a mere assumption
|
|
as well."
|
|
|
|
The view he took of the matter was entirely new to me.
|
|
I waited anxiously to hear how he would defend it.
|
|
|
|
"I assume," pursued Ezra Jennings, "that the influence of the opium--
|
|
after impelling you to possess yourself of the Diamond,
|
|
with the purpose of securing its safety--might also impel you,
|
|
acting under the same influence and the same motive, to hide
|
|
it somewhere in your own room. YOU assume that the Hindoo
|
|
conspirators could by no possibility commit a mistake.
|
|
The Indians went to Mr. Luker's house after the Diamond--
|
|
and, therefore, in Mr. Luker's possession the Diamond must be!
|
|
Have you any evidence to prove that the Moonstone
|
|
was taken to London at all? You can't even guess how,
|
|
or by whom, it was removed from Lady Verinder's house!
|
|
Have you any evidence that the jewel was pledged to Mr. Luker?
|
|
He declares that he never heard of the Moonstone; and his bankers'
|
|
receipt acknowledges nothing but the deposit of a valuable
|
|
of great price. The Indians assume that Mr. Luker is lying--
|
|
and you assume again that the Indians are right.
|
|
All I say, in differing with you, is--that my view is possible.
|
|
What more, Mr. Blake, either logically, or legally, can be said
|
|
for yours?"
|
|
|
|
It was put strongly; but there was no denying that it was put truly as well.
|
|
|
|
"I confess you stagger me," I replied. "Do you object to my writing
|
|
to Mr. Bruff, and telling him what you have said?"
|
|
|
|
"On the contrary, I shall be glad if you will write to Mr. Bruff.
|
|
If we consult his experience, we may see the matter under a new light.
|
|
For the present, let us return to our experiment with the opium.
|
|
We have decided that you leave off the habit of smoking from
|
|
this moment."
|
|
|
|
"From this moment?"
|
|
|
|
"That is the first step. The next step is to reproduce, as nearly as we can,
|
|
the domestic circumstances which surrounded you last year."
|
|
|
|
How was this to be done? Lady Verinder was dead. Rachel and I,
|
|
so long as the suspicion of theft rested on me, were parted irrevocably.
|
|
Godfrey Ablewhite was away travelling on the Continent.
|
|
It was simply impossible to reassemble the people who had inhabited
|
|
the house, when I had slept in it last. The statement of this
|
|
objection did not appear to embarrass Ezra Jennings. He attached
|
|
very little importance, he said, to reassembling the same people--
|
|
seeing that it would be vain to expect them to reassume the various
|
|
positions which they had occupied towards me in the past times.
|
|
On the other hand, he considered it essential to the success of
|
|
the experiment, that I should see the same objects about me which had
|
|
surrounded me when I was last in the house.
|
|
|
|
"Above all things," he said, "you must sleep in the room which you slept in,
|
|
on the birthday night, and it must be furnished in the same way.
|
|
The stairs, the corridors, and Miss Verinder's sitting-room,
|
|
must also be restored to what they were when you saw them last.
|
|
It is absolutely necessary, Mr. Blake, to replace every article
|
|
of furniture in that part of the house which may now be put away.
|
|
The sacrifice of your cigars will be useless, unless we can get Miss
|
|
Verinder's permission to do that."
|
|
|
|
"Who is to apply to her for permission?" I asked.
|
|
|
|
"Is it not possible for you to apply?"
|
|
|
|
"Quite out of the question. After what has passed between us
|
|
on the subject of the lost Diamond, I can neither see her,
|
|
nor write to her, as things are now."
|
|
|
|
Ezra Jennings paused, and considered for a moment.
|
|
|
|
"May I ask you a delicate question?" he said.
|
|
|
|
I signed to him to go on.
|
|
|
|
"Am I right, Mr. Blake, in fancying (from one or two things which have
|
|
dropped from you) that you felt no common interest in Miss Verinder,
|
|
in former times?"
|
|
|
|
"Quite right."
|
|
|
|
"Was the feeling returned?"
|
|
|
|
"It was."
|
|
|
|
"Do you think Miss Verinder would be likely to feel a strong
|
|
interest in the attempt to prove your innocence?"
|
|
|
|
"I am certain of it."
|
|
|
|
"In that case, I will write to Miss Verinder--if you will give me leave."
|
|
|
|
"Telling her of the proposal that you have made to me?"
|
|
|
|
"Telling her of everything that has passed between us to-day."
|
|
|
|
It is needless to say that I eagerly accepted the service
|
|
which he had offered to me.
|
|
|
|
"I shall have time to write by to-day's post," he said, looking at his watch.
|
|
"Don't forget to lock up your cigars, when you get back to the hotel!
|
|
I will call to-morrow morning and hear how you have passed the night."
|
|
|
|
I rose to take leave of him; and attempted to express the grateful
|
|
sense of his kindness which I really felt.
|
|
|
|
He pressed my hand gently. "Remember what I told you on the moor,"
|
|
he answered. "If I can do you this little service, Mr. Blake,
|
|
I shall feel it like a last gleam of sunshine, falling on the evening
|
|
of a long and clouded day."
|
|
|
|
|
|
|
|
We parted. It was then the fifteenth of June. The events
|
|
of the next ten days--every one of them more or less directly
|
|
connected with the experiment of which I was the passive object--
|
|
are all placed on record, exactly as they happened, in the Journal
|
|
habitually kept by Mr. Candy's assistant. In the pages of Ezra
|
|
Jennings nothing is concealed, and nothing is forgotten.
|
|
Let Ezra Jennings tell how the venture with the opium was tried,
|
|
and how it ended.
|
|
|
|
|
|
|
|
FOURTH NARRATIVE
|
|
|
|
|
|
|
|
Extracted from the Journal of EZRA JENNINGS
|
|
|
|
|
|
1849.--June 15.... With some interruption from patients, and some interruption
|
|
from pain, I finished my letter to Miss Verinder in time for to-day's post.
|
|
I failed to make it as short a letter as I could have wished. But I think I
|
|
have made it plain. It leaves her entirely mistress of her own decision.
|
|
If she consents to assist the experiment, she consents of her own free will,
|
|
and not as a favour to Mr. Franklin Blake or to me.
|
|
|
|
|
|
|
|
June 16th.--Rose late, after a dreadful night; the vengeance of
|
|
yesterday's opium, pursuing me through a series of frightful dreams.
|
|
At one time I was whirling through empty space with
|
|
the phantoms of the dead, friends and enemies together.
|
|
At another, the one beloved face which I shall never see again,
|
|
rose at my bedside, hideously phosphorescent in the black darkness,
|
|
and glared and grinned at me. A slight return of the old pain,
|
|
at the usual time in the early morning, was welcome as a change.
|
|
It dispelled the visions--and it was bearable because it
|
|
did that.
|
|
|
|
My bad night made it late in the morning, before I could get
|
|
to Mr. Franklin Blake. I found him stretched on the sofa,
|
|
breakfasting on brandy and soda-water, and a dry biscuit.
|
|
|
|
"I am beginning, as well as you could possibly wish," he said.
|
|
"A miserable, restless night; and a total failure of appetite this morning.
|
|
Exactly what happened last year, when I gave up my cigars.
|
|
The sooner I am ready for my second dose of laudanum, the better I shall
|
|
be pleased."
|
|
|
|
"You shall have it on the earliest possible day," I answered.
|
|
"In the meantime, we must be as careful of your health as we can.
|
|
If we allow you to become exhausted, we shall fail in that way.
|
|
You must get an appetite for your dinner. In other words,
|
|
you must get a ride or a walk this morning, in the
|
|
fresh air."
|
|
|
|
"I will ride, if they can find me a horse here. By-the-by, I
|
|
wrote to Mr. Bruff, yesterday. Have you written to Miss Verinder?"
|
|
|
|
"Yes--by last night's post."
|
|
|
|
"Very good. We shall have some news worth hearing, to tell each
|
|
other to-morrow. Don't go yet! I have a word to say to you.
|
|
You appeared to think, yesterday, that our experiment with the opium
|
|
was not likely to be viewed very favourably by some of my friends.
|
|
You were quite right. I call old Gabriel Betteredge one of my friends;
|
|
and you will be amused to hear that he protested strongly when I saw
|
|
him yesterday. "You have done a wonderful number of foolish things
|
|
in the course of your life, Mr. Franklin, but this tops them all!"
|
|
There is Betteredge's opinion! You will make allowance for his prejudices,
|
|
I am sure, if you and he happen to meet?"
|
|
|
|
I left Mr. Blake, to go my rounds among my patients; feeling the better
|
|
and the happier even for the short interview that I had had with him.
|
|
|
|
What is the secret of the attraction that there is for me in this man?
|
|
Does it only mean that I feel the contrast between the frankly kind
|
|
manner in which he has allowed me to become acquainted with him,
|
|
and the merciless dislike and distrust with which I am met by other people?
|
|
Or is there really something in him which answers to the yearning
|
|
that I have for a little human sympathy--the yearning, which has
|
|
survived the solitude and persecution of many years; which seems
|
|
to grow keener and keener, as the time comes nearer and nearer when I
|
|
shall endure and feel no more? How useless to ask these questions!
|
|
Mr. Blake has given me a new interest in life. Let that be enough,
|
|
without seeking to know what the new interest is.
|
|
|
|
|
|
|
|
June 17th.--Before breakfast, this morning, Mr. Candy informed me that he was
|
|
going away for a fortnight, on a visit to a friend in the south of England.
|
|
He gave me as many special directions, poor fellow, about the patients, as if
|
|
he still had the large practice which he possessed before he was taken ill.
|
|
The practice is worth little enough now! Other doctors have superseded HIM;
|
|
and nobody who can help it will employ me.
|
|
|
|
It is perhaps fortunate that he is to be away just at this time.
|
|
He would have been mortified if I had not informed him
|
|
of the experiment which I am going to try with Mr. Blake.
|
|
And I hardly know what undesirable results might not have happened,
|
|
if I had taken him into my confidence. Better as it is.
|
|
Unquestionably, better as it is.
|
|
|
|
The post brought me Miss Verinder's answer, after Mr. Candy
|
|
had left the house.
|
|
|
|
A charming letter! It gives me the highest opinion of her.
|
|
There is no attempt to conceal the interest that she feels
|
|
in our proceedings. She tells me, in the prettiest manner,
|
|
that my letter has satisfied her of Mr. Blake's innocence,
|
|
without the slightest need (so far as she is concerned)
|
|
of putting my assertion to the proof. She even upbraids herself--
|
|
most undeservedly, poor thing!--for not having divined at
|
|
the time what the true solution of the mystery might really be.
|
|
The motive underlying all this proceeds evidently from something
|
|
more than a generous eagerness to make atonement for a wrong
|
|
which she has innocently inflicted on another person.
|
|
It is plain that she has loved him, throughout the estrangement
|
|
between them. In more than one place the rapture of discovering
|
|
that he has deserved to be loved, breaks its way innocently
|
|
through the stoutest formalities of pen and ink, and even
|
|
defies the stronger restraint still of writing to a stranger.
|
|
Is it possible (I ask myself, in reading this delightful letter)
|
|
that I, of all men in the world, am chosen to be the means of
|
|
bringing these two young people together again? My own happiness
|
|
has been trampled under foot; my own love has been torn from me.
|
|
Shall I live to see a happiness of others, which is of my making--
|
|
a love renewed, which is of my bringing back? Oh merciful Death,
|
|
let me see it before your arms enfold me, before your voice
|
|
whispers to me, "Rest at last!"
|
|
|
|
There are two requests contained in the letter.
|
|
One of them prevents me from showing it to Mr. Franklin Blake.
|
|
I am authorised to tell him that Miss Verinder willingly consents
|
|
to place her house at our disposal; and, that said, I am desired
|
|
to add no more.
|
|
|
|
So far, it is easy to comply with her wishes. But the second
|
|
request embarrasses me seriously.
|
|
|
|
Not content with having written to Mr. Betteredge, instructing him
|
|
to carry out whatever directions I may have to give, Miss Verinder
|
|
asks leave to assist me, by personally superintending the restoration
|
|
of her own sitting-room. She only waits a word of reply from me to make
|
|
the journey to Yorkshire, and to be present as one of the witnesses
|
|
on the night when the opium is tried for the second time.
|
|
|
|
Here, again, there is a motive under the surface; and, here again,
|
|
I fancy that I can find it out.
|
|
|
|
What she has forbidden me to tell Mr. Franklin Blake, she is (as I
|
|
interpret it) eager to tell him with her own lips, BEFORE he is put to
|
|
the test which is to vindicate his character in the eyes of other people.
|
|
I understand and admire this generous anxiety to acquit him,
|
|
without waiting until his innocence may, or may not, be proved.
|
|
It is the atonement that she is longing to make, poor girl, after having
|
|
innocently and inevitably wronged him. But the thing cannot be done.
|
|
I have no sort of doubt that the agitation which a meeting between
|
|
them would produce on both sides--reviving dormant feelings,
|
|
appealing to old memories, awakening new hopes--would, in their effect
|
|
on the mind of Mr. Blake, be almost certainly fatal to the success
|
|
of our experiment. It is hard enough, as things are, to reproduce in him
|
|
the conditions as they existed, or nearly as they existed, last year.
|
|
With new interests and new emotions to agitate him, the attempt would be
|
|
simply useless.
|
|
|
|
And yet, knowing this, I cannot find it in my heart to disappoint her.
|
|
I must try if I can discover some new arrangement, before post-time, which
|
|
will allow me to say Yes to Miss Verinder, without damage to the service
|
|
which I have bound myself to render to Mr. Franklin Blake.
|
|
|
|
Two o'clock.--I have just returned from my round of medical visits;
|
|
having begun, of course, by calling at the hotel.
|
|
|
|
Mr. Blake's report of the night is the same as before.
|
|
He has had some intervals of broken sleep, and no more.
|
|
But he feels it less to-day, having slept after yesterday's dinner.
|
|
This after-dinner sleep is the result, no doubt, of the ride
|
|
which I advised him to take. I fear I shall have to curtail his
|
|
restorative exercise in the fresh air. He must not be too well;
|
|
he must not be too ill. It is a case (as a sailor would say) of very
|
|
fine steering.
|
|
|
|
He has not heard yet from Mr. Bruff. I found him eager to know
|
|
if I had received any answer from Miss Verinder.
|
|
|
|
I told him exactly what I was permitted to tell, and no more.
|
|
It was quite needless to invent excuses for not showing him the letter.
|
|
He told me bitterly enough, poor fellow, that he understood the delicacy
|
|
which disinclined me to produce it. "She consents, of course,
|
|
as a matter of common courtesy and common justice," he said.
|
|
"But she keeps her own opinion of me, and waits to see the result."
|
|
I was sorely tempted to hint that he was now wronging her as she
|
|
had wronged him. On reflection, I shrank from forestalling her in
|
|
the double luxury of surprising and forgiving him.
|
|
|
|
My visit was a very short one. After the experience of the other night,
|
|
I have been compelled once more to give up my dose of opium.
|
|
As a necessary result, the agony of the disease that is in me has got
|
|
the upper hand again. I felt the attack coming on, and left abruptly,
|
|
so as not to alarm or distress him. It only lasted a quarter
|
|
of an hour this time, and it left me strength enough to go on with
|
|
my work.
|
|
|
|
Five o'clock.--I have written my reply to Miss Verinder.
|
|
|
|
The arrangement I have proposed reconciles the interests on both sides,
|
|
if she will only consent to it. After first stating the objections that
|
|
there are to a meeting between Mr. Blake and herself, before the experiment
|
|
is tried, I have suggested that she should so time her journey as to
|
|
arrive at the house privately, on the evening when we make the attempt.
|
|
Travelling by the afternoon train from London, she would delay her arrival
|
|
until nine o'clock. At that hour, I have undertaken to see Mr. Blake
|
|
safely into his bedchamber; and so to leave Miss Verinder free to occupy
|
|
her own rooms until the time comes for administering the laudanum.
|
|
When that has been done, there can be no objection to her watching the result,
|
|
with the rest of us. On the next morning, she shall show Mr. Blake
|
|
(if she likes) her correspondence with me, and shall satisfy him in that way
|
|
that he was acquitted in her estimation, before the question of his innocence
|
|
was put to the proof.
|
|
|
|
In that sense, I have written to her. This is all that I can do to-day.
|
|
To-morrow I must see Mr. Betteredge, and give the necessary directions
|
|
for reopening the house.
|
|
|
|
|
|
|
|
June 18th.--Late again, in calling on Mr. Franklin Blake.
|
|
More of that horrible pain in the early morning;
|
|
followed, this time, by complete prostration, for some hours.
|
|
I foresee, in spite of the penalties which it exacts from me,
|
|
that I shall have to return to the opium for the hundredth time.
|
|
If I had only myself to think of, I should prefer the sharp
|
|
pains to the frightful dreams. But the physical suffering
|
|
exhausts me. If I let myself sink, it may end in my
|
|
becoming useless to Mr. Blake at the time when he wants
|
|
me most.
|
|
|
|
It was nearly one o'clock before I could get to the hotel to-day. The visit,
|
|
even in my shattered condition, proved to be a most amusing one--
|
|
thanks entirely to the presence on the scene of Gabriel Betteredge.
|
|
|
|
I found him in the room, when I went in. He withdrew to the window
|
|
and looked out, while I put my first customary question to my patient.
|
|
Mr. Blake had slept badly again, and he felt the loss of rest this morning
|
|
more than he had felt it yet.
|
|
|
|
I asked next if he had heard from Mr. Bruff.
|
|
|
|
A letter had reached him that morning. Mr. Bruff expressed
|
|
the strongest disapproval of the course which his friend
|
|
and client was taking under my advice. It was mischievous--
|
|
for it excited hopes that might never be realised.
|
|
It was quite unintelligible to HIS mind, except that it looked
|
|
like a piece of trickery, akin to the trickery of mesmerism,
|
|
clairvoyance, and the like. It unsettled Miss Verinder's house,
|
|
and it would end in unsettling Miss Verinder herself. He had put
|
|
the case (without mentioning names) to an eminent physician;
|
|
and the eminent physician had smiled, had shaken his head,
|
|
and had said--nothing. On these grounds, Mr. Bruff entered
|
|
his protest, and left it there.
|
|
|
|
My next inquiry related to the subject of the Diamond.
|
|
Had the lawyer produced any evidence to prove that the jewel was
|
|
in London?
|
|
|
|
No, the lawyer had simply declined to discuss the question.
|
|
He was himself satisfied that the Moonstone had been pledged
|
|
to Mr. Luker. His eminent absent friend, Mr. Murthwaite
|
|
(whose consummate knowledge of the Indian character no one
|
|
could deny), was satisfied also. Under these circumstances,
|
|
and with the many demands already made on him, he must decline
|
|
entering into any disputes on the subject of evidence.
|
|
Time would show; and Mr. Bruff was willing to wait
|
|
for time.
|
|
|
|
It was quite plain--even if Mr. Blake had not made it plainer still
|
|
by reporting the substance of the letter, instead of reading what was
|
|
actually written--that distrust of me was at the bottom of all this.
|
|
Having myself foreseen that result, I was neither mortified nor surprised.
|
|
I asked Mr. Blake if his friend's protest had shaken him. He answered
|
|
emphatically, that it had not produced the slightest effect on his mind.
|
|
I was free after that to dismiss Mr. Bruff from consideration--and I did
|
|
dismiss him accordingly.
|
|
|
|
A pause in the talk between us, followed--and Gabriel Betteredge
|
|
came out from his retirement at the window.
|
|
|
|
"Can you favour me with your attention, sir?" he inquired,
|
|
addressing himself to me.
|
|
|
|
"I am quite at your service," I answered.
|
|
|
|
Betteredge took a chair and seated himself at the table.
|
|
He produced a huge old-fashioned leather pocket-book, with a pencil
|
|
of dimensions to match. Having put on his spectacles, he opened
|
|
the pocket-book, at a blank page, and addressed himself to me
|
|
once more.
|
|
|
|
"I have lived," said Betteredge, looking at me sternly,
|
|
"nigh on fifty years in the service of my late lady.
|
|
I was page-boy before that, in the service of the old lord,
|
|
her father. I am now somewhere between seventy and eighty years
|
|
of age--never mind exactly where! I am reckoned to have got
|
|
as pretty a knowledge and experience of the world as most men.
|
|
And what does it all end in? It ends, Mr. Ezra Jennings,
|
|
in a conjuring trick being performed on Mr. Franklin Blake,
|
|
by a doctor's assistant with a bottle of laudanum--
|
|
and by the living jingo, I'm appointed, in my old age, to be
|
|
conjurer's boy!"
|
|
|
|
Mr. Blake burst out laughing. I attempted to speak.
|
|
Betteredge held up his hand, in token that he had not done yet.
|
|
|
|
"Not a word, Mr. Jennings!" he said, "It don't want a word, sir, from you.
|
|
I have got my principles, thank God. If an order comes to me,
|
|
which is own brother to an order come from Bedlam, it don't matter.
|
|
So long as I get it from my master or mistress, as the case may be,
|
|
I obey it. I may have my own opinion, which is also, you will
|
|
please to remember, the opinion of Mr. Bruff--the Great Mr. Bruff!"
|
|
said Betteredge, raising his voice, and shaking his head at me solemnly.
|
|
"It don't matter; I withdraw my opinion, for all that.
|
|
My young lady says, "Do it." And I say, "Miss, it shall be done."
|
|
Here I am, with my book and my pencil--the latter not pointed
|
|
so well as I could wish, but when Christians take leave of
|
|
their senses, who is to expect that pencils will keep their points?
|
|
Give me your orders, Mr. Jennings. I'll have them in writing, sir.
|
|
I'm determined not to be behind 'em, or before 'em, by so much
|
|
as a hair's breadth. I'm a blind agent--that's what I am.
|
|
A blind agent!" repeated Betteredge, with infinite relish of his own
|
|
description of himself.
|
|
|
|
"I am very sorry," I began, "that you and I don't agree----"
|
|
|
|
"Don't bring ME, into it!" interposed Betteredge.
|
|
"This is not a matter of agreement, it's a matter of obedience.
|
|
Issue your directions, sir--issue your directions!"
|
|
|
|
Mr. Blake made me a sign to take him at his word. I "issued my directions"
|
|
as plainly and as gravely as I could.
|
|
|
|
"I wish certain parts of the house to be reopened," I said,
|
|
"and to be furnished, exactly as they were furnished at this
|
|
time last year."
|
|
|
|
Betteredge gave his imperfectly-pointed pencil a preliminary
|
|
lick with his tongue. "Name the parts, Mr. Jennings!"
|
|
he said loftily.
|
|
|
|
"First, the inner hall, leading to the chief staircase."
