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T M M OOOOO RRRRR PPPPP OOOOO RRRRR EEEEE V V IIIII EEEEE W W
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MM MM O O R R P P O O R R E V V I E W W
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H M M M O O RRRR PPPP O O RRRR EEE V V I EEE W W W
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M M O O R R P O O R R E V V I E WW WW
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E M M OOOOO R R P OOOOO R R EEEEE V IIIII EEEEE W W
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Volume #6 September 1st, 1999 Issue #3
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Established January, 1994 http://morpo.com/
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CONTENTS FOR VOLUME 6, ISSUE 3
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Editor's Notes . . . . . . . . . . . . . . . . . . . J. D. Rummel
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Lessons in Geology . . . . . . . . . . . . . . . . . Elisha Porat
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On the Beach . . . . . . . . . . . . . . . . . . . . Elisha Porat
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Blood Brothers . . . . . . . . . . . . . . . . . . Chris Pusateri
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We Met . . . . . . . . . . . . . . . . . . . . . . . Gary Lehmann
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Ode to Miriam . . . . . . . . . . . . . . . . . . . Steve Wiesner
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Night Vision . . . . . . . . . . . . . . . . . . . . Steve Wiesner
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El orchestrating the hats . . . . . . . . . . . . . Marie Kazalia
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The Cup of Just Enough . . . . . . . . . . . . . . . . JBMulligan
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The Funeral Director . . . . . . . . . . . . . . . . . JBMulligan
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Light a Candle . . . . . . . . . . . . . . . . . . . Terry Azamber
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About the Authors . . . . . . . . . . . . . . . . . . The Authors
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In Their Own Words . . . . . . . . . . . . . . . . . . The Authors
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+--------------------------------------------------------------------------+
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Editor + Poetry Editor
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Robert Fulkerson The Morpo Staff Kris Kalil Fulkerson
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rfulk@morpo.com + kalil@morpo.com
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Submissions Editor Fiction Editor
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Amy Krobot J.D. Rummel
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amyk@morpo.com rummel@morpo.com
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+--------------------------------------------------------------------------+
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+--------------------------------------------------------------------------+
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_The Morpo Review_. Volume 6, Issue 3. _The Morpo Review_ is published
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electronically on a quarterly basis. Reproduction of this magazine is
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permitted as long as the magazine is not sold and the entire text of the
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issue remains intact. Copyright 1999, The Morpo Review. _The Morpo
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Review_ is published in ASCII and World Wide Web formats.
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All literary and artistic works are Copyright 1999 by their respective
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authors and artists.
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+--------------------------------------------------------------------------+
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+--------------------------------------------------------------------------+
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Editor's Notes
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J. D. Rummel
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Fiction Editor
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Saturdaze, or, Working the Dream Forge
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"Everybody's working for the weekend" the song says, but let's look at
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it. Obviously Friday night is a good start, but I can't stay up too
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late. I'm outta bed at 5:30 a.m., so by 10:00 Friday night, maybe
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11:00, I am almost the walking dead. Sunday? Well, it's a good day,
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but you spend some part of it getting ready for Monday. No, the real
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heart of the weekend is Saturday. The whole day is yours; you can
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sleep in, and then stay up late knowing that the next day isn't
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Monday.
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My earliest Saturday memory involves concern: One Saturday I was
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concerned that I was missing Supercar so I woke my mother. Mom was
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concerned that I woke her at 6:30 in the morning a full four hours
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before Supercar was to air. Here is one of the key differences in the
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use of Saturday: Mom had graduated to the adult use of Saturday as a
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day to sleep in, I had not. One of the less publicized transitional
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stages between childhood and adolescence is the change from wanting to
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rise to watch cartoons in the morning to wanting to stay in bed until
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adults think something is wrong with you.
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I don't remember winter Saturdays, although I'm positive I had them. I
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mostly recall sunny, warm Saturdays. After the cartoons (Space Ghost,
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Jonny Quest, Fireball X-L5, Spiderman, Fantastic Four,) it was time to
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get moving. You didn't dare stay in the house on Saturday in 1960's
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Omaha. Back then there was no cable with 57channels and nothing on.
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There were only three stations in town and they were controlled by
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clueless men who believed that Omaha had a vast audience thirsting for
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golf and fishing shows.
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Some Saturdays I would call my pal Randy and one of us would walk the
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miles to the other's house. Our play often involved us pretending to
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be comic book super heroes or the "two detectives." The two detectives
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must have had great incomes and lousy travel agents because they were
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always on vacation in some troubled Balkan village. This facilitated
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the supernatural menaces the two detectives most often encountered.
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Our stories were simplified homages to (rip-offs of) the old Universal
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classics, which aired on Dr. San Guinary's Creature Feature (on
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Saturday nights of course). The two detectives always got split up and
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one was "knocked unconscious" so that either Randy or myself could
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play the monster. As detectives, only Mannix got knocked unconscious
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more often than we did. Mannix was a detective drama that aired on
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Saturday night. I would take my Saturday night bath and listen to his
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cases as I sat pruning in the tub. To this day when I hear his theme
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song on Nick-at-Nite I get that Saturday night sensation--I hear
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traffic from the street 30 years ago, and feel the breeze that rustled
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my bedroom blinds.
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Saturday nights I would spread my comics out on the bed and make-up
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and act out stories of my own. Because of all the physical contortions
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and histrionic aerobics involved in my writing at that time, my mother
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called it "hippety hop." I do feel that unfortunate term fails to
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capture the glory of that creative period. "Working the Dream Forge"
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seems better to me.
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Saturdays often meant walking to the movies. My mother would let me
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take five dollars from her wallet stored in the upper right hand
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drawer of her desk. Five dollars bought a lot more than today, but it
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was a little harder to make the five dollars by working as a
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seamstress as my mother did. The multiplexes had not even a foothold
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in Nebraska then. Movie theatres were single, large screen affairs
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with multiple bills. In south Omaha there was a theatre called, The
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Chief. The Chief was vastly politically incorrect by today's
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standards, with its Indian head marquee and faded canoeing murals
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straight out of Longfellow on the walls. It cost 75 cents to get in to
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see triple and quadruple bills with great movies like Superargo VS The
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Faceless Giants, Goliath and the Dragon, Yog, Monster from Space,
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Blacula, The Lost Continent, and the Incredible Two-Headed Transplant.
