2958 lines
151 KiB
Plaintext
2958 lines
151 KiB
Plaintext
Living in such a state taTestaTesTaTe etats a hcus ni gniviL
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of mind in which time sTATEsTAtEsTaTeStA emit hcihw ni dnim of
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does not pass, space STateSTaTeSTaTeStAtE ecaps ,ssap ton seod
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does not exist, and sTATeSt oFOfOfo dna ,tsixe ton seod
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idea is not there. STatEst ofoFOFo .ereht ton si aedi
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Stuck in a place staTEsT OfOFofo ecalp a ni kcutS
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where movements TATeSTa foFofoF stnemevom erehw
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are impossible fOFoFOf elbissopmi era
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in all forms, UsOFofO ,smrof lla ni
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physical and nbEifof dna lacisyhp
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or mental - uNBeInO - latnem ro
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your mind is UNbeinG si dnim rouy
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focusing on a unBEING a no gnisucof
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lone thing, or NBeINgu ro ,gniht enol
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a lone nothing. bEinGUn .gnihton enol a
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You are numb and EiNguNB dna bmun era ouY
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unaware to events stneve ot erawanu
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taking place - not -iSSuE- ton - ecalp gnikat
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knowing how or what THiRTY tahw ro woh gniwonk
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to think. You are in 10/23/96 ni era uoY .kniht ot
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a state of unbeing.... ....gniebnu fo etats a
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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CONTENTS OF THiS iSSUE
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=----------------------=
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EDiTORiAL Kilgore Trout
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LETTERS TO THE EDITOR
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STAFF LiSTiNGS
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[=- ARTiCLES -=]
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MiND PROBE #6: Clockwork, Gut Feelings and Immigrant Savior Noni Moon
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WHY NOT TO VOTE (for the two-party system) I Wish My Name Were Nathan
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THE ESSENCE OF MY EXiSTENCE Clockwork
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CYNiCiSM -- REViVALiSM I Wish My Name Were Nathan [=- POETASTRiE -=]
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[=- POETASTRiE -=]
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THE OTHERREALM DeMoN
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[=- FiCTiON -=]
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SANiTY Morrigan
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THE ANGEL Nemo est Sanctus
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ANOTHER HORSE DREAMER'S BLUES Morrigan
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THE INEXPLICABLE, CLEARLY EXPLAINED I Wish My Name Were Nathan
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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EDiTORiAL
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by Kilgore Trout
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Wow. Bet you weren't expecting an issue in your mailbox this early in
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the month, were you? Hah. When we get off our asses, we can actually do some
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pretty damn cool things. We felt it was important to get the stuff about the
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elections out, well, before the elections.
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I'd also like to mention that aside from the choices listed in Nathan's
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article, there is also the campaign to write in the Unabomer for president.
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No, not ole Theo... the Unabomer. Theo hasn't been proven guilty yet, so he's
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still innocent. Anyway, if elected, the Unabomer won't run, and it's a nice
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way for a protest vote to go. Besides, they sent me a little flyer and a cool
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bumper sticker with a monkey wrench going into some cogs with the slogan "Just
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undo it: all you have to lose is your political illusions."
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I like it. For more info on them, go to http://www.paranoia.com/CoE and
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there should be a link from that page.
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Anyway, we want you to vote, but before you do, read the issue. It'll
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help you out in your, uh "choices." Plus you'll get to read some stuff from
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some new people, some old people who haven't written in a while, and then some
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of the regular folk as well. We're especially glad that Noni finally found
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Clockwork, and somehow she made him write something too.
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Thanks, Noni, for doing what everyone else thought was impossible. I
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guess if I had blue hair I could do anything too. Where's the hair dye?
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[as an aside note, my birthday is on november 3rd, the same day as charles
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bronson. if anyone can explain why we were born on the same day, or why i
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even know stupid facts like that, please email me. large presents and wild
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animals can be sent to my home address, which is available on request. and
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please, please remember to declaw the damn animals. it's not cool when you
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call your sister "slash."]
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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LETTERS TO THE EDiTOR
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From: ToeTorture
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Subject: Angst in my pants
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Dear Kilgore,
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I did a search on the word "angst" and State of unBeing #25
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appeared. The article about Dada & Nietzsche piqued my interest,
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and I will definitely peruse more issues when I have time. I dig
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you, man! (Vonnegut was my teen idol and I still love him. I'm
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also fond of Robert Anton Wilson if anyone fnord cares.)
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If you would like to respond, I am using my roommate's com-
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puter, but receive e-mail here quite often. All the best!
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[it's always nice to know that other people have strange emotions running
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around in their pants. i'm not sure if i've mentioned this before, but once
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i had greed in my pants. i think my parents wanted to turn me into a
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capitalist and bought me a pair of boxers with green dollar signs on them.
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i'm sure vonnegut and raw would have something to say about that...]
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-SoB-
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Subject: hi
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I would like to be on your mailing list. Why do I deserve to be on your
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mailing list? Because I'm a fan of Kurt Vonnegut, and I assume you do from
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your name. It's kind of ironic that when reading some of Vonnegut's books, I
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always wished there was a real Kilgore Trout, and now, in a sense, there is.
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[well, maybe i'm real, maybe i'm not. i am only 20, so i don't think i fit
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the physical description. still, my writing career is progressing just as
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nicely as his is... hah.]
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Here's a little something I thought you might enjoy:
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"A Rational Anthem"
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My country, 'tis of thee,
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Sweet land of felony,
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Of thee I sing----
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Land where my fathers fried
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Young witches and applied
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Whips to the Quaker's hide
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And made him spring.
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My knavish country, thee,
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Land where the thief is free,
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Thy laws I love;
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I love they thieving bills
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That tap the people's tills;
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I love thy mob who's will's
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All laws above.
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Let Federal employees
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And rings rob all they please,
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The whole year long.
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Let office-holders make
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Their piles and judges rake
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Our coin. For Jesus' sake,
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Let's all go wrong!
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----- Ambrose Bierce
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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STAFF LiSTiNG
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EDiTOR
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Kilgore Trout
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CONTRiBUTORS
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Clockwork
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DeMoN
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I Wish My Name Were Nathan
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Morrigan
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Nemo est Sanctus
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Noni Moon
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GUESSED STARS
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Anonymouse Letter Writer Who Likes Kilgore Trout and Ambrose Bierce
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ToeTorture
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ALBUMS i BOUGHT LAST MONTH WHEN i REALLY SHOULDN'T HAVE
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Aphex Twin, _Selected Ambient Works, Volume II_
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Bjork, _Debut_
|
||
fIREHOSE, _Mr. Machinery Operator_
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||
Moby, _Everything is Wrong_
|
||
New Order, The Best of
|
||
Pop Will Eat Itself, _This is the Day... This is the Hour... This is This!_
|
||
Vernon Reid, _Mistaken Identity_
|
||
The Shamen, _Boss Drum_ (with special appearance by TMcK)
|
||
Tom Waits, _Bone Machine_
|
||
Tom Waits, _The Heart of Saturday Night_
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
|
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[=- ARTiCLES -=]
|
||
|
||
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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MiND PROBE #6: Clockwork, Gut Feelings and Immigrant Savior
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by Noni Moon
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I was telephoned a week before I physically met with Clockwork.
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Actually, before I even thought about meeting with him. I was briskly walking
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down Guadalupe, passing one of the numerous public telephones that adorn the
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street, and it started to ring. I didn't think anything of it and continued
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walking. Fifty yards later, another public telephone rang as I strolled by.
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Believing it was just a freak occurrence, I once again kept walking.
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Another hundred yards later, as I came to the corner of the street, a
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short-haired woman with black-rimmed glasses dashed out of a store nearby
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labeled as the Bagel Manufactory. She mumbled my name, and a few
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incomprehensible words followed by "phone call." I followed her into the sop,
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shot down by stares of the apparent manager standing at the doorway, and took
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the phone cradle laying on the counter.
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NM: Hello?
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CL: You know, since your too damn trapped in your own little world, I had to
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get someone else to answer the phone for you.
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NM: Uhmm, who is this?
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CL: Clock. Clock, clock, clk. Merry Christmas.
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NM: Oh. How....no, nevermind. Some things are better left unknown.
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CL: Aha! Too scared to hear the truth. Well, that's all right, just adds to
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the apathetic American ambiance. Reality tunnel #3.
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There was a bit of silence for a moment, and Clock continued to speak.
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CL: Alrighty, let's do this.
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NM: Do what?
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CL: Oh, you know. I know you wanted to speak to me concerning the
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possibilities of conducting an interview with me, and I say yes. So,
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let's do this.
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NM: Now?
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CL: Yep.
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NM: I'm on a phone in a bagel shop. I don't know if this is exactly the time
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or the place for that. It is not really appropriate.
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CL: Time, place -- it's all relative. You carry your pad and pen and
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Duracell powered mini-recorder with you everywhere, so why not?
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NM: I don't feel comfortable doing this here.
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The black-rimmed bagel woman glanced at me, mumbled my name and a few
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incomprehensible words followed by "phone sex."
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Not even thinking about how he knew what I carried my equipment with me
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all the time, I reluctantly pulled my mini- recorder from my backpack and it
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records. I then realized I was on a phone and brought it towards my head, in
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hopes of picking up some remnants of conversation.
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CL: Bluish-purple.
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NM: What?
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CL: Bluish-purple is the answer to the first question.
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NM: No. I don't think so.
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CL: Well, it was worth a shot.
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NM: I guess so. The question I was going to ask, which I am sure everyone
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wants answered, is about where you have been for the past two years. I
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noticed that last article you wrote for SoB before issue #28 was "Kill
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`Em All: The Truth About AIDS" in issue #14 (2/95), and the update in
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issue #15 (3/95).
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CL: Actually, that is incorrect. The original AIDS article was written a
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long time ago, in a galaxy far, far away for "Where There's a Will
|
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There's an A," and perhaps -- although I am not exactly sure -- was
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written before that. Kilgore and his people sent a telegram to me in
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Guam asking if it would be all right if they print the article, since I
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hadn't contributed in quite a while, at the same time hinting they would
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like some type of documentation of my sources, as though I sounded like
|
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some extremist conspiracy nut. Well, OK, maybe I am. Anyway, I faxed
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him a quick bibliography and an excerpt from a speech I had recently
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discovered which struck me as interesting.
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NM: Then the article before that, in issue #13, was your last?
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CL: Yes, I would say so. Although, in Patworld, I consider my articles way
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back in issue #3 (3/94) to be my last true contribution. The George Bush
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thing in #13 was just a spurt, not an entire revitalization, and for a
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real contribution, I had to be entirely revitalized.
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NM: You mentioned "Patworld." What exactly is that?
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CL: It's...well... ask me again in the near future after I have had time to
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make something up.
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NM: Fair answer. Back to your disappearance from SoB, what happened?
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CL: Like I said, I was in Guam. Doing hands-on research in guerrilla
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warfare. Rather enlightening. Somewhat of an elitist camp, in fact --
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left-wing AND right-wing crusaders from all over the world, including
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Guevara and some of his people. I ate some type of roast bird with him
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one evening, and discussed film. The man is a pretty big David Lynch
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fan.
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NM: Really?
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CL: Maybe. If you would like me to explain it in a real-life situation,
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then I was trapped. Emotionally and psychology trapped. In a
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relationship, of all things. And you might wish to sit down for this,
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because this is going to be a classic life saga.
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NM: <Pulling chair out from beneath the counter> All right. I am seated.
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CL: In the spring of 1994, which just happens to be the same time I stopped
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writing for SoB, I met a female, who shall remain nameless. It was
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really a wonderful thing. Absolutely glorious thing. I always believed
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in love at first sight, but had not experienced it until I saw this
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person. And this is going to sound like a lot of emotional bullshit and
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tickled-pink crap to show I am one of those hard-to-find sensitive guys,
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but in all honesty, this was very real and very true.
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NM: I believe you.
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CL: Of course you do. You have no choice. Anyway, I fell in love. Wow, what
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a cliche‚ that is. It's true though. An amazing creature she was.
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Intelligent, beautiful, caring -- intoxicating. So she was my woman, I
|
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was her man, and I was convinced that she was "the one." Game over, no
|
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more search- for-someone-to-fill-a-void-in-my-soul. And because of this,
|
||
I dropped pretty much everyone else in my life, including Kilgore and
|
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SoB, for this one person. Pretty unhealthy, actually.
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NM: Are you still involved with this person?
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CL: No. Nope, nope. Not even remotely. That takes us into part two of the
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epic tale.
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NM: You sound kind of hesitant, am I getting too personal now?
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CL: Oh, no, not at all. I am willing to tell absolutely anything about my
|
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life, to pretty much anyone, if they ask. I am not one of those people
|
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who spurt so-called tragedies of their lives to people, looking for pity
|
||
or free donuts. And I don't want people to think I am, so I tend not to
|
||
volunteer that kind of information to others. But if they ask, and want
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to know, I will tell them.
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NM: Just making sure.
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CL: Of course. Politeness is always good. Where was I? Ah. Joy. We were
|
||
an item for quite a long time, and were very happy together. Even got
|
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engaged. After about eight months or so, things began to quickly tumble
|
||
downhill. Beginning with her coming home one morning from a party that
|
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her parents wouldn't allow me to go to, and telling me she had messed
|
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around with a guy.
|
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NM: Her parents wouldn't allow you to go to?
|
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CL: Yeah, well, that is an interesting story. I had been kicked out of my
|
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house a several months earlier and was pretty much homeless. So, I kind
|
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of discretely lived at her house -- sneaking in and out during the
|
||
evening. Until her father, a police officer, mind you, discovered me in
|
||
her room. Had a gun and everything. To my surprise, instead of shooting
|
||
me, he actually let me live there. So I was living with her and her
|
||
family.
|
||
|
||
NM: Interesting.
|
||
|
||
CL: Told ya. Anyway, there was that incident. Combined with her disappearing
|
||
all the time and not telling me where she was or what she'd done. And me
|
||
walking into her room one evening, finding her and another guy -- a
|
||
friend of mine -- naked in bed, watching television. I kind of freaked
|
||
out over that one. But even with that, I still forgave her and convinced
|
||
myself it was just a fluke that would not occur again. And to comment
|
||
further on the disappearing all the time thing, I really don't blame her
|
||
for that. I was extremely possessive, and overbearing. Pretty damn bad.
|
||
A lot of it was my fault, and I will admit it. I suddenly feel like I
|
||
should by lying down. Anyway, it quickly escalated into her constantly
|
||
avoiding me, even though we lived together, and absolutely no physical
|
||
contact with her whatsoever. My turn to sit down.
|
||
|
||
NM: OK.
|
||
|
||
CL: And, to try to make this short, without putting you through the details
|
||
of my pitiful moments of life, I eventually caught her blatantly lying to
|
||
me, found out she had been sleeping with several people while going out
|
||
with me -- a total of 8 or 9 -- and had been doing it for a while.
|
||
Obviously, that wasn't fun to find out. Eventually I just told myself to
|
||
stop all of this, it is very unhealthy. So one evening, our one year
|
||
anniversary, I called her and said good-bye. And that was that.
|
||
|
||
NM: That is depressing.
|
||
|
||
CL: Yeah, pretty sad, but oh well. What can you do? I still haven't quite
|
||
gotten over that yet.
|
||
|
||
NM: Was that your only experience with relationships?
|
||
|
||
CL: <chuckle> No. Unfortunately not. My entire experience with
|
||
relationships consists of a girlfriend who perpetually ignored my
|
||
existence, cheated on me, and left me for a woman. And another female
|
||
who also cheated on my with several people, yet constantly said she cared
|
||
only for me. Neato stuff. All stemmed from my childhood, too.
|
||
|
||
NM: How is that?
|
||
|
||
CL: Well, I can't tell you exactly, because I have blocked out a very large
|
||
chunk of my memory concerning my life. But I can tell you my mother had
|
||
a long affair with some guy, and I knew all about it with details,
|
||
because of various letters she wrote to her friends using my computer,
|
||
which I decided to read one day. That and my parents abusive
|
||
relationship.
|
||
|
||
NM: Rough childhood.
|
||
|
||
CL: Eh, maybe, maybe not. I can go into many other peoples' lives which were
|
||
rougher. Like I said, what can you do? Except to try to heal yourself
|
||
without putting others through misery.
|
||
|
||
NM: Hold on.
|
||
|
||
I put the recorder and phone down for a moment to light a cigarette. The
|
||
black-rimmed bagel woman threw a cinnamon-raisin bagel at me, hitting me
|
||
firmly in the left shoulder.
|
||
|
||
BW: Hey. There's no smoking in here.
|
||
|
||
I met her evil glare with an evil glare of my own and shoved my
|
||
cigarettes and lighter back into my backpack.
|
||
|
||
CL: Yeah, I can't smoke here either.
|
||
|
||
NM: Where are you?
|
||
|
||
CL: Tell you later. Put away all of your things. When the lights go out, go
|
||
into the large baking oven behind the counter.
|
||
|
||
Then he hung up.
|
||
|
||
I looked around behind the counter at the large baking oven next to
|
||
towering racks of bagels, and slowly put my materials back into my backpack.
|
||
I stood there for a few seconds, then thousands of bagels exploded off their
|
||
racks, smothering the black-rimmed bagel woman and the apparent manager. I
|
||
didn't move until the phone rang.
|
||
|
||
Without thinking or taking my eyes off the mound of bagels and flesh, I
|
||
answered.
|
||
|
||
CL: Sorry about that. But, uh, I'd go now.
|
||
|
||
So, I hung up the phone, grabbed my backpack, hopped the counter and
|
||
entered the large oven with the words "BAGELS ONLY" imprinted on it.
|
||
|
||
Fifteen minutes later, after many whirs, clicks, and whooshes, the door
|
||
was opened for me.
|
||
|
||
Stepping out, I realized I was in the middle of some obscure subway
|
||
system, with hordes of people standing in packs holding suitcases, boxes,
|
||
clothes, farm animals, and their children. Cheers of joy, in a multitude of
|
||
different languages, were being hooted about from a crowd across the area, as
|
||
a small pack surrounding an unfaced figure came towards me.
