4097 lines
174 KiB
Plaintext
4097 lines
174 KiB
Plaintext
Living in such a state taTestaTesTaTe etats a hcus ni gniviL
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of mind in which time sTATEsTAtEsTaTeStA emit hcihw ni dnim of
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does not pass, space STateSTaTeSTaTeStAtE ecaps ,ssap ton seod
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does not exist, and sTATeSt oFOfOfo dna ,tsixe ton seod
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idea is not there. STatEst ofoFOFo .ereht ton si aedi
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Stuck in a place staTEsT OfOFofo ecalp a ni kcutS
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where movements TATeSTa foFofoF stnemevom erehw
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are impossible fOFoFOf elbissopmi era
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in all forms, UsOFofO ,smrof lla ni
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physical and nbEifof dna lacisyhp
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or mental - uNBeInO - latnem ro
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your mind is UNbeinG si dnim rouy
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focusing on a unBEING a no gnisucof
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lone thing, or NBeINgu ro ,gniht enol
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a lone nothing. bEinGUn .gnihton enol a
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You are numb and EiNguNB dna bmun era ouY
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unaware to events stneve ot erawanu
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taking place - not -iSSuE- ton - ecalp gnikat
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knowing how or what TWENTY-THREE tahw ro woh gniwonk
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to think. You are in 02/29/96 ni era uoY .kniht ot
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a state of unbeing.... ....gniebnu fo etats a
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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CONTENTS OF THiS iSSUE
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=----------------------=
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EDiTORiAL Kilgore Trout
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LETTERS TO THE EDiTOR
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STAFF LiSTiNGS
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[=- ARTiCLES -=]
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MiND PROBE #1: Kilgore Trout, Smoke Rings and Silly Seriousness Noni Moon
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ENFORCEMENT OF MORALiTY AND ANARCHiST DiRECT ACTiON Bobbi Sands
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[=- POETASTRiE -=]
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THE PURPLE BUTTERFLY The Gentleman Who Fell
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THE EPiC OF iNSANiTY (Part I) Nomad
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[=- FiCTiON -=]
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MUSE Star
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THE ALiENS COME FOR THE COFFEE Kilgore Trout
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LiTHAN, PART 3 "THE CONCLUSiON" Adidas
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LOST MY MARBLES, i DiD Kilgore Trout
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NO STRINGS ATTACHED I Wish My Name Were Nathan
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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EDiTORiAL
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by Kilgore Trout
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This issue was ready to go for the 23rd, but I decided what the hell, HOW
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MANY CHANCES AM i GOiNG TO HAVE TO RELEASE THE ZiNE ON LEAP DAY? So, I
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waited. And waited. And even got a couple of extra submissions in that time
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too. Wowee.
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Leap Day is a strange day. It only comes around once every four years.
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I think that accurately describes the last girlfriend I had. I think we
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should just get a new calendar, or use about ten different ones. Then no one
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would really care that the Gregorian folks need to add an extra day just to
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keep it "accurate." I mean, really, so what if everyone gets a day off.
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Who's that gonna hurt? Oh, the people making money, you say? Well, I sure as
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hell ain't one of those scum-sucking capitalist bastards, and I could...
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Er-hrm. Uh. Yeah. Sorry. Leap Day does that to me.
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Anyways, this is a mighty big issue. Nathan's story takes up around
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half, but I liked the story so much I didn't want to split it up, cause I knew
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I would have wanted to kill someone if that happened to me. It's cool, I
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recommend it heartily, and that should be enough for you to skip down to the
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bottom of this zine and read it before doing anything else. I'll wait.
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Okay. It was damn good, wasn't it? See, I told you so. As some of you
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might have been suspecting, this isn't the promised theme issue. We already
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give you guys some strange stuff, so producing that "strange" issue was kinda
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redundant. Needless to say, in one of the upcoming issues, there will be a
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mini-theme section that I think will be especially cool. Stay tuned for that.
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I'd also like to welcome Noni Moon aboard. She's starting a new column
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entitled "Mind Probe" that is gonna investigate some of the key SoB writers
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and why they do what they do. Her first interview with me is in this issue.
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She's really cool and has the coolest blue hair of anyone I know.
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With that said, here's SoB 23. Politics, poetrie, space aliens, deities,
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drugs, NASA, report cards. You name it, we've got it. See you next month.
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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LETTERS TO THE EDiTOR
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[ouch. and you thought some people couldn't tell the difference between art
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and pornography. geez. still, wonder what that java stuff on their web page
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does. hmmm.]
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From: elangan@digipub.com (Eric Langan)
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To: "'kilgore@bga.com'" <kilgore@bga.com>
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Subject: WEB LINK
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Date: Fri, 9 Feb 1996 13:13:04 -0600
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Saw that you maintain an adult site on the Internet.
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Wondering if you'd like to make a link to us and vice versa.
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We are X-Citing Systems Online, an adult BBS accessible through the Internet.
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Our URL is http://www.xsolis.com. Be sure to use Netscape 2.0 when checking it out
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because of the Java animation. If you'd like us to put up a link to you as well,
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please send us your URL and also the URL where we can see our link for bookmarking
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and update purposes. Thanks for the help! If you have any questions just send
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an email. Also, if you send us an email requesting a link you'll be able to
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see it within 24 hours at http://www.xsolis.com/hotlinks.htm.
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Eric
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--SoB--
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From: N1MILLER@delphi.com
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Subject: Dirty Rotten Filthy Stinking SoB's
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To: kilgore@bga.com
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Does SoB still exist? Is it still regularly published. I've tried
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calling the Lion's Den and iSiS UNVEiLED (U GUYZ SP3LL TH/\T PR3TTY 3L1T3!)
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but I didn't get very much. All I've seen is stuff on io.com, and I'm
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impressed. I'd like to get in on the fun and make some submissions, assuming
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that you guys still operate.
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-Thanks
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[well, since you're letter is being published in this issue, do you think
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we're real or just some elaborate net.conspiracy? actually, sometimes we
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wonder about that ourselves. i've pretty much come to think of it as one big
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practical joke which turns out pretty good on a constant basis for some
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reason. thanks for the compliments, and send us stuff when you get around to
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it. (for some people, that can be a year, maybe two, eh, clockie?)]
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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STAFF LiSTiNG
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EDiTOR
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Kilgore Trout
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CONTRiBUTORS
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Adidas
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The Gentleman Who Fell
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I Wish My Name Were Nathan
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Noni Moon
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Nomad
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Bobbi Sands
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Star
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GUESSED STARS
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Eric Langan
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N1MILLER@delphi.com
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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[=- ARTiCLES -=]
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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MiND PROBE #1
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Kilgore Trout, Smoke Rings and Silly Seriousness
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by Noni Moon
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I met Kilgore on a cold February night inside Metro, a coffeehouse on the
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Drag in Austin, Texas. An ice-storm, at least for Texas, had just blown
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through, so instead of driving among those who go 70mph no matter what the
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weather, I trudged about a mile from my apartment to the Drag on the icy
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sidewalks. When I got inside, I ordered a large coffee and went upstairs to
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find Kilgore.
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He was sitting in the corner by a large window, smoking and reading _Cult
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Rapture_ by Adam Parfrey. He noticed me, said hi and shook my hand. Kilgore
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stands around six feet tall, has shoulder-length brown hair (which he tells me
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is naturally curly, causing jealous stares from women everywhere), and a short
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goatee. His beret and blue sunglasses give one the impression of some literary
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anarchist bent on messing things up royally. Or, that was my take anyway.
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I first ran across State of unBeing digging around in the zine archives
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at ftp.etext.org. The zine, as Yahoo said, covered everything. It seemed
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quite an undertaking, given the small number of writers, and yet they offered
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articles on everything from politics to magick. I was quite impressed.
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After some small chitchat about surviving encounters with stupid Texas
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drivers in the past few days, I got down to business.
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NM: Thanks for meeting me tonight.
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KT: No problem. I could never pass up a chance to drink coffee and smoke
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cigarettes with anybody.
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NM: First, I'd like to get a little background information on you.
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KT: Well, I was born in Dallas, Texas in '75, and my parents adopted me about
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six weeks later and took me back to Austin. I lived there until '86, when
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we moved to the small podunk town I currently reside in now, Georgetown.
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It's about thirty miles north of Austin. We moved because it had a
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"better school system," and we couldn't afford the private school I was
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attending anymore. I went to the University of Texas in the fall of 1994.
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I withdrew this semester cause I got fed up with the place. I'm hoping to
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get into Rhodes College in Tennessee soon. We'll see how that plan pans
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out.
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NM: A private school? Like a magnet school?
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KT: No. A Baptist school. It was a church that also had a school, from
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kindergarten to high school. Go do some multiplication tables, read, and
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then learn a Bible story. All in a day's work.
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NM: Oh. You don't seem like you're too much of a Baptist, looking at the
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zine.
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KT: I'm not. I'm primarily an agnostic who understands that belief is a
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useful tool. I can't say one way or the other whether God does or does
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not exist. One person at my church said I was hedging. I think I'm just
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being honest with myself.
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NM: Do you practice any type of organized religion?
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KT: No. I do attend church on Sundays, but that's more out of economical
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reasons since I'm living at home, and those are the rules of the house. I
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think there's a lot of good stuff in the Bible as well, just as there are
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in a whole bunch of other religious texts. My main problem is the
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imposition of dogma. I used to practice Thelemic Magick, but I've let
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that slide quite a bit too. I think religion and spirituality should be
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a purely personal thing, and what you get out of it yourself is the most
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important thing. Anyway, I figure if I go to hell, I'll be able to play
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a good poker game with William S. Burroughs, Robert Anton Wilson and
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Timothy Leary, cause they'll be there too. <laughs>
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NM: When did you first start writing?
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KT: I've been writing ever since I could read. Most of my early work has
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been lost, praise "Bob," and I doubt anyone would want to read the inane
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stories of a six year old. My biggest troubles back then were wondering
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where I was gonna get 4,000 extras to play stormtroopers in a Star Wars
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movie I made. The script was about four pages long and had a cast of
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about ten thousand. It could only have come from the mind of a child.
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I finally started to hit the good stuff in high school. Teen angst is
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good for that. A lot of the poetrie was horrendous, but it was practice.
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Most of the stories I wrote involved killing people I knew. It was
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cathartic and kept me out of trouble.
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NM: And then you put out your first zine. Tell me about that.
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KT: We had the idea in late '92, but nothing ever really came of it. We had
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a cover and everything, but no pieces. That died out after a while.
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Then we got wind of some sort of underground publication being planned,
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and we got in on that in early '93, my junior year in high school. I
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ended up editing and putting the first three issues out. The fourth one
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was done by Nathan. It was called "Where's There's a Will, There's an A"
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with the "A" being an anarchy symbol. It was messy, juvenile, but it was
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fun, and it pissed off a lot of people. Around seven people got suspended,
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FUCK CENSORSHIP got involved and we got more publicity than we ever would
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have had they left us alone.
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NM: Did you get in trouble?
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KT: Me? No way. I was considered one of the good kids. Yeah, we used a lot
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of profanity and we made a couple of major mistakes that were probably
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the cause for a lot of the trouble, but all in all it was very rewarding,
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from an editor's perspective. I learned then how hard it was to keep a
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bunch of people writing for you for free.
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NM: After that you started putting out State of unBeing?
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KT: About six months later. I had originally planned to start up a textfile
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group, but decided that sounded too "elite" and I had pretty much gotten
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out of that scene. We kept the use of handles, though, cause I like the
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anonymity and would rather have the works judged on their own merit, not
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on any preconceived notions of the author. That was my thinking at the
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time, anyway.
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NM: What was your original purpose in starting SoB? It certainly wasn't
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another "fuck the system" type of magazine.
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KT: In a way, it is, just in a more rational form. We're not here calling for
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mucho changes, because one small e-zine ain't gonna do that. Instead, we
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explore alternatives to the current system. A lot of the political stuff
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that we've published has not been very mainstream. Moonlight's guerrilla
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tactical handbook, for example. Not many people aren't gonna put out
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stuff like that for fear that they'll be labeled right-wing militia freaks.
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I'm certainly not one, but I liked reading Che Guevara in high school.
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Maybe it'll even come in handy someday. Who knows? Information wants to
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be free, and if I like it, or even if I don't like but think other people
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will, I'll run it.
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NM: That's where the old SoB motto, "We'll publish anything" fits in, then.
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KT: Yes. I've rejected stuff in the past that was poorly written, but my
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writers tend to be high quality, which I think is really lucky. Plus, most
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of them have been with me for the whole run, which I find incredible as
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well. Getting back to the original question, I started SoB as an outlet
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for myself. I wanted a place where I could release my own stuff and that
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of my friends. I thought we were fairly decent writers and people might
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dig what we were doing. I was, and still am, mostly centered around the
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literary aspect of the zine, but that's always been my primary love.
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NM: Just how have you managed to keep going for so long? Most e-zines die out
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after a few issues.
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KT: I couldn't tell you. That's something I've wondered about a lot. I can
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be a real pain in the ass when I need submissions, but maybe it's because
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I'm such a nice guy. <laughs> Seriously, it still amazes me that we
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haven't folded up. Most of the writers that write for every issue are
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good friends of mine. I met a few of them through the zine, in fact.
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It's just something we all enjoy doing, and we'll keep on doing it until
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we get tired of it.
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NM: Which almost happened last summer...
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KT: Jesus, I was afraid you'd bring that up. I tend to kill things that are
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going too well, and I just decided to drop it. I wanted to try something
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new. My plan was to start a weekly zine called "cavity" that would be
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just me. I soon realized that would be more work than I wanted to do,
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and when a few writers told me that if I stopped putting out SoB, they'd
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keep doing it anyway, I decided I should keep it alive.
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NM: It's a good thing you did, because since September the issues have been
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excellent.
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KT: Thanks. It certainly made me realize what a good thing I've got going
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here, and I'm not going to blow it again.
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NM: Since we're talking about the zine in general, I think a lot of people
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would like to know what really happened in regards to SoB #8. All that
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talk of the Secret Service kinda got some people freaked out. I know you
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had a couple of e-mails to that effect as well.
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KT: Let me start out by saying that the whole thing was a big hoax. I felt
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sure that we were dropping big enough clues, with all the tongue-in-cheek
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references to Agent Williams and Tachyon reporting from far-off locations
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like Sri Lanka. Some people just didn't get it. So, when they e-mailed
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me, I played along. When issue eight was supposed to come out, I had one
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poem. That was it. It was the end of summer, people wanted as much
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play time that was left, myself included. I had planned on just waiting
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until September till putting it out, because by that time I would have
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regained my normal evil editor composure and gotten submissions one way
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or the other. The credit for the whole SS raid idea has to go to
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Hagbard. He thought up the idea, and it worked out quite well. He also
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wrote all of the Tachyon reports. We let the joke run until we had had
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enough of it ourselves, and then we put out "The Lost Issue" out and
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wiped out hands clean. Agent Williams still remains one of our favorite
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creations, though. Most SoB writers who see strange men in suits refer
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to them as that.
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NM: I knew it was a joke all along, though I was surprised people thought it
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was real.
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KT: Sure you did, Noni. Sure. <laughs> One of the things that amazed me
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was that anyone would believe anything we put out there in front of them.
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It makes you think how gullible the average guy out there is who will
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believe anything that is put on paper. It also makes you think about
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your responsibilities as a writer. Kinda scary, kinda sad. I mostly
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write fiction or philosophy, so I don't worry about it too much myself.
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As an editor, though, I do try to make sure the stuff we run has had
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research done on it.
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NM: That is part of the journalistic ethic. I mean, if I just made up this
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interview after talking to you, no one would know. It is a
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responsibility.
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KT: It seems that on the net, people are way too trusting. It's the same way
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with television and radio, but even more so on the net. People will
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believe anything you tell them. Kinda like the Good Times virus, which
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is a good example of that and provides an excellent study in memetics.
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NM: Why do you think that is?
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KT: It's a new medium, and people haven't learned how to detect the kinks in
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it yet. With the net, the only emotional context we have are emoticons.
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There is no body language, only words. It makes it a lot harder for most
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people to detect an air of deceit that isn't overtly blatant.
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NM: Let's switch focus for a moment and come back to you. Who would you say
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has had the most influence on your writing style?
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KT: I'm not going to tell you because I don't have any. Stylistically, no.
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Influences are for other people to pick out. I write how I write. If it
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comes close to the style of someone else, so be it. But I don't
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consciously think, "Oh, look at how he wrote that. That'd be cool to
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do." It probably creeps back in subconsciously somewhere along the line,
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but I've never really tried to pick em out.
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NM: Fair enough.
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KT: Not that I'm trying to avoid the question or something, but I honestly
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can't tell you. I can tell you author's I like, and that would probably
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be just as good of an answer there, but I wouldn't call them influences
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on my style.
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NM: Okay. Who are your favorite authors?
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KT: Touche. Fictionwise, I'd have to go with Martin Amis, Robert Anton
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Wilson, William S. Burroughs, Kurt Vonnegut, and Kathy Acker. Everything
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else would be covered by Aleister Crowley, Robert Anton Wilson, Tim
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Leary, Terence McKenna, and Adam Parfrey. Plus you'd have to include three
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publishing houses with which I'm never disappointed.
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NM: And those are?
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KT: Vintage, both domestic and international, Feral House, and New Falcon
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Publications. I've never read a book by those three companies that I
|
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didn't thouroughly enjoy.
|
|
|
|
NM: Have to keep that in consideration. So what exactly would you consider
|
|
your style?
|
|
|
|
KT: I'm not sure yet. I've been toying around with a couple of different
|
|
things, such as reworking texts ala Kathy Acker...
|
|
|
|
NM: See, that's an influence.
|
|
|
|
KT: You got me there. But that would only pertain to one thing I've done, a
|
|
small section in my story "Immune." Look, Noni, you can't ask me
|
|
explicit questions like that and expect a quick answer. I have to weave
|
|
them into our conversation.
|
|
|
|
NM: Great.
|
|
|
|
KT: Anyways, before I was so rudely interrupted, I'm discovering a certain
|
|
style right now that, for lack of a better term, I want to call Chaos
|
|
Penetration. Basically, it embraces the chaos and uncertainty of
|
|
everyday life, revels in absurdity, and then goes looking for the
|
|
underlying meaning, if there even is one. It's quite evident, I think,
|
|
in my story "Grey Matter Champion" and to a lesser extent in a few of my
|
|
other stories. Nathan's "No Strings Attached," too. I've been reading a
|
|
lot of quantum physics and holographic theory, so that's probably where a
|
|
lot of this comes from.
|
|
|
|
NM: Interesting. I noticed in "Grey Matter Champion" that the characters
|
|
seem so totally confused about everything. The man in the story, I
|
|
thought, was more confused than the lady because he thought he knew what
|
|
was going on when he obviously was just as lost.
|
|
|
|
KT: Exactly. And that was the point I was trying to get across. Mary knew
|
|
she didn't know what was going on, and that's what scared her. She had
|
|
her moments of sanity, but in the end she couldn't cope. Donald did
|
|
better, but he had already lied to himself numerous times to build up his
|
|
own protective shield.
|
|
|
|
NM: What exactly did he do to her?
|
|
|
|
KT: I haven't the slightest idea. That part of the story was left
|
|
intentionally vague, for the reader to imagine. I could have described
|
|
some horrible event or experiments, but the reader's imagination probably
|
|
ran a lot further since I didn't set down exactly what happened. I don't
|
|
want to give everything away to my audience. I'm not going to lay the
|
|
whole thing out on a platter. They're going to have to do some of the
|
|
work too. It's an intellectual exercise. If you want pure
|
|
entertainment, get some old back issues and read Dr. Graves.
|
|
|
|
NM: So this idea of "chaos penetration" comes through in all your stories?
|
|
|
|
KT: Not in all of them. I've only noticed the trend recently myself. I'm
|
|
not sure which way I want to take it. I can totally immerse them in
|
|
chaos without any hope, or I can turn it into some form of transcendence.
|
|
I've done both already. But, like I said earlier, it's a crappy buzzword
|
|
I made up to try and sound cool (which never works for me). Call it what
|
|
you like. I wrote it, and I like it, and that's all that counts for me.
|
|
|
|
NM: You don't really seem to care if anybody else likes your work.
|
|
|
|
KT: For the most part, I don't. I write what I write because I think it's
|
|
good. It pleases me, and it's probably the most enjoyable thing in my
|
|
life. I do like to hear what other people think, but that really doesn't
|
|
change my attitude much. I'm still a pompous asshole. <laughs>
|
|
|
|
NM: That's good, well, you not letting other people's views get you down...
|
|
|
|
KT: C'mon, Noni, were you going to agree that I'm an asshole?
|
|
|
|
NM: No, I wasn't... just got tongue tied.
|
|
|
|
KT: <laughs> Whatever.
|
|
|
|
NM: Really. I mean, I know a few zine people who take the stuff way too
|
|
seriously. Sometimes they let it get the best of them.
|
|
|
|
KT: We have too much humor for our own good. Somebody reviewed the zine and
|
|
called it too "high-brow" for your average reader. I dunno where the
|
|
hell he got that idea. Yeah, we've published some heady stuff, but we're
|
|
not trying to come off elitist or academic in any sense. We're here to
|
|
have fun, although after that review came out we did publish a long paper
|
|
on Satanism in Swedish Decadence literature or something like that. I
|
|
dunno. It was dry, Ansat wrote it for his Swedish lit class, and it
|
|
definitely fit the high-brow thing. We have to live up to our
|
|
reputation, after all, whatever that may be.
|
|
|
|
NM: You don't get many letters?
|
|
|
|
KT: Nope. Only from pornographers and UFO gurus. Go figure.
|
|
|
|
NM: You attract a strange crowd, Kilgore.
|
|
|
|
KT: You're here, aren't you?
|
|
|
|
NM: <laughs> Yeah, I guess I am.
|
|
|
|
KT: That's what I thought. Strange things have a way of finding their way to
|
|
me. Strange books, weird ideas. It used to freak me out... now I just
|
|
accept it as the way things are.
|
|
|
|
NM: So you'd call yourself a freak?
|
|
|
|
KT: No. The way I see it, I'm the only normal one.
|
|
|
|
NM: I'd like to get your thoughts on the Communications Decency Act. How
|
|
will that affect your zine if it is upheld in court?
|
|
|
|
KT: It won't affect anything as far as I'm concerned. I'll still put out the
|
|
zine. There's not much they can do, and I'm sure people overseas would
|
|
be more than happy to hold the issues if it came to that. It really
|
|
pisses me off that this is occurring because this is an election year, and
|
|
all these politicians want to do something "for the families" by messing
|
|
with stuff they know nothing about. I think people need to start taking
|
|
responsibility for themselves and spending time with their kids,
|
|
especially on the net where there are so many ideas that the information
|
|
overload is inevitable. Besides, any kid who wants to get pornography is
|
|
gonna get it somehow, on-line or not. That's not much of an argument,
|
|
but it's the truth.
|
|
|
|
NM: So you don't think it will be upheld?
|
|
|
|
KT: No, I doubt it. If it does, things are looking pretty bad. I could
|
|
put my zine on paper, and it would be totally legit. But since it's on
|
|
the net, it's somehow more evil. Legislation in ignorance is not one of
|
|
my favorite things. The really sad thing is that a lot of these people
|
|
probably believe they are doing the right thing, the "moral" thing. They
|
|
just don't understand that morality cannot be imposed. Consensual crimes
|
|
should not be crimes at all. We'd have a lot fewer people in jail, and
|
|
people would probably be a lot happier if the government would stay the
|
|
hell out of their lives. Yeah, if you impose on someone else's Will in a
|
|
violent way or rob them of their possessions, go to jail. Laws don't
|
|
really need to be this complex, at least not in KilgoreWorld, and that's
|
|
a whole 'nother planet.
|
|
|
|
NM: Where do you want to take State of unBeing in the future?
|
|
|
|
KT: I dunno really. Just putting out issues is a pretty satisfying enough.
|
|
I'd like to get some fresh new faces, like yourself, on board, and maybe
|
|
pump up the non-fiction, which has been lagging in the past. As for some
|
|
big vision, I don't really have any. Let the information be free, and
|
|
maybe we'll show some people a good time. Perhaps they'll even learn
|
|
something, too. We've got the words, you've just got to read them.
|
|
|
|
NM: And what do you see yourself doing in the future?
|
|
|
|
KT: Who knows? I'll probably have a philosophy degree in 3 years. Guess
|
|
I'll have to join a philosophy firm. I've heard there's hundreds of
|
|
them. Maybe I'll get a novel published. Anybody out there who wants to
|
|
turn State of unBeing into some slick corporate lit rag, make me an
|
|
offer. I'm not too cut out for your normal 9-to-5 job, or even your
|
|
average college classroom. Whatever happens, happens. I've got enough
|
|
karma stored to keep me in good shape for a couple of years yet.
|
|
|
|
NM: Any last words?
|
|
|
|
KT: Yeah. I'm out of cigarettes. Can I bum one?
