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DDDDD ZZZZZZ //
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D D AAAA RRR GGGG OOOO NN N Z I NN N EEEE ||
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D D A A R R G O O N N N Z I N N N E || Volume 11
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-=========================================================+<OOOOOOOOO>|)
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D D AAAA RRR G GG O O N N N Z I N N N E || Number 4
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DDDDD A A R R GGGG OOOO N NN ZZZZZZ I N NN EEEE ||
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\\
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\
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========================================================================
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DargonZine Distributed: 05/09/1998
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Volume 11, Number 4 Circulation: 682
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========================================================================
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Contents
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Editorial Ornoth D.A. Liscomb
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Abandoned Treasures Clayton Fair Naia 1015
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The Broken Staff 3 Mike Adams Ober 1015
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Quadrille 6 Alan Lauderdale 8-9 Sy, 1012
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========================================================================
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DargonZine is the publication vehicle of the Dargon Project, a
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collaborative group of aspiring fantasy writers on the Internet.
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We welcome new readers and writers interested in joining the project.
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Please address all correspondance to <dargon@shore.net> or visit us
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on the World Wide Web at http://www.shore.net/~dargon. Back issues
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are available from ftp.shore.net in members/dargon/. Issues and
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public discussions are posted to the Usenet newsgroup rec.mag.dargon.
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DargonZine 11-4, ISSN 1080-9910, (C) Copyright May, 1998 by
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the Dargon Project. Editor: Ornoth D.A. Liscomb <ornoth@shore.net>,
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Assistant Editor: Jon Evans <godling@mnsinc.com>. All rights reserved.
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All rights are reassigned to the individual contributors. Stories
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and artwork appearing herein may not be reproduced or redistributed
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without the explicit permission of their creators, except in the case
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of freely reproducing entire issues for further distribution.
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Reproduction of issues or any portions thereof for profit is forbidden.
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========================================================================
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Editorial
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by Ornoth D.A. Liscomb
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<ornoth@shore.net>
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The dance is over.
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In this issue we conclude Alan Lauderdale's six-part "Quadrille"
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series. First envisioned around Christmas 1995, the story took almost
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exactly a year to research and write. Another nine months later, in
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August of 1997, after considerable revision and waiting in queue for
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publication, its six chapters began seeing print. And it has taken
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another nine months just to print the stories! But with the publication
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of this issue, the players take their final bow as the dance finally
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comes to a close.
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"Quadrille" is a superlative story in many ways; it is also an
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excellent example of both the advantages and disadvantages of writing in
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a longstanding collaborative milieu.
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Perhaps the most interesting part of the story is how it came into
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being. Alan had been reading one of our early issues (back from the days
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of FSFnet), and came upon a storyline that interested him: that of Ariel
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the novice air mage, beset upon by the evil minions of Haargon. As often
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happens in an anthology where writers come and go steadily, Becki Tants,
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the author and originator of the Ariel storyline, had left the project
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back in 1988, leaving behind a three-story series with no climax or
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conclusion. Alan, finding the storyline intriguing, decided to pick it
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up where Becki had left off. By being part of a collaborative project,
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Alan therefore benefitted from a ready source of ideas and material to
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call upon.
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In developing his story, Alan rapidly discovered other characters
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such as Kittara Ponterisso and Terkan, who fit nicely into roles his
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story needed, and had also been used in the past. Here he discovered
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another advantage in collaborative writing: a huge collection of
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ready-to-use secondary characters with plausible backgrounds.
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While all Dargon stories do this to one extent or another,
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"Quadrille" is unique in how extensively it takes advantage of
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preexisting storylines and characters, maximizing the benefits of
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participation in a longstanding anthology.
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On the other hand, those preexisting storylines and characters come
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at a cost. Anyone writing a story that leverages previously-printed
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material is, of course, constrained by that material. For example, in
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Becki's stories Ariel is attacked by minions of Haargon; in order to
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maintain consistency with Becki's story, Alan could not alter the fact
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that those attacks actually took place. In DargonZine, anything which
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sees print becomes "canon", and cannot later be changed.
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It should be apparent that a writer who borrows characters or
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storylines would need to do some research in order to ascertain exactly
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what is and is not printed canon, so that he can portray people and
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events in a manner consistent with previous depictions. In the case of
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"Quadrille", which recycled at least three storylines and a large number
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of existing characters, that research task was immense. In fact, the
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Online Glossary was created primarily as a response to our writers' need
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for tools to manage and sift through the ever-increasing morass of
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printed stories.
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Beyond simple adherence to previously-printed details, a writer who
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borrows characters or storylines from another writer has a moral
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obligation to respect the original creator's intentions. If the creator
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is still an active participant in the Dargon Project, ascertaining the
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owner's intentions and obtaining permission to use a character may be as
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simple as a brief exchange of email. However, when a writer leaves the
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project, one has to extrapolate their intent from the materials at hand.
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One of Alan's early decisions was to take Ariel's story in a very
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different direction than it had been going. Although his story departed
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radically from where Becki might have taken it, Alan expressly retained
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her presumed intention to have the heroine come through her trial
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relatively unscathed.
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Finally, existing characters usually come with existing
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relationships and entanglements. In Quadrille, Alan borrowed a few
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characters to play key roles in his story. Yet he very soon discovered
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that those characters were already involved in other storylines which he
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would, to some extent, have to portray in "Quadrille". As he included
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partial portrayals of those tangential storylines, he also wound up
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bringing in additional characters from those stories, who brought along
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additional entanglements and further research requirements. Alan found
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himself having to deal with a continually expanding number of peripheral
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characters and plots in "Quadrille" which spiraled outward from his
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central tale.
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In the end, "Quadrille" stands as an extensive example of the
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interrelatedness of all Dargon-based stories. Furthermore, it is proof
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that one can write a story that both integrates the creations of
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multiple writers, and is a great read. It does an exemplary job of
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integrating multiple storylines and borrowing other writers' characters,
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yet is also an example of how much work it can take to do so.
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And, believe it or not, during the year it has taken to print
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"Quadrille", Alan has been busy researching and writing his next story,
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which continues the exploits of Mouse of Kervale. He tells me that it is
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nearly halfway written, and may wind up being just as long as
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"Quadrille"...
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But as editor, I'm used to getting those kinds of threats all the
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time!
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========================================================================
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Abandoned Treasures
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by Clayton Fair
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<c646073@showme.missouri.edu>
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Naia 1015
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Dargon was less crowded these days. The normally packed streets
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were now only sparsely populated with the few who had not joined the
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Baranur armies and the few who had returned from the fighting. G'veldi,
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a server for Belisandra's, was one of the few who had remained in
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Dargon. Unlike the less established taverns in Dargon, Belisandra's had
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only experienced a change in clientele instead of a decline in business.
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G'veldi left the tavern at the approach of evening; the gratuities of
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her regular customers weighed down her belt pouch, and jingled with
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every step. Without Byrne to walk her home and deter malicious eyes, the
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empty streets played on her insecurities.
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She began to think of her customers -- maybe one of her regulars
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would be willing to escort her home. They all seemed to eye her with a
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male's want in their eyes, but she wondered if any could be trusted to
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walk her home without further expectations. Barkel Smith came to mind, a
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blacksmith and a family man. He had remained in Dargon to profit from
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the countless orders he was receiving due to the war. He was a respected
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man that a thief would be unlikely to hold a knife to. Then there was
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Nicholas Greuber; a scribe, he was a scholar who sold his services to
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the merchants of the city. She smiled as she remembered him standing
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outside her window, reciting a poem he had written for her. He had been
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unaware of her relationship with Byrne at the time, but his recital had
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forced an introduction. Nicholas was not the size of Byrne nor Barkel,
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but any male presence was better than none and she was not intimidated
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by his.
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She came to her door, still turning the possibilities over in her
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head. Deciding finally that she could protect herself if need be, she
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fumbled to retrieve her key. As she dug inside her pouch, she felt a
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shift in the wind and heard a soft footstep behind her. She turned to
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face the street, only to find herself shadowed by a broad set man in a
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weathered cloak. Her heart skipped a beat. Her breath shortened. But
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before she could react, a familiar voice came from beneath the hood.
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"G'veldi, it's me, Sven," said the man, pulling the hood back to
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reveal his face.
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"Sven! You're alive! I'd thought you dead!" exclaimed G'veldi,
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clasping her arms about him and hugging tightly. She relaxed her grip
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after a shared moment of reunion and looked questioningly into his eyes.
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"Why is Byrne not with you?" she asked, dreading the reason, but
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needing the answer.
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Sven stood silently, allowing his eyes to reveal the truth.
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G'veldi swallowed hard, and asked, "How did he die?"
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"We were attacked by a Beinison scouting party, sent to find us in
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retaliation for the death of a noble," he explained. "We were on the
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trail of treasure. We had lost Tristan and Pavo and were determined to
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see the trail to its end. The map that we were following was written in
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Beinisonian, but we must have followed the wrong path, for we found
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nothing. We camped for several days at the location of the markings. It
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was then that the scouts found us."
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"He wanted you to have this," Sven said, presenting a scroll case
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to G'veldi as she stood speechless. "It contains the map. He said you
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would know what to do with it. It is worthless to me now, for I cannot
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afford the cost of the translation, and I vowed not to return to
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Beinison. But if you uncover its meaning, let me know."
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"I will."
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Nicholas watched the alluring motions of the barmaid's figure as
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she jigged her way between the tables of the tavern. Her name was
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G'veldi and he had admired her ever since she had begun working for
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Belisandra's, one of Dargon's more reputable establishments. While the
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other patrons hunched over the bar, staring despondently into their
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tankards, Nicholas sat upright, transfixed by her every motion. Every
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day after toiling over a desk piled with scrolls, he would relax at the
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tavern and revel in the brief time spent in her presence. Every day he
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spent the two Bits for a meal, a stout ale and a chance to hear her
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voice.
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"Good day, G'veldi," said Nicholas, beginning the transaction in
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same manner as always.
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"I'm assuming you want the usual?" she asked with a smile, as she
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filled his goblet with a dark ale.
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"What I want will never change," he replied dreamily, sipping from
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the goblet.
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"Of course, Nicholas," she answered, breaking the lock between
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their eyes and turning towards the kitchen.
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He motionlessly waited for her return. The next few moments blended
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into one as his gaze remained locked on the point of her departure. As
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he stared vacantly at the kitchen door, his mind recalled life before
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the war. It had been several months since Byrne had left Dargon. He left
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on what would have been an ordinary evening. The usual crowd of patrons
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had all gathered at Belisandra's to relax at the end of a long day. One
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of the men at the bar mentioned the recent atrocities against Baranur,
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commenting on the tyrannical ways of the Beinison empire. The words
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forced a change in Byrne. He stood from the bar, raised to his full
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height, and stated in a loud voice, "I will take the war to their
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homeland! They will know the suffering that we have felt, and more. I
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will take from them what is ours by right! Enough wealth to rebuild the
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ruin they have laid upon us." As he took an awkward step back to catch
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his balance, he must have seen the hopeful looks in the eyes that were
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upon him, for he continued his speech, and strengthened the vision he
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had manifested. "A toast," he said, raising his tankard to the rafters.