|
||
|
||
Some guy with a shaved head, goatee, and Rage Against the Machine t-shirt
|
||
sprouted out from the people and smiled.
|
||
|
||
CL: Welcome to our bowels.
|
||
|
||
NM: Gee, thanks.
|
||
|
||
CL: You know Clinton has been parading around in his el customo shiny silver
|
||
train, and everybody is always talking about the train, and that He is on
|
||
The Train, and HE is going around on THE TRAIN. Well, we have a train,
|
||
too. And it's not funded by million-billion dollar corporate entities.
|
||
|
||
NM: This is yours?
|
||
|
||
CL: Mine, his, hers, his, his, hers, theirs. Sure.
|
||
|
||
NM: I --
|
||
|
||
CL: Sure. Now you will ask something like, 'why the hell?' or 'what the
|
||
hell' and get a puzzled look on your face.
|
||
|
||
I just look at him with a puzzled look on my face.
|
||
|
||
CL: Yeah, well, it all revolves around that classic welfare bill. Clinton
|
||
wants to kill the hundreds of thousands, if not millions, of illegal
|
||
immigrants. And I am going to save them. This, Noni, is the
|
||
Neo-Underground Railroad. NUR. We call it Reno -- Nothing is Under
|
||
Reno. Humanitarian of the Universe awards should go to us. We go out,
|
||
grab the people, bring them down here, and send them to their new home.
|
||
All for free.
|
||
|
||
NM: Where are they going?
|
||
|
||
CL: Utopia. The land of real dreams and classless society, where much is
|
||
provided and little is wasted. We take care of them, they take care of
|
||
us, and in turn they take care of themselves and vice versa. I sound
|
||
like I'm opening a new retirement community. An anarcho-communistic Sun
|
||
City. Sorta, but not really.
|
||
|
||
NM: Patworld?
|
||
|
||
CL: In a sense. Patworld is more like a 24 hour acid trip, where all is true
|
||
and possible, but nothing and everything is absolute. For those who are
|
||
not happy, come to Patworld and relax, attain, create, or sleep. Do what
|
||
thou will.
|
||
|
||
NM: Are you also a Crowley fan?
|
||
|
||
CL: No. Actually, not at all. I like to steal Kilgore's Crowley books and
|
||
stand on his altar, screaming about the heathenistic things he is doing,
|
||
it being the devil's work, and he shall be damned in hell.
|
||
|
||
NM: Do you believe that?
|
||
|
||
CL: No. I just like to see his reaction. I broke the binding of his book
|
||
once. He beat me with a ping pong paddle.
|
||
|
||
NM: Oh.
|
||
|
||
CL: Come with me.
|
||
|
||
Down a ramp we went, past immigrants and men in coats, ending up at a
|
||
brick wall. Clockwork smirked at me and walked through the wall. And I, of
|
||
course, followed.
|
||
|
||
Clock sat down behind large circular desk and smirked again.
|
||
|
||
NM: Why are there dozens of long-haired wigs on the wall behind you?
|
||
|
||
CL: Those we glue to Ansat's head every evening while he is asleep. We
|
||
figure he misses his long hair.
|
||
|
||
NM: Interesting.
|
||
|
||
CL: No, just an un-creative cheap shot. Hey, close your eyes.
|
||
|
||
I closed my eyes and heard a snap.
|
||
|
||
CL: Alrighty, open your eyes.
|
||
|
||
For some reason we were in the middle of the bagel shop again. No office
|
||
or desk or Ansat hair mountings. Just bagels and no employees.
|
||
|
||
CL: Magick. With a 'C.'
|
||
|
||
NM: You are confusing me.
|
||
|
||
CL: Appy-polly-logies.
|
||
|
||
NM: That is OK. So, what are you're influences in writing?
|
||
|
||
CL: That is a tough one actually. I don't believe there are a great list of
|
||
authors that I admire over the others, at least not consciously. Robert
|
||
Anton Wilson, Timothy Leary, Edward Abbey, Peter Carroll, are the ones
|
||
that have had the most influence in the past few years. Obviously, every
|
||
author I have read in the past has had some influence in my life. I used
|
||
to love Stephen King a long, long time ago, and was an avid reader of The
|
||
Three Investigators.
|
||
|
||
NM: So there is no particular author that is your outright favorite?
|
||
|
||
CL: I don't believe so. It is the same way with me picking clothes. There
|
||
is no particular style I like, just whatever strikes me at the moment.
|
||
Some people say they only like solid colored shirts. Well, you can
|
||
asking them why they like solid-colored shirts, and then ask them why to
|
||
the reason they give you for that. Eventually, you will get down to an
|
||
answer like "because of the feeling I get from them." This feeling is
|
||
very difficult to put into words and explain why, but you know it is
|
||
good, so you follow that feeling. A gut-feeling, so-to-speak. That is
|
||
the feeling I use to pick clothes, books, many things. I try not to
|
||
limit myself with things I have been comfortable with in the past. A
|
||
friend of mine explained it well with an analogy about food. One may go
|
||
to the restaurant every week and chose the same thing because they know
|
||
it is good, and be satisfied with that. But, those that go to the
|
||
restaurant every week and pick something different each time, because
|
||
they know there is a possibility of getting something better. Hopefully
|
||
that makes sense.
|
||
|
||
NM: I think it does to me -- I don't know about anyone else reading this.
|
||
|
||
CL: That is all right. Eventually it will.
|
||
|
||
NM: What is your favorite color?
|
||
|
||
CL: What was the first answer I gave you?
|
||
|
||
NM: Wow.
|
||
|
||
CL: Neat, huh?
|
||
|
||
NM: What do you do for a living?
|
||
|
||
CL: Live. Well, for income, you mean? I am employed by one of the top
|
||
personal computer manufacturers in the world as a systems analyst,
|
||
solving the problems that our corporate, medical, government, and
|
||
educational customers have with their systems.
|
||
|
||
NM: Technical support?
|
||
|
||
CL: Exactly. But it is much more than that. Difficult to put into words.
|
||
You have to come to an understanding of the customer, and at the same
|
||
time hope the customer comes to an understanding of you, to solve a
|
||
problem effectively. And it is an amazing feeling you get after
|
||
assisting someone in solving there problem.
|
||
|
||
NM: The same feeling you get picking out clothes?
|
||
|
||
CL: Yes. I saw a bumper sticker printed in a catalog once stating "God is
|
||
coming. Stick out your tongue." That is very true.
|
||
|
||
NM: I don't understand.
|
||
|
||
CL: I know. Those who have taken acid or any psychedelic substance more than
|
||
a few times do. They may mot know they do, but they do. It is very
|
||
difficult to explain, but that is the whole point. Hard and soft.
|
||
|
||
NM: OK...
|
||
|
||
CL: I apologize, I am being too hard. Look for an article by myself or
|
||
perhaps even someone else sometime in the near future related to the
|
||
item. Hopefully it will explain things much fuller. Or, go read Leary's
|
||
interpretation/application of the Tibetan Book of the Dead and take some
|
||
acid. Not that I am saying everyone needs to do this -- for each his
|
||
own; do what thou wilt.
|
||
|
||
NM: So you are generally pro-drug?
|
||
|
||
CL: Generally, yes. I believe there can be profound things both taught and
|
||
learned from drugs, specifically psychedelics. Timothy Leary showed us
|
||
that. Terence McKenna showed us that. Native Americans, aborigine
|
||
cultures from across the earth, Peter Carroll showed us that.
|
||
Unfortunately, humanity is generally afraid of what they do not
|
||
understand. Such as technology. Technology is the psychedelic substance
|
||
of the 90s, and of the 21st century, unfortunately, many do not understand
|
||
it, and do not fear it. Obviously there are both good and bad points to
|
||
such a thing, depending on how you look at it, but overall it is very
|
||
beneficial. You can apply the same thing to religion. To someone who has
|
||
been a true Christian all there lives, it is the most glorious thing in
|
||
the universe, and they wish to share that with people. However, there are
|
||
those who don't understand that feeling, don't understand where they are
|
||
coming from, and take it completely the wrong way. In turn, they lash
|
||
back at the Christian in a nasty way, just because of misunderstanding.
|
||
On the other hand, there are those who claim to be Christian, and miss the
|
||
point of it. They have a feeling -- gut-feeling -- and are drawn to it,
|
||
but they don't completely understand. And if these people who don't
|
||
completely understand try to get someone else to understand, well, you can
|
||
see what happens -- even further confusion and negative feelings towards
|
||
it. That is what has happened to Christianity today.
|
||
|
||
NM: Are you religious?
|
||
|
||
CL: Yes and no. Do I apply to a classic system of religion such as
|
||
Christianity, Catholicism, Buddhism, etc.? No. But I completely respect
|
||
those religions. I know, although I do not fully understand. I apply to
|
||
myself. The religion of Patworld. Something no one in the universe can
|
||
know, but everyone in the universe already knows.
|
||
|
||
With that, there was an overpowering flash of white light, and when all
|
||
returned to normal, he was gone. I just sighed and smiled, not trying to
|
||
understand, yet. As I gathered up my things and prepared to leave the bagel
|
||
shop, I noticed five small squares of paper in the seat where Clockwork was.
|
||
Perhaps I shall see for myself.
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
|
||
"Nothing is more destructive of respect for the government and the law of
|
||
the land than passing laws which cannot be enforced."
|
||
-- Albert Einstein, "Ideas and Opinions", 1954
|
||
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
WHY NOT TO VOTE
|
||
(for the two-party system)
|
||
by I Wish My Name Were Nathan
|
||
|
||
Election day is NOVEMBER 5. I hope you've registered. If not, there may
|
||
still be time. If you have registered, then remember that many states have
|
||
early voting in case you're excited. In Texas early voting started October
|
||
16.
|
||
|
||
If you're under the age of twenty-five, chances are you're still a
|
||
student, and chances are you still have some self-respect, even if you voted
|
||
in 1992. This year's election is very important for young people with ideals.
|
||
This is your chance to change the system.
|
||
|
||
So, in the presidential election, don't vote. For Clinton or Dole.
|
||
|
||
Promoting dead-in-the-water third parties? What kind of an American am
|
||
I?
|
||
|
||
Unfortunately, after years of disappointment in government, I'm still an
|
||
optimist. I suppose it will take something pretty harsh to take that away
|
||
(and I'm not going to tell you about my fear of rats and my even bigger fear
|
||
of someone putting a cage around my head with the rats in it which will make
|
||
it that much more fearful). (Not to mention being forced to listen to "I'm
|
||
Proud to be an American.")
|
||
|
||
This is why I urge you to throw away your vote. I'm not optimistic
|
||
enough to hope that any third party will win this year. Although Perot helped
|
||
out a lot last year to excite the voters, this year the FEC has done a swell
|
||
job of suppressing that excitement. Currently, considering the polls, I'm
|
||
pretty sure Clinton will win again. But that's okay; he's the lesser of two
|
||
evils, although not as much as in 1992.
|
||
|
||
Some will ask -- and do -- why I wouldn't recommend simply not voting.
|
||
After all, Dole and Clinton are the two "choices" in the election. Hell, the
|
||
media knows that! They don't even print Perot articles anymore, except when
|
||
he's been left out of a debate.
|
||
|
||
Obviously, this is a defeatist (and sarcastic) answer, and more often
|
||
than not represents a basic lack of knowledge of the third party candidates.
|
||
What I want you young people (and even you queer types out there who get a
|
||
kick out of reading a kiddie zine) to show the nine-to-fiving,
|
||
alcohol-chugging, briefcase- lugging, job-hating, tax-evading adult alpha
|
||
males out there that this "lost" or "variable" or whatever-the-fuck-"X"-means
|
||
generation is NOT a throwaway generation, by showing them we have the courage
|
||
to make throwaway votes instead of abstaining entirely. What sort of a
|
||
"protest" is it not to vote, not to support someone who represents your
|
||
ideals? Hoping that staying home will send a message to the government --
|
||
"I'm fed up and I demand change!" -- and "cause" change as effectively as a
|
||
prayer will "cause" you to pass a class or get laid. With just a little
|
||
effort, you can research *all* the candidates, make an informed vote, and
|
||
cause change, although probably not immediately. (Do you ever sit back and
|
||
wonder just how many people *do* vote, but *don't* know the candidates'
|
||
stands? Even these people are more important than the apathetic homebody.)
|
||
|
||
Each vote cast for a third party, when taken in total, will ensure big,
|
||
what-the-fuck reactions from the self-loathing rat-race adults who have
|
||
allowed the two-party system to take financial control of the country. These
|
||
adults are bemused at third parties and their flailing attempts to get into
|
||
the race. These adults still wonder what it means on TV when a
|
||
representative's name is followed by "(I)". These adults have bought into the
|
||
Republocratic scheme: "Let me take your tax money, for with me in office, I'll
|
||
pass laws to propagate the two-party system, and I'll make sure you'll never
|
||
hear of another."
|
||
|
||
Think about this: Ross Perot rose out of an abyss in 1992 to run for
|
||
president and earned nineteen percent of the popular vote. (And even with
|
||
that, he wasn't allowed in the debates this year -- not even as a consolation
|
||
prize! Well, I only have to guess the debate commission felt sorry for him.
|
||
All his ideas, such as opposing NAFTA, reducing the size of government, and
|
||
making politicians accountable, were utterly trashed from 1992 to 1996; the
|
||
prospect of change is getting more and more ludicrous.)
|
||
|
||
But I'm not here to lament Perot; he's doing a damned good job of
|
||
inciting interest in voting. There are other candidates, however. My purpose
|
||
here is to point you toward information about at least three other candidates
|
||
and their running mates, each of whom has a unique and compelling vision for
|
||
America. Each of these I mention, I've seen speak. I cranked up my bullshit
|
||
meters to the highest, and they all pass easily. Even if none of them wins,
|
||
their message will still be heard.
|
||
|
||
Please note: please do your own research on these candidates. All my
|
||
sources are straight off the Internet, addresses at the end of the article. I
|
||
can only present summary information here. (See below for a Reform Party case
|
||
study. I got bored really fast and didn't do the others in detail.)
|
||
|
||
* * * * *
|
||
|
||
The Reform Party, whose candidate is Ross Perot running with Pat Choate,
|
||
is considered the most popular third party in this year's election. Riding
|
||
the wave of a nineteen percent popular vote in 1992, Perot officially set up
|
||
the party to promote governmental reform. Having scored zero electoral votes
|
||
in 1992 only underscores their purpose, which is to reform government away
|
||
from the two-party lobby system. Big idea: see below.
|
||
|
||
The Natural Law Party, whose candidate is John Hagelin running with Mike
|
||
Tompkins, is on the ballot in 44 states. (Arizona, Florida, New Hampshire,
|
||
West Virginia, Wisconsin are still seeking petition signatures.) The Natural
|
||
Law Party emphasizes prevention-oriented government, as opposed to today's
|
||
practice of passing laws to fix leaks. Big idea: apply a health-centered
|
||
philosophy to reform, namely in areas of education and criminal
|
||
rehabilitation. Transcendental meditation is one avenue to this.
|
||
|
||
The Libertarian Party, whose candidate is Harry Browne running with Jo
|
||
Jorgensen, is on the ballot in all 50 states, adding 23 states since 1994.
|
||
The party represents the ideal of individual human freedom, as expressed in
|
||
the absolute minimization of government. Through the elimination of taxes and
|
||
citizens' dependence on government programs, bureaucracies will crumble,
|
||
allowing localized institutions to take over the badly-handled social
|
||
programs. To demonstrate this ideal in action, he is not accepting federal
|
||
matching funds. The Libertarians also will erase laws for most consensual
|
||
crimes, namely drug use. Big idea: (Browne) "Would you give up all your
|
||
favorite federal programs if it meant the elimination of the income tax?"
|
||
|
||
Ralph Nader is an independent candidate endorsed by the Green Party. He
|
||
represents the party only on a state-by-state basis, those in which petitions
|
||
have put him on the ballot. Understanding his chances are slim ("It's not a
|
||
numerical jackpot campaign"), he is hoping to educate and rally support from
|
||
progressives and independents for the long haul. Nader's positions are not
|
||
identical to the Green Party's; his personal mission is to elucidate the
|
||
problems of corporate welfare, corruption, and lobbyist power running rampant
|
||
in the country. He is not accepting any campaign contributions whatsoever.
|
||
Big idea: require a "none of the above" entry on ballots.
|
||
|
||
* * * * *
|
||
|
||
Be aware of this essential fact: all these parties/people have many
|
||
ideas in common. Reread that sentence! Unlike Clinton and Dole, who pride
|
||
themselves on their differences, these parties (should) pride themselves on
|
||
their similarities. Further, most of these ideas are far removed from the
|
||
Republocratic platform.
|
||
|
||
Does this imply that there are really two groups -- Republocrats and
|
||
independents? In the weakest sense, yes -- conservatives and liberals, as it
|
||
were. All the parties I describe are liberal parties, meaning they seek
|
||
progress, human freedom, environmental protection, and democracy. The big
|
||
connection is the opposition of corporate control of the nation, which serves
|
||
no citizens besides a few wealthy CEOs.
|
||
|
||
What differs between these parties? The answer is simple -- their
|
||
philosophies. These parties are inherently non-political. These parties are
|
||
the youth parties, in every sense of the word. This doesn't mean, as some
|
||
cigar-chomping wife-beating fatman CEO will tell you, that the parties are
|
||
therefore meaningless, "immature," or impractical. They each have substantive
|
||
ideas, and most have plans to back them up. These candidates have no
|
||
political future at stake; therefore, they are unafraid to make real change
|
||
unlike some lifetime politicians we know.
|
||
|
||
Finally, consider this: November 5 is not only a presidential election.
|
||
There are also congressional elections and state elections taking place.
|
||
Third parties are much more viable at the more local levels, and from there
|
||
they can promote change much more effectively.
|
||
|
||
* * * * *
|
||
|
||
CASE STUDY: REFORM PARTY
|
||
starring Ross Perot and Pat Choate
|
||
formed in 1995
|
||
|
||
Here I will describe the platform of the Reform Party, which will probably get
|
||
the largest third-party vote. But instead of voting for them as a protest,
|
||
you may choose to vote for their ideals. If this party does not appeal to
|
||
you, see the sources at the bottom of the article for other third-party
|
||
information.