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
"Mere incident is nothing... it only becomes something when it is a
|
|
symbol of an interior meaning."
|
|
--Gustave Flaubert
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
ENFORCEMENT OF MORALiTY AND ANARCHiST DiRECT ACTiON
|
|
by Bobbi Sands
|
|
|
|
The current vogue, especially among the liberal left, is to claim
|
|
morality can not, much less should, be legislated or enforced. The perceived
|
|
"freedom of choice" is the dogma of the day, and fundamentalist choicism is as
|
|
dangerous a dogma as fundamentalist Christianity or fundamentalist
|
|
materialism. All lose the reality in the dogma. The obvious flaw in
|
|
fundamentalist choicism is that inherent in any dogma of absolute tolerance,
|
|
viz. to prevent the enforcement of morality is to enforce the morality that
|
|
choice is supreme. A contradiction, as has been repeatedly demonstrated by
|
|
better minds than mine.
|
|
|
|
Every law enforces morality. Hence, many Anarchists oppose laws for the
|
|
sake of opposing laws. This, of course, is Nihilism. It is not a
|
|
revolutionary philosophy, but is rather a reactionary one. Nihilism is to
|
|
Anarchism what Dadaism was to Surrealism. It is a useful, perhaps necessary,
|
|
process of tearing down, but it is useless and worse than useless unless
|
|
followed by a period of building up.
|
|
|
|
The Anarchist -- not the Nihilist, but the Anarchist -- must accept an
|
|
absolute right to guide his actions, and he must accept an absolute right that
|
|
others would follow if they only knew. "If the truth can be told so as to be
|
|
understood, it will be believed." Once this is accepted, enforcing this
|
|
morality (call it "truth", "right action", "the Will of God", or "natural
|
|
law", as it pleases you) follows.
|
|
|
|
Of course, this is nothing new for Anarchists. The terms may be
|
|
"bourgeois" or "reactionary", but the principles have guided Direct Action
|
|
since time immemorial. The very principle of Direct Action is inherently
|
|
coercive, whether in its introverted form of showing people how a free man
|
|
acts (and axiomatically how a free man should not), and hence how they should
|
|
act, "Imitate me as I imitate Christ," or in its extroverted form, as
|
|
terrorism, the principle holds. When an anarcho-commune is built, what is it
|
|
but a sign saying, "This is right," a veritable "City Upon a Hill"?
|
|
|
|
This established, what does it have to do with extroverted Direct Action?
|
|
First, some terms ought to be defined briefly. Nihilism is the concept that
|
|
laws should be opposed for the sake of opposition, and destruction is good for
|
|
the sake of destruction. Modern Anarchism has suffered much from its
|
|
identification with Nihilism. Nihilism is a childish philosophy, and although
|
|
it may be used, it is a means and not an end. As the Anarchist matures in his
|
|
views and comes to embrace the existence of a moral law, Nihilism as a
|
|
philosophy atrophies and Anarchism as a viable philosophy emerges.
|
|
|
|
Anarchism is a topic too broad to be adequately defined here. Briefly,
|
|
it is the philosophy that society can best exist without (Greek An-) rulers
|
|
(Greek Archon). Anarchy does not mean that there will be no society, no
|
|
order, or no cooperation. Indeed, Anarchism rests on the premise man is
|
|
inherently good, in the materialist tradition, or inherently redeemable, in
|
|
the Christian one. If man could be freed from his restrictions and taught, he
|
|
could best discipline himself. Anarchism is a revolutionary philosophy. It
|
|
seeks to build a new world, and has answers to the questions of the day.
|
|
Nihilism, disorder for the sake of disorder, is a reactionary philosophy,
|
|
reacting to the injustices of the world, but with no solutions. Anarchism is
|
|
a philosophy built on the love of man. Nihilism is a sophistry based on
|
|
hatred of law and injustice.
|
|
|
|
Direct Action is the principle by which Anarchy is enacted. Nihilism, as
|
|
a juvenile parody of Anarchy, utilizes Direct Action as well. As implied
|
|
above, Direct Action can be divided roughly into two forms: introverted and
|
|
extroverted. Introversive Direct Action is action one takes on oneself.
|
|
Extroversive Direct Action is action one takes on another. An example of the
|
|
first is the construction of an anarcho-commune, a commune where Anarchist
|
|
principles are voluntarily adhered to by all members. An example of the
|
|
latter is terrorism.
|
|
|
|
The point of morality's existence is an obvious result of true adherence
|
|
to Anarchistic principles. The identification of this morality, and more the
|
|
justification of its enforcement, have long divided the community. So much
|
|
so, in fact, that many Anarchists, well intentioned and otherwise, have used
|
|
Anarchism as a cover for selfishness. De Toqueville said of the United States
|
|
(paraphrased), "She is a great country because she is a good country. If she
|
|
ever ceases to be good, she will cease to be great." The same can be said of
|
|
Anarchism. Anarchism is a philosophy that can only be adhered to be good men,
|
|
or at least by men committed to trying to be good and open to correction from
|
|
their equals.
|
|
|
|
Kropotkin, perhaps the greatest of all Anarchist philosophers, should be
|
|
mentioned here. His essay Anarchist Morality is an excellent work on this
|
|
topic, benefiting greatly both from his genius and from his knowledge in the
|
|
fields of politics and biology. This writer greatly recommends that anyone
|
|
with an interest in Anarchy, either supporting it or debunking it, should go
|
|
through the effort of locating a copy of this essay. As with any translation
|
|
from another language and another time, though, we must consider the context.
|
|
His term for "morality", as I use the word here, was "principle", and the
|
|
principle he chose to uphold was equality. He claims to oppose ideals, and
|
|
this is true in the sense of the ideals of the day, but equality was his ideal
|
|
if we are to be honest about it. He, too, supported freedom of choice on the
|
|
surface without falling into the trap of fundamentalist choicism. In his
|
|
words:
|
|
|
|
Perhaps it may be said -- it has been said sometimes, "But
|
|
if you think that you must always treat others as you
|
|
would be treated yourself, what right have you to use
|
|
force under any circumstances whatever? What right have
|
|
you to level a cannon at any barbarous or civilized
|
|
invaders of your country? What right have you to
|
|
dispossess the exploiter? What right to kill not only a
|
|
tyrant but a mere viper?"
|
|
|
|
What right? What do you mean by that singular word,
|
|
borrowed from the law? Do you wish to know if I shall
|
|
feel conscious of having acted well in doing this? If
|
|
those I esteem will think I have done well? If so the
|
|
answer is simple. ...
|
|
|
|
Yes, certainly! Because any man with a heart asks
|
|
beforehand that he may be slain if he ever becomes
|
|
venomous; that a dagger may be plunged into his heart if
|
|
he should ever take the place of a dethroned tyrant.
|
|
|
|
Here is a freedom of choice, but not one devoid of obligation. Freedom
|
|
does not include the freedom to do wrong, as Pope John Paul II has said. Do
|
|
what thou wilt has nothing to do with do as you please, as said Aleister
|
|
Crowley. If you love me, keep my commandments, as said Christ.
|
|
|
|
And now, with these terms defined, let us remove our heads from the
|
|
clouds of Utopianism, however pleasant, and address ourselves to the matter at
|
|
hand. What does this mean to the Anarchist today, where he has to face the
|
|
restrictions of society and the evils of man? Is there a place for morality
|
|
here? Of course; only a monster would answer otherwise. Is there a place for
|
|
the legislator of morality? Therein, as they say, lies the rub.
|
|
|
|
"The only thing necessary for the triumph of evil is for good men to do
|
|
nothing." Edmund Burke said this centuries ago, but Anarchists had best heed
|
|
it today. For too long, good men have done nothing, and today we reap the
|
|
whirlwind. Once the Anarchist has come, in good faith, to see evil, then he
|
|
can take action to end it.
|
|
|
|
And now we come to terrorism, and to extroversive Direct Action. When
|
|
someone does evil, they must be stopped. If this is not done, then no
|
|
Anarchist society can be achieved. If a tyrant suppresses his people, the
|
|
Anarchist knows it is right to rise up in opposition to him. More subtly, is
|
|
someone is corrupting his society, it is the right and the duty of the
|
|
Anarchist to put an end to this corruption, this most insidious of
|
|
oppressions, by any means possible.
|
|
|
|
An Anarchist act of terrorism against a political target is not
|
|
universally condoned, but it is universally understood. The Anarchist stands
|
|
against oppression, and like him or hate him you at least understand him. The
|
|
mature Anarchist, though, stands for right. He sees that evil in the society
|
|
corrupts and leads to slavery, and so opposes those who promote it. An
|
|
Anarchist act of terrorism against an exploiter of women, such as the
|
|
operators of a brothel, is thus as much an act of liberation and an act of
|
|
righteousness as was Phineas's. An attack against an exploiter of man who
|
|
uses their pain to his profit, such as a seller of narcotics, is an act of
|
|
liberation as much as standing against the forces of Franco with the
|
|
Anarchists in Catalonia.
|
|
|
|
Morality is not an evil. Morality is the codification of righteousness.
|
|
It is wrong to suppress another man, as we are all equals. Thus, exploitation
|
|
is immoral. An educated and mature man, an Anarchist of good faith, will then
|
|
take the revolutionary tack of finding what derives from this. The selling of
|
|
addictive drugs puts one man in another's slavery, hence selling narcotics is
|
|
wrong. It is evil. It is the right and responsibility for an Anarchist in
|
|
good faith to oppose this slaveowner, this tyrant. The use of propaganda to
|
|
gain control of a man's mind and soul is another form of slavery, and so all
|
|
who prey with the word are to be as opposed as those who prey with the sword.
|
|
It is the right and the responsibility of the Anarchist to police his ranks
|
|
and those of his society, protecting his freedom and, eventually, forming the
|
|
free society of which we dream.
|
|
|
|
In short, the Anarchist has the responsibility to educate his conscience,
|
|
to oppose his -- and all -- oppressors. He has the responsibility to oppose
|
|
the oppressor in his nature, and the oppressor in that of his friend's, and
|
|
eventually to show the way -- to lead if possible and desirable -- to freedom
|
|
from all oppressors for all mankind.
|
|
|
|
It is not oppression to force someone into freedom. It is oppression to
|
|
allow someone to believe he wants to be a slave. Are there such men as these,
|
|
who are educated and righteous enough, who are free enough, that they can lead
|
|
mankind into a world of freedom, and the eternal battle to preserve it? That
|
|
is what I and all lovers of freedom hope and pray, and it was these people
|
|
Kropotkin elegized toward the end of Anarchist Morality with the lines:
|
|
|
|
This fertility of mind, of feeling or of goodwill takes
|
|
all possible forms. It is in the passionate seeker after
|
|
truth, who renounces all other pleasures to throw his
|
|
energy into the search for what he believes true and right
|
|
contrary to the affirmations of the ignoramuses around
|
|
him. It is in the inventor who lives from day to day
|
|
forgetting even his food, scarcely touching the bread with
|
|
which perhaps some woman devoted to him feeds him like a
|
|
child, while he follows out the intention he thinks
|
|
destined to change the face of the world. It is in the
|
|
ardent revolutionist to whom the joys of art, of science,
|
|
even of family life, seem bitter, so long as they cannot
|
|
be shared by all, and who works despite misery and
|
|
persecution for the regeneration of the world. It is in
|
|
the youth who, hearing of the atrocities of invasion, and
|
|
taking literally the heroic legends of patriotism,
|
|
inscribes himself in a volunteer corps and marches bravely
|
|
through snow and hunger until he falls beneath the
|
|
bullets. It was in the Paris street arab, with his quick
|
|
intelligence and bright choice of aversions and
|
|
sympathies, who ran to the ramparts with his little
|
|
brother, stood steady amid the rain of shells, and died
|
|
murmuring: "Long live the Commune!" It is in the man who
|
|
is revolted at the sight of a wrong without waiting to ask
|
|
what will be its result to himself, and when all backs are
|
|
bent stands up to unmask the iniquity and brand the
|
|
exploiter, the petty despot of a factory or great tyrant
|
|
of an empire. Finally it is in all those numberless acts
|
|
of devotion less striking and therefore unknown and almost
|
|
always misprized, which may be continually observed,
|
|
especially among women, if we will take the trouble to
|
|
open our eyes and notice what lies at the very foundation
|
|
of human life, and enables it to enfold itself one way or
|
|
another in spite of the exploitation and oppression it
|
|
undergoes.
|
|
|
|
Such men and women as these, some in obscurity, some
|
|
within a larger arena, creates the progress of mankind.
|
|
And mankind is aware of it. This is why it encompasses
|
|
such lives with reverence, with myths. It adorns them,
|
|
makes them the subject of its stories, songs, romances.
|
|
It adores in them the courage, goodness, love and devotion
|
|
which are lacking in most of us. It transmits their
|
|
memory to the young. It recalls even those who have acted
|
|
only in the narrow circle of home and friends, and reveres
|
|
their memory in family tradition.
|
|
|
|
Such men and women as these make true morality, the only
|
|
morality worthy the name. All the rest is merely equality
|
|
in relations. Without their courage, their devotion,
|
|
humanity would remain besotted in the mire of petty
|
|
calculations. It is such men and women as these who
|
|
prepare the morality of the future, that which will come
|
|
when our children have ceased to reckon, and have grown up
|
|
to the idea that the best use for all energy, courage and
|
|
love is to expend it where the need of such a force is
|
|
most strongly felt.
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
[=- POETASTRiE -=]
|
|
|
|
"The poets? They stink. They write badly. They're idiots you see, because
|
|
the strong people don't write poetry.... They become hitmen for the Mafia.
|
|
The good people do the serious jobs."
|
|
--Charles Bukowski
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
THE PURPLE BUTTERFLY
|
|
by The Gentleman Who Fell
|
|
|
|
Put aside all 'thought'! --
|
|
There is room here only for feeling.
|
|
The feeling of the Love within our hearts;
|
|
The feel of your body pressed against mine.
|
|
|
|
What good is it to rationalise
|
|
That which cannot be defined?
|
|
Come with me, and we shall leave behind
|
|
This limited Universe.
|
|
|
|
Come! There is a place beyond,
|
|
Which we can find in each other.
|
|
Come! And we shall meet the Divine,
|
|
Each within their lover.
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
"Oh, Heavenly Father, I know I have sinned, but what she's done to me, is
|
|
making me crazy."
|
|
--Lou Reed
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
THE EPiC OF iNSANiTY (Part I)
|
|
by Nomad
|
|
|
|
I. Madness Creeps
|
|
|
|
You want to leave
|
|
but you can't go
|
|
You're trapped in here
|
|
all alone.
|
|
The madness creeps
|
|
into your mind
|
|
and your screams
|
|
are few and far behind
|
|
you try to run
|
|
but you just fall
|
|
your broken nose
|
|
smears the wall
|
|
the darkness all around
|
|
invades your mind
|
|
as demons form
|
|
before your eyes.
|
|
As the door flies open
|
|
and they come inside
|
|
They give you pills
|
|
They give you shots
|
|
In soothing voices
|
|
They tell you nought
|
|
of your life outside
|
|
this devil's box
|
|
You hear their laughs
|
|
as they close the door
|
|
and you scream again
|
|
aloud once more
|
|
You see their twisted smiles
|
|
through the glass
|
|
as the door slides shut
|
|
you're alone at last
|
|
The darkness comes again
|
|
you begin to cry
|
|
you cradle yourself
|
|
hoping to hide
|
|
you wish to god
|
|
they would let you go
|
|
out of your cell
|
|
free from this Hell
|
|
you hope and dream
|
|
to see the sun
|
|
but the visions you know
|
|
are all that come
|
|
you see no colors
|
|
save what's in your mind
|
|
you hear voices in the dark
|
|
voices of the past
|
|
voices of the heart
|
|
you hear their words of hope
|
|
Not to give up
|
|
But the darkness surrounds you
|
|
soaking you up.
|
|
You scream again
|
|
and run at the door
|
|
but it doesn't give
|
|
and you fall to the floor
|
|
you sink into unconsciousness
|
|
and as you begin to float
|
|
dreams of the past
|
|
scream with a familiar note.
|
|
Visions of a horrible kind
|
|
float to the surface
|
|
of your unconscious mind
|
|
you wake with a start
|
|
and you thrash about
|
|
but the jacket you're wearing
|
|
keep you from getting out
|
|
As you are staring with your eyes
|
|
you moan and cry
|
|
towards the ceiling sky
|
|
your vision is blurred
|
|
by the tears of sorrow
|
|
and no matter
|
|
how much hope
|
|
you seek to borrow
|
|
your hate arms you up
|
|
but the drugs they gave
|
|
wrap you in a cocoon of sleep
|
|
as your body goes numb
|
|
your so pathetic
|
|
you can't even suck your thumb
|
|
you roll to the corner
|
|
of your room
|
|
but your own heart beats
|
|
the rhythm of your doom
|
|
you scream with such force
|
|
you feel your lungs tear
|
|
you shut your mouth
|
|
and bite you tongue
|
|
and taste the blood as
|
|
it trickles down your throat
|
|
you almost choke
|
|
you gag and grope
|
|
for that last string
|
|
of hope.
|
|
And as you pray to stay alive
|
|
the madness creeps
|
|
into your mind
|
|
and you sing songs of an unknown kind
|
|
with a voice hoarse and dry
|
|
The ache in your bones
|
|
is more than you can bear
|
|
and your muscles cry for
|
|
a relief in the despair
|
|
so you let yourself slip
|
|
into the dreamland's care.