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"For every man that leaves with me tomorrow, I can assure them each a
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king's ransom colored with Beinison blood." All their arms raised in
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unison to the toast, and the tavern broke into cheers. The kegs of mead
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had flowed freely, for that night was the last that many of them would
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spend in Dargon.
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Nicholas' reflective trance was abruptly broken by a movement near
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the kitchen door. G'veldi returned to the tavern floor, replacing his
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thoughts of the past with those more promising. Unconsciously, his face
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returned to a lost expression of hope and love.
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"Your meal, my dear," said G'veldi, placing the platter of ample
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portions in front of him. "Don't let me forget, I've got a scroll for
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you to translate."
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Nicholas' face did nothing to hide his shock. "Forget?!" he
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exclaimed. "This is the first time I'll have the pleasure of working for
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a maiden instead of an overweight noble. I will not forget," he
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finished, allowing G'veldi to return to her work about the tables.
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Nicholas had always wanted to be needed by G'veldi. Her daily life
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did not necessitate calligraphy or a knowledge of foreign tongues, and
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her dismissal of his skills tore away at his confidence. He had
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previously given up all hope of impressing her with his talents with a
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quill, preferring instead to avoid rejection and hold his tongue in
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silence. The scroll marked Nicholas' first chance to prove his worth to
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her, and she had come to him. The only other work he had done for her
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had been a scroll she had never seen and it had led to his introduction
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to Byrne.
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It had been shortly after he first met G'veldi, when Nicholas still
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had confidence in his manhood. He had produced a symbol of his love for
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her; the act came naturally to him. It had come in the form of a scroll,
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complete with illustrated dragons bordering a poetic verse. He had
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waited for her to leave Belisandra's and followed her home. When he was
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sure that she had settled for the night, he began to read the verse from
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below her bedroom window. The words rolled from his tongue, as naturally
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as waves in the ocean. His vision of her glowing face, framed by auburn
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locks, appearing through the open window was abruptly shattered by the
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black bearded, scowling face of Byrne that appeared instead. In that
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instant, Nicholas' aspirations of lasting companionship were shattered
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by the man's threatening voice. "If you're looking for attention, you've
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just found it!" he boomed in a low, vibrating voice. Nicholas watched
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the head draw back into the window, followed by a stir, and then G'veldi
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appeared. When she recognized Nicholas from Belisandra's, a sweet smile
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appeared on her face. A frantic turn and a desperate wave quickly
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replaced it, though, as if she was trying to shoo him away. From the
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cacophony of noises travelling through the house, it sounded as if Byrne
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was breaking through the walls to get to the door. Wasting not a moment
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more, he blew her a kiss and retreated down the street. That was the
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closest he had ever come to being a part of G'veldi's life, and ever
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since, he had felt the threaded bond between them.
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That had been before Byrne left Dargon, and since then, the tavern
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had become more relaxing. Without the possible chance of confronting
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Byrne, Nicholas could dine in peace. He enjoyed eating his meal slowly,
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savoring the atmosphere of Belisandra's and allowing his thoughts to
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shift from past to present with the coming and going of the patronage.
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He looked forward to his evening meal -- anything to delay the
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inevitable return to a cold, lonely bed. While he ate, he would always
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keep an eye on the alluring jigging of G'veldi. If he ever missed the
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chance to catch one fleeting glance from the barmaid, he would never
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forgive himself, and so his gaze was fixed. He sat silently as he ate,
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gleefully waiting for her to entrust him with her scroll. When the
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servers began to depart, G'veldi approached without her tray. With the
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scroll in her hand, she came to his table and sat beside him.
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"I need you to translate this for me," she said in a hushed voice,
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speckled with urgency.
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"Let me take a look," Nicholas said, prompting her to roll out the
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scroll on the table.
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"Not here. Others may be watching," she warned.
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"Nonsense. Everyone here is a regular customer, I can place a name
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to every face," he countered.
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"I know, Nicholas," she said, "Be careful."
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Seeing that he understood, G'veldi left the scroll in his care and
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returned to the kitchen. He sat there looking at it tightly rolled upon
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the table. He tipped his goblet back to finish the last drop of ale and
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scanned the room. There was only a handful of other men in the tavern,
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but a sideways glance from Barkel Smith sent a shiver up his spine.
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"Nonsense," he thought, reassuring himself that it was a
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preposterous situation. Nonetheless, he quickly bundled up the scroll
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with the rest of his books and left Belisandra's for his home, where no
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wandering eyes could peek at his work.
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During the walk back, the scroll burned incessantly at his
|
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curiosity. It drew him to consider the possibilities of its contents.
|
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Evidence to incriminate Lord Clifton Dargon himself, or possibly a
|
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powerful under-lord? Navigational charts to a new world laden with gold?
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The recipe for an elixir of youth? His pace quickened in step to each
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new possibility that entered his head.
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When at last he reached the door to his shop, he abandoned the
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bundle at his desk and searched for suitable light. He dug out a candle,
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lit it, placed it on the edge of his work space, and unbound the scroll.
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It was about the width of his forearm and, once unrolled, it covered
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twice that length across his desk. He recognized what lay before him.
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G'veldi had given him a map of the land near the Beinison borderlands.
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The first thing that caught his eye was a darkly marked cross,
|
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pointed to by a downward arrow, along with a prominent grove of firs and
|
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a familiar roadway that connected the two empires. A lengthy inscription
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circled the border of the map twice and half again, beginning from the
|
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upper left corner and ending along the bottom, so that Nicholas was
|
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forced to rotate the scroll as he read it. He could make out the
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Beinison words for 'king', and 'wealth', yet many of the words were
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unfamiliar to him. His heart quickened its beat, matching the pace that
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his mind had set. He understood G'veldi's need for secrecy and he
|
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eagerly pulled his collection of notes on Beinisonian from a stack of
|
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scrolls near his desk. He worked around the border of the map, writing
|
|
the translation in chalk on a piece of slate.
|
|
The translation was tedious, yet it consumed the interest of his
|
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mind. He worked on it until it was complete, lighting new candles
|
|
periodically. When he had finished, he selected a blank scroll and began
|
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transcribing the map, careful to catch every twist and burr of the
|
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lines. As the candles burned lower, his thoughts inevitably drifted
|
|
towards his bed above. Leaving the transcription half completed on his
|
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desk, he retired to his quarters above his shop. He was exhausted from
|
|
the concentration and excitement, and he welcomed the sleep.
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It took a while for Nicholas' mind to focus. His conception of the
|
|
day had been distorted by the work of the night before. Someone was
|
|
knocking, but his need for sleep overpowered him. He rationalized to
|
|
himself that a couple more moments in bed couldn't hurt. He heard the
|
|
pounding again. "Who is it?" he thought, dreamily expecting the knocker
|
|
to answer his thoughts. Groggily, he rolled to one side, allowed his
|
|
vision to focus, and recalled his work on the map. The promise of a
|
|
king's wealth and the persistent knocking forced Nicholas awake.
|
|
Once standing, it took only moments for him to robe and return
|
|
downstairs. The knocking increased in volume, pounding at his head.
|
|
Hurriedly, he covered the map and translation, with his notes on
|
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Beinison. G'veldi's words kept repeating in his head, "I know, Nicholas.
|
|
Be careful." Once he covered the map, he rummaged through his desk
|
|
drawer to retrieve a dagger. He slipped it into his belt, behind his
|
|
back, and moved towards the door. Taking a deep breath and smoothing his
|
|
unkempt hair, he cautiously approached. To his relief, he recognized the
|
|
familiar face of Yarrick Wilcolm's messenger, Matthew Ronnic, through
|
|
the small opening centered in the door. Yarrick was a merchant that
|
|
frequently sought his services to transcribe navigational charts for his
|
|
trade routes, and his business was always welcome. He exhaled, opened
|
|
the door, and greeted the lad with authority.
|
|
"Good morning Matthew, how can I be of service?" Nicholas asked, in
|
|
his most polite and charismatic voice, letting his hand fall to his
|
|
side, away from the dagger's hilt.
|
|
"One of my master's vessels will be departing for Miass tomorrow
|
|
and he needs a copy of each of these," he said, handing Nicholas a stack
|
|
of scrolls.
|
|
"That will not be a problem. As you know, my fee is a four Bits per
|
|
scroll," said Nicholas, thumbing through the stack. "So, tell Yarrick
|
|
that I will require two Sovereigns on hand when the transcriptions are
|
|
retrieved."
|
|
"Of course, of course," Matthew said, in agreement. "I'll see you
|
|
tomorrow morning then."
|
|
Nicholas eyed the scrolls in his hands and decided that it would be
|
|
worth his professional interest to put the lure of buried treasure on
|
|
hold. He laid the scrolls upon his desk, and began his work. The charts
|
|
were familiar to Nicholas; he had transcribed them for other merchants
|
|
before, and copying them again would not prove difficult. As he etched
|
|
the northern coast of Baranur, he was continually distracted by the lure
|
|
of G'veldi's map. Every other bell, he would take a break from Yarrick's
|
|
charts and translate a few more of the place names etched onto the map
|
|
or copy a bit more of the transcription. When he finally placed the last
|
|
of Yarrick's scrolls to the side, he reclined and rubbed his aching
|
|
wrist. His evening meal at Belisandra's would serve him well. Besides,
|
|
he was anticipating sitting close to G'veldi when he revealed the
|
|
translation. Eagerly, he gathered the map and translation together with
|
|
his notes on Beinisonian, and left for Belisandra's.
|
|
|
|
Upon entering the tavern, he was quickly greeted by G'veldi.
|
|
"Nicholas, I've been waiting for you. Take a seat over there, and I'll
|
|
be over in a mene," she said, motioning to one of the tables in the
|
|
back.
|
|
He took his place at the table with his back to the wall. It was a
|
|
familiar location for him and he fell immediately into his old routine.
|
|
He became transfixed by G'veldi's sweet dance about the tables and
|
|
chairs of Belisandra's with a serving tray in one hand and a pitcher in
|
|
the other. He let himself become so mesmerized with her work that he
|
|
didn't notice the well-traveled man that sat down across from him at the
|
|
table.
|
|
"Hey! Scribe!" the man said, in a loud whisper.
|
|
Nicholas immediately snapped out his trance, unaccustomed to having
|
|
company at Belisandra's. "Sven?" he asked, vaguely recognizing his face.
|
|
"Did you find the wealth that you sought in Beinison?"
|
|
"Don't play games with me. I know G'veldi gave you the map," Sven
|
|
said, motioning towards the bundle of scrolls. "Show me your progress."
|
|
"These are only for a project that I'm currently working on for
|
|
Yarrick Wilcolm. You would not find them interesting," explained
|
|
Nicholas.
|
|
Sven paused, considering his statement. After a moment, he turned,
|
|
and looked about for G'veldi. Summoning her over, he spoke into her ear,
|
|
and explained the situation. She turned towards Nicholas and said, "Be a
|
|
dear and show him your work."
|
|
"I've already explained to him that I do not have it with me," he
|
|
said, initiating G'veldi to pull a chair beside him and drape her arm
|
|
across his shoulders.
|
|
"Please show us the map, Nicholas," she said, suggestively.