|
||
|
||
* * * * *
|
||
|
||
[While I will try to be objective factually, I will interject my own opinions
|
||
where I want, in brackets. Be sure to distinguish.]
|
||
|
||
The Reform Party's goal is described in its name -- reform the federal
|
||
government. The voters demanded reform and did not get it from the
|
||
Republocrats. "Two-thirds of all voters wanted a new party -- half of all
|
||
Democrats, half of all Republicans." Ross Perot started the party officially
|
||
in 1995, taking in members from 1992's United We Stand organization.
|
||
|
||
The goals of the Reformers are realistic: fix the financial problems the
|
||
United States suffers from, and replace their causes with sensible, up-to-date
|
||
solutions. [A warning -- the Natural Law Party supports many of these
|
||
proposals too, and it was formed in 1992. So don't think Perot came up with
|
||
all these himself.]
|
||
|
||
Congress is the first target of the Reformers. Perot will strive to set
|
||
the "highest ethical standards" for Congress, by eliminating gifts, junkets,
|
||
and free meals. Congresspeople will no longer receive government health care
|
||
or retirement benefits. Terms will be limited to a total of six years for
|
||
representatives and twelve years for senators. [Admirable. The emphasis on
|
||
congressional reform reminds voters that the Constitution defines
|
||
congresspeople as temporary participants in government, not long-time
|
||
plutocrats. Although this may make Congress an undesirable place to work, it
|
||
should get rid of those who enter for personal gain.]
|
||
|
||
Lobbying and campaign reform go hand-in-hand, both financial barriers to
|
||
reform. Lobbying will be restored to its original, beneficial purpose -- the
|
||
presentation of ideas to Congress, not money. The exchange of money and gifts
|
||
will be illegal. Furthermore, former members of Congress will not be allowed
|
||
to become lobbyists. For campaign financing, all congresspeople will be
|
||
required to raise money in their own state or district. Foreign money will be
|
||
absolutely out of the question. [Still-idealistic students wonder why common-
|
||
sense laws don't get passed, or even presented to Congress. Money is why.]
|
||
|
||
Next, the government will be subjected to financial accountability.
|
||
Perot will press for a balanced budget amendment (which, of course, is the
|
||
citizens' job to ratify). Then, with each budget year, the government will
|
||
publish annual financial reports so people know what their tax money goes for.
|
||
Perot emphasizes that the government should be run efficiently, like a
|
||
business; if it were a real business, it would be bankrupt and out of
|
||
operation. [Makes sense, but the government as a business? The government is
|
||
supposed to maintain the Constitution, not make money. But, anyway....]
|
||
|
||
Obviously, now knowing what tax money goes for, voters will want to have
|
||
income tax reform. Perot suggests a comprehensive computer modeling of
|
||
several new tax ideas (flat tax, consumption tax, etc.) to verify any new tax
|
||
code. Then, taxes will be filed electronically, eliminating the huge amounts
|
||
of paper wasted every year. Finally, tax increases will be approved by the
|
||
voters. [What about voting to decrease taxes? What if a zealous president
|
||
cuts spending to zero just for kicks?]
|
||
|
||
Election reform is one of the most promising tenets of the Reformers.
|
||
Elections will be moved to the weekends for maximum attendance. The electoral
|
||
college will be banned. Exit polls will be forbidden to prevent undue
|
||
influence on people in other time zones deciding whether to vote. [No qualms
|
||
with any of this. Too many current election practices are holdbacks from the
|
||
Reconstruction.]
|
||
|
||
Perot believes abortion is "between a woman and her God [sic]," which is
|
||
a good step to admitting that this simply isn't a government issue. Women
|
||
will have abortions whether or not it is forbidden by the government.
|
||
|
||
As for the issues on which Clinton and Dole are perseverating: Perot is
|
||
all for a strong military, to defend our country against all threats, namely
|
||
terrorism and drugs. He will keep a contract with the people not to commit to
|
||
military involvement unless the people are committed. [Just watch as the
|
||
people consistently vote down proposals to kill foreigners! "Now, listen
|
||
people," Perot will plead, "you gotta agree to this. You see, we've got to
|
||
fight in Thailand. The prostitutes in Bosnia are sucky."]
|
||
|
||
An interesting fact he notes is that much of our defense spending goes to
|
||
protect Germany and Japan, countries forbidden to gain military power due to
|
||
World War II treaties. These countries are now strong and reliable enough to
|
||
pay for their own defense.
|
||
|
||
Perot has interesting ideas for crime policy. He wants to put money into
|
||
rehabilitating youths who get arrested for drugs or violent crimes. All
|
||
right. He wants criminals to put in "a long, hard day's work" in prison to
|
||
expunge the "pampered criminal" phenomenon. He wants life sentences without
|
||
parole for those convicted of three violent crimes. And he wants to make good
|
||
conduct, literary, and marketable skills to be prerequisites for violent
|
||
offenders' release. [[ Double brackets! This is completely ludicrous! All
|
||
these goals are mutually exclusive! All together, he wants violent criminals
|
||
to be rehabilitated in labor camps while learning to read to prepare for an
|
||
utterly different job, and for them to have good manners about this
|
||
bullshit! ]]
|
||
|
||
Education is an important issue, which Perot reminds us has dropped from
|
||
the "best in the world" to the lowest as a result of the federal government's
|
||
taking over of education in 1960, resulting in widespread "functional
|
||
illiteracy." He hints at starting education in very early childhood, when the
|
||
brain is developing. [No specifics, but he's on the right track. And I still
|
||
want to know what "63 percent [of high-school graduates] can't meet the
|
||
reading and writing standards" means. That doesn't imply illiteracy. Of the
|
||
American population, 97% are "literate," and that includes a great deal of
|
||
people who never finished school!]
|
||
|
||
Reformers will take action concerning the future of Medicare and Social
|
||
Security and other welfare-like programs, preventing future collapse with
|
||
nonpartisan committee reviews and reforms. If further-reaching health care
|
||
solutions are sought, Perot wishes to emphasize that the final decision should
|
||
be that of the doctor and patient, not of the government. In any case,
|
||
changes will be explained to the people and pilot tested in local areas to
|
||
prevent catastrophe. [Good idea, for those of us with economics PhDs.]
|
||
|
||
Perot hates drugs too. His policy statement actually focuses on cocaine,
|
||
which is actually a dangerous drug that gets kids killed. Good move. He
|
||
points out that Coast Guard policing of the borders has decreased
|
||
significantly since 1991, implying more imports of cocaine. [He quotes the
|
||
statistic that 52% more high school students use drugs from last year. You
|
||
mean, 100 out of 50,000,000 used them last year and 152 did this year?
|
||
Percent changes are meaningless!]
|
||
|
||
Perot promotes environmentally-conscious reforms by corporations, who are
|
||
credited with destroying much of the country's resources and its air.
|
||
Alternative fuels, solar energy, conservation, preservation, reduction of
|
||
paper, etc., are all suggestions. "Environmentalism and capitalism can
|
||
benefit each other." [The actions Perot suggests are only possible,
|
||
unfortunately, once lobbying reform happens. So there is a distinct hierarchy
|
||
here.]
|
||
|
||
* * * * *
|
||
|
||
My opinion: the platform is admirable. Perot is not tied to major
|
||
parties, so he has little to lose. However, that applies to all these
|
||
candidates. In any case, his ideas are palatable and practical for the
|
||
financial problems shadowing over the country. Perot has good knowledge of
|
||
finance -- it's why he's rich. Unfortunately, from the perspective of youth,
|
||
I don't think Perot knows what we want. He doesn't seem to care that
|
||
corporations, even if out of government, will still harm the people whose
|
||
money they take through price-fixing. I didn't find any opinions about
|
||
college loans, censorship, Internet law, gay rights, religion, or legalizing
|
||
unharmful drugs. Societal reforms are just as important, if not more
|
||
important, than financial reforms, because even after the banks and the stock
|
||
market crash, the society will remain. All in all, though, the issues Perot
|
||
addresses are expedient and important to consider.
|
||
|
||
As for his character, one can't help but wonder about the delegates'
|
||
strange voting scheme during the convention. Just what was going on? An
|
||
electronic voting system was used, which was not entirely foolproof, but not
|
||
enough information was released about the procedure, the problems, or the
|
||
outcome. Some wonder if Perot fixed the nomination. (The mass media, of
|
||
course.) The issue here is, what kind of a person is Perot? Will his
|
||
supposed egotism get in his way when he proposes these controversial reforms
|
||
on an unyielding Congress?
|
||
|
||
Further, do we really need an insanely rich capitalist to be president?
|
||
When we have lawyers for president, hundreds of new laws are signed. When a
|
||
businessman becomes president, can we be sure he won't bow down to big
|
||
business before the people?
|
||
|
||
Lastly, consider this: does government need to be reformed and fixed, or
|
||
should it be drastically changed? Most of the government's "duties" and
|
||
powers are in direct violation of the 9th and 10th Constitutional amendments;
|
||
is it not idealistic to hope that fixing even these issues will fix the
|
||
problem of our eroding democracy? Decide for yourself.
|
||
|
||
* * * * *
|
||
|
||
LINKS TO FREEDOM
|
||
|
||
General election pages:
|
||
|
||
http://dodo.crown.net/~mpg/election/96.html
|
||
(Includes presidential and congressional races. Highly recommended.)
|
||
|
||
http://www.eye.net/Netizen/Progressive/list/party.html
|
||
(This page includes parties from many Western countries, such as Canada
|
||
and Australia, too.)
|
||
|
||
http://www.vote-smart.org/campaign_96/
|
||
(Presidential, congressional, governors, state races, etc., etc.!)
|
||
|
||
|
||
Specific party pages:
|
||
(the addresses are mostly NO-BRAINERS, sorry to insult you)
|
||
|
||
http://sunsite.unc.edu/spc or http://sunsite.unc.edu/spc/prez
|
||
(Socialist Party Cybercenter)
|
||
|
||
http://www.lp.org or http://www.harrybrowne96.org
|
||
(Libertarian Party)
|
||
|
||
http://www.natural-law.org or http://www.hagelin.org
|
||
(Natural Law Party)
|
||
|
||
http://www.reformparty.org or http://www.perot.org
|
||
(Reform Party)
|
||
|
||
http://www.greens.org
|
||
(Green Parties of North America)
|
||
|
||
http://www.ustaxpayers.org
|
||
(Token conservative party page. Warning: it is real, I think.)
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
|
||
"Is there any knowledge in the world which is so certain that no
|
||
reasonable man could doubt it?"
|
||
--Bertrand Russell, _The Problems of Philosophy_
|
||
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
THE ESSENCE OF MY EXiSTENCE
|
||
by Clockwork
|
||
|
||
The past of my own life, as I know it, is scattered with blacked out
|
||
periods of time. From birth to my first few years in high school, I recollect
|
||
nothing but scattered still shots of certain occurrences, not knowing what
|
||
goes where and what happened when. Perhaps that is what lies behind my drive
|
||
for the truth -- a subconscious desire to uncover my own past, by uncovering
|
||
that of others.
|
||
|
||
Being raised in an alcoholic family adds clues to this great personal
|
||
mystery, allowing me to make educated guesses as to why my memories are
|
||
shrouded from myself, and why I am so concerned with humanitarian issues, but
|
||
does not help uncover those memories. Even with my experience in hypnosis and
|
||
meditation I have run into great black walls keeping me from myself.
|
||
Eventually, I shall break through and come to a great understanding of my own
|
||
inner being.
|
||
|
||
My fondness for animals derives from my mother -- her too being a
|
||
humanitarian, but more of the one who speaks greatness, rather than showing it
|
||
through actions. Unfortunately, that trait has followed me to an extent, also
|
||
-- feeling complete disgust in high school when fellow classmates hurled rocks
|
||
at a few frisky dogs running about the campus, but being too frightened of my
|
||
own well-being to do anything about it. It is this downfall in myself I am
|
||
fully recognizing and attempting desperately to overcome.
|
||
|
||
Recently, just a few weeks ago in fact, I found myself in a similar
|
||
predicament. A mile or two down the road I live off of lies a small quarry in
|
||
which limestone is scraped from the earth to be used in various construction
|
||
projects around Texas. From my own home, I have been able to look across the
|
||
hillsides and neighborhoods about me and observe the progression of that
|
||
distant barren area of land for the past ten years. All that time my feelings
|
||
towards such mining practices was one of indifference, believing they have to
|
||
get such materials from somewhere, but I had never actually seen what such a
|
||
site consisted of.
|
||
|
||
During one of my many treks observing nature and civilization in central
|
||
Texas, I stumbled across this quarry in person, and decided to get a
|
||
first-hand view as to what exactly has been going on in my backyard. Entering
|
||
the land on which it occupies (ignoring the "No Trespassing" sign), there lied
|
||
in front of me a dozen monstrous piles of dirt, sand, and various types of
|
||
rocks, all evenly separated and placed about a cleared area. Behind the
|
||
miniature mountains sat a collection of grotesquely industrial contraptions,
|
||
sitting still while being bathed in artificial bulbs. I stood and stared for
|
||
a while, trying to make some sense of the conveyors, ramps, and large red
|
||
buttons. My logical reasoning was overwhelmed by the massiveness of the
|
||
object, though, so I slowly strolled further down the road, towards another
|
||
great lighted structure.
|
||
|
||
After walking maybe a hundred yards towards the structure, I found myself
|
||
directly in front of it, realizing it was more massive than the first. In the
|
||
middle of reading various signs placed around the bottom of the building, I
|
||
heard a very load rumbling in the distance. I sprinted to a nearby hill and
|
||
dove to the ground as a very large dump truck-like vehicle rumbled by, halogen
|
||
lights and all. Now, being human, my mind and heart were racing, fueled by
|
||
paranoid thoughts. Nonetheless, I pressed on towards the darkness the dump
|
||
truck emerged from. Then I stopped walking.
|
||
|
||
Before me was a mammoth pit cut into earth, indescribably wide and deep,
|
||
with minuscule bulldozers and dump trucks in the far corner, the grinding and
|
||
scraping of their diesel fueled body parts echoing across the gorge. You
|
||
could see the lights mounted on the front of the machinery shimmer across a
|
||
vast pool of water in the depths of the quarry.
|
||
|
||
To be honest with you, I felt like I was going to puke.
|
||
|
||
I just stood there and took in this catastrophe of man, feeling wave
|
||
after wave of nausea, trying to make sense of the things we are doing on this
|
||
planet. After the nausea came several tears, and more mumblings from my
|
||
mouth, concerns I've held dear to me about the destructiveness of man.
|
||
Everything was plainly painted in front of me, as real as I could ever imagine
|
||
it. Immeasurable voids in the earth. What will they do? Will they continue
|
||
raping and plundering the planet, leaving void after void after void until
|
||
there is noting left? This was not even a large project -- this was a very
|
||
small outfit. Twenty miles away lies Texas Crushed Stone and their own quarry,
|
||
which is plainly visible for miles from the interstate. What travesty of
|
||
Mother Nature had they done here?
|
||
|
||
Sporadic thoughts began to invade my mind, beginning with instant
|
||
visualization of the lyrics to "When the Music's Over" written decades ago by
|
||
Jim Morrison:
|
||
|
||
What have they done to the earth?
|
||
What have they done to our fair sister?
|
||
Ravaged and plundered and ripped her and bit her
|
||
Stuck her with knives in the side of the dawn
|
||
And tied her with fences and dragged her down
|
||
|
||
These things were seen by many thirty years ago. These things were seen
|
||
over a hundred years ago, and was cause for the founding of the Sierra Club by
|
||
a few brave souls in 1892. With the clearing of the majority of the original
|
||
forests covering the east coast by the mid-1850's, this should be evident to
|
||
everyone.
|
||
|
||
Suddenly I felt like Edward Abbey, the infamous environmental author of
|
||
books such as The Monkeywrench Gang and Desert Solitaire, which inspired the
|
||
environmental activist organizations Earth First!, along with many others. In
|
||
both the aforementioned books, Abbey fantasizes about "some unknown hero with
|
||
a rucksack full of dynamite strapped to his back" who would place his
|
||
explosives strategically along Glen Canyon Dam in Arizona, and detonate them
|
||
on the day of the dam's dedication ceremony for the most glorious effect.
|
||
|
||
This is what I felt. Pure raw emotion -- disgust, loathing, sickness,
|
||
frustration, rage. All directed towards the evils put upon the earth. I
|
||
wanted to tear the guts from the machines in front of me, stop them from
|
||
destroying that which it was created from. But what could I do? Screaming
|
||
senseless obscenities at the people who piloted those vehicles would do no
|
||
good. They are just doing their jobs, most likely supporting husbands, wives,
|
||
and families. Wreaking havoc upon the equipment was a possibility, but not at
|
||
that moment -- I certainly did not want to end up in jail.
|
||
|
||
So I wept.
|
||
|
||
Now, here I stand in life, containing vast amounts of knowledge, angst,
|
||
ferociousness, and determination, wanting frantically to save our planet, to
|
||
save our morals, to save our livelihood. I have come to the point where I am
|
||
realizing knowledge is worthless unless it is acted upon. My existence is not
|
||
to passively go through life, counting away the years as my 401(k) plan piles
|
||
up, but to cause and lead great triumphs for humanity not only in this
|
||
country, but around the planet. And so many still think I am a fool.