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The popcorn at The Chief was so covered in "butter" that it was often
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mushy. As a kid I thought that was real value. Mom never used enough
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butter at home. I remember the floors of The Chief. They were filthy,
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covered with a deadly mixture of "butter," spilled soda and Good and
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Plenty's. The sensation and sound of peeling my shoes off that floor
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is with me to this day. After the movies, Randy and I would go down to
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the Sportsmen's store and buy comic books for 12 cents apiece--I think
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it was called the Sportsmen's store because it sold racing forms.
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Certainly there was no athleticism evident. Indeed, a less athletic
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bunch would be hard to envision--everyone at the store was
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white-haired, overweight, smoking and wearing a cap with some
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herbicide or tobacco logo on it.
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After buying our comics we would walk up to McDonald's (their slogan
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was "Change for your dollar"), buy burgers and walk to A&W where we
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would sit and eat while we read our comics over frosty mugs of root
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beer. (There was nowhere to sit at McDonalds back then, it was
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strictly a to-go joint) Sometimes Randy would spend the night and we'd
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watch Creature Feature.
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My God, Saturdays were LONG. You had forever on a Saturday.
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Okay, I do remember a winter Saturday. Some Saturdays Randy and I
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would walk to Frank's house and we would walk downtown over the 16th
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street bridge. In the winter that was a murderous trek, with the north
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wind chewing our noses, toes and fingers. Our goal was to get to the
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bus station and have hot chocolate. Hot chocolate that you can barely
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afford on a cold Saturday is among the best tastes on this earth.
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Savoring each drop because you know you don't have money for more.
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On those Saturdays we'd all walk to one of the downtown theatres like
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the Omaha (it survived for years on blaxploitation films), the Astro
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(its Moorish architecture shielded it from the wrecking ball), or the
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Cooper 70 (incredibly high prices for soda and popcorn--it deserved to
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be torn down). At some point we'd end up at the Brandeis department
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store. We'd go to the record department on the fifth floor and
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hang-out in a little room with a pop machine. In there the black light
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would illuminate all the posters of peace signs and long-haired young
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people promoting drugs and free love (if we were lucky we'd see a bare
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breast or two). The big department store was dying as the shopping
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malls began to sprout up pulling all the traffic away from downtown.
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On the way back home we'd stop at City News and Book. Randy and I
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would buy our comic books and Frank would get thrown out of the adult
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magazine section. As I'd walk I remember looking forward to getting
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home with my comics and seeing what treats Mom brought back from the
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store. One steamy Nebraska afternoon there was icy cold Welch's grape
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pop when it first appeared. Another time she bought Simba, a Mountain
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Dew-like drink that has long since vanished.
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Some days I wish I could go back. Not to live, not to abandon the
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wonderful life I have now. I haven't forgotten getting beat-up, nor
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the agony that was, and is, math, but just to visit, just to taste the
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mushy popcorn again and feel the Saturday night breeze while reading
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comic books and waiting for old monsters on Creature Feature. It would
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be so nice to walk through the Chief once more, to watch the stories
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Randy and I acted out as the two detectives, to walk downtown with
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Frank and go home to see what treats my mom had brought from the
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store. I'd like to see my mom again, to talk to her, or just look at
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her for a few minutes. Old photos are not the same. I wonder what I'd
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learn about her if I got to see her moving and talking with my older,
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smarter, eyes and ears.
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Yesterday was Saturday and as they should, things have changed a lot
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|
in thirty years. Amy and I drove to the multiplex by our apartment and
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watched The Sixth Sense. The popcorn was plain (how I prefer it now)
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and I drove to get some comic books afterward. Five of them cost me
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eighteen dollars. Rather than read them in my bedroom or some
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hamburger joint, I walked over to the grassy area behind our garages
|
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and I hoisted my creaky 200 pounds up onto the roof. I sat on the
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garage roof reading comics in the shade, feeling the breeze blow
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|
through my remaining hair, listening to the traffic sounds in my new
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neighborhood. I took great comfort in the knowledge that Amy would
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spend the night and that the next day wasn't Monday.
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+--------------------------------------------------------------------------+
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Lessons in Geology
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by Elisha Porat
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"The anomaly of Jerusalem is not simple to perceive,
|
|
at a glance, transparent: Mountain platform and chalkstone, an
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elevated Holy Site."
|
|
He tapped with his stonemason`s hammer,
|
|
chipping crimson flakes off a stone taken from a wall.
|
|
"The Flawless red stone of Jerusalem testifies
|
|
that there in the subterranean depth of the city,
|
|
all is broken burst and smashed.
|
|
Like a gigantic inverted funnel -
|
|
a cistern for Jewish blood pumping,
|
|
draining into it from all worlds."
|
|
I remember his lesson as if it was yesterday:
|
|
the city afloat, the street suddenly swaying,
|
|
the veins of rust and dim and deep beneath me,
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the rustle and seethe of a primeval river.
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Translated from the Hebrew by Riva Rubin.
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+--------------------------------------------------------------------------+
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On the Beach
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by Elisha Porat
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Saturday noon, on the beach,
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|
the tan grandson burrows into
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a dug-up basin padded with sand.
|
|
I observe him from the height of my age,
|
|
again see my body draw a circle,
|
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warm and sticky of a boy pissing in the sand.
|
|
Time flows between us, a golden froth,
|
|
and stings my lips with salt.
|
|
From the sunken mold of the sand mask
|
|
the boy that I was comes back to me,
|
|
sprawled, foaming and wallowing, coddled by the sun.
|
|
A passing cloud suddenly darkens the light,
|
|
my face takes on the hardness of graying plaster:
|
|
the short-lived joy, a forgotten image from childhood,
|
|
all is swept back, dripping between the fingers
|
|
in the rhythmic beat of retreating waves.
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Translated from the Hebrew by Tsipi Keler.
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+--------------------------------------------------------------------------+
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Blood Brothers
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|
by Chris Pusateri
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I.
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|
The only store in Camp Wood, Texas sells no vegetables.
|
|
When I asked, the bolo-tied clerk pointed the way
|
|
south to Uvalde. Not surprising that in Texas
|
|
cattle outnumber people three to one
|
|
and guns outnumber cattle
|
|
by the same margin.
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II.
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|
The only time I ever broke a friend's nose
|
|
was while traveling through Albuquerque.
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I eventually settled there and never
|
|
broke another nose. No small wonder
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I have no friends there.
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III.
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|
There are plenty of people in Texas
|
|
who would break your nose. Not that
|
|
Texas is inhospitable. It's just that
|
|
fistfights are a down-home way of saying
|
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"Welcome to Texas, friend."
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IV.