|
|
Feeling G'veldi's warmth at his side, he could not resist her
|
|
request and unbound the scroll from the bundle. Unrolling it and the
|
|
translation, he explained the meaning to them. "You see, this writing
|
|
around the borders is in Beinisonian, as well as the writing above the
|
|
geographic features," he began.
|
|
"Geographic?" Sven asked.
|
|
"Yes, the forests, rivers, roadways -- they are all named in
|
|
Beinisonian. The inscription around the borders reads: 'My name is
|
|
Giranti Escalde, I've traveled the lands of far and wide, from Beinison
|
|
strongholds to the eastern coasts, and this map points to what I have
|
|
found. I have gained wealth that kings can only dream of. To find it you
|
|
need not stray fruitlessly into forbidden marshes or risk the desert
|
|
heat. There is only one place to find what you seek and it is marked by
|
|
the downward arrow on this map, here.'"
|
|
"You can see that there is only one arrow on the map and it points
|
|
to the cross marked below it. If Giranti has a treasure, it is there.
|
|
>From the names and the positioning of these features I would say that
|
|
the mark lies just within Beinison lands," informed Nicholas.
|
|
"Yes, that is where I returned from. We spent days upon days
|
|
roaming the hills near the mark on that map. Byrne refused to return to
|
|
Dargon without a mountain of gold in tow and we did not question him. We
|
|
had already lost two men, Tristan and Pavo, gaining the map from the
|
|
clutches of a Beinison noble. It cost us dearly, but the rumors that had
|
|
been spread about the riches that the map led to would have been worth
|
|
the loss if true. Things were going smoothly until we ran into a
|
|
scouting party in the borderlands. I turned and fled the ensuing battle,
|
|
thinking only of my wife, Katherine, before the others were overcome.
|
|
"The Beinison scouts I encountered later paid no notice to a lone
|
|
traveler on the road and I returned unhindered. On my return journey I
|
|
heard tales of a maddened giant with a blackened beard and eyes of
|
|
death, clad in blessed mail, that cut down a dozen men before falling to
|
|
a well placed arrow. The tales were exaggerated, but they brought back
|
|
visions of Byrne, as I remembered seeing him when I ran. They could only
|
|
be of him. Forgive me G'veldi, but it is the truth. I was prepared to
|
|
leave it in the past, but Byrne must have known of your scribe friend
|
|
and directed me to give you the map."
|
|
Sven's mention of Byrne's fall returned a flash of buried emotion
|
|
to G'veldi, and she gripped Nicholas' hand tightly beneath the table.
|
|
Nicholas' attention had been distracted by something else, though, as
|
|
Sven told his story. With the map facing Sven, he could read only the
|
|
last few words of the inscription '... the downward arrow on this map,
|
|
here.' It had seemed odd when he had translated it, but now it made
|
|
sense. From its present angle the arrow pointing at the spot marked by
|
|
the cross was pointing up.
|
|
"I think I have the answer that you seek," said Nicholas, turning
|
|
the map so that he could show Sven what he had just seen.
|
|
"The last word, 'here' ends at the base of this large fir tree. I
|
|
had originally taken the tree to be only a marker for the 'Knotted
|
|
Woods', but it is much more. Notice that the shape of the fir makes an
|
|
arrow and from this view it is pointing downward. Notice also that it
|
|
points directly to this word," he continued, pointing at a word placed
|
|
at the tip of the tree.
|
|
"Well, what is it?! Tell me, so I may avenge Byrne's death!"
|
|
exclaimed Sven.
|
|
"The word is ..." Nicholas began, gripping G'veldi's hand tighter.
|
|
"... love."
|
|
"So five great men died for nothing!" growled Sven. "A curse upon
|
|
Escalde's map!" he shouted, slamming his fist upon the table, standing
|
|
erratically and storming out the door.
|
|
"When he returns home to Katherine, his rage should subside," said
|
|
Nicholas.
|
|
G'veldi loosened his grip on her hand, reached up to hold his other
|
|
shoulder, and focused his attention. Looking into his eyes, she saw what
|
|
she had seen the first time they had met, and had been there ever since.
|
|
She leaned closer and kissed him. Nicholas tensed in shock; a dream not
|
|
meant for reality had come true, and he was not prepared for it.
|
|
"I ... I ..." he stuttered.
|
|
She put her finger to his lips and said, "Escort me home tonight,
|
|
Nicholas."
|
|
"But ..." he began, thinking of his contract with Yarrick that he
|
|
needed to fulfill in the morning. Yarrick was a faithful customer, and
|
|
any broken contracts could reflect poorly on Nicholas' reputation, and
|
|
two Sovereigns could cover his expenses for more than a month.
|
|
"Please don't question me. Just walk me home." she said.
|
|
Nicholas did not question her. Yarrick could wait till mid-day, he
|
|
reasoned, maybe later. Escalde's treasure was within his reach and
|
|
nothing could keep him from it.
|
|
|
|
========================================================================
|
|
|
|
The Broken Staff
|
|
Part III
|
|
by Mike Adams
|
|
<meadams@sunherald.infi.net>
|
|
Ober 1015
|
|
|
|
In The Broken Staff II, Bren kel Tomis arrives in Dargon
|
|
after exile from his homeland. He finds employment with Qanis
|
|
Jetru, a merchant, as a bodyguard. Jetru has a precious stone
|
|
which he has sold, and is waiting to deliver.
|
|
|
|
Several days after the incident in the alley, I was escorting Qanis
|
|
back to the office as day wore into evening. The day had been warm
|
|
enough for me to forget about being cold, at least for a while, and I
|
|
had thrown my cloak back over my shoulders to enjoy the sun while it
|
|
lasted. Qanis had assured me that the weather in Dargon was mild,
|
|
compared to other places, and that I'd soon become acclimated. I wasn't
|
|
so sure.
|
|
We walked down Main Street, heading in the direction of the docks.
|
|
Qanis was in a jolly mood, having just concluded a deal to supply the
|
|
Duke of Narragan's household with candles for the next year. Since Qanis
|
|
had managed to buy up most of the beeswax in the duchy the day before,
|
|
he was quite pleased. Personally, I was astonished at the number of
|
|
candles the household was expected to use.
|
|
My work was undemanding, and the merchant was a pleasant enough
|
|
fellow. In the past few days we had walked the length of most of the
|
|
streets in this small city. With all the walking, and observing Qanis in
|
|
his negotiations, I was beginning to feel like I could learn to live
|
|
here, and possibly enjoy doing so.
|
|
As we crossed another street something in my mind whispered for my
|
|
attention, and I stopped in the middle of the street. "Qanis," I asked,
|
|
"Isn't that Ramit Street we just crossed?"
|
|
Qanis looked around, slightly puzzled. "Why yes, it is. I'd meant
|
|
to turn sooner." He looked uncomfortable. "Maybe we should turn back."
|
|
|
|
I turned, and about twenty paces back stood a scruffy man. At least
|
|
his fingernails were clean, or they were if the dagger he was cleaning
|
|
them with was sharp enough. I grabbed Qanis' right arm with my left
|
|
hand, turning away from the dagger, but stopped again. Twenty paces in
|
|
front of us stood the deranged mugger from the alley, along with another
|
|
friend who seemed fond of sharp instruments.
|
|
I thought quickly, then spoke to Qanis in a low, urgent whisper. "I
|
|
am going to turn and charge the man behind us. I don't think he will be
|
|
expecting that. When I charge, you follow me, running as quickly as you
|
|
can. I will engage him, while you keep running."
|
|
"But I can't leave you here to --"
|
|
I interrupted Qanis harshly. "You are no soldier, you are a
|
|
merchant. Dying here will not serve your purpose, and your escape will
|
|
certainly serve mine."
|
|
"Merchant!" The madman was trying to attract our attention.
|
|
"Now!" I screamed, then I turned, and smoothly drawing my sword,
|
|
charged at the startled man, who dropped his dagger and reached for his
|
|
sword. Obviously rattled, and not used to facing a victim with a blade
|
|
of his own, he had barely gotten his sword out of its scabbard by the
|
|
time I reached him. A quick slash at his head was distraction enough to
|
|
let Qanis get by, and I kept the man occupied so that he could not chase
|
|
Qanis down.
|
|
A scream of outrage came from behind me, and I heard their boots
|
|
slapping on the cobblestones as they ran towards me. The man in front of
|
|
me relaxed, seeing his comrades on the way. I reached down to my left
|
|
boot and pulling my hidden knife, threw it hard at him. The blade didn't
|
|
rotate far enough to penetrate, but the handle, sharp enough in its own
|
|
right, stuck in the mugger's right eye. He dropped to the ground,
|
|
screaming and clutching at his face, while I spun to face the other two
|
|
attackers.
|
|
The short one had a long straight blade ... He slashed at my head,
|
|
and as I parried I could feel the strength in his wrist. Then the other
|
|
man came at me, two blades style, and I silently hoped that Qanis could
|
|
run as fast as he could talk.
|
|
The only factor in my favor was that it didn't appear as if the two
|
|
men had fought together before. A good swordsman can defeat two, or even
|
|
three others, of average ability, but the chances become negligible if
|
|
they work as a team.
|
|
I struck at Two Blades, then parried a thrust from the short one.
|
|
Then they spread apart, preparing to come at me from both sides. I
|
|
charged at Two Blades, then darted forward into a doorway. I was now
|
|
trapped, but at least my back was protected.
|
|
I could hear the shrieks of women coming from the other side of the
|
|
stout wooden door. The short one chuckled a bit, but Two Blades just
|
|
grunted and attacked.
|
|
I managed to hold the two men off for a mene or two, but then my
|
|
bootheel slipped on a wet cobblestone. I flung my sword arm up in a
|
|
desperate attempt to stay upright. As I fell Two Blades lunged, and I
|
|
felt a fierce pain as his blade ripped into my abdomen. I tried to rise,
|
|
but a boot came from nowhere, and I collapsed to the ground.
|
|
As I lost consciousness I heard the madman speak.
|
|
"See if you can find the merchant. I'll deal with this one." A low
|
|
cackle was the last thing I heard.
|
|
|
|
Dargon, Layman Street
|
|
|
|
Wern sat, huddled, in the corner of his room. Likewise, the mental
|
|
half of Wern was huddled in a dark corner of his mind, trying to keep
|
|
out of the way of the Voice, which roared through the battered corridors
|
|
of Wern's fragile psyche like an enraged animal. Wern had failed to
|
|
provide a victim, and even worse, had not regained the Eye. Wern had not
|
|
expected the Guard to respond so quickly, and lost not only the
|
|
merchant, but the black-haired one as well.
|
|
The Voice seemed to thrive on the fear and death of those that Wern
|
|
killed, but when Wern failed, the Voice took his anger out on Wern.
|
|
Never so far as to damage him, at least not physically, but always more
|
|
than Wern felt he could endure. Wern had resisted, once. In quiet times,
|
|
Wern would look for ways to escape, but there was no way, not even total
|
|
madness, for the Voice was too powerful, and would not allow it.
|
|
Then the pictures started, and Wern sat bolt upright. The pictures,
|
|
and the sounds that accompanied them, were hard to understand, and very
|
|
difficult to decipher, sometimes taking days of repitition and effort.