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
|
||
"The power of accurate observation is commonly called cynicism by those
|
||
who have not got it."
|
||
-- George Bernard Shaw
|
||
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
CYNiCiSM -- REViVALiSM
|
||
by I Wish My Name Were Nathan the Demagogue
|
||
|
||
[Written 8/16/96; excuse the dated references. ;) ]
|
||
|
||
I spent most of today watching the last day of the Republican National
|
||
Convention coverage on C-SPAN and CNN. Under some states of mind I would have
|
||
considered this a waste of time. I probably will tomorrow. But today I have
|
||
realized something important about the American people and their government:
|
||
too few people are cynical enough, but more than enough people are deathly
|
||
afraid of cynics.
|
||
|
||
One example of this is Governor Richard Lamm, impossible nominee for the
|
||
Reform Party. This man has long been derided by the media as a "doom 'n'
|
||
gloom" candidate, a pessimist. This is code for the fact that he is a cynic.
|
||
This also means he probably doesn't lie to his constituents.
|
||
|
||
What? Am I actually linking cynicism with a tendency to tell the truth?
|
||
I feel I have to clarify this -- I am. Watching the convention has heightened
|
||
my awareness of many people's concepts of reality. (I have nothing specific
|
||
against the Republicans in this sense; I'm sure the Democrats will just as
|
||
well mirror my observations.) Herein I define cynicism as the ability to see
|
||
the existence of and foresee the effects of human fallibility, and to publicly
|
||
admit it in a large group. I argue that lacking the ability to be cynical
|
||
leads to mistruths and misunderstanding.
|
||
|
||
Take the presidential candidate Bob Dole. I listened to his entire
|
||
speech, occasionally yelling addendums to his words I wish he had included.
|
||
For example, he spent five minutes bashing the government for taking too much
|
||
tax money. Then one minute later he bashes Clinton for cutting defense
|
||
spending and vows to jack it up again. What accounts to 75% of the taxpayer's
|
||
money is apparently not worth criticizing. I don't think he or his
|
||
speechwriter meant to make this glaring lie; however, a lack of cynicism
|
||
shrouded the real meaning.
|
||
|
||
Had Dole's speechwriter been more cynical, he would have bashed the
|
||
government for taking too much of the corporations' and wealthy people's
|
||
money; then he would have vowed to build more weapons to keep McDonnell-
|
||
Douglas' and Boeing's government contracts secure. That would have contained
|
||
no contradictions. Of course, that's not what anyone wanted to admit right
|
||
out.
|
||
|
||
Later in the speech, side-by-side he defended his belief in the
|
||
superiority of each person's judgment (disliking the government's tendency to
|
||
control our lives), and then bashed Clinton's leniency toward youth drug use.
|
||
I can let this one pass; still too many Americans do not realize that some
|
||
illegal drugs simply cannot compete with heroin and cocaine since they pose no
|
||
health hazard. But I must wonder why he ignored Clinton's harsh stance
|
||
against teen smoking.
|
||
|
||
A political convention is probably the most flimsy source for examples of
|
||
false idealism. I apologize for that; the convention hasn't worn off me yet.
|
||
I can provide reams of examples of times when cynicism would be more truthful.
|
||
In commercial advertising, marketers could point out the obvious: "Two-day
|
||
sale! Save up to 25%! (Oh, and save 100% by staying home!)" In the
|
||
upbringing of children: "Don't play with yourself! Why? Because it reminds
|
||
me of when I was punished for doing the same thing even though I knew it
|
||
wasn't wrong." Taking a job: "You realize we're only hiring you since we
|
||
need more labor and a higher profit margin. A job is our using you as slave
|
||
labor for our own ends; we only pay you so you won't leave or die of
|
||
starvation. And if you dare get any original ideas, we'll show you the door."
|
||
|
||
In interactions with the police: "I stopped you and your friend walking
|
||
here along the sidewalk because you look suspicious. If I don't find anything
|
||
illegal on you in what amounts to a random search, I'll get pissed and detain
|
||
you two for a long time so that passersby won't think I made a mistake." In
|
||
wedding vows: "For better or worse... but it really only gets worse. You two
|
||
are stuck together until one of you realizes the other is no longer sexually
|
||
attractive -- which is why you met in the first place. Until you have
|
||
children, you're like two wild animals in a cage -- you'll either fight or
|
||
ignore each other. And when you have children, you're really stuck since
|
||
you'll have to maintain the sham marriage in order to provide a proper family
|
||
environment. Oh, and wait until you find out which one's the alcoholic, and
|
||
which one can't overcome the sexual frustration at his limited choices and has
|
||
an affair or becomes a chronic masturbator like he was before he met you! I
|
||
do thee wed."
|
||
|
||
Is that enough? Can you see that cynicism could be applied usefully
|
||
prevent future problems? There are popular myths used to cover up all the
|
||
cynicism in the above situations and countless others: A job is the
|
||
obligation necessary to maintain the economy. Masturbation interferes with
|
||
proper sexual development. The police are upholding order. Marriage is a
|
||
time-honored commitment of love and responsibility. I am willing to bet that
|
||
most people already see through the myths and already understand the subtexts
|
||
illustrated above. If so, then why aren't people candid about them?
|
||
|
||
Obviously, there is a reason for concealing cynicism -- it maintains
|
||
people's hopes, however false. And I have nothing against optimism and
|
||
idealism -- when applied in the long term. Ideals can rightly be called the
|
||
basis for action, and optimism the fuel with which to cause action. Ideals,
|
||
however, should not be used to ignore problems that exist. Not even
|
||
politicians should appeal to ideals to get votes. "God, liberty,
|
||
responsibility, country!" Why does Dole say he's "for" these ideas? That's
|
||
what this country was founded on (my own qualms about religion aside); no
|
||
opponent of his is running under the ideals of "Cthulhu, totalitarianism,
|
||
apathy, and anarchy?", right? This rhetoric has no place in useful politics.
|
||
What Americans are concerned with is what has happened since 1776. We care
|
||
about the potholes now, not the highway planner's original dream for efficient
|
||
personal transportation.
|
||
|
||
Again, I will backstep. Dole's appeal to "God, liberty, responsibility,
|
||
country" had some connection with the modern-day issues of religious decline,
|
||
governmental ball-grabbing, voter apathy, and anti-patriotism. He is trying
|
||
to remind us of the ideals we should still be following. But why not inject
|
||
some cynicism into the argument; why not try to explain why these issues exist
|
||
rather than clouding the voters' minds with beautiful abstractions?
|
||
|
||
The influence of the church has declined in the American family and
|
||
community. Divisions between the religious and the nonreligious have widened;
|
||
atheism is accepted in some groups while fundamentalism is equally accepted in
|
||
others. The disturbing trend Republicans see here is the move away from
|
||
religion. Organized religion is in decline because "the" religion,
|
||
Christianity, is losing younger followers due to intolerance, money lust,
|
||
hypocrisy, and the more lustrous gleam of the religion of science.
|
||
Conservatives dare not attack the cause; they rather prefer to act like
|
||
injured animals and blame liberalism for destroying faith.
|
||
|
||
Liberty has been faltering for a long while: the Constitution declared us
|
||
free individuals, and the government has since been saying, "Not quite!" more
|
||
and more forcefully. That much is true. (I imagine Bob Dole would rather
|
||
repeal a bunch of economically restrictive laws rather than morally
|
||
restrictive ones. I doubt he cares that the government had no right to pass
|
||
the latter laws.) At the heart of the problem here though is the fact that
|
||
people do not stand up for their liberty any longer. Once adamant and
|
||
stubborn, American people have turned into cowards regarding their personal
|
||
freedom. We cheer when anti-terrorism bills fly through Congress after a
|
||
bombing with no thought to the long-term erosion of liberty or the fact that
|
||
terrorism is already quite illegal.
|
||
|
||
American voters no longer appear to want to choose candidates for office.
|
||
This is obviously a serious problem if we are to maintain a representative
|
||
government. Solutions have been hurled in this direction -- MTV's Choose or
|
||
Lose, the motor-voter bill, expanded network coverage for elections. But, who
|
||
will attack the roots of the problem? Most destructive to the democratic
|
||
spirit are the unregistered power-voters called political action committees,
|
||
the anti-populist electoral college, the binary-opposition financially-
|
||
protected two-party political system, and the widespread and acknowledged
|
||
corruption in government. Politicians will not give up the system, however.
|
||
They see their work as tenure, not as a privilege given to them by other
|
||
people. They would rather take one of two sides than step out and offer to
|
||
argue important issues. They disrespect their constituencies by passing
|
||
inane, illegal laws without the request and often against the wishes of the
|
||
people. Is it any wonder we are refusing to vote for this?
|
||
|
||
The rise of anti-American sentiment is corroding belief in the country,
|
||
and independent anti-government militia groups are endangering its stability.
|
||
Okay, true. Our government thinks it is successfully eradicating these
|
||
problems by passing laws against them and expanding its right to beak into our
|
||
houses. I fear I can understand why the government thinks these measures will
|
||
solve the problems -- the only way to sway "terrorists'" opinions is to punish
|
||
them; they've obviously forgotten that the proper way to induce change is
|
||
through the ballot box. Why start a militia when a vote would be better
|
||
spent? These wackos must have obviously taken a power trip and ignored their
|
||
voting power just to spite us! What goes unmentioned is that the reckless
|
||
power-play passing of laws and the utter inapplicability of the vote against
|
||
the government's police force is at the base of anti-patriotic sentiment.
|
||
Furthermore, the government is infringing on the Constitution in hopes of
|
||
preventing terrorism; not realizing that such abdications of justice are the
|
||
reasons for terroristic anger. Only Article 3, section 3 says anything about
|
||
native "terrorism" -- the term politicians use nowadays to describe treason:
|
||
|
||
Treason against the United States shall consist only in levying War
|
||
against them, or in adhering to their Enemies, giving them Aid and
|
||
Comfort. No Person shall be convicted of Treason unless on the Testimony
|
||
of Two Witnesses to the same overt Act, or on Confession in an open
|
||
Court.
|
||
|
||
This clause is being extended to say that setting off a cheesy bomb at a
|
||
concert is considered "levying War," and that subscribing to Irish Republican
|
||
Army literature is "giving [Enemies] Aid and Comfort," even though they are
|
||
not enemies of America but of England. Furthermore, the two "witnesses" can
|
||
now be electronic devices, and "confession in an open court" can now happen in
|
||
a small dark room. I do not believe terrorists are the problem; rather it is
|
||
the fact that terrorism exists and that justice must be abdicated to prevent
|
||
it that shows something is seriously wrong with the democratic process.
|
||
|
||
Will you hear any politician or political pundit talk about this? Of
|
||
course not. This only comes out of hacks in underground publications, wackos
|
||
in talk radio, from geezers in retirement homes, and Libertarians, none of
|
||
whom can be taken seriously because they have no power. People under the myth
|
||
of idealism can write them off, ignore them; for anyone in power to say such
|
||
things is a reason for fear. It would say that the problems might actually be
|
||
real, and people would panic, or actually take action. From the exalted
|
||
politician's position, however, the last thing he wants is an agitated and
|
||
fearful populace. That might lead to revolt, or even worse, loss of office.
|
||
What I still find most amazing is that most people know what's wrong, even the
|
||
politicians -- but as long as no one high-up admits it, we can continue to
|
||
ignore the problems. We are a nation of closeted cynics. Who will out us?
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
|
||
[=- POETASTRiE -=]
|
||
|
||
"The poets? They stink. They write badly. They're idiots you see, because
|
||
the strong people don't write poetry.... They become hitmen for the Mafia.
|
||
The good people do the serious jobs."
|
||
--Charles Bukowski
|
||
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
THE OTHERREALM
|
||
by DeMoN
|
||
|
||
shower me with black sunshine and i will grow, for i have been gifted
|
||
shower yourself with black sunshine and you will become enlightened (as i am)
|
||
and be sucked into the void and you will no longer be a part of this silly
|
||
thing we call life;
|
||
you will enter the otherrealm.
|
||
time and space shall become as meaningless to you as the tastes of colors and
|
||
the smell of silence
|
||
and as your body shrinks and contorts to enter the abyss, your enlightenment
|
||
will drive you mad and for a precious moment you will be all and all will be
|
||
you:
|
||
infinity shall seem minute in comparison.
|
||
your consciousness will travel to other dimensions and leave all the
|
||
meaningless nonsense you knew behind for those less enlightened to ponder and
|
||
toil over.
|
||
your presence shall visit alien domains where true reality will be revealed
|
||
to you rather than the utterly useless and pathetic entity your pitifully
|
||
inadequate senses perceive reality to be.
|
||
FOOL!
|
||
you cannot understand but a fraction of these ramblings until you are
|
||
baptized with the black sunshine and enter oblivion.
|
||
visit the otherrealm and the doors of perception will be cleansed, and things
|
||
shall appear to you as they truly are:
|
||
INFINITE.
|
||
WELCOME TO THE OTHERREALM.
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
|
||
[=- FiCTiON -=]
|
||
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
SANiTY
|
||
by Morrigan
|
||
|
||
i ran here to escape.
|
||
|
||
i'm not sure what i was fleeing from. i had thought that it was from
|
||
myself, by that makes very little sense. i'll never be able to evade my own
|
||
mind, so what would coming to the forest accomplish? But then, logic never
|
||
was one of my strong points.
|
||
|
||
i'm reduced to the semblance of an Alzheimer's patient. At times, like
|
||
now, i'm completely lucid; it's business as usual within my reason. But then
|
||
there's the times that grow ever more frequent with each passing day, when my
|
||
sentience slips from my slack grasp and i embody the stereotype of bestiality.
|
||
i wander around these woods like a spirit, weaving among the aspens like a
|
||
will'o'the'wisp, leaping over streams like a frightened deer. At those times,
|
||
all i am aware of is the need to run.
|
||
|
||
And throughout the cycle i am always filled with a need so overwhelming
|
||
that i gasp for my breath. In my more rational moments i try to analyze the
|
||
emotion, try to rationalize it in order to banish it. But it eludes me, like
|
||
so much else. And so i appeal to you. Of course. i've appealed to you so
|
||
many ties before. For who are you but me? i am far enough lost by now that
|
||
the distinction is long since misplaced among the shuffle of old papers that
|
||
clutter my brain. Maybe your description is among them somewhere, but no
|
||
mind, all that matters to me is that you, whatever conjuration of my demented
|
||
psyche you might be, you are here.
|
||
|
||
Where to begin? Where to end?
|
||
|
||
i have loved too much in my time, yet love was never enough. i loved
|
||
you, you who aren't really you, more than anything, which was my fault. Who
|
||
you were was a peripheral detail. i needed to attach my lifeline to something
|
||
and you walked though the door at the wrong moment. i still don't know your
|
||
name. But i worshiped you. Would have done anything for you. i watched
|
||
your every move. i only had a brief amount of time to share with you, sitting
|
||
in that waiting room with a ticket in my hand.
|
||
|
||
My daydreams of you probably missed the mark by more than leagues.
|
||
Irrelevant. What mattered was that i had found something to dedicate by being
|
||
to. When i found that we would be leaving on the same bus, i knew deep within
|
||
me that Fate at last smiled upon me. i sat in the row behind you, so
|
||
oblivious to my devotion. But then Fate took away her hand. As i stared at
|
||
the back of your head, i was whisked away to the future. i knew that all would
|
||
be perfect. And when i came back for your hand to lead you to my heaven, you
|
||
were gone, and i had no idea where.
|
||
|
||
Your leaving shattered my already fragile world. So i retreated here. i
|
||
keep expecting to see you. i run and leap and jump, thinking to come upon you
|
||
any second now. But you're gone, against all possibility.
|
||
|
||
Ah, but now _you_ are here. Your coming is perfect. Perhaps he wasn't
|
||
you after all. Oh, it's all so clear now. You're the one i've been looking
|
||
for. Come here, my friend. Come play with me amongst the aspens. Look how
|
||
inviting they are.
|
||
|
||
Don't leave.
|
||
|
||
No, alone, you've left me all alone.
|
||
|
||
But wait! i see you! You're only playing a game, you say? Ah, my love,
|
||
my loves, i see you! Wait for me! We shall have such great fun among these
|
||
trees......where are you?
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
|
||
"So long as the dream lasts consciousness is unable to engage in
|
||
reflection. It is carried along by its own decline and it continues to
|
||
lay bold of images indefinitely."
|
||
--Jean-Paul Sartre, _The Psychology of Imagination_
|
||
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
THE ANGEL
|
||
by Nemo est Sanctus
|
||
|
||
I would admire her from afar. I'd gaze at her -- her golden hair, her
|
||
well formed body -- when I thought she couldn't see me.
|
||
|
||
I don't know how long it lasted, and not only in memory, but even as it
|
||
happened, I would see and remember snatches. Stockinged legs against a short
|
||
skirt and a brick wall. A deeply colored blouse flapping in a slight breeze,
|
||
as she sat and studied, a cigarette between her fingers and a textbook
|
||
clutched hard against her body to keep it from the wind.
|
||
|
||
Over time, this became a veritable obsession. At times, it seemed she
|
||
was all I could see. I'd close my eyes, and she would be gazing at me,
|
||
wistfully, from out of the depths of the deep blue pools of her eyes. I would
|
||
become aware of myself as from out of a reverie or a deep sleep, as from out
|
||
of deep thought, and surprise myself enjoying her caresses, feeling her lips
|
||
against my forehead or on my eyelids, my arm around her youthful waist.
|
||
|
||
I began to follow her. I would be where she would be, following at a
|
||
distance, a little more each day, noting carefully her paths. I could be
|
||
where she was going to be and pick up the trail with less of the risk of
|
||
following. I would sit outside her apartment and wonder at her callers,
|
||
suffering a private hell as I internally raged against those I decided were
|
||
her lovers, wondering at what she and her friends would do in her apartment in
|
||
the evenings or off, out, where I dared not follow. I waited alone, in cold
|
||
or rain, for her to return late that night or early the next morning. Over
|
||
time I assigned names to go with the personalities, a veritable pantheon, all
|
||
centered around my little angel, building a universe in my own image as if the
|
||
world were as obsessed with her as was I.
|
||
|
||
I grew haggard and thin. I took the time to care for myself as needed --
|
||
bathing and eating -- but as little as possible, and what time I did take for
|
||
myself came out of my sleep. My employment was terminated; as my bank account
|
||
depleted my bills stacked up, but I had ascended. I was in the world, but not
|
||
of the world. She was the only world real to me.
|
||
|
||
There came a time, I suppose it was inevitable, when she noticed me. I
|
||
didn't know how much she knew. I still don't. She said something about
|
||
having seen me around, or so I thought I recalled as I descended from a
|
||
transcendent state and found she truly was standing before me. Sitting in a
|
||
coffee shop, less aware of what if anything was real than I had even been
|
||
those past few weeks. I told her I had been watching her. I told her I had
|
||
come to love her from afar. She told me I should not do so. She invited me
|
||
to ascend.
|
||
|
||
I remember we talked. I forget what of. I know we laughed, but not what
|
||
about. Probably nothing I would laugh at in my normal state. It was probably
|
||
the laughter of infatuation, of two young people not particularly aware of
|
||
where or who they were, simply of who was before them. We went back to the
|
||
apartment I knew so well, and she retired to the bedroom.
|
||
|
||
When she came back out she was even less clad, and the vague pink cloth
|
||
that floated around her like a sunrise cloud, above naked feet and naked legs,
|
||
clung to her body like a pink mist and enhanced her cherubic form. I begged
|
||
her to stand still, to let me look at her, to devour her chastely.
|
||
|
||
She laughed -- she misunderstood completely. With a touch, before I
|
||
could cry out in protest, the cloth buried her feet, and she was exposed.
|
||
|
||
Seen thus, without the cloth, without the mystery, without the wonder, my
|
||
own illusions shattered like a porcelain figure knocked from off a
|
||
mantlepiece, or off the top of a Christmas tree. My angel ceased to be, and
|
||
she left only the animal stripped of the anima, just like any other animal I
|
||
had seen, on four legs or two.
|
||
|
||
In anger I stormed out the door, my last thoughts only of thanks that she
|
||
had never so much as asked my surname.