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I lost my first fistfight. I was small for my age
|
|
and nearsighted. My opponent was eighteen
|
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and still in the eighth grade. At the last minute
|
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I tried to talk my way out, which is even more futile
|
|
than trying to buy vegetables in Camp Wood.
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V.
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There are two lies in the last stanza.
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First, he was only fifteen, and second,
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I didn't lose. Later, we became friends.
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He smoked my cigarettes.
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I dated his sister.
|
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Nice kid. A Texan, in fact.
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VI.
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One day, I'll meet a friend
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whose nose I won't want to break.
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But then, I never owned cattle
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and sold off my guns
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a long time ago.
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+--------------------------------------------------------------------------+
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We Met
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by Gary Lehmann
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We met at a corner
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Too fast to stop,
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We'd never met before or since.
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I was raising my leg in walking
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As she was striding forward
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Our legs engaged until they had to stop,
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In a brief but intimate encounter.
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I felt the heat of her exhale,
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the brush of her breast
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upon my chest,
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the push of her hip
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upon my innocent hand.
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It was instant, but tender.
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We were all but lovers
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in a passing second.
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The disengagement was just as quick.
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Her heat lingered on my thigh,
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her breath filled me with sensations.
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The memory of her body
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remained like an impression in hot clay.
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No wonder this is frequently mistaken for love.
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+--------------------------------------------------------------------------+
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Ode to Miriam
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by Steve Wiesner
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Ah, Miriam.
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Your name rolls off
|
|
my tongue
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|
like a hairball.
|
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Your eyes are like headlights
|
|
on a sunny day,
|
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your lips like hedge clippers,
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your voice like marbles
|
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in a steel pot.
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Why did you leave me?
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+--------------------------------------------------------------------------+
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Night Vision
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by Steve Wiesner
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I have this recurring dream
|
|
where I'm running naked
|
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along the Ohio River.
|
|
Well, not exactly naked.
|
|
I'm wearing steel-toed boots
|
|
and a biochemical warfare suit
|
|
over a flak jacket,
|
|
but I feel naked.
|
|
And I'm not exactly running,
|
|
but I feel like running.
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|
+--------------------------------------------------------------------------+
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El orchestrating the hats --
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by Marie Kazalia
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All a pretense.
|
|
Money spent on the wedding.
|
|
The reason for the wedding,
|
|
so the older sister could design
|
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the color scheme.
|
|
The brides and bride maids
|
|
all wear wide-brimmed-hats,
|
|
matching their dresses.
|
|
My mother showed me a picture.
|
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One attractive shot of the bride
|
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wearing her hat,
|
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rather than a veil,
|
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caught in a broad smile. How unusual.
|
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My mother scoops up pictures
|
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like that one,
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to show visitors her beautiful daughters.
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Hoping for a compliment,
|
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how they take after their mother.
|
|
Older sis in the background
|
|
handling wedding details.
|
|
Hovering white cloud
|
|
refracting sun beams into rainbow colors,
|
|
each beam on a bride's maid
|
|
in the wedding procession.
|
|
So many hats alike.
|
|
Wide brims,
|
|
could not
|
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get close to each other
|
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to hug.
|
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+--------------------------------------------------------------------------+
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The Cup of Just Enough
|
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by JBMulligan
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A lover turns
|
|
into somebody sitting
|
|
at an angle to you
|
|
at the breakfast table,
|
|
the years gathered
|
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around her waist
|
|
(and yours), as trees
|
|
ring each new year
|
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of growth. The cup
|
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of just enough
|
|
is warm in your hand;
|
|
the liquor is tepid.
|
|
Beneath the data
|
|
of news and plans,
|
|
a space of vanished
|
|
whispers remains.
|
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|
|
+--------------------------------------------------------------------------+
|
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|
The Funeral Director
|
|
by JBMulligan
|
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|
|
|
|
It's important to be
|
|
drably and crisply garbed
|
|
and impeccably groomed.
|
|
They expect it
|
|
and it shows respect.
|
|
Before the door is opened
|
|
he drifts in silence from room
|
|
to room, checking the flowers, the chairs,
|
|
the coffins pure, exquisite amber shine.
|
|
Sometimes he pretends that they were friends.
|
|
A scrap of conversation
|
|
floats by like a hint of smoke -
|
|
tennis game or just outside of Rome -
|
|
and he thinks, Ah, yes,
|
|
he always loved that so.
|
|
On the way home, he stops
|
|
for coffee, and absently watches the girl
|
|
as she pours: some rouge, some powder
|
|
for the wisps of hair above her lip.
|
|
She sings a love song softly
|
|
and he smiles and looks away.
|
|
|
|
+--------------------------------------------------------------------------+
|
|
|
|
Light a Candle
|
|
by Terry Azamber
|
|
|
|
|
|
My mother has a strange relationship with God. She deals with Him like
|
|
a commodities broker, promising certain actions for special favors,
|
|
always fulfilling her part of the bargain. Mom was raised a Catholic,
|
|
but abandoned her religion after her first marriage. She was already
|
|
married to her second husband, my father, when she made her first
|
|
peculiar covenant with the Almighty.
|
|
|
|
She made her first contract with God several years before I was born,
|
|
when she and Dad toured Mission San Miguel. They had already visited a
|
|
nearby winery, and Mom blames her enthusiastic sampling of Chardonnay
|
|
and Pinot Noir for her impulsive decision when they reached Mission
|
|
San Miguel.
|
|
|
|
While Dad took pictures of the fountain and prickly pear cactus in
|
|
front of the whitewashed adobe mission, she drifted into the old
|
|
chapel. She wandered down the aisle, past the wooden pews, looking at
|
|
the frescos on the wall, the statues, the eye of God inside a sky blue
|
|
pyramid over the altar. She was seized with a sudden desire to
|
|
negotiate a contract. She knelt down at the altar and clasped her
|
|
hands.
|
|
|
|
"I'll become Catholic again if You let my book be published," she told
|
|
God. "But I won't stop practicing birth control and I won't stop
|
|
supporting abortion rights. If You accept my terms let me receive
|
|
notice within three months that my book has been accepted for
|
|
publication. If not I'll know that You don't ever want me to be
|
|
Catholic again."
|
|
|
|
Mom tells this story when anyone in the family asks her how her first
|
|
mystery novel got published. Her novel had been rejected by eight
|
|
publishers before it was finally accepted. She always adds that if she
|
|
hadn't been so drunk, and if she had known God was going to accept her
|
|
offer, she would have tacked on a few more conditions.