|
|
It had always been that way, and Wern had long given up trying to
|
|
understand why such a powerful being had such trouble making itself
|
|
understood.
|
|
Slowly, painfully, the images came, and Wern trembled with
|
|
near-orgasmic ecstasy, for he knew now that the Eye was almost within
|
|
his reach.
|
|
|
|
Dargon, Atelier Street
|
|
|
|
I was lashed to the whipping frame that stood on the parade ground
|
|
of the College of Heralds. The midday sun beat down, and I could taste
|
|
the saltiness of the sweat that ran down my face. It was silent; I
|
|
seemed to be alone.
|
|
Then came a voice, one I knew well.
|
|
"This is for impersonating a knight of honor," said the King of
|
|
Mandraka. The whispering sound of the whip was followed by an incredible
|
|
searing pain across my shoulders. A low moan escaped my lips.
|
|
"The herald has been judged and found wanting," came the voice of
|
|
Lord Skel, First Herald. The second bow seemed even more painful, for
|
|
now I knew what to expect. I bit my lip open, but no sound betrayed my
|
|
pain this time.
|
|
The next voice cut me as deeply as the lash had. "My dear boy,
|
|
believe me, this pains me more than you know." In my mind's eye I could
|
|
see Kira, my noble temptress, raise the whip. I could see the cruel
|
|
smile playing on her lips as the whip flew forward ...
|
|
"Kira, noooo ..."
|
|
I sat bolt upright, feeling a slight pain near my stomach. A light
|
|
sweat covered me, but it had only been a dream.
|
|
Before I could shake the sleep from my head and wonder where I was,
|
|
the door opened.
|
|
A woman, bearing a shielded candle, entered the room. Her face was
|
|
puffy from sleep, and she wore only a loosely belted robe. She held a
|
|
hand up to forestall me, and spoke.
|
|
"I am a healer, my name is Raneela S'Dun. You were brought to me
|
|
two nights ago. You seem to have had a bad dream."
|
|
"I apologize for awakening you, healer," I replied.
|
|
"There is no need," she said. "It has been some time since I had a
|
|
patient wake me in the middle of the night. Actually, it is some time
|
|
since I had a patient here for this long." She moved towards the bed,
|
|
and set the candle on the bedside table. "While I am here, let me
|
|
examine you." She leaned closer, looking intently at the scar on my
|
|
right side.
|
|
As she examined me, I did the same to her. Her hair was beautiful,
|
|
a golden red, cascading over her shoulders, but her face was too somber
|
|
for my liking. I glanced down into the parting of her robe. If ever she
|
|
gave birth, I mused, it seemed likely the poor babe was to die from lack
|
|
of milk.
|
|
Of course she looked up at that moment, catching me staring at her
|
|
breasts. Without haste she pulled the robe a bit tighter.
|
|
"I apologize if I embarrassed you," I said quietly.
|
|
"I am a healer," she replied. "The body holds no embarrassment for
|
|
me." The tightness in her lips belied her, but I did not dispute it.
|
|
"Where am I, by the way, and how did I come to be here," I asked.
|
|
"You were brought by the guard. I have told your employer that you
|
|
will be released in the morning," she answered. "Apparently your friend
|
|
is performing your work while you are here."
|
|
I began to ask another question, but again she held up her hand.
|
|
"Hold your questions, sir," she said. "We can speak again in the
|
|
morning. Good night." With that, she picked up the candle and left the
|
|
room.
|
|
It seemed to me that I had offended her in some deeper way than a
|
|
cursory glance at her bosom. As I had no way of knowing what that might
|
|
be, I laid back down and returned to sleep.
|
|
|
|
In the morning I woke suddenly, with the feeling of being watched.
|
|
I opened my eyes, and saw the healer, seated near the bed, watching me.
|
|
When she saw I was awake, she averted her eyes. By the light from the
|
|
small window, I could see that her eyes were green.
|
|
"Excuse my rudeness," she murmured. "You remind me of my husband."
|
|
|
|
She looked at me, but I said nothing. She continued, reluctantly,
|
|
as if I were drawing a confession from her.
|
|
"He served as a Ducal messenger. During the war, a group of
|
|
Beinison soldiers caught him with a message for the King. They tortured
|
|
him for a very long time before he died."
|
|
"My sympathies, lady," I said. "In war, men often commit acts that
|
|
most reasonable folk find detestable." I did not think it prudent to
|
|
mention that I had done many things in the service of my king that I
|
|
found distasteful. On a number of occasions my vow of knighthood had
|
|
been forced to accede to the demands of my vow to the Crown.
|
|
She turned to face me again and said, "I promised myself that I
|
|
would never heal another who bore arms for his livelihood. I treat
|
|
merchants, children, nobleman's wives, but no soldiers. Not until you,
|
|
that is."
|
|
She looked closer, inspecting me. "In the light I can see how I was
|
|
fooled. He had long black hair. His skin was not as dark as yours, but
|
|
you have the same build." She paused for a moment, seeming to be on the
|
|
verge of tears.
|
|
"When the guards brought you, I was too shocked to say anything. By
|
|
the time I realized you weren't my husband, it was too late." She turned
|
|
to me and glared, "I would not be fooled the same way again."
|
|
I had heard enough. It was obvious to me that this woman was
|
|
blaming me for her emotional state. This is ever the way of women,
|
|
creating difficulties for themselves, accusing a man, and then expecting
|
|
him to support and lead her through the crisis.
|
|
I rose from the bed and stood naked before her. "I feel only sorrow
|
|
for your loss, healer," I snapped. "It seems to me, however, that you
|
|
lost more than just a husband."
|
|
Her eyes came alight with anger, but I spoke before she could.
|
|
"Now, lady, if you would be so good as to have your servant bring my
|
|
clothes, I will leave you in your misery."
|
|
"You listen to me, sirrah! I have good reason to behave as I do."
|
|
Her mouth open and closed several times, so overwhelmed that she
|
|
couldn't speak further. She put her head in her hands and began weeping.
|
|
I was to play my proper role in this little drama, now was the time
|
|
to comfort the bereaved widow, and reap my manly reward for doing so,
|
|
but I declined the part. Instead I began searching for my clothes.
|
|
When she heard me opening the cabinet she jumped up, opened a
|
|
drawer, and flung a pile of clothing at me.
|
|
"There are your things, soldier," she hissed, flinging the word
|
|
"soldier" like an epithet. "Your clothes were not salvageable, so I have
|
|
given you some of my husband's. You are of a size." Her anger then
|
|
drained from her in a rush, and she sat limply on the bed.
|
|
I dressed without another word. Her husband's clothes were all
|
|
black, like the ones I had worn. As I picked up my cloak, my pouch of
|
|
silver fell out, onto the floor. I picked it up and finished donning my
|
|
cloak.
|
|
I walked to the door and stopped. Over my shoulder I asked, "Has
|
|
your fee been paid, healer?"
|
|
"I asked for no fee," she replied between gritted teeth. "And I
|
|
will not accept your coin."
|
|
"I would not have it said that Bren kel Tomis did not pay the
|
|
healer who saved his life." I tossed the pouch at her, and heard it hit
|
|
the floor as I closed the door behind me. The next thing I heard was a
|
|
scream of outrage, followed closely by the loud clink of the pouch
|
|
hitting the door.
|
|
Two days and several bells later, Qanis, Toran, and I left the
|
|
office and headed towards Commercial Street. Kultris had sent word that
|
|
the exchange was to be made at a derelict house there. As we approached
|
|
the area, I could see that it was very run down. This area of Commercial
|
|
Street seemed abandoned by business, but probably still saw use by the
|
|
poorer inhabitants of Dargon who had not yet drifted towards Layman
|
|
Street.
|
|
I had brought Toran along because my instincts told me he would be
|
|
useful. Qanis was not unduly upset; apparently his clients were a
|
|
nervous lot, and often requested meetings in strange locations. I was
|
|
still worried about the mad stranger who seemed able to locate Qanis so
|
|
easily, and I did not trust Kultris at all.
|
|
As we approached the house, Toran hung back, then slouched in a
|
|
doorway across the street. Kultris would only allow Qanis one guard, but
|
|
Toran would come at my call.
|
|
The house was situated slightly off the street. It looked to have
|
|
been the home of a wealthy man some time in the past, but for once,
|
|
Qanis had no pertinent story to tell. I entered first, my senses
|
|
scouting for danger, but there was no one in the entranceway. Narrow
|
|
hallways led right and left, but I saw before me two sets of fresh
|
|
footprints leading straight ahead, through another exit. We stepped
|
|
carefully through the exit into a large courtyard which was open to the
|
|
midday sun.
|
|
"Do you have the stone?" The harsh voice I recognized as belonging
|
|
to Kultris came from our left.
|
|
As Qanis moved to the center of the courtyard and started to remove
|
|
the Eye from its container, I examined Kultris and his guard closely.
|
|
The buyer was a small man, going bald, but flipped the rest of his hair
|
|
over the bald patch in a vain attempt to hide it. He wore an expensive
|
|
cloak, hanging open, and the front of his shirt was filthy with food.
|
|
His face was thin and pinched, his beard was straggly, and his long nose
|
|
added to the impression that he was a buzzard waiting for his next meal
|
|
of carrion.
|
|
His guard was a huge hulk of a man, easily four hands taller than
|
|
me. He carried a club instead of a sword, but I did not doubt that the
|
|
club would do as much, if not more, damage than a blade.
|
|
Kultris noticed me looking at the guard, and laughed, "Pay no mind
|
|
to Clod here, he is as thick as a post, and nearly as deaf. He does
|
|
scare away the ruffians, which is why I keep him around." He then made a
|
|
gesture at the giant, who retreated to the corner, and stood there, with
|
|
a blank look on his face.
|
|
"Now, let me see this stone," Kultris said, pulling a jewelers
|
|
glass from a pocket in his cloak. He returned to his corner and removed
|
|
several items from a bag there. While he was using these instruments, I
|
|
moved to the center, near Qanis, awaiting the results of the inspection.
|
|
|
|
Suddenly, Kultris stood upright, and shouted, "What is this,
|
|
trader?"
|
|
"What is the problem?" Qanis asked.
|
|
Kultris held up the Eye. "This stone has a large flaw inside, which
|
|
would reduce its value radically. What kind of trick is this Jetru? You
|
|
didn't think to fool me with this imitation, did you?"
|
|
Qanis was nonplussed. He was speechless for several heartbeats, the
|
|
longest such span since I'd met him. Finally he spluttered out a denial.
|
|
"Master Kultris, this is the same jewel that Corambis examined. There is
|
|
no foolery here." At the same time, I moved forward, to place myself
|
|
between Qanis and the giant.
|
|
"This for your tricks!" shouted Kultris. He then raised the Eye
|
|
above his head and dashed it to the stones. To my amazement, the stone
|
|
shattered, spraying red glass everywhere, and a smaller jewel rolled out
|
|
onto the tile floor. It pulsed with a deep red glow, and the sense of
|
|
voices that I had heard in the inn was much stronger now.
|
|
"Ah yes, now I see," said Kultris, the first to react. "The real
|
|
Eye was inside the other stone. It seems I will have the jewel after
|
|
all." Kultris then made a gesture in the air, and the giant grunted and
|
|
moved towards us.