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
|
||
"Ah Love! Could you and I with Fate conspire
|
||
To grasp this sorry Scheme of Things entire,
|
||
Would we not shatter it to bits -- and then
|
||
Remold it nearer to the Heart's Desire?"
|
||
--The Rubaiyat of Omar Khayyam
|
||
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
ANOTHER HORSE DREAMER'S BLUES
|
||
by Morrigan
|
||
|
||
*Just do what comes naturally. Seethe and fume and throw a tantrum, for
|
||
all the good it'll do you.* Margery glared at her unintelligibly screeching
|
||
mother from underneath clenched brows. *I don't care what you tell me. None
|
||
of your groundless arguments will ever convince me that you're right. I can
|
||
easily disprove whatever you throw at me, be it money, time, or anything else
|
||
your lost little mind can throw at me. The only reason you want me to give
|
||
this up is that I've finally found something that makes me happy and helps me
|
||
to escape this hell hole we've named home and you're nice and bitter because
|
||
you've realized that it's too late for you, you're already up to your nosehair
|
||
in the sludge and you're thrashing yourself deeper with every passing
|
||
breath....* She noticed that unconsciously she had been clenching her teeth
|
||
and forming fists with her hands.
|
||
|
||
In the depths of her being, Margery heaved a great sigh, trying to force
|
||
her fingers and jaw to loosen. *Let's see... about now, she should be getting
|
||
really worked up... she should throw something right about....now.* Right on
|
||
cue, a book came hurtling at her head. With reflex born of long practice she
|
||
smoothly ducked and straightened. *It never fails to amaze me how well she
|
||
can fling stuff when she's upset,* the girl thought with something distantly
|
||
related to admiration. Meanwhile, the book had crashed into the couch,
|
||
eliciting a startled curse from the bleary eyed man lying there.
|
||
|
||
"Why can't you stupid women keep your fights to yourselves? Why do you
|
||
always bring me into it?" he grumbled. Margery coughed to conceal her barely
|
||
suppressed indignation. "Christ... can't a man have a little bit of peace
|
||
around here to sleep off a hangover?"
|
||
|
||
"If you have a problem, then why don't you go somewhere else?" Margery
|
||
asked, exercising what scant patience she could muster to prevent herself from
|
||
screaming at him. *You always complain, but you never do anything about it,
|
||
do you?*
|
||
|
||
"That's not fair, dear!" her mother interjected. "Be nice to the poor
|
||
man. He probably feels terrible... don't you, sweetie? You're always so mean
|
||
to him, Margery, disturbing him all the time.*"
|
||
|
||
"Yeah, that's it, feel terrible. Give me some quiet, will ya?"
|
||
|
||
Rolling her dark blue eyes, Margery dropped the subject without
|
||
mentioning that it had been her mother who had started the fight, that it had
|
||
been her mother doing all the yelling, and that it had been her mother who had
|
||
thrown the book that woke him. She didn't feel like engaging in a second
|
||
fruitless argument.
|
||
|
||
"Whatever."
|
||
|
||
With difficulty, she quenched her strong urges to stomp or sprint away
|
||
from them, refusing to show her anger and frustration. Instead she began to
|
||
walk calmly, albeit stiffly, out of the room.
|
||
|
||
"Where do you think you're going?" her mother's voice called to her
|
||
retreating back.
|
||
|
||
After common sense overrode the notion of ignoring the question, she
|
||
answered simply, "To the stables." *The one place where I can find some
|
||
relief from my drunken father and stupid mother.* Not trusting herself to be
|
||
able to control her temper much longer, she succumbed to the need to hurry out
|
||
of the room.
|
||
|
||
* * * * *
|
||
|
||
The tears flowed freely, further dampening the neck already sweaty from
|
||
the steep climb up to the clearing. The owner of the neck didn't mind, being
|
||
quite used to this treatment. With true concern in her eyes, she looked back
|
||
at her unhappy companion. She silently asked if there was anything she could
|
||
so, knowing that there wasn't, but also knowing that the question itself would
|
||
help. The concern brought a brief half-smile to the tear-streaked face.
|
||
"Thanks." The single word was all that was needed. They moved back down the
|
||
mountain in relative contentment.
|
||
|
||
* * * * *
|
||
|
||
"Margery's dreaming of horses." The taunting voice broke through her
|
||
reverie. She looked up to see the sardonic face of her classmate staring
|
||
through her. "I don't suppose you'd care to join us in class, could you?
|
||
I'm sure the pretty little horsies will wait for you for a few minutes, won't
|
||
they? Don't they love you enough to that they won't run off if you take away
|
||
your concentration for a moment or two?"
|
||
|
||
The cruel sarcasm made her wince. She bit down on her tongue in order to
|
||
refrain from replying in kind. Instead she choked out an apology and did her
|
||
best to ignore the snickers of the rest of the room. *Goddammit. Why do I
|
||
let myself get so upset over their badgering? I've heard it enough by now,
|
||
you'd think I'd be at least somewhat desensitized. But no, I have to go and
|
||
be hurt by it despite the fact that the only reason they harass me so much is
|
||
because I react to it so satisfyingly.* She managed to escape attention for
|
||
the rest of class and rushed out at the first possible second.
|
||
|
||
Margery had almost reached the safety of her locker when she was accosted
|
||
by Darien, the latest jock to make a bet with his friends that he'd be able to
|
||
sweep one of the unpopular girls off her feet. *Thinks that I'm so desperate
|
||
that I'll have no option but to snatch at the first potential guy that shows
|
||
some some interest in my. Thinks that he's so spectacular that I'm already in
|
||
love with him from afar. I'm so fucking sick of these little boys who can't
|
||
tell one girl from another. All I mean to him is a chance to show off his
|
||
sexual prowess and at the same time humiliate some helpless freak, satisfying
|
||
all his physical and emotional needs, giving him another opportunity to savor
|
||
control. The fact that I don't belong to any of his cliques and therefore
|
||
he'll never have to see or remember he ever again is a nice added bonus.*
|
||
Masking most of her overpowering disgust, she tried to step around him,
|
||
wearing an admittedly tight smile. With a grin meant to charm, he stopped her
|
||
by the arm and slowly winked at her. His face held an overall expression that
|
||
she supposed was meant to be sexy and irresistible.
|
||
|
||
"Hey, baby."
|
||
|
||
She stifled a groan. He wasn't even creative. He had to use the most
|
||
overused, cliched pick-up line ever invented. She made a last attempt to
|
||
escape, trying to look shy and embarrassed by the attention of her obvious
|
||
god. She even managed to blush, though it was more from shame brought on by
|
||
thinking of was she was doing than from love. *Not that he'd be able to tell
|
||
the difference.*
|
||
|
||
Lady Luck was with her. He decided to allow her to go swoon over his
|
||
perfection and sauntered off with one last lingering look. She accomplished a
|
||
smile without throwing up and hastily strode away, filled with relief.
|
||
|
||
* * * * *
|
||
|
||
"Sometimes it seems like the whole world is a cigarette and I'm the only
|
||
ashtray." The horse's ears turned to catch her words and a liquid brown eye
|
||
looked back quizzically.
|
||
|
||
* * * * *
|
||
|
||
Margery cautiously opened the door. She peered into the living room with
|
||
trepidation, but her worry was in vain. Her parents were nowhere in sight.
|
||
*Maybe, just maybe, my luck will hold, and they'll be asleep or something.*
|
||
She crossed her fingers superstitiously, proceeding to the the stairs and up
|
||
to her room on the second floor. Sure now of her safety, she reached out for
|
||
the door handle. Her hand froze in mid-air. *What the hell?* Margery
|
||
strained her ears to make out the words.
|
||
|
||
"You know, since she's been taking her pills, she's seemed much better.
|
||
The medicine really seems to be helping. She doesn't get in those annoying
|
||
black moods anymore," her mother's voice said.
|
||
|
||
"It's almost worth it. But the damn things are so expensive."
|
||
|
||
"Well, she's our daughter, after all. I agree that there's much better
|
||
things that we could be spending that buck fifty a pill on, but she is our
|
||
responsibility, and we love her enough that it's not a problem." There seemed
|
||
to be a bit of strain in the words. There was a long discomfort laden pause.
|
||
|
||
"Whatever." A man's voice broke the silence. "But don't try to tell me
|
||
that you believe that drivel you just spouted. Isn't the big thing nowadays
|
||
getting rid of denial? Aren't we supposed to admit our true feelings and deal
|
||
with them?" He paused expectantly, waiting for a reply that never came. "You
|
||
need me to refresh your memory?" Another pause. "Remember, we had only been
|
||
married for about two years. You thought that you might be pregnant, but you
|
||
kept telling yourself that you weren't because you didn't want to be. And you
|
||
didn't show, so it was easy to convince yourself. Then, about five months
|
||
after you had begun to have your suspicions, your stomach started to grow.
|
||
And then you told yourself that you were just gaining weight. I noticed and
|
||
asked you if you thought you might be pregnant. You said you couldn't be and
|
||
promised to go on a diet. But even though you should have lost weight since
|
||
you exercised constantly and ate enough to starve a sparrow, your stomach just
|
||
got bigger. And so you eventually went to the doctor, who said you were
|
||
pregnant. You begged him to let you have an abortion. They were just
|
||
becoming available then, remember? But it was too late. So two and a half
|
||
months later, you had a kid. And now she's seventeen. And all three of us
|
||
know that we don't particularly want her around. But none of us say anything.
|
||
And so it just gets worse and we fight more and more often. But still none of
|
||
us say anything."
|
||
|
||
Encouraged at last by her husband's honesty, the woman spoke. "Fine.
|
||
I'll admit it. I didn't want her then, and I don't really want her now. But
|
||
we've got her, so there's nothing we can fucking do about it." She paused to
|
||
think. "You know, it wouldn't be so bad if we had something in common. But
|
||
this stupid obsession of hers. I've always hated horses. They're big,
|
||
stupid, dirty creatures that cost a fortune to feed and maintain and have no
|
||
potential for being even the teentsiest bit useful in this day and age. Why
|
||
couldn't she have loved to clean, or cook, or sew, or something helpful? But
|
||
no, she has to go and be disagreeable and choose an expensive hobby that
|
||
contributes nothing to the family except waste." She paused for breath. "I
|
||
mean, look at this place. She's got pictures of horses everywhere." Margery
|
||
heard the sounds of her pictures being lifted and set down roughly. Then her
|
||
mother spoke again, slowly.
|
||
|
||
"And notice that she doesn't have a single picture of us anywhere. You
|
||
know, she's never loved us or appreciated us." She hesitated as she
|
||
remembered. "She was a very quiet child. She'd just sit there and stare at
|
||
you, unsmiling. If she'd shown any love to me, I would have loved her right
|
||
back." She paused to give her mind a chance to get back to the present.
|
||
"We're so good to her now. We pay for her stupid hobby and we pay for that
|
||
medicine so she's happy. And she doesn't show any gratitude. She hates us."
|
||
That voice was starting to sound strained and was beginning to crack with
|
||
emotion. "Ok, so I hate her back. There. Happy? I confess it! Hear that
|
||
world? I HATE HER!"
|
||
|
||
Only then did she hear the floor board creak outside the door. Her eyes
|
||
wide with surprise and shock, she turned to stare blankly at her husband.
|
||
|
||
* * * * *
|
||
|
||
Numb, Margery let her hand fall to her side and turned. In a daze, she
|
||
walked back down the stairs and out the door. Her feet automatically turned
|
||
down the path she'd worn across the field to the stables where she boarded her
|
||
horse. Throughout the two mile walk, her mind was a blur, thinking everything
|
||
and nothing at the same time. While she brushed her horse, she murmured to it.
|
||
|
||
"I always suspected. But I never knew. I always wanted to know. And now
|
||
I do. And now I wish I didn't. But I guess it's for the better. At least
|
||
now I won't be living an unbelievable lie."
|
||
|
||
She got on bareback, not bothering to put on the superfluous bridle. She
|
||
directed her friend to the sea cliffs that were a couple of miles past the far
|
||
side of town.
|
||
|
||
"People are so unkind. People are so unkind," she whispered in time with
|
||
her beast's hooves.
|
||
|
||
Margery realized she'd forgotten to take her Prozac that morning.
|
||
|
||
* * * * *
|
||
|
||
After two days had passed with no sign of their daughter, the couple
|
||
decided to put out a missing person's report.
|
||
|
||
The two bloated bodies were found three weeks later, washed up on a beach
|
||
down the coast.
|
||
|
||
* * * * *
|
||
|
||
|
||
"Look at the poor things. Numb with shock, they are. What a pity," the
|
||
woman whispered to her friend.
|
||
|
||
"Just look at those faces. They look like someone scrubbed their
|
||
emotions away. Such a tragedy. Well, I suppose we should leave them to their
|
||
grief," the other woman replied as they left the funeral.
|
||
|
||
"That look just kills me. So forlorn."
|
||
|
||
* * * * *
|
||
|
||
"At least we don't have to pay for the horse and the medicine anymore,"
|
||
the dry-eyed woman said to her husband over the grave.
|
||
|
||
Their eyes met and the blank surfaces of their faces were broken by
|
||
smiles.
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
|
||
"I could not say I believe. I know! I have had the experience of being
|
||
gripped by something that is stronger than myself, something that people
|
||
call God."
|
||
-- Carl Jung
|
||
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
THE INEXPLICABLE, CLEARLY EXPLAINED
|
||
by I Wish My Name Were Nathan
|
||
|
||
- 1 -
|
||
|
||
I haven't dreamt in a long time. I don't usually notice when I do dream,
|
||
but lately I've noticed a distinct lack of mind imagery and it's affecting my
|
||
sleep. A friend suggested I drive around, to fill my mind with images and
|
||
ideas that could later fuel some dreaming. After a few minutes of explaining
|
||
his theory, however, he started to get worried about my driving around. "Not
|
||
having dreams sounds sorta serious to me," he said. "I don't know if it's
|
||
safe for you to drive."
|
||
|
||
I assured him I wouldn't drive, and the next day I got into my car and
|
||
set out for the open road.
|
||
|
||
The weather that day was annoyingly humid and clouds were threatening
|
||
rain. I had nothing else to do, though, so that was the day I drove around.
|
||
|
||
I could see where some of my friend's worry seemed useful as I steered my
|
||
car out of the driveway. The air inside was stuffy and hot; I had no air
|
||
conditioning. It threatened to exhaust me. I rolled down my windows and
|
||
sensed that the constant rush of wind by my ears would lull me to sleep. But
|
||
I had to drive. So I drove slow. I took in the scenery.
|
||
|
||
September in Texas witnesses an unpredictable smorgasbord of weather.
|
||
All summer there had been a drought and only a small number of short
|
||
rainfalls. So far this month it had rained hard at least twice a week.
|
||
Hurricane remnants. Jesus' suffering tears. Who knew.
|
||
|
||
At any rate, I had ignored the clouds when I set out that day and ten
|
||
minutes into my pleasure trip the clouds burst. Fat droplets crashed on my
|
||
windshield and streaked down the fine coat of dust on it. I was torn between
|
||
leaving my windows open, to avoid baking in the humidity, and closing them, to
|
||
avoid drowning in the electric rain. I begrudgingly rolled up the windows and
|
||
kept driving.
|
||
|
||
Two minutes later visibility was down to zero. My windshield wipers were
|
||
not all that great, either. Not that it mattered much. I could see enough.
|
||
I had driven into the countryside where I could distinguish the road from the
|
||
grass. Not many other cars were on the road, either. In fact, the very few I
|
||
expected to see never came into view. Judging by the ferocity of the
|
||
downpour, I didn't blame everyone else for staying home.
|
||
|
||
The top of my car hummed with raindrops. The sound pleased me greatly.
|
||
I've always had a romantic association with rain, reminding me of long-past
|
||
dark nights I spent huddling in bed, loving the fact that I was safe inside
|
||
under the covers. Unfortunately, this memory tended to make me drowsy. I
|
||
shook myself awake.
|
||
|
||
Bright lightning tore through the sky, sheathed by the thick clouds and
|
||
their distance. Most targets seemed to be in the city. Tall antennas. Radio
|
||
towers. The few trees in the farms and wild fields I passed in my car were
|
||
puny compared to those. Peals of thunder momentarily overwhelmed the
|
||
audiosphere. Fearfully, gratefully, the raindrops would return to dance above
|
||
my head.
|
||
|
||
I had nothing to do that day, so I kept driving on through the storm. It
|
||
was a refreshing experience; humorous, almost. Free car wash. Traveling to
|
||
exotic lands. Really, I had no destination in mind, and enamored by the chaos
|
||
of the storm, I freed myself from charting a path. I'd probably long since
|
||
left Juncture. I hadn't even turned in a while. Seeing the promise of a
|
||
bland city in the distance, I turned onto another road.