|
|
|
|
Mom blames what happened to me on the fact that she sent her children
|
|
to parochial school. She had only agreed to send us to St. Anthony's
|
|
School because of another deal she made with God. For two years she
|
|
had recited rosaries to the Virgin Mary and said prayers to St. Gerald
|
|
Majella, the patron saint of pregnancy and childbirth, and she still
|
|
hadn't gotten pregnant. She finally knelt down in front of the statue
|
|
of St. Jude Thaddeus, the patron saint of hopeless causes, and
|
|
promised that if he would intercede with God for her, she would have
|
|
her children baptized Catholic and send them to parochial school until
|
|
they were old enough for college.
|
|
|
|
Ten months later she had my brother Troy, and after a couple of years
|
|
my sister Nicole was born. Mom's doctor told her not to have any more
|
|
children, but when Nicole was almost three Mom had me. She blamed my
|
|
conception on the trip to Napa Valley she and Dad took to celebrate
|
|
their anniversary.
|
|
|
|
"It was all those wineries we visited," she said. "Something always
|
|
happens to me when I drink too much Chardonnay."
|
|
|
|
I never guessed that the conversation I had with Father Domino after
|
|
school late in January would have such an effect on my mother. I was
|
|
walking down the hallway at St. Anthony's School after the last bell
|
|
rang when I saw Father Domino coming out of one of the fourth grade
|
|
classrooms. He saw me and put his arm around me.
|
|
|
|
"Josh, how's your family doing?" he asked.
|
|
|
|
"Fine," I said, looking up at his round face. He was wearing a plaid
|
|
fleece-lined jacket and I could see his black shirt and white band
|
|
collar in the gap between his lapels.
|
|
|
|
The people in the parish were fascinated by Father Domino. He was half
|
|
Italian and half Cuban. It was rumored that his father worked for the
|
|
Mafia in Fort Lauderdale and his brother had been arrested for
|
|
possession with intent to sell when the Coast Guard boarded his yacht
|
|
near Elliot Key and found ten kilos of cocaine.
|
|
|
|
Father Domino seemed to have all the answers to the mysteries of the
|
|
universe when he visited my eighth grade religious class. I noticed
|
|
how people spoke to him in a reverent tone, as if he was special, like
|
|
the pope or a saint. He had been in the parish for a few years,
|
|
replacing Father Hansel.
|
|
|
|
Father Hansel was only in his early forties, but he would stare off
|
|
into space when he visited our religious education class, even during
|
|
the question and answer period. He walked as if moving one foot in
|
|
front of the other was a tedious task. He always said Mass in a
|
|
monotone and sighed frequently during the Homily which was usually
|
|
about coping with a crumbling world until we finally left it for
|
|
Purgatory and hopefully Heaven. Father Hansel suddenly disappeared,
|
|
and when I asked my religious education teacher where he was she told
|
|
me he had left the priesthood and was living in Eureka.
|
|
|
|
"I was impressed with the type of questions you were asking me when I
|
|
was in your religious education class last week," Father Domino said.
|
|
"The church can use a mind like yours when you get older. You know
|
|
that we pray every Sunday for young men like yourself to have a
|
|
vocation. Have you ever thought of becoming a priest when you grow
|
|
up?"
|
|
|
|
"No, not really," I said, staring up at his white collar.
|
|
|
|
"After I left your class I wondered if your questions meant that God
|
|
had given you a vocation." He gestured toward the huge grey church. "I
|
|
have to go to the church to check on the tracts. Why don't you come
|
|
with me and we'll talk about it?"
|
|
|
|
I wasn't sure I wanted to be a priest, but his interest in me made me
|
|
feel warm inside. We crossed the parking lot while he talked about how
|
|
nice it was to teach people about the significance of the sacrifice of
|
|
Christ, to see the smiles on the faces of parents when you baptized
|
|
their baby, assuring them that his young soul was saved from Hell.
|
|
|
|
"One of the nuns at the high school I went to told me that God smiles
|
|
down on a priest's parents and saves them a place in Heaven because
|
|
they've raised a son for Him." Father Domino was silent for a moment.
|
|
"It meant a lot to me to know that I could offer up the Masses I said
|
|
for the souls of my family."
|
|
|
|
I looked at him and remembered the stories about his father and his
|
|
brother. We walked up the concrete steps and in through the south
|
|
entrance of St. Anthony Church. Father Domino checked that there were
|
|
enough tracts in the foyer before we stepped into the Guadalupe
|
|
Chapel. A mural depicting the vision of Our Lady of Guadalupe was
|
|
above the glass wall sectioning off the small chapel from the rest of
|
|
the church. There must have been a funeral earlier that day because I
|
|
smelled a faint whiff of incense in the air. Father Domino gestured
|
|
toward the marble altar on the dais in the main part of the church,
|
|
visible through the glass. His round face lit up and his voice was
|
|
hushed when he spoke.
|
|
|
|
"The best part about being a priest is standing up there in front of
|
|
all those people while you say Mass. You feel as if the power of God
|
|
is pouring through you." He stared through the glass at the altar for
|
|
a moment before he turned to me. "Let's light a candle and pray to the
|
|
Blessed Virgin Mary for your vocation."
|
|
|
|
I followed him down the right aisle to the statue of the Virgin Mary.
|
|
He took a slender stick from the metal container and lit one of the
|
|
large candles in the red glass candle holders. As the wick caught fire
|
|
and glowed white, I felt as if Father Domino had seen something
|
|
special in me that no one had noticed before. The burning candle
|
|
sealed my destiny.
|
|
|
|
I caught the FAX bus afterwards. As the bus passed the Seven-Eleven
|
|
convenience store, I saw Troy's car in the parking lot. He was leaning
|
|
against the front fender taking money out of
|
|
|
|
his wallet and handing it to a girl wearing a beige cashmere coat. She
|
|
slipped something into his shirt pocket.
|
|
|
|
Troy would occasionally sit out by our pool and slowly wave his hands
|
|
in front of his face, talking to himself about the colors of the
|
|
trails he saw coming out of his fingers or the way the house seemed to
|
|
undulate. Sometimes I saw Dad watching him through the patio door. He
|
|
had grown up in a more liberal era, and he tended to view Troy's
|
|
experiments with recreational drugs as a hobby he would eventually
|
|
outgrow. Mom didn't seem to be aware that Troy used drugs.
|
|
|
|
The bus stopped a couple blocks from our house. I walked down the
|
|
street past the landscaped lawns. We lived in a large English Tudor
|
|
style house set back from the road on the Bluffs. A car was parked in
|
|
our driveway with a San Joaquin Memorial letter jacket on the back
|
|
seat.