|
|
Pushing Qanis back into the corner behind me, I drew my sword, and
|
|
bellowed, "Toran, come quickly!"
|
|
Clod swung his club at me, much faster than I would have believed
|
|
possible. I jumped backwards, rolling as I fell, and felt pain as the
|
|
club grazed my left arm. I tried to flex my left hand, but there seemed
|
|
to be no feeling in it.
|
|
As the brute stepped towards me for his next blow, I saw Kultris
|
|
heading for the Eye. I was not sure what kind of power Kultris
|
|
possessed, but I did not want him to reach the Eye. I moved to the
|
|
right, dropped my sword, pulled a knife from my boot, and threw it at
|
|
Kultris. The dagger stuck in his thigh, and he dropped to the ground,
|
|
screaming in pain.
|
|
I turned back to the giant, then ducked and rolled, as the club
|
|
whistled by, only fingers over my head. The big man giggled like a child
|
|
as he stood on my sword, ready to make a killing blow.
|
|
Behind Clod I could see Toran sprint into the courtyard, and taking
|
|
in the situation with a glance, lunged at the bodyguard. Toran's sword
|
|
pierced the behemoth's vitals, and Clod let out a shrill, girlish,
|
|
scream. Spinning around, he swung a fist the size of a ham, catching my
|
|
friend on the head, and knocking him across the courtyard where he
|
|
slammed into the wall and fell in a crumpled heap.
|
|
The giant threw his hands up and roared in triumph. The roar turned
|
|
to another scream, as I had leapt up, and plunged my remaining dagger
|
|
into the base of his skull. penetrating the brain. Slowly, the huge man
|
|
fell, toppled like a tall tree. I remember a very long instant in which
|
|
I watched the dust raised by his fall sparkling in the sun. Then I
|
|
turned towards my friends.
|
|
I picked up my saber, and moved towards Kultris, who was trying to
|
|
reach for the Eye. "I'd love to cut your head off, you maggot," I said,
|
|
"So please continue to reach for the jewel." For I moment, I think he
|
|
was actually tempted, but then he pulled back, and sat against the wall,
|
|
glaring at me.
|
|
"Qanis, how is Toran?" I asked.
|
|
"I think he needs a healer, right away," came Qanis' worried
|
|
response. "I can't wake him up."
|
|
"Let's go then; I'll carry him," I said. 'You get the Eye, and then
|
|
run ahead to alert the healer." My left arm was now tingling with the
|
|
return of feeling, but was still effectively useless. I would need
|
|
Qanis' help to get Toran on my shoulder. I sheathed my sword and started
|
|
towards my friend.
|
|
"Stay where you are, unbeliever, or I will kill you right now." I
|
|
groaned as I recognized the voice even before I turned around. As I
|
|
thought, in the doorway stood the madman. A loaded and cocked crossbow
|
|
was pointed at my chest.
|
|
The wild-eyed man stood as tall as he could and spoke, "I am Wern,
|
|
disciple of Amante. He has spoken to me, told me where to find the
|
|
sacred stone, and said that I will grasp it in all its power."
|
|
Wern stepped towards the Eye, but Kultris had crawled towards it
|
|
while Wern was speaking. "Now the power will be mine," screeched
|
|
Kultris.
|
|
Cooly, Wern brought up the crossbow, and put the bolt through
|
|
Kultris' head. The force of the bolt flung the body against the far
|
|
wall, where it slowly slid to the ground, leaving a slimy trail of blood
|
|
and brains.
|
|
Now, Wern hooted wildly, and took up the stone. It looked as if his
|
|
mind had gone completely now. I stood in front of Qanis, who was giving
|
|
Toran as much aid as possible. I didn't know what I would do if Wern
|
|
could harness the Eye's power, but at least I would die with my sword in
|
|
my hand.
|
|
"Now the Power is mine," crowed Wern, flinging the now useless
|
|
crossbow aside. He clasped the Eye tightly and held it high. For a
|
|
moment his whole face, then his whole body, seemed to glow with the same
|
|
demented intensity of his eyes. Then smoke came from Wern's clasped
|
|
hand. Suddenly, his whole hand took flame.
|
|
"No master, please!" he screamed. "You said I would have the
|
|
power!" Something Wern had said a moment ago came back to me. He said
|
|
that Amante said he would 'grasp' the stone in all its power. He was
|
|
surely doing that. Such trickery is why I worship no gods.
|
|
Wern seemed frozen in place by the flames that now consumed his
|
|
entire body. We watched as the madman's life passed is unspeakable
|
|
agony, while he was unable to even scream out his pain. Finally the
|
|
corpse was released, and it crumbled into a small pile of ash. The Eye
|
|
was nowhere to be seen among Wern's meager remains.
|
|
"Bren." Toran's voice, weak as it was, brought me back to my
|
|
senses. I rushed over and crouched at his side. "I must get you to the
|
|
healer, old friend," I said. "We'll have you mended in no time."
|
|
"You never were a good liar," Toran replied. "I don't think the
|
|
healer will be able to mend my shattered insides. I want you word on
|
|
something."
|
|
"Save your strength, you fool," I said.
|
|
"Listen to me," Toran hissed, flinching as a wave of pain hit him.
|
|
"Promise me that you will forgive yourself. Regain your honor, my
|
|
friend."
|
|
"I have no honor, and I don't want to lose my brother. We go now,"
|
|
I said. There was no response from Toran, whose eyes were now shut. My
|
|
left arm was usable now, if very painful. I hoisted my friend up, and
|
|
started jogging through the streets of Dargon, almost oblivious to the
|
|
stares of those that I passed. I was heading for Atelier Street, where
|
|
Raneela practiced. She probably would not help, but she was the only
|
|
healer I knew.
|
|
When I reached her house breathless, I pounded frantically on the
|
|
door with my foot. In a short moment the door opened, and I brushed past
|
|
a startled apprentice, and strode into the house, shouting, "Healer,
|
|
come here, I need you."
|
|
"What is it?" said Raneela, poking her head out of a door down the
|
|
hall. "What is all the shouting?"
|
|
"Mistress -- "
|
|
I cut off the apprentice sharply. "It is my friend, healer. He is
|
|
gravely wounded. Help him, please."
|
|
Raneela started when she saw me, but seeing Toran in my arms,
|
|
apparently decided to help. She waved the apprentice away, and led me to
|
|
another room, where I laid Toran on a table. She quickly stepped up, and
|
|
started to examine him, but then stopped.
|
|
"Why are you not doing something? I asked.
|
|
"There is nothing I can do," she said, looking away. "Your friend
|
|
is dead."
|
|
I could not accept it. "No, it cannot be," I pleaded. "You are a
|
|
healer, you must do something." I reached out and grabbed her.
|
|
"I am a healer, not a god!" she screamed . "I cannot help him. Now
|
|
leave me."
|
|
"Help him!" I roared, shaking her back and forth.
|
|
"He is *dead*," she shouted in my face. "Dead, dead, dead!" With
|
|
each repetition, she pounded her fist on my chest. "Go!" She pushed me
|
|
away easily, for now I had no more strength. She shoved me from the
|
|
room, and shut the door.
|
|
With my back to the door, I slid down to the floor. My world was
|
|
shattered. Not only had I lost my honor, but because of that, I had lost
|
|
my only friend. I turned and sobbed, leaning on the door, shouting my
|
|
blood brother's name, over and over. A part of me could hear the healer,
|
|
weeping, as the wound of her husband's death was ripped open anew, and
|
|
the knowledge that I had caused more pain only made me cry the louder.
|
|
|
|
========================================================================
|
|
|
|
Quadrille
|
|
Part VI
|
|
by Alan Lauderdale
|
|
<lauderd@phadm1.cpmc.columbia.edu>
|
|
8-9 Sy, 1012
|
|
|
|
XXII. The Subtlety of the Woodcock
|
|
|
|
Ariel jumped out of her chair. "Marcus!" she shouted. She stared at
|
|
Karina's husband, who was also Camron's cousin-in-law and briefly her
|
|
landlord. Then she ran to embrace him. "What are you doing here?!"
|
|
"Came for you, of course," Marcus replied. He hugged her. "You do
|
|
seem to have gotten yourself into a bit of trouble last night. Who were
|
|
you talking to?"
|
|
"Who? I was talking to --" Ariel looked over her shoulder and
|
|
realized that Mouse was nowhere to be seen. "I was --"
|
|
"Rehearsing a speech to give the Duke when you throw yourself on
|
|
the mercy of his Court?" Marcus grinned.
|
|
"I --" Ariel didn't feel like grinning back.
|
|
"No," Marcus' face quickly became serious. "That's not funny. Your
|
|
struggle against the forces of Dark Earth is no joke --"
|
|
"No," Ariel agreed, "but Marcus, how did you find me? I thought I
|
|
was *hiding* here."
|
|
"Ah." Marcus' smile returned. "That's part of the good news I'm
|
|
bringing you. I'd never have known where you were without him. Now, you
|
|
don't have to fight alone any longer. Cyrrwiddyn Hawkwing, priest of the
|
|
Seventh Circle, has come to bring you into the Congregation of Iliara's
|
|
Faithful."
|
|
"Iliara's Faithful?" Ariel repeated.
|
|
"Who else?" Marcus grinned. "Come in, Cyrrwiddyn," he called out
|
|
into the hall.
|
|
A man came in the door of the library -- and Ariel felt a surge of
|
|
disappointment.
|
|
He was quite ordinary, she thought, this priest of the Seventh
|
|
Circle of the Congregation of Iliara's Faithful. The clothes he wore,
|
|
the grayish tunic, the darker breeches, the cloak of undistinguished
|
|
fur, could have been worn by a hundred other men in the city. The face,
|
|
with all the usual parts in all the usual places and a general smile
|
|
that looked unimproved by any great spiritual insight, could have
|
|
belonged to a miller hopeful of her custom. Indeed, the man was short
|
|
and his glance darted to the corners of the room. He simply wasn't what
|
|
she'd hoped for from a colleague of Stefan's in the Great Struggle.
|
|
Her reaction was obvious in her expression.
|
|
"He doesn't look like much just now, does he?" Marcus quickly said.
|
|
"Hardly a sight to make you think that he's one of the brave few that
|
|
keep the world from spinning into the complete chaos that would mark the
|
|
final triumph of Haargon. Or something like that," he added, when the
|
|
priest arched an eyebrow at the effusive speech.
|
|
"We must walk disguised," the man named Cyrrwiddyn murmured, "lest
|
|
the forces of dark earth find us before we find them. We must be
|
|
vigilant and alert," he added, continuing to inspect the room
|
|
circumspectly, "lest they catch us unaware. You're alone here?"
|
|
"Except for --" Ariel glanced back at the reading table, but Mouse
|
|
was still missing.
|
|
"Where is the little one called Mouse?" Cyrrwiddyn asked.
|
|
"You know about her?" Ariel asked, turning back to the priest.
|
|
"My dear Ariel," Cyrrwiddyn said smoothly, "you are one of the
|
|
chosen of Iliara. Do you think there is anything about you that your
|
|
Mistress doesn't know?"