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
[=- FiCTiON -=]
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
MUSE
|
|
by Star
|
|
|
|
Once each month she comes, when the moon sails its silver ship through
|
|
high-reaching boughs and past the greedy, grasping finger-forms of steel and
|
|
glass. Once each month she kisses me, and nearly pulls my soul out, but each
|
|
time she stops, and smiles, saying she mustn't still my voice. Both my body
|
|
and her visits follow the moon's rhythm, and so it is that my blood flows
|
|
twice each month.
|
|
|
|
Sometimes she stays, and wraps me tenderly with her strong arms, and I am
|
|
safe from all fear. Sometimes she rocks back and forth with me, and tells me
|
|
tales to mesmerize, verses crackling with power. "Remember them." she softly
|
|
says, her low voice like the wind in leaves. "I give them to you, and you must
|
|
place them out for all the world to share." She is very like me, and yet
|
|
fundamentally alien - I wish I could understand her.
|
|
|
|
I asked her once if I could ever be like her - so strong and calm, wise
|
|
and serene. Grief cloaked her expression. "You do not know what you ask." Her
|
|
words were bitter. "What you see as calm is but oil poured over stormy seas -
|
|
mere illusion, temporary at best. And what you name wisdom I call the teaching
|
|
of an indifferent world. What I am is a paradox - at once a vast blessing and
|
|
a great curse." Then she looked into my eyes, all her sorrow and anger
|
|
banished. "Do not worry, perhaps in time it will happen. It is far more wise
|
|
to enjoy the present than to waste it yearning for a future which may never
|
|
arrive."
|
|
|
|
It was a chill and darking night when first I saw her. I felt her eyes
|
|
upon me as I walked the lonely streets, and I turned to learn who spied on me.
|
|
She stood not more than a yard behind me, her black cloak blending in with the
|
|
shadows. "I'd be careful if I were you. 'The night she is / a living thing, /
|
|
with star-bright eyes / and tail to sting.'" She turned and vanished into the
|
|
night before I could ask her how she knew my unpublished poem. I thought her a
|
|
dream then, but now I know her reality.
|
|
|
|
Her caresses are tender, as are her kisses, and she takes me to an
|
|
ecstasy I have never before known. I am entangled in her silken hair, her long
|
|
tresses the deep brown of a sky-fogged midnight. I drown in her eyes, all the
|
|
manifold chocolates of a confectioner's display. She is pale as a spotlight,
|
|
and my skin is startlingly tan against hers as we curl together like kittens.
|
|
Even when we part, the horizon brightening with its timeless, ruddy hue, when
|
|
I am weak almost to exhaustion, and my mind is adrift on a sea of newly
|
|
learned couplets, still am I radiant with the afterglow of her presence. That
|
|
is when I write.
|
|
|
|
Some are curious about the seclusion which has become my habit, but most
|
|
attribute it to my "poet's constitution". And as my books attain renown, some
|
|
ask who this Persephone is to whom I dedicate my works. So I answer them with
|
|
full truth. "My muse."
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
"The future is in the past, but it is not wholly contained in the
|
|
present."
|
|
--Hoene-Wronski
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
THE ALiENS COME FOR THE COFFEE
|
|
by Kilgore Trout
|
|
|
|
I met the aliens Friday at a local coffeehouse. There were three of
|
|
them, dressed in flannels and sporting groomed goatees. I assumed they were
|
|
travelling incognito, which is what I'd do if I was an extraterrestrial.
|
|
|
|
"So, you guys are from outer space, right?" I asked. "What's it like?"
|
|
|
|
They just stared at me. They must have forgotten their translator
|
|
devices. I attempted a simpler form of communication.
|
|
|
|
"Me, Julius," I said, pointing at myself. "You are?"
|
|
|
|
"Fuck off, you weirdo," one of the aliens told me. You'd think that
|
|
aliens would be a bit more cordial, being guests on our planet.
|
|
|
|
"No need to get angry. I was just asking a simple question, as I don't
|
|
get to meet visitors from another world often. The last bunch, however, were
|
|
quite nicer."
|
|
|
|
"Look, now," another alien said, "go away. You're annoying us. We just
|
|
want to drink our coffee."
|
|
|
|
I can understand people not wanting to talk to me. Sometimes I can be a
|
|
bit eccentric, but I thought establishing contact with these creatures would
|
|
benefit both our cultures. Maybe they had landed in New York City and thought
|
|
it was proper to be unfriendly. I've never met an alien I didn't like, but
|
|
there's always a first for everything.
|
|
|
|
I tried to explain my reasons for continuing the dialogue. "I am just
|
|
trying to facilitate diplomatic conversation between our two races. As a
|
|
representative of the planet Earth, I am pleased to be the first to welcome
|
|
you. Are there any questions you would like answered about our planet and its
|
|
inhabitants? I would be honored to give you answers or show you a fine
|
|
library where you may do extensive research."
|
|
|
|
The three aliens stood up, and they didn't look too happy. I couldn't
|
|
see any phasers on them, but their powerful mind rays would probably be a
|
|
problem. Dammit, where is a tin foil hat when you need one?
|
|
|
|
"Guys, let's be reasonable," I pleaded. "Instead of disintegrating me,
|
|
why don't I drive you to a pasture where there's a whole bunch of cattle?
|
|
Would that mend the rift that has developed between our species?"
|
|
|
|
One of them flicked me off, and, picking up their glasses, they went to
|
|
the other side of the room. I sighed, relieved -- another case of cosmic
|
|
death narrowly avoided. I guess I'm just a lucky guy.
|
|
|
|
Aliens are a strange bunch, believe you me. I should know, since I've
|
|
met fifteen different types and even dated one or two. They're everywhere,
|
|
and I try to tell people that, but they never believe me. The government has
|
|
got them hoodwinked good.
|
|
|
|
Sadly, that is to be expected. Who's gonna believe in aliens unless
|
|
they've actually seen one? Oh, and just to clarify any questions you may
|
|
have, we're not talking about those small childlike aliens with big heads and
|
|
huge eyes. These are CIA agents wearing masks trying to spook people. I've
|
|
read all the experts -- Bill Cooper, John Lear, Whitley Strieber -- and
|
|
they're full of themselves. The aliens look like us, a fact which is both
|
|
amusing and appalling.
|
|
|
|
Most aliens that visit Earth are a friendly bunch, hailing from a planet
|
|
whose name is unpronounceable in our tongue. Their technology surpasses ideas
|
|
our imaginations only hint at. Yet instead of exploring the uncharted
|
|
portions of the galaxy, they choose to study us. That makes me feel pretty
|
|
damn special.
|
|
|
|
My first close encounter occurred about six years ago. I was sitting in
|
|
a bar alone, having just finished off my fourth beer, when an elderly
|
|
gentleman approached me. He sat down and started rambling about quantum
|
|
physics and how science was finally on the right track. The man was quite
|
|
drunk.
|
|
|
|
After listening to him for about half-an-hour, I didn't really understand
|
|
much of what he was talking about. "You're really out of this world," I told
|
|
him.
|
|
|
|
He smiled. "Yup, I sure am," he admitted and walked off.
|
|
|
|
It didn't hit me until the next morning that I had spoken to a real, live
|
|
space alien. I was amazed that he admitted it so freely, but I'm sure the
|
|
alcohol had something to do with that. Boy, I sure hope that he didn't get in
|
|
trouble for revealing his true identity to me. The CIA will kill their agents
|
|
for that, ya know.
|
|
|
|
And that was just the beginning. Since that time, I've met hundreds of
|
|
aliens. In the early nineties they were usually disguised as yuppies, no
|
|
doubt due to bad intelligence gathering. Now they usually appear in the form
|
|
of gen-xers, and they can be found with great frequency at coffeehouses.
|
|
|
|
I've developed the theory that extraterrestrials came to Earth for the
|
|
coffee. I know that sounds really strange, but, like the old saying, truth is
|
|
stranger than fiction. When I visited their homeworld (they gave me a
|
|
compound called DMT to counter the ill effects of space travel), there was no
|
|
coffee on their homeworld. Their scientists, despite being years ahead of our
|
|
own, could not devise a way to manufacture it. When I mentioned that they
|
|
should purchase an espresso machine, they told me they didn't have enough
|
|
currency and preferred the atmosphere of coffeehouses anyway. Alien logic,
|
|
indeed.
|
|
|
|
You can bet that two out of every three people in a coffeehouse are not
|
|
really human. As I mentioned before, they usually wear flannel shirts, and
|
|
the males almost always have some form of facial hair. Combat and hiking
|
|
boots are worn almost universally. The aliens seem fascinated with body
|
|
piercings for some reason unknown to me. I myself dress in three-piece
|
|
business suits at all times. I feel as an emissary of the human race that I
|
|
should dress professionally. I might also add that I look damn good, too.
|
|
|
|
To gain the aliens' confidence and trust, one must be discreet. You
|
|
cannot let them know you are on to them until they are ready to openly
|
|
acknowledge themselves. The rules when dealing with aliens are awkward but
|
|
necessary. Giving knowing winks and gently hinting that you know who they
|
|
really are tends to make things easier.
|
|
|
|
A small group of people entered the coffeehouse, and I could tell right
|
|
off that they were not from here. One of the females had day-glo orange hair,
|
|
a sure sign of otherworldliness. I raised my hand and spread my fingers ala
|
|
Mr. Spock of Star Trek. That was the only thing that show was right about --
|
|
the alien greeting sign.
|
|
|
|
"Live long and prosper," I intoned loudly. Sometimes protocol has to be
|
|
broken to show open friendship. I tend to break protocol often.
|
|
|
|
The four aliens stared at me for a second and then started laughing and
|
|
pointing in my direction. Good, I thought. They've given me the alien sign
|
|
of friendship and acceptance. Once they've gotten their coffee, we could
|
|
begin communications.
|
|
|
|
I told you earlier that I had dated an alien before, and I think I ought
|
|
to give you a little insight on non-human mating rituals. When a female alien
|
|
is ready to copulate, she dons what we would consider slutty clothes and
|
|
stands on downtown street corners. Human males then must pay the female money
|
|
in order to have sex. I assume this is one way the aliens fund their earthly
|
|
affairs. The rates they charge are ample enough to buy many Mr. Coffees, but
|
|
I guess they're saving up for something really swell. Maybe a big-screen TV
|
|
for the mothership?
|
|
|
|
The first alien I saw was standing on the corner of 11th and Alamont. I
|
|
pulled over and rolled down the passenger window. She glided over to the car
|
|
and leaned in.
|
|
|
|
"Lookin' for a good time?" she asked.
|
|
|
|
"I am ready to help improve your species knowledge of human anatomy by
|
|
allowing myself to be experimented with."
|
|
|
|
She frowned. "Anything kinky is goin' ta cost you extra," she explained.
|
|
|
|
I was quite esctatic at this news, as her higher price meant she must be
|
|
an exemplary scientist. The girl hopped in, and we drove to a nearby motel.
|
|
I won't go into the details, but needless to say, it was a great learning
|
|
experience for both our peoples.
|
|
|
|
I looked up from my coffee, expecting to see the aliens ready to chat.
|
|
Instead, Raoul was towering above me. He owned the coffeehouse.
|
|
|
|
"How are you tonight, Raoul?" I inquired.
|
|
|
|
"Julius, I've been getting more complaints about you," he said. "I wish
|
|
you would stop hassling my customers."
|
|
|
|
"But Raoul, I'm not hassling anybody. I'm just being friendly to them."
|
|
|
|
"I know you're a bit, er, different than most people, but people who come
|
|
here often don't like you. They say you keep talking about how they are
|
|
aliens. People don't like to be called Martians."
|
|
|
|
"I never called anyone a Martian. No one can pronounce the name of where
|
|
they come from."
|
|
|
|
Raoul looked down. "Look. I think I've been pretty accommodating towards
|
|
you, and I've overlooked a lot. But you're bad for business."
|
|
|
|
"Meaning?"
|
|
|
|
"I'm afraid I'm going to have to ask you to not come back. I'm sorry,
|
|
but that's the way it has to be."
|
|
|
|
I stood up and walked out sullenly. The aliens would miss me there, I
|
|
was sure of that. Still, this town has tons of coffeehouses, and where there
|
|
are coffeehouses, there are java-guzzling aliens.
|
|
|
|
My work towards galactic friendship was far from over.
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
"Confusion, or deliberately manoeuvering so as to create it, has for a
|
|
long time been the practice of States when they fear a coming
|
|
confrontation."
|
|
--Lou Forsyth
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
LiTHAN, PART 3 "THE CONCLUSiON"
|
|
by Adidas
|
|
|
|
"Stop. Stop this insane chase. Stop this wrongful thinking. Stop,"
|
|
Rath said, solemnly and steadily.
|
|
|
|
Lithan, who never let down his sword, eyed Rath suspiciously. He had
|
|
fallen for several traps in the past, but this time he sensed something
|
|
different. There was a look in Rath's eyes.
|
|
|
|
"Good. Do you know why we fight? Do you know who wrote the first
|
|
recorded writing? Do you know who or what the gods are?" Rath said much more
|
|
calmly as he let down his hand.
|
|
|
|
Lithan didn't answer, his sword slowly dropped to his side, and his face
|
|
looked as if it was straining to remember his first memory.
|
|
|
|
Rath hadn't expected an answer.
|
|
|
|
"Most believe the distants are the gods. But you and I know that is not
|
|
true. We're not fools. The distants are mutations of us which think they
|
|
control our lives. They play games up there using us as their tools," Rath
|
|
stated.
|
|
|
|
Lithan nodded.
|
|
|
|
"This is the first time we've really talked. Did you realize that? Would
|
|
you have realized that?" Rath said.
|
|
|
|
Lithan stood motionless. He began to sheath his sword into it's
|
|
scabbard. "So?" he asked. He had been examining Rath this whole time. Not a
|
|
spell on his lips, not a weapon on his body.
|
|
|
|
"It's not really important, I suppose. Do you know why we take living
|
|
lives so that we might live?" asked Rath.
|
|
|
|
"I take them so that I can stop you," Lithan replied with a slight shrug.
|
|
|
|
"No. You take them to please him. To stop me, that is true. But to
|
|
stop me from what? Now, originally it was right for you to pursue me and you
|
|
did do the world a favor. I wanted power, but had I unleashed that power, I
|
|
would have also unleashed knowledge. The knowledge of our history, but most
|
|
importantly I would have unleashed the knowledge of him." Rath sneered to the
|
|
sky and gave a quick mumble of words which even I could not hear.
|
|
|
|
"Who is him?" Lithan asked as his muscles flexed, he turned to the sky
|
|
where Rath had been looking, but didn't see me.
|
|
|
|
"Slow down." Rath said.
|
|
|
|
"The woman which you seek to protect. She has the knowledge...." Rath
|
|
began.
|
|
|
|
"You just wish for her power," Lithan interjected.
|
|
|
|
"That's what he'd like you to believe. He knows he has you, but not me,
|
|
or her. She knows who he is and what he stands for. That is why he just
|
|
keeps her to sleeping," Rath stated.
|
|
|
|
"Then why doesn't `he` just kill her?" Lithan asked.
|
|
|
|
"Too much energy and power. He must use that extra energy to sustain me,
|
|
or the others who know. I do believe you have met one of them in the desert?"
|
|
Rath smiled as these words passed his lips.
|
|
|
|
Lithan's gaze darted from the sky to Rath.
|
|
|
|
"Don't ask. I need your help. We must awaken her, Ellenai," Rath said.
|
|
|
|
Lithan paused. He looked confused. "I will awake her," he said.
|
|
|
|
"I knew you would say that, for if she truly is power then you will gain
|
|
it, not I. And you, for all your goodness, will not be corrupted," Rath said.
|
|
He had anticipated all of this.
|
|
|
|
"Lithan," Rath said, "we are part of our trinity. You are the strength
|
|
and power. She is the knowledge and thinker. I am the leader and connecter."
|
|
|
|
They walked, side by side, foes, towards her tent. No one stood guard
|
|
anymore.
|
|
|
|
* * * * *
|
|
|
|
I looked upon this action and I am afraid. I am worried. They might
|
|
stop me. I have complete control now, but will I later? Will I after this
|
|
night?
|
|
|
|
* * * * *
|
|
|
|
Lithan leaned over, and pressed his lips against hers. Her eyes, once
|
|
shut for years, shown their bright blue again. She was truth. She was
|
|
justice, she was alive.
|
|
|
|
Rath nodded his head.
|
|
|
|
Ellenai, now fully awake. Came to her feet.
|
|
|
|
"So, I suppose you know," she said to them both.
|
|
|
|
Her words, sweeter than all the flowers carried throughout the room, but
|
|
for all their beauty made both Rath and Lithan shake.
|
|
|
|
"I still have a question," Lithan said. "Who is he? And why did he keep
|
|
me from waking you?"
|
|
|
|
"He is our oppressor. He rules us and uses us. He keeps knowledge of
|
|
himself away from us, so that we do not grow angry with him and challenge him.
|
|
He has no name or face. But he watches everything. He countered Rath, who
|
|
was out to wake me for one reason or another, by placing you here. And those
|
|
others who fought him, he weakened. He put me to sleep. He destroyed the
|
|
history of himself and how he got his power so that even I don't know. But I
|
|
do know that once he was our equal. Every world, every universe, every place
|
|
has their own. We shall fight ours, for our freedom," she said in her
|
|
powerful, melodic voice.
|
|
|
|
Lithan knew that what she said was true. He knew who this nameless,
|
|
faceless man was throughout his life. He knew me, but wasn't sure. That's
|
|
how I work. That's how we all work, us controllers. Us rulers, us users.
|
|
Lithan drew his sword, Rath drew his and Ellenai brought out her staff. The
|
|
three stood side by side, different and yet alike. They stared at me, and
|
|
their stare brought me fear. Fear of death, for I knew it was coming. They
|
|
would be free, but I will be dead.
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
"Please, free your mind
|
|
I just want to share my time
|
|
Let me know the secrets of your life"
|
|
-- Mondo Grosso, "Vibe P.M. [jazzy mixed roots]"
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
LOST MY MARBLES, i DiD
|
|
by Kilgore Trout
|
|
|
|
When I looked out the window this morning, there was a huge cable
|
|
hanging from the sky. It must have measured about a foot in diameter, and
|
|
i couldn't determine what it was made of. Warning bells went off in my
|
|
head, and I quickly closed the curtains. Something strange was going on,
|
|
and I didn't like it, not one bit.
|
|
|
|
* * * * *
|
|
|
|
"Lamar, you've got to be reasonable about these things. It's nothing
|
|
to get excited over."
|
|
|
|
"I know, I know. But sometimes, Nancy, *sometimes* I get this feeling
|
|
that I've lost control -- that we've *all* lost it."
|
|
|
|
"Don't be silly. Nothing is going to happen. You've got nothing to
|
|
worry about."
|
|
|
|
"But what if something does happen? What then?"
|
|
|
|
"Well, I guess you'd be shit outta luck."
|
|
|
|
"You can say that again."
|
|
|
|
* * * * *
|
|
|
|
Waking up to find a cable dangling from heaven is not how I like to
|
|
start my mornings. For one thing, it raises all sorts of troubling
|
|
questions. Where did it come from? What is it attached to? Why is it
|
|
outside my window? Before my first cup of coffee, I can't even decide what
|
|
cereal I'm going to eat for breakfast.
|
|
|
|
* * * * *
|
|
|
|
C'mon, dammit... answer the phone... I know you're there... you're
|
|
always home... so pick up the phone, already... I need to talk to you...
|
|
stop avoiding me... I'm going to keep ringing until you answer... i'm a
|
|
stubborn SOB, and I've got all the time in the world....
|
|
|
|
* * * * *
|
|
|
|
I went outside and circled the cable a few times. It swayed slightly
|
|
in the morning breeze, but it wasn't going anywhere. That thing just went
|
|
up and up, like it came from outer space or something. Hell, I thought I
|
|
might be hallucinating this. No one really knows what all that flouride in
|
|
the water does to a guy's head. Maybe someone on the evening news broadcast
|
|
can tell me something.
|
|
|
|
* * * * *
|
|
|
|
"And how are we feeling today, Mr. Burton?"
|
|
|
|
"Decent."
|
|
|
|
"And are you taking the anti-depressants I prescribed?"
|
|
|
|
"Oh, yes. They are quite wonderful, Doc."
|
|
|
|
"Good. I'm glad to see we're making progress. So, what would you like
|
|
to discuss today?"
|
|
|
|
"Well, let's see. I went to a lecture called "The Ataxia Telangiectasa
|
|
Gene is Implicated in Checkpoint Control and DNA Repair."
|
|
|
|
"Wonderful. It's excellent that you are furthering your education.
|
|
What did you learn?"
|
|
|
|
"Most of it was over my head. I now see genes as organic customs
|
|
agents and mechanics. Everybody's got 'em, but mine are different."
|
|
|
|
"In what way?"
|
|
|
|
"Someone bribed my genes to mess me up. My genes have been compromised."
|
|
|
|
"Surely you don't believe that. You are in perfect health."
|
|
|
|
"I wouldn't have believed it, either, until I saw the invoices."
|
|
|
|
* * * * *
|
|
|
|
I called a friend of mine who was ex-CIA. He didn't know anything
|
|
about the cable, or at least that's what he said. He did mention that if it
|
|
was connected to something circling the earth, that something would have to
|
|
be in a geosynchronous orbit. That meant somebody was out to get me. Again.
|
|
|
|
* * * * *
|
|
|
|
"Hello, Nancy?"
|
|
|
|
"I told you to stop calling here. Nancy doesn't want to talk to you."
|
|
|
|
"Look, this is important. I need to speak with her."
|
|
|
|
"Lamar, you've got to stop this. If you don't, I'll involve the police."
|
|
|
|
"She's the one who knows what's going on, Jack. Just five minutes.
|
|
That's all I want."
|
|
|
|
"No. And don't call again."
|
|
|
|
* * * * *
|
|
|
|
The receptionist at NASA couldn't help me either. She probably thought
|
|
I was some loon who believed in UFOs or something stupid. Hell, all you had
|
|
to do was come to my house and verify the evidence. I don't need a team of
|
|
expert researchers -- just one guy to see the cable himself. Bureaucracies
|
|
never get anything done anyway.
|
|
|
|
* * * * *
|
|
|
|
"Name?"
|
|
|
|
"Lamar Burton."
|
|
|
|
"Age?"
|
|
|
|
"Forty-three."
|
|
|
|
"Occupation?"
|
|
|
|
"Convenience store owner slash philosopher."
|
|
|
|
"Specialties?"
|
|
|
|
"Munitions, guerilla tactic, hostage negotiations."
|
|
|
|
"Current assignment?"
|
|
|
|
"Ready Oatmeal, Texas for upcoming NATO invasion."
|
|
|
|
"Progress report?"
|
|
|
|
"I made three A's, two B's, and got a D in conduct for chewing gum with
|
|
my mouth open."
|
|
|
|
"Acceptable. You will be contacted again in two months' time."
|
|
|
|
* * * * *
|
|
|
|
None of the news reporters believed me when I called them. They said I
|
|
should try a tabloid. I went back outside, hoping the cable would be gone.
|
|
It wasn't. Was it some sort of modern-day tower of Babel? I didn't
|
|
particularly care for the idea of shimmying up a cable to meet God. Way
|
|
too exhausting, if you ask me.
|
|
|
|
* * * * *
|
|
|
|
"Gott in himmel. Der Fuhrer will not be pleased with you this time."
|
|
|
|
"I did everything you asked. I've been faithful, and I want my reward."
|
|
|
|
"Nyet. *Peristroika* has survived due to your belligerence. You have
|
|
been a failure to us."
|
|
|
|
"No, that can't be. What did I do?"
|
|
|
|
"Read my lips: you are an atheist, not a patriot. Get it?"
|
|
|
|
"You've got to give me another chance."
|
|
|
|
"There was only a lone gunman, and Hitler only had one testicle. See
|
|
the connection? Something is *missing*."
|
|
|
|
* * * * *
|
|
|
|
I pulled hard on the cable, and it started to come down. I backed
|
|
away, watching foot after foot of cable pile up on the ground. In a few
|
|
minutes, I could see a white object coming down. I ran.
|
|
|
|
Later that night, in a motel, I watched the evening news. Somehow, the
|
|
space shuttle had crashed on my house. Those bastards knew I'd pull that
|
|
cable. Next time I'll be more careful. My survival depends on it.