|
|
|
|
Nicole leaned against the front door with her arms around some guy's
|
|
neck. His hands were up under the blouse of her pastel school uniform
|
|
and he was kissing her neck while she made soft moaning sounds. They
|
|
didn't seem to notice that I was there. I always felt strange when I
|
|
saw Nicole with her constantly changing string of boyfriends, as if I
|
|
was seeing oranges growing on the clipped boxwood along the front of
|
|
our house.
|
|
|
|
I walked around to the back of the house, through the black
|
|
wrought-iron gate, past the swimming pool, and went inside through the
|
|
back door. Mom was in her study jotting down ideas for a new mystery
|
|
novel. She looked up only long enough to tell me that Dad was picking
|
|
up Chinese takeout for supper on his way home from his office.
|
|
|
|
I never spent much time with Dad. He was a dentist, and he often came
|
|
home late because of a patient that needed cavities filled when she
|
|
was only scheduled to have her teeth cleaned, or a wisdom tooth that
|
|
took longer to remove than he thought it would. I went to my room and
|
|
lay down on my bed. I stared at the ceiling and thought about the look
|
|
on Father Domino's face when he talked about being a priest.
|
|
|
|
I didn't have a chance to talk to anyone about what Father Domino had
|
|
said to me until my family was gathered around the dining room table
|
|
to eat. Troy scooped fried Chow Mein out of one of the white cartons
|
|
spread along the dark green tablecloth, and Mom was passing the Won
|
|
Ton to Nicole, when I told them about my vocation.
|
|
|
|
"I'm going to become a priest," I said.
|
|
|
|
My family stopped filling their plates and stared at me. Mom dropped
|
|
the Won Ton, scattering pale flaky crumbs on the green tablecloth. No
|
|
one spoke. Our dining room was decorated with dark green wallpaper
|
|
with cream fleurs-de-lis on it. Suddenly the wallpaper seemed so dark
|
|
that it swallowed up the cream fleurs-de-lis. I felt as if the walls
|
|
were moving backwards and the room was as huge as a ballroom.
|
|
|
|
Dad was the only bright spot in the room. He grinned and raised his
|
|
eyebrows when he looked down the table at Mom. Her mouth was twisted
|
|
and she stared hard at me.
|
|
|
|
"Like Hell," she said. "You'll become a priest over my dead and
|
|
rotting body."
|
|
|
|
The words came rushing out of me, a tinge of desperation in my voice,
|
|
as if Mom's disapproval might actually have the power to thwart the
|
|
will of God. Mom had proved that she had a lot of clout with the Lord.
|
|
She might pull off another deal, and I would never get to fulfill my
|
|
destiny.
|
|
|
|
"I talked to Father Domino today. He thinks I may have a vocation,
|
|
that God is calling me to the priesthood. He says that if I become a
|
|
priest my parents will go to Heaven. I can offer Masses so that my
|
|
family's sins will be forgiven and they won't go to Hell."
|
|
|
|
"That blabbermouth! He told you, didn't he? I thought priests were
|
|
never supposed to talk about anything you said in Confession. From now
|
|
on I'm going to Confession at St. Helen's where no one knows me."
|
|
Nicole wadded up a paper napkin and threw it at me.
|
|
|
|
"You can't party if you become a priest." Troy's pupils were dilated,
|
|
a sure sign that he had already ingested whatever chemical he had
|
|
purchased in the parking lot of the Seven-Eleven.
|
|
|
|
I searched my mind and dug up a couple of phrases I'd heard in my
|
|
religious education class. "That's a worldly pleasure. I'm going to
|
|
spend my time in spiritual contemplation."
|
|
|
|
I was beginning to enjoy myself. My brother and sister obviously
|
|
didn't appreciate the sacrifice I was willing to make for their
|
|
benefit, but that made it even more significant and noble. I felt as
|
|
if I was in one of those paintings in the Vatican, where the sky
|
|
opened up and a choir of blond angels with white wings hovered over me
|
|
singing. I could imagine the Blessed Virgin Mary, wearing her blue and
|
|
white robes, looking down at me and smiling, her hands clasped in
|
|
front of her as she praised me for my unselfish decision.
|
|
|
|
"I don't need your help to get to Heaven." Mom glared at me and
|
|
crumpled up her paper napkin in her fist. "I didn't spend nineteen
|
|
hours in labor to give birth to a priest, and I don't want to hear any
|
|
more advice from Father Domino. He hands out enough of his opinions on
|
|
Sunday. He should keep his mouth shut the rest of the week."
|
|
|
|
"He's only thirteen. He won't be running off to the Seminary tomorrow.
|
|
He's got a few years to think about this. Let's not worry about this
|
|
yet," Dad said.
|
|
|
|
Mom's eyes were huge and glossy, a tinge of fear on her face. When she
|
|
caught me staring at her she glanced away and started picking at the
|
|
chow mein on her plate.
|
|
|
|
When I examined my family, it was obvious that they desperately needed
|
|
salvation. Although Dad insisted that we go to church every Sunday,
|
|
Nicole was only interested in how many guys she could tempt into
|
|
having unclean thoughts. She sat next to the aisle, flicking back her
|
|
long hair, pretending that it was an accident that her dress kept
|
|
rising up her thighs. Troy slouched down in the wooden pew cleaning
|
|
his fingernails with his pocket knife, mumbling "Lord have mercy,
|
|
Christ have mercy" when it was time for the congregation to respond.
|
|
|
|
Dad had been raised a Methodist, but he converted to Catholicism when
|
|
Mom was pregnant with Troy. After all these years he still couldn't
|
|
remember the words to the Nicene Creed.
|
|
|
|
Mom didn't consider attending Mass to be part of her contract with
|
|
God. She was always making up excuses to get out of going to church.
|
|
When she did go, she spent most of the Mass sitting with her arms
|
|
crossed, staring at the stained glass windows. To Mom being Catholic
|
|
meant that she showed up for most of the Holy Days of Obligation and
|
|
gave up something for Lent.
|
|
|
|
I stayed after school a couple times a week to visit with Father
|
|
Domino. We sat in the rectory drinking cranberry juice while he talked
|
|
about the duties of a priest, counseling couples about to be married,
|
|
giving last rites to people who were dying so they would go to
|
|
Purgatory instead of Hell. I didn't tell him that I thought being a
|
|
priest sounded like a boring job. It made me feel good that he wanted
|
|
to spend time with me. He gave me a book about the saints and I read
|
|
it after my homework was done. I didn't realize that Mom was annoyed
|
|
by this until I overheard her complaining to Dad.