|
||
|
||
Looking out through the windshield, I realized I'd entered a sort of
|
||
woodsy area. What used to be a scattering of trees along the road transformed
|
||
into a wall, a crowd of trees, towering over my head and over the road. It
|
||
annoyed me a little, since the trees diverted the luscious rain, diminishing
|
||
the tap-dance on the roof. I was able to see farther, though.
|
||
|
||
I was quickly reminded of my inexperience with the area. Between two
|
||
walls of trees, I saw a fast-flowing river of water, leaves, and twigs running
|
||
across the road. I slowed down to judge its power. It didn't seem at all
|
||
high to me, so I backed up a few feet and then accelerated forward through the
|
||
current. All was well, I assumed, until I realized my tires had lost their
|
||
grip with reality and my car was floating tail-first off the road.
|
||
|
||
I revved my engine and heard twin fountains of sludge shoot out beneath
|
||
the wheels, but I couldn't gain control. I looked back and saw the woods and
|
||
the current gushing between the sparse trees. There was so much water that
|
||
the whole area was flooded, looking like a lake dotted with scandalous trees.
|
||
As I surveyed the scene, I felt the back of the car falling off the road. In
|
||
panic I wondered if I was on a bridge or not. The tilt of the car seemed to
|
||
encourage the possibility. I listened to the sound of the chassis screeching
|
||
on the edge of the pavement, to the rush of water bathing the transmission.
|
||
The tilt grew ever more pronounced. I felt like I was falling. I realized my
|
||
engine had died. I clenched my steering wheel and wondered if I would.
|
||
|
||
With a lurch, the car lost its grip on the road and fell into the
|
||
current, quickly righting itself. The road hadn't been that high, but
|
||
apparently the current had taken away enough sediment from the banks to fool
|
||
anyone. I looked back, wondering where I would be taken. The rear end of my
|
||
car hit a tree, and I figured, nowhere. The current knew better, though.
|
||
Around in a circle the front of my car lazily spun until I was moving again.
|
||
I chuckled in surprise, sighed, and leaned back. I'd given up any notion of
|
||
exiting the car.
|
||
|
||
All around me by the time my wits were settled was trees. Not as densely
|
||
packed as a forest, though, as the progress of my car attested, picking up
|
||
speed. I looked around and saw the trunks of the trees peeking out from the
|
||
water, like submarine spyglasses. I confess my lack of tree knowledge, and I
|
||
imagined they were submerged under feet and feet of water. Judging by the
|
||
lack of typical ground shrubs peeking through, I couldn't doubt it. I could
|
||
see nothing but brown rushing water, swimming twigs and leaves, and grey trees
|
||
steadfastly keeping watch over the whole parade.
|
||
|
||
Again my car struck a guard tree and found itself turned around by the
|
||
force of the water to again join the river. This was no groundspring current.
|
||
My feet were soaked by water leaking into the car through the floor. The
|
||
muffled roar of the water lulled me into the role of grim spectator. I was
|
||
powerless.
|
||
|
||
As the speed of the car increased, I became more and more terrified of
|
||
the inevitable deadly collision with a tree. I watched nervously over my
|
||
shoulder to gauge the possibility, clenching my eyes tight as the car smashed
|
||
through thin trees and missed several larger ones only by merit of the
|
||
efficient current. Eventually, I knew two trees would stand guard against the
|
||
flow and the car would crumple up against it and drown me. I knew it would
|
||
happen with as much violence. The car seemed to be going forty or more, but
|
||
the speedometer didn't offer its opinion. I clenched my eyes shut and tried
|
||
to withstand the ride.
|
||
|
||
* * * * *
|
||
|
||
So involved in my fears of dying, it took a while after minutes of
|
||
anxious expectation to register the fact that the car's velocity had waned.
|
||
So had the noise of the river. Furthermore, it had brightened. My immediate
|
||
superstitious thought was that I was dead. The image coalesced in my mind.
|
||
My soul had left my body. The sound of the river faded as all external things
|
||
do; the feel of my body strapped into the front seat would soon leave me as
|
||
well. When I opened my eyes to assess the odd brightness, I'd see the fiery
|
||
pits of hell dancing on my retinas.
|
||
|
||
That was not how it was, though. I could feel that I was alive. My eyes
|
||
still clenched shut, I felt my car had stopped. Probably the current of the
|
||
river had shifted suddenly and the inertia of the car was no match and my car
|
||
left on the path of least resistance. I had come to a stop outside the
|
||
forest, and the brightness was the sun. I slowly opened my eyes and tested
|
||
the hypothesis.
|
||
|
||
I had gotten one part right.
|
||
|
||
The image before me was much brighter than expected; I had to squint
|
||
before I could take it all in. What I saw before me was simple: wheat.
|
||
Yellow wheat, lazily stirring in the breeze. Up above, in stark contrast, was
|
||
the blue sky, not a cloud in it.
|
||
|
||
I decided to get out of the car and take a look. I reached for the door
|
||
handle, which wasn't there, and tumbled out onto the ground, my mouth full of
|
||
grain. Bewildered, I looked back and saw my car had no door on it. No
|
||
*doors* on it. No tires or windows either. The axles of the car rested on
|
||
granite blocks. The seat I'd been sitting on was sun-weathered, cracked, and
|
||
faded. I bet my Armor-All was gone, too.
|
||
|
||
I finally figured I was dreaming -- probably my car smashed into a tree
|
||
and knocked me out. But I didn't want it to be a dream. That would be a lame
|
||
pretext for my current situation. I tried all the dreaming tests. Pinched
|
||
myself, called out my name, tried to fly. Didn't work. Never works in real
|
||
life. Maybe that's because no one ever tries to when they're awake.
|
||
|
||
I was only a little sad at the demise of my car. I didn't like to drive.
|
||
My horse and buggy was a dogsled on rocks.
|
||
|
||
The vastness of the wheat field again took hold of my attention. Yellow
|
||
wheat, stirring in the breeze like the tops of the trees, wind-kissed, wind-
|
||
stroked. I could see a building in the distance, so I started walking toward
|
||
it, like a fly to dung. Through the wheat I swung my legs and felt my feet
|
||
crushing stalks beneath. The dry, woody smell of the plant bombarded my nose.
|
||
|
||
Before I had reached a third of the way to the building, which now
|
||
appeared to be a house, I noticed two figures running toward me. I stopped
|
||
and peered at them under the shade of my hand. They seemed to be a boy and a
|
||
man, probably his father. As they came nearer, I saw they were decked out in
|
||
authentic hick clothing. The boy lagged behind in the wheat.
|
||
|
||
"Now, you stop right there, you high-and-mighty son of a cunt!" the man
|
||
yelled. I had already stopped and now I froze. The man was not happy. "Is
|
||
this him?" he yelled to the boy, who finally caught up, wheezing.
|
||
|
||
The boy looked emaciated, his eyes drawn deep into their dark sockets.
|
||
He peered at me glumly, not making eye contact. "Yeah," he said in a soft
|
||
voice. I could have sworn I recognized him from somewhere.
|
||
|
||
The man's hand lashed out and grabbed my neck. "You motherfucking
|
||
horseshit child molester," he growled. I was lifted off my feet. I struggled
|
||
to break free to explain myself when I felt a sharp cymbal-crash car-crash
|
||
bolt of pain flood my entire body, then evaporate into nothingness. I fell
|
||
limp.
|
||
|
||
The man, who I now figured was the father, dropped me and I tumbled to
|
||
the ground in a heap. I couldn't move anything except my eyes and mouth and
|
||
they weren't making much of an impression. The father swung his leg into my
|
||
sides, stamped his boot down on my crotch, picked me up and struck me down. I
|
||
was indifferent, feeling no pain, but scared as hell.
|
||
|
||
I made appealing gestures at the boy, who simply stared down at me with
|
||
an empty smile on his lips. He swung his foot into my face and broke my nose.
|
||
Dirt mixed in with the blood and fell into my eyes. I started to cry.
|
||
|
||
The beating ended abruptly, leaving me to realize I was having difficulty
|
||
breathing. Through my misty eyes, I was able to see ribs jutting through my
|
||
shirt. The father picked me up by the neck and dragged me toward the barn, my
|
||
eyes squinting in the sun, my feet dragging helplessly in the dirt.
|
||
|
||
In the barn, the father cradled me in his arms and carried me up a ladder
|
||
to the loft. I lay in the hay and coughed up blood for a few minutes until he
|
||
returned with a rope. I scrambled for the ladder in my mind, so agonizingly
|
||
close, but not with my limbs, so agonizingly still.
|
||
|
||
The father plunged his thumbs into my eyes and crudely wiped them clean.
|
||
I blinked a few times and looked up at him pleadingly. He had no reprieve to
|
||
grant.
|
||
|
||
"You remind me of a slimy, grungy shit-stain lying there," he remarked,
|
||
carefully tying the rope into a noose. "You stuck my eleven-year-old boy.
|
||
You pritnear killed him, hollowed him out inside. I have you some words of
|
||
advice here, may not help you out in Hell, but if God's green earth ever has
|
||
the misfortune to see your kind again, you might just remember. God don't
|
||
take kindly to molesters. God hates molesters. God hates *you*."
|
||
|
||
The choice words offended me in their inaccuracy, but I had no chance to
|
||
reply. The father slipped the noose around my neck, stood me up, and kicked
|
||
me over the ledge, all the time holding the rope himself. The fall didn't
|
||
kill me. I dangled at the end of the rope, oscillating lazily about. The boy
|
||
I'd apparently molested stood a few feet away from me, staring at me with
|
||
those dead eyes. I watched him watch me fade to black.
|
||
|
||
* * * * *
|
||
|
||
I was lounging on a short brick wall surrounding the commons on Friday
|
||
afternoon waiting for Uri to arrive. We usually hung out together on Fridays
|
||
seeing as how neither of us had a sex life. I was trying to follow an
|
||
argument in Nietzsche's _Genealogy of Morals_, failing outrageously, my eye
|
||
distracted by girls walking by. The end of the week tended to bring out the
|
||
sexy in people.
|
||
|
||
All of the lights had been turned off in the commons and as I sat on the
|
||
wall, I felt like I was being drawn into a black hole. It was a weird
|
||
experience. During any other day of the week, from seven in the morning to
|
||
eight at night, you could find students or at least teachers congregating in
|
||
the commons. It was a cheap meeting place. And a cheap eating place. The
|
||
food wasn't half bad. They only made that at scheduled times during the day,
|
||
of course, but the snack machines were always on.
|
||
|
||
The emptiness of the commons lording over me as I waited for Uri often
|
||
reminded me of the end of a movie, or of the earliest hours at a subway
|
||
station, when only a few stragglers remain to be swept away in the tide of
|
||
human life. Sometimes I wished I could be swept away by someone more exciting
|
||
than Uri.
|
||
|
||
When Uri arrived that afternoon, he was lugging a heavy backpack on one
|
||
shoulder and walking with a tilt. He also carried several sheets of
|
||
posterboard under his arm and his shirt was speckled with eraser droppings. I
|
||
assumed he'd been doing something creative.
|
||
|
||
"Hey, Uri," I said.
|
||
|
||
"Nathan," he replied, swinging his backpack down to the floor and
|
||
propping up the posterboard behind it.
|
||
|
||
"You look tired."
|
||
|
||
"I've been working on these posters."
|
||
|
||
"I can see that. What do they say?"
|
||
|
||
"Glad you asked," said Uri. He picked them up from the floor and
|
||
displayed the first one to me. It read: "The offer has expired."
|
||
|
||
"Cue cards?" I asked.
|
||
|
||
Uri flipped to the next one. It read: "Our friendship is up."
|
||
|
||
"What's this for?" I asked.
|
||
|
||
Uri reached into his pocket, pulled out his wallet, and pulled a card out
|
||
of it and handed it to me. The card had about thirty holes punched out of its
|
||
perimeter. In the middle was written:
|
||
|
||
---------------------
|
||
Cosigners
|
||
Uri S---
|
||
and
|
||
Nathan A---.
|
||
---------------------
|
||
One friendship.
|
||
9/24/91 - 9/24/96.
|
||
Allstate Insurance.
|
||
---------------------
|
||
|
||
"I decided not to get it renewed," Uri said. "You suck as a friend."
|
||
|
||
"Explain."
|
||
|
||
"You don't give me birthday cards with money in them. You've never
|
||
offered to get me liquor or pot. You're really pretty boring. Plus I think
|
||
you're gay."
|
||
|
||
"I'm not boring!" I retorted. "Or gay!"
|
||
|
||
"It doesn't matter, I think you are. Irreconcilable differences."
|
||
|
||
"What do you want me to do about it?"
|
||
|
||
"A blowjob would be nice, but you wouldn't be allowed to tell anybody."
|
||
|
||
"No!"
|
||
|
||
"I knew you were boring. Here, keep this," he said, handing me the
|
||
expired friendship card. "Maybe you'll learn from it." Then he picked up his
|
||
backpack, slung it over his shoulder, and walked off.
|
||
|
||
"I can keep the posters?" I asked.
|
||
|
||
"Sure, put them on your wall or something."
|
||
|
||
"Thanks a lot!" I replied.
|
||
|
||
* * * * *
|
||
|
||
I was eagerly driving my car to pick up Jennifer. I was giddy and
|
||
fidgeting in the seat at the stoplights. Jennifer was in my government class
|
||
at high school. She always wore button-down plaid dress shirts and black
|
||
jeans and Doc Martens. She had a lot of spirit. She liked to contradict the
|
||
teacher and make him look foolish. I always got a little twinge when she did
|
||
that. I'd never talked to her in class but I always watched her from two
|
||
aisles over and she occasionally met my glances with a smile. I called her up
|
||
and she was happy to go out with me.
|
||
|
||
I parked in her driveway right next to her car and got out and rang the
|
||
doorbell. Her mother opened the door and let me in, taking a bemused sideways
|
||
glance at me. I wasn't dressed formally. I had on a white t-shirt with a
|
||
black one over it, roomy blue jeans, sneakers, and a smart red cap turned
|
||
backwards. I was grinning from ear to ear, nervously chattering and gyrating
|
||
in place with my hands behind my back.
|
||
|
||
Jennifer came out of a back room wearing a button-down dark-green-and-
|
||
black checkered dress shirt, Doc Martens, and a black knee-length skirt and
|
||
leggings. It was almost comic how quickly I became erect. I shoved my hand
|
||
in my pocket and hugged her with my free arm, to be caught in a snapshot.
|
||
|
||
I chatted with the parents while stroking myself through my pocket.
|
||
Jennifer couldn't stop smiling at me and I couldn't stop stroking myself.
|
||
With an abrupt cry, she managed to wrench me free from her parents' scrutiny
|
||
and we went out to the car.
|
||
|
||
"Oh wow, Jennifer, you look awesome," I said, and wrenched my hand from
|
||
my pocket and hunched over the steering wheel to look at her sideways.
|
||
|
||
"Thank you, Nathan," she said. "You look really cute, but overdressed."
|
||
|
||
I grinned. I said, "I know, I know. I'm burning up! Two t-shirts may
|
||
fly in the winter.... but it was just a cover-up." I pulled off the outer t-
|
||
shift and turned so she could read the message on the inner one: "Antisocial
|
||
boy enjoys kisses."
|
||
|
||
Jennifer laughed, covering her mouth. "That's so cute! Is it true?"
|
||
|
||
"What part? I mean --"
|
||
|
||
"Don't worry about it. I'm glad you hid it from my folks. They were all
|
||
worried about us having sex on the first date."
|
||
|
||
I smirked uneasily. "Yeah?"
|
||
|
||
"Boy, I told them off!"
|
||
|
||
My mouth fell open. "Oh!"
|
||
|
||
"C'mon, get this car moving. Let's go find somewhere private," she said,
|
||
squeezing my leg.
|
||
|
||
Nervously, I drove downtown and parked behind the library. I turned to
|
||
her and shrugged. It seemed dark enough. I glanced down at my shirt and
|
||
grinned wanly.
|
||
|
||
"Let's get out and do it in the garden," Jennifer said, opening the door
|
||
and dashing around the car to open my side. "C'mon!"
|
||
|
||
My mouth dropped open. I was amazed and confused and had all but lost my
|
||
will to perform. I hadn't even considered the possibility of sex. Really,
|
||
I'd just wanted to talk and have a heart-to-heart.
|
||
|
||
I wandered clumsily out of the car. Apparently there was a garden next
|
||
to the library, a densely-packed patch of soft grass with apple-red poppies
|
||
and bluebonnets growing in it. I walked near it to look it over and Jennifer
|
||
shoved me to the ground and lay on top of me.
|
||
|
||
"What's going on?" I finally asked, bewildered at the swift progression
|
||
of our relationship.
|
||
|
||
"We're gonna fuck, right here," she said.
|
||
|
||
"But why?"
|
||
|
||
"Don't say you didn't want to! I mean, it's all I was planning on."
|
||
|
||
I shrugged.
|
||
|
||
"You boys are all the same," she scolded. "Sensitive males of the
|
||
nineties, looking for a deep emotional bond before deflowering their girls. I
|
||
don't want to deal with all that shit! It takes too much time, and it always
|
||
ends up the same way."
|
||
|
||
"But, it wouldn't," I said, defending myself. "We could --"
|
||
|
||
"Okay, stop it. I see you're not going to take this lying down. Here's
|
||
the facts, Nathan. You're a loser. I wouldn't be caught dead in a
|
||
relationship with you. I just wanted to get fucked, and never talk to you
|
||
again. So go on, get yourself worked up like you were at my house, and let's
|
||
get this over with."
|
||
|
||
Gravely my penis woke up and went to work against all my orders. I lay
|
||
broken and wilted among the flowers while Jennifer thrust herself onto me. I
|
||
tuned her out and concentrated on the stars.