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
"[Kilgore] Trout had had a full day already, but it wasn't over yet. Now
|
|
he saw his Creator leap completely over an automobile."
|
|
-- Kurt Vonnegut, _Breakfast of Champions_
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
NO STRINGS ATTACHED
|
|
by I Wish My Name Were Nathan
|
|
|
|
This is a completely true story.
|
|
|
|
|
|
- 1 -
|
|
|
|
I work full-time at the Juncture Shop 'n' Shop. It's a local convenience
|
|
store chain around here. We boast the third-highest prices in town on common
|
|
candy and drinks. Even with that, these stores are losing their charm fast.
|
|
The Seven-Elevens and Circle K's are wiping us out. Oh well, I'm lucky. I
|
|
just work here. Wouldn't dare own one. Wouldn't think I could muster up that
|
|
much courage, or money.
|
|
|
|
Let's see, how long has it been now? One, two... six-and-a-half years.
|
|
Good lord, that's pitiful. You see, I'm also twenty-eight. I started working
|
|
here right out of college. I waved my philosophy degree around the county for
|
|
a few weeks and found no one was hiring. So I lowered my standards
|
|
considerably. Of the selection, only the Shop 'n' Shop appealed to me. I
|
|
guess I earn even less than those burger-hustlers, since there's no way I can
|
|
climb the ladder, so to speak. But it's comfortable. This is a very small
|
|
store. I'm the only employee.
|
|
|
|
So Dad was right about the futility of a philosophy degree. He moaned
|
|
when I told him that's what I was aiming for in my junior year. And he moaned
|
|
when his prediction about the lack of philosophy jobs came true. I got to hear
|
|
a lot about it until I moved from my home Creedence to Juncture and got a job
|
|
and an apartment. Lucky they go dirt cheap here. This town is losing out to
|
|
its neighbors just as the Shop 'n' Shop is. And our country is losing out to
|
|
the world, I guess you could say. Philosophy allows me to pass that sort of
|
|
judgement. Even so, I'm stuck being a part of the whole mess.
|
|
|
|
* * * * *
|
|
|
|
Ah, yes, but this job hasn't been as bad as it sounds. I've only been
|
|
fully aware of it for a few months now. Yup, last November my buddy Crane got
|
|
busted for dealing drugs. LSD and marijuana were the ones I was personally
|
|
acquainted with. I think he also dealt amphetamines of some sort. The state
|
|
executed him a few months back. The community cheered. I'll always miss those
|
|
drugs. I hardly knew Crane, except for what he said in the newspaper, all the
|
|
fragments of his confession and statements during the trial which when read
|
|
together made him seem like a perfectly horrible man. I have to suppose he
|
|
was.
|
|
|
|
Why did I get caught up with drugs? I'd already started by the time I
|
|
graduated. Just experimental doses. Or at least that's what I would have told
|
|
anyone who found out. I really scared myself a few times there, when I got
|
|
reckless and almost failed a few midterms. My philosophy degree was all-
|
|
important.
|
|
|
|
But I cleaned up real fast, and got my degree. And then the degree and
|
|
five years of college turned into dust, because of no good jobs. It had all
|
|
been on scholarship, luckily, so no big loss. But that wasn't my mindset in
|
|
1990. It was quite a shock to find that college was worthless, at least from
|
|
my standpoint. I didn't know what to do, except to work here. Crane came into
|
|
my life around then. He'd gone to my high school. I found out what his job
|
|
was, decided it was noble, and became an eager, then a mellow, then a spaced-
|
|
out customer.
|
|
|
|
It sucks how he had to die. I liked it better back then.
|
|
|
|
|
|
- 2 -
|
|
|
|
Four months ago, February it had to be, I was locking up the Shop 'n' Shop
|
|
to go home. We always closed promptly at ten. I think that was why the store
|
|
had low approval ratings in the community. That, and we didn't carry any
|
|
alcohol. I guess that's a good thing, though. I wouldn't like to be tempted
|
|
by it every day. It's a killer.
|
|
|
|
It was a cold day, about twenty degrees, which was a killer for Texans.
|
|
There was ice all over the roads, so I had walked to work, and would have to
|
|
walk home too. My boss told me no kind of weather should prohibit me from
|
|
working. He said especially since people like to hoard food during disasters,
|
|
such as cold weather.
|
|
|
|
The morning the cold front blew in, I watched the people of Juncture flood
|
|
the streets, some on foot, most in cars on the ice, to panic-shop in case they
|
|
had to stay home for a day or two. There weren't any accidents outside my door
|
|
but I heard the sounds of squealing brakes and crunching metal nearby every few
|
|
hours.
|
|
|
|
Of course, since all the stores were packed, so was my Shop 'n' Shop. The
|
|
place was empty of merchandise by eight that night. I simply sat around for
|
|
the remaining two hours to shoo people away, except for Eddie, who picked up
|
|
the money and took it to the bank. I surely wasn't going to defy my boss'
|
|
orders and leave early without permission.
|
|
|
|
I didn't care much being stuck there doing nothing. I had nothing else to
|
|
do. Six years of continuous drug use hardly earns you lasting friends. When
|
|
they caught Crane and the chemicals wore off, I found myself basically alone in
|
|
a small town. That came as a shock too, but not as big a shock as finding I
|
|
wasted five years in college. That's when I started to rethink my life. So
|
|
far not much progress had been made. I only have myself to please, so the
|
|
going has been slow.
|
|
|
|
* * * * *
|
|
|
|
So, I walked home. I had to be careful not to slip on the ice.
|
|
Fortunately, the city had done a good job of throwing sand around on the
|
|
sidewalks, so I could walk at a pretty good clip. Then I came to a neglected
|
|
area. It was very odd that they would have missed this area; it was right in
|
|
the middle of a long stretch of sidewalk.
|
|
|
|
I looked up for an explanation, and saw five or six young guys standing
|
|
there. They didn't have anywhere near enough winter clothing and were huddling
|
|
together to share some heat. Only two of them had gloves. The others were
|
|
shivering and rubbing their hands together mechanically. I realized that they
|
|
were homeless. That still didn't explain the remaining ice.
|
|
|
|
I stood there for a second and tried to figure out what had happened. I
|
|
started to make a detour through the street when the boy nearest to me stepped
|
|
forward and said, "Hey, mister, wanna take me home with you?" Without a second
|
|
thought, I set my hand on his shoulder and said yes.
|
|
|
|
The thought had run through my mind before on much warmer days, to share
|
|
my apartment with a homeless person. For the mere $250 rent, I had two
|
|
bedrooms. It was the only place available at the time. Ever since then, that
|
|
extra room had been completely empty. Sometimes I walked in there to look for
|
|
something I'd misplaced, but that was all. Lately I'd started to feel guilty
|
|
about letting it go unused. And here the opportunity came right out and
|
|
presented itself. My philosophy degree was working on me, you see.
|
|
|
|
The boy and I took the detour into the street and I led him to my
|
|
apartment.
|
|
|
|
"What's your name, kid?" I asked.
|
|
|
|
"Jeremy. What's yours?"
|
|
|
|
"Jonathan Squires. Man, this is a horrible time to be homeless."
|
|
|
|
"Don't I know it! My cock was about to freeze off," he said, winking.
|
|
|
|
I laughed. "Yeah, sometimes I feel the same way. Say, Jeremy, would you
|
|
like to stay with me for a few days? I have a spare room in my apartment, just
|
|
dying for someone to live in it."
|
|
|
|
Jeremy's eyes opened wide. "Really, you mean it?" he asked. "Which
|
|
complex is it?"
|
|
|
|
"The Spare Change Rooms, downtown."
|
|
|
|
"Oh, good. That place is pretty nice. I'd never go back to that Wood
|
|
Plains place. They have rats and leaky plumbing."
|
|
|
|
"Did you use to live there?" I asked.
|
|
|
|
"No, I just stayed a night once, you know, that sort of thing," he said,
|
|
shrugging.
|
|
|
|
I nodded. "Here, turn right. Down that street."
|
|
|
|
"Yeah, I know. I spent a night there too."
|
|
|
|
Again I nodded. I guess he had some friends around here. Why didn't they
|
|
put him up?
|
|
|
|
We crunched along in the sandy ice in silence. A car came up and honked.
|
|
It was my boss. He rolled down his window.
|
|
|
|
"Hey, Squires! How was it today?"
|
|
|
|
"They cleaned us out, Mr. Graham."
|
|
|
|
He looked surprised and then screwed up his face. "Even those year-old
|
|
Boston Baked Beans?" I nodded solemnly. "Some people!" he smirked. "You may
|
|
have to sit around a while tomorrow before they restock the place. But be
|
|
there!"
|
|
|
|
"Oh, certainly."
|
|
|
|
"Say, Squires, who's your friend?"
|
|
|
|
"Oh, this is Jeremy," I said. "He's homeless. I'm gonna get him out of
|
|
the cold." I glanced back and saw Jeremy was looking away, still rubbing his
|
|
hands together.
|
|
|
|
"Nice gesture," my boss said. "Damned cold tonight. And speaking of
|
|
that, I'm wasting heat here. I'm about to freeze! Well, see you later!" he
|
|
said, rolling up the window and driving off.
|
|
|
|
Jeremy and I walked on up to my apartment. He stood with a quirky smile
|
|
on his face waiting for me to unlock the door. I smiled back and opened it.
|
|
|
|
"Say, I'm about to have my little dinner. You want something too?"
|
|
Jeremy had plopped down on the couch, still rubbing his hands together. He
|
|
nodded eagerly. "Any preferences?" I asked.
|
|
|
|
"Just nothing cold."
|
|
|
|
I headed into the kitchen to make some soup. That would be best for him.
|
|
I hoped he didn't have frostbite. I checked out the cabinets for crackers,
|
|
found some, and placed them on the table.
|
|
|
|
"We'll have chicken soup, okay? Maybe when it gets warmer he can try
|
|
something more creative," I said, sitting down on the couch next to Jeremy. He
|
|
was still grinning and rubbing his hands together.
|
|
|
|
"Here, let me see your hands, Jeremy," I said. He pressed them against my
|
|
cheeks. "Whoa, much too cold. You oughta get some gloves. I think I can find
|
|
some spares. Here, lemme hold them." He gave me his hands and swung around in
|
|
the couch to face me. "You been outside in the cold all day?"
|
|
|
|
"Nope. Tommy and Will and I were all hanging around in the movie theatre
|
|
earlier until they kicked us out. There wasn't much of a crowd anyway."
|
|
|
|
"People are heartless, aren't they?" I said, rubbing his hands with mine.
|
|
"It's just look out for old number one."
|
|
|
|
"You're not heartless, John. You're a very nice guy."
|
|
|
|
The name caught me by surprise. No one had called me that for years.
|
|
"Urgh, don't call me... oh, well, all right. Call me John."
|
|
|
|
"Wait, I can call you Mr. Squires if you want. I'll do anything you
|
|
want." Again, that quirky smile of his.
|
|
|
|
"Nah, you can call me John. And you don't have to do everything I say.
|
|
I'm not your father. I'm gonna let you live here, and do as you please -- as
|
|
long as it's reasonably sane. You're just as free as I am."
|
|
|
|
Jeremy nodded and lost his smile to a look of befuddlement. "Well, okay."
|
|
|
|
I let his hands go. "Your hands should be fine by now. Keep rubbing them
|
|
together though. And that soup's probably boiling now. Let me go check." I
|
|
headed into the kitchenette and he slumped back into the couch.
|
|
|
|
I brought out the bowls of soup to the table. "You want anything to drink
|
|
with that? I myself find it's usually best on its own."
|
|
|
|
"Uh, guess not," he replied, getting up and walking over to the table.
|
|
|
|
We sat silently through the soup. Jeremy's expression gradually changed
|
|
from confusion into a smile again as he ate. As he became happy again, so did
|
|
I. A warm feeling, distinct from the soup, filled my heart. It felt damned
|
|
good to do this. Man's inhumanity to man is so overplayed. Here was a prime
|
|
example of simple kindness. Things like this probably happen all the time, but
|
|
people just concentrate on the bad stuff.
|
|
|
|
As I watched Jeremy eat, I wondered suddenly if he couldn't be my son.
|
|
What was he, thirteen? The harsh black hair, the dark eyes, the protruding
|
|
lower lip -- did that Nicole Fresco and I actually have sex in eighth grade?
|
|
Couldn't have been; she never showed up for the date. But this might well be
|
|
her kid eating soup in my apartment. The similarities were astounding.
|
|
|
|
"Hey, kid," I said. "What's your mother's name?"
|
|
|
|
Jeremy sat bolt upright, dropping his spoon to the floor. "You're not
|
|
going to call her!"
|
|
|
|
I waved my hands no. "I just wondered if I might know her. Is it
|
|
Nicole?"
|
|
|
|
He stared at me. "No."
|
|
|
|
"Okay, just wondering, sorry. Making sure you weren't my son."
|
|
|
|
A look of utter bewilderment took over his face. "Are you looking for
|
|
your son?" he asked.
|
|
|
|
"No, no, I don't have one."
|
|
|
|
"Okay," he said, returning to his soup after fishing the spoon from the
|
|
floor.
|
|
|
|
* * * * *
|
|
|
|
Sigh, a son. I couldn't possibly have one, due to the fact that I'd never
|
|
ejaculated anywhere near a female -- or anyone else -- in my whole life. I'd
|
|
accepted celibacy in college anyway. The idea to experiment with sex had
|
|
entered my mind and left in a depressingly short amount of time when I saw that
|
|
no one considered me to be in the game.
|
|
|
|
I'm not the self-loathing type in the slightest, at least not about the
|
|
lack of a sex life. I know I'm attractive, at least physically, but no one
|
|
seems to notice. But I've accepted the obvious reason -- I'm invisible.
|
|
During a particularly enlightening acid trip six years ago, I realized that
|
|
fact. I looked down at myself and only saw the chair I was sitting on. That
|
|
was of course a surprise to me. It explained a lot of things right away, like
|
|
why girls would always walk right by me without noticing I was there, even when
|
|
I waved at them and said hi.
|
|
|
|
Obviously the next thought in my mind was, why did some people see me and
|
|
some people not? I mean, if I'm invisible, no one should know I'm here. But I
|
|
was a student in college, and they took attendance; and my parents still
|
|
recognized me, and I'm sure they weren't just being nice about how tall I was.
|
|
I soon realized through trial and error that I was only invisible to people for
|
|
whom I had sexual feelings.
|
|
|
|
You see, during that LSD trip, I'd been planning to masturbate and see how
|
|
different it felt while under the influence. And I was invisible.
|
|
|
|
I'll admit, I hardly ever masturbate, which gave me few chances to notice
|
|
that I was invisible. Furthermore, I did it in the dark or with my eyes
|
|
closed. Otherwise I'd lose my concentration and find myself wandering around
|
|
with my pants around my ankles and my dick in my hand.
|
|
|
|
This whole realization of invisibility at once struck me as a godsend, not
|
|
as a curse. It explained what had been "wrong" with me for so many years, and
|
|
also told me what the future would be like. There would be no more anguished
|
|
lusting. I was free from sex.
|
|
|
|
* * * * *
|
|
|
|
Jeremy finished the soup before I did. Afterwards, he sat at the table,
|
|
leaning back with his eyes closed. Every time I took a sip, a slight smile
|
|
came to his lips. He was vicariously enjoying my meal, I guess. He certainly
|
|
wolfed down his.
|
|
|
|
Finally there was nothing left in the bowl but soup water, so I put the
|
|
bowl to my lips and slurped it down. With this, Jeremy's eyes popped open and
|
|
he uttered a moan. I slammed down the bowl and asked, "Hey, are you all
|
|
right?"
|
|
|
|
"I'm perfectly fine, John. I'm full to bursting. How about you?" he
|
|
asked, grinning queerly.
|
|
|
|
"Oh, I'm okay too. You sounded sick for a moment."
|
|
|
|
"Nope."
|
|
|
|
"Well, that's good," I said, standing up to collect the bowls. "Well,
|
|
Jeremy, it's getting late. You want to go check out your room? There's
|
|
actually a bed in there. This place came with some free furniture."
|
|
|
|
"I'm not so sure I want to stand up right now, if you know what I mean,"
|
|
he said, smirking.
|
|
|
|
"Is that soup making you sick?" I asked. "I sure hope it isn't. That
|
|
would be a pretty terrible way to welcome you here," I said. "Sit there until
|
|
you feel better, unless you think you can walk. I'll go make your bed."
|
|
|
|
Actually, his bed was already made. I hadn't touched it once since I
|
|
signed the place, and then only to see which of the two was better. Neither of
|
|
them was that good. They were like hammocks. That's a hint why the rent was
|
|
so low. I pulled all the sheets off the bed and shook them in the air.
|
|
Strangely, there wasn't much of a musty odor. Sunlight shone directly on the
|
|
bed from the window on the side of the room. Maybe that explained it. I tried
|
|
not to think too hard about it.
|
|
|
|
"Hey, there you are. Here, it's all made," I said when Jeremy walked in.
|
|
"The bathroom's across the hall, there. When the door's open, it's available.
|
|
Uh, and I wake up and make noise around seven to go to work. You want a
|
|
clock?"
|
|
|
|
"Uh, no, I have no schedule," he said.
|
|
|
|
"You don't go to school?"
|
|
|
|
"No, I left."
|
|
|
|
"Don't you have to be seventeen to drop out?" I asked.
|
|
|
|
"Yeah. I'm only fifteen so I had to leave," he said curtly. He didn't
|
|
want to discuss the matter. I wasn't going to press the issue, because after
|
|
my college experience I wasn't all gung-ho for school anymore either.
|
|
|
|
"All right, then. It's all yours," I said with a wave of the arm. I went
|
|
to my room.
|
|
|
|
|
|
- 3 -
|
|
|
|
The next day I woke up and walked outside. The hard freeze, which is
|
|
another term the citizens of Juncture like to throw around when the temperature
|
|
drops below thirty, was still going on. I didn't even think of starting my
|
|
car, which was covered with ice and snow. In examining the ice pocket my car
|
|
was sleeping in, I heard a series of sounds from down the street. They were: a
|
|
wet splash, a cracking sound, a moan, and a curse. I craned by neck out to see
|
|
a man with a bucket standing next to his car, holding his head in his hands.
|
|
The windshield makers of Juncture were going to have a heyday.
|
|
|
|
I wandered on down the road to work. Apparently a lot of people were
|
|
still out there driving about, throwing caution to the wind. There were scores
|
|
of plumber trucks creeping along the roads like vultures listening for cries of
|
|
helplessness. As I came upon the intersection of the main thoroughfare through
|
|
town, Gondola Road, there were ten cars left deserted from yesterday's set of
|
|
accidents. In some of the cars, the radios and heaters were still running, but
|
|
in most, the batteries had died. In every case, of course, the owner had
|
|
bailed out when the threat of an icy death became clear. I don't blame them
|
|
for looking out for their safety.
|
|
|
|
The sidewalks had been sanded again, which was nice for me. I couldn't
|
|
have walked along the edge of the road in any case due to the fact that cars
|
|
lined each side of the road as far as my eye could see. I again came upon that
|
|
strange area of sidewalk which hadn't been sanded.
|
|
|
|
I glanced to the side and saw two boys lying huddled against the wall. I
|
|
think they were some of the ones from yesterday. They didn't have any gloves.
|
|
They weren't breathing either. I glanced up again and saw they were lying at
|
|
the entrance of the local secular church. The door of the church, like the
|
|
door of the Shop 'n' Shop and the door of the drugstore, all had signs hastily
|
|
tacked to them. The sign on the drugstore read, "No cold medicine." The sign
|
|
on the Shop 'n' Shop read, "No food." The sign on the church read, "No bums."
|
|
I guess someone would pick the boys up later in the day if it got warmer.
|
|
|
|
I unlocked the door to the Shop 'n' Shop, shooing away ravenous customers.
|
|
Handprints and noseprints decorated the windows. "We don't have any alcohol,"
|
|
I told them. They left.
|
|
|
|
Inside the store, it was cold. I kept my jacket on. Mr. Graham, the
|
|
owner and my boss, didn't want to waste energy keeping it heated and well-lit
|
|
all night when no one was there. I didn't blame him, of course. I took a trip
|
|
back into the breaker panel and turned on the heater. In the meantime, I sat
|
|
on the counter, waiting for the stocker to arrive.