|
|
|
|
"I don't ever get to see the kids anymore except when they show up for
|
|
dinner. Nicole is always on the phone or off with some guy. I don't
|
|
know where Troy is half the time. Josh spends all his time holed up in
|
|
his room reading religious stuff."
|
|
|
|
I was surprised that she had even noticed what I was doing. Mom was
|
|
always busy researching and writing her mystery books. Most of the
|
|
time I never saw her until she came out of her study to fix dinner.
|
|
After I heard her talking to Dad, I started leaving my bedroom door
|
|
open. Whenever I heard someone walking down the hall toward my
|
|
bedroom, I would grab my rosary off the night stand, slide off the
|
|
bed, kneel on the floor, and close my eyes while I prayed the Hail
|
|
Mary. Once I stole a glance at the doorway and saw Mom standing there
|
|
with her arms crossed, shaking her head.
|
|
|
|
During the next couple of weeks Mom spent a lot of time on the phone
|
|
to her agent and her publisher. She was scheduled to go on a book tour
|
|
to promote her recently published mystery novel. Mom was usually
|
|
excited about her book tours. But something was different this time.
|
|
The night before she left, she kept dropping things, a glass dish full
|
|
of creamed corn, silverware, the cordless phone. She seemed to be
|
|
surrounded by a high voltage circuit, tense and temperamental, her
|
|
eyes never resting on anyone's face throughout dinner, her words short
|
|
and clipped.
|
|
|
|
After dinner she went to her bedroom to pack. I sat on my parents'
|
|
king-size bed watching her. She yanked clothes out of the closet at
|
|
random, hardly glancing at them before she tossed them aside. Dad
|
|
tried to help her decide what to pack. He held up various blouses and
|
|
skirts, but she kept changing her mind. She would reject a garment
|
|
only to pack it a moment later. She stuffed her traveling iron into
|
|
her brown suitcase, not bothering wrapping the cord neatly around the
|
|
iron like she usually did. The cord became tangled in a pile of
|
|
clothes.
|
|
|
|
Mom reached into the suitcase and flung a dark blue blouse against the
|
|
wall. "Why did they schedule this damned tour now? April is a rotten
|
|
time for it!"
|
|
|
|
She covered her face with her hands. Her shoulders shook with her sobs
|
|
and she melted down onto her knees to the carpet. Dad moved swiftly
|
|
across the room, gesturing for me to leave. I left the door open as I
|
|
went into the hall. When I looked back, I saw Dad kneel down and wrap
|
|
his arms around her.
|
|
|
|
"I'm always writing my books or going off on trips. We didn't spend
|
|
enough time with our kids. They've turned out to be people I didn't
|
|
want them to be, and it's our fault." She hid her face against his
|
|
chest and her fingers clutched and crumpled his shirt.
|
|
|
|
Dad stroked her hair soothingly. "Shush, honey. Our kids are all
|
|
right. They haven't turned out so bad."
|
|
|
|
"Troy is practically a stranger who doesn't even want to be around us.
|
|
Nicole takes up with any guy who'll look at her. Josh thinks we're
|
|
doomed to burn in Hell. Do you think he thought up this idea of
|
|
becoming a priest just to aggravate me?" Her voice wavered like the
|
|
sound from an old radio with a faulty speaker. Dad's arms tightened
|
|
around her.
|
|
|
|
"Josh just wants attention," Dad said. "He doesn't even know about the
|
|
problems you had with the church over your first marriage."
|
|
|
|
Mom brushed the tears from her face with the back of her hand. "I
|
|
never worried that Troy would become a priest. All I ever worried
|
|
about was that he might get some girl pregnant. When I gave him a box
|
|
of condoms he laughed and said, 'Gee Mom, you were ripped off. I
|
|
usually get these for fifty cents less at Rite Aid.'"
|
|
|
|
She took an early morning flight to Los Angeles the next morning. I
|
|
was still asleep when she left. Dad was the only one to see her leave,
|
|
dropping her off at the airport before he went to his office. As I
|
|
waited at the bus stop for the FAX bus that would take me to school, I
|
|
glanced up at the sky, thinking of Mom nestled in a big silver bird
|
|
heading south, even though I knew her flight would have landed at LAX
|
|
at least an hour ago.
|
|
|
|
On Sunday, after Mass was over, Dad insisted that we go into the
|
|
Guadalupe Chapel. "I want to light a candle for your mother so her
|
|
tour will go well and she'll come home safe."
|
|
|
|
Dad always did this when Mom went on a book tour. Troy, Nicole and I
|
|
followed him into the Guadalupe Chapel. Nicole sat in a pew adjusting
|
|
the straps on her black high heel shoes. Troy leaned against the wall
|
|
with his arms crossed while Dad lit one of the candles in the red
|
|
candle holders beside the statue of the Virgin Mary. He took out his
|
|
wallet to pay for the candle, paused and stared at the glowing flame
|
|
for a moment, then lit another large candle before he slipped the
|
|
dollar bills into the collection box.
|
|
|
|
"Why did you light two candles?" Troy asked.
|
|
|
|
"Your mother was pretty upset before she left. She's having a rough
|
|
time right now." Dad turned and pulled down the kneeler in the nearest
|
|
pew. "Come on, let's pray for her."
|
|
|
|
We knelt down beside Dad. I closed my eyes and tried to pray for Mom,
|
|
but I didn't know what to pray for. I kept remembering the things she
|
|
had said the night before she left. I finally said the Our Father, a
|
|
Hail Mary, and a Glory Be, crossed myself and hoped God would know
|
|
what Mom needed.
|
|
|
|
Mom called us every couple of days and occasionally sent postcards.
|
|
She came home on Tuesday, just a couple weeks before the school year
|
|
ended. By Friday I realized that she was trying to change our family.
|
|
She was waiting for us in the family room when we got home from
|
|
school, a glass of iced tea in her hand. She asked us about our
|
|
friends, what subject we liked best in school, who was our favorite
|
|
rock singer. Nicole and I sat on the edge of the couch answering her
|
|
questions in halting, stilted voices. It was as if we were being
|
|
interviewed by a distant relative who hadn't seen us since we were two
|
|
years old.
|
|
|
|
On Thursday she bought a Monopoly game and insisted that the entire
|
|
family play it that evening. We sat at the dining room table rolling
|
|
the dice, moving our markers, exchanging paper money. Nicole and I
|
|
argued over who would get the car as a marker. She ended up with the
|
|
shoe and bought every piece of property she could get her hands on.