|
|
|
|
"'First, the inner hall,'" Betteredge wrote. "Impossible to
|
|
furnish that, sir, as it was furnished last year--to begin with."
|
|
|
|
"Why?"
|
|
|
|
"Because there was a stuffed buzzard, Mr. Jennings, in the hall last year.
|
|
When the family left, the buzzard was put away with the other things.
|
|
When the buzzard was put away--he burst."
|
|
|
|
"We will except the buzzard then."
|
|
|
|
Betteredge took a note of the exception. "'The inner hall to be
|
|
furnished again, as furnished last year. A burst buzzard alone excepted.'
|
|
Please to go on, Mr. Jennings."
|
|
|
|
"The carpet to be laid down on the stairs, as before."
|
|
|
|
"'The carpet to be laid down on the stairs, as before.'
|
|
Sorry to disappoint you, sir. But that can't be done either."
|
|
|
|
"Why not?"
|
|
|
|
"Because the man who laid that carpet down is dead, Mr. Jennings--
|
|
and the like of him for reconciling together a carpet and a corner,
|
|
is not to be found in all England, look where you may."
|
|
|
|
"Very well. We must try the next best man in England."
|
|
|
|
Betteredge took another note; and I went on issuing my directions.
|
|
|
|
"Miss Verinder's sitting-room to be restored exactly to what it
|
|
was last year. Also, the corridor leading from the sitting-room
|
|
to the first landing. Also, the second corridor, leading from
|
|
the second landing to the best bedrooms. Also, the bedroom
|
|
occupied last June by Mr. Franklin Blake."
|
|
|
|
Betteredge's blunt pencil followed me conscientiously, word by word.
|
|
"Go on, sir," he said, with sardonic gravity. "There's a deal of writing
|
|
left in the point of this pencil yet."
|
|
|
|
I told him that I had no more directions to give. "Sir," said Betteredge,
|
|
"in that case, I have a point or two to put on my own behalf."
|
|
He opened the pocket-book at a new page, and gave the inexhaustible pencil
|
|
another preliminary lick.
|
|
|
|
"I wish to know," he began, "whether I may, or may not,
|
|
wash my hands----"
|
|
|
|
"You may decidedly," said Mr. Blake. "I'll ring for the waiter."
|
|
|
|
"----of certain responsibilities," pursued Betteredge,
|
|
impenetrably declining to see anybody in the room but himself
|
|
and me. "As to Miss Verinder's sitting-room, to begin with.
|
|
When we took up the carpet last year, Mr. Jennings, we found
|
|
a surprising quantity of pins. Am I responsible for putting back
|
|
the pins?"
|
|
|
|
"Certainly not."
|
|
|
|
Betteredge made a note of that concession, on the spot.
|
|
|
|
"As to the first corridor next," he resumed. "When we moved
|
|
the ornaments in that part, we moved a statue of a fat naked child--
|
|
profanely described in the catalogue of the house as "Cupid, god of Love."
|
|
He had two wings last year, in the fleshy part of his shoulders.
|
|
My eye being off him, for the moment, he lost one of them.
|
|
Am I responsible for Cupid's wing?"
|
|
|
|
I made another concession, and Betteredge made another note.
|
|
|
|
"As to the second corridor," he went on. "There having been nothing in it,
|
|
last year, but the doors of the rooms (to every one of which I can swear,
|
|
if necessary), my mind is easy, I admit, respecting that part of the
|
|
house only. But, as to Mr. Franklin's bedroom (if THAT is to be put back
|
|
to what it was before), I want to know who is responsible for keeping it
|
|
in a perpetual state of litter, no matter how often it may be set right--
|
|
his trousers here, his towels there, and his French novels everywhere.
|
|
I say, who is responsible for untidying the tidiness of Mr. Franklin's room,
|
|
him or me?"
|
|
|
|
Mr. Blake declared that he would assume the whole responsibility
|
|
with the greatest pleasure. Betteredge obstinately declined to
|
|
listen to any solution of the difficulty, without first referring
|
|
it to my sanction and approval. I accepted Mr. Blake's proposal;
|
|
and Betteredge made a last entry in the pocket-book to that effect.
|
|
|
|
"Look in when you like, Mr. Jennings, beginning from to-morrow,"
|
|
he said, getting on his legs. "You will find me at work,
|
|
with the necessary persons to assist me. I respectfully beg
|
|
to thank you, sir, for overlooking the case of the stuffed buzzard,
|
|
and the other case of the Cupid's wing--as also for permitting
|
|
me to wash my hands of all responsibility in respect of the pins
|
|
on the carpet, and the litter in Mr. Franklin's room.
|
|
Speaking as a servant, I am deeply indebted to you.
|
|
Speaking as a man, I consider you to be a person whose
|
|
head is full of maggots, and I take up my testimony
|
|
against your experiment as a delusion and a snare.
|
|
Don't be afraid, on that account, of my feelings as a man getting
|
|
in the way of my duty as a servant! You shall be obeyed.
|
|
The maggots notwithstanding, sir, you shall be obeyed.
|
|
If it ends in your setting the house on fire, Damme if I
|
|
send for the engines, unless you ring the bell and order
|
|
them first!"
|
|
|
|
With that farewell assurance, he made me a bow, and walked out of the room.
|
|
|
|
"Do you think we can depend on him?" I asked.
|
|
|
|
"Implicitly," answered Mr. Blake. "When we go to the house,
|
|
we shall find nothing neglected, and nothing forgotten."
|
|
|
|
|
|
|
|
June 19th.--Another protest against our contemplated proceedings!
|
|
From a lady this time.
|
|
|
|
The morning's post brought me two letters. One from Miss Verinder,
|
|
consenting, in the kindest manner, to the arrangement that I have proposed.
|
|
The other from the lady under whose care she is living--one Mrs. Merridew.
|
|
|
|
Mrs. Merridew presents her compliments, and does not
|
|
pretend to understand the subject on which I have been
|
|
corresponding with Miss Verinder, in its scientific bearings.
|
|
Viewed in its social bearings, however, she feels free to
|
|
pronounce an opinion. I am probably, Mrs. Merridew thinks,
|
|
not aware that Miss Verinder is barely nineteen years of age.
|
|
To allow a young lady, at her time of life, to be present
|
|
(without a "chaperone") in a house full of men among whom
|
|
a medical experiment is being carried on, is an outrage
|
|
on propriety which Mrs. Merridew cannot possibly permit.
|
|
If the matter is allowed to proceed, she will feel
|
|
it to be her duty--at a serious sacrifice of her own
|
|
personal convenience--to accompany Miss Verinder to Yorkshire.
|
|
Under these circumstances, she ventures to request that I
|
|
will kindly reconsider the subject; seeing that Miss
|
|
Verinder declines to be guided by any opinion but mine.
|
|
Her presence cannot possibly be necessary; and a word from me,
|
|
to that effect, would relieve both Mrs. Merridew and myself of a very
|
|
unpleasant responsibility.
|
|
|
|
Translated from polite commonplace into plain English, the meaning of this is,
|
|
as I take it, that Mrs. Merridew stands in mortal fear of the opinion
|
|
of the world. She has unfortunately appealed to the very last man
|
|
in existence who has any reason to regard that opinion with respect.
|
|
I won't disappoint Miss Verinder; and I won't delay a reconciliation
|
|
between two young people who love each other, and who have been parted
|
|
too long already. Translated from plain English into polite commonplace,
|
|
this means that Mr. Jennings presents his compliments to Mrs. Merridew,
|
|
and regrets that he cannot feel justified in interfering any farther in
|
|
the matter.
|
|
|
|
Mr. Blake's report of himself, this morning, was the same as before.
|
|
We determined not to disturb Betteredge by overlooking him at
|
|
the house to-day. To-morrow will be time enough for our first visit
|
|
of inspection.
|
|
|
|
|
|
|
|
June 20th.--Mr. Blake is beginning to feel his continued restlessness
|
|
at night. The sooner the rooms are refurnished, now, the better.
|
|
|
|
On our way to the house, this morning, he consulted me,
|
|
with some nervous impatience and irresolution, about a letter
|
|
(forwarded to him from London) which he had received from
|
|
Sergeant Cuff.
|
|
|
|
The Sergeant writes from Ireland. He acknowledges the receipt
|
|
(through his housekeeper) of a card and message which Mr. Blake
|
|
left at his residence near Dorking, and announces his return
|
|
to England as likely to take place in a week or less.
|
|
In the meantime, he requests to be favoured with Mr. Blake's
|
|
reasons for wishing to speak to him (as stated in the message)
|
|
on the subject of the Moonstone. If Mr. Blake can convict him
|
|
of having made any serious mistake, in the course of his last
|
|
year's inquiry concerning the Diamond, he will consider it a duty
|
|
(after the liberal manner in which he was treated by the late
|
|
Lady Verinder) to place himself at that gentleman's disposal.
|
|
If not, he begs permission to remain in his retirement,
|
|
surrounded by the peaceful horticultural attractions of a
|
|
country life.
|
|
|
|
After reading the letter, I had no hesitation in advising
|
|
Mr. Blake to inform Sergeant Cuff, in reply, of all that
|
|
had happened since the inquiry was suspended last year,
|
|
and to leave him to draw his own conclusions from the plain facts.
|
|
|
|
On second thoughts I also suggested inviting the Sergeant to be present at
|
|
the experiment, in the event of his returning to England in time to join us.
|
|
He would be a valuable witness to have, in any case; and, if I proved
|
|
to be wrong in believing the Diamond to be hidden in Mr. Blake's room,
|
|
his advice might be of great importance, at a future stage of the proceedings
|
|
over which I could exercise no control. This last consideration appeared
|
|
to decide Mr. Blake. He promised to follow my advice.
|
|
|
|
The sound of the hammer informed us that the work of re-furnishing
|
|
was in full progress, as we entered the drive that led to the house.
|
|
|
|
Betteredge, attired for the occasion in a fisherman's red cap,
|
|
and an apron of green baize, met us in the outer hall.
|
|
The moment he saw me, he pulled out the pocket-book and pencil,
|
|
and obstinately insisted on taking notes of everything that I
|
|
said to him. Look where we might, we found, as Mr. Blake
|
|
had foretold that the work was advancing as rapidly and as
|
|
intelligently as it was possible to desire. But there was still
|
|
much to be done in the inner hall, and in Miss Verinder's room.
|
|
It seemed doubtful whether the house would be ready for us before
|
|
the end of the week.
|
|
|
|
Having congratulated Betteredge on the progress that he had made
|
|
(he persisted in taking notes every time I opened my lips;
|
|
declining, at the same time, to pay the slightest attention
|
|
to anything said by Mr. Blake); and having promised to
|
|
return for a second visit of inspection in a day or two,
|
|
we prepared to leave the house, going out by the back way.
|
|
Before we were clear of the passages downstairs, I was stopped
|
|
by Betteredge, just as I was passing the door which led into his
|
|
own room.
|
|
|
|
"Could I say two words to you in private?" he asked, in a mysterious whisper.
|
|
|
|
I consented of course. Mr. Blake walked on to wait for me
|
|
in the garden, while I accompanied Betteredge into his room.
|
|
I fully anticipated a demand for certain new concessions,
|
|
following the precedent already established in the cases of
|
|
the stuffed buzzard, and the Cupid's wing. To my great surprise,
|
|
Betteredge laid his hand confidentially on my arm, and put this
|
|
extraordinary question to me:
|
|
|
|
"Mr. Jennings, do you happen to be acquainted with ROBINSON CRUSOE?"
|
|
|
|
I answered that I had read ROBINSON CRUSOE when I was a child.
|
|
|
|
"Not since then?" inquired Betteredge.
|
|
|
|
"Not since then."
|
|
|
|
He fell back a few steps, and looked at me with an expression
|
|
of compassionate curiosity, tempered by superstitious awe.
|
|
|
|
"He has not read ROBINSON CRUSOE since he was a child," said Betteredge,
|
|
speaking to himself--not to me. "Let's try how ROBINSON CRUSOE strikes
|
|
him now!"
|
|
|
|
He unlocked a cupboard in a corner, and produced a dirty and dog's-eared book,
|
|
which exhaled a strong odour of stale tobacco as he turned over the leaves.
|
|
Having found a passage of which he was apparently in search, he requested me
|
|
to join him in the corner; still mysteriously confidential, and still speaking
|
|
under his breath.
|
|
|
|
"In respect to this hocus-pocus of yours, sir, with the laudanum and
|
|
Mr. Franklin Blake," he began. "While the workpeople are in the house,
|
|
my duty as a servant gets the better of my feelings as a man.
|
|
When the workpeople are gone, my feelings as a man get the better
|
|
of my duty as a servant. Very good. Last night, Mr. Jennings,
|
|
it was borne in powerfully on my mind that this new medical enterprise
|
|
of yours would end badly. If I had yielded to that secret Dictate,
|
|
I should have put all the furniture away again with my own hand,
|
|
and have warned the workmen off the premises when they came the
|
|
next morning."
|
|
|
|
"I am glad to find, from what I have seen up-stairs," I said,
|
|
"that you resisted the secret Dictate."
|
|
|
|
"Resisted isn't the word," answered Betteredge. "Wrostled is the word.
|
|
I wrostled, sir, between the silent orders in my bosom pulling me one way,
|
|
and the written orders in my pocket-book pushing me the other, until
|
|
(saving your presence) I was in a cold sweat. In that dreadful
|
|
perturbation of mind and laxity of body, to what remedy did I apply?
|
|
To the remedy, sir, which has never failed me yet for the last thirty
|
|
years and more--to This Book!"
|
|
|
|
He hit the book a sounding blow with his open hand, and struck
|
|
out of it a stronger smell of stale tobacco than ever.
|
|
|
|
"What did I find here," pursued Betteredge, "at the first page I opened?
|
|
This awful bit, sir, page one hundred and seventy-eight, as follows.--'Upon
|
|
these, and many like Reflections, I afterwards made it a certain rule with me,
|
|
That whenever I found those secret Hints or Pressings of my Mind, to doing,
|
|
or not doing any Thing that presented; or to going this Way, or that Way,
|
|
I never failed to obey the secret Dictate." As I live by bread, Mr. Jennings,
|
|
those were the first words that met my eye, exactly at the time when I myself
|
|
was setting the secret Dictate at defiance! You don't see anything at all out
|
|
of the common in that, do you, sir?"
|
|
|
|
"I see a coincidence--nothing more."
|
|
|
|
"You don't feel at all shaken, Mr. Jennings, in respect to this
|
|
medical enterprise of yours?
|
|
|
|
"Not the least in the world."
|
|
|
|
Betteredge stared hard at me, in dead silence. He closed the book
|
|
with great deliberation; he locked it up again in the cupboard with
|
|
extraordinary care; he wheeled round, and stared hard at me once more.
|
|
Then he spoke.
|
|
|
|
"Sir," he said gravely, "there are great allowances to be made
|
|
for a man who has not read ROBINSON CRUSOE since he was a child.
|
|
I wish you good morning."
|
|
|
|
He opened his door with a low bow, and left me at liberty to find
|
|
my own way into the garden. I met Mr. Blake returning to the house.
|
|
|
|
"You needn't tell me what has happened," he said. "Betteredge has played
|
|
his last card: he has made another prophetic discovery in ROBINSON CRUSOE.
|
|
Have you humoured his favourite delusion? No? You have let him see
|
|
that you don't believe in ROBINSON CRUSOE? Mr. Jennings! you have fallen
|
|
to the lowest possible place in Betteredge's estimation. Say what you like,
|
|
and do what you like, for the future. You will find that he won't waste
|
|
another word on you now."
|
|
|
|
|
|
|
|
June 21st.--A short entry must suffice in my journal to-day.
|
|
|
|
Mr. Blake has had the worst night that he has passed yet.
|
|
I have been obliged, greatly against my will, to prescribe for him.
|
|
Men of his sensitive organisation are fortunately quick in feeling
|
|
the effect of remedial measures. Otherwise, I should be inclined
|
|
to fear that he will be totally unfit for the experiment when the time
|
|
comes to try it.
|
|
|
|
As for myself, after some little remission of my pains for
|
|
the last two days I had an attack this morning, of which I shall
|
|
say nothing but that it has decided me to return to the opium.
|
|
I shall close this book, and take my full dose--five hundred drops.
|
|
|
|
|
|
|
|
June 22nd.--Our prospects look better to-day. Mr. Blake's nervous
|
|
suffering is greatly allayed. He slept a little last night.
|
|
MY night, thanks to the opium, was the night of a man who is stunned.
|
|
I can't say that I woke this morning; the fitter expression would be,
|
|
that I recovered my senses.
|
|
|
|
We drove to the house to see if the refurnishing was done.
|
|
It will be completed to-morrow--Saturday. As Mr. Blake foretold,
|
|
Betteredge raised no further obstacles. From first to last,
|
|
he was ominously polite, and ominously silent.
|
|
|
|
My medical enterprise (as Betteredge calls it)
|
|
must now, inevitably, be delayed until Monday next.
|
|
Tomorrow evening the workmen will be late in the house.
|
|
On the next day, the established Sunday tyranny which is one of
|
|
the institutions of this free country, so times the trains as to
|
|
make it impossible to ask anybody to travel to us from London.
|
|
Until Monday comes, there is nothing to be done but to watch
|
|
Mr. Blake carefully, and to keep him, if possible, in the same state
|
|
in which I find him to-day.
|
|
|
|
In the meanwhile, I have prevailed on him to write to Mr. Bruff,
|
|
making a point of it that he shall be present as one of the witnesses.
|
|
I especially choose the lawyer, because he is strongly prejudiced against us.
|
|
If we convince HIM, we place our victory beyond the possibility
|
|
of dispute.
|
|
|
|
Mr. Blake has also written to Sergeant Cuff; and I have sent
|
|
a line to Miss Verinder. With these, and with old Betteredge
|
|
(who is really a person of importance in the family) we shall have
|
|
witnesses enough for the purpose--without including Mrs. Merridew,
|
|
if Mrs. Merridew persists in sacrificing herself to the opinion
|
|
of the world.
|
|
|
|
|
|
|
|
June 23rd.--The vengeance of the opium overtook me again last night.
|
|
No matter; I must go on with it now till Monday is past and gone.
|
|
|
|
Mr. Blake is not so well again to-day. At two this morning,
|
|
he confesses that he opened the drawer in which his cigars are put away.
|
|
He only succeeded in locking it up again by a violent effort.
|
|
His next proceeding, in case of temptation, was to throw
|
|
the key out of window. The waiter brought it in this morning,
|
|
discovered at the bottom of an empty cistern--such is Fate!
|
|
I have taken possession of the key until Tuesday next.
|
|
|
|
|
|
|
|
June 24th.--Mr. Blake and I took a long drive in an open carriage.
|
|
We both felt beneficially the blessed influence of the soft summer air.
|
|
I dined with him at the hotel. To my great relief--for I found him
|
|
in an over-wrought, over-excited state this morning--he had two hours'
|
|
sound sleep on the sofa after dinner. If he has another bad night, now--I am
|
|
not afraid of the consequence.
|
|
|
|
|
|
|
|
June 25th, Monday.--The day of the experiment! It is five o'clock
|
|
in the afternoon. We have just arrived at the house.
|
|
|
|
The first and foremost question, is the question of Mr. Blake's health.
|
|
|
|
So far as it is possible for me to judge, he promises
|
|
(physically speaking) to be quite as susceptible to the action
|
|
of the opium to-night as he was at this time last year.
|
|
He is, this afternoon, in a state of nervous sensitiveness
|
|
which just stops short of nervous irritation. He changes
|
|
colour readily; his hand is not quite steady; and he starts
|
|
at chance noises, and at unexpected appearances of persons
|
|
and things.
|
|
|
|
These results have all been produced by deprivation of sleep,
|
|
which is in its turn the nervous consequence of a sudden cessation in
|
|
the habit of smoking, after that habit has been carried to an extreme.
|
|
Here are the same causes at work again, which operated last year;
|
|
and here are, apparently, the same effects. Will the parallel still
|
|
hold good, when the final test has been tried? The events of the night
|
|
must decide.
|
|
|
|
While I write these lines, Mr. Blake is amusing himself at the billiard
|
|
table in the inner hall, practising different strokes in the game, as he was
|
|
accustomed to practise them when he was a guest in this house in June last.
|
|
I have brought my journal here, partly with a view to occupying the idle
|
|
hours which I am sure to have on my hands between this and to-morrow morning;
|
|
partly in the hope that something may happen which it may be worth my while to
|
|
place on record at the time.
|
|
|
|
Have I omitted anything, thus far? A glance at yesterday's entry shows
|
|
me that I have forgotten to note the arrival of the morning's post.
|
|
Let me set this right before I close these leaves for the present,
|
|
and join Mr. Blake.
|
|
|
|
I received a few lines then, yesterday, from Miss Verinder.
|
|
She has arranged to travel by the afternoon train, as I recommended.
|
|
Mrs. Merridew has insisted on accompanying her.
|
|
The note hints that the old lady's generally excellent
|
|
temper is a little ruffled, and requests all due indulgence
|
|
for her, in consideration of her age and her habits.
|
|
I will endeavour, in my relations with Mrs. Merridew,
|
|
to emulate the moderation which Betteredge displays in his
|
|
relations with me. He received us to-day, portentously arrayed
|
|
in his best black suit, and his stiffest white cravat.
|
|
Whenever he looks my way, he remembers that I have not read
|
|
ROBINSON CRUSOE since I was a child, and he respectfully
|
|
pities me.
|
|
|
|
Yesterday, also, Mr. Blake had the lawyer's answer.
|
|
Mr. Bruff accepts the invitation--under protest.
|
|
It is, he thinks, clearly necessary that a gentleman possessed
|
|
of the average allowance of common sense, should accompany
|
|
Miss Verinder to the scene of, what we will venture to call,
|
|
the proposed exhibition. For want of a better escort,
|
|
Mr. Bruff himself will be that gentleman.--So here is poor
|
|
Miss Verinder provided with two "chaperones." It is a relief
|
|
to think that the opinion of the world must surely be satisfied
|
|
with this!
|
|
|
|
Nothing has been heard of Sergeant Cuff. He is no doubt still in Ireland.
|
|
We must not expect to see him to-night.
|
|
|
|
Betteredge has just come in, to say that Mr. Blake has asked for me.
|
|
I must lay down my pen for the present.
|
|
|
|
|
|
* * * * * * * * * *
|
|
|
|
|
|
Seven o'clock.--We have been all over the refurnished rooms and
|
|
staircases again; and we have had a pleasant stroll in the shrubbery,
|
|
which was Mr. Blake's favourite walk when he was here last.
|
|
In this way, I hope to revive the old impressions of places and things
|
|
as vividly as possible in his mind.