|
|
"Then why did she leave me alone all that time while those earth
|
|
priests were after me?"
|
|
"Ariel," the priest clasped his hands in front of himself, "Iliara
|
|
knows you -- perhaps better than you know yourself. She knew that those
|
|
priests and their assaults were not more than you could handle. See,
|
|
they have done their worst and you are still whole --"
|
|
"I am not whole!" Ariel declared forcefully. "I am wanted for
|
|
murder."
|
|
Cyrrwiddyn allowed an eyebrow to rise. "But you did not commit --"
|
|
"Of course not," Ariel said bitterly. "But it'll be hard work
|
|
convincing the Watch of that."
|
|
"Hard work, perhaps," Cyrrwiddyn said calmly. "But in time, of
|
|
course, the truth shall prevail."
|
|
"How much time?"
|
|
"That's not important, Ariel," the priest reproved her. "What is
|
|
important is that you have come through your trial -- as have we in our
|
|
struggle against Haargon. You have been tempered and are the stronger
|
|
for it. It is now an acceptable time for you to join with your
|
|
companions in the fight."
|
|
"I don't feel stronger," Ariel complained. "I don't feel any relief
|
|
now that you've finally showed up."
|
|
Cyrrwiddyn sighed. "You have been separated from your true friends
|
|
for too long," he declared. "Come. Embrace me." He held out his arms.
|
|
"And then we can sit down and tell brave tales of our respective parts
|
|
in the hidden war."
|
|
Ariel looked at the man, feeling no desire to hug him. He held for
|
|
her not even a flicker of the spirit that she'd felt Stefan kindling in
|
|
her when he told her about Iliara. He seemed to her a pleasant man who
|
|
sighed and smiled and spoke the same language and meant well. But he
|
|
wasn't anything more -- and something at the back of her mind made her
|
|
wonder if he might be even less. It occurred to her -- and as she
|
|
thought it, she realized that this was a shift in her perspective --
|
|
that perhaps Iliara wasn't going to get her out of her present mess
|
|
after all.
|
|
"Come," he repeated.
|
|
Reluctantly, she went to him. The embrace was awkward and she broke
|
|
it before he wanted to let go. He sighed again.
|
|
"It is as I feared," Cyrrwiddyn said to Marcus. "I have not dealt
|
|
personally with this Mouse, but it's clear to me that she is an agent
|
|
for the Other Side. Earth darkness has enveloped this child. She yet
|
|
struggles against it, but the influence of Haargon already weighs
|
|
heavily upon her."
|
|
"What, from Mouse?" Ariel exclaimed. "That's absurd! Mouse doesn't
|
|
even believe in earth darkness. Or Haargon. Or the War. Or even in
|
|
Iliara -- at least, not the way you -- we do."
|
|
Cyrrwiddyn gazed at Ariel with compassionate sadness. "And you see
|
|
what she has done to you? You're confused now, no longer sure what to
|
|
think. And whose work was that? The seeds of bewilderment, those are
|
|
sown by Haargon and by his minions."
|
|
"But she's not his minion!"
|
|
"She only says she's not his minion. How do you know what her true
|
|
purpose is?" Cyrrwiddyn's soft, gentle voice began to harden as he
|
|
continued to raise questions. "How do you know why she accosted you? And
|
|
it was just last night. That was awfully convenient -- for Haargon,
|
|
don't you think? You don't know anything about her, not really."
|
|
"And where is she now, anyway?" Marcus asked.
|
|
"I don't know," Ariel admitted.
|
|
"You see?" Cyrrwiddyn said. "She is actually a follower of the Dark
|
|
Way. She was trying to trip you out of the Path of Light and make you
|
|
stumble into their grasp. But she had to flee when your true friends
|
|
arrived."
|
|
"I don't know," Ariel said again. "She didn't seem to me to be
|
|
trying to make me do anything."
|
|
"The ways of the Evil One may be subtle indeed," Marcus remarked,
|
|
sounding as if he was quoting something.
|
|
"Be therefore three times subtler," Cyrrwiddyn responded, "yea,
|
|
more circumspect than a woodcock." He looked at Ariel. "The Letter of
|
|
Jamison," he explained. "Did Stefan tell you about it? I don't suppose
|
|
he offered you a copy of it to read." Ariel shook her head. "Too bad. It
|
|
would have been a comfort and a help to you after he -- after your
|
|
loss."
|
|
"Perhaps," Ariel admitted doubtfully. "But --"
|
|
"I think," Marcus interrupted, "that you and Cyrrwiddyn should go
|
|
now to the nearest post of Iliara. You'll be much safer there."
|
|
"Post of Iliara?" Ariel asked.
|
|
"House of Zephyrs," Cyrrwiddyn said, as if that should explain all.
|
|
When Ariel's expression made it plain that the term explained nothing,
|
|
he added "A place of safety here in Dargon for the followers of Iliara.
|
|
Marcus is right, though. We should go now."
|
|
"But -- my friends --"
|
|
"Are not your true friends," Cyrrwiddyn cut off the protest. "They
|
|
do not have your real interests at heart. They try to separate you from
|
|
the love of Iliara. But we are your true friends -- your true family. We
|
|
only will help you serve Iliara more faithfully and bring the light of
|
|
Air and Truth more fully into the world. Now come. We need to get to a
|
|
place of greater safety."
|
|
"I should at least tell them where I am," Ariel said. "And that I'm
|
|
all right."
|
|
"I'll come back and tell them you're fine," Marcus promised, "that
|
|
you no longer need their dubious help."
|
|
"I'm sure they meant well," Ariel resisted.
|
|
"Whatever they may have meant," Cyrrwiddyn told her, "the result
|
|
was that they were doing Haargon's work."
|
|
"Unless you're doing Haargon's work," Ariel suggested.
|
|
"I?!" Cyrrwiddyn exclaimed with clear affront. "How dare --" He
|
|
caught himself. "But Ariel, Marcus, here finds me genuine."
|
|
"Perhaps you've managed to deceive him as well," Ariel shrugged.
|
|
"Ariel," Marcus said solemnly. "I assure you that I have no doubt
|
|
that Cyrrwiddyn has come from the counsels of Iliara herself. I do think
|
|
you should accept his advice and counsel. And quickly! We don't know
|
|
when the Groundlings might mount their next attack on you."
|
|
Ariel gazed at the two men, watching their impatience become a
|
|
little more blatant. Finally, staring into Marcus' eyes, she suggested,
|
|
a little reluctantly, "Or perhaps Marcus is doing the work of Haargon as
|
|
well."
|
|
"Ariel, no!" Marcus exclaimed, clearly wounded.
|
|
Cyrrwiddyn blinked, then cleared his face, becoming again the
|
|
pleasant, blank man who'd first come into the room. He smiled that
|
|
chilling smile and said "Of course, child. You have to consider
|
|
possibilities like that. Iliara herself suggests that you must be
|
|
subtler than the woodcock. But you mustn't wallow in such speculations.
|
|
You can raise the question if you must, but Marcus is a good man and
|
|
trustworthy. And as you twist and turn your way through your part in the
|
|
Great Struggle, you will find, Ariel, that you must trust someone."
|
|
"That's true," Mouse said. She climbed back up from the underside
|
|
of the table. Marcus and Cyrrwiddyn stared at her. "You have to trust
|
|
someone," the tiny girl said calmly.
|
|
"There you are!" Ariel exclaimed. The sight of Mouse, unlike the
|
|
previous arrival of Cyrrwiddyn, did make her feel better.
|
|
"She *is* small," Marcus breathed.
|
|
"We can see that," Cyrrwiddyn snapped. "A perfect guise for someone
|
|
who wants to persuade that she's an agent of Iliara," he suggested.
|
|
"She's never tried to convince me of that," Ariel reminded him. To
|
|
Mouse, she asked "What happened to you?"
|
|
"Strangers barging into my house make me nervous," Mouse replied.
|
|
"So I laid low until I felt less nervous."
|
|
"You feel less nervous now?" Ariel asked.
|
|
"Odd, isn't it?" Mouse said cheerfully. "Here, I've been listening
|
|
to these friends of yours calling me a nasty little agent of Haargon and
|
|
no good for you. And I've also heard you declare doubt about whether
|
|
anyone cares about you -- whether anyone's on your side in this Great
|
|
Struggle. You know, I think we're not in full agreement about what this
|
|
Great Struggle is struggling over." She paused for a moment, gazing
|
|
thoughtfully at Cyrrwiddyn, then shrugged.
|
|
"Oh well," Mouse continued. "Maybe I'm less nervous because the
|
|
priest of Iliara finally said something I can agree with. Ariel, there
|
|
is such an intricate dance of purposes here that it does look as though
|
|
you'll have to let your heart pick _someone_ and then, just trust that
|
|
person. I'd vote for Je'en, of course. A very straight arrow. Or Alec,
|
|
who, however he came to know about you, I think does care about you. But
|
|
neither's here right now. Perhaps you should wait here for one of them."
|
|
Cyrrwiddyn frowned. He glanced at Marcus. "You sense it too, don't
|
|
you?" he asked.
|
|
"Uh, I'm sorry Cyrrwiddyn," Marcus replied cautiously. "I fear I'm
|
|
not as sensitive in these matters as you. Uh --"
|
|
"Something *soiled* has just presented itself to us!" Cyrrwiddyn
|
|
shouted. "Didn't you notice how it just got a lot mustier in here?"
|
|
"Oh -- of course I noticed that," Marcus admitted. "I thought you
|
|
were referring to something subtle."
|
|
"Well I didn't notice that," Ariel said, feeling vexed by the
|
|
self-proclaimed priest of Ariel. "I didn't notice anything like that.
|
|
And I don't think --"
|
|
"Ariel, she has corrupted you," Cyrrwiddyn said, abruptly changing
|
|
his tone back to a pretty good approximation of a sweet, conciliatory
|
|
tone. "She has blunted your sensitivity to the odor of earth. Now
|
|
please, you're too important to Iliara --"
|
|
"I am?" Ariel asked.
|
|
"Every one of Iliara's followers is important to her," Marcus said.
|
|
"Isn't that right, Cyrrwiddyn?"
|
|
"Then why did you abandon me for so long when I came to Dargon and
|
|
needed you?"
|
|
"We didn't abandon you," Cyrrwiddyn said. "Iliara yet was with you.
|
|
But her support was more subtle than you might have liked."
|
|
"Subtler than a woodcock," Mouse remarked.
|
|
"See how she continues to try to poison your will against the
|
|
Lady," Marcus said. "Twisting even the sacred words of Jamison."
|
|
"Please, Ariel," Cyrrwiddyn appealed. "She's likely to summon other
|
|
minions of Haargon --"
|
|
"-- if she hasn't already," Marcus added.
|
|
"We need to get to Zephyrs as quick as we can," Cyrrwiddyn
|
|
continued. "Please, don't let Iliara down. For Stefan's sake, if not
|
|
Iliara's herself. Come on!"
|
|
Ariel flinched at the mention of Stefan. She clasped her hands,
|
|
stared at Cyrrwiddyn, then asked "Mouse, what should I do?"