|
|
|
|
During my wait, I became quickly bored. I was used to morning coffee and
|
|
some mindless chatter with customers to start my day. Here, there was nothing.
|
|
I wandered over to the swiveling book rack. It was still packed full. The
|
|
books actually were the only bit of merchandise that never needed to be
|
|
restocked. As I've heard people say, Juncture is not the literary center of
|
|
Western civilization, so why read? I picked out _Call of the Wild_ by Jack
|
|
London.
|
|
|
|
* * * * *
|
|
|
|
For the next several hours, my concentration was broken several times by
|
|
customers wandering in like emaciated dogs looking for food. Due to the heavy
|
|
layering of clothing and the general rotundity of Juncture's citizens, the
|
|
analogy held no visual correlation, of course.
|
|
|
|
I was considering locking the doors and waiting until the stocker showed
|
|
up, when instead my new friend Jeremy walked in.
|
|
|
|
Out of habit, I said, "We're empty," and then, "Hi, Jeremy!"
|
|
|
|
He looked up at me, reading and perched on the corner of the counter.
|
|
"Hey, Mister... Jonathan," he said. "It's cold."
|
|
|
|
"Yeah, I know," I said. I realized Jeremy was still wearing the same
|
|
clothes from yesterday, jeans and a flannel shirt. "You can certainly hang out
|
|
in here to stay warm if you like."
|
|
|
|
"Thanks," he said. He walked around the store, noting the empty shelves
|
|
and freezers. "Wow, no more food. All those people must be thinking they're
|
|
gonna starve."
|
|
|
|
"That'll make them put their lives in perspective, right?" I suggested.
|
|
|
|
"No. They've hoarded food all year long, like squirrels. No worries
|
|
there."
|
|
|
|
"Yeah," I said. "You know you were certainly welcome to eat something at
|
|
my place. Did you get anything?"
|
|
|
|
"No, I usually only eat once a day." He punctuated this by slapping his
|
|
stomach a few times. "Very efficient."
|
|
|
|
"That's cool. Saves you a lot of money."
|
|
|
|
"That I don't usually have, yeah," he said, nodding.
|
|
|
|
"Say," I asked, "what do you do for money, anyway?"
|
|
|
|
Jeremy squinted at me and grinned. "Oh, you don't know?"
|
|
|
|
"Haven't a clue," I said.
|
|
|
|
"Sperm mining."
|
|
|
|
"I don't get it."
|
|
|
|
"You know, sperm mining. Sometimes I take, sometimes I give it back. All
|
|
for valuable cash prizes."
|
|
|
|
I had to think about it. "Oh yeah, I get it," I lied. "Sounds like an
|
|
interesting job."
|
|
|
|
"No, it's a fucking sucking job," he said, grinning.
|
|
|
|
"Oh, sorry about that."
|
|
|
|
"Dude, you're clueless, aren't you?" he asked.
|
|
|
|
"Yeah, sorry. I recently got off a six-year drug habit."
|
|
|
|
"Ah, like those eggs in the frying pan?" he joked.
|
|
|
|
"Uh, I guess so." I hadn't seen any TV in college, nor did I own one now.
|
|
What with working fifteen hours a day, I wouldn't have had time anyway.
|
|
|
|
"Well, John, you seem pretty okay otherwise."
|
|
|
|
"Thanks, I guess," I said, grinning.
|
|
|
|
Jeremy walked behind the counter to look around and found my sitting stool
|
|
there. He scooted it out and sat down on it facing the store. With that, he
|
|
leaned back and rested his elbows on the counter.
|
|
|
|
"This is a fucking cold day," he said, smiling.
|
|
|
|
"Yeah, yeah, it is. And it's getting to be a freaking cold afternoon in a
|
|
few hours. I wonder where that Barry is?"
|
|
|
|
"Barry who?"
|
|
|
|
"Hancock. He's the guy who supplies these Shop 'n' Shop stores. Usually
|
|
as punctual as anything. Must be the weather," I explained.
|
|
|
|
"Aaah, forget him. This is pretty fun, basically having a whole store to
|
|
ourselves."
|
|
|
|
"A whole Shop 'n' Shop store, that is. Smallest in town."
|
|
|
|
"Aaaah, that doesn't matter. It's got heating. And it's so fun to watch
|
|
those bastards out there slipping on the ice."
|
|
|
|
I laughed. "And have wrecks."
|
|
|
|
"True, true." He leaned back again and closed his eyes to bask in the
|
|
warmth. I returned to reading my book when he sat up and spoke again. "Guess
|
|
you saw two of my buddies frozen dead on the sidewalk."
|
|
|
|
I was rudely awakened. "Yeah.... It's a sad thing."
|
|
|
|
"Not after a while. I mean, it doesn't ruin your whole month anymore.
|
|
Just a day or two. They were only two of eleven so far. And they died a lot
|
|
more peacefully than some I've known. Rape, suicide, drugs, stuff like that."
|
|
|
|
"Man, I never realized it was so dangerous."
|
|
|
|
"What do you mean?"
|
|
|
|
"I assumed people just left you alone, you know. Ignoring the homeless is
|
|
the great American pastime."
|
|
|
|
"John, you still don't know what I do for money."
|
|
|
|
"No, I really don't. What is it again?"
|
|
|
|
He looked me in the eye and considered what he wanted to say. "You're not
|
|
going to freak out, are you?"
|
|
|
|
"I usually don't."
|
|
|
|
"I'm a whore, you get?"
|
|
|
|
"A what?" I asked.
|
|
|
|
He rolled his eyes. "A prostitute. And yes, I am a guy."
|
|
|
|
It struck me as odd that I'd never heard of this before. Since when do
|
|
women crave sex so much? I... then it came into focus. I slapped my head.
|
|
"Good God, am I ever dense!" I exclaimed. "Welcome to the club!" I cried.
|
|
|
|
* * * * *
|
|
|
|
Jeremy's eyes boggled. "You're one too?"
|
|
|
|
"No, no," I said. "I misspoke, sorry. That expression means something
|
|
different to me." I certainly hadn't meant to imply that I was also a male
|
|
prostitute. I'm sure if I had tried I would have earned the nickname "The
|
|
Invisible Man" and been shunned.
|
|
|
|
"Welcome to the club!" had been a saying I learned in junior high. My
|
|
friend Bryce and I used to mutually misunderstand almost everything that was
|
|
said to us, namely jokes. So we'd hear a joke and be left baffled. But then a
|
|
few hours later, or even the next day, we would finally understand the joke,
|
|
and one would whisper to the other, "I finally got the joke. I can't believe
|
|
how slow I am." And the other would say, "Welcome to the club."
|
|
|
|
Of course, the expression was also useful when talking to myself.
|
|
|
|
* * * * *
|
|
|
|
"Okay, well that explains everything, then," Jeremy said. "You see, I
|
|
thought when you picked me up last night that you were going to have sex with
|
|
me."
|
|
|
|
"Mmmmm, I'm afraid not, Jeremy," I said, shaking my head.
|
|
|
|
"You're probably not even gay then."
|
|
|
|
"I wouldn't know about that."
|
|
|
|
"What do you mean there?" he asked, grinning.
|
|
|
|
"I mean, I wouldn't know. I don't have sex. I don't even think about
|
|
it," I explained, suddenly feeling inferior being in the presence of someone
|
|
who, compared to me, was probably an expert.
|
|
|
|
"That's funny. I knew someone like you in school. His name was Kerry.
|
|
Girls and guys both used to try to pick him up, and he always said no.
|
|
Actually, this is the truth, I used to come on to him to get practice in being
|
|
rejected. You see, he didn't even know I was a fag. He wouldn't have even
|
|
cared if he did. People like you are safe."
|
|
|
|
I grinned uneasily. "Safe?"
|
|
|
|
"You know, no bashing, no raping. You see, that's what got some of my
|
|
friends out there. Mean hets like to beat us up, mean queers like to too. And
|
|
some of the rapists with bad consciences like to come back and, well, eliminate
|
|
the evidence."
|
|
|
|
"Good God, that's horrible!" I exclaimed.
|
|
|
|
"And you don't usually hear about that, just for the reason you said.
|
|
People ignore the homeless. No big loss when, say, Nathan gets picked up and
|
|
thrown away by some guy who just happens to have an obsession with cutting
|
|
things. Or when Frank finds himself led into a room with five angry policemen.
|
|
You know, gutter trash."
|
|
|
|
"Freezing to death is wonderful, then," I suggested.
|
|
|
|
"Yeah, you see?"
|
|
|
|
I shivered.
|
|
|
|
* * * * *
|
|
|
|
"I guess that was sufficiently vivid, eh?" Jeremy asked.
|
|
|
|
"Yeah, it was. I just never thought of that before."
|
|
|
|
"Sorry about that. I had to tell someone, I guess. It's pretty much
|
|
taboo to whine about it to anyone but yourself," he said.
|
|
|
|
"No, actually, it's okay that you dumped that on me. It just makes me
|
|
happier that I'm letting you stay with me. That's a lot safer than living on
|
|
the street."
|
|
|
|
"Yeah, that's true, thanks a lot. But I'm still going to be out there,
|
|
you know, doing my job."
|
|
|
|
"You don't have to pay me back for anything, you understand," I said,
|
|
hoping he'd take a break from his job for a while, now knowing what he risked
|
|
every day.
|
|
|
|
"I'd still like to have something to do, though. A day is a long time to
|
|
do nothing."
|
|
|
|
"Especially several days. You're certainly welcome for that long."
|
|
|
|
He smiled. "I can't help but thinking that some of my buddies out there
|
|
are more deserving, though. I think I can make it on my own."
|
|
|
|
My heart sank. I'd already become attached to him. "I guess you could,
|
|
but please, accept my offer for a little while longer." My mind suddenly
|
|
decided that I might want to adopt him. Uh, if his parents wouldn't.
|
|
|
|
"But I'll feel really guilty the whole time, for my friends," he said
|
|
glumly.
|
|
|
|
"Please don't, Jeremy. We both know life isn't fair. You have every
|
|
right to enjoy the ordinary privilege of living inside for a while. Their time
|
|
will come too."
|
|
|
|
He smirked cynically. "Yeah, if you put it that way..., well, alright."
|
|
|
|
"Good for you!" I said.
|
|
|
|
"And John, as a token of my appreciation, I'd be happy to show you what I
|
|
do for a living," he said, winking. "Just ask."
|
|
|
|
I turned red. "Jeremy, you know I don't --"
|
|
|
|
He smiled and laughed. "I know, I know. That's what I used to do to
|
|
Kerry." He slapped his hands on his knees. "It's so fun playing with
|
|
asexuals!"
|
|
|
|
* * * * *
|
|
|
|
We shared a laugh and then I got back to reading my book. I had to
|
|
distract myself from the train of thought starting in my head. I was about to
|
|
imagine what sorts of things Jeremy did, just out of curiosity, of course, and
|
|
certainly didn't want to find myself turning invisible right in front of him.
|
|
It might upset him a little.
|
|
|
|
Around noon, another person came into the store. I said, "We're empty,"
|
|
behind the book.
|
|
|
|
"For the whole day at least," said the voice of my boss, Mr. Graham.
|
|
|
|
I put down the book. "Looks like it. Barry hasn't shown up yet."
|
|
|
|
"He had a wreck on the highway," my boss said. "Crazy bastard was going
|
|
seventy. He's okay, but he won't be coming by here any time soon."
|
|
|
|
"Hmmmm," I said.
|
|
|
|
"So, Squires, have yourself a holiday. Go home, relax without guilt.
|
|
We're wasting energy heating this building with no business going on."
|
|
|
|
"Wow, thanks," I said, not wanting to seem sarcastic. Because you see,
|
|
I'd never been let off work before. I worked seven days a week, and even
|
|
Christmas. At least I think that's how it was. Images of coming to work and
|
|
going home regressed infinitely into my mind like a kaleidoscope. I don't
|
|
remember anything being different about any of them, except for recently. Not
|
|
like I really cared. I had no friends, no special hobbies. Never visited the
|
|
parents either, since they're so ashamed of my useless philosophy degree, I
|
|
guess. Just never went back. Again I was amazed at what I'd been doing for
|
|
six years. I didn't feel particularly bad about it.
|
|
|
|
"It's all in the interest of money," Mr. Graham said with a smile, as if
|
|
he meant his statement to be sincere. And he did.
|
|
|
|
"This is so strange," I said.
|
|
|
|
"Yes, I know. You're such a consistent worker. You've never missed a day
|
|
for sickness or laziness or anything else. I'm glad to have you here. Sorry I
|
|
have to send you home today. It must screw up your routine."
|
|
|
|
"Yeah, it will," I said, grinning, as if I meant my statement to be
|
|
sincere. And I did.
|
|
|
|
"Say, who's the boy?" he said, motioning to Jeremy.
|
|
|
|
"He's that homeless kid living with me," I said.
|
|
|
|
"Oh yes, him. Such a nice gesture," he said. Then he whispered to me,
|
|
"Don't let him take advantage of your good fortune."
|
|
|
|
"Oh, of course not," I said confidently. I was appalled.
|
|
|
|
* * * * *
|
|
|
|
Mr. Graham left, and I started to close down the store. I pointed Jeremy
|
|
to the book rack. "Take one to read if you like. That's what I'm going to be
|
|
doing."
|
|
|
|
"Uhhhh," Jeremy started, and then said "Oh yeah, sure!" He walked over
|
|
and pretended to judiciously pick one out. What he selected was the catalog of
|
|
books available from the Book Shelf, the company that supplied the rack.
|
|
"This'll keep me interested," he said with a false smile.
|
|
|
|
I wasn't going to sustain his discomfort. "Jeremy, I'm sorry, I didn't
|
|
realize. Go ahead and put it back."
|
|
|
|
He hung his head low. "Sorry I won't be able to discuss literature with
|
|
you."
|
|
|
|
A laugh escaped me. "What do you mean? Were you expecting to have to do
|
|
that?"
|
|
|
|
"Yeah! Wasn't I? Isn't that what you book-people do?"
|
|
|
|
"I'm hardly a book-person, Jeremy. I was just bored."
|
|
|
|
"Oh. I mean, you were reading a book in here, and the first thing that
|
|
came to mind was that you were a book-person. The kind of guy who spends all
|
|
his time reading, and the rest of his time he's discussing what he read. You
|
|
know? It's such snobbery."
|
|
|
|
"I'm sorry you think that. I don't have much time to read anything. I'm
|
|
usually working. I work every single day of the year."
|
|
|
|
"Wow, that blows!"
|
|
|
|
"I didn't realize it until a few minutes ago myself," I admitted.
|
|
|
|
* * * * *
|
|
|
|
So that afternoon I went home early. I noticed the sun had come out and
|
|
found myself shielding my eyes. It was quite embarrassing. I fancied myself a
|
|
vampire for a moment. Could I be a vampire? I decided no. I certainly didn't
|
|
exhibit any of their traits. Also, they're only invisible in mirrors.
|
|
|
|
"Still pretty icy out," Jeremy said. "But, hey, it's warmer too!"
|
|
|
|
"You think so?" I asked. I was concentrating on my resemblance to a
|
|
vampire.
|
|
|
|
"Yup. This ice will be gone any minute. And then they can get these dead
|
|
faggots off the sidewalk," he said, kicking the corpses huddled in front of the
|
|
church door.
|
|
|
|
"Good God, Jeremy! That's heartless!"
|
|
|
|
"Oh, John, they're dead. Everyone knows that a dead body is just a dead
|
|
body. It's not me down there, and that's all I care. Bye-bye, Keith. Bye-
|
|
bye, Jacob," he said.
|
|
|
|
It seemed like a personal affront for him to say that, seeing as how I'd
|
|
derided selfishness the night before. But I felt bad for him. He was
|
|
obviously showing emotional stress.
|
|
|
|
"Urgh, fuck!" he exclaimed, shaking his head violently. "I can't believe
|
|
I said that!"
|
|
|
|
"Don't worry about it, it's normal. It's like nervous laughter at... a
|
|
funeral," I said, laughing nervously.
|
|
|
|
"Jesus, I just can't believe I said that! That I did that! Argh! Man!
|
|
In all seriousness, really, it is getting warmer, so I won't feel as guilty
|
|
about leaving my friends in the cold. There, that was sincere."
|
|
|
|
"Yes, it was. Good for you."
|
|
|
|
|
|
- 4 -
|
|
|
|
I spent the rest of the day reading _Call of the Wild_. Damned intense
|
|
book. Only I kept on laughing, when I realized that most Juncturians
|
|
considered themselves to be in the same situation just recently.
|
|
|
|
Jeremy, of course, became bored. I had nothing for him to do. No TV, no
|
|
video games, no board games, no nothing. He told me he was "going out" and to
|
|
expect him later that night, if not the next morning.
|
|
|
|
I accepted his leaving humbly. I was appalled at my absolute lack of a
|
|
life. While I'd been finishing the book, I tried hard not to think about how I
|
|
had stood six years of this. The answer, of course, was obvious. I already
|
|
knew that. I'd spent most of my waking hours stoned and tripping out of my
|
|
mind, with a very liberal and inexpensive supply from Crane. Apparently it
|
|
didn't affect my job any. The only strange part is that I simply don't
|
|
remember anything special having happened during that time. I didn't seem to
|
|
have gotten bored with that life, although that hardly seems to make sense.
|
|
|
|
I think I can remember a routine, such as having LSD one day, marijuana
|
|
the next, both the next day, two hits of acid and three joints one day, three
|
|
hits of acid and two joints the next, and so on. But what did all that give
|
|
me? I can't even remember the effects they had on me!
|
|
|
|
And hell, wouldn't one of the customers eventually notice? I mean, I had
|
|
to smoke those joints some time. I guess those were during breaks or trips to
|
|
the restroom. I guess that's it. And, obviously, they would get quite used to
|
|
my "quirky personality" after a while too.
|
|
|
|
It all seems to have been such a waste. Only I don't even have the sense
|
|
of time having passed. It was just like there was one state, doing drugs and
|
|
working, and then one day, I woke up, agitated about Crane going away, and then
|
|
things were normal again. It really makes me....
|
|
|
|
God, look at the job I'm working at now! And I got through six years
|
|
drug-induced and now a few months later, it seems like hell. It really makes
|
|
me....
|
|
|
|
Damn, it really makes me want to start up again.
|
|
|
|
* * * * *
|
|
|
|
Of course, I wasn't able to start up right again. I didn't know who would
|
|
give them to me. And I certainly wasn't going to wander around town asking for
|
|
drugs. I figured the most obvious thing I could do would be to quit my job and
|
|
take a new one. The prospects of doing that without moving seemed small. I
|
|
didn't want to move. I had good rent.
|
|
|
|
It's real hell contemplating your life. Not only is it hard work that
|
|
you're usually not doing, but also, it's damned important. I wanted to
|
|
convince myself that I could stave off my boredom for a few weeks and find
|
|
myself enjoying my job again. After all, these two days were extraordinary in
|
|
that my whole routine was upset. I should be able to cope.
|
|
|
|
Wrong.
|
|
|
|
* * * * *
|
|
|
|
A week later, when the cold snap had been forgotten and Jeremy had taken
|
|
up the habit of hanging around with me at work a good portion of the day, I was
|
|
thinking seriously about two options I had. Either quit my job or start doing
|
|
drugs again. The first choice still held no reverence for me. I'd glanced at
|
|
the want ads for several days and nothing was appealing. And of course, no
|
|
philosophy jobs. I was about to scratch off the second choice when I realized
|
|
Jeremy might know something.
|
|
|
|
"Hey, Jeremy."
|
|
|
|
"Yeah, John."
|
|
|
|
"Come closer. I need to whisper." There were some children carefully
|
|
choosing candy in the distance.
|
|
|
|
Jeremy leaned over, grinning. "What is it?"
|
|
|
|
"I need some dope."
|
|
|
|
"You do, huh?" he asked. "You think I have some?"
|
|
|
|
"No, but I wondered if you know anyone."
|
|
|
|
"I know tons of people."
|
|
|
|
"Really?"
|
|
|
|
"Oh, you mean people with dope?" he asked. He was being silly.
|
|
|
|
"Yeah."
|
|
|
|
"How about your boss?" he said, smiling.
|
|
|
|
"What the hell?" I said out loud. The children in the distance
|
|
instinctively dropped their candy and ran away.
|
|
|
|
"He's quite the dope fiend."
|
|
|
|
"How do you know that?"
|
|
|
|
"I get around, John."
|
|
|
|
"Have you had sex with Mr. Graham?" I asked, shocked.
|
|
|
|
"No, no, he's disgusting. But I've seen him make quite a few
|
|
transactions. He's very sloppy. He would get caught if anyone happened to
|
|
look his way."
|
|
|
|
"Oh, that's too bad," I said, sincerely. "He sells, you mean?"
|
|
|
|
"Yes. How often do you see him, anyway?"
|
|
|
|
"Hardly ever. Maybe three times a month."
|
|
|
|
"He's got a job too, you see," Jeremy said, forcing himself to contain his
|
|
excitement.
|
|
|
|
"I always wondered. Why didn't you tell me before?"
|
|
|
|
"You never asked. Welcome to the club!"
|
|
|
|
Jeremy had appropriated my saying and used it a lot around me.
|
|
|
|
"What does he sell?"
|
|
|
|
"He sells ephedrine, pot, acid, and speed."
|
|
|
|
"That bastard took over Crane's job!" I exclaimed. "Except for the
|
|
ephedrine." We used to sell it in my very store. You see, ephedrine is sold
|
|
as a cold or asthma medicine. When taken in large quantities, though, it's
|
|
basically a caffeine-type rush, with the humorous side effect that the body
|
|
thinks it's a lot warmer than it really is, making you sweat profusely. Your
|
|
hair tingles like crazy too. A few high school students were found to have
|
|
used it, and the school board thought a dangerous fad was about to start. They
|
|
were very serious about their war on drugs. So, the school board threatened to
|
|
sue us unless we pulled it. So we did.