|
||
|
||
She suddenly cried out and gushed all over me. Startled, I looked up
|
||
into her distant eyes as she kissed me primly upon the cheek. "Crushing boys'
|
||
souls always makes me come," she drawled. "Sure hope *you* remembered to." I
|
||
hadn't. She slid off me and washed herself using a nearby faucet.
|
||
|
||
I trudged back to the car. Jennifer got in. I drove her home, robotic,
|
||
sticky and drowned. The smile never left her face.
|
||
|
||
* * * * *
|
||
|
||
I was at the end of my rope when the air conditioning unit turned off.
|
||
Frustrated yet again, I opened my eyes with a sigh, catching the clock radio's
|
||
display flip over to 4:00am. I tugged on the electrical cord around my neck,
|
||
keeping it taut while I waited for the mask of noise to return. With the air
|
||
conditioning off, the house was completely silent and any odd noise such as
|
||
the crack of a neck or flailing helpless gagging would easily arouse my
|
||
parent's attention. God knows I wouldn't want to be caught in the act, the
|
||
semen still wet upon my legs.
|
||
|
||
So I stood on the top of the stepladder, much against the instructions
|
||
pasted on it, and fiddled with the cord I had tied to a naked pipe running
|
||
overhead. There was about two feet of slack. I calculated I had a good foot
|
||
of dangling room.
|
||
|
||
I was too tall to be standing on the ladder like that and had to bend
|
||
over and rest my head on the molding above the closet door. I was growing
|
||
impatient, fearful of falling asleep while I stood there in the dark. The
|
||
only light in the room was from my clock radio, an eerie green glow bathing
|
||
even the furthest wall. The eerieness extended to the piece of paper sitting
|
||
on my desk which was my suicide note. It read simply, "Yes, I committed
|
||
suicide. Don't rummage through my stuff."
|
||
|
||
My knees and neck were growing tired so I flexed my legs using my few
|
||
feet of slack. Acutely aware of the noise I was making, however, I stopped.
|
||
Even a light tap on the pipe with a fingernail seemed to reverberate through
|
||
the whole house. So keenly aware I was, I imagined I could hear my clock
|
||
radio humming, although it didn't do that.
|
||
|
||
Two loud clicks from the hallway made me realize that I'd been hearing
|
||
the air conditioner start up. And indeed, it soon whirred and hummed into
|
||
action. I was ready. Clutching the pipe above my head, I lifted the
|
||
stepladder with my feet and moved it over so I could fall down unobstructed.
|
||
Maybe it would have been more courageous to kick the ladder down, but again,
|
||
that would be too noisy. Standing askew on the ladder, I glanced down to say
|
||
goodbye to the floor, when I noticed that my mother was huddling in the corner
|
||
of the closet, watching me.
|
||
|
||
"Oh, hi mom," I said, standing up straight and bonking my head on the
|
||
pipe.
|
||
|
||
"Oh, hi, Nathan," she said sardonically, as if I knew she'd been there
|
||
all along. "You look distracted. You weren't planning to commit suicide
|
||
again, were you?"
|
||
|
||
"Oh, no," I said, confused.
|
||
|
||
"Don't kid with me, young man. I know what you were planning to do. I
|
||
want you to know that suicide is a very cowardly act, plus it's dangerous.
|
||
You've given no thought to those you'll leave behind, have you?"
|
||
|
||
"Like who?" I asked.
|
||
|
||
"Tsk! Your father, your brother, me. The cat. Your friends and
|
||
teachers."
|
||
|
||
"I don't have any friends. And none of you love me. The cat only likes
|
||
me when I'm feeding him."
|
||
|
||
"Nathan, that's not true. I think the cat has genuine affection for
|
||
you."
|
||
|
||
"I guess so."
|
||
|
||
"Take that cord down and go to bed. I don't like to think of suicide.
|
||
I'm not emotionally stable enough to handle the possibility."
|
||
|
||
"Oh, so this is about you?" I asked.
|
||
|
||
"Of course it is. I'm your mother."
|
||
|
||
"Oh," I said, thinking. I was about to reply when I noticed that she was
|
||
gone. Her speech had persuaded me not to kill myself. That, and I was
|
||
getting tired. Quite absent-mindedly, I walked down the stepladder without
|
||
undoing the cord. At the second step I felt the cord go taut, and it shocked
|
||
me into falling off the ladder and hanging myself.
|
||
|
||
|
||
- 2 -
|
||
|
||
One Sunday morning I was tricked into going to the grocery store to pick
|
||
up some ice cream and cat food. I didn't want to do it, preferring to sleep
|
||
in, but as the circumstances were, I was the candidate shopper. By the time
|
||
I'd driven up to the store, a little smile had graced my face. I was going to
|
||
view the experience from the imaginative viewpoint that I was independent and
|
||
simply shopping for my own pleasure.
|
||
|
||
I nearly got off on the wrong foot by heading for the shopping carts. I
|
||
wasn't buying enough to justify it. I'd walked clear over to them, though, so
|
||
I reluctantly pulled one free and wheeled it into the store. Here I was
|
||
granted instant punishment: the wheels were squeaky as hell. One in the back
|
||
was sticking too, a big piece of dried-up gum impeding its progress. I gave a
|
||
wan smile to those people around who I was distracting, but none of them
|
||
seemed to notice. Lesson number one: independent people are used to noisy
|
||
shopping carts. I grinned and pushed the monster inside.
|
||
|
||
After that lesson, I started to have fun. Aimlessly searching for the
|
||
ice cream and cat food, I made my way up and down each and every aisle. I saw
|
||
so many different kinds of people there that I was risking overwhelming my
|
||
senses. Obviously, a large number of the people had come from church, families
|
||
of three or four, the father and sons dressed in dark suits and ties and black
|
||
shoes, the mother and daughters wearing brightly-colored Sunday dresses and
|
||
appearing much more comfortable. But many people hadn't come from church, or
|
||
had dressed poorly for the occasion. Middle-aged men wearing t-shirts and
|
||
shorts, looking about ready to start up the grill. Young women, probably
|
||
students at the local university, dressed very casually with slogan t-shirts
|
||
or halter tops and wind shorts, bike shorts, but never skirts or dresses.
|
||
Only the older women wore dresses, mired in the tradition of the discredited
|
||
generation, or simply mired in the tradition of comfort. Many of the women
|
||
wore slacks too, but only the college-age wore jeans. The children in
|
||
attendance were predictably Dallas Cowboys fans or participants in sport
|
||
themselves, wearing soccer shorts, baseball caps, or basketball jerseys.
|
||
Typical of the town that the kids would have no strictly casual attire. The
|
||
elderly shoppers wore every combination of loud and ugly clothing, polyester
|
||
and plaid, courdoroy and dotted. What was special about them was that they
|
||
didn't give a shit. I admired that.
|
||
|
||
When I finally found the cat food aisle, I witnessed a shocking display
|
||
of rudeness. An old lady parked next to the product I wanted to select and
|
||
stood hunched over her cart, meticulously calculating the sum total of her
|
||
purchases. I couldn't begrudge her that; I assumed that once I started
|
||
shopping for myself I'd need to count pennies. I stood behind her for at
|
||
least a minute, clearing my throat, and rocking my cart back and forth to make
|
||
the wheels squeak. I was sure she'd notice me, but she kept on counting and
|
||
counting as if I didn't exist. It occurred to me that she might be hard of
|
||
hearing, so I said, "Excuse me, please," in an audible voice, which elicited
|
||
no response. I repeated my request louder, to compensate for any lack of
|
||
hearing she might have, and she continued to ignore me. I tried to
|
||
rationalize it: she had seniority; I was a geeky high school boy. She could
|
||
be as damn stubborn and slow as she wanted. But even as she stood aside her
|
||
cart, clearly able to see me as I made helpless gestures at the cat food she
|
||
was blocking, she ignored me, not even looking. Frustrated, I rammed my cart
|
||
into hers and sent it a few yards down the aisle. She finally looked up,
|
||
emitted a grunt, and walked over to her cart to continue counting. I was
|
||
furious, picked out the wrong brand of cat food, and was too proud to exchange
|
||
it in the woman's presence.
|
||
|
||
I forced myself to smile and soak in the pleasure of watching all the
|
||
other people in the store who were not that woman. I headed down the aisle
|
||
toward the ice cream freezers on the wall, and again found myself the victim
|
||
of rudeness. Although I was on a main thoroughfare, as it were, no one gave
|
||
me the right of way. I had to jerk my cart to a stop to avoid crashing into
|
||
people carelessly wheeling in front of me. I formulated in my mind lesson
|
||
number two: the guy with the squeaky cart is reduced to subhuman status.
|
||
|
||
I got the ice cream from the freezer and tossed it in the cart. It and
|
||
the cat food make a nice couple, sliding around in grandiose angles every time
|
||
I made a turn. I'd learned my second lesson and took the less populated
|
||
aisles up to the front of the store.
|
||
|
||
Naturally, I headed for the ten-items-or-less register, at which there
|
||
was a long line. I felt silly standing in the line with my big shopping cart,
|
||
however, so I switched over to a different register. A man's purchases had
|
||
nearly been tabulated, so I put the cat food and ice cream on the conveyor
|
||
belt with a green divider behind them.
|
||
|
||
Predictably, my two purchases melded with the man's larger load and the
|
||
checker tallied up the ice cream and cat food on his bill. Humorously
|
||
expecting some small-town friendliness, I imagined the man would say, "I'll
|
||
handle those, son," but instead, he snapped, "Those aren't mine!" I shrugged
|
||
and smiled abashedly, wishing I'd moved the green divider in front of my
|
||
purchases instead. No one was behind me yet. Strangely, though, the checker
|
||
did look behind me to see if anyone was waiting at an abnormal distance in
|
||
line instead of realizing the two extraneous items were mine. I pointed to
|
||
myself, grinning, expecting the relieved laughter to burst at any moment, but
|
||
it never came. The checker forestalled the man's payment and exit for an
|
||
uncomfortably long amount of time, twirling the ice cream around and tapping
|
||
on the cat food bag, trying to explain their mysterious presence. "Those are
|
||
mine," I finally said in exasperation. No one heard me. Someone else scooted
|
||
into line and rammed up against my legs. I looked back angrily and saw that a
|
||
kid had done it and was so embarrassed that she was peering at the wheels as
|
||
if to look for a cause for the collision.
|
||
|
||
Finally the checker shrugged and stashed my purchases under the counter,
|
||
taking the man's money and giving him change and a receipt. I moved forward
|
||
in line, glaring at the checker, whose name was Sandy, and shoving my shopping
|
||
cart into the case of cigarette cartons against the wall. I leaned back
|
||
against the case, utterly infuriated. Ever more creative, I had scoped out
|
||
rule number three: he with less than ten items at a general register will be
|
||
shunned. I was pretty sure I'd never get into the habit of enjoying shopping.
|
||
|
||
Not to be written off so easily, I climbed onto my shopping cart and on
|
||
top of the cigarette case, stood up proudly, and cried, "I demand
|
||
satisfaction!"
|
||
|
||
No one replied. Not even a thumb to the nose.
|
||
|
||
Sandy did walk under me and remove a huge box of Marlboro Reds, though.
|
||
|
||
"I demand an explanation for this injustice!" Ever louder, I cried, "I
|
||
demand a satisfactory explanation! Now!"
|
||
|
||
After a while, the humor of that wore off, and like the poorly tied
|
||
balloon I was, I lost all my air and sagged down to the ground truth of the
|
||
situation. I was simply nonexistent. Either I was invisible or very easily
|
||
ignored. The sociological implications of this were beyond my understanding.
|
||
I'd found out some strange facts during my lifetime, but none of them involved
|
||
being utterly shunned in the supermarket. Even the limits of socially
|
||
acceptable behavior no longer applied to me. When a man walked close by, I
|
||
yelled out, "Hey!" and kicked the back of his head; he ignored me and took out
|
||
revenge upon a nearby bagboy by leveling him with a punch to the back of the
|
||
skull. I felt bad for that.
|
||
|
||
I was stunned by the consistency of everyone's ignoring me. Soon I
|
||
started to feel helpless. I didn't know what I should do to remedy the
|
||
situation. I wondered what deep-seated laws I had inadvertently violated
|
||
during this trip. Was it the extravagant use of a shopping cart for two
|
||
items? My lollygagging at the customers rather than the efficient selection
|
||
and presentation of my purchases? My socially unacceptable use of a squeaky-
|
||
wheeled shopping cart? Or something more subtle? Was I supposed to say "hi"
|
||
to people I passed in the aisles? Or a more appropriate repression of my
|
||
happiness? More impulse shopping?
|
||
|
||
Oh, I couldn't figure it out! I leaned back, crushed, while shoppers
|
||
passed by me in all directions, while checkers occasionally lugged out crates
|
||
of cigarettes from between my legs, while the world chugged on without me.
|
||
What had I done?
|
||
|
||
It took some experimentation to figure it out. I noticed that people
|
||
were very cautious not to look at me or run into my legs as I swung them about
|
||
from my loft. So I tried to force people to notice me, predicting how they'd
|
||
shrug it off. The next time Sandy walked up to get some cigarettes, I held my
|
||
legs in front of the case so she couldn't open it. She anxiously shook the
|
||
handle and jiggled the key in the lock and pretended to peer through my legs.
|
||
She finally returned to the customer and said they were out of that brand. I
|
||
knew she'd do that. And, countless times, when I held my foot out to catch
|
||
someone in the face, they'd look up, pretending to be startled, and shake
|
||
their heads about in pretended wonder, walk on, and look back in confusion. I
|
||
didn't know whether to be insulted by their predictability, or amazed by their
|
||
strict adherence to my shunning.
|
||
|
||
It finally took a creative turning of the tables to understand. On the
|
||
verge of leaving the store frustrated, I lightly considered the possibility
|
||
that I was making them ignore me rather than their ignoring me on their own.
|
||
It was subtle; perhaps my obvious frustration extended my period of
|
||
punishment, perhaps I had to demonstrate remorse to be set free. It was worth
|
||
a shot. I jumped off the cigarette case, held my arms out in triumph, and
|
||
smiled. No response. Some fool did bump into me and put on quite a show of
|
||
confusion.
|
||
|
||
I tried the only thing left I could imagine. It was silly, it seemed
|
||
pointless, it was worth a try. I figured I'd get a cookie for figuring it
|
||
out. I cried out, "Look at me! I exist!"
|
||
|
||
Within half a second someone had shoved an Oreo in my mouth.
|
||
|
||
That was entirely too unsettling for my tastes. My eyes wide open, I
|
||
cautiously bit down on the cookie, found it to be edible, and deliberately
|
||
chewed it. I glanced around, wondering who had slipped me the cookie. No one
|
||
met my glance but I distinctly caught people looking at me through my
|
||
peripheral vision. Suddenly I was very frightened. I imagined another Oreo
|
||
appearing in my mouth, and inexplicably, it did. My jaw fell open and I let
|
||
this one fall to the ground. My heart was racing. The sudden attention was
|
||
indescribably worse than being ignored. I wondered how many more cookies
|
||
would come. I imagined a virtual onslaught of cookies, and immediately saw to
|
||
my alarm every single person in the store raise up an arm, Oreo in hand, and
|
||
start rushing toward me. I flipped out.
|
||
|
||
* * * * *
|
||
|
||
I woke up groggily with uncomfortable shapes pressing into my face. I
|
||
could smell that they were Oreo cookies. I turned over and for a split second
|
||
caught the image of five hundred people standing over me, watching intently.
|
||
"Fuck off!" I screamed and they backed off and resumed their ordinary
|
||
functions. I was finally alone.
|
||
|
||
I was always alone.
|
||
|
||
In my last moments of false consciousness, the illusion had been
|
||
shattered. Nice guy, quiet guy, careful guy -- all bullshit. Each time I
|
||
missed the opportunity to lash out, I was lashed tighter within myself.
|
||
|
||
I couldn't explain the cookies. I couldn't explain how I'd broken out.
|
||
But for a moment the door stood wide open and I dashed through it, never
|
||
considering if I could again unlock it.
|
||
|
||
* * * * *
|
||
|
||
I looked around myself in the store with a new sense of freedom. All the
|
||
people, all the vitality under their drab costumes. Was that it? Had I been
|
||
so deadened by the allure of fashion to forget that all the mannequins had
|
||
real bodies, real lives, underneath? Had I sculpted -- or molded -- my own
|
||
pitiful life around that oversight?
|
||
|
||
I wanted to leave the store, but I wouldn't go without finishing my job.
|
||
Not that I really cared about the cat food or ice cream. That was a foregone
|
||
necessity.
|
||
|
||
Whirling around, I grabbed my shopping cart and started racing through
|
||
the aisles, taking no mercy, taking no quiet polite turns, waiting for no one
|
||
to move. Oh, those apes were dodging me left and right! I clipped several
|
||
carts with my plow and even knocked over one being pushed by this asshole who
|
||
I just knew was a wife-beater. He cussed after me but didn't have the guts to
|
||
follow. FUCK HIM! Oh, and those damned pyramids of cans -- doesn't anyone
|
||
have any new ideas? SMASH! The sea of corn took my cart on a breaker and
|
||
sent me sprawling on the floor. I was quick to recover, knocking over a
|
||
prissy-looking woman and dumping out her cart before resuming my race. Damned
|
||
cart didn't have any squeaky wheels! Who would hear me?! I barreled forth,
|
||
screaming all the way. The looks on those bumpkins' faces! Haven't they ever
|
||
seen a real live boy before? 'Course not. All the boys in the store were
|
||
lifeless faggots, gawking at me as I sped by them, their minds fried on MTV
|
||
and self-indulgent apathy, not able to take any action against me. Why would
|
||
they have acted? I was beyond their grasp. I looked back at myself, still
|
||
sitting heartbroken on the cigarette case. He wasn't doing shit either. He
|
||
was still moaning and groaning about being invisible. Screw him!
|
||
Self-absorbed little prick! Wasting his life away imagining the bullshit the
|
||
parents and the teachers and the policemen had told him was true! True? How
|
||
true? Is it true for fulfilling their authoritarian purposes, true for
|
||
destroying humanity, true for limiting the soul? True?! Fuck it! I was
|
||
finding my own truth and I was damned excited.