|
|
|
|
We are now going to dine, exactly at the hour at which the birthday dinner was
|
|
given last year. My object, of course, is a purely medical one in this case.
|
|
The laudanum must find the process of digestion, as nearly as may be,
|
|
where the laudanum found it last year.
|
|
|
|
At a reasonable time after dinner I propose to lead the conversation
|
|
back again--as inartificially as I can--to the subject of the Diamond,
|
|
and of the Indian conspiracy to steal it. When I have filled his mind
|
|
with these topics, I shall have done all that it is in my power to do,
|
|
before the time comes for giving him the second dose.
|
|
|
|
|
|
* * * * * * * * * *
|
|
|
|
|
|
Half-past eight.--I have only this moment found an opportunity
|
|
of attending to the most important duty of all; the duty of looking
|
|
in the family medicine chest, for the laudanum which Mr. Candy
|
|
used last year.
|
|
|
|
Ten minutes since, I caught Betteredge at an unoccupied moment,
|
|
and told him what I wanted. Without a word of objection,
|
|
without so much as an attempt to produce his pocket-book,
|
|
he led the way (making allowances for me at every step)
|
|
to the store-room in which the medicine chest is kept.
|
|
|
|
I discovered the bottle, carefully guarded by a glass stopper
|
|
tied over with leather. The preparation which it contained was,
|
|
as I had anticipated, the common Tincture of Opium.
|
|
Finding the bottle still well filled, I have resolved to use it,
|
|
in preference to employing either of the two preparations
|
|
with which I had taken care to provide myself, in case
|
|
of emergency.
|
|
|
|
The question of the quantity which I am to administer presents
|
|
certain difficulties. I have thought it over, and have decided
|
|
on increasing the dose.
|
|
|
|
My notes inform me that Mr. Candy only administered twenty-five minims.
|
|
This is a small dose to have produced the results which followed--
|
|
even in the case of a person so sensitive as Mr. Blake. I think it highly
|
|
probable that Mr. Candy gave more than he supposed himself to have given--
|
|
knowing, as I do, that he has a keen relish of the pleasures of the table,
|
|
and that he measured out the laudanum on the birthday, after dinner.
|
|
In any case, I shall run the risk of enlarging the dose to forty minims.
|
|
On this occasion, Mr. Blake knows beforehand that he is going to take
|
|
the laudanum--which is equivalent, physiologically speaking, to his having
|
|
(unconsciously to himself) a certain capacity in him to resist the effects.
|
|
If my view is right, a larger quantity is therefore imperatively required,
|
|
this time, to repeat the results which the smaller quantity produced,
|
|
last year.
|
|
|
|
|
|
* * * * * * * * * *
|
|
|
|
|
|
Ten o'clock.--The witnesses, or the company (which shall I call them?)
|
|
reached the house an hour since.
|
|
|
|
A little before nine o'clock, I prevailed on Mr. Blake to accompany
|
|
me to his bedroom; stating, as a reason, that I wished him
|
|
to look round it, for the last time, in order to make quite sure
|
|
that nothing had been forgotten in the refurnishing of the room.
|
|
I had previously arranged with Betteredge, that the bedchamber prepared
|
|
for Mr. Bruff should be the next room to Mr. Blake's, and that I
|
|
should be informed of the lawyer's arrival by a knock at the door.
|
|
Five minutes after the clock in the hall had struck nine,
|
|
I heard the knock; and, going out immediately, met Mr. Bruff in
|
|
the corridor.
|
|
|
|
My personal appearance (as usual) told against me. Mr. Bruff's
|
|
distrust looked at me plainly enough out of Mr. Bruff's eyes.
|
|
Being well used to producing this effect on strangers,
|
|
I did not hesitate a moment in saying what I wanted to say,
|
|
before the lawyer found his way into Mr. Blake's room.
|
|
|
|
"You have travelled here, I believe, in company with Mrs. Merridew
|
|
and Miss Verinder?" I said.
|
|
|
|
"Yes," answered Mr. Bruff, as drily as might be.
|
|
|
|
"Miss Verinder has probably told you, that I wish her presence in the house
|
|
(and Mrs. Merridew's presence of course) to be kept a secret from Mr. Blake,
|
|
until my experiment on him has been tried first?"
|
|
|
|
"I know that I am to hold my tongue, sir!" said Mr. Bruff, impatiently.
|
|
"Being habitually silent on the subject of human folly, I am all the readier
|
|
to keep my lips closed on this occasion. Does that satisfy you?"
|
|
|
|
I bowed, and left Betteredge to show him to his room.
|
|
Betteredge gave me one look at parting, which said, as if
|
|
in so many words, "You have caught a Tartar, Mr. Jennings--
|
|
and the name of him is Bruff."
|
|
|
|
It was next necessary to get the meeting over with the two ladies.
|
|
I descended the stairs--a little nervously, I confess--on my way to Miss
|
|
Verinder's sitting-room.
|
|
|
|
The gardener's wife (charged with looking after the accommodation
|
|
of the ladies) met me in the first-floor corridor.
|
|
This excellent woman treats me with an excessive civility
|
|
which is plainly the offspring of down-right terror.
|
|
She stares, trembles, and curtseys, whenever I speak to her.
|
|
On my asking for Miss Verinder, she stared, trembled, and would
|
|
no doubt have curtseyed next, if Miss Verinder herself
|
|
had not cut that ceremony short, by suddenly opening her
|
|
sitting-room door.
|
|
|
|
"Is that Mr. Jennings?" she asked.
|
|
|
|
Before I could answer, she came out eagerly to speak to me in the corridor.
|
|
We met under the light of a lamp on a bracket. At the first sight of me,
|
|
Miss Verinder stopped, and hesitated. She recovered herself instantly,
|
|
coloured for a moment--and then, with a charming frankness, offered me
|
|
her hand.
|
|
|
|
"I can't treat you like a stranger, Mr. Jennings," she said.
|
|
"Oh, if you only knew how happy your letters have made me!"
|
|
|
|
She looked at my ugly wrinkled face, with a bright gratitude so new to me
|
|
in my experience of my fellow-creatures, that I was at a loss how to
|
|
answer her. Nothing had prepared me for her kindness and her beauty.
|
|
The misery of many years has not hardened my heart, thank God.
|
|
I was as awkward and as shy with her, as if I had been a lad in
|
|
my teens.
|
|
|
|
"Where is he now?" she asked, giving free expression
|
|
to her one dominant interest--the interest in Mr. Blake.
|
|
"What is he doing? Has he spoken of me? Is he in good spirits?
|
|
How does he bear the sight of the house, after what happened
|
|
in it last year? When are you going to give him the laudanum?
|
|
May I see you pour it out? I am so interested; I am so excited--
|
|
I have ten thousand things to say to you, and they all crowd
|
|
together so that I don't know what to say first. Do you wonder at
|
|
the interest I take in this?"
|
|
|
|
"No," I said. "I venture to think that I thoroughly understand it."
|
|
|
|
She was far above the paltry affectation of being confused.
|
|
She answered me as she might have answered a brother or
|
|
a father.
|
|
|
|
"You have relieved me of indescribable wretchedness; you have given me
|
|
a new life. How can I be ungrateful enough to have any concealment from you?
|
|
I love him," she said simply, "I have loved him from first to last--
|
|
even when I was wronging him in my own thoughts; even when I was saying
|
|
the hardest and the cruellest words to him. Is there any excuse for me,
|
|
in that? I hope there is--I am afraid it is the only excuse I have.
|
|
When to-morrow comes, and he knows that I am in the house, do you
|
|
think----"
|
|
|
|
She stopped again, and looked at me very earnestly.
|
|
|
|
"When to-morrow comes," I said, "I think you have only to tell
|
|
him what you have just told me."
|
|
|
|
Her face brightened; she came a step nearer to me.
|
|
Her fingers trifled nervously with a flower which I had picked
|
|
in the garden, and which I had put into the button-hole of
|
|
my coat.
|
|
|
|
"You have seen a great deal of him lately," she said.
|
|
"Have you, really and truly, seen THAT?"
|
|
|
|
"Really and truly," I answered. "I am quite certain of what will happen
|
|
to-morrow. I wish I could feel as certain of what will happen to-night."
|
|
|
|
At that point in the conversation, we were interrupted by the appearance of
|
|
Betteredge with the tea-tray. He gave me another significant look as he passed
|
|
on into the sitting-room. "Aye! aye! make your hay while the sun shines.
|
|
The Tartar's upstairs, Mr. Jennings--the Tartar's upstairs!"
|
|
|
|
We followed him into the room. A little old lady, in a corner,
|
|
very nicely dressed, and very deeply absorbed over a smart piece
|
|
of embroidery, dropped her work in her lap, and uttered a faint
|
|
little scream at the first sight of my gipsy complexion and my
|
|
piebald hair.
|
|
|
|
"Mrs. Merridew," said Miss Verinder, "this is Mr. Jennings."
|
|
|
|
"I beg Mr. Jennings's pardon," said the old lady, looking at Miss Verinder,
|
|
and speaking at me. "Railway travelling always makes me nervous.
|
|
I am endeavouring to quiet my mind by occupying myself as usual. I don't
|
|
know whether my embroidery is out of place, on this extraordinary occasion.
|
|
If it interferes with Mr. Jennings's medical views, I shall be happy to put it
|
|
away of course."
|
|
|
|
I hastened to sanction the presence of the embroidery, exactly as I
|
|
had sanctioned the absence of the burst buzzard and the Cupid's wing.
|
|
Mrs. Merridew made an effort--a grateful effort--to look at my hair.
|
|
No! it was not to be done. Mrs. Merridew looked back again at
|
|
Miss Verinder.
|
|
|
|
"If Mr. Jennings will permit me," pursued the old lady,
|
|
"I should like to ask a favour. Mr. Jennings is about to try
|
|
a scientific experiment to-night. I used to attend scientific
|
|
experiments when I was a girl at school. They invariably
|
|
ended in an explosion. If Mr. Jennings will be so very kind,
|
|
I should like to be warned of the explosion this time.
|
|
With a view to getting it over, if possible, before I go
|
|
to bed."
|
|
|
|
I attempted to assure Mrs. Merridew that an explosion was not included
|
|
in the programme on this occasion.
|
|
|
|
"No," said the old lady. "I am much obliged to Mr. Jennings--
|
|
I am aware that he is only deceiving me for my own good.
|
|
I prefer plain dealing. I am quite resigned to the explosion--
|
|
but I DO want to get it over, if possible, before I go
|
|
to bed."
|
|
|
|
Here the door opened, and Mrs. Merridew uttered another little scream.
|
|
The advent of the explosion? No: only the advent of Betteredge.
|
|
|
|
"I beg your pardon, Mr. Jennings," said Betteredge, in his most elaborately
|
|
confidential manner. "Mr. Franklin wishes to know where you are.
|
|
Being under your orders to deceive him, in respect to the presence
|
|
of my young lady in the house, I have said I don't know.
|
|
That you will please to observe, was a lie. Having one foot already
|
|
in the grave, sir, the fewer lies you expect me to tell, the more
|
|
I shall be indebted to you, when my conscience pricks me and my
|
|
time comes."
|
|
|
|
There was not a moment to be wasted on the purely speculative question
|
|
of Betteredge's conscience. Mr. Blake might make his appearance
|
|
in search of me, unless I went to him at once in his own room.
|
|
Miss Verinder followed me out into the corridor.
|
|
|
|
"They seem to be in a conspiracy to persecute you," she said.
|
|
"What does it mean?"
|
|
|
|
"Only the protest of the world, Miss Verinder--on a very small scale--
|
|
against anything that is new."
|
|
|
|
"What are we to do with Mrs. Merridew?"
|
|
|
|
"Tell her the explosion will take place at nine to-morrow morning."
|
|
|
|
"So as to send her to bed?"
|
|
|
|
"Yes--so as to send her to bed."
|
|
|
|
Miss Verinder went back to the sitting-room, and I went upstairs to Mr. Blake.
|
|
|
|
To my surprise I found him alone; restlessly pacing his room,
|
|
and a little irritated at being left by himself.
|
|
|
|
"Where is Mr. Bruff?" I asked.
|
|
|
|
He pointed to the closed door of communication between the two rooms.
|
|
Mr. Bruff had looked in on him, for a moment; had attempted
|
|
to renew his protest against our proceedings; and had once
|
|
more failed to produce the smallest impression on Mr. Blake.
|
|
Upon this, the lawyer had taken refuge in a black leather bag,
|
|
filled to bursting with professional papers. "The serious
|
|
business of life," he admitted, "was sadly out of place on such
|
|
an occasion as the present. But the serious business of life
|
|
must be carried on, for all that. Mr. Blake would perhaps kindly
|
|
make allowance for the old-fashioned habits of a practical man.
|
|
Time was money--and, as for Mr. Jennings, he might depend
|
|
on it that Mr. Bruff would be forthcoming when called upon."
|
|
With that apology, the lawyer had gone back to his own room,
|
|
and had immersed himself obstinately in his black bag.
|
|
|
|
I thought of Mrs. Merridew and her embroidery, and of Betteredge
|
|
and his conscience. There is a wonderful sameness in the solid
|
|
side of the English character--just as there is a wonderful
|
|
sameness in the solid expression of the English face.
|
|
|
|
"When are you going to give me the laudanum?" asked Mr. Blake impatiently.
|
|
|
|
"You must wait a little longer," I said. "I will stay and keep
|
|
you company till the time comes."
|
|
|
|
It was then not ten o'clock. Inquiries which I had made,
|
|
at various times, of Betteredge and Mr. Blake, had led me
|
|
to the conclusion that the dose of laudanum given by Mr. Candy
|
|
could not possibly have been administered before eleven.
|
|
I had accordingly determined not to try the second dose until
|
|
that time.
|
|
|
|
We talked a little; but both our minds were preoccupied by the coming ordeal.
|
|
The conversation soon flagged--then dropped altogether.
|
|
Mr. Blake idly turned over the books on his bedroom table. I had taken
|
|
the precaution of looking at them, when we first entered the room.
|
|
THE GUARDIAN; THE TATLER; Richardson's PAMELA; Mackenzie's MAN OF FEELING;
|
|
Roscoe's LORENZO DE MEDICI; and Robertson's CHARLES THE FIFTH--
|
|
all classical works; all (of course) immeasurably superior to anything
|
|
produced in later times; and all (from my present point of view)
|
|
possessing the one great merit of enchaining nobody's interest,
|
|
and exciting nobody's brain. I left Mr. Blake to the composing influence
|
|
of Standard Literature, and occupied myself in making this entry in
|
|
my journal.
|
|
|
|
My watch informs me that it is close on eleven o'clock. I must
|
|
shut up these leaves once more.
|
|
|
|
|
|
* * * * * * * * * *
|
|
|
|
|
|
Two o'clock A.M.--The experiment has been tried. With what result,
|
|
I am now to describe.
|
|
|
|
At eleven o'clock, I rang the bell for Betteredge, and told
|
|
Mr. Blake that he might at last prepare himself for bed.
|
|
|
|
I looked out of the window at the night. It was mild
|
|
and rainy, resembling, in this respect, the night of the birthday--
|
|
the twenty-first of June, last year. Without professing
|
|
to believe in omens, it was at least encouraging to find no
|
|
direct nervous influences--no stormy or electric perturbations--
|
|
in the atmosphere. Betteredge joined me at the window,
|
|
and mysteriously put a little slip of paper into my hand.
|
|
It contained these lines:
|
|
|
|
"Mrs. Merridew has gone to bed, on the distinct understanding
|
|
that the explosion is to take place at nine to-morrow morning,
|
|
and that I am not to stir out of this part of the house until she
|
|
comes and sets me free. She has no idea that the chief scene
|
|
of the experiment is my sitting-room--or she would have remained
|
|
in it for the whole night! I am alone, and very anxious.
|
|
Pray let me see you measure out the laudanum; I want to have
|
|
something to do with it, even in the unimportant character of a
|
|
mere looker-on.--R.V."
|
|
|
|
I followed Betteredge out of the room, and told him to remove
|
|
the medicine-chest into Miss Verinder's sitting-room.
|
|
|
|
The order appeared to take him completely by surprise.
|
|
He looked as if he suspected me of some occult medical
|
|
design on Miss Verinder! "Might I presume to ask," he said,
|
|
"what my young lady and the medicine-chest have got to do with
|
|
each other?"
|
|
|
|
"Stay in the sitting-room, and you will see."
|
|
|
|
Betteredge appeared to doubt his own unaided capacity to superintend
|
|
me effectually, on an occasion when a medicine-chest was included
|
|
in the proceedings.
|
|
|
|
"Is there any objection, sir" he asked, "to taking Mr. Bruff
|
|
into this part of the business?"
|
|
|
|
"Quite the contrary! I am now going to ask Mr. Bruff to accompany
|
|
me down-stairs."
|
|
|
|
Betteredge withdrew to fetch the medicine-chest, without another word.
|
|
I went back into Mr. Blake's room, and knocked at the door of communication.
|
|
Mr. Bruff opened it, with his papers in his hand--immersed in Law;
|
|
impenetrable to Medicine.
|
|
|
|
"I am sorry to disturb you," I said. "But I am going to prepare
|
|
the laudanum for Mr. Blake; and I must request you to be present,
|
|
and to see what I do."
|
|
|
|
"Yes?" said Mr. Bruff, with nine-tenths of his attention riveted
|
|
on his papers, and with one-tenth unwillingly accorded to me.
|
|
"Anything else?"
|
|
|
|
"I must trouble you to return here with me, and to see me administer
|
|
the dose."
|
|
|
|
"Anything else?"
|
|
|
|
"One thing more. I must put you to the inconvenience of remaining
|
|
in Mr. Blake's room, and of waiting to see what happens."
|
|
|
|
"Oh, very good!" said Mr. Bruff. "My room, or Mr. Blake's room--
|
|
it doesn't matter which; I can go on with my papers anywhere.
|
|
Unless you object, Mr. Jennings, to my importing THAT amount of common
|
|
sense into the proceedings?"
|
|
|
|
Before I could answer, Mr. Blake addressed himself to the lawyer,
|
|
speaking from his bed.
|
|
|
|
"Do you really mean to say that you don't feel any interest in what we
|
|
are going to do?" he asked. "Mr. Bruff, you have no more imagination
|
|
than a cow!"
|
|
|
|
"A cow is a very useful animal, Mr. Blake," said the lawyer.
|
|
With that reply he followed me out of the room, still keeping
|
|
his papers in his hand.
|
|
|
|
We found Miss Verinder, pale and agitated, restlessly pacing her
|
|
sitting-room from end to end. At a table in a corner stood Betteredge,
|
|
on guard over the medicine-chest. Mr. Bruff sat down on the first
|
|
chair that he could find, and (emulating the usefulness of the cow)
|
|
plunged back again into his papers on the spot.
|
|
|
|
Miss Verinder drew me aside, and reverted instantly to her one
|
|
all-absorbing interest--her interest in Mr. Blake.
|
|
|
|
"How is he now?" she asked. "Is he nervous? is he out of temper?
|
|
Do you think it will succeed? Are you sure it will do no harm?"
|
|
|
|
"Quite sure. Come, and see me measure it out."
|
|
|
|
"One moment! It is past eleven now. How long will it be before
|
|
anything happens?"
|
|
|
|
"It is not easy to say. An hour perhaps."
|
|
|
|
"I suppose the room must be dark, as it was last year?"
|
|
|
|
"Certainly."
|
|
|
|
"I shall wait in my bedroom--just as I did before. I shall keep
|
|
the door a little way open. It was a little way open last year.
|
|
I will watch the sitting-room door; and the moment it moves,
|
|
I will blow out my light. It all happened in that way, on my
|
|
birthday night. And it must all happen again in the same way,
|
|
musn't it?"
|
|
|
|
"Are you sure you can control yourself, Miss Verinder?"
|
|
|
|
"In HIS interests, I can do anything!" she answered fervently.
|
|
|
|
One look at her face told me that I could trust her.
|
|
I addressed myself again to Mr. Bruff.
|
|
|
|
"I must trouble you to put your papers aside for a moment,"
|
|
I said.
|
|
|
|
"Oh, certainly!" He got up with a start--as if I had disturbed
|
|
him at a particularly interesting place--and followed me
|
|
to the medicine-chest. There, deprived of the breathless
|
|
excitement incidental to the practice of his profession,
|
|
he looked at Betteredge--and yawned wearily.
|
|
|
|
Miss Verinder joined me with a glass jug of cold water, which she had
|
|
taken from a side-table. "Let me pour out the water," she whispered.
|
|
"I must have a hand in it!"
|
|
|
|
I measured out the forty minims from the bottle, and poured
|
|
the laudanum into a medicine glass. "Fill it till it is three
|
|
parts full," I said, and handed the glass to Miss Verinder.
|
|
I then directed Betteredge to lock up the medicine chest;
|
|
informing him that I had done with it now. A look of
|
|
unutterable relief overspread the old servant's countenance.
|
|
He had evidently suspected me of a medical design on his
|
|
young lady!
|
|
|
|
After adding the water as I had directed, Miss Verinder seized a moment--
|
|
while Betteredge was locking the chest, and while Mr. Bruff was looking
|
|
back to his papers--and slyly kissed the rim of the medicine glass.
|
|
"When you give it to him," said the charming girl, "give it to him on
|
|
that side!"
|
|
|
|
I took the piece of crystal which was to represent the Diamond from my pocket,
|
|
and gave it to her.
|
|
|
|
"You must have a hand in this, too," I said. "You must put
|
|
it where you put the Moonstone last year."
|
|
|
|
She led the way to the Indian cabinet, and put the mock Diamond into
|
|
the drawer which the real Diamond had occupied on the birthday night.
|
|
Mr. Bruff witnessed this proceeding, under protest, as he had
|
|
witnessed everything else. But the strong dramatic interest which
|
|
the experiment was now assuming, proved (to my great amusement)
|
|
to be too much for Betteredge's capacity of self restraint.
|
|
His hand trembled as he held the candle, and he whispered anxiously,
|
|
"Are you sure, miss, it's the right drawer?"
|
|
|
|
I led the way out again, with the laudanum and water in my hand.
|
|
At the door, I stopped to address a last word to Miss Verinder.
|
|
|
|
"Don't be long in putting out the lights," I said.
|
|
|
|
I will put them out at once," she answered. "And I will wait in my bedroom,
|
|
with only one candle alight."
|
|
|
|
She closed the sitting-room door behind us. Followed by Mr. Bruff
|
|
and Betteredge, I went back to Mr. Blake's room.
|
|
|
|
We found him moving restlessly from side to side of the bed,
|
|
and wondering irritably whether he was to have the laudanum that night.