|
|
Mom got both utilities and all the railroads except for Reading
|
|
Railroad. She landed on the Go To Jail square almost every time she
|
|
went around the board. Troy refused to buy anything but Boardwalk and
|
|
Park Place. He put hotels on both of them and Dad went bankrupt when
|
|
he landed there.
|
|
|
|
On Saturday Dad and Mom wanted to take us to Wiliker's for lunch, but
|
|
Nicole said she had made plans to meet a friend, so only Troy and I
|
|
went with them. During lunch, while they were splitting a large order
|
|
of onion rings, Dad and Troy decided to spend the afternoon shooting
|
|
pool at Aces 'N Eights Billiards. They took Mom and me home after
|
|
lunch.
|
|
|
|
We stood on the sidewalk and watched the car disappear around the
|
|
corner for a moment before we wandered up the driveway. The wisteria
|
|
was in bloom, flowing gracefully over the fence, a light breeze
|
|
causing its tentacles to move gently as if it was waving at us. Mom
|
|
touched the delicate purple flowers as if they were old friends that
|
|
she hadn't seen in a long time. She bent down to smell their rich
|
|
sweet perfume.
|
|
|
|
There must have been something euphoric in the scent because she
|
|
laughed softly and spread her arms out, twirling around like a little
|
|
girl. I watched her dancing on our driveway, her feet moving lightly
|
|
over the concrete. I didn't want anything to spoil this day. I
|
|
couldn't remember the last time that I had been alone with her. She
|
|
stopped and smiled at me.
|
|
|
|
"Let's go in the backyard. We bought this house because it had such a
|
|
great view of the Bluffs and the river. It feels like it's been
|
|
forever since I've stopped working long enough to look at it."
|
|
|
|
We walked through the black wrought-iron gate. I heard the soft
|
|
moaning before we saw them. Nicole and a dark-haired guy were entwined
|
|
at the far side of the swimming pool, near the shallow end. The sun
|
|
was glinting off the crystal blue water. Nicole's head was thrown back
|
|
and her mouth was open. Through the wavering water it looked as if the
|
|
guy had a second set of legs growing out of his hips.
|
|
|
|
Mom stopped and stared at them for a moment. She turned around without
|
|
saying anything. I followed her back through the black wrought-iron
|
|
gate into the front yard. She gazed up at the pale sky and her lips
|
|
moved as if she was praying, but I didn't hear a sound.
|
|
|
|
I followed her up the sidewalk into the house. She went into the
|
|
family room, opened the liquor cabinet, and poured herself a glass of
|
|
red wine. I stood there watching her, feeling awkward and invisible.
|
|
|
|
"I don't know what to tell Nicole," she said. "I haven't been sure
|
|
what's wrong or what's right ever since I got divorced from my first
|
|
husband."
|
|
|
|
Mom had never talked about her first husband. When Nicole was ten, she
|
|
rummaged through a box of odds and ends in the garage and found a
|
|
picture of Mom in a white wedding gown, standing beside a tall man in
|
|
a dark tuxedo. She was showing it to Troy and me when Mom came out
|
|
carrying a load of laundry. Mom put down the laundry basket, took the
|
|
picture, and went back into the house without saying anything. I never
|
|
saw the picture again.
|
|
|
|
"Why did you get divorced from him?" I asked.
|
|
|
|
Mom sighed and sipped her wine for a moment before she spoke. "There
|
|
were a lot of reasons. I used to lock myself in the bathroom when we
|
|
were fighting. I'd sit on the edge of the bathtub clutching a towel
|
|
and crying. I could hear him outside the door, rattling the door knob
|
|
and shouting at me. When I left him, my side was covered with purple
|
|
bruises because he had slammed me into a concrete wall."
|
|
|
|
Her breath was raspy, as if she had just run several miles pursued by
|
|
demons. She gulped down the rest of her wine. I heard a faint sound of
|
|
splashing water coming from outside. Mom didn't seem to notice. She
|
|
stared straight ahead, her face hard and angry.
|
|
|
|
"I went to a priest for counseling. He told me God had joined us and I
|
|
couldn't ever marry again or I'd be committing adultery and I'd burn
|
|
in Hell. He made me feel as if I was evil and dirty to even want a
|
|
divorce. I walked out of his office and I didn't go back to church
|
|
until after I married your father."
|
|
|
|
She looked at me and bit her lip, her eyes huge and wet. I could see
|
|
the pain of remembering in her face. She was crystal glass, and now I
|
|
knew of a fragile part of her I would have never guessed existed. I
|
|
felt uncomfortable, as if I had seen her naked. I could hear Father
|
|
Domino's voice in my head when he talked about helping people and I
|
|
wondered what he would have said to her.
|
|
|
|
"We had to get remarried by a priest before your father could go
|
|
through his Confirmation. I went to talk to Father Hansel about
|
|
getting my first marriage annulled by the Church. His clothes were
|
|
wrinkled and he had his head on his desk when I came into his office.
|
|
He understood why I had gotten divorced, but he said my reasons
|
|
weren't good enough to get an annulment from the Church. He told me
|
|
what to say on the statement." Mom's nose wrinkled with distaste at
|
|
having to lie. "It didn't occur to me until after he left the
|
|
priesthood what it must have cost him to tell people how to circumvent
|
|
the very system he represented."
|
|
|
|
We gazed at each other for a moment. Mom suddenly came over and sat
|
|
beside me on the couch. She wrapped her arms around me and laid her
|
|
head on my shoulder. I held onto her, smelling the flowery scent of
|
|
wine on her breath, until we heard Nicole open the back door and come
|
|
into the house.
|
|
|
|
Troy graduated from San Joaquin Memorial that year. After school let
|
|
out, Mom and Dad took us on a trip to Greece. We walked down narrow
|
|
streets past the white cube-shaped houses on Mykonos, saw the
|
|
windmills dotting the green patches of land below the pale purple
|
|
mountains of Crete, and toured the Byzantine ruins of Mistra.
|
|
|
|
Nicole walked around on the white beaches in brightly colored string
|
|
bikinis, flirting with the local guys who kept asking her to take them
|
|
to America. Troy hung around the piers watching the fishing boats as
|
|
they came in and out of the harbors. While we were touring the
|
|
Acropolis in Athens, he told Mom and Dad he was thinking about joining
|
|
the Navy when we got back home.