|
|
"Cyrrwiddyn is a wise man," Mouse said. She watched the priest
|
|
relax a moment at the unanticipated compliment. Immediately, though, the
|
|
man seemed to doubt whether the words would have only a single meaning;
|
|
he tensed up again in expectation of an oblique attack. Mouse gave it to
|
|
him: "He said you have to trust someone and you do. But Ariel, the
|
|
someone you should trust first is yourself. Go with them if you think
|
|
that's right."
|
|
"You're not going to tell me to order them out of my sight?"
|
|
"I --" Mouse bit back her first answer. Instead, she said "No
|
|
point. The priest has called me an imp of Haargon. Either you agree with
|
|
Cyrrwiddyn and anything I say is damnable or you deny him and leave your
|
|
options open."
|
|
"My options open?" Ariel repeated. "*My* options open? Yes. That's
|
|
true. If I refuse Cyrrwiddyn's help and place of safety, then I'm pretty
|
|
much on my own coping with my problems. Those priests of Haargon,
|
|
they'll be *my* worry. That murder charge at Camron's, that'll be an
|
|
accusation against *me* that'll be *mine* to disprove. Mastering the air
|
|
wizardry, that'll be my subject to study. It'll all belong to me again,
|
|
won't it?"
|
|
"But you can hand it all over to Iliara," Cyrrwiddyn suggested, a
|
|
hint of desperation in his voice. "Cast your burdens before Iliara, for
|
|
she can carry you on the wings of the morning --"
|
|
"But they're *my* burdens," Ariel insisted. "What if I don't want
|
|
to share?"
|
|
"Then you don't have to," Cyrrwiddyn quickly acceded. But his
|
|
message was now muddled.
|
|
"No thanks," Ariel said firmly. "I just don't want to go with you
|
|
and I'm not getting arguments from you that persuade me otherwise. You
|
|
might as well leave now." She glanced around at the friend she'd decided
|
|
to trust. "Mouse, we have to figure out what --"
|
|
The moment of inattention was a mistake. The priest of Iliara was a
|
|
whirl of motion for a moment and then Ariel gasped before falling to the
|
|
floor, a wicked looking dart stuck in her neck.
|
|
"I would rather have talked her into coming with us," Cyrrwiddyn
|
|
remarked to Mouse. "It would have gone easier if she'd thought she was
|
|
doing the right thing. But I had no intention of leaving here without
|
|
her. And we can change her attitude later, at our leisure, though the
|
|
process will be more time consuming and painful this way. Now, the only
|
|
remaining obstacle is you." He and Marcus started walking slowly,
|
|
casually, toward the table Mouse was standing on. "How are you at
|
|
vanishing while people are watching you?"
|
|
"I was thinking I'd like to ask the same question of you," a voice
|
|
announced from the doorway behind him.
|
|
|
|
XXIII. Don't Call Me That
|
|
|
|
"What?" Cyrrwiddyn spun around. Kittara Ponterisso leaned against
|
|
the doorjamb. The crossbow she carried with deceptive casualness was
|
|
pointed at the priest.
|
|
"I was thinking," she said lightly, "of asking you how good at
|
|
vanishing you were if someone armed with, say, a crossbow was watching
|
|
you and that watcher didn't want you to go disappearing until you'd
|
|
stopped to answer a few questions."
|
|
"This is none of your business --" Cyrrwiddyn growled.
|
|
"Oh, I'll be the judge of that, I think," Kittara declared. "After
|
|
all, I'm the one with the crossbow. But to be fair," she went on, as
|
|
casually as if this were taverntalk, "I really ought to be putting this
|
|
question to your colleague -- Hello Marcus." She waved with the loaded
|
|
crossbow at Marcus. Marcus remained frozen, staring at Kittara, but
|
|
Cyrrwiddyn, as soon as the crossbow shifted away from him, snarled a
|
|
filthily misogynous epithet and sprang at Kittara.
|
|
In a blur, the crossbow was targetted again on the priest, steadied
|
|
with both hands, and fired. At the same time, Cyrrwiddyn slightly
|
|
misjudged his spring and tripped over the fallen Ariel. He stumbled and
|
|
then caught Kittara's crossbow bolt in the neck. He crashed against the
|
|
reading table and was still.
|
|
"Saren's spit!" Kittara exclaimed with clear annoyance. "They're
|
|
not supposed to die unless I mean for them to die." She watched the
|
|
priest for any sign of life, but the only movement was the seeping blood
|
|
around the embedded quarrel. Marcus, however, began to ease his right
|
|
hand under his cloak.
|
|
"Hold it right there, Marcus," Sylk ordered. He stepped forward
|
|
from the hall into the library and pointed his loaded crossbow at the
|
|
man. "It's true that we just wanted to ask you and your 'friend' some
|
|
questions -- though our list of questions has been getting longer each
|
|
mene. But, as Kittara here demonstrated --" he nodded to her and she
|
|
walked over to Cyrrwiddyn to inspect her work "-- we can't promise that
|
|
if I have to fire, I won't kill you."
|
|
Marcus looked at the crossbow. He looked at Sylk's grim expression.
|
|
He looked at Cyrrwiddyn and he looked at the bloody quarrel. He raised
|
|
his hands over his head. "Guess I should've warned Cleo not to mess with
|
|
Crossbow Kitty, huh?" he asked.
|
|
In a blink, Kittara had crossed the two steps to Marcus and her
|
|
fist smashed into his temple. Marcus collapsed in a heap and Kittara
|
|
stood over him, wringing her hand. "Damned clod has a really thick
|
|
skull," she complained to Sylk.
|
|
"That may be, but --"
|
|
"No buts, Sylk," Kittara said. "I told you. Nobody *ever* calls me
|
|
that."
|
|
"I understand," Sylk said. "But look around." He gestured at the
|
|
unconscious Ariel and Marcus who were lying on the floor along with the
|
|
expired Cyrrwiddyn. "If you keep popping people like this, we're never
|
|
going to get our little list of questions answered."
|
|
|
|
XXIV. But I Never Forget a Footprint
|
|
|
|
The night was almost completely gone, but the passage of time was
|
|
marked in this interior chamber only by the occasional replacement of
|
|
tapers with fresh ones. Ariel sat slumped in one chair and Marcus
|
|
occupied another. Kittara leaned against the only door to the room while
|
|
Sylk glared at Marcus over one small table.
|
|
"So that's still your story," he said again. "You last saw Ariel
|
|
before tonight when you found her at this --" He glanced at Ariel.
|
|
"Terkan's house?" Ariel nodded. "You last saw her last night when she
|
|
said good night and gave you to understand that she was turning in."
|
|
Marcus nodded. "And then this evening, this Cyrrwiddyn - - whom you'd
|
|
never seen before -- came to you and threatened your life if you didn't
|
|
come with him and help him persuade Ariel here to go away with him?"
|
|
Marcus nodded again. "How could he threaten your life? He didn't look so
|
|
tough to me and you --" Sylk glanced at Kittara's hand. "You, I call a
|
|
bit more solid than a rock. How'd he threaten you?"
|
|
Marcus shrugged. "I've got a wife," he said. "I've got a nice
|
|
little house. He said he had friends. The friends wouldn't stop from
|
|
hurting Karina or burning things. Anything."
|
|
"So you helped this Cyrrwiddyn just to keep your wife safe from
|
|
these friends," Sylk shrugged. "Helped with a lot of enthusiasm, I'd
|
|
say." Marcus shrugged. "Why did Cyrrwiddyn want Ariel?" Marcus shrugged.
|
|
"Why did you go after Ariel last night?"
|
|
"To make --" Marcus stopped. "I didn't go anywhere last night," he
|
|
corrected himself.
|
|
"Bad lie, Marcus," Kittara murmurred, coming over to stand directly
|
|
behind his chair. "I happen to know you were out last night because we
|
|
had a very close encounter. I found you fighting in an alley with
|
|
someone else and you ran right over me when I tried to break the thing
|
|
up. Now, I'm not very good at faces and I do fail to recognize a name
|
|
from time to time, but I never forget a footprint. I recognized you. I
|
|
knew you were lying earlier today when you said you'd been home all last
|
|
night. I knew you were hiding something --"
|
|
"So is that how you found me this evening?" Ariel asked.
|
|
"Sure," Kittara replied breezily. "We shadowed Marcus. We sure
|
|
didn't have anything else more useful to do, what with everyone
|
|
interesting lying pretty low today. But it wasn't too terribly long
|
|
before Cyrrwiddyn came to Marcus's house and then the two of them led us
|
|
to you." She turned back to Marcus. "Now, you were in that alley last
|
|
night. The question is why?"
|
|
Marcus licked his lips.
|
|
"When did you first meet Cyrrwiddyn, Marcus?" Sylk asked.
|
|
"A few days ago, I guess," Marcus said. "He said that Camron had a
|
|
bird named Ariel who was going to help take care of an annoying audit.
|
|
He wanted me to put her up and keep an eye on her."
|
|
"When you say 'help take care of an annoying audit,'" Kittara
|
|
asked, "do you mean --"
|
|
"Marcus, who killed the auditor Jarvis?" Sylk interrupted.
|
|
"I don't know."
|
|
"It wasn't Ariel, though, was it?"
|
|
"A twittering fool like her?" Marcus sneered. Behind him, Kittara
|
|
nearly let fly with another shot to his skull, but controlled herself.
|
|
Unaware, he continued: "Think anyone would really trust a job like that
|
|
to her? Nah. She didn't do it -- but she was set to catch the noose for
|
|
it."
|
|
"That, Ariel, is hopefully the most backhanded character reference
|
|
you will ever get," Sylk grated, glaring at Marcus. "So who could tell
|
|
us who killed Jarvis?" he asked. "How about Camron?"
|
|
"Cyrrwiddyn probably could," Marcus mused.
|
|
"But Cyrrwiddyn's conveniently dead," Sylk pointed out.
|
|
"Pity."
|
|
"So how about Camron?" Sylk asked again.
|
|
"I don't think he'd know about something like that," Marcus
|
|
replied. "He preferred to keep to clean, legitimate subjects, 'cause he
|
|
was always talking to nice, respectable people like Duke Jastrik.
|
|
'Course, you have to wonder if he was always talking to the Duke about
|
|
completely respectable, legitimate --"
|
|
Kittara's fist smashed into his face.
|
|
Sylk sighed. "Kit," he said.
|
|
"You expect me to just let him insult both Ariel and the Duke?"
|
|
Kittara demanded.
|
|
"Yes," Sylk said simply. "Look Kit, it's an interrogation. We want
|
|
him to talk. But you're the reason this is taking so long. We keep
|
|
having to revive him every time he says something you don't like."
|
|
"*Almost* every time," Kittara said, with satisfaction.
|
|
|
|
XXV. And There Was Evening And There Was Morning.
|
|
|
|
Ariel stood at the gate to Duke Jastrik's compound. Kittara stood
|
|
with her.
|
|
"So I'm not under arrest?" Ariel asked again.
|
|
"No," Kittara shook her head. "We've got Marcus and we've got
|
|
reason to go after Camron. We don't think you're involved and we'll
|
|
advise the Watch the same way."
|
|
"And you don't have to turn me over to the Watch?"