|
|
In the presence of the two witnesses, I gave him the dose,
|
|
and shook up his pillows, and told him to lie down again quietly
|
|
and wait.
|
|
|
|
His bed, provided with light chintz curtains, was placed,
|
|
with the head against the wall of the room, so as to leave
|
|
a good open space on either side of it. On one side, I drew
|
|
the curtains completely--and in the part of the room thus
|
|
screened from his view, I placed Mr. Bruff and Betteredge,
|
|
to wait for the result. At the bottom of the bed I half drew
|
|
the curtains--and placed my own chair at a little distance,
|
|
so that I might let him see me or not see me, speak to me
|
|
or not speak to me, just as the circumstances might direct.
|
|
Having already been informed that he always slept with
|
|
a light in the room, I placed one of the two lighted
|
|
candles on a little table at the head of the bed,
|
|
where the glare of the light would not strike on his eyes.
|
|
The other candle I gave to Mr. Bruff; the light, in this instance,
|
|
being subdued by the screen of the chintz curtains.
|
|
The window was open at the top, so as to ventilate the room.
|
|
The rain fell softly, the house was quiet. It was twenty minutes
|
|
past eleven, by my watch, when the preparations were completed,
|
|
and I took my place on the chair set apart at the bottom of
|
|
the bed.
|
|
|
|
Mr. Bruff resumed his papers, with every appearance of being
|
|
as deeply interested in them as ever. But looking towards
|
|
him now, I saw certain signs and tokens which told me
|
|
that the Law was beginning to lose its hold on him at last.
|
|
The suspended interest of the situation in which we were now placed
|
|
was slowly asserting its influence even on HIS unimaginative mind.
|
|
As for Betteredge, consistency of principle and dignity of
|
|
conduct had become, in his case, mere empty words. He forgot
|
|
that I was performing a conjuring trick on Mr. Franklin Blake;
|
|
he forgot that I had upset the house from top to bottom;
|
|
he forgot that I had not read ROBINSON CRUSOE since I was a child.
|
|
"For the Lord's sake, sir," he whispered to me, "tell us when it will
|
|
begin to work."
|
|
|
|
"Not before midnight," I whispered back. "Say nothing,
|
|
and sit still."
|
|
|
|
Betteredge dropped to the lowest depth of familiarity with me,
|
|
without a struggle to save himself. He answered by a wink!
|
|
|
|
Looking next towards Mr. Blake, I found him as restless
|
|
as ever in his bed; fretfully wondering why the influence
|
|
of the laudanum had not begun to assert itself yet.
|
|
To tell him, in his present humour, that the more he fidgeted
|
|
and wondered, the longer he would delay the result for
|
|
which we were now waiting, would have been simply useless.
|
|
The wiser course to take was to dismiss the idea of the opium
|
|
from his mind, by leading him insensibly to think of
|
|
something else.
|
|
|
|
With this view, I encouraged him to talk to me; contriving so to direct
|
|
the conversation, on my side, as to lead it back again to the subject
|
|
which had engaged us earlier in the evening--the subject of the Diamond.
|
|
I took care to revert to those portions of the story of the Moonstone,
|
|
which related to the transport of it from London to Yorkshire; to the risk
|
|
which Mr. Blake had run in removing it from the bank at Frizinghall:
|
|
and to the unexpected appearance of the Indians at the house, on the evening
|
|
of the birthday. And I purposely assumed, in referring to these events,
|
|
to have misunderstood much of what Mr. Blake himself had told me a few
|
|
hours since. In this way, I set him talking on the subject with which it
|
|
was now vitally important to fill his mind--without allowing him to suspect
|
|
that I was making him talk for a purpose. Little by little, he became
|
|
so interested in putting me right that he forgot to fidget in the bed.
|
|
His mind was far away from the question of the opium, at the all-important
|
|
time when his eyes first told me that the opium was beginning to lay its
|
|
hold on his brain.
|
|
|
|
I looked at my watch. It wanted five minutes to twelve,
|
|
when the premonitory symptoms of the working of the laudanum
|
|
first showed themselves to me.
|
|
|
|
At this time, no unpractised eyes would have detected any change in him.
|
|
But, as the minutes of the new morning wore away, the swiftly-subtle
|
|
progress of the influence began to show itself more plainly.
|
|
The sublime intoxication of opium gleamed in his eyes;
|
|
the dew of a stealthy perspiration began to glisten on his face.
|
|
In five minutes more, the talk which he still kept up with me,
|
|
failed in coherence. He held steadily to the subject of the Diamond;
|
|
but he ceased to complete his sentences. A little later, the sentences
|
|
dropped to single words. Then, there was an interval of silence.
|
|
Then, he sat up in bed. Then, still busy with the subject of
|
|
the Diamond, he began to talk again--not to me, but to himself.
|
|
That change told me that the first stage in the experiment was reached.
|
|
The stimulant influence of the opium had got him.
|
|
|
|
The time, now, was twenty-three minutes past twelve.
|
|
The next half hour, at most, would decide the question of
|
|
whether he would, or would not, get up from his bed, and leave
|
|
the room.
|
|
|
|
In the breathless interest of watching him--in the unutterable
|
|
triumph of seeing the first result of the experiment declare itself
|
|
in the manner, and nearly at the time, which I had anticipated--
|
|
I had utterly forgotten the two companions of my night vigil.
|
|
Looking towards them now, I saw the Law (as represented
|
|
by Mr. Bruff's papers) lying unheeded on the floor.
|
|
Mr. Bruff himself was looking eagerly through a crevice left
|
|
in the imperfectly-drawn curtains of the bed. And Betteredge,
|
|
oblivious of all respect for social distinctions, was peeping over
|
|
Mr. Bruff's shoulder.
|
|
|
|
They both started back, on finding that I was looking at them,
|
|
like two boys caught out by their schoolmaster in a fault.
|
|
I signed to them to take off their boots quietly, as I was taking
|
|
off mine. If Mr. Blake gave us the chance of following him,
|
|
it was vitally necessary to follow him without noise.
|
|
|
|
Ten minutes passed--and nothing happened. Then, he suddenly
|
|
threw the bed-clothes off him. He put one leg out of bed.
|
|
He waited.
|
|
|
|
"I wish I had never taken it out of the bank," he said to himself.
|
|
"It was safe in the bank."
|
|
|
|
My heart throbbed fast; the pulses at my temples beat furiously.
|
|
The doubt about the safety of the Diamond was, once more,
|
|
the dominant impression in his brain! On that one pivot,
|
|
the whole success of the experiment turned. The prospect thus
|
|
suddenly opened before me was too much for my shattered nerves.
|
|
I was obliged to look away from him--or I should have lost my
|
|
self-control.
|
|
|
|
There was another interval of silence.
|
|
|
|
When I could trust myself to look back at him he was out of his bed,
|
|
standing erect at the side of it. The pupils of his eyes were now contracted;
|
|
his eyeballs gleamed in the light of the candle as he moved his head slowly
|
|
to and fro. He was thinking; he was doubting--he spoke again.
|
|
|
|
"How do I know?" he said. "The Indians may be hidden in the house."
|
|
|
|
He stopped, and walked slowly to the other end of the room.
|
|
He turned--waited--came back to the bed.
|
|
|
|
"It's not even locked up," he went on. "It's in the drawer of her cabinet.
|
|
And the drawer doesn't lock."
|
|
|
|
He sat down on the side of the bed. "Anybody might take it,"
|
|
he said.
|
|
|
|
He rose again restlessly, and reiterated his first words.
|
|
|
|
"How do I know? The Indians may be hidden in the house."
|
|
|
|
He waited again. I drew back behind the half curtain of the bed.
|
|
He looked about the room, with a vacant glitter in his eyes.
|
|
It was a breathless moment. There was a pause of some sort.
|
|
A pause in the action of the opium? a pause in the action of the brain?
|
|
Who could tell? Everything depended, now, on what he
|
|
did next.
|
|
|
|
He laid himself down again on the bed!
|
|
|
|
A horrible doubt crossed my mind. Was it possible that the
|
|
sedative action of the opium was making itself felt already?
|
|
It was not in my experience that it should do this.
|
|
But what is experience, where opium is concerned?
|
|
There are probably no two men in existence on whom the drug
|
|
acts in exactly the same manner. Was some constitutional
|
|
peculiarity in him, feeling the influence in some new way?
|
|
Were we to fail on the very brink of success?
|
|
|
|
No! He got up again abruptly. "How the devil am I to sleep,"
|
|
he said, "with THIS on my mind?"
|
|
|
|
He looked at the light, burning on the table at the head of his bed.
|
|
After a moment, he took the candle in his hand.
|
|
|
|
I blew out the second candle, burning behind the closed curtains.
|
|
I drew back, with Mr. Bruff and Betteredge, into the farthest corner
|
|
by the bed. I signed to them to be silent, as if their lives had
|
|
depended on it.
|
|
|
|
We waited--seeing and hearing nothing. We waited, hidden from him
|
|
by the curtains.
|
|
|
|
The light which he was holding on the other side of us moved suddenly.
|
|
The next moment he passed us, swift and noiseless, with the candle in
|
|
his hand.
|
|
|
|
He opened the bedroom door, and went out.
|
|
|
|
We followed him along the corridor. We followed him down the stairs.
|
|
We followed him along the second corridor. He never looked back;
|
|
he never hesitated.
|
|
|
|
He opened the sitting-room door, and went in, leaving it open behind him.
|
|
|
|
The door was hung (like all the other doors in the house)
|
|
on large old-fashioned hinges. When it was opened, a crevice was
|
|
opened between the door and the post. I signed to my two companions
|
|
to look through this, so as to keep them from showing themselves.
|
|
I placed myself--outside the door also--on the opposite side.
|
|
A recess in the wall was at my left hand, in which I could
|
|
instantly hide myself, if he showed any signs of looking back into
|
|
the corridor.
|
|
|
|
He advanced to the middle of the room, with the candle still in his hand:
|
|
he looked about him--but he never looked back.
|
|
|
|
I saw the door of Miss Verinder's bedroom, standing ajar.
|
|
She had put out her light. She controlled herself nobly.
|
|
The dim white outline of her summer dress was all that I
|
|
could see. Nobody who had not known it beforehand would
|
|
have suspected that there was a living creature in the room.
|
|
She kept back, in the dark: not a word, not a movement
|
|
escaped her.
|
|
|
|
It was now ten minutes past one. I heard, through the dead silence,
|
|
the soft drip of the rain and the tremulous passage of the night air
|
|
through the trees.
|
|
|
|
After waiting irresolute, for a minute or more, in the middle of the room,
|
|
he moved to the corner near the window, where the Indian cabinet stood.
|
|
|
|
He put his candle on the top of the cabinet. He opened, and shut,
|
|
one drawer after another, until he came to the drawer in which
|
|
the mock Diamond was put. He looked into the drawer for a moment.
|
|
Then he took the mock Diamond out with his right hand.
|
|
With the other hand, he took the candle from the top of
|
|
the cabinet.
|
|
|
|
He walked back a few steps towards the middle of the room,
|
|
and stood still again.
|
|
|
|
Thus far, he had exactly repeated what he had done on the birthday night.
|
|
Would his next proceeding be the same as the proceeding of last year?
|
|
Would he leave the room? Would he go back now, as I believed he had
|
|
gone back then, to his bed-chamber? Would he show us what he had done
|
|
with the Diamond, when he had returned to his own room?
|
|
|
|
His first action, when he moved once more, proved to be an action
|
|
which he had not performed, when he was under the influence of
|
|
the opium for the first time. He put the candle down on a table,
|
|
and wandered on a little towards the farther end of the room.
|
|
There was a sofa there. He leaned heavily on the back of it,
|
|
with his left hand--then roused himself, and returned
|
|
to the middle of the room. I could now see his eyes.
|
|
They were getting dull and heavy; the glitter in them was fast
|
|
dying out.
|
|
|
|
The suspense of the moment proved too much for Miss Verinder's
|
|
self-control. She advanced a few steps--then stopped again.
|
|
Mr. Bruff and Betteredge looked across the open doorway at me
|
|
for the first time. The prevision of a coming disappointment was
|
|
impressing itself on their minds as well as on mine.
|
|
|
|
Still, so long as he stood where he was, there was hope.
|
|
We waited, in unutterable expectation, to see what would
|
|
happen next.
|
|
|
|
The next event was decisive. He let the mock Diamond drop out of his hand.
|
|
|
|
It fell on the floor, before the doorway--plainly visible
|
|
to him, and to everyone. He made no effort to pick it up:
|
|
he looked down at it vacantly, and, as he looked, his head sank
|
|
on his breast. He staggered--roused himself for an instant--
|
|
walked back unsteadily to the sofa--and sat down on it.
|
|
He made a last effort; he tried to rise, and sank back.
|
|
His head fell on the sofa cushions. It was then twenty-five minutes
|
|
past one o'clock. Before I had put my watch back in my pocket, he
|
|
was asleep.
|
|
|
|
It was all over now. The sedative influence had got him;
|
|
the experiment was at an end.
|
|
|
|
|
|
|
|
I entered the room, telling Mr. Bruff and Betteredge that they
|
|
might follow me. There was no fear of disturbing him.
|
|
We were free to move and speak.
|
|
|
|
"The first thing to settle," I said, "is the question of what we are
|
|
to do with him. He will probably sleep for the next six or seven hours,
|
|
at least. It is some distance to carry him back to his own room.
|
|
When I was younger, I could have done it alone. But my health
|
|
and strength are not what they were--I am afraid I must ask you to
|
|
help me."
|
|
|
|
Before they could answer, Miss Verinder called to me softly.
|
|
She met me at the door of her room, with a light shawl, and with
|
|
the counterpane from her own bed.
|
|
|
|
"Do you mean to watch him while he sleeps?" she asked.
|
|
|
|
"Yes, I am not sure enough of the action of the opium in his case
|
|
to be willing to leave him alone."
|
|
|
|
She handed me the shawl and the counterpane.
|
|
|
|
"Why should you disturb him?" she whispered. "Make his bed on the sofa.
|
|
I can shut my door, and keep in my room."
|
|
|
|
It was infinitely the simplest and the safest way of disposing
|
|
of him for the night. I mentioned the suggestion to Mr. Bruff
|
|
and Betteredge--who both approved of my adopting it.
|
|
In five minutes I had laid him comfortably on the sofa,
|
|
and had covered him lightly with the counterpane and the shawl.
|
|
Miss Verinder wished us good night, and closed the door.
|
|
At my request, we three then drew round the table in the middle
|
|
of the room, on which the candle was still burning, and on
|
|
which writing materials were placed.
|
|
|
|
"Before we separate," I began, "I have a word to say about the experiment
|
|
which has been tried to-night. Two distinct objects were to be gained by it.
|
|
The first of these objects was to prove, that Mr. Blake entered this room,
|
|
and took the Diamond, last year, acting unconsciously and irresponsibly,
|
|
under the influence of opium. After what you have both seen, are you both
|
|
satisfied, so far?"
|
|
|
|
They answered me in the affirmative, without a moment's hesitation.
|
|
|
|
"The second object," I went on, "was to discover what he did
|
|
with the Diamond, after he was seen by Miss Verinder to leave her
|
|
sitting-room with the jewel in his hand, on the birthday night.
|
|
The gaining of this object depended, of course, on his still
|
|
continuing exactly to repeat his proceedings of last year.
|
|
He has failed to do that; and the purpose of the experiment is
|
|
defeated accordingly. I can't assert that I am not disappointed
|
|
at the result--but I can honestly say that I am not surprised by it.
|
|
I told Mr. Blake from the first, that our complete success
|
|
in this matter depended on our completely reproducing in him
|
|
the physical and moral conditions of last year--and I warned
|
|
him that this was the next thing to a downright impossibility.
|
|
We have only partially reproduced the conditions, and the experiment
|
|
has been only partially successful in consequence. It is also
|
|
possible that I may have administered too large a dose of laudanum.
|
|
But I myself look upon the first reason that I have given, as the true
|
|
reason why we have to lament a failure, as well as to rejoice over
|
|
a success."
|
|
|
|
After saying those words, I put the writing materials before Mr. Bruff,
|
|
and asked him if he had any objection--before we separated for the night--
|
|
to draw out, and sign, a plain statement of what he had seen.
|
|
He at once took the pen, and produced the statement with the fluent
|
|
readiness of a practised hand.
|
|
|
|
"I owe you this," he said, signing the paper, "as some
|
|
atonement for what passed between us earlier in the evening.
|
|
I beg your pardon, Mr. Jennings, for having doubted you.
|
|
You have done Franklin Blake an inestimable service. In our
|
|
legal phrase, you have proved your case."
|
|
|
|
Betteredge's apology was characteristic of the man.
|
|
|
|
"Mr. Jennings," he said, "when you read ROBINSON CRUSOE again
|
|
(which I strongly recommend you to do), you will find that he never
|
|
scruples to acknowledge it, when he turns out to have been in the wrong.
|
|
Please to consider me, sir, as doing what Robinson Crusoe did,
|
|
on the present occasion." With those words he signed the paper in
|
|
his turn.
|
|
|
|
Mr. Bruff took me aside, as we rose from the table.
|
|
|
|
"One word about the Diamond," he said. "Your theory
|
|
is that Franklin Blake hid the Moonstone in his room.
|
|
My theory is, that the Moonstone is in the possession of Mr. Luker's
|
|
bankers in London. We won't dispute which of us is right.
|
|
We will only ask, which of us is in a position to put his theory
|
|
to the test?"
|
|
|
|
"The test, in my case, I answered, "has been tried to-night, and has failed."
|
|
|
|
"The test, in my case," rejoined Mr. Bruff, "is still in process of trial.
|
|
For the last two days I have had a watch set for Mr. Luker at the bank;
|
|
and I shall cause that watch to be continued until the last day of the month.
|
|
I know that he must take the Diamond himself out of his bankers" hands--and I
|
|
am acting on the chance that the person who has pledged the Diamond may
|
|
force him to do this by redeeming the pledge. In that case I may be able
|
|
to lay my hand on the person. If I succeed, I clear up the mystery,
|
|
exactly at the point where the mystery baffles us now! Do you admit that,
|
|
so far?"
|
|
|
|
I admitted it readily.
|
|
|
|
"I am going back to town by the morning train," pursued the lawyer.
|
|
"I may hear, when I return, that a discovery has been made--
|
|
and it may be of the greatest importance that I should have Franklin
|
|
Blake at hand to appeal to, if necessary. I intend to tell him,
|
|
as soon as he wakes, that he must return with me to London.
|
|
After all that has happened, may I trust to your influence to
|
|
back me?"
|
|
|
|
"Certainly!" I said.
|
|
|
|
Mr. Bruff shook hands with me, and left the room.
|
|
Betteredge followed him out; I went to the sofa to look at Mr. Blake.
|
|
He had not moved since I had laid him down and made his bed--
|
|
he lay locked in a deep and quiet sleep.
|
|
|
|
While I was still looking at him, I heard the bedroom door softly opened.
|
|
Once more, Miss Verinder appeared on the threshold, in her pretty
|
|
summer dress.
|
|
|
|
"Do me a last favour?" she whispered. "Let me watch him with you."
|
|
|
|
I hesitated--not in the interests of propriety; only in the interest
|
|
of her night's rest. She came close to me, and took my hand.
|
|
|
|
"I can't sleep; I can't even sit still, in my own room," she said.
|
|
"Oh, Mr. Jennings, if you were me, only think how you would long to sit
|
|
and look at him. Say, yes! Do!"
|
|
|
|
Is it necessary to mention that I gave way? Surely not!
|
|
|
|
She drew a chair to the foot of the sofa. She looked at him
|
|
in a silent ecstasy of happiness, till the tears rose in her eyes.
|
|
She dried her eyes, and said she would fetch her work.
|
|
She fetched her work, and never did a single stitch of it.
|
|
It lay in her lap--she was not even able to look away from him
|
|
long enough to thread her needle. I thought of my own youth;
|
|
I thought of the gentle eyes which had once looked love at me.
|
|
In the heaviness of my heart I turned to my Journal for relief,
|
|
and wrote in it what is written here.
|
|
|
|
So we kept our watch together in silence. One of us absorbed in his writing;
|
|
the other absorbed in her love.
|
|
|
|
Hour after hour he lay in his deep sleep. The light of the new day
|
|
grew and grew in the room, and still he never moved.
|
|
|
|
Towards six o'clock, I felt the warning which told me that my pains were
|
|
coming back. I was obliged to leave her alone with him for a little while.
|
|
I said I would go up-stairs, and fetch another pillow for him out of
|
|
his room. It was not a long attack, this time. In a little while I was able
|
|
to venture back, and let her see me again.
|
|
|
|
I found her at the head of the sofa, when I returned.
|
|
She was just touching his forehead with her lips.
|
|
I shook my head as soberly as I could, and pointed to her chair.
|
|
She looked back at me with a bright smile, and a charming
|
|
colour in her face. "You would have done it," she whispered,"
|
|
in my place!"
|
|
|
|
|
|
* * * * * * * * * *
|
|
|
|
|
|
It is just eight o'clock. He is beginning to move for the first time.
|
|
|
|
Miss Verinder is kneeling by the side of the sofa.
|
|
She has so placed herself that when his eyes first open,
|
|
they must open on her face.
|
|
|
|
Shall I leave them together?
|
|
|
|
Yes!
|
|
|
|
|
|
* * * * * * * * * *
|
|
|
|
|
|
Eleven o'clock.--The house is empty again. They have arranged it
|
|
among themselves; they have all gone to London by the ten o'clock train.
|
|
My brief dream of happiness is over. I have awakened again to the realities
|
|
of my friendless and lonely life.
|
|
|
|
I dare not trust myself to write down, the kind words that have been said
|
|
to me especially by Miss Verinder and Mr. Blake. Besides, it is needless.
|
|
Those words will come back to me in my solitary hours, and will help
|
|
me through what is left of the end of my life. Mr. Blake is to write,
|
|
and tell me what happens in London. Miss Verinder is to return to Yorkshire
|
|
in the autumn (for her marriage, no doubt); and I am to take a holiday,
|
|
and be a guest in the house. Oh me, how I felt, as the grateful happiness
|
|
looked at me out of her eyes, and the warm pressure of her hand said, "This is
|
|
your doing!"
|
|
|
|
My poor patients are waiting for me. Back again, this morning,
|
|
to the old routine! Back again, to-night, to the dreadful
|
|
alternative between the opium and the pain!
|
|
|
|
God be praised for His mercy! I have seen a little sunshine--
|
|
I have had a happy time.
|
|
|
|
|
|
|
|
FIFTH NARRATIVE
|
|
|
|
The Story Resumed by FRANKLIN BLAKE
|
|
|
|
CHAPTER I
|
|
|
|
|
|
But few words are needed, on my part, to complete the narrative
|
|
that has been presented in the Journal of Ezra Jennings.