|
|
|
|
But Mr. Graham didn't lose a penny.
|
|
|
|
"You knew Crane? Tall, with short black hair?" Jeremy asked.
|
|
|
|
"With a name like Crane, I'm sure we're talking about the same guy. I
|
|
used to buy from him for six years."
|
|
|
|
"Wowee, quite a track record. I dated him once too."
|
|
|
|
"Was he good?" I asked, not knowing in the slightest why.
|
|
|
|
"Oh, I did all the work."
|
|
|
|
"Were you good?" I asked, laughing.
|
|
|
|
"Yup."
|
|
|
|
"Good for you," I said. "You knew him better than I did."
|
|
|
|
"I guess."
|
|
|
|
"So, Mr. Graham sells. That's very odd. I don't know if I could approach
|
|
him about that."
|
|
|
|
"Sorta touchy, I'd say," Jeremy said. "What's he gonna do, though? I
|
|
think you have the upper hand in this case."
|
|
|
|
My stomach writhed. "I wouldn't blackmail him."
|
|
|
|
"You don't have to. Graham will know right away that you've got the upper
|
|
hand. Just do it. It'll make you better friends."
|
|
|
|
"That's an idea, I guess," I said. "What are his prices?"
|
|
|
|
"I'm not sure. He ought to be competitive, though. There are a few
|
|
others in the market. The going prices now are ten dollars for a dime-bag of
|
|
pot, five dollars for a hit of acid, three dollars for a tab of speed, and one
|
|
buck for a bottle of ephedrine."
|
|
|
|
"Geez, Crane and I had a deal, I think. That would've run me about two
|
|
hundred dollars a month!"
|
|
|
|
"And again, I say you have the upper hand. Graham will make a deal with
|
|
you, I'm sure."
|
|
|
|
"Man, things are starting to look good."
|
|
|
|
* * * * *
|
|
|
|
A couple of short days later, I was baked.
|
|
|
|
A few hours after that, I was noticing all sorts of things that had never
|
|
caught my eye before.
|
|
|
|
I started to notice that my customers were treating me much more amiably
|
|
now. I don't know if it was a masking of my self-consciousness or what, but I
|
|
also found myself being nicer to them.
|
|
|
|
Although I had never been mean to them. I distinctly remember now that
|
|
after I realized Crane was gone, that I also found myself having to become
|
|
reaccustomed to serving customers. It was like I didn't know them, and they
|
|
didn't know me, but that we once had been friends. I see now that they had
|
|
gotten used to me as a quirky stoner-tripper for six years, and then saw me in
|
|
the raw. Now I was back to normal again. It was great. I was loving my job.
|
|
|
|
* * * * *
|
|
|
|
"Say, Jeremy," I said one morning in April. He was still living with me.
|
|
I'd sort of forgotten to bring it up. Not that I cared; Jeremy and I had
|
|
become very good friends.
|
|
|
|
"Yeah, John," he replied, that very same morning.
|
|
|
|
"I can't believe I've been so rude all along. I've never asked: do you
|
|
want to share a hit with me?" I asked, holding out a tiny square of paper on my
|
|
finger.
|
|
|
|
"Sure, why not? I've never done this before. I've gotten a lot of
|
|
practice watching you, though."
|
|
|
|
"Oh, Jeremy, you can't know anything about the real thing! What do you
|
|
think it'll be like?"
|
|
|
|
"Well, my eyes will dilate and I'll walk around moaning and jabbering and
|
|
staring at random things. And when I try to explain what I'm staring at, I'll
|
|
suddenly wander off and talk about something else."
|
|
|
|
"Or...?"
|
|
|
|
He grinned. "I'll wander right out the door with a bottle of water.
|
|
Then, in full view of everyone, I'll spend hours spilling tiny drops on the
|
|
palm of my hand, cooing and moaning all the while?"
|
|
|
|
"Huh? When was that?" I asked, amazed.
|
|
|
|
"You did that two days ago!" he said. "I handled the cash register for
|
|
you."
|
|
|
|
"What did you say to the people?"
|
|
|
|
"I said, 'Look at that. He really enjoys life.'"
|
|
|
|
"And what did they say?"
|
|
|
|
"They said they suspected as much."
|
|
|
|
* * * * *
|
|
|
|
Obviously, Jeremy didn't really know what to expect. But I didn't tell
|
|
him either. I doubted I could explain it. So I let him find out himself. Of
|
|
course he didn't do it alone.
|
|
|
|
We waited for a lull in the customer flow, which was really most of the
|
|
time, and placed the tiny pieces of paper on our tongues.
|
|
|
|
Then we sat around for an hour.
|
|
|
|
LSD is funny that way. It takes that long to start working. Which is a
|
|
pretty good psychological trick. To the beginner, it seems like his hit was a
|
|
dud. Pretty soon he gets disappointed and stops waiting for the strange stuff
|
|
to happen. He expects that it will never happen. And then, he's off playing
|
|
Doom or something, and he realizes the monsters are laughing at him. The ones
|
|
in the back, see. They scoot by so fast he can't be sure. But the freeze-
|
|
frame image hangs in his mind, and that fireball-throwing imp in the background
|
|
is grinning. Immediately, though, that huge pink monster is telling him a
|
|
secret. Its slobbery chewing sounds transform into the rocky cancer-throated
|
|
voice of an old man, uttering important words he needs to remember for later in
|
|
the game. Soon, though, he realizes what's really going on, and he gets up
|
|
from the mildly disturbing act of murdering under the influence, and starts
|
|
having real fun.
|
|
|
|
Oh yeah, I know so much about Doom because I apparently got Jeremy an
|
|
Atari Jaguar and a used TV set a few weeks ago. I guess it was the least I
|
|
could have done.
|
|
|
|
* * * * *
|
|
|
|
So Jeremy had a good time. And I also had a totally new time as well.
|
|
You see, one thing about acid that I never realized was that it was so much
|
|
better with company. Then there's the added feature of suggestion. That's
|
|
where someone has the mind-blowing power to suggest some sort of scenario and
|
|
make it come true in your mind.
|
|
|
|
It first started happening when Jeremy wandered around the store, looking
|
|
at everything for sporadic amounts of time, touching things, staring off into
|
|
space, and jabbering like a chimpanzee on acid. Most of the things he saw, I
|
|
had never thought of before. For one thing, that cans of Tab looked like they
|
|
were glowing in the florescent lights, and then looked like they were floating.
|
|
I eagerly ran over to see. And they were! And I picked up a can -- they were
|
|
separate since no one would consent to buy an entire six-pack -- and it
|
|
actually was weightless! My mind, expecting fleetingly that it would be light,
|
|
found itself amazingly confirmed. That blew me away. I expected the other
|
|
cans to be weightless, but they weren't, so reason told me what had really
|
|
happened. You see, something had poked a hole in the can and it actually was
|
|
empty. The sticky brown patch of goo behind the can proved that. And then I
|
|
touched the goo, and that was a blast too.
|
|
|
|
Naturally I was excited about how Jeremy's observation had influenced me
|
|
so, so I turned around to tell him about it. He wasn't there anymore. He was
|
|
over next to the freezer section, pressing his cheek against the glass, and
|
|
giggling madly. "This is so homeless! Freeze me in the wintertime! Lie me on
|
|
the ice!" Apparently it wasn't as emotionally charged as he wanted it to be.
|
|
But at once, I felt a breeze of cold air float by me; it was gone as soon as I
|
|
noticed it. I knew it would be winter where Jeremy was. I walked over and
|
|
stood up against the freezer case with my hands and tongue against the glass.
|
|
It was amazing. I was back in fifth grade, just about to get my tongue stuck
|
|
to the frozen flagpole. And this frozen flagpole was a rarity in my hometown
|
|
of Creedence and just begged for stupid kids to lick it. My hands were in
|
|
mittens wrapped around it. The physical position of my arms had nothing to do
|
|
with what I was feeling when I closed my eyes. I of course feared sticking my
|
|
tongue to the flagpole. But a trickle of hot water released me from the grasp
|
|
of the ice. That was, in real life, simply slobber. I laughed about that for
|
|
quite a while.
|
|
|
|
But the real special effects hadn't even started yet. Jeremy was over
|
|
next to my stool, squeezing the seat with his hands. "This is so fuckin'
|
|
awesome!" he cried out, for about the hundredth time.
|
|
|
|
"Ain't this great?" I cried out in return.
|
|
|
|
"This must be what heaven is like, with all the angels tripping all day!"
|
|
he said.
|
|
|
|
I stopped dead cold.
|
|
|
|
That was the truth.
|
|
|
|
I was an angel.
|
|
|
|
|
|
- 5 -
|
|
|
|
I sobered up pretty quickly, thunderstruck by the fact which had been
|
|
taunting me for the past five months. I was dead. The whole time. I turned
|
|
around slowly to face the inside of the store. I saw an elderly man, a middle-
|
|
aged woman, and a thirty-year-old man standing and watching me.
|
|
|
|
I raised my hands. "I love you all," I said.
|
|
|
|
"We love you too," they said, and quickly left.
|
|
|
|
I smiled weakly. Everyone loves angels. I staggered over to the counter,
|
|
shoved Jeremy away from squooshing my seat and sat down.
|
|
|
|
I remembered my death vividly.
|
|
|
|
* * * * *
|
|
|
|
I had graduated from college with that philosophy degree. My GPA was
|
|
about 3.8. I had all the qualifications for a high-paying, intelligent job,
|
|
and I knew I was going to get one. But that wasn't the case. There was
|
|
nothing to do be had in the area around Creedence. And I'd been rejected from
|
|
the one hopeful prospect in Juncture -- because I was overqualified! They just
|
|
wanted someone to write greeting cards. I was overqualified and offended that
|
|
this was the only thing I could have done, had I been stupider. It was an
|
|
insult to my very intelligence.
|
|
|
|
And in my mind, my father's sneering words: "What are you gonna do with a
|
|
philosophy degree? What good is that? You're gonna study for four years on
|
|
how to talk smart? That's a great thing. You do that, you faggot."
|
|
|
|
You see, I'd always been asexual, and my father saw that lack of a sex
|
|
drive as latent homosexuality, which he naturally thought was repulsive. "Any
|
|
boy who hasn't had a girlfriend by age eighteen has something seriously wrong
|
|
with him. Don't let me know if you have a boyfriend either. That's not what I
|
|
want to hear. I may suspect it, but I'm not going to hear of it." I never
|
|
gave him any real fuel for his fire, but he always found a reason to hit me.
|
|
|
|
And in my mind I remembered the weakly adolescent talking rebellious:
|
|
"You don't know what philosophy is all about, Dad. It's all about
|
|
understanding people. It might even help me understand you some day! <takes a
|
|
slap> Although I doubt it! <takes another slap> This is gonna help my mind,
|
|
Dad, this is gonna make me a better person, and better able to get along in the
|
|
world. And I'm sure people out there are looking for guys who know how to get
|
|
along, Dad. I'm gonna do something with my life! <punch, fall down,
|
|
curtain.>" The last sentence apparently seemed somewhat mocking.
|
|
|
|
I guess you need to know about my father. He was a cuss. And a pool-hall
|
|
owner. He inherited the place from a cousin. He liked pool, so he dove in.
|
|
He had been working as a mechanic before. He opened the place with all the
|
|
glamor that befitted a white-trash establishment like that. Some of the fringe
|
|
benefits of working in a pool hall, besides taking bribes to make him "forget"
|
|
about all the illegal gambling that took place therein, was the sporadic and
|
|
exciting appearance of a woman. My father was naturally a very kind person, so
|
|
he took a lot of care to explain the rules to the obviously neophyte females,
|
|
and to hold them gently as they lined up shots, and to ask them if they were
|
|
available for a night. He relied on his charm, I'm sure, to bag quite a few.
|
|
I know because I caught him doing it once. I got insanely furious with him
|
|
because of that, since Mom was still very much alive and married to him, but of
|
|
course had it beaten out of me. My father had the upper hand, and a legitimate
|
|
reason to do what he did, because he was a heterosexual. And again, of course,
|
|
I was the opposite, because I didn't have sex at all.
|
|
|
|
After I'd been rejected at the greeting-card place, my worst fears had
|
|
come true. I had indeed wasted five years of my life learning how to make
|
|
myself unemployable. With my youthful arrogance, I had never before allowed
|
|
myself to believe anything my father said. But I found that he had been
|
|
correct all along. He had told me the truth. I guess it was his delivery that
|
|
somewhat skewed my perception. I mean, look at my dad. He was probably the
|
|
most uneducated bigoted asshole in the whole town, but he predicted my future
|
|
exactly. With the benefit of no college education whatsoever, he knew what was
|
|
a good one and what was a bad one. He knew his job market! It couldn't have
|
|
been a fluke, could it? It was instead poetic justice. I was striving to be
|
|
the opposite of him -- smart, caring, decent -- and he knew all along that it
|
|
was pointless. My youthful arrogance had completely warped my sense of
|
|
reality. My dad knew the truth!
|
|
|
|
However, I was pretty sure I wasn't a faggot yet. But I worried that I
|
|
would soon be. Dad was always correct, right?
|
|
|
|
* * * * *
|
|
|
|
It was 1990, though, so such predictions of faggotry were considered
|
|
ludicrous in all but the small towns like Creedence. My mind had been
|
|
shattered anyway, so it was that much easier to accept the prediction as fact.
|
|
I mean, I didn't know. I hadn't had sex yet. You can't know anything until
|
|
you do it.
|
|
|
|
So I intended to get the chore over with. I would find out what was what.
|
|
I carried my feet over to a part of the town where I knew the hustlers hung
|
|
out. I had some money. I had nothing to lose. I trudged and trudged and
|
|
trudged.
|
|
|
|
It was a street down from Main Street where they hung out, outside a book
|
|
store which was a front for all sorts of illegal pornography. Those three men
|
|
in Creedence, Texas actually had bought a bookstore called Ages of Pages and
|
|
ran it as a front for pornography, stealing the idea from the book
|
|
Slaughterhouse-5 by Kurt Vonnegut. It was an ingenious idea and an ingenious
|
|
appropriation, perfectly suited for the citizens of the small town of
|
|
Creedence. No one would enter the store looking for a book, period. No one
|
|
would read Slaughterhouse-5 because it was banned from schools. Everyone who
|
|
cared to know, knew what the book store really was. And the hustlers were out
|
|
front.
|
|
|
|
I walked up to them mechanically and said the words I assumed had to be
|
|
said. "I've got money." The guys looked at each other somewhat uneasily.
|
|
|
|
"What do you mean, dude?"
|
|
|
|
"I'm looking for sex," I said. Everyone was, right?
|
|
|
|
"Oh, oh yeah," they said, nodding. They knew all along what I meant. I
|
|
just had to make it clear.
|
|
|
|
One of them stepped toward me. He appeared to be about twenty. "Say, you
|
|
look like a selective guy. You probably want a caring, tender boy, who's an
|
|
animal in bed."
|
|
|
|
"Sure," I nodded. Whatever.
|
|
|
|
"Let's go, then."
|
|
|
|
"All right," I said.
|
|
|
|
He gestured toward the book store. So I followed him in. I'd never been
|
|
inside but I knew what to expect. The two token bookshelves in the place
|
|
served as barriers for the windows. We walked between them into the concealed
|
|
interior. The room was filled with tables of photographs and well-worn books
|
|
and private stalls where customers could try out the merchandise. We walked
|
|
into the back, past several nervous gentlemen looking into small boxes.
|
|
|
|
I mused cynically. These poor perverts, so addicted to sex. I knew I was
|
|
free of that curse. And I was going to verify it. I was sure I would.
|
|
|
|
The back door led into an alley. We walked down the alley to the rear of
|
|
an apartment complex. I didn't recognize it, but it had to be the Ottoman
|
|
Quarters of Creedence. It was very opulent. My new friend and I climbed a set
|
|
of stairs into a room.
|
|
|
|
The room was very simple. It had a bed and a dresser and a bathroom. It
|
|
appeared low-rent. My new friend entered the room and waited for me to follow.
|
|
I simply stood in the doorway, my mind blank. I didn't know what to do. I
|
|
stared into space.
|
|
|
|
"Is it your first time?" my new friend asked. He tilted his head to one
|
|
side in concern.
|
|
|
|
"Yes," I said.
|
|
|
|
"Hey, that's cool. Nothing wrong with that."
|
|
|
|
I nodded my head.
|
|
|
|
My new friend walked over and sat down on the bed. "Come on over here,"
|
|
he said.
|
|
|
|
"All right," I said. I decided to put some effort into it. I would
|
|
probably have to pay one way or the other. I walked over to the bed and sat
|
|
down. "My name's John," I said.
|
|
|
|
"I'm Carter," he said. "Are you a police officer, John?"
|
|
|
|
I woke up a little more. "No, are you?"
|
|
|
|
"No. Just making sure."
|
|
|
|
"Oh. Do the police...?" I started.
|
|
|
|
"Every once in a while they try to arrest one of us, yeah."
|
|
|
|
"So it's best to ask before..."
|
|
|
|
"Uh-huh, yup. They can lie though," Carter said, smirking uneasily.
|
|
|
|
"Oh, I'm completely sympathetic with the human condition. I couldn't be a
|
|
policeman."
|
|
|
|
"That's good then."
|
|
|
|
We sat on the edge of the bed in silence. I started to wonder just what I
|
|
was doing. My father could well have been right about my sexual future, but
|
|
did I have to prove it or refute it at all? No one had to know, not even me.
|
|
What was I doing?
|
|
|
|
"I can't do this," I said.
|
|
|
|
"What do you mean?" Carter asked. "Is it me?"
|
|
|
|
"I'm not gay," I said blankly.
|
|
|
|
"You had to pick me for some reason, John."
|
|
|
|
"Don't call me that. Don't call me anything," I said forcefully in
|
|
confusion. "I don't think..."
|
|
|
|
"Now, now, calm down. There's no pressure."
|
|
|
|
I became nervous. Rationality was setting in. I thought about where I
|
|
was and what I was doing, but.... But I couldn't decide to go or to stay. I
|
|
couldn't even outright reject the idea to stay. My mind only told me it was a
|
|
chance to prove my father wrong -- or right. I didn't know at all what the
|
|
outcome would be, and I didn't want to find out. The outcome I dreaded seemed
|
|
to be inevitable.
|
|
|
|
"I'm not sure," I said aloud.
|
|
|
|
"Well, think about what you want," Carter suggested.
|
|
|
|
I didn't want anything. I wanted blessed ignorance. But I wanted to
|
|
know, more. "I came here because I wanted to know," I said.
|
|
|
|
"To know if you'd like it?" Carter suggested. He was becoming a little
|
|
nervous.
|
|
|
|
"Yes."
|
|
|
|
"Just tell me what you want to do," he said. "May I do this?" he asked,
|
|
putting his arm around my shoulders. My God, he was so warm! It was so eerily
|
|
comfortable, I... I sharply glanced at his face. He was smiling kindly.
|
|
|
|
"I..., I...," I stammered. His arm flexed a little. "Good God," I
|
|
mumbled. I couldn't believe the effect of that arm on me. Nothing at all felt
|
|
wrong about it. It felt just right. It was so comfortable... but friendly.
|
|
It was like he was suddenly a good friend of mine. That was it, it was just a
|
|
friendly gesture, and I...
|
|
|
|
"Is that okay?" he asked.
|
|
|
|
"Yes," I said. I was so surprised. My eyes were wide open with awe. I
|
|
put my arm around his shoulders. It was an instinct. I glanced at my hand on
|
|
his shoulder. It wasn't there.
|
|
|
|
My arm was invisible. I yelped and looked down and I saw my whole body
|
|
fade out into nothingness. I freaked out. I simply freaked out. Everything
|
|
in the room started rushing at me. I felt the presence of so many other people
|
|
who had once been here. I had to get out.
|
|
|
|
I ran. I realized I was having a vivid flashback. Acid reflux. Things
|
|
started to liquefy. Everything appeared to be streaming by as I ran. I rushed
|
|
back through the porno slash book store and into the street. All the buildings
|
|
appeared flat, like cardboard cutouts. The air was sharp. It seemed to prick
|
|
into my skin when I breathed. I looked about me. Everyone was watching me.
|
|
Their faces wore sneers of contempt. That means they saw me. I wasn't
|
|
invisible anymore. But they knew that I had been. I couldn't stand their
|
|
knowing my repulsive secret. I ran again. Everyone's eyes followed me down
|
|
the street. The pebbles in the road were tiny eyes sternly watching me pass
|
|
by. They could see everything.
|
|
|
|
I ran. I ran home. I skidded to a halt in front of my front door. It
|
|
appeared to be as forbidding and inpenetrable as stone. I stepped back
|
|
cautiously. My mind was a blur. My sight was a blur. Nothing wanted me
|
|
around. Everything appeared to jut out and want to trip me or cut me or hit
|
|
me. Go away, it said. You're no good. Go away for good.
|
|
|
|
I dashed into the storage shed adjacent to the house. A rifle was in
|
|
there. I found it loaded.
|
|
|
|
|
|
- 6 -
|
|
|
|
My understanding of my whole life had been turned upside-down. I fell off
|
|
the stool and the wind got knocked out of me. I climbed back onto the stool
|
|
and sat hunched over to regain my breath. I looked down at my arms and legs
|
|
and saw them pulsing in shape along with my heartbeat. It was utterly
|
|
disconcerting. I tightly shut my eyes.
|
|
|
|
I never believed in life after death to that time. But I hadn't though
|
|
devoted my life to denying the possibility, so this sort of realization wasn't
|
|
as poetically just as it could have been.
|
|
|
|
I tried to sort things out. I was a dead man. Dead, dead, dead. But I
|
|
was still here. I found myself completely lost in the world. I'd once had
|
|
some sort of theory about what life was all about, but this? Why was I here?