|
|
"No -- and you should be glad. The Watch -- Ariel, between you me
|
|
and the gate here -- they sometimes lose people who've been entrusted to
|
|
their care."
|
|
"Lose? They escape?"
|
|
"They die. People connected with certain names. Look, I wouldn't be
|
|
surprised if, after we've squeezed Marcus a while longer, he coughs up
|
|
some more of those names --"
|
|
"More?"
|
|
"You know that priest named Cyrrwiddyn? Marcus referred to him once
|
|
as Cleo. That's one of --"
|
|
"Cleo!" Ariel shouted.
|
|
"Shh!! Didn't I just tell you that's a name that can get you
|
|
killed?"
|
|
"Sorry," Ariel whispered. "It's just that -- I have a friend named
|
|
Alec. He's sort of a friend. An acquaintance, really. But he was working
|
|
for a man he called Cleo. Except that he thought that Cleo knew
|
|
something about Jarvis' murder so he was going to help us trap Cleo so
|
|
we could ... we could --" She stopped. "Alec's missing," she said. After
|
|
a pause, she added, "He's been missing most of the night."
|
|
"But he's just an acquaintance, right?" Kittara asked.
|
|
"You think he's in trouble, right?" Ariel asked.
|
|
"Uh, yeah -- no. I think he's probably past just being in trouble.
|
|
I think you'd better figure he's dead."
|
|
Ariel nodded. "I see," she said dully, then shoved the subject
|
|
away. "Well. Thank you."
|
|
"Sure." Kittara glanced inside the gate again. "Well, good luck to
|
|
you. I want to see how much 'Cleo' will make Marcus sweat."
|
|
"Bye." Ariel watched Kittara go back inside.
|
|
"Back to Terkan's?" Mouse asked. Ariel stared at her.
|
|
"Where've you been?" she demanded.
|
|
"Around. I'm uncomfortable about strangers who barge into houses. I
|
|
told you that."
|
|
"Kittara and Sylk are on our side."
|
|
"Well, I know that *now*. We might as well go back to Terkan's."
|
|
"M-Mouse!"
|
|
"What?"
|
|
"I was in trouble and you just abandoned me."
|
|
"You weren't in that much trouble -- nothing, at least, that I
|
|
wouldn't have made worse. And I didn't abandon you. I was around, so I
|
|
know just how well you did getting through it."
|
|
"But I didn't do anything."
|
|
"And you controlled yourself very well. And Ariel, if you really
|
|
had needed me, I would've shown up. I promise. Now --" Mouse danced onto
|
|
Ariel's shoe. "Shall we go back to Terkan's house?"
|
|
"Might as well," Ariel sighed. "I doubt I have a job anymore, or
|
|
anywhere else to stay, for that matter."
|
|
|
|
A Few Loose Ends
|
|
|
|
At Terkan's house, Mouse and Ariel found a note from Cefn pinned to
|
|
the front door. It advised that the Septent of Jhel was smashed and the
|
|
last survivor was slouching toward Magnus. A desire for complete
|
|
finality required the two to pursue. They were not sure when and if
|
|
they'd be back. "... Please be sure to feed the apprentice," it
|
|
continued. "Actually, it's probably safe to free him now. Good luck with
|
|
the dead auditor, watch out for murder investigators, and be careful
|
|
putting hot drinks in Terkan's brown mugs. They hold the heat extremely
|
|
well."
|
|
"Now he tells us," Ariel said.
|
|
Entering the house, Mouse and Ariel found that someone had already
|
|
freed Bret. He was gone, as was Terkan's silverware.
|
|
|
|
Kittara and Sylk turned Marcus over to the Watch with a promise
|
|
that Marcus wished to implicate Camron in the murder of the auditor
|
|
Jarvis.
|
|
Within five bells of being placed in the custody of the Watch,
|
|
Marcus managed to kill himself through the simple technique of
|
|
swallowing his tongue.
|
|
Camron steadfastly denied any irregularities in his books. However,
|
|
several investors in his trading house (led by Duke Jastrik) abruptly
|
|
withdrew their capital. Camron and his House were both ruined.
|
|
Karina, though lacking any apparent source of income besides the
|
|
steady stream of boarders she took in, managed to persist in comfortable
|
|
poverty. She denied throughout that there was ever any hint of
|
|
wickedness in either Camron or Marcus.
|
|
Due to the poor choice of distributor, Rockway House had a bad year
|
|
in rhubarb relish sales. A set of lovely doll's clothes that had also
|
|
been shipped with one of the barrels, however, was sold to Lady Katia
|
|
Rombar (age 6) for a very satisfactory price.
|
|
|
|
Mouse was in the late Terkan's library again, avoiding facing the
|
|
enormous task of replacing her lost Court dress by trying to make sense
|
|
of a tome that she'd not ever copied for him. It appeared to be an
|
|
attempt to describe the mathematics of the motion of magical bubbles,
|
|
but it was very hard going. She sighed.
|
|
"Hello Ariel," she said. "Any news?"
|
|
"I'm supposed to be invisible," Ariel complained.
|
|
Mouse looked up at Ariel. "So you are," she agreed, technically.
|
|
Ariel was *supposed* to be invisible, but there was a ways to go yet.
|
|
"And quite transparent, too," Mouse continued. "But you're still
|
|
audible. I take it the air magery is going well?"
|
|
"I suppose," Ariel sighed, giving up her effort and allowing
|
|
herself to be seen again and taking a seat at Mouse's table. "They
|
|
posted a notice on the door of the house today."
|
|
"They?"
|
|
"Bailiffs. Very official and legal and longwinded. A whole lot of
|
|
whereases and therefores, but the news is that someone named Valory
|
|
Westbrier now owns this house and he owes the Duke some serious money."
|
|
"Valory?"
|
|
"A nephew or cousin or something, I suppose. It's too soon for the
|
|
house to've been sold already, isn't it?"
|
|
"I don't know."
|
|
"Anyway, it seems to me that it's time to move," Ariel said.
|
|
"You don't think that every house needs a Mouse?"
|
|
"That's easy for you to say," Ariel smiled. "You could probably
|
|
stay on here after this Valory moved in and he might never notice. But
|
|
that won't work for me. Besides, I've found Dargon just a little bit
|
|
more exciting than I like. And the way people have come and gone --"
|
|
"Still nothing about Alec?" Mouse asked.
|
|
"Nothing.
|
|
"He had all your spare clothes and stuff. If we work at it we might
|
|
be able to find someone who knew him and --"
|
|
"Who wasn't part of this Haargon cabal?" Ariel asked. "Thanks, but
|
|
there really isn't anything there that I want back."
|
|
"You told me about a journal you were keeping."
|
|
"Full of -- of Stefan." Ariel made a face. "Do you think I want to
|
|
be reminded of that?"
|
|
"I suppose not," Mouse admitted. The two sat together in silence,
|
|
burying Stefan. Then Mouse asked "What do you suppose happened to Alec?"
|
|
Ariel shuddered. "That's another thing I don't want to be reminded
|
|
of. The way that crossbow woman --"
|
|
"You said her name was Kittara?"
|
|
"Yes. The way she described Cleo, I'm sure now that Alec is dead.
|
|
Beyond that, I don't want to imagine." Ariel sat still, resolutely not
|
|
imagining.
|
|
Mouse was tempted to return to the oscillation frequencies of
|
|
bubbles that were caught in Chalcedensian inversions, but Ariel spoke
|
|
first: "I'd just like to go somewhere quieter -- at least for a while.
|
|
Do you think you could write me a letter of introduction to Brother
|
|
Muskrat at Rockway House?"
|
|
"You want to go there?" Mouse exclaimed. "Of course! It's a great
|
|
idea! You'll love them there. They're great." She jumped to her feet,
|
|
abandoning the bubbles. "Where's a pen? Where's ink? And they'll all
|
|
love you, because you're a great person too -- even when you're
|
|
invisible. I need parchment." She jumped to the floor and started
|
|
running over to Terkan's writing desk. Then she stopped.
|
|
"I'll miss you, you understand," Mouse said gravely. "I consider
|
|
you a very good friend, but I do still have business to complete here in
|
|
the city."
|
|
"You're my friend too," Ariel replied with a smile. "And I did know
|
|
about the business. If you don't mind, I'd really rather not go with you
|
|
to see the Duke. That sounds too much like an adventure and I've had
|
|
enough of that. That's why I asked for the letter."
|
|
"The letter. Right." Mouse resumed her sprint to the leg of the
|
|
writing desk.
|
|
"Remember to write big."
|
|
|
|
"It's all settled, then?" the master asked after sipping his wine.
|
|
"Except that we'll need a new trading house, sir," the man standing
|
|
in front of the desk promised. "And Cynthia is out of circulation the
|
|
rest of this month and next. Cleo commended her work at Camron's.
|
|
Everything he asked of her, both eliminating the auditor and dressing to
|
|
look like the other girl, she accomplished perfectly. It's scarcely her
|
|
fault that our operation there went down the river."
|
|
"Whose was it, then?"
|
|
"Camron's. He was careless, letting his filthy books get anywhere
|
|
near that auditor."
|
|
"And has he been dealt with appropriately?"
|
|
"He's ruined."
|
|
"That doesn't sound sufficient. See to it. Something slow, I think.
|
|
I want him to have time to contemplate his failings. And aquatic. After
|
|
all, if you live by the sea, you ought to die by the sea --" He smiled
|
|
at a private joke. "I think I have an idea for that." The man took a
|
|
sheet of parchment and began to sketch. While he drew, he said "As for
|
|
Cynthia, I think an extra bottle of sherry for the little thief's infirm
|
|
mother might be appropriate."
|
|
"Her mother's a lush, you know," the underling offered cautiously.
|
|
"She's dying of too much drink."
|
|
"It's the thought that counts. Now, what are you doing about a new
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|
trading house?" The man looked up at his underling, but quickly returned
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|
to his work, remembering that he disliked having the man standing over
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|
him. He was too tall. It was annoying, but the man was valuable in other
|
|
ways.
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|
Sketching delicate wavelets, the master said, "Camron was all
|
|
right, mostly, but I want no more minority partners from the
|
|
aristocracy. I don't care how much of an air of respectability they
|
|
lend. The next one we take over, I want full ownership." He sighed and
|
|
pushed the parchment across the table. "This is for anyone who
|
|
disappoints me. Have Camron try it out first. You know, I'd rather
|
|
looked forward to playing a High Priest of Iliara, spewing all those
|
|
platitudes, having that wench worshipping me --"
|
|
"Of course, Liriss," the underling said.
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|
"What was her name? Aria?"
|
|
"Something like that."
|
|
"You don't think I could've done it, do you?"
|
|
The man shrugged diplomatically. "Wouldn't you have tired of it
|
|
after a while?" he asked.
|
|
"Perhaps," Liriss admitted. "The role would have been so limiting.
|
|
I shall miss Cleo, though. It was very creative of him, inventing the
|
|
whole scheme to get himself a pliant assistant and me a loyal mage --
|
|
but that bastard Stefan! He owed me that wench -- and more. And so much
|
|
more."
|
|
"He *is* dead now, Liriss."
|
|
"Just makes it a little more challenging to collect his debts,
|
|
Kesrin."
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========================================================================
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