|
|
|
|
Of myself, I have only to say that I awoke on the morning of the twenty-sixth,
|
|
perfectly ignorant of all that I had said and done under the influence
|
|
of the opium--from the time when the drug first laid its hold on me,
|
|
to the time when I opened my eyes, in Rachel's sitting-room.
|
|
|
|
Of what happened after my waking, I do not feel called upon to
|
|
render an account in detail. Confining myself merely to results,
|
|
I have to report that Rachel and I thoroughly understood each other,
|
|
before a single word of explanation had passed on either side.
|
|
I decline to account, and Rachel declines to account,
|
|
for the extraordinary rapidity of our reconciliation.
|
|
Sir and Madam, look back at the time when you were passionately
|
|
attached to each other--and you will know what happened, after Ezra
|
|
Jennings had shut the door of the sitting-room, as well as I know
|
|
it myself.
|
|
|
|
I have, however, no objection to add, that we should have been certainly
|
|
discovered by Mrs. Merridew, but for Rachel's presence of mind.
|
|
She heard the sound of the old lady's dress in the corridor,
|
|
and instantly ran out to meet her; I heard Mrs. Merridew say,
|
|
"What is the matter?" and I heard Rachel answer, "The explosion!"
|
|
Mrs. Merridew instantly permitted herself to be taken by the arm,
|
|
and led into the garden, out of the way of the impending shock.
|
|
On her return to the house, she met me in the hall,
|
|
and expressed herself as greatly struck by the vast improvement
|
|
in Science, since the time when she was a girl at school.
|
|
"Explosions, Mr. Blake, are infinitely milder than they were.
|
|
I assure you, I barely heard Mr. Jennings's explosion from the garden.
|
|
And no smell afterwards, that I can detect, now we have come back
|
|
to the house! I must really apologise to your medical friend.
|
|
It is only due to him to say that he has managed it
|
|
beautifully!"
|
|
|
|
So, after vanquishing Betteredge and Mr. Bruff, Ezra Jennings vanquished
|
|
Mrs. Merridew herself. There is a great deal of undeveloped liberal
|
|
feeling in the world, after all!
|
|
|
|
At breakfast, Mr. Bruff made no secret of his reasons for wishing
|
|
that I should accompany him to London by the morning train.
|
|
The watch kept at the bank, and the result which might yet
|
|
come of it, appealed so irresistibly to Rachel's curiosity,
|
|
that she at once decided (if Mrs. Merridew had no objection)
|
|
on accompanying us back to town--so as to be within reach of
|
|
the earliest news of our proceedings.
|
|
|
|
Mrs. Merridew proved to be all pliability and indulgence,
|
|
after the truly considerate manner in which the explosion had
|
|
conducted itself; and Betteredge was accordingly informed that we
|
|
were all four to travel back together by the morning train.
|
|
I fully expected that he would have asked leave to accompany us.
|
|
But Rachel had wisely provided her faithful old servant with an
|
|
occupation that interested him. He was charged with completing
|
|
the refurnishing of the house, and was too full of his domestic
|
|
responsibilities to feel the "detective-fever" as he might have felt it
|
|
under other circumstances.
|
|
|
|
Our one subject of regret, in going to London, was the necessity
|
|
of parting, more abruptly than we could have wished, with Ezra Jennings.
|
|
It was impossible to persuade him to accompany us.
|
|
I could only promise to write to him--and Rachel could only
|
|
insist on his coming to see her when she returned to Yorkshire.
|
|
There was every prospect of our meeting again in a few months--
|
|
and yet there was something very sad in seeing our best and dearest
|
|
friend left standing alone on the platform, as the train moved out of
|
|
the station.
|
|
|
|
On our arrival in London, Mr. Bruff was accosted at the terminus by a
|
|
small boy, dressed in a jacket and trousers of threadbare black cloth,
|
|
and personally remarkable in virtue of the extraordinary prominence
|
|
of his eyes. They projected so far, and they rolled about so loosely,
|
|
that you wondered uneasily why they remained in their sockets.
|
|
After listening to the boy, Mr. Bruff asked the ladies whether
|
|
they would excuse our accompanying them back to Portland Place.
|
|
I had barely time to promise Rachel that I would return, and tell her
|
|
everything that had happened, before Mr. Bruff seized me by the arm,
|
|
and hurried me into a cab. The boy with the ill-secured eyes took his
|
|
place on the box by the driver, and the driver was directed to go to
|
|
Lombard Street.
|
|
|
|
"News from the bank?" I asked, as we started.
|
|
|
|
"News of Mr. Luker," said Mr. Bruff. "An hour ago, he was seen
|
|
to leave his house at Lambeth, in a cab, accompanied by two men,
|
|
who were recognised by my men as police officers in plain clothes.
|
|
If Mr. Luker's dread of the Indians is at the bottom of this precaution,
|
|
the inference is plain enough. He is going to take the Diamond out of
|
|
the bank."
|
|
|
|
"And we are going to the bank to see what comes of it?"
|
|
|
|
"Yes--or to hear what has come of it, if it is all over by this time.
|
|
Did you notice my boy--on the box, there?"
|
|
|
|
"I noticed his eyes."
|
|
|
|
Mr. Bruff laughed. "They call the poor little wretch " Gooseberry"
|
|
at the office," he said. "I employ him to go on errands--and I only wish my
|
|
clerks who have nick-named him were as thoroughly to be depended on as he is.
|
|
Gooseberry is one of the sharpest boys in London, Mr. Blake, in spite of
|
|
his eyes."
|
|
|
|
It was twenty minutes to five when we drew up before the bank
|
|
in Lombard Street. Gooseberry looked longingly at his master,
|
|
as he opened the cab door.
|
|
|
|
"Do you want to come in too?" asked Mr. Bruff kindly.
|
|
"Come in then, and keep at my heels till further orders.
|
|
He's as quick as lightning," pursued Mr. Bruff, addressing me
|
|
in a whisper. "Two words will do with Gooseberry, where twenty
|
|
would be wanted with another boy."
|
|
|
|
We entered the bank. The outer office--with the long counter,
|
|
behind which the cashiers sat--was crowded with people;
|
|
all waiting their turn to take money out, or to pay money in,
|
|
before the bank closed at five o'clock.
|
|
|
|
Two men among the crowd approached Mr. Bruff, as soon as he showed himself.
|
|
|
|
"Well," asked the lawyer. "Have you seen him?"
|
|
|
|
"He passed us here half an hour since, sir, and went on into
|
|
the inner office."
|
|
|
|
"Has he not come out again yet?"
|
|
|
|
"No, sir."
|
|
|
|
Mr. Bruff turned to me. "Let us wait," he said.
|
|
|
|
I looked round among the people about me for the three Indians.
|
|
Not a sign of them was to be seen anywhere. The only person
|
|
present with a noticeably dark complexion was a tall man
|
|
in a pilot coat, and a round hat, who looked like a sailor.
|
|
Could this be one of them in disguise? Impossible! The man
|
|
was taller than any of the Indians; and his face, where it was
|
|
not hidden by a bushy black beard, was twice the breadth of any
|
|
of their faces at least.
|
|
|
|
"They must have their spy somewhere," said Mr. Bruff, looking at the dark
|
|
sailor in his turn. "And he may be the man."
|
|
|
|
Before he could say more, his coat-tail was respectfully
|
|
pulled by his attendant sprite with the gooseberry eyes.
|
|
Mr. Bruff looked where the boy was looking. "Hush!" he said.
|
|
"Here is Mr. Luker!"
|
|
|
|
The money-lender came out from the inner regions of the bank,
|
|
followed by his two guardian policemen in plain clothes.
|
|
|
|
"Keep your eye on him," whispered Mr. Bruff. "If he passes
|
|
the Diamond to anybody, he will pass it here."
|
|
|
|
Without noticing either of us, Mr. Luker slowly made his way to the door--
|
|
now in the thickest, now in the thinnest part of the crowd.
|
|
I distinctly saw his hand move, as he passed a short, stout man,
|
|
respectably dressed in a suit of sober grey. The man started a little,
|
|
and looked after him. Mr. Luker moved on slowly through the crowd.
|
|
At the door his guard placed themselves on either side of him.
|
|
They were all three followed by one of Mr. Bruff's men--and I saw them
|
|
no more.
|
|
|
|
I looked round at the lawyer, and then looked significantly towards the man
|
|
in the suit of sober grey. "Yes!" whispered Mr. Bruff, "I saw it too!"
|
|
He turned about, in search of his second man. The second man was
|
|
nowhere to be seen. He looked behind him for his attendant sprite.
|
|
Gooseberry had disappeared.
|
|
|
|
"What the devil does it mean?" said Mr. Bruff angrily.
|
|
"They have both left us at the very time when we want
|
|
them most."
|
|
|
|
It came to the turn of the man in the grey suit to transact his business
|
|
at the counter. He paid in a cheque--received a receipt for it--
|
|
and turned to go out.
|
|
|
|
"What is to be done?" asked Mr. Bruff. "We can't degrade ourselves
|
|
by following him."
|
|
|
|
"I can!" I said. "I wouldn't lose sight of that man for ten
|
|
thousand pounds!"
|
|
|
|
"In that case," rejoined Mr. Bruff, "I wouldn't lose sight of you,
|
|
for twice the money. A nice occupation for a man in my position,"
|
|
he muttered to himself, as we followed the stranger out of the bank.
|
|
"For Heaven's sake don't mention it. I should be ruined if it
|
|
was known."
|
|
|
|
The man in the grey suit got into an omnibus, going westward.
|
|
We got in after him. There were latent reserves of youth still
|
|
left in Mr. Bruff. I assert it positively--when he took his seat
|
|
in the omnibus, he blushed!
|
|
|
|
The man in the grey suit stopped the omnibus, and got out in Oxford Street.
|
|
We followed him again. He went into a chemist's shop.
|
|
|
|
Mr. Bruff started. "My chemist!" he exclaimed. "I am afraid
|
|
we have made a mistake."
|
|
|
|
We entered the shop. Mr. Bruff and the proprietor exchanged a few words
|
|
in private. The lawyer joined me again, with a very crestfallen face.
|
|
|
|
"It's greatly to our credit," he said, as he took my arm,
|
|
and led me out--"that's one comfort!"
|
|
|
|
"What is to our credit?" I asked.
|
|
|
|
"Mr. Blake! you and I are the two worst amateur detectives
|
|
that ever tried their hands at the trade. The man in the grey
|
|
suit has been thirty years in the chemist's service.
|
|
He was sent to the bank to pay money to his master's account--
|
|
and he knows no more of the Moonstone than the babe unborn."
|
|
|
|
I asked what was to be done next.
|
|
|
|
"Come back to my office," said Mr. Bruff. "Gooseberry, and my second man,
|
|
have evidently followed somebody else. Let us hope that THEY had their eyes
|
|
about them at any rate!"
|
|
|
|
When we reached Gray's Inn Square, the second man had arrived there
|
|
before us. He had been waiting for more than a quarter of an hour.
|
|
|
|
"Well!" asked Mr. Bruff. "What's your news?"
|
|
|
|
"I am sorry to say, sir," replied the man, "that I have made a mistake.
|
|
I could have taken my oath that I saw Mr. Luker pass something
|
|
to an elderly gentleman, in a light-coloured paletot. The elderly
|
|
gentleman turns out, sir, to be a most respectable master iron-monger
|
|
in Eastcheap."
|
|
|
|
"Where is Gooseberry?" asked Mr. Bruff resignedly.
|
|
|
|
The man stared. "I don't know, sir. I have seen nothing of him
|
|
since I left the bank."
|
|
|
|
Mr. Bruff dismissed the man. "One of two things," he said to me.
|
|
"Either Gooseberry has run away, or he is hunting on his own account.
|
|
What do you say to dining here, on the chance that the boy may come
|
|
back in an hour or two? I have got some good wine in the cellar,
|
|
and we can get a chop from the coffee-house."
|
|
|
|
We dined at Mr. Bruff's chambers. Before the cloth was removed,
|
|
"a person" was announced as wanting to speak to the lawyer.
|
|
Was the person Gooseberry? No: only the man who had been employed
|
|
to follow Mr. Luker when he left the bank.
|
|
|
|
The report, in this case, presented no feature of the slightest interest.
|
|
Mr. Luker had gone back to his own house, and had there dismissed
|
|
his guard. He had not gone out again afterwards. Towards dusk,
|
|
the shutters had been put up, and the doors had been bolted.
|
|
The street before the house, and the alley behind the house,
|
|
had been carefully watched. No signs of the Indians had been visible.
|
|
No person whatever had been seen loitering about the premises.
|
|
Having stated these facts, the man waited to know whether
|
|
there were any further orders. Mr. Bruff dismissed him for
|
|
the night.
|
|
|
|
"Do you think Mr. Luker has taken the Moonstone home with him?"
|
|
I asked.
|
|
|
|
"Not he," said Mr. Bruff. "He would never have dismissed his two policemen,
|
|
if he had run the risk of keeping the Diamond in his own house again."
|
|
|
|
We waited another half-hour for the boy, and waited in vain.
|
|
It was then time for Mr. Bruff to go to Hampstead, and for me
|
|
to return to Rachel in Portland Place. I left my card,
|
|
in charge of the porter at the chambers, with a line written
|
|
on it to say that I should be at my lodgings at half past ten,
|
|
that night. The card was to be given to the boy, if the boy
|
|
came back.
|
|
|
|
Some men have a knack of keeping appointments; and other men
|
|
have a knack of missing them. I am one of the other men.
|
|
Add to this, that I passed the evening at Portland Place,
|
|
on the same seat with Rachel, in a room forty feet long,
|
|
with Mrs. Merridew at the further end of it. Does anybody wonder
|
|
that I got home at half past twelve instead of half past ten?
|
|
How thoroughly heartless that person must be! And how earnestly I
|
|
hope I may never make that person's acquaintance!
|
|
|
|
My servant handed me a morsel of paper when he let me in.
|
|
|
|
I read, in a neat legal handwriting, these words--"If you please, sir, I am
|
|
getting sleepy. I will come back to-morrow morning, between nine and ten."
|
|
Inquiry proved that a boy, with very extraordinary-looking eyes, had called,
|
|
and presented my card and message, had waited an hour, had done nothing but
|
|
fall asleep and wake up again, had written a line for me, and had gone home--
|
|
after gravely informing the servant that "he was fit for nothing unless he got
|
|
his night's rest."
|
|
|
|
At nine, the next morning, I was ready for my visitor.
|
|
At half past nine, I heard steps outside my door.
|
|
"Come in, Gooseberry!" I called out. "Thank you, sir,"
|
|
answered a grave and melancholy voice. The door opened.
|
|
I started to my feet, and confronted--Sergeant Cuff.
|
|
|
|
"I thought I would look in here, Mr. Blake, on the chance of your being
|
|
in town, before I wrote to Yorkshire," said the Sergeant.
|
|
|
|
He was as dreary and as lean as ever. His eyes had not lost
|
|
their old trick (so subtly noticed in Betteredge's NARRATIVE)
|
|
of "looking as if they expected something more from you than
|
|
you were aware of yourself." But, so far as dress can alter
|
|
a man, the great Cuff was changed beyond all recognition.
|
|
He wore a broad-brimmed white hat, a light shooting jacket,
|
|
white trousers, and drab gaiters. He carried a stout oak stick.
|
|
His whole aim and object seemed to be to look as if he had
|
|
lived in the country all his life. When I complimented him
|
|
on his Metamorphosis, he declined to take it as a joke.
|
|
He complained, quite gravely, of the noises and the smells
|
|
of London. I declare I am far from sure that he did not speak
|
|
with a slightly rustic accent! I offered him breakfast.
|
|
The innocent countryman was quite shocked. HIS breakfast
|
|
hour was half-past six--and HE went to bed with the cocks
|
|
and hens!
|
|
|
|
"I only got back from Ireland last night," said the Sergeant, coming round
|
|
to the practical object of his visit, in his own impenetrable manner.
|
|
"Before I went to bed, I read your letter, telling me what has
|
|
happened since my inquiry after the Diamond was suspended last year.
|
|
There's only one thing to be said about the matter on my side.
|
|
I completely mistook my case. How any man living was to have seen
|
|
things in their true light, in such a situation as mine was at the time,
|
|
I don't profess to know. But that doesn't alter the facts as they stand.
|
|
I own that I made a mess of it. Not the first mess, Mr. Blake,
|
|
which has distinguished my professional career! It's only in books that
|
|
the officers of the detective force are superior to the weakness of making
|
|
a mistake."
|
|
|
|
"You have come in the nick of time to recover your reputation,"
|
|
I said.
|
|
|
|
"I beg your pardon, Mr. Blake," rejoined the Sergeant.
|
|
"Now I have retired from business, I don't care a straw about
|
|
my reputation. I have done with my reputation, thank God!
|
|
I am here, sir, in grateful remembrance of the late Lady
|
|
Verinder's liberality to me. I will go back to my old work--
|
|
if you want me, and if you will trust me--on that consideration,
|
|
and on no other. Not a farthing of money is to pass,
|
|
if you please, from you to me. This is on honour.
|
|
Now tell me, Mr. Blake, how the case stands since you wrote to
|
|
me last."
|
|
|
|
I told him of the experiment with the opium, and of what had occurred
|
|
afterwards at the bank in Lombard Street. He was greatly struck
|
|
by the experiment--it was something entirely new in his experience.
|
|
And he was particularly interested in the theory of Ezra Jennings,
|
|
relating to what I had done with the Diamond, after I had left Rachel's
|
|
sitting-room, on the birthday night.
|
|
|
|
"I don't hold with Mr. Jennings that you hid the Moonstone,"
|
|
said Sergeant Cuff. "But I agree with him, that you must
|
|
certainly have taken it back to your own room."
|
|
|
|
"Well?" I asked. "And what happened then?"
|
|
|
|
"Have you no suspicion yourself of what happened, sir?"
|
|
|
|
"None whatever."
|
|
|
|
"Has Mr. Bruff no suspicion?"
|
|
|
|
"No more than I have."
|
|
|
|
Sergeant Cuff rose, and went to my writing-table. He came back with
|
|
a sealed envelope. It was marked "Private;" it was addressed to me;
|
|
and it had the Sergeant's signature in the corner.
|
|
|
|
"I suspected the wrong person, last year," he said:
|
|
"and I may be suspecting the wrong person now. Wait to open
|
|
the envelope, Mr. Blake, till you have got at the truth.
|
|
And then compare the name of the guilty person, with the name that I
|
|
have written in that sealed letter."
|
|
|
|
I put the letter into my pocket--and then asked for the Sergeant's
|
|
opinion of the measures which we had taken at the bank.
|
|
|
|
"Very well intended, sir," he answered, "and quite the right thing to do.
|
|
But there was another person who ought to have been looked after besides
|
|
Mr. Luker."
|
|
|
|
"The person named in the letter you have just given to me?"
|
|
|
|
"Yes, Mr. Blake, the person named in the letter. It can't be helped now.
|
|
I shall have something to propose to you and Mr. Bruff, sir, when the
|
|
time comes. Let's wait, first, and see if the boy has anything to tell us
|
|
that is worth hearing."
|
|
|
|
It was close on ten o'clock, and the boy had not made his appearance.
|
|
Sergeant Cuff talked of other matters. He asked after his old
|
|
friend Betteredge, and his old enemy the gardener. In a minute more,
|
|
he would no doubt have got from this, to the subject of his favourite roses,
|
|
if my servant had not interrupted us by announcing that the boy
|
|
was below.
|
|
|
|
On being brought into the room, Gooseberry stopped at the threshold of
|
|
the door, and looked distrustfully at the stranger who was in my company.
|
|
I told the boy to come to me.
|
|
|
|
"You may speak before this gentleman," I said. "He is here to assist me;
|
|
and he knows all that has happened. Sergeant Cuff," I added, "this is
|
|
the boy from Mr. Bruff's office."
|
|
|
|
In our modern system of civilisation, celebrity (no matter of what kind)
|
|
is the lever that will move anything. The fame of the great Cuff had even
|
|
reached the ears of the small Gooseberry. The boy's ill-fixed eyes rolled,
|
|
when I mentioned the illustrious name, till I thought they really must have
|
|
dropped on the carpet.
|
|
|
|
"Come here, my lad," said the Sergeant, and let's hear what you
|
|
have got to tell us."
|
|
|
|
The notice of the great man--the hero of many a famous story
|
|
in every lawyer's office in London--appeared to fascinate the boy.
|
|
He placed himself in front of Sergeant Cuff, and put his hands
|
|
behind him, after the approved fashion of a neophyte who is examined
|
|
in his catechism.
|
|
|
|
"What is your name?" said the Sergeant, beginning with the first question
|
|
in the catechism.
|
|
|
|
"Octavius Guy," answered the boy. "They call me Gooseberry
|
|
at the office because of my eyes."
|
|
|
|
"Octavius Guy, otherwise Gooseberry," pursued the Sergeant,
|
|
with the utmost gravity, "you were missed at the bank yesterday.
|
|
What were you about?"
|
|
|
|
"If you please, sir, I was following a man."
|
|
|
|
"Who was he?"
|
|
|
|
"A tall man, sir, with a big black beard, dressed like a sailor."
|
|
|
|
"I remember the man!" I broke in. "Mr. Bruff and I thought
|
|
he was a spy employed by the Indians."
|
|
|
|
Sergeant Cuff did not appear to be much impressed by what Mr. Bruff
|
|
and I had thought. He went on catechising Gooseberry.
|
|
|
|
"Well?" he said--"and why did you follow the sailor?"
|
|
|
|
"If you please, sir, Mr. Bruff wanted to know whether Mr. Luker
|
|
passed anything to anybody on his way out of the bank.
|
|
I saw Mr. Luker pass something to the sailor with the black beard."
|
|
|
|
"Why didn't you tell Mr. Bruff what you saw?"
|
|
|
|
"I hadn't time to tell anybody, sir, the sailor went out in such a hurry."
|
|
|
|
"And you ran out after him--eh?"
|
|
|
|
"Yes, sir."
|
|
|
|
"Gooseberry," said the Sergeant, patting his head, "you have got
|
|
something in that small skull of yours--and it isn't cotton-wool.
|
|
I am greatly pleased with you, so far."
|
|
|
|
The boy blushed with pleasure. Sergeant Cuff went on.
|
|
|
|
"Well? and what did the sailor do, when he got into the street?"
|
|
|
|
"He called a cab, sir."
|
|
|
|
"And what did you do?"
|
|
|
|
"Held on behind, and run after it.
|
|
|
|
Before the Sergeant could put his next question, another visitor
|
|
was announced--the head clerk from Mr. Bruff's office.