|
|
Why didn't anyone tell me what to do? What sort of reward was this?
|
|
|
|
* * * * *
|
|
|
|
I looked up for an answer. There was only Jeremy standing there, his huge
|
|
dilated eyes staring at me.
|
|
|
|
"John, are you okay, man?"
|
|
|
|
"I'm back from the dead!"
|
|
|
|
"Walking zombies and women's high-pitched screams. Fog, fog, fog. That
|
|
music, too. Clomp, clomp, grunt, grunt," he said, looking about blankly with
|
|
his arms raised before him.
|
|
|
|
I just stared at him. He didn't understand. After a few seconds he
|
|
looked back.
|
|
|
|
"Wait, are you serious?" he asked.
|
|
|
|
"I'm serious. I died six years ago. I don't know why I'm here now."
|
|
|
|
"That's fucked up, John," Jeremy said, looking at his hand as he wiggled
|
|
his fingers.
|
|
|
|
"It's the truth! I just realized it."
|
|
|
|
"John, I don't understand what you're talking about," he said, staring at
|
|
his fingers. "Wait, did you just explain it to me? I think I forgot," he
|
|
said, giggling. "My fingers are blades of grass, whee!"
|
|
|
|
"What? Oh yeah, cool," I said, distracted.
|
|
|
|
"Whoa, no, my fingers are people, and they're zombies too! Whee!"
|
|
|
|
I decided to ignore him. He wouldn't be any help. An old lady who was in
|
|
the store cautiously approached with a box of crackers.
|
|
|
|
"Will that be all?" I asked.
|
|
|
|
"Mmm-hmm," she said, glancing at Jeremy.
|
|
|
|
"That'll be two forty-one, not all in pennies, please," I said.
|
|
|
|
She smiled sweetly and handed me three dollars. They looked fake. Way
|
|
too crisp. But they always did when I was tripping. Money was beautiful to
|
|
look at.
|
|
|
|
"You always look at my money like it's counterfeit," the old lady remarked
|
|
with a grin.
|
|
|
|
"I'm sorry about that, madam. Your money's always good here," I said,
|
|
completing the transaction. I handed her her change. "You know I'm an angel?"
|
|
|
|
"You're a very good angel," she said, smiling softly.
|
|
|
|
"I wish you a nice life," I said, as if I could grant it.
|
|
|
|
"That's very kind of you."
|
|
|
|
* * * * *
|
|
|
|
I suddenly felt self-conscious, because I realized I'd really only been
|
|
here seven months, and these people really didn't know me. The old woman left
|
|
the store and tossed me a perplexed look before she entered her car. I grinned
|
|
weakly.
|
|
|
|
I glanced at Jeremy and his huge dilated eyes were staring at me again.
|
|
He was grinning too.
|
|
|
|
* * * * *
|
|
|
|
I woke up late that night in a huge drainage pipe. I had just been
|
|
dreaming about my suicide, and it had repeated itself over and over and over
|
|
again and I thought I'd go mad! But I finally woke up. And I had no idea
|
|
where I was. I didn't care where I was. I was just glad to be awake. The
|
|
first thing I laid my eyes upon was Jeremy.
|
|
|
|
"Whoa, hey, Jeremy!" I exclaimed. "Did you wake me up?"
|
|
|
|
"Yeah, I did."
|
|
|
|
"Where are we?" I asked.
|
|
|
|
"Right here," he said.
|
|
|
|
"Is this Juncture?"
|
|
|
|
"No, it's a sewer pipe."
|
|
|
|
"Creedence! That's it, right?"
|
|
|
|
"Alright, yes, it's Creedence," Jeremy said.
|
|
|
|
"Okay," I said, glancing about. To both ends there was darkness. Some
|
|
strange light lit up the area Jeremy and I were sitting.
|
|
|
|
"John, I know you're an angel," he said.
|
|
|
|
"Yes, yes, I am. I died six years ago," I explained, still somewhat
|
|
sleepy. "Do you believe that?"
|
|
|
|
"Yes, I do."
|
|
|
|
"I feel so funny saying that. It must sound like nonsense."
|
|
|
|
"No, it's not nonsense," Jeremy said. "You really are an angel."
|
|
|
|
"You believe that? I myself only realized today," I said, stretching and
|
|
yawning.
|
|
|
|
"I know. I'm sorry. I slipped up."
|
|
|
|
"How do you mean?" I said, focusing my attention. Jeremy's eyes were
|
|
serene.
|
|
|
|
"You're my angel. I brought you back to life."
|
|
|
|
I blinked. "You did?" My mind spun in circles. "I don't get it."
|
|
|
|
"You could say I'm a god," he said.
|
|
|
|
"You are?"
|
|
|
|
"Only my name's Jeremy."
|
|
|
|
"Jeremy."
|
|
|
|
"Yes."
|
|
|
|
"Why are we sitting here in the middle of the night?" I asked, looking
|
|
around. "This is very strange."
|
|
|
|
"I wanted to explain things."
|
|
|
|
"Is this really Creedence? Where is this, anyway?"
|
|
|
|
"Oh, John, I'm sorry. I really haven't done this very well at all."
|
|
|
|
"Done what?"
|
|
|
|
"Just a second," he said.
|
|
|
|
* * * * *
|
|
|
|
Late that night, I woke up with a start in a huge concrete sewer pipe. I
|
|
had been dreaming about killing myself. I looked around me in surprise and saw
|
|
Jeremy was sitting nearby.
|
|
|
|
"What the hell?" I said.
|
|
|
|
"We need to talk about being an angel," he said.
|
|
|
|
"Where are we?"
|
|
|
|
"Creedence."
|
|
|
|
"Oh. What were you saying, then?"
|
|
|
|
"It's about your being an angel."
|
|
|
|
"Oh, yes. I'm an angel."
|
|
|
|
"I know it. It's true," Jeremy said.
|
|
|
|
"Really? Or are you just being nice?"
|
|
|
|
"No, I know for sure."
|
|
|
|
"Oh," I said. I still felt sleepy. I was still wearing my nightclothes.
|
|
"How?"
|
|
|
|
(i'm god)
|
|
|
|
"Did you say something?"
|
|
|
|
(no)
|
|
|
|
My eyes grew wide. "My God."
|
|
|
|
(my angel)
|
|
|
|
"That's really very disconcerting, Jeremy."
|
|
|
|
"Sorry. Do you believe me?" he asked.
|
|
|
|
"I guess I have to."
|
|
|
|
"It'd help."
|
|
|
|
[Can you read my mind?]
|
|
|
|
[Hello, can you read my mind?]
|
|
|
|
[Hello, Jeremy! Hello! Hey hey Jeremy! Hello?!]
|
|
|
|
"Can you read my mind?" I asked.
|
|
|
|
"Nope."
|
|
|
|
"Oh."
|
|
|
|
"So I guess you find out today, huh?" he asked, somewhat glumly.
|
|
|
|
"That I'm an angel?"
|
|
|
|
"Yes."
|
|
|
|
"Good grief, it was so sudden. It all struck me at once."
|
|
|
|
"Yes, I'm sorry about that. I slipped up."
|
|
|
|
"How do you mean?"
|
|
|
|
"I didn't make you forget."
|
|
|
|
"Forget what?"
|
|
|
|
"Your suicide."
|
|
|
|
"You know about that?"
|
|
|
|
"Of course I do. I brought you back to life," he said.
|
|
|
|
"You know, Jeremy, I'm finding it really hard not to doubt you."
|
|
|
|
"I know. I'm compelling you to believe me. Here, think about it now."
|
|
|
|
I suddenly realized I was dreaming. I had to be. Jeremy didn't seem real
|
|
at all. I didn't feel real. I couldn't feel the air or the concrete I was
|
|
sitting on. All the words seemed to have been flying about in my mind, and had
|
|
suddenly organized themselves into an intelligible conversation. I was
|
|
relieved. I knew Jeremy was no god. He was just a person like I was. Except
|
|
Jeremy was... God. Jeremy was God.
|
|
|
|
Jeremy pushed hard on my shoulder.
|
|
|
|
"Hey, whoa," I said.
|
|
|
|
"Sorry, you were dozing off there."
|
|
|
|
"Oh."
|
|
|
|
"Why did you kill yourself?" he asked.
|
|
|
|
"Don't you know?"
|
|
|
|
"No. I don't know much of anything."
|
|
|
|
"How can that be? You're God."
|
|
|
|
"No, I'm not really 'God'. I'm just Jeremy."
|
|
|
|
"Oh."
|
|
|
|
"Yeah. Christians have 'God', Moslems have 'Allah', et cetera. You have
|
|
me."
|
|
|
|
"Oh."
|
|
|
|
"Are you disappointed? I'm just fifteen. I'm not really sure what I'm
|
|
doing yet."
|
|
|
|
"I just don't know what's going on."
|
|
|
|
"What do you mean? Right now?"
|
|
|
|
"Yeah, sure. I don't understand why we're here at all."
|
|
|
|
"Oh, Jonathan!" he groaned.
|
|
|
|
* * * * *
|
|
|
|
I woke up with a start. I glanced at my clock and it read four-thirty. I
|
|
sat silently to see if I had heard anything. Nothing. Just silence. I had
|
|
just been dreaming about my suicide. I guess it was a nightmare and I woke up.
|
|
I lay back down and pressed my head into the pillow. I couldn't get back to
|
|
sleep. Upon reflecting about my dream, I didn't much care to either.
|
|
|
|
I lay on my back and stared upward. Dim light shone on the ceiling. I
|
|
felt disoriented. My head ached. I started to think again about being an
|
|
angel. It was a concept I couldn't quite grasp. I didn't know how I knew it,
|
|
but I was sure it was true.
|
|
|
|
I'd been born, grown up, gone to college, and earned a useless degree. I
|
|
looked for a job. There wasn't one. Then I went to a hustler... and died.
|
|
End of life.
|
|
|
|
Then, six years later, I appeared behind the counter of a Shop 'n' Shop
|
|
store, wearing a nametag reading "Jonathan", and I realized my friend Crane had
|
|
been executed. That's really where it had to have started. There was nothing
|
|
in between. I made up all the memories. I'd never bought drugs from him at
|
|
all.
|
|
|
|
So why was I here again? Or better yet, where was I for those six years?
|
|
Had to be somewhere. I guess in the ground.
|
|
|
|
Good God, it was such a mindfuck.
|
|
|
|
"Why the hell am I here?!" I whispered harshly.
|
|
|
|
(to live)
|
|
|
|
Uh...
|
|
|
|
(to love)
|
|
|
|
I started hearing things.
|
|
|
|
(to die peacefully)
|
|
|
|
I sat bolt upright in bed again. Someone was speaking to me.
|
|
|
|
"Hello?"
|
|
|
|
No answer.
|
|
|
|
"Is someone talking to me?" I asked.
|
|
|
|
No answer.
|
|
|
|
I lay back down. My heart was beating like mad. I was scared.
|
|
|
|
(jonathan)
|
|
|
|
"Hello? Is that you, Jeremy? Are you talking in your sleep?" I
|
|
whispered. I didn't want to wake him up.
|
|
|
|
(yes)
|
|
|
|
"Yes what?" I whispered.
|
|
|
|
(yes it's me)
|
|
|
|
"Oh, okay, I see," I said, relieved. He was talking from the other room
|
|
in his sleep.
|
|
|
|
I got up and tiptoed over to his room. The door was open a crack and I
|
|
carefully pushed it open. Jeremy was sprawled out on his bed, mouth wide open.
|
|
I tiptoed closer. He was asleep.
|
|
|
|
"My fingers are zombies," he muttered disjointedly.
|
|
|
|
I grinned. He was obviously reliving his acid trip. I went back to my
|
|
room and got back in bed.
|
|
|
|
(jonathan)
|
|
|
|
"Yes, mmm-hmm, Jeremy," I whispered back, to amuse myself.
|
|
|
|
(come back)
|
|
|
|
"Hmmm," I said, and leaped out of bed again. I supposed he might actually
|
|
be awake.
|
|
|
|
I walked right into the room as if he'd be waiting for me. Instead I was
|
|
shocked to find he was still sprawled out in the same position with his mouth
|
|
wide open. I almost laughed at the sight.
|
|
|
|
(hi jonathan)
|
|
|
|
My eyes boggled. He hadn't made a move.
|
|
|
|
(you're an angel)
|
|
|
|
I saw nothing move. I got really close to his face and watched carefully.
|
|
|
|
(jonathan i'm god)
|
|
|
|
I sprung back. The message was five times louder but Jeremy hadn't
|
|
uttered a sound. Frightened, I lost my balance and sat down hard on the
|
|
ground.
|
|
|
|
(a god, not the christian god)
|
|
|
|
"Jeremy?" I whispered as silently but clearly as I could.
|
|
|
|
(jeremy's asleep)
|
|
|
|
"What's going on?"
|
|
|
|
(go back to bed, you're dead)
|
|
|
|
My mouth dropped open. I wasn't hearing things. Somehow I realized God
|
|
actually was talking to me. Overwhelmed, I got up and stumbled back to my
|
|
room. I hid under the covers.
|
|
|
|
(i need to tell you why you're here jonathan)
|
|
|
|
I peeked out from under the covers. Although I was frightened, I suddenly
|
|
became very receptive. "Okay," I whispered.
|
|
|
|
(to live)
|
|
|
|
(to love)
|
|
|
|
(to die peacefully)
|
|
|
|
"You already said that."
|
|
|
|
(believe it now)
|
|
|
|
"But what do I do? Isn't there something I have to do since I'm an
|
|
angel?"
|
|
|
|
(life is too precious to have strings attached)
|
|
|
|
(just believe me)
|
|
|
|
"Should I quit my job?"
|
|
|
|
(shut up and go back to sleep)
|
|
|
|
"Okay," I said.
|
|
|
|
* * * * *
|
|
|
|
The next day I woke up with vivid memories of my conversations with God.
|
|
I had to wonder for a few moments if I'd just dreamed the whole encounter, but
|
|
seeing that Jeremy's door was still wide open from my panicked exit verified it
|
|
for me. I closed the door quietly and went to work.
|
|
|
|
That day, even without the benefit of any drugs, I was exuberant. I knew
|
|
what my purpose in life was. I had been redeemed for my suicide to walk the
|
|
earth again. I picked out a dusty Bible from the swiveling book rack and
|
|
eagerly started to read it.
|
|
|
|
* * * * *
|
|
|
|
In between bouts of reading, in which I was ashamed not to have been
|
|
understanding much, I crouched down on my stool, leaning my elbows upon the
|
|
counter, and watched the customers mill about. It was so rewarding to watch
|
|
them in the process of picking out items, judging prices, comparing qualities
|
|
and quantities, and finally bring their selection to my counter with an air of
|
|
satisfaction, triumphance, or confidence. People are beautiful.
|
|
|
|
After each one's purchase had been made, I called out, "I love you, you
|
|
know!" Because it was true. I had been ordered by God to love. And it came
|
|
so easy! It was hard not to love the citizens of the small town of Juncture,
|
|
because they all loved God along with me. My heart was warm.
|
|
|
|
* * * * *
|
|
|
|
At around two in the afternoon, Jeremy came into the store and perched
|
|
himself on the edge of the counter where he always sat. You could easily pick
|
|
out the spot because it was so well-dusted.
|
|
|
|
"Hey, Jeremy!" I exclaimed. "What a beautiful day!"
|
|
|
|
"Whoa, John, you're in high spirits. What's up?" he asked.
|
|
|
|
"Remember how I told you yesterday I was an angel? Well it's true! God
|
|
Himself told me so."
|
|
|
|
His eyebrows rose. "Oh yeah? That's interesting."
|
|
|
|
"I woke up in the middle of the night and God explained why I was on earth
|
|
again. You see, I desecrated my body and soul with suicide six years ago. It
|
|
was a horrible mistake. But I've been redeemed!"
|
|
|
|
Jeremy nodded solemnly. "That is really amazing."
|
|
|
|
"And God told me that my job as an angel was to live, to love, and to die
|
|
peacefully. Isn't that so easy? You know, no matter what anyone else ever
|
|
says in the future, I'll always know God is kind."
|
|
|
|
* * * * *
|
|
|
|
"Say, John, what're you reading there?"
|
|
|
|
"Oh, this is the Bible. I'm hoping to find more instruction on how to
|
|
live a good life."
|
|
|
|
"Hmmmm," he mused.
|
|
|
|
"I'll forgive you if you don't understand why. I've been blessed."
|
|
|
|
"Oh, no, that's not it. Say, is it helping any?" he asked.
|
|
|
|
I grinned uneasily. "Uh, I haven't been trained very well. I read the
|
|
first few, uh, pages."
|
|
|
|
"Say now, son," a thirty-year-old man with bifocals and a cowboy hat
|
|
suddenly interrupted. "I just overheard you and I want you to know what you're
|
|
doing is the right thing. You just keep on reading. Jesus Christ needs more
|
|
people like you on his side."
|
|
|
|
"Jesus Christ?" I asked.
|
|
|
|
"Yessir, the Son of God, our Lord and Saviour."
|
|
|
|
"Oh, I spoke directly to God, sir."
|
|
|
|
The man's eyes grew wide. "Sure you did, son, sure you did. But a note
|
|
of advice: start with the New Testament. The Old one isn't of much use to
|
|
anyone anymore, unless you want to be a Jew."
|
|
|
|
"Oh!" I exclaimed, slapping my head. "No wonder. I wasn't getting much
|
|
out of it."
|
|
|
|
"'Course not. We don't want you going to hell. Say, son, by the way,
|
|
where can I get some whiskey and a Penthouse around here?"
|
|
|
|
"Er, I think two stores down the road."
|
|
|
|
"All right, son, thankya!"
|
|
|
|
I flipped to the middle of the Bible and continued reading.
|
|
|
|
"Oh, wait! I love you, you know!" I called out after the man.
|
|
|
|
"Eh?" the man muttered, leaving.
|
|
|
|
* * * * *
|
|
|
|
I read through a couple of pages and still failed to find much meaning. I
|
|
glanced up at Jeremy and saw he looked glum.
|
|
|
|
"Say, brother, what's wrong?"
|
|
|
|
"What, oh, me?" he asked, distracted. "Oh, nothing, just a little
|
|
exhausted."
|
|
|
|
"Oh yeah, forgot to tell you that LSD would wear you out. You oughta get
|
|
two meals today."
|
|
|
|
"Okay, I guess so."
|
|
|
|
"Oh, and we're never going to do that again, either," I said. "I've got
|
|
the love of God now. I don't need drugs anymore. And I won't offer any to you
|
|
either. It's better that way."
|
|
|
|
Jeremy screwed up his face and sighed. "John?" he asked, grabbing my
|
|
shoulders and staring straight in my face,
|
|
|
|
(PUT DOWN THAT BIBLE)
|
|
|
|
My body convulsed and the Book flew out of my hands to the floor.
|
|
"Jeremy?" I asked softly. His face was set in a furious stare.
|
|
|
|
(john I AM GOD)
|
|
|
|
Jeremy's face softened into a meek smile. He let go of my shoulders. He
|
|
crossed his arms and waited for a response.
|
|
|
|
"Jeremy?" I asked, "what was that? I... I think I was interrupted."
|
|
|
|
(JEREMY IS GOD, JOHN)
|
|
|
|
The message was so loud and clear that I staggered backwards and fell off
|
|
my stool. My head hit the wall behind me. "Good grief!" I cried.
|
|
|
|
"John! Are you alright?" he asked, jumping down behind the counter.
|
|
|
|
"I... I think so," I said. I saw the Bible lying near me so I reached to
|
|
pick it up. Suddenly it disintegrated into a pile of ashes.
|
|
|
|
My eyes bugged out. Jeremy's did too.
|
|
|
|
I started to understand something. "I don't think I was talking to _that_
|
|
God."
|
|
|
|
"No, you weren't. Do you see, yet?" Jeremy asked.
|
|
|
|
I looked up into Jeremy's face. He was standing there on his two hands,
|
|
nervously glancing alternately at me and at the pile of ash.
|
|
|
|
"Welcome to the club," I murmured.
|
|
|
|
* * * * *
|
|
|
|
I carefully stood up, utterly bewildered. I got back up on the stool. I
|
|
stared blankly at some fuzzy area in the interior of the store and rolled a
|
|
joint.
|
|
|
|
* * * * *
|
|
|
|
An hour later, I wondered, "God gives blowjobs?"
|
|
|
|
Jeremy smiled and nodded. "I sure do."
|
|
|
|
* * * * *
|
|
|
|
I wandered over to the door and locked it. Then I returned to the stool.
|
|
"So you're God."
|
|
|
|
"Well, I'm not _that_ God. I'm sure you realized that."
|
|
|
|
"Yeah. But I don't get it. Why you?"
|
|
|
|
"Damned if I know."
|
|
|
|
"Is God for real?" I asked meekly, expecting another loud yell inside my
|
|
head.
|
|
|
|
"I sure hope so. I don't know anything about most the people I see."
|
|
|
|
"What do you mean?"
|
|
|
|
"Well, hmmm. I think I should put it in these terms. My being a 'god'
|
|
has nothing to do with the common belief. I mean the Judeo-Christian one."
|
|
|
|
"All right, I can handle that."
|
|
|
|
"That's a relief. In any case, I think I should refer to myself as a
|
|
deity. It'll make it easier to understand."
|
|
|
|
"Okay."
|
|
|
|
"Anyway, I'm a fifteen-year-old boy. And that's how long I've been a
|
|
deity."
|
|
|
|
I nodded my head. "So you're not a real god?"
|
|
|
|
"Yes, John, I'm a real god! A deity!"
|
|
|
|
"Okay, okay, sorry."
|
|
|
|
The phone rang. I took it off the hook, hang up, and set the handpiece
|
|
down.