|
|
|
|
They talked him out of it during dinner. Dad promised if Troy would
|
|
spend his first year of college in Fresno he would send him to any
|
|
college he wanted after that. Mom kept drinking ouzo and touching Troy
|
|
lightly on the arm. They seemed desperate to keep their family
|
|
together, to try to fix what was wrong before their children
|
|
disappeared and it was too late. Troy finally agreed to stay if they
|
|
would send him to UC Santa Barbara and buy him a new car.
|
|
|
|
Late in August, a couple months after we got back from Greece, Nicole
|
|
found out she was pregnant. Mom took her down to the Family Planning
|
|
Clinic and stayed in the waiting room while Nicole had an abortion. A
|
|
few days later she made an appointment for Nicole to see a
|
|
psychologist. Nicole had been going to him for about a month, and I
|
|
had already started high school at San Joaquin Memorial, when he
|
|
suggested to Mom that we should have family counseling. Dad objected
|
|
at first, but then he gave in.
|
|
|
|
Now we spend every Wednesday afternoon at 4:00 p.m. sitting around the
|
|
psychologist's office looking at our hands and trying to say things
|
|
that make us sound like a family. When I look at us sitting in our
|
|
separate corners, I am reminded of being in church. I wonder if this
|
|
is just another form of religion, or if we are trying to decipher the
|
|
mystery of what we are supposed to be.
|
|
|
|
+--------------------------------------------------------------------------+
|
|
+--------------------------------------------------------------------------+
|
|
|
|
about the authors
|
|
|
|
|
|
** Terry Azamber ( stardust@attitude.com )
|
|
|
|
Terry Azamber has recently finished her first novel. Her publishing
|
|
credits include short stories, poetry, and feature articles. She has a
|
|
B.A. in English with an emphasis on fiction writing from California
|
|
State University of Fresno. She lives in Fresno, California with her
|
|
husband and their two sons.
|
|
|
|
|
|
** JBMulligan
|
|
|
|
JBMulligan is married, has three children and poems and stories in
|
|
dozens of magazines over the last 25 years, including recently Purple,
|
|
Cafe Irreal and Gravity.
|
|
|
|
|
|
** Marie Kazalia ( MAKazalia@aol.com )
|
|
|
|
Marie Kazalia lives in San Francisco, California, USA. Her poetry and
|
|
fiction have been published widely in the small press and in numerous
|
|
electronic journals. She has a book of 36 poems--Erratic Sleep In A
|
|
Cold Hotel, to be released September 1999, from Phony Lid
|
|
Publications, PO Box 2153, Rosemead, CA 91770 USA. $5 postpaid, Canada
|
|
& Mexico$6US, overseas$7US)
|
|
|
|
|
|
** Gary Lehmann ( glehmann@roichester.rr.com )
|
|
|
|
Gary Lehmann teaches writing and literature at the Rochester Institute
|
|
of Technology and fiction writing at Writers and Books. He has been
|
|
the writer in residence at Roberts Wesleyan College and publishes
|
|
regularly in literary journals. This summer he edited a cookbook for a
|
|
local charity, and taught a course on the history of American
|
|
Technology from Ben Franklin to Bill Gates. This fall he will be
|
|
teaching poetry writing to a group of retirees. He is currently
|
|
working on a novel about his grandfather's life in the Sheet Metal
|
|
Union around the turn of this century.
|
|
|
|
|
|
** Elisha Porat ( porat_el@einhahoresh.org.il ;
|
|
http://www.flash.net/~unlikely/porat.html )
|
|
|
|
Elisha Porat, a 1996 winner of Israel's Prime Minister's Prize for
|
|
Literature, has published more than a dozen volumes of fiction and
|
|
poetry in Hebrew since 1973. His works have appeared in translation in
|
|
Israel, the United States, Canada and England.
|
|
|
|
Mr. Porat was born in 1938 to a pioneer family in Petah Tikva, Israel.
|
|
In the early 1930s his parents were among the founders of Kibbutz Ein
|
|
Hahoresh, where he was raised and still makes his home.
|
|
|
|
Drafted into the Israeli Army in 1956, he served in a frontline
|
|
reconnaissance unit and fought the Six Day war in 1967, and the Yom
|
|
Kippur War in 1973. As a lifelong member of his kibbutz, he has worked
|
|
as a farmer as well as a writer. He currently performs editorial
|
|
duties for several literary journals.
|
|
|
|
|
|
** Chris Pusateri ( naanabozho@aol.com )
|
|
|
|
Educated in Jamaica and the United States, Chris Pusateri earned a
|
|
graduate degree in creative writing from the University of New
|
|
Mexico.
|
|
His work has recently appeared or is forthcoming in Denver Quarterly,
|
|
Blue Mesa Review, Permafrost, and elsewhere. He lives in Albuquerque,
|
|
New Mexico.
|
|
|
|
|
|
** Steve Wiesner ( wiesnese@email.uc.edu )
|
|
|
|
Steve Wiesner has a degree in English from St. Cloud State University
|
|
in St. Cloud, Minnesota. That was in 1982. What happened between then
|
|
and now is a mystery, but one suspects chronic inertia. This is his
|
|
first published work on a global scale (having published a few
|
|
poems/short stories in the college literary magazine). He lives in
|
|
Cincinnati.
|
|
|
|
+--------------------------------------------------------------------------+
|
|
|
|
in their own words
|
|
|
|
|
|
** We Met by Gary Lehmann
|
|
|
|
"We Met is virtually a literal record of what happened when I turned a
|
|
corner on campus and unexpectedly found myself in an intimate embrace
|
|
with a beautiful young lady."
|
|
|
|
|
|
** Light a Candle by Terry Azamber
|
|
|
|
"The idea of Light a Candle came to me while I was touring Mission San
|
|
Miguel in San Miguel, California. The title is taken from the phrase
|
|
'Light a candle or curse the darkness.'"
|
|
|
|
+--------------------------------------------------------------------------+
|
|
+--------------------------------------------------------------------------+
|
|
|
|
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ADDRESSES FOR _THE MORPO REVIEW_
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rfulk@morpo.com . . . . . . . . . . . . . . . . . Robert Fulkerson, Editor
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kalil@morpo.com . . . . . . . . . . . Kris Kalil Fulkerson, Poetry Editor
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rummel@morpo.com . . . . . . . . . . . . . . J.D. Rummel, Fiction Editor
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SUBMISSION GUIDELINES FOR TMR
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To receive the current submission guidelines for _The Morpo Review_, send
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a message to guidelines@morpo.com and you will receive our guidelines
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+----------------------------------------------------------------------------+
|
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Our next issue will be published December 1st, 1999.
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+----------------------------------------------------------------------------+
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