|
|
|
|
Feeling the importance of not interrupting Sergeant Cuff's
|
|
examination of the boy, I received the clerk in another room.
|
|
He came with bad news of his employer. The agitation and excitement
|
|
of the last two days had proved too much for Mr. Bruff.
|
|
He had awoke that morning with an attack of gout; he was confined
|
|
to his room at Hampstead; and, in the present critical condition
|
|
of our affairs, he was very uneasy at being compelled to leave
|
|
me without the advice and assistance of an experienced person.
|
|
The chief clerk had received orders to hold himself at
|
|
my disposal, and was willing to do his best to replace
|
|
Mr. Bruff.
|
|
|
|
I wrote at once to quiet the old gentleman's mind, by telling him of Sergeant
|
|
Cuff's visit: adding that Gooseberry was at that moment under examination;
|
|
and promising to inform Mr. Bruff, either personally, or by letter,
|
|
of whatever might occur later in the day. Having despatched the clerk
|
|
to Hampstead with my note, I returned to the room which I had left,
|
|
and found Sergeant Cuff at the fireplace, in the act of ringing the bell.
|
|
|
|
"I beg your pardon, Mr. Blake," said the Sergeant. "I was just
|
|
going to send word by your servant that I wanted to speak to you.
|
|
There isn't a doubt on my mind that this boy--this most meritorious boy,"
|
|
added the Sergeant, patting Gooseberry on the head, "has followed
|
|
the right man. Precious time has been lost, sir, through your
|
|
unfortunately not being at home at half past ten last night.
|
|
The only thing to do, now, is to send for a cab immediately."
|
|
|
|
In five minutes more, Sergeant Cuff and I (with Gooseberry
|
|
on the box to guide the driver) were on our way eastward,
|
|
towards the City.
|
|
|
|
"One of these days," said the Sergeant, pointing through the front window
|
|
of the cab, "that boy will do great things in my late profession.
|
|
He is the brightest and cleverest little chap I have met with,
|
|
for many a long year past. You shall hear the substance, Mr. Blake,
|
|
of what he told me while you were out of the room. You were present,
|
|
I think, when he mentioned that he held on behind the cab, and ran
|
|
after it?"
|
|
|
|
"Yes."
|
|
|
|
"Well, sir, the cab went from Lombard Street to the Tower Wharf.
|
|
The sailor with the black beard got out, and spoke to the steward
|
|
of the Rotterdam steamboat, which was to start next morning.
|
|
He asked if he could be allowed to go on board at once, and sleep
|
|
in his berth over-night. The steward said, No. The cabins,
|
|
and berths, and bedding were all to have a thorough cleaning
|
|
that evening, and no passenger could be allowed to come on board,
|
|
before the morning. The sailor turned round, and left the wharf.
|
|
When he got into the street again, the boy noticed for the first time,
|
|
a man dressed like a respectable mechanic, walking on the opposite
|
|
side of the road, and apparently keeping the sailor in view.
|
|
The sailor stopped at an eating-house in the neighbourhood, and went in.
|
|
The boy--not being able to make up his mind, at the moment--
|
|
hung about among some other boys, staring at the good things
|
|
in the eating-house window. He noticed the mechanic waiting,
|
|
as he himself was waiting--but still on the opposite side of the street.
|
|
After a minute, a cab came by slowly, and stopped where the mechanic
|
|
was standing. The boy could only see plainly one person in the cab,
|
|
who leaned forward at the window to speak to the mechanic.
|
|
He described that person, Mr. Blake, without any prompting from me,
|
|
as having a dark face, like the face of an Indian."
|
|
|
|
It was plain, by this time, that Mr. Bruff and I had made another mistake.
|
|
The sailor with the black beard was clearly not a spy in the service
|
|
of the Indian conspiracy. Was he, by any possibility, the man who had got
|
|
the Diamond?
|
|
|
|
"After a little," pursued the Sergeant, "the cab moved on slowly
|
|
down the street. The mechanic crossed the road, and went into
|
|
the eating-house. The boy waited outside till he was hungry
|
|
and tired--and then went into the eating-house, in his turn.
|
|
He had a shilling in his pocket; and he dined sumptuously,
|
|
he tells me, on a black-pudding, an eel-pie, and a bottle of
|
|
ginger-beer. What can a boy not digest? The substance in question
|
|
has never been found yet."
|
|
|
|
"What did he see in the eating-house?" I asked.
|
|
|
|
"Well, Mr. Blake, he saw the sailor reading the newspaper at
|
|
one table, and the mechanic reading the newspaper at another.
|
|
It was dusk before the sailor got up, and left the place.
|
|
He looked about him suspiciously when he got out into the street.
|
|
The boy--BEING a boy--passed unnoticed. The mechanic had not come
|
|
out yet. The sailor walked on, looking about him, and apparently
|
|
not very certain of where he was going next. The mechanic appeared
|
|
once more, on the opposite side of the road. The sailor went on,
|
|
till he got to Shore Lane, leading into Lower Thames Street.
|
|
There he stopped before a public-house, under the sign of "The Wheel
|
|
of Fortune," and, after examining the place outside, went in.
|
|
Gooseberry went in too. There were a great many people,
|
|
mostly of the decent sort, at the bar. "The Wheel of Fortune"
|
|
is a very respectable house, Mr. Blake; famous for its porter and
|
|
pork-pies."
|
|
|
|
The Sergeant's digressions irritated me. He saw it; and confined
|
|
himself more strictly to Gooseberry's evidence when he went on.
|
|
|
|
"The sailor," he resumed, "asked if he could have a bed.
|
|
The landlord said "No; they were full." The barmaid
|
|
corrected him, and said "Number Ten was empty." A waiter was
|
|
sent for to show the sailor to Number Ten. Just before that,
|
|
Gooseberry had noticed the mechanic among the people at the bar.
|
|
Before the waiter had answered the call, the mechanic had vanished.
|
|
The sailor was taken off to his room. Not knowing what to do next,
|
|
Gooseberry had the wisdom to wait and see if anything happened.
|
|
Something did happen. The landlord was called for.
|
|
Angry voices were heard up-stairs. The mechanic suddenly made
|
|
his appearance again, collared by the landlord, and exhibiting,
|
|
to Gooseberry's great surprise, all the signs and tokens
|
|
of being drunk. The landlord thrust him out at the door,
|
|
and threatened him with the police if he came back.
|
|
From the altercation between them, while this was going on,
|
|
it appeared that the man had been discovered in Number Ten,
|
|
and had declared with drunken obstinacy that he had taken the room.
|
|
Gooseberry was so struck by this sudden intoxication of a previously
|
|
sober person, that he couldn't resist running out after the mechanic
|
|
into the street. As long as he was in sight of the public-house,
|
|
the man reeled about in the most disgraceful manner.
|
|
The moment he turned the corner of the street, he recovered
|
|
his balance instantly, and became as sober a member of society
|
|
as you could wish to see. Gooseberry went back to "The
|
|
Wheel of Fortune" in a very bewildered state of mind.
|
|
He waited about again, on the chance of something happening.
|
|
Nothing happened; and nothing more was to be heard, or seen,
|
|
of the sailor. Gooseberry decided on going back to the office.
|
|
Just as he came to this conclusion, who should appear, on the
|
|
opposite side of the street as usual, but the mechanic again!
|
|
He looked up at one particular window at the top of the
|
|
public-house, which was the only one that had a light in it.
|
|
The light seemed to relieve his mind. He left the place directly.
|
|
The boy made his way back to Gray's Inn--got your card
|
|
and message--called--and failed to find you. There you have
|
|
the state of the case, Mr. Blake, as it stands at the present
|
|
time."
|
|
|
|
"What is your own opinion of the case, Sergeant?"
|
|
|
|
"I think it's serious, sir. Judging by what the boy saw,
|
|
the Indians are in it, to begin with."
|
|
|
|
"Yes. And the sailor is evidently the person to whom Mr. Luker
|
|
passed the Diamond. It seems odd that Mr. Bruff, and I,
|
|
and the man in Mr. Bruff's employment, should all have been
|
|
mistaken about who the person was."
|
|
|
|
"Not at all, Mr. Blake. Considering the risk that person ran,
|
|
it's likely enough that Mr. Luker purposely misled you,
|
|
by previous arrangement between them."
|
|
|
|
"Do you understand the proceedings at the public-house?" I asked.
|
|
"The man dressed like a mechanic was acting of course in the employment
|
|
of the Indians. But I am as much puzzled to account for his sudden
|
|
assumption of drunkenness as Gooseberry himself."
|
|
|
|
"I think I can give a guess at what it means, sir," said the Sergeant.
|
|
"If you will reflect, you will see that the man must have had some pretty
|
|
strict instructions from the Indians. They were far too noticeable
|
|
themselves to risk being seen at the bank, or in the public-house--
|
|
they were obliged to trust everything to their deputy. Very good.
|
|
Their deputy hears a certain number named in the public-house,
|
|
as the number of the room which the sailor is to have for the night--
|
|
that being also the room (unless our notion is all wrong) which the Diamond
|
|
is to have for the night, too. Under those circumstances, the Indians,
|
|
you may rely on it, would insist on having a description of the room--
|
|
of its position in the house, of its capability of being approached
|
|
from the outside, and so on. What was the man to do, with such orders
|
|
as these? Just what he did! He ran up-stairs to get a look at
|
|
the room, before the sailor was taken into it. He was found there,
|
|
making his observations--and he shammed drunk, as the easiest way
|
|
of getting out of the difficulty. That's how I read the riddle.
|
|
After he was turned out of the public-house, he probably went with
|
|
his report to the place where his employers were waiting for him.
|
|
And his employers, no doubt, sent him back to make sure that the sailor
|
|
was really settled at the public-house till the next morning.
|
|
As for what happened at "The Wheel of Fortune," after the boy left--
|
|
we ought to have discovered that last night. It's eleven in
|
|
the morning, now. We must hope for the best, and find out what we
|
|
can."
|
|
|
|
In a quarter of an hour more, the cab stopped in Shore Lane,
|
|
and Gooseberry opened the door for us to get out.
|
|
|
|
"All right?" asked the Sergeant.
|
|
|
|
"All right," answered the boy.
|
|
|
|
The moment we entered "The Wheel of Fortune" it was plain even
|
|
to my inexperienced eyes that there was something wrong in the house.
|
|
|
|
The only person behind the counter at which the liquors were served,
|
|
was a bewildered servant girl, perfectly ignorant of the business.
|
|
One or two customers, waiting for their morning drink, were tapping
|
|
impatiently on the counter with their money. The bar-maid appeared
|
|
from the inner regions of the parlour, excited and preoccupied.
|
|
She answered Sergeant Cuff's inquiry for the landlord, by telling him
|
|
sharply that her master was up-stairs, and was not to be bothered
|
|
by anybody.
|
|
|
|
"Come along with me, sir," said Sergeant Cuff, coolly leading
|
|
the way up-stairs, and beckoning to the boy to follow him.
|
|
|
|
The barmaid called to her master, and warned him that strangers
|
|
were intruding themselves into the house. On the first floor
|
|
we were encountered by the Landlord, hurrying down, in a highly
|
|
irritated state, to see what was the matter.
|
|
|
|
"Who the devil are you? and what do you want here?" he asked.
|
|
|
|
"Keep your temper," said the Sergeant, quietly. "I'll tell
|
|
you who I am to begin with. I am Sergeant Cuff."
|
|
|
|
The illustrious name instantly produced its effect.
|
|
The angry landlord threw open the door of a sitting-room,
|
|
and asked the Sergeant's pardon.
|
|
|
|
"I am annoyed and out of sorts, sir--that's the truth," he said.
|
|
"Something unpleasant has happened in the house this morning.
|
|
A man in my way of business has a deal to upset his temper,
|
|
Sergeant Cuff."
|
|
|
|
"Not a doubt of it," said the Sergeant. "I'll come at once,
|
|
if you will allow me, to what brings us here. This gentleman
|
|
and I want to trouble you with a few inquiries, on a matter
|
|
of some interest to both of us."
|
|
|
|
"Relating to what, sir?" asked the landlord.
|
|
|
|
"Relating to a dark man, dressed like a sailor, who slept here last night."
|
|
|
|
"Good God! that's the man who is upsetting the whole house at this moment!"
|
|
exclaimed the landlord. "Do you, or does this gentleman know anything
|
|
about him?"
|
|
|
|
"We can't be certain till we see him," answered the Sergeant.
|
|
|
|
"See him?" echoed the landlord. "That's the one thing that
|
|
nobody has been able to do since seven o'clock this morning.
|
|
That was the time when he left word, last night, that he was
|
|
to be called. He WAS called--and there was no getting an answer
|
|
from him, and no opening his door to see what was the matter.
|
|
They tried again at eight, and they tried again at nine.
|
|
No use! There was the door still locked--and not a sound
|
|
to be heard in the room! I have been out this morning--
|
|
and I only got back a quarter of an hour ago.
|
|
I have hammered at the door myself--and all to no purpose.
|
|
The potboy has gone to fetch a carpenter. If you can wait a
|
|
few minutes, gentlemen, we will have the door opened, and see what
|
|
it means."
|
|
|
|
"Was the man drunk last night?" asked Sergeant Cuff.
|
|
|
|
"Perfectly sober, sir--or I would never have let him sleep in my house."
|
|
|
|
"Did he pay for his bed beforehand?"
|
|
|
|
"No."
|
|
|
|
"Could he leave the room in any way, without going out by the door?"
|
|
|
|
"The room is a garret," said the landlord. "But there's a
|
|
trap-door in the ceiling, leading out on to the roof--and a little
|
|
lower down the street, there's an empty house under repair.
|
|
Do you think, Sergeant, the blackguard has got off in that way,
|
|
without paying?"
|
|
|
|
"A sailor," said Sergeant Cuff, "might have done it--early in the morning,
|
|
before the street was astir. He would be used to climbing, and his head
|
|
wouldn't fail him on the roofs of the houses."
|
|
|
|
As he spoke, the arrival of the carpenter was announced.
|
|
We all went up-stairs, at once, to the top story.
|
|
I noticed that the Sergeant was unusually grave, even for him.
|
|
It also struck me as odd that he told the boy (after having previously
|
|
encouraged him to follow us), to wait in the room below till we came
|
|
down again.
|
|
|
|
The carpenter's hammer and chisel disposed of the resistance of
|
|
the door in a few minutes. But some article of furniture had been
|
|
placed against it inside, as a barricade. By pushing at the door,
|
|
we thrust this obstacle aside, and so got admission to the room.
|
|
The landlord entered first; the Sergeant second; and I third.
|
|
The other persons present followed us.
|
|
|
|
We all looked towards the bed, and all started.
|
|
|
|
The man had not left the room. He lay, dressed, on the bed--
|
|
with a white pillow over his face, which completely hid it
|
|
from view.
|
|
|
|
"What does that mean?" said the landlord, pointing to the pillow.
|
|
|
|
Sergeant Cuff led the way to the bed, without answering,
|
|
and removed the pillow.
|
|
|
|
The man's swarthy face was placid and still; his black
|
|
hair and beard were slightly, very slightly, discomposed.
|
|
His eyes stared wide-open, glassy and vacant, at the ceiling.
|
|
The filmy look and the fixed expression of them horrified me.
|
|
I turned away, and went to the open window.
|
|
The rest of them remained, where Sergeant Cuff remained,
|
|
at the bed.
|
|
|
|
"He's in a fit!" I heard the landlord say.
|
|
|
|
"He's dead," the Sergeant answered. "Send for the nearest doctor,
|
|
and send for the police."
|
|
|
|
The waiter was despatched on both errands. Some strange
|
|
fascination seemed to hold Sergeant Cuff to the bed.
|
|
Some strange curiosity seemed to keep the rest of them waiting,
|
|
to see what the Sergeant would do next.
|
|
|
|
I turned again to the window. The moment afterwards, I felt
|
|
a soft pull at my coat-tails, and a small voice whispered,
|
|
"Look here, sir!"
|
|
|
|
Gooseberry had followed us into the room. His loose eyes
|
|
rolled frightfully--not in terror, but in exultation.
|
|
He had made a detective-discovery on his own account.
|
|
"Look here, sir," he repeated--and led me to a table in the corner of
|
|
the room.
|
|
|
|
On the table stood a little wooden box, open, and empty.
|
|
On one side of the box lay some jewellers' cotton. On the
|
|
other side, was a torn sheet of white paper, with a seal on it,
|
|
partly destroyed, and with an inscription in writing,
|
|
which was still perfectly legible. The inscription was in
|
|
these words:
|
|
|
|
"Deposited with Messrs. Bushe, Lysaught, and Bushe, by Mr. Septimus Luker,
|
|
of Middlesex Place, Lambeth, a small wooden box, sealed up in this envelope,
|
|
and containing a valuable of great price. The box, when claimed,
|
|
to be only given up by Messrs. Bushe and Co. on the personal application
|
|
of Mr. Luker."
|
|
|
|
Those lines removed all further doubt, on one point at least.
|
|
The sailor had been in possession of the Moonstone, when he had left
|
|
the bank on the previous day.
|
|
|
|
I felt another pull at my coat-tails. Gooseberry had not done with me yet.
|
|
|
|
"Robbery!" whispered the boy, pointing, in high delight,
|
|
to the empty box.
|
|
|
|
"You were told to wait down-stairs," I said. "Go away!"
|
|
|
|
"And Murder!" added Gooseberry, pointing, with a keener relish still,
|
|
to the man on the bed.
|
|
|
|
There was something so hideous in the boy's enjoyment of the horror
|
|
of the scene, that I took him by the two shoulders and put him
|
|
out of the room.
|
|
|
|
At the moment when I crossed the threshold of the door,
|
|
I heard Sergeant Cuff's voice, asking where I was. He met me,
|
|
as I returned into the room, and forced me to go back with him
|
|
to the bedside.
|
|
|
|
"Mr. Blake!" he said. "Look at the man's face. It is a face disguised--
|
|
and here's a proof of it!"
|
|
|
|
He traced with his finger a thin line of livid white, running backward
|
|
from the dead man's forehead, between the swarthy complexion,
|
|
and the slightly-disturbed black hair. "Let's see what is under this,"
|
|
said the Sergeant, suddenly seizing the black hair, with a firm grip
|
|
of his hand.
|
|
|
|
My nerves were not strong enough to bear it. I turned away
|
|
again from the bed.
|
|
|
|
The first sight that met my eyes, at the other end of the room,
|
|
was the irrepressible Gooseberry, perched on a chair, and looking
|
|
with breathless interest, over the heads of his elders,
|
|
at the Sergeant's proceedings.
|
|
|
|
"He's pulling off his wig!" whispered Gooseberry, compassionating my position,
|
|
as the only person in the room who could see nothing.
|
|
|
|
There was a pause--and then a cry of astonishment among the people
|
|
round the bed.
|
|
|
|
"He's pulled off his beard!" cried Gooseberry.
|
|
|
|
There was another pause--Sergeant Cuff asked for something.
|
|
The landlord went to the wash-hand-stand, and returned to the bed
|
|
with a basin of water and a towel.
|
|
|
|
Gooseberry danced with excitement on the chair. "Come up here,
|
|
along with me, sir! He's washing off his complexion now!"
|
|
|
|
The Sergeant suddenly burst his way through the people about him,
|
|
and came, with horror in his face, straight to the place where I
|
|
was standing.
|
|
|
|
"Come back to the bed, sir!" he began. He looked at me closer,
|
|
and checked himself "No!" he resumed. "Open the sealed letter first--
|
|
the letter I gave you this morning."
|
|
|
|
I opened the letter.
|
|
|
|
"Read the name, Mr. Blake, that I have written inside."
|
|
|
|
I read the name that he had written. It was GODFREY ABLEWHITE.
|
|
|
|
"Now," said the Sergeant, "come with me, and look at the man on the bed."
|
|
|
|
I went with him, and looked at the man on the bed.
|
|
|
|
GODFREY ABLEWHITE!
|
|
|
|
|
|
|
|
SIXTH NARRATIVE
|
|
|
|
Contributed by SERGEANT CUFF
|
|
|
|
I
|
|
|
|
|
|
Dorking, Surrey, July 30th, 1849. To Franklin Blake, Esq. Sir,--
|
|
I beg to apologise for the delay that has occurred in the
|
|
production of the Report, with which I engaged to furnish you.
|
|
I have waited to make it a complete Report; and I have been met,
|
|
here and there, by obstacles which it was only possible to remove
|
|
by some little expenditure of patience and time.
|
|
|
|
The object which I proposed to myself has now, I hope, been attained.
|
|
You will find, in these pages, answers to the greater part--if not all--
|
|
of the questions, concerning the late Mr. Godfrey Ablewhite, which occurred to
|
|
your mind when I last had the honour of seeing you.
|
|
|
|
I propose to tell you--in the first place--what is known of the manner
|
|
in which your cousin met his death; appending to the statement such
|
|
inferences and conclusions as we are justified (according to my opinion)
|
|
in drawing from the facts.
|
|
|
|
I shall then endeavour--in the second place--to put you in possession
|
|
of such discoveries as I have made, respecting the proceedings
|
|
of Mr. Godfrey Ablewhite, before, during, and after the time,
|
|
when you and he met as guests at the late Lady Verinder's country-house.
|
|
|
|
|
|
|
|
II
|
|
|
|
|
|
As to your cousin's death, then, first.
|
|
|
|
It appears to be established, beyond any reasonable doubt,
|
|
that he was killed (while he was asleep, or immediately on
|
|
his waking) by being smothered with a pillow from his bed--
|
|
that the persons guilty of murdering him are the three Indians--
|
|
and that the object contemplated (and achieved) by the crime,
|
|
was to obtain possession of the diamond, called the Moonstone.
|
|
|
|
The facts from which this conclusion is drawn, are derived
|
|
partly from an examination of the room at the tavern;
|
|
and partly from the evidence obtained at the Coroner's Inquest.
|
|
|
|
On forcing the door of the room, the deceased gentleman
|
|
was discovered, dead, with the pillow of the bed over his face.
|
|
The medical man who examined him, being informed of
|
|
this circumstance, considered the post-mortem appearances
|
|
as being perfectly compatible with murder by smothering--
|
|
that is to say, with murder committed by some person, or persons,
|
|
pressing the pillow over the nose and mouth of the deceased,
|
|
until death resulted from congestion of the lungs.
|
|
|
|
Next, as to the motive for the crime.
|
|
|
|
A small box, with a sealed paper torn off from it (the paper containing
|
|
an inscription) was found open, and empty, on a table in the room.