|
|
|
|
"I'm just starting out though," he said. "I didn't even realize I was a
|
|
deity until several years back. It was I think 1993. At that time, I was
|
|
realizing that I was gay. It was a bad time for me, because other people at
|
|
school seemed to know about it before I did, and I'd been denying it. And
|
|
there was this one week when I was becoming really depressed because I didn't
|
|
know what to do about it. I didn't want to be gay. I'd tried to force myself
|
|
to think about girls and all that, but it didn't convince me. So one day I was
|
|
getting into the old I'm-all-alone mindset, right? So I tried to commit
|
|
suicide. But I couldn't."
|
|
|
|
I gasped. "I'm so glad you didn't. No one should commit suicide," I
|
|
said, thinking mainly for myself.
|
|
|
|
"No, John, I mean I couldn't! I had a knife and everything but I didn't
|
|
die. I gashed the knife into my neck, I sliced my wrists open, I even slashed
|
|
up my legs, and I just sat there bleeding for hours."
|
|
|
|
"Good lord!"
|
|
|
|
"It got really annoying after a while."
|
|
|
|
"Good lord!"
|
|
|
|
"So I thought it was some sort of great curse, that I was all alone and I
|
|
couldn't get out of it."
|
|
|
|
"Then you realized you were a g--... deity?"
|
|
|
|
"No, I didn't. It was just perplexing. I have to admit, I'm not very
|
|
smart. I just thought it was a disease I had that wouldn't let me die."
|
|
|
|
"Oh."
|
|
|
|
"It didn't help my self-esteem any, you see."
|
|
|
|
"This is very strange."
|
|
|
|
"So I sat there for a few hours until scabs started to form."
|
|
|
|
"Scabs?"
|
|
|
|
"They were pretty deep cuts. It took a little while."
|
|
|
|
"This is very strange."
|
|
|
|
"What ended up happening, was, I ran away from home. They'd know what I
|
|
tried to do, of course. My parents, I mean. I didn't want to have to explain
|
|
why I'd tried to cut myself apart. So I wandered around the country until I
|
|
came to this huge concrete pipe in the ground."
|
|
|
|
My mind jolted. "A pipe? Where was that?"
|
|
|
|
"It was in Creedence somewhere."
|
|
|
|
"Oh, so you lived in Creedence too, huh?"
|
|
|
|
"Yup," he said. "Anyway, I sat in there while I healed, which was like
|
|
three days. And that didn't strike me as funny either. I wasn't thinking much
|
|
about that. I was still all depressed about being gay."
|
|
|
|
"Did your father think you were gay?" I asked.
|
|
|
|
Jeremy's eyebrows arched. "What? Oh, no. I don't think my parents
|
|
suspected a thing." He squinted at me. "Why do you ask?"
|
|
|
|
"No reason, just wondering," I said.
|
|
|
|
"Hmmm," Jeremy said. "Okay." He glanced away for a second and grinned a
|
|
little. "Well, anyway, I was sitting there in the middle of this long, dark
|
|
sewer pipe, thinking about what was wrong with me, right? I kept on wondering
|
|
if I was really all alone or not. And then suddenly, it happened -- I could
|
|
just sense all these other people in my mind! And I just knew they were gay
|
|
too. Girls and guys both, just everywhere, isn't that cool?"
|
|
|
|
"Whoa, that's amazing," I said. "How?"
|
|
|
|
"I can't possibly explain it, John. It's part of being a deity, I guess.
|
|
Right? I mean, it's true, you can't sense anyone else?"
|
|
|
|
"Anywho else?"
|
|
|
|
Jeremy blinked. "Just anyone. Do you, like, feel other people in your
|
|
mind?"
|
|
|
|
"No, not at all," I said.
|
|
|
|
"Well, that's it, then. I can. And you see, this sense was all new to me
|
|
at the time. It was really great, too, because I knew I wasn't by myself
|
|
anymore." Jeremy was starting to talk excitedly. "It's all so fucking cool!"
|
|
he exclaimed.
|
|
|
|
"Who were those people, though?" I asked.
|
|
|
|
His eyebrows rose. "I have no idea," he said. "I was so excited that I
|
|
stood up and bonked my head on the pipe and passed out!" he exclaimed, starting
|
|
to laugh. "When I woke up again, I'd forgotten about the whole thing and I
|
|
just went right back home."
|
|
|
|
"Jeremy, that doesn't make sense. How could you forget all that?"
|
|
|
|
"I just did. I woke up, knowing why I'd gone there, but I didn't feel
|
|
suicidal or depressed anymore. But I felt damned self-confident. So I went
|
|
home."
|
|
|
|
"That's really strange," I said.
|
|
|
|
"My parents gave me hell about it, of course."
|
|
|
|
"What? The scars?"
|
|
|
|
"I didn't have any scars, John. They healed while I was there."
|
|
|
|
"Ah, there! Didn't you wonder why you healed so fast? Didn't you wonder
|
|
about being an immortal?"
|
|
|
|
"Nope, sure didn't. I was a stupid little kid, John. My parents were
|
|
mostly upset about the fact that I'd run away and hadn't eaten in three days.
|
|
I didn't understand why. You see, John, I never even knew food was necessary
|
|
to live. I just ate because it was part of the routine."
|
|
|
|
"Well, c'mon, Jeremy, didn't that tip you off either? That you were
|
|
immortal?"
|
|
|
|
"I was a stupid little kid, John, sorry."
|
|
|
|
* * * * *
|
|
|
|
"And you're a god," I muttered.
|
|
|
|
"Pretty ironic, huh?"
|
|
|
|
"I just lost my respect for all religion."
|
|
|
|
"That's good, you should."
|
|
|
|
* * * * *
|
|
|
|
"So, Jeremy, I still don't see what's going on, why I'm an angel, why
|
|
you're a prostitute, and all that."
|
|
|
|
"It's all pretty fucked up, that's true," he said, smiling. "Well, I went
|
|
on the next two years in school. And naturally, I wanted to date, and all
|
|
that. I was nervous at first, but then I became pretty self-confident, and
|
|
that never went away. Eventually I found some people to experiment with, and
|
|
then more people, and then more, you see, and I made quite a name for myself."
|
|
|
|
"Hmmmm," I said, somewhat turned off.
|
|
|
|
"Oh, don't act like that," he scolded me. "Sex is great! You oughta know
|
|
that."
|
|
|
|
I shook my head. "I already told you, I've never had sex."
|
|
|
|
"Aaaah, well, someone has to show you then, and you'll see. Anyway, John,
|
|
people in school started to harrass me, you know, because I was getting so much
|
|
more than they were, and especially since I was a fag too. And then my parents
|
|
found out too, with some nice anonymous hate mail and phone calls."
|
|
|
|
"Hate mail?" I asked, astounded. "People do that?"
|
|
|
|
"Oh yeah, cowardly ones. 'You gone burn in hell fag' and stuff like that.
|
|
Of course, I now know that's bullshit."
|
|
|
|
"Yeah, I guess."
|
|
|
|
"Well, my parents weren't happy at all about any of it, so they threw me
|
|
out of the house. And then, I became a prostitute. I mean, what else? Damn,
|
|
life is great," he finished, beaming.
|
|
|
|
* * * * *
|
|
|
|
"This is totally bewildering," I said. "I don't think I can take this all
|
|
in."
|
|
|
|
I rolled another joint.
|
|
|
|
A few minutes passed. "Okay, I can dig it."
|
|
|
|
|
|
- 7 -
|
|
|
|
"So, Jeremy," I said, "why am I an angel then? I know you brought me
|
|
back, but just why?"
|
|
|
|
His face became solemn. "You're okay with it, right?"
|
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|
|
"Being alive? Yeah, yeah, it's super!" I said.
|
|
|
|
"Okay, then! Well, you need to know about how I realized I was a deity.
|
|
It was after I had been a whore for a few weeks. I was having a lot of fun,
|
|
swapping stories with my buddies and all that, not even thinking of the
|
|
dangers. I mean, I was really naive.
|
|
|
|
"Well, then my friend Nathan got murdered, by this sleazy guy Weller, who
|
|
had a fascination for knives. The police asked me to identify Nate. I'd never
|
|
even seen a dead body before! My friend Frank, who I also told you about, had
|
|
to identify him too. The police knew about all of us, you see, and knew we
|
|
were his buddies. They could never get anything on us though. But apparently
|
|
they also knew about Weller being a maniac for knives and that he had been
|
|
arrested a few times for attacking people on the street."
|
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"Good grief!" I said.
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|
|
"Really. Frank asked the police about that, and they told him how they
|
|
knew about Weller. And Frank got angry. He bawled them out and called them
|
|
pigs and murderers because they knew they could have saved Nate's life by
|
|
arresting Weller for good. One of the cops simply said he didn't care. No big
|
|
loss. Fuck off, homo. But Frank wouldn't shut up, and then a few weeks later,
|
|
he got killed."
|
|
|
|
"But those are really rare occurrences, right?" I asked, shuddering.
|
|
|
|
"I don't know, really. I don't want to. At the time, though, it
|
|
devastated me. I got scared. I was considering going home again, and back to
|
|
school, both of which were a lot safer. I was a mess. I went to the cemetery
|
|
where Nathan and Frank had been planted and I cried a lot. I just wished it
|
|
hadn't happened. And that's when I sensed them in my mind. At first I assumed
|
|
it was a really strong memory, but it wasn't. I could sense those two lying
|
|
dead under my feet."
|
|
|
|
"You could sense dead people?"
|
|
|
|
"Yeah, I could, but not all of them. I did a little experiment and
|
|
wandered around the graves to see who I could sense. Fortunately, not many,
|
|
not many at all. I asked the caretaker people in the graves and he said it'd
|
|
been suicide or murder in every case. It was all people who had died too
|
|
early."
|
|
|
|
"What about accidents or car wrecks?"
|
|
|
|
"That was the weird thing, I couldn't sense them. You see, that's akin to
|
|
a natural death. They hadn't been killed on purpose. And the murders, they
|
|
were all premeditated."
|
|
|
|
"How could you be sure? Surely some had been murdered without intention,
|
|
like in drunken brawls, right?"
|
|
|
|
"There weren't any such cases at that cemetery but I found out for sure in
|
|
others."
|
|
|
|
I was deeply affected. "So there are souls, aren't there?"
|
|
|
|
"Yes, there are. They die when people die naturally. If a person dies
|
|
before his time, the sould simply remains trapped in the body forever.
|
|
|
|
"That's what hell is."
|
|
|
|
* * * * *
|
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|
|
"But wait," I said. "I was dead for six years. I don't remember anything
|
|
particularly hellish about that period of time."
|
|
|
|
"Oh, you wouldn't," Jeremy said solemnly. "I made you forget."
|
|
|
|
* * * * *
|
|
|
|
I thought about that for a while and had to roll another joint. "This
|
|
can't be good for me," I muttered. "So, what do I have to do with all this?"
|
|
|
|
"Well, you come later."
|
|
|
|
"Okay."
|
|
|
|
"Well, I returned to Nathan's and Frank's graves after that. I was being
|
|
torn apart knowing that their souls were still alive and trapped. So, the only
|
|
thing I can say about it is, I willed them alive again. I was only wishing
|
|
that, but somehow, I was actually able to do it."
|
|
|
|
"Good lord!" I said. "Power over life and death."
|
|
|
|
"Not exactly. I don't know how to kill people."
|
|
|
|
"Oh. All right. Well, what about Nathan and Frank?"
|
|
|
|
Jeremy looked down glumly. "I don't know."
|
|
|
|
"What do you mean?"
|
|
|
|
"Well," he started slowly, "I willed them alive -- not expecting anything
|
|
to happen -- and then suddenly from below I heard these twin screams of agony
|
|
rise up and fly by my ears. Then they were gone." He choked back a sob. "I
|
|
made them into ghosts!"
|
|
|
|
"Jesus Christ," I whispered.
|
|
|
|
"I can still hear them sometimes," he said. "I can't put them back."
|
|
|
|
I asked cautiously, "But are they happy?"
|
|
|
|
Jeremy just started crying.
|
|
|
|
* * * * *
|
|
|
|
I silently sat by and waited. A moan started to fill my mind -- stark
|
|
human agony. I leaned over and hugged my god.
|
|
|
|
* * * * *
|
|
|
|
"I hope I did better with you," he sobbed.
|
|
|
|
"Yes, yes, you did," I said. I'd never felt so emotionally vital in my
|
|
entire life.
|
|
|
|
Jeremy wiped his eyes. "I don't know if I can stand to screw up again."
|
|
|
|
I simply nodded.
|
|
|
|
"I'll tell you your story now," he said.
|
|
|
|
I nodded again.
|
|
|
|
"All right, here goes. After I released those two, I realized what I was.
|
|
I became scared of myself. I went back to the street for a few months to try
|
|
to forget. But I couldn't. Nate and Frank kept on rushing through my mind
|
|
occasionally and I was feeling horribly guilty about it. So I returned to the
|
|
cemetery. I wanted to redeem myself. I listened for souls again. Yours was
|
|
the loudest."
|
|
|
|
"Mine?" I said, taken aback. I thought he could only hear gay people.
|
|
|
|
Jeremy suddenly squinted. "What are you thinking about?"
|
|
|
|
"Huh? Nothing, just go on," I lied. Could he read my mind?!
|
|
|
|
"John, why did you kill yourself?" he asked.
|
|
|
|
"I had a bad flashback and freaked out. I found a rifle."
|
|
|
|
(you know why)
|
|
|
|
"What?" I asked.
|
|
|
|
(john, you're gay)
|
|
|
|
"No, I'm not!" I protested. "I'm asexual. I already told you that."
|
|
|
|
"I felt your soul, John. I only hear gay ones."
|
|
|
|
I was astonished. I knew the very reason I went crazy was because I
|
|
thought I might be, not that I was. "I didn't know it myself then," I said.
|
|
|
|
"You knew for a few minutes."
|
|
|
|
I guess I did.
|
|
|
|
"You panicked, John. You took the easy way out. That's really insulting
|
|
to the god that created you."
|
|
|
|
"Was it you?" I asked, shocked.
|
|
"No, I'm only fifteen."
|
|
|
|
"Oh."
|
|
|
|
* * * * *
|
|
|
|
"It's for your own good, John. Accept the fact that you're gay."
|
|
|
|
"I'm still not sure," I said. Jeremy stared at me with a painful grimace
|
|
on his face. I felt my mind change. "Now I am."
|
|
|
|
"I'm sorry I had to force that on you, John," he said, "but I'm not going
|
|
to let myself screw up again."
|
|
|
|
"You didn't force it on me. I just realized the truth. But thanks for
|
|
helping me out," I said. It all certainly made sense now. I'd just avoided
|
|
all sexual situations to avoid finding out. I still would, of course.
|
|
Invisibility is a major turn-off.
|
|
|
|
* * * * *
|
|
|
|
"So, Jeremy, how did you resurrect me then?"
|
|
|
|
"Well, differently, of course. I willed your body out of the ground, and
|
|
it appeared on the earth. I didn't think I'd be able to do that either. But
|
|
it was disgusting! Your head was gone. I guess you shot it off, huh?"
|
|
|
|
"Uh, yeah."
|
|
|
|
"Pitiful. Anyway, I willed your body back into pre-death. Man, being a
|
|
god has a lot of perks."
|
|
|
|
"Hmmm," I mused, grinning.
|
|
|
|
"But it was so odd. Your body was alive again, and you just stared at me.
|
|
I talked to you and your answers were very stale. I said, 'Hello there, I'm
|
|
Jeremy, you're back from the dead.' And you said, 'Hello, I'm Jonathan
|
|
Squires, and I'm back from the dead.' Then, 'Do you feel normal?' And you
|
|
said, 'I'm cold.' Then, 'Why did you kill yourself?' And you said, 'A rifle
|
|
shoots big holes.'
|
|
|
|
He continued, "I sensed something was wrong, and I took your body to that
|
|
huge sewer pipe under the ground. I wondered what the problem could be. So I
|
|
finally said, 'What do you feel?' And you said, 'It's cold. I'm sitting on
|
|
concrete.' And I said, 'No, what are you feeling?' And you said the exact
|
|
same thing."
|
|
|
|
"My soul!" I realized.
|
|
|
|
"Exactly. It wasn't connected to your body yet. I could still feel you
|
|
screaming in torment in my head. It was very disconcerting. I didn't like
|
|
that at all. So I willed your soul alive, and the first thing you did was
|
|
start screaming out loud. I didn't expect that. I almost ran off. But when I
|
|
realized your soul was still with you, I figured I had a chance. Anyway, you
|
|
were insanely outraged and started tearing and biting and clawing at me. No
|
|
problem to immortal me, of course."
|
|
|
|
"Sorry about that."
|
|
|
|
"You weren't thinking rationally. Your soul had been, well, rotting away
|
|
for six years, you see. It was like you'd been buried alive, except your body
|
|
was dead. If your body had been alive, you probably would have chewed your
|
|
arms off."
|
|
|
|
"For real?"
|
|
"Probably," he said. "That's a big problem I have with people. They
|
|
think a dead body is just a dead body. But not always."
|
|
|
|
"Man," I said. "So how did I...?"
|
|
|
|
"Well, as I said, I made you forget those six years. It took a lot of
|
|
work. Finally you stopped yelling and thrashing about and fell asleep for ten
|
|
days."
|
|
|
|
* * * * *
|
|
|
|
"Good grief!" I said.
|
|
|
|
"It was so pitiful. I cried a lot. But I was also insanely happy. I was
|
|
becoming more and more sure I'd done it right."
|
|
|
|
"I guess you did," I said in awe.
|
|
|
|
"So, you woke up, wondering where you were. You said stuff about not
|
|
being able to find a job and that you were invisible."
|
|
|
|
"To the work force, I guess," I lied.
|
|
|
|
"I guess so too. I figured you didn't want to be in Creedence, since
|
|
people thought were dead there, so we went to Juncture, and I convinced you to
|
|
get a job at the Shop 'n' Shop."
|
|
|
|
"Oh, that was you, huh? Thanks a lot. Wasn't there anything better?"
|
|
|
|
"You know there wasn't, John. But you decided to get that nice two-room
|
|
apartment, since you thought I was your son."
|
|
|
|
"For real?"
|
|
|
|
"I made you believe that, so you wouldn't find a reason to leave me during
|
|
that time. I had a lot of work to do on you."
|
|
|
|
"Oh, okay."
|
|
|
|
"It was really very exciting, a big adventure, reconstructing your life
|
|
like that. Are you really pissed about having to work here?"
|
|
|
|
"Well, it's just, why do I work all day long every day of the year,
|
|
Jeremy?"
|
|
|
|
He grinned innocently. "I didn't know what else you liked to do. You
|
|
just kept babbling about philosophy and not being able to find a job."
|
|
|
|
"Well, I guess you had no choice then."
|
|
|
|
"Nope. And you were also babbling on about being gay."
|
|
|
|
"Oh, really? I actually admitted it?" I asked, amazed.
|
|
|
|
Jeremy nodded. "Yes, and you started to get really neurotic about it, and
|
|
even a little insane. You kept on saying you became invisible when you got
|
|
horny."
|
|
|
|
"Invisible? That's absurd," I said nervously.
|
|
|
|
"I thought so too. I could have sworn you were about to kill yourself
|
|
again. So I kept on having to make you forget about things so you'd act
|
|
normal. I didn't want to screw up. And please don't get that way again. We'd
|
|
have to go through this whole thing all over."
|
|
|
|
My eyes widened. "Have we before?"
|
|
|
|
He grinned. "Nope."
|
|
|
|
"Whew, that's good. This is a lot to take in!"
|
|
|
|
* * * * *
|
|
|
|
"So you waited a few months to find out how I was, huh?"
|
|
|
|
"Yes, I did. And say, John, did I do it right?" he asked, looking
|
|
concerned. "Does everything make sense?"
|
|
|
|
"Yes, yes it does. Thanks a lot," I said, smiling broadly. "You did very
|
|
well. Thanks for everything, Jeremy. I owe you my life."
|
|
|
|
Jeremy nodded, turned red, and beamed. "No problem," he said bashfully.
|
|
|
|
* * * * *
|
|
|
|
Then he looked up. "So do you know what you want to do with your life
|
|
now? It's all in your hands."
|
|
|
|
I suddenly found it hard to concentrate. I had been ignoring the people
|
|
banging on the windows all afternoon. But at that moment I saw Mr. Graham
|
|
walking up to the door with a key and a furious expression on his face. I
|
|
remembered the phone was off the hook.
|
|
|
|
"Jeremy, I think I'm gonna get a new job, because I'm about to be fired."
|
|
|
|
"Holy shit!" Jeremy said.
|
|
|
|
I grinned and grabbed his hand. "C'mon, let's head out the back!"
|
|
|
|
We ran and ran and ran.
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
State of unBeing is copyrighted (c) 1996 by Kilgore Trout and Apocalypse
|
|
Culture Publications. All rights are reserved to cover, format, editorials,
|
|
and all incidental material. All individual items are copyrighted (c) 1996 by
|
|
the individual author, unless otherwise stated. This file may be disseminated
|
|
without restriction for nonprofit purposes so long as it is preserved complete
|
|
and unmodified. Quotes and ideas not already in the public domain may be
|
|
freely used so long as due recognition is provided. State of unBeing is
|
|
available at the following places:
|
|
|
|
CYBERVERSE 512.255.5728 14.4
|
|
THE LiONS' DEN 512.259.9546 24oo
|
|
TEENAGE RiOt 418.833.4213 14.4 NUP: COSMIC_JOKE
|
|
THAT STUPID PLACE 215.985.0462 14.4
|
|
ftp to ftp.io.com /pub/SoB
|
|
World Wide Web http://www.io.com/~hagbard/sob.html
|
|
|
|
Submissions may also be sent to Kilgore Trout at <kilgore@bga.com>. Thank you.
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
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