|
|
Mr. Luker has himself personally identified the box, the seal,
|
|
and the inscription. He has declared that the box did actually contain
|
|
the diamond, called the Moonstone; and he has admitted having given
|
|
the box (thus sealed up) to Mr. Godfrey Ablewhite (then concealed
|
|
under a disguise), on the afternoon of the twenty-sixth of June last.
|
|
The fair inference from all this is, that the stealing of the Moonstone was
|
|
the motive of the crime.
|
|
|
|
Next, as to the manner in which the crime was committed.
|
|
|
|
On examination of the room (which is only seven feet high), a trap-door
|
|
in the ceiling, leading out on to the roof of the house, was discovered open.
|
|
The short ladder, used for obtaining access to the trap-door
|
|
(and kept under the bed), was found placed at the opening, so as to
|
|
enable any person or persons, in the room, to leave it again easily.
|
|
In the trap-door itself was found a square aperture cut in the wood,
|
|
apparently with some exceedingly sharp instrument, just behind the bolt
|
|
which fastened the door on the inner side. In this way, any person
|
|
from the outside could have drawn back the bolt, and opened the door,
|
|
and have dropped (or have been noiselessly lowered by an accomplice)
|
|
into the room--its height, as already observed, being only seven feet.
|
|
That some person, or persons, must have got admission in this way,
|
|
appears evident from the fact of the aperture being there.
|
|
As to the manner in which he (or they) obtained access to the roof
|
|
of the tavern, it is to be remarked that the third house, lower down
|
|
in the street, was empty, and under repair--that a long ladder was left
|
|
by the workmen, leading from the pavement to the top of the house--
|
|
and that, on returning to their work, on the morning of the 27th,
|
|
the men found the plank which they had tied to the ladder, to prevent
|
|
anyone from using it in their absence, removed, and lying on the ground.
|
|
As to the possibility of ascending by this ladder, passing over
|
|
the roofs of the houses, passing back, and descending again, unobserved--
|
|
it is discovered, on the evidence of the night policeman, that he only
|
|
passes through Shore Lane twice in an hour, when out on his beat.
|
|
The testimony of the inhabitants also declares, that Shore Lane,
|
|
after midnight, is one of the quietest and loneliest streets in London.
|
|
Here again, therefore, it seems fair to infer that--with ordinary caution,
|
|
and presence of mind--any man, or men, might have ascended by the ladder,
|
|
and might have descended again, unobserved. Once on the roof of the tavern,
|
|
it has been proved, by experiment, that a man might cut through the trap-door,
|
|
while lying down on it, and that in such a position, the parapet in front
|
|
of the house would conceal him from the view of anyone passing in the
|
|
street.
|
|
|
|
Lastly, as to the person, or persons, by whom the crime was committed.
|
|
|
|
It is known (1) that the Indians had an interest in possessing
|
|
themselves of the Diamond. (2) It is at least probable
|
|
that the man looking like an Indian, whom Octavius Guy
|
|
saw at the window of the cab, speaking to the man dressed
|
|
like a mechanic, was one of the three Hindoo conspirators.
|
|
(3) It is certain that this same man dressed like a mechanic,
|
|
was seen keeping Mr. Godfrey Ablewhite in view, all through
|
|
the evening of the 26th, and was found in the bedroom
|
|
(before Mr. Ablewhite was shown into it) under circumstances
|
|
which lead to the suspicion that he was examining the room.
|
|
(4) A morsel of torn gold thread was picked up in the bedroom,
|
|
which persons expert in such matters, declare to be of
|
|
Indian manufacture, and to be a species of gold thread not
|
|
known in England. 5) On the morning of the 27th, three men,
|
|
answering to the description of the three Indians, were observed
|
|
in Lower Thames Street, were traced to the Tower Wharf,
|
|
and were seen to leave London by the steamer bound
|
|
for Rotterdam.
|
|
|
|
There is here, moral, if not legal, evidence, that the murder
|
|
was committed by the Indians.
|
|
|
|
Whether the man personating a mechanic was, or was not,
|
|
an accomplice in the crime, it is impossible to say.
|
|
That he could have committed the murder alone, seems beyond
|
|
the limits of probability. Acting by himself, he could hardly
|
|
have smothered Mr. Ablewhite--who was the taller and stronger man
|
|
of the two--without a struggle taking place, or a cry being heard.
|
|
A servant girl, sleeping in the next room, heard nothing.
|
|
The landlord, sleeping in the room below, heard nothing.
|
|
The whole evidence points to the inference that more than
|
|
one man was concerned in this crime--and the circumstances,
|
|
I repeat, morally justify the conclusion that the Indians
|
|
committed it.
|
|
|
|
I have only to add, that the verdict at the Coroner's Inquest
|
|
was Wilful Murder against some person, or persons, unknown.
|
|
Mr. Ablewhite's family have offered a reward, and no effort
|
|
has been left untried to discover the guilty persons.
|
|
The man dressed like a mechanic has eluded all inquiries.
|
|
The Indians have been traced. As to the prospect of ultimately
|
|
capturing these last, I shall have a word to say to you on that head,
|
|
when I reach the end of the present Report.
|
|
|
|
In the meanwhile, having now written all that is needful on the subject
|
|
of Mr. Godfrey Ablewhite's death, I may pass next to the narrative of
|
|
his proceedings before, during, and after the time, when you and he met
|
|
at the late Lady Verinder's house.
|
|
|
|
|
|
|
|
III
|
|
|
|
|
|
With regard to the subject now in hand, I may state, at the outset,
|
|
that Mr. Godfrey Ablewhite's life had two sides to it.
|
|
|
|
The side turned up to the public view, presented the spectacle of a gentleman,
|
|
possessed of considerable reputation as a speaker at charitable meetings,
|
|
and endowed with administrative abilities, which he placed at the disposal
|
|
of various Benevolent Societies, mostly of the female sort. The side kept
|
|
hidden from the general notice, exhibited this same gentleman in the totally
|
|
different character of a man of pleasure, with a villa in the suburbs which
|
|
was not taken in his own name, and with a lady in the villa, who was not taken
|
|
in his own name, either.
|
|
|
|
My investigations in the villa have shown me several fine pictures
|
|
and statues; furniture tastefully selected, and admirably made;
|
|
and a conservatory of the rarest flowers, the match of which it would
|
|
not be easy to find in all London. My investigation of the lady
|
|
has resulted in the discovery of jewels which are worthy to take
|
|
rank with the flowers, and of carriages and horses which have
|
|
(deservedly) produced a sensation in the Park, among persons
|
|
well qualified to judge of the build of the one, and the breed of
|
|
the others.
|
|
|
|
All this is, so far, common enough. The villa and the lady are such familiar
|
|
objects in London life, that I ought to apologise for introducing them
|
|
to notice. But what is not common and not familiar (in my experience),
|
|
is that all these fine things were not only ordered, but paid for.
|
|
The pictures, the statues, the flowers, the jewels, the carriages,
|
|
and the horses--inquiry proved, to my indescribable astonishment,
|
|
that not a sixpence of debt was owing on any of them. As to the villa,
|
|
it had been bought, out and out, and settled on the lady.
|
|
|
|
I might have tried to find the right reading of this riddle,
|
|
and tried in vain--but for Mr. Godfrey Ablewhite's death,
|
|
which caused an inquiry to be made into the state of his affairs.
|
|
|
|
The inquiry elicited these facts:--
|
|
|
|
That Mr. Godfrey Ablewhite was entrusted with the care
|
|
of a sum of twenty thousand pounds--as one of two Trustees
|
|
for a young gentleman, who was still a minor in the year
|
|
eighteen hundred and forty-eight. That the Trust was to lapse,
|
|
and that the young gentleman was to receive the twenty thousand
|
|
pounds on the day when he came of age, in the month of February,
|
|
eighteen hundred and fifty. That, pending the arrival of this period,
|
|
an income of six hundred pounds was to be paid to him by his
|
|
two Trustees, half-yearly--at Christmas and Midsummer Day.
|
|
That this income was regularly paid by the active Trustee,
|
|
Mr. Godfrey Ablewhite. That the twenty thousand pounds
|
|
(from which the income was supposed to be derived) had every
|
|
farthing of it been sold out of the Funds, at different periods,
|
|
ending with the end of the year eighteen hundred and forty-seven.
|
|
That the power of attorney, authorising the bankers to sell
|
|
out the stock, and the various written orders telling them what
|
|
amounts to sell out, were formally signed by both the Trustees.
|
|
That the signature of the second Trustee (a retired army officer,
|
|
living in the country) was a signature forged, in every case,
|
|
by the active Trustee--otherwise Mr. Godfrey Ablewhite.
|
|
|
|
In these facts lies the explanation of Mr. Godfrey's honourable conduct,
|
|
in paying the debts incurred for the lady and the villa--and (as you will
|
|
presently see) of more besides.
|
|
|
|
We may now advance to the date of Miss Verinder's birthday
|
|
(in the year eighteen hundred and forty-eight)--the twenty-first
|
|
of June.
|
|
|
|
On the day before, Mr. Godfrey Ablewhite arrived at his father's house,
|
|
and asked (as I know from Mr. Ablewhite, senior, himself) for a loan
|
|
of three hundred pounds. Mark the sum; and remember at the same time,
|
|
that the half-yearly payment to the young gentleman was due on the
|
|
twenty-fourth of the month. Also, that the whole of the young gentleman's
|
|
fortune had been spent by his Trustee, by the end of the year 'forty-seven.
|
|
|
|
Mr. Ablewhite, senior, refused to lend his son a farthing.
|
|
|
|
The next day Mr. Godfrey Ablewhite rode over, with you,
|
|
to Lady Verinder's house. A few hours afterwards, Mr. Godfrey
|
|
(as you yourself have told me) made a proposal of marriage
|
|
to Miss Verinder. Here, he saw his way no doubt--if accepted--
|
|
to the end of all his money anxieties, present and future.
|
|
But, as events actually turned out, what happened? Miss Verinder
|
|
refused him.
|
|
|
|
On the night of the birthday, therefore, Mr. Godfrey Ablewhite's pecuniary
|
|
position was this. He had three hundred pounds to find on the twenty-fourth
|
|
of the month, and twenty thousand pounds to find in February eighteen hundred
|
|
and fifty. Failing to raise these sums, at these times, he was a ruined man.
|
|
|
|
Under those circumstances, what takes place next?
|
|
|
|
You exasperate Mr. Candy, the doctor, on the sore subject of his profession;
|
|
and he plays you a practical joke, in return, with a dose of laudanum.
|
|
He trusts the administration of the dose, prepared in a little phial,
|
|
to Mr. Godfrey Ablewhite--who has himself confessed the share he had in
|
|
the matter, under circumstances which shall presently be related to you.
|
|
Mr. Godfrey is all the readier to enter into the conspiracy, having himself
|
|
suffered from your sharp tongue in the course of the evening. He joins
|
|
Betteredge in persuading you to drink a little brandy and water before you go
|
|
to bed. He privately drops the dose of laudanum into your cold grog. And you
|
|
drink the mixture.
|
|
|
|
Let us now shift the scene, if you please to Mr. Luker's house at Lambeth.
|
|
And allow me to remark, by way of preface, that Mr. Bruff and I, together,
|
|
have found a means of forcing the money-lender to make a clean breast of it.
|
|
We have carefully sifted the statement he has addressed to us; and here it is
|
|
at your service.
|
|
|
|
|
|
|
|
IV
|
|
|
|
|
|
Late on the evening of Friday, the twenty-third of June
|
|
('forty-eight), Mr. Luker was surprised by a visit
|
|
from Mr. Godfrey Ablewhite. He was more than surprised,
|
|
when Mr. Godfrey produced the Moonstone. No such Diamond
|
|
(according to Mr. Luker's experience) was in the possession
|
|
of any private person in Europe.
|
|
|
|
Mr. Godfrey Ablewhite had two modest proposals to make, in relation
|
|
to this magnificent gem. First, Would Mr. Luker be so good as to buy it?
|
|
Secondly, Would Mr. Luker (in default of seeing his way to the purchase)
|
|
undertake to sell it on commission, and to pay a sum down, on the
|
|
anticipated result?
|
|
|
|
Mr. Luker tested the Diamond, weighed the Diamond and estimated
|
|
the value of the Diamond, before he answered a word.
|
|
HIS estimate (allowing for the flaw in the stone) was thirty
|
|
thousand pounds.
|
|
|
|
Having reached that result, Mr. Luker opened his lips, and put a question:
|
|
"How did you come by this?" Only six words! But what volumes of meaning
|
|
in them!
|
|
|
|
Mr. Godfrey Ablewhite began a story. Mr. Luker opened his lips again,
|
|
and only said three words, this time. "That won't do!"
|
|
|
|
Mr. Godfrey Ablewhite began another story. Mr. Luker wasted no more
|
|
words on him. He got up, and rang the bell for the servant to show
|
|
the gentleman out.
|
|
|
|
Upon this compulsion, Mr. Godfrey made an effort, and came out
|
|
with a new and amended version of the affair, to the following effect.
|
|
|
|
After privately slipping the laudanum into your brandy and water,
|
|
he wished you good night, and went into his own room. It was the next
|
|
room to yours; and the two had a door of communication between them.
|
|
On entering his own room Mr. Godfrey (as he supposed) closed his door.
|
|
His money troubles kept him awake. He sat, in his dressing-gown
|
|
and slippers, for nearly an hour, thinking over his position.
|
|
Just as he was preparing to get into bed, he heard you, talking to yourself,
|
|
in your own room, and going to the door of communication, found that he had
|
|
not shut it as he supposed.
|
|
|
|
He looked into your room to see what was the matter.
|
|
He discovered you with the candle in your hand, just leaving
|
|
your bed-chamber. He heard you say to yourself, in a voice quite
|
|
unlike your own voice, "How do I know? The Indians may be hidden
|
|
in the house."
|
|
|
|
Up to that time, he had simply supposed himself (in giving you the laudanum)
|
|
to be helping to make you the victim of a harmless practical joke.
|
|
It now occurred to him, that the laudanum had taken some effect on you,
|
|
which had not been foreseen by the doctor, any more than by himself.
|
|
In the fear of an accident happening he followed you softly to see what you
|
|
would do.
|
|
|
|
He followed you to Miss Verinder's sitting-room, and saw you go in.
|
|
You left the door open. He looked through the crevice thus produced,
|
|
between the door and the post, before he ventured into the room himself.
|
|
|
|
In that position, he not only detected you in taking
|
|
the Diamond out of the drawer--he also detected Miss Verinder,
|
|
silently watching you from her bedroom, through her open door.
|
|
His own eyes satisfied him that SHE saw you take the Diamond, too.
|
|
|
|
Before you left the sitting-room again, you hesitated a little.
|
|
Mr. Godfrey took advantage of this hesitation to get back
|
|
again to his bedroom before you came out, and discovered him.
|
|
He had barely got back, before you got back too. You saw him
|
|
(as he supposes) just as he was passing through the door
|
|
of communication. At any rate, you called to him in a strange,
|
|
drowsy voice.
|
|
|
|
He came back to you. You looked at him in a dull sleepy way.
|
|
You put the Diamond into his hand. You said to him,
|
|
"Take it back, Godfrey, to your father's bank. It's safe there--
|
|
it's not safe here." You turned away unsteadily, and put
|
|
on your dressing-gown. You sat down in the large arm-chair
|
|
in your room. You said, "I can't take it back to the bank.
|
|
My head's like lead--and I can't feel my feet under me." Your head
|
|
sank on the back of the chair--you heaved a heavy sigh--and you
|
|
fell asleep.
|
|
|
|
Mr. Godfrey Ablewhite went back, with the Diamond, into his own room.
|
|
His statement is, that he came to no conclusion, at that time--
|
|
except that he would wait, and see what happened in the morning.
|
|
|
|
When the morning came, your language and conduct showed that you
|
|
were absolutely ignorant of what you had said and done overnight.
|
|
At the same time, Miss Verinder's language and conduct showed
|
|
that she was resolved to say nothing (in mercy to you) on her side.
|
|
If Mr. Godfrey Ablewhite chose to keep the Diamond, he might do so
|
|
with perfect impunity. The Moonstone stood between him and ruin.
|
|
He put the Moonstone into his pocket.
|
|
|
|
|
|
|
|
V
|
|
|
|
|
|
This was the story told by your cousin (under pressure of necessity)
|
|
to Mr. Luker.
|
|
|
|
Mr. Luker believed the story to be, as to all main essentials, true--on this
|
|
ground, that Mr. Godfrey Ablewhite was too great a fool to have invented it.
|
|
Mr. Bruff and I agree with Mr. Luker, in considering this test of the truth
|
|
of the story to be a perfectly reliable one.
|
|
|
|
The next question, was the question of what Mr. Luker would do
|
|
in the matter of the Moonstone. He proposed the following terms,
|
|
as the only terms on which he would consent to mix himself
|
|
up with, what was (even in HIS line of business) a doubtful
|
|
and dangerous transaction.
|
|
|
|
Mr. Luker would consent to lend Mr. Godfrey Ablewhite the sum of two
|
|
thousand pounds, on condition that the Moonstone was to be deposited
|
|
with him as a pledge. If, at the expiration of one year from that date,
|
|
Mr. Godfrey Ablewhite paid three thousand pounds to Mr. Luker,
|
|
he was to receive back the Diamond, as a pledge redeemed.
|
|
If he failed to produce the money at the expiration of the year, the pledge
|
|
(otherwise the Moonstone) was to be considered as forfeited to Mr. Luker--
|
|
who would, in this latter case, generously make Mr. Godfrey a present
|
|
of certain promissory notes of his (relating to former dealings)
|
|
which were then in the money-lender's possession.
|
|
|
|
It is needless to say, that Mr. Godfrey indignantly refused
|
|
to listen to these monstrous terms. Mr. Luker thereupon,
|
|
handed him back the Diamond, and wished him good night.
|
|
|
|
Your cousin went to the door, and came back again.
|
|
How was he to be sure that the conversation of that evening would
|
|
be kept strictly secret between his friend and himself?
|
|
|
|
Mr. Luker didn't profess to know how. If Mr. Godfrey had accepted
|
|
his terms, Mr. Godfrey would have made him an accomplice,
|
|
and might have counted on his silence as on a certainty.
|
|
As things were, Mr. Luker must be guided by his own interests.
|
|
If awkward inquiries were made, how could be he expected to
|
|
compromise himself, for the sake of a man who had declined to deal
|
|
with him?
|
|
|
|
Receiving this reply, Mr. Godfrey Ablewhite did, what all animals
|
|
(human and otherwise) do, when they find themselves caught in a trap.
|
|
He looked about him in a state of helpless despair.
|
|
The day of the month, recorded on a neat little card in a box
|
|
on the money-lender's chimney-piece, happened to attract his eye.
|
|
It was the twenty-third of June. On the twenty-fourth
|
|
he had three hundred pounds to pay to the young gentleman
|
|
for whom he was trustee, and no chance of raising the money,
|
|
except the chance that Mr. Luker had offered to him.
|
|
But for this miserable obstacle, he might have taken the Diamond
|
|
to Amsterdam, and have made a marketable commodity of it,
|
|
by having it cut up into separate stones. As matters stood,
|
|
he had no choice but to accept Mr. Luker's terms.
|
|
After all, he had a year at his disposal, in which to raise
|
|
the three thousand pounds--and a year is a long time.
|
|
|
|
Mr. Luker drew out the necessary documents on the spot.
|
|
When they were signed, he gave Mr. Godfrey Ablewhite
|
|
two cheques. One, dated June 23rd, for three hundred pounds.
|
|
Another, dated a week on, for the remaining balance seventeen
|
|
hundred pounds.
|
|
|
|
How the Moonstone was trusted to the keeping of Mr Luker's bankers,
|
|
and how the Indians treated Mr. Luker and Mr. Godfrey (after that had
|
|
been done) you know already.
|
|
|
|
The next event in your cousin's life refers again to Miss Verinder.
|
|
He proposed marriage to her for the second time--and (after having
|
|
being accepted) he consented, at her request, to consider the marriage
|
|
as broken off. One of his reasons for making this concession has been
|
|
penetrated by Mr. Bruff. Miss Verinder had only a life interest in her
|
|
mother's property--and there was no raising the twenty thousand pounds
|
|
on THAT.
|
|
|
|
But you will say, he might have saved the three thousand pounds,
|
|
to redeem the pledged Diamond, if he had married.
|
|
He might have done so certainly--supposing neither his wife,
|
|
nor her guardians and trustees, objected to his anticipating
|
|
more than half of the income at his disposal, for some
|
|
unknown purpose, in the first year of his marriage.
|
|
But even if he got over this obstacle, there was another
|
|
waiting for him in the background. The lady at the Villa,
|
|
had heard of his contemplated marriage. A superb woman,
|
|
Mr. Blake, of the sort that are not to be triffled with--
|
|
the sort with the light complexion and the Roman nose.
|
|
She felt the utmost contempt for Mr. Godfrey Ablewhite.
|
|
It would be silent contempt, if he made a handsome provision
|
|
for her. Otherwise, it would be contempt with a tongue to it.
|
|
Miss Verinder's life interest allowed him no more hope of raising
|
|
the "provision" than of raising the twenty thousand pounds.
|
|
He couldn't marry--he really couldn't marry, under all the
|
|
circumstances.
|
|
|
|
How he tried his luck again with another lady, and how THAT marriage
|
|
also broke down on the question of money, you know already.
|
|
You also know of the legacy of five thousand pounds, left to him
|
|
shortly afterwards, by one of those many admirers among the soft
|
|
sex whose good graces this fascinating man had contrived to win.
|
|
That legacy (as the event has proved) led him to his death.
|
|
|
|
I have ascertained that when he went abroad, on getting his five
|
|
thousand pounds, he went to Amsterdam. There he made all the necessary
|
|
arrangements for having the Diamond cut into separate stones. He came back
|
|
(in disguise), and redeemed the Moonstone, on the appointed day.
|
|
A few days were allowed to elapse (as a precaution agreed to by
|
|
both parties) before the jewel was actually taken out of the bank.
|
|
If he had got safe with it to Amsterdam, there would have been just time
|
|
between July 'forty-nine, and February 'fifty (when the young gentleman
|
|
came of age) to cut the Diamond, and to make a marketable commodity
|
|
(polished or unpolished) of the separate stones. Judge from this,
|
|
what motives he had to run the risk which he actually ran.
|
|
It was "neck or nothing" with him--if ever it was "neck or nothing" with a
|
|
man yet.
|
|
|
|
I have only to remind you, before closing this Report, that there is a chance
|
|
of laying hands on the Indians, and of recovering the Moonstone yet.
|
|
They are now (there is every reason to believe) on their passage to Bombay,
|
|
in an East Indiaman. The ship (barring accidents) will touch at no other
|
|
port on her way out; and the authorities at Bombay (already communicated
|
|
with by letter, overland) will be prepared to board the vessel, the moment she
|
|
enters the harbour.
|
|
|
|
I have the honour to remain, dear sir, your obedient servant,
|
|
RICHARD CUFF (late sergeant in the Detective Force, Scotland Yard,
|
|
London).*
|
|
|
|
|
|
* NOTE.--Wherever the Report touches on the events of the birthday,
|
|
or of the three days that followed it, compare with Betteredge's Narrative,
|
|
chapters viii. to xiii.
|
|
|
|
|
|
|
|
SEVENTH NARRATIVE
|
|
|
|
In a Letter from MR. CANDY
|
|
|
|
|
|
Frizinghall, Wednesday, September 26th, 1849.--Dear Mr. Franklin Blake,
|
|
you will anticipate the sad news I have to tell you, on finding your
|
|
letter to Ezra Jennings returned to you, unopened, in this enclosure.
|
|
He died in my arms, at sunrise, on Wednesday last.
|
|
|
|
I am not to blame for having failed to warn you that his end
|
|
was at hand. He expressly forbade me to write to you.
|
|
"I am indebted to Mr. Franklin Blake," he said, "for having
|
|
seen some happy days. Don't distress him, Mr. Candy--
|
|
don't distress him."
|
|
|
|
His sufferings, up to the last six hours of his life, were terrible to see.
|
|
In the intervals of remission, when his mind was clear, I entreated
|
|
him to tell me of any relatives of his to whom I might write.
|
|
He asked to be forgiven for refusing anything to me. And then he said--
|
|
not bitterly--that he would die as he had lived, forgotten and unknown.
|
|
He maintained that resolution to the last. There is no hope
|
|
now of making any discoveries concerning him. His story is
|
|
a blank.
|
|
|
|
The day before he died, he told me where to find all his papers.
|
|
I brought them to him on his bed. There was a little
|
|
bundle of old letters which he put aside. There was his
|
|
unfinished book. There was his Diary--in many locked volumes.
|
|
He opened the volume for this year, and tore out, one by one,
|
|
the pages relating to the time when you and he were together.
|
|
"Give those," he said, "to Mr. Franklin Blake. In years to come,
|
|
he may feel an interest in looking back at what is written there."
|
|
Then he clasped his hands, and prayed God fervently to bless you,
|
|
and those dear to you. He said he should like to see you again.
|
|
But the next moment he altered his mind. "No," he answered
|
|
when I offered to write. "I won't distress him! I won't
|
|
distress him!"
|
|
|
|
At his request I next collected the other papers--that is to say,
|
|
the bundle of letters, the unfinished book and the volumes of the Diary--
|
|
and enclosed them all in one wrapper, sealed with my own seal.
|
|
"Promise," he said, "that you will put this into my coffin with
|
|
your own hand; and that you will see that no other hand touches
|
|
it afterwards."
|
|
|
|
I gave him my promise. And the promise has been performed.
|
|
|
|
He asked me to do one other thing for him--which it cost me a hard
|
|
struggle to comply with. He said, "Let my grave be forgotten.
|
|
Give me your word of honour that you will allow no monument of any sort--
|
|
not even the commonest tombstone--to mark the place of my burial.
|
|
Let me sleep, nameless. Let me rest, unknown." When I tried
|
|
to plead with him to alter his resolution, he became for the first,
|
|
and only time, violently agitated. I could not bear to see it;
|
|
and I gave way. Nothing but a little grass mound marks the place
|
|
of his rest. In time, the tombstones will rise round it.
|
|
And the people who come after us will look and wonder at the
|
|
nameless grave.
|
|
|
|
As I have told you, for six hours before his death his
|
|
sufferings ceased. He dozed a little. I think he dreamed.
|
|
Once or twice he smiled. A woman's name, as I suppose--
|
|
the name of "Ella"--was often on his lips at this time.
|
|
A few minutes before the end he asked me to lift him on his pillow,
|
|
to see the sun rise through the window. He was very weak.
|
|
His head fell on my shoulder. He whispered, "It's coming!"
|
|
Then he said, "Kiss me!" I kissed his forehead.
|
|
On a sudden he lifted his head. The sunlight touched his face.
|
|
A beautiful expression, an angelic expression, came over it.
|
|
He cried out three times, "Peace! peace! peace!" His head sank back
|
|
again on my shoulder, and the long trouble of his life was at an
|
|
end.
|
|
|
|
So he has gone from us. This was, as I think, a great man--
|
|
though the world never knew him. He had the sweetest temper I
|
|
have ever met with. The loss of him makes me feel very lonely.
|
|
Perhaps I have never been quite myself since my illness.
|
|
Sometimes, I think of giving up my practice, and going away,
|
|
and trying what some of the foreign baths and waters will do
|
|
for me.
|
|
|
|
It is reported here, that you and Miss Verinder are to be married next month.
|
|
Please to accept my best congratulations.
|
|
|
|
The pages of my poor friend's Journal are waiting for you at my house--
|
|
sealed up, with your name on the wrapper. I was afraid to trust them
|
|
to the post.
|
|
|
|
My best respects and good wishes attend Miss Verinder.
|
|
I remain, dear Mr. Franklin Blake, truly yours,
|
|
|
|
THOMAS CANDY.
|
|
|
|
|
|
|
|
EIGHTH NARRATIVE
|
|
|
|
Contributed by GABRIEL BETTEREDGE
|
|
|
|
|
|
I am the person (as you remember no doubt) who led the way in these pages,
|
|
and opened the story. I am also the person who is left behind, as it were,
|
|
to close the story up.
|
|
|
|
Let nobody suppose that I have any last words to say here concerning
|
|
the Indian Diamond. I hold that unlucky jewel in abhorrence--
|
|
and I refer you to other authority than mine, for such news of the
|
|
Moonstone as you may, at the present time, be expected to receive.
|
|
My purpose, in this place, is to state a fact in the history
|
|
of the family, which has been passed over by everybody, and which I
|
|
won't allow to be disrespectfully smothered up in that way.
|
|
The fact to which I allude is--the marriage of Miss Rachel
|
|
and Mr. Franklin Blake. This interesting event took place at our
|
|
house in Yorkshire, on Tuesday, October ninth, eighteen hundred
|
|
and forty-nine. I had a new suit of clothes on the occasion.
|
|
And the married couple went to spend the honeymoon in Scotland.
|
|
|
|
Family festivals having been rare enough at our house, since my
|
|
poor mistress's death, I own--on this occasion of the wedding--
|
|
to having (towards the latter part of the day) taken a drop
|
|
too much on the strength of it.
|
|
|
|
If you have ever done the same sort of thing yourself you will
|
|
understand and feel for me. If you have not, you will very
|
|
likely say, "Disgusting old man! why does he tell us this?"
|
|
The reason why is now to come.
|
|
|
|
Having, then, taken my drop (bless you! you have got your favourite vice, too;
|
|
only your vice isn't mine, and mine isn't yours), I next applied the one
|
|
infallible remedy--that remedy being, as you know, ROBINSON CRUSOE.
|
|
Where I opened that unrivalled book, I can't say. Where the lines of print
|
|
at last left off running into each other, I know, however, perfectly well.
|
|
It was at page three hundred and eighteen--a domestic bit concerning Robinson
|
|
Crusoe's marriage, as follows:
|
|
|
|
"With those Thoughts, I considered my new Engagement, that I
|
|
had a Wife "--(Observe! so had Mr. Franklin!)--"one Child
|
|
born"--(Observe again! that might yet be Mr. Franklin's case,
|
|
too!)--"and my Wife then"--What Robinson Crusoe's wife did,
|
|
or did not do, "then," I felt no desire to discover.
|
|
I scored the bit about the Child with my pencil, and put a morsel
|
|
of paper for a mark to keep the place; "Lie you there," I said,
|
|
"till the marriage of Mr. Franklin and Miss Rachel is some
|
|
months older--and then we'll see!"
|
|
|
|
The months passed (more than I had bargained for), and no
|
|
occasion presented itself for disturbing that mark in the book.
|
|
It was not till this present month of November, eighteen hundred
|
|
and fifty, that Mr. Franklin came into my room, in high good spirits,
|
|
and said, "Betteredge! I have got some news for you!
|
|
Something is going to happen in the house, before we are many
|
|
months older."
|
|
|
|
"Does it concern the family, sir?" I asked.
|
|
|
|
"It decidedly concerns the family," says Mr. Franklin.
|
|
"Has your good lady anything to do with it, if you please, sir?"
|
|
|
|
"She has a great deal to do with it," says Mr. Franklin,
|
|
beginning to look a little surprised.
|
|
|
|
"You needn't say a word more, sir," I answered. "God bless you both!
|
|
I'm heartily glad to hear it."
|
|
|
|
Mr. Franklin stared like a person thunderstruck.
|
|
"May I venture to inquire where you got your information?"
|
|
he asked. "I only got mine (imparted in the strictest secrecy)
|
|
five minutes since."
|
|
|
|
Here was an opportunity of producing ROBINSON CRUSOE!
|
|
Here was a chance of reading that domestic bit about the child
|
|
which I had marked on the day of Mr. Franklin's marriage!
|
|
I read those miraculous words with an emphasis which did
|
|
them justice, and then I looked him severely in the face.
|
|
"NOW, sir, do you believe in ROBINSON CRUSOE?" I asked,
|
|
with a solemnity, suitable to the occasion.
|
|
|
|
"Betteredge!" says Mr. Franklin, with equal solemnity, "I'm convinced
|
|
at last." He shook hands with me--and I felt that I had converted him.
|
|
|
|
With the relation of this extraordinary circumstance,
|
|
my reappearance in these pages comes to an end. Let nobody
|
|
laugh at the unique anecdote here related. You are welcome
|
|
to be as merry as you please over everything else I have written.
|
|
But when I write of ROBINSON CRUSOE, by the Lord it's serious--
|
|
and I request you to take it accordingly!
|
|
|
|
When this is said, all is said. Ladies and gentlemen, I make my bow,
|
|
and shut up the story.
|
|
|
|
|
|
|
|
EPILOGUE
|
|
|
|
THE FINDING OF THE DIAMOND
|
|
|
|
I
|
|
|
|
The Statement of SERGEANT CLIFF'S MAN (1849)
|
|
|
|
|
|
On the twenty-seventh of June last, I received instructions from Sergeant
|
|
Cuff to follow three men; suspected of murder, and described as Indians.
|
|
They had been seen on the Tower Wharf that morning, embarking on board the
|
|
steamer bound for Rotterdam.
|
|
|
|
I left London by a steamer belonging to another company, which sailed
|
|
on the morning of Thursday the twenty-eighth. Arriving at Rotterdam,
|
|
I succeeded in finding the commander of the Wednesday's steamer.
|
|
He informed me that the Indians had certainly been passengers on
|
|
board his vessel--but as far as Gravesend only. Off that place,
|
|
one of the three had inquired at what time they would reach Calais.
|
|
On being informed that the steamer was bound to Rotterdam,
|
|
the spokesman of the party expressed the greatest surprise and
|
|
distress at the mistake which he and his two friends had made.
|
|
They were all willing (he said) to sacrifice their passage money,
|
|
if the commander of the steamer would only put them ashore.
|
|
Commiserating their position, as foreigners in a strange land,
|
|
and knowing no reason for detaining them, the commander signalled
|
|
for a shore boat, and the three men left the vessel.
|
|
|
|
This proceeding of the Indians having been plainly resolved
|
|
on beforehand, as a means of preventing their being traced, I lost
|
|
no time in returning to England. I left the steamer at Gravesend,
|
|
and discovered that the Indians had gone from that place to London.
|
|
Thence, I again traced them as having left for Plymouth.
|
|
Inquiries made at Plymouth proved that they had sailed,
|
|
forty-eight hours previously, in the BEWLEY CASTLE, East Indiaman,
|
|
bound direct to Bombay.
|
|
|
|
On receiving this intelligence, Sergeant Cuff caused the authorities
|
|
at Bombay to be communicated with, overland--so that the vessel
|
|
might be boarded by the police immediately on her entering the port.
|
|
This step having been taken, my connection with the matter came to an end.
|
|
I have heard nothing more of it since that time.
|
|
|
|
|
|
|
|
II
|
|
|
|
The Statement of THE CAPTAIN (1849)
|
|
|
|
|
|
I am requested by Sergeant Cuff to set in writing certain facts,
|
|
concerning three men (believed to be Hindoos) who were passengers,
|
|
last summer, in the ship BEWLEY CATSLE, bound for Bombay direct,
|
|
under my command.
|
|
|
|
The Hindoos joined us at Plymouth. On the passage out I heard no complaint
|
|
of their conduct. They were berthed in the forward part of the vessel.
|
|
I had but few occasions myself of personally noticing them.
|
|
|
|
In the latter part of the voyage, we had the misfortune to be
|
|
becalmed for three days and nights, off the coast of India.
|
|
I have not got the ship's journal to refer to, and I
|
|
cannot now call to mind the latitude and longitude.
|
|
As to our position, therefore, I am only able to state generally
|
|
that the currents drifted us in towards the land, and that when
|
|
the wind found us again, we reached our port in twenty-four
|
|
hours afterwards.
|
|
|
|
The discipline of a ship (as all seafaring persons know)
|
|
becomes relaxed in a long calm. The discipline of my ship
|
|
became relaxed. Certain gentlemen among the passengers got some
|
|
of the smaller boats lowered, and amused themselves by rowing about,
|
|
and swimming, when the sun at evening time was cool enough
|
|
to let them divert themselves in that way. The boats when done
|
|
with ought to have been slung up again in their places.
|
|
Instead of this they were left moored to the ship's side.
|
|
What with the heat, and what with the vexation of the weather,
|
|
neither officers nor men seemed to be in heart for their duty
|
|
while the calm lasted.
|
|
|
|
On the third night, nothing unusual was heard or seen by the watch on deck.
|
|
When the morning came, the smallest of the boats was missing--and the three
|
|
Hindoos were next reported to be missing, too.
|
|
|
|
If these men had stolen the boat shortly after dark (which I have
|
|
no doubt they did), we were near enough to the land to make it vain
|
|
to send in pursuit of them, when the discovery was made in the morning.
|
|
I have no doubt they got ashore, in that calm weather (making all due
|
|
allowance for fatigue and clumsy rowing), before day-break.
|
|
|
|
On reaching our port I there learnt, for the first time, the reason these
|
|
passengers had for seizing their opportunity of escaping from the ship.
|
|
I could only make the same statement to the authorities which I have
|
|
made here. They considered me to blame for allowing the discipline of
|
|
the vessel to be relaxed. I have expressed my regret on this score to them,
|
|
and to my owners.
|
|
|
|
Since that time, nothing has been heard to my knowledge of the three Hindoos.
|
|
I have no more to add to what is here written.
|
|
|
|
|
|
|
|
III
|
|
|
|
The Statement of MR. MURTHWAITE (1850)
|
|
|
|
(In a letter to MR. BRUFF)
|
|
|
|
|
|
Have you any recollection, my dear sir, of a semi-savage person whom
|
|
you met out at dinner, in London, in the autumn of 'forty-eight?
|
|
Permit me to remind you that the person's name was Murthwaite,
|
|
and that you and he had a long conversation together after dinner.
|
|
The talk related to an Indian Diamond, called the Moonstone,
|
|
and to a conspiracy then in existence to get possession of
|
|
the gem.
|
|
|
|
Since that time, I have been wandering in Central Asia.
|
|
Thence I have drifted back to the scene of some of my
|
|
past adventures in the north and north-west of India.
|
|
About a fortnight since, I found myself in a certain
|
|
district or province (but little known to Europeans)
|
|
called Kattiawar.
|
|
|
|
Here an adventure befel me, in which (incredible as it may appear)
|
|
you are personally interested.
|
|
|
|
In the wild regions of Kattiawar (and how wild they are, you will understand,
|
|
when I tell you that even the husbandmen plough the land, armed to the
|
|
teeth), the population is fanatically devoted to the old Hindoo religion--
|
|
to the ancient worship of Bramah and Vishnu. The few Mahometan families,
|
|
thinly scattered about the villages in the interior, are afraid to taste
|
|
meat of any kind. A Mahometan even suspected of killing that sacred animal,
|
|
the cow, is, as a matter of course, put to death without mercy in these
|
|
parts by the pious Hindoo neighbours who surround him. To strengthen
|
|
the religious enthusiasm of the people, two of the most famous shrines
|
|
of Hindoo pilgrimage are contained within the boundaries of Kattiawar.
|
|
One of them is Dwarka, the birthplace of the god Krishna. The other is
|
|
the sacred city of Somnauth--sacked, and destroyed as long since as the
|
|
eleventh century, by the Mahometan conqueror, Mahmoud of Ghizni.
|
|
|
|
Finding myself, for the second time, in these romantic regions,
|
|
I resolved not to leave Kattiawar, without looking once more on
|
|
the magnificent desolation of Somnauth. At the place where I
|
|
planned to do this, I was (as nearly as I could calculate it)
|
|
some three days distant, journeying on foot, from the sacred city.
|
|
|
|
I had not been long on the road, before I noticed that other people--
|
|
by twos and threes--appeared to be travelling in the same direction
|
|
as myself.
|
|
|
|
To such of these as spoke to me, I gave myself out as a
|
|
Hindoo-Boodhist, from a distant province, bound on a pilgrimage.
|
|
It is needless to say that my dress was of the sort to carry
|
|
out this description. Add, that I know the language as well
|
|
as I know my own, and that I am lean enough and brown enough
|
|
to make it no easy matter to detect my European origin--and you
|
|
will understand that I passed muster with the people readily:
|
|
not as one of themselves, but as a stranger from a distant part of
|
|
their own country.
|
|
|
|
On the second day, the number of Hindoos travelling in my direction
|
|
had increased to fifties and hundreds. On the third day, the throng
|
|
had swollen to thousands; all slowly converging to one point--
|
|
the city of Somnauth.
|
|
|
|
A trifling service which I was able to render to one of my
|
|
fellow-pilgrims, during the third day's journey, proved the means
|
|
of introducing me to certain Hindoos of the higher caste.
|
|
From these men I learnt that the multitude was on its way
|
|
to a great religious ceremony, which was to take place
|
|
on a hill at a little distance from Somnauth. The ceremony
|
|
was in honour of the god of the Moon; and it was to be held
|
|
at night.
|
|
|
|
The crowd detained us as we drew near to the place of celebration.
|
|
By the time we reached the hill the moon was high in the heaven.
|
|
My Hindoo friends possessed some special privileges which enabled them
|
|
to gain access to the shrine. They kindly allowed me to accompany them.
|
|
When we arrived at the place, we found the shrine hidden from
|
|
our view by a curtain hung between two magnificent trees.
|
|
Beneath the trees a flat projection of rock jutted out, and formed
|
|
a species of natural platform. Below this, I stood, in company with my
|
|
Hindoo friends.
|
|
|
|
Looking back down the hill, the view presented the grandest
|
|
spectacle of Nature and Man, in combination, that I have ever seen.
|
|
The lower slopes of the eminence melted imperceptibly into
|
|
a grassy plain, the place of the meeting of three rivers.
|
|
On one side, the graceful winding of the waters stretched away,
|
|
now visible, now hidden by trees, as far as the eye could see.
|
|
On the other, the waveless ocean slept in the calm of the night.
|
|
People this lovely scene with tens of thousands of human creatures,
|
|
all dressed in white, stretching down the sides of the hill,
|
|
overflowing into the plain, and fringing the nearer banks
|
|
of the winding rivers. Light this halt of the pilgrims
|
|
by the wild red flames of cressets and torches, streaming up
|
|
at intervals from every part of the innumerable throng.
|
|
Imagine the moonlight of the East, pouring in unclouded
|
|
glory over all--and you will form some idea of the view
|
|
that met me when I looked forth from the summit of
|
|
the hill.
|
|
|
|
A strain of plaintive music, played on stringed instruments,
|
|
and flutes, recalled my attention to the hidden shrine.
|
|
|
|
I turned, and saw on the rocky platform the figures of three men.
|
|
In the central figure of the three I recognised the man to whom I had
|
|
spoken in England, when the Indians appeared on the terrace at Lady
|
|
Verinder's house. The other two who had been his companions on that
|
|
occasion were no doubt his companions also on this.
|
|
|
|
One of the spectators, near whom I was standing, saw me start.
|
|
In a whisper, he explained to me the apparition of the three figures
|
|
on the platform of rock.
|
|
|
|
They were Brahmins (he said) who had forfeited their caste
|
|
in the service of the god. The god had commanded that their
|
|
purification should be the purification by pilgrimage. On that night,
|
|
the three men were to part. In three separate directions,
|
|
they were to set forth as pilgrims to the shrines of India.
|
|
Never more were they to look on each other's faces.
|
|
Never more were they to rest on their wanderings, from the day
|
|
which witnessed their separation, to the day which witnessed
|
|
their death.
|
|
|
|
As those words were whispered to me, the plaintive music ceased.
|
|
The three men prostrated themselves on the rock, before the curtain
|
|
which hid the shrine. They rose--they looked on one another--
|
|
they embraced. Then they descended separately among the people.
|
|
The people made way for them in dead silence. In three different
|
|
directions I saw the crowd part, at one and the same moment.
|
|
Slowly the grand white mass of the people closed together again.
|
|
The track of the doomed men through the ranks of their fellow mortals
|
|
was obliterated. We saw them no more.
|
|
|
|
A new strain of music, loud and jubilant, rose from the hidden shrine.
|
|
The crowd around me shuddered, and pressed together.
|
|
|
|
The curtain between the trees was drawn aside, and the shrine
|
|
was disclosed to view.
|
|
|
|
There, raised high on a throne--seated on his typical antelope,
|
|
with his four arms stretching towards the four corners of the earth--
|
|
there, soared above us, dark and awful in the mystic light of heaven,
|
|
the god of the Moon. And there, in the forehead of the deity,
|
|
gleamed the yellow Diamond, whose splendour had last shone on me
|
|
in England, from the bosom of a woman's dress!
|
|
|
|
Yes! after the lapse of eight centuries, the Moonstone looks forth once more,
|
|
over the walls of the sacred city in which its story first began.
|
|
How it has found its way back to its wild native land--by what accident,
|
|
or by what crime, the Indians regained possession of their sacred gem,
|
|
may be in your knowledge, but is not in mine. You have lost sight of it
|
|
in England, and (if I know anything of this people) you have lost sight of it
|
|
for ever.
|
|
|
|
So the years pass, and repeat each other; so the same events revolve
|
|
in the cycles of time. What will be the next adventures of the Moonstone?
|
|
Who can tell?
|
|
|
|
|
|
|
|
End of the Project Gutenberg Etext of The Moonstone
|
|
|
|
|
|
|