|
||
|
||
* * * * *
|
||
|
||
Some puny fuck had called the police but they were no match for my plow.
|
||
One apprehensive ticket-writer reached for his gun but found himself kissing
|
||
clangy grated metal. Two more rushed from the side and I performed a classic
|
||
spin of the wheels and broadsided them. Puke! Hurl! Go! go! go!
|
||
|
||
I wasn't an idiot so I ditched the cart and dashed for the door.
|
||
Security shits had locked them on me, but I still had time to steal a banana
|
||
cart and smash it through one of the doors. Bells! Bells! Bells!
|
||
|
||
Outside a crowd had formed around the seven police cars humping each
|
||
other in the no-parking zone. Lights were flashing and the flab was lounging,
|
||
radios close at hand, moustaches growing up their noses.
|
||
|
||
I grabbed a pole and flung myself to the left, landed on my feet, and set
|
||
my legs pumping. Oh, and the perfect time for a dyslexic sexless Lexus owner
|
||
to pull out in front of me! I flew and flew and flew, higher and higher,
|
||
looking down at the idiot sardine-cans and the idiot blank-eyed stares peeking
|
||
out. Altitude! Altitude! Past the perenially-burning glaring orange sodium
|
||
lights, over the street swarming with sardine cans and donutmobiles, up, up,
|
||
up, over the river and through the trees....
|
||
|
||
* * * * *
|
||
|
||
That next week at school was amazing. Never before had I been ordered so
|
||
many times to the office, never before had I broken so many car windows.
|
||
Everywhere I left a stench of urine, such as in the desks in the classrooms
|
||
the teachers wouldn't let me leave. I broke chalk before the bell rang, I
|
||
leveled bookshelves after. I made so many friends and so many enemies,
|
||
diametrically opposed, all consistently stupid and horse-blindered. When I
|
||
was ordered to leave the class, I took hostages and lost them in lockers.
|
||
When I was ordered to leave the school, I returned through the windows. I was
|
||
dropped from the rolls, the honor roll, the good student role. Even the
|
||
j.d.'s envied me. I was a thinker, a doer, a fighter, a lover of life, no
|
||
broken bones, no broken spirit. The teachers, janitors, and prinicipals made
|
||
their money that week. On Friday I was escorted from the school by
|
||
heavily-armed blue bumpkins. The authoritarians snidely praised me for not
|
||
bringing a gun or a knife with the rest of me. I smashed noses and said
|
||
thanks.
|
||
|
||
* * * * *
|
||
|
||
Alas, I couldn't keep up that kind of pace for any duration of time. It
|
||
was hard without any food; the forces inside the grub-nest slash sensory-
|
||
deprivation-tank I called home built a barricade against me very suddenly
|
||
without an explanation. I was glad to leave; I needed to renew my spirit with
|
||
more substantial changes in lifestyle.
|
||
|
||
I had visited the local university for research a few times before in my
|
||
ultrastudyslug stage, but I returned this time to experience the fabled
|
||
college life looming so lustrous and lusty beyond the high school diploma.
|
||
|
||
I found to my infuriation that the campus was full of slugs. Serious
|
||
fucking adults, no spirit in them to impress a slice of Jesus-toast. I saw
|
||
little deviation in the behavior beyond idle frisbee tossing and unexpected
|
||
bursts of nervous laughter. I rushed with piqued interest to interview some
|
||
figures sloshing soap suds in the fountain to find they were only little
|
||
junior high school wedgies.
|
||
|
||
Disgusted and disappointed, I was about to wreak havoc when I spotted a
|
||
group of students leaving the art building, laughing and joking. Outright
|
||
public displays of emotion! I was drawn. I followed close behind them, and
|
||
started crying out carefully constructed phrases:
|
||
|
||
"Come and get it! An authentic replica!"
|
||
|
||
"They took my heart but they'll never take my pulse!"
|
||
|
||
"Never again have I seen such wonderful music!"
|
||
|
||
I caught their attention. There were two girls and three guys, and the
|
||
one who must have been single turned around and said, "You're desperate for
|
||
attention, aren't you?"
|
||
|
||
"Yes, I am!" I proclaimed, adding slyly, "Lest I become a slug and
|
||
withdraw into my shell like some people on this campus."
|
||
|
||
"Tell me about it," one of the girls said to the other. "Where is
|
||
everyone?"
|
||
|
||
"They're probably cradled up in their own arms, tripping on guilt and
|
||
responsibility and gloomy market indicators," I explained, joining the group.
|
||
"And what are you doing?"
|
||
|
||
"Well, in about fifteen minutes, we're gonna be tripping," one of the
|
||
guys said matter-of-factly.
|
||
|
||
"Sounds fun! Can I watch? I can give suggestions."
|
||
|
||
* * * * *
|
||
|
||
After three hours, I had one of the guys and one of the girls quivering
|
||
in the corner and chugging niacin. Another of the guys, I think his name was
|
||
"oh, mother of God" judging by the others' reactions to him, was rocking back
|
||
and forth and chewing his arm. I knew I wouldn't be able to find many worthy
|
||
friends.
|
||
|
||
Charles and Amy managed to remain blissed so I engaged them in
|
||
fascinating conversations.
|
||
|
||
"So, Charles, know any snails?" I asked him.
|
||
|
||
He sat down and rested his dilated pupils on me. "Whoa, you looked like
|
||
a snail just then."
|
||
|
||
"I'm not a snail. You know any snails?"
|
||
|
||
"Like, all swirly? Like, the swirls in the shell? Swirl Shell? Isn't
|
||
that some sort of candy? I think so! It mixed two different kinds of
|
||
chocolate.... wait, that was Hershey's Hugs.... Hug a snail? Oh, wow!!!"
|
||
|
||
"Snail shells have chitin in them. That's the same stuff in roaches.
|
||
That's why they sound the same when you step on them."
|
||
|
||
"Oh my God, did you just step on a roach? What's that under your foot?
|
||
Good Christ!" he cried. "I can see it all over the carpet! Get a broom!"
|
||
|
||
"That's a coffee stain, Charles. Sometimes I like to mix pulverized
|
||
roaches in my coffee. It adds a tinge of the great outdoors to the flavor."
|
||
|
||
"I think I'm gonna hurl... oh man, now my stomach's really attracted my
|
||
attention...." he said, pausing. Then, "oh man, what did I just eat?"
|
||
|
||
"Some Hershey's Hugs, you said."
|
||
|
||
"I did -- I did? Did I just eat some? Oh yeah, I can taste it now.
|
||
Where's the wrapper?" "You ate it."
|
||
|
||
"I did? I did...? What the hell were you saying about snails?"
|
||
|
||
"Do you know any snails, Charles?"
|
||
|
||
"No, I don't.... we don't get along very well," he said, and then cracked
|
||
up.
|
||
|
||
"You're going to make me cry," I said.
|
||
|
||
"Wha? That's some sort of new food, isn't it? Mikrei? Russian?"
|
||
|
||
"It's snail quiche."
|
||
|
||
"Oh man, you're fucking me up, man, you're fucking me up."
|
||
|
||
"Enjoy the thunderstorm," I said, making a cheap impression of thunder
|
||
with my mouth that made Charles' eyes bug out at the windows.
|
||
|
||
I turned my attention to Amy. "How's it going, Amy?"
|
||
|
||
"Languid? Is that a word?"
|
||
|
||
"Uh-huh," I said.
|
||
|
||
"That's good. Words. Words. Words.... Sword. Sword. Sword! See
|
||
that? See that?" she asked, beaming.
|
||
|
||
"Pretty deep."
|
||
|
||
"Am I really sitting in a beanbag?" she asked. We were lounging in
|
||
Michael's dorm, which had several beanbags. Michael was the one chewing his
|
||
arm. Amy was sitting on the floor but only her hands were on the beanbag.
|
||
|
||
"Your hands are."
|
||
|
||
"What? Whoa!!!" she cried, catching her balance. "I just thought I fell
|
||
off Jack's beanstalk."
|
||
|
||
"You're still a few feet off the ground."
|
||
|
||
"I'm a few feet on my legs," she replied with a smile.
|
||
|
||
"Amy, have fun," I said. She was beyond even me. I walked over to the
|
||
entrance of the dorm and stood as still as a rod against the corner for five
|
||
minutes. Neither Charles or Amy had seen me go over there, and even if they
|
||
had, they didn't remember for long.
|
||
|
||
I had a little fun with them. I crept out of the corner, walking perhaps
|
||
half my usual speed, slowly moving my legs. I didn't look at them but I
|
||
pasted a shocked expression on my face. I bent over slowly and picked up an
|
||
endtable. I carried the table at face level back into the bathroom, as slowly
|
||
as sin. I crawled back into sight. I grabbed a cushion from the couch.
|
||
Carried it at face level into the bathroom, not saying a word, not rushing my
|
||
act. I crawled back. After I had taken two more items into the bathroom, I
|
||
looked at Charles and Amy. They were watching me as intently as little
|
||
children watching a puppet show, their eyes filled with wonder and dilation.
|
||
Then I looked down and wrapped my fingers around my belt at the hips. I hiked
|
||
up my jeans several inches and walked slowly into the bathroom. Immediately I
|
||
heard
|
||
|
||
"He's CARRYING HIMSELF!"
|
||
|
||
"What the FUCK!"
|
||
|
||
I crawled back into the room and lay down, struggling to restrain my
|
||
laughter. It was fun. Acid kids are number one.
|
||
|
||
* * * * *
|
||
|
||
I found myself entering much happier and mellower stage of life. But I
|
||
wouldn't let myself wallow in it and become a slug. Even a happy slug is
|
||
sickening. Not having attended high school in three weeks (and not allowed to
|
||
return), I crashed some of Charles' classes.
|
||
|
||
The university had several small classes so I was constantly in danger of
|
||
being discovered for a fraud. Not like that stopped me.
|
||
|
||
Biology. About fifty people were in this room, packed like eggs. The
|
||
professor seemed bored with his job. Maybe because it was Friday morning and
|
||
he was restraining himself from crying "T.G.I.F.!" through his kazoo until
|
||
lunch had passed. I was glad to sit in on the lecture since I'd been missing
|
||
out at the high school.
|
||
|
||
"In this process, reverse transcriptase travels the length of the T-RNA
|
||
chain --" the professor droned on.
|
||
|
||
"Sir! Sir!" I cried out, balancing Charles' hefty textbook on my head.
|
||
|
||
"What? Yes, what is it?"
|
||
|
||
"See? See? I can balance this book on my head!"
|
||
|
||
"Uh," the professor said, confused. "Good for you."
|
||
|
||
"Does that mean I'm genetically superior?"
|
||
|
||
"Well," he mused, "would that be an evolutionary advantage, class?"
|
||
|
||
No one answered. "I guess if it can impress enough fertile chicks," I
|
||
replied.
|
||
|
||
"Good job," the professor replied, killing my steam, "you'll remember
|
||
from last semester that only those genetic traits passed on to the next
|
||
surviving generation can influence evolution. Now, let's return to the
|
||
reverse transcriptase."
|
||
|
||
I was baffled. Hardly anyone in the class had even looked up, much less
|
||
laughed. They looked bored and sedated. This matched my earlier observations
|
||
but it saddened me to see their mindfucks persisted through humor. It didn't
|
||
stop me, though.
|
||
|
||
Ten minutes later, the professor had sketched a complex figure on the
|
||
blackboard, rife with abbv's and #s and C12H22O11s. I raised my hand, got out
|
||
of my seat, and strolled to the board. "I've been summing this all up in my
|
||
head and I think you made some mistakes," I said.
|
||
|
||
"Oh?" the professor asked, stepping back.
|
||
|
||
"Yeah," I said. I grabbed a piece of chalk and poked it under my lip,
|
||
pretending to think. Then I started randomly changing elements -- "I think
|
||
this molecule needs more uranium" -- and respelling labels -- "Wouldn't
|
||
'mytokondria' be easier to pronounce?" -- and erasing sentences -- "That one's
|
||
too ticklish."
|
||
|
||
I smiled broadly. From the class, all I heard was Charles say, "Give
|
||
up!" My heart sank.
|
||
|
||
The professor was none too pleased himself. He ran a finger down the
|
||
roll sheet and said, "Are you Redmond Kaufsirrup?"
|
||
|
||
"Yes sir," I lied.
|
||
|
||
"You haven't been to class in three months. You have four tests to make
|
||
up."
|
||
|
||
"Oh, all right. Do you have an hour free at noon?" I asked. It was then
|
||
eleven-thirty.
|
||
|
||
"Yes, but --"
|
||
|
||
"I'll be there with tinkerbells on," I said, leaving the room in a daze.
|
||
|
||
|
||
- 3 -
|
||
|
||
Charles' dorm room was dead quiet and nearly pitch black except for the
|
||
light escaping from the lamp in his desk. He was huddled over his desk
|
||
working on an art history essay, he and I almost the only people left in the
|
||
entire residence hall. Tomorrow was Thanksgiving. Charles' family lived in
|
||
town and he was dropping by tomorrow. I was still staying away from home,
|
||
sleeping in the dorm.
|
||
|
||
In the darkness, I lay back on a pillow propped up against the legs of a
|
||
chair. I practically had solitude, but for the faint pencil scratches and the
|
||
slow turning of pages. My body tingled whenever I imagined myself alone,
|
||
tingled with comfort and wonder. I wondered why I was letting myself slip
|
||
back into silence, brooding. I couldn't resist the comfort, though; my mind
|
||
longed for rest, my body longed for safety, but my soul longed for experience.
|
||
Maybe I couldn't rush into it -- was that my unconscious reason? Didn't I
|
||
have the energy or the stamina to? I didn't know, I didn't know....
|
||
|
||
An hour and an hour of silent contemplation and my legs fell asleep,
|
||
murmuring tingles silenced by time and pressure. My arms resting in my lap,
|
||
still, still, switching places in space. The weight of my head accepted,
|
||
balanced, forgotten by my neck, bobbing back and forth with the tides of
|
||
breath. The faint peepshow of light gleaming on the edges of his desk,
|
||
burning on the back of my retinas, hovering, floating in space... and there,
|
||
there my body drifting away from the floor, rising, rising to meet the light,
|
||
to consider it on its own horizon. Floating, bobbing on the sea of lazy
|
||
streaming air, carrying me upward, steadily, out the window.
|
||
|
||
Brisk, raw, biting, the autumn warmth recasted, by the sly and waiting
|
||
old man of winter, from hunter into hunted for the night. A chill comes over
|
||
my body, muscles twinge, teeth chatter. I am heat and I rise into the sky.
|
||
The earth falls gracelessly away; I set my aspirations higher. Downward I see
|
||
the dying leaves dessicated floating to the ground, soon a soft bed for weary
|
||
travelers of the cold; towering trees' branches to be laid bare, clutching the
|
||
dead and frozen air.
|
||
|
||
I mingled with the topmost leaves of the oaks, somberly understanding
|
||
their slow progress toward heaven; but how steady, how magnificent! At the
|
||
same time I lamented my fellow humans' arrogant fumbling on the ground, where
|
||
they would most likely remain until swept out of the game of life -- bouncing
|
||
balls, once set in motion, never again to rise higher.
|
||
|
||
But what was I? Wasn't I human too? I wondered about this for quite
|
||
some time, eyes clenched tight, cutting off the scenery, trying to think. At
|
||
that moment, I decided, I didn't know. Maybe I was an accidental meteor boy,
|
||
slipped down to earth by a creator too clumsy to catch my fall.
|
||
|
||
I opened my eyes again, serenely absorbing the sights and sounds around.
|
||
My heart jumped; I saw nothing around me but glaring white light. I realized
|
||
I was dying, entering the ethereal tunnel. Wasn't that it? Wasn't that how
|
||
it ended? I knew I should have been scared, anxious, running around in
|
||
circles for this, but I was transfixed. My eyes were watering but I kept them
|
||
open. I had to see it. Would I understand? * * * * *
|
||
|
||
I concentrated on the light, trying to understand its source. It
|
||
reminded me of a floodlight on a foggy night. I stared and stared. I
|
||
thankfully noticed it beaming into focus. I kept watching. The focus got
|
||
clearer and clearer and I saw darkness peeking out at the edges. Focusing,
|
||
focusing. At that time I expected to see the light focus into a beam, it
|
||
shrunk to an infinitesimal size and disappeared.
|
||
|
||
I blinked.
|
||
|
||
I realized I was in Charles' dorm room staring at the back of his head.
|
||
I felt like I was floating. All my senses tingled. Charles seemed to me like
|
||
a frail old man, hunched over at his desk, toiling away at some eternal
|
||
problem. I cocked my head and thought, he's still here? Immediately he turned
|
||
around and said, "Still working on this essay. You bored yet?"
|
||
|
||
He had a strange easiness in his manner, as if he'd known me for years.
|
||
I could've sworn he'd been becoming annoyed at my imposition on his life, but
|
||
now he seemed almost a part of me.
|
||
|
||
"Oh, not at all," I said. "I think I just died."
|
||
|
||
He smiled. It was so kind, so reassuring, so loving. "How do you feel
|
||
about that?"
|
||
|
||
"How do I feel?" I asked, confused. I closed my eyes briefly and again
|
||
my whole field of vision was washed away in the bright light. I was still
|
||
heading towards it but hovering in space as I thought.
|
||
|
||
I opened my eyes again and smiled. "Sounds good to me."
|
||
|
||
* * * * *
|
||
|
||
Later Charles said I'd just closed my eyes, laid back with that smile
|
||
etched into my face, and everything ceased to function.
|
||
|
||
I knew better. I laughed and laughed and laughed.
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
State of unBeing is copyrighted (c) 1996 by Kilgore Trout and
|
||
Apocalypse Culture Publications. All rights are reserved to cover, format,
|
||
editorials, and all incidental material. All individual items are
|
||
copyrighted (c) 1996 by the individual author, unless otherwise stated. This
|
||
file may be disseminated without restriction for nonprofit purposes so long
|
||
as it is preserved complete and unmodified. Quotes and ideas not already
|
||
in the public domain may be freely used so long as due recognition is
|
||
provided. State of unBeing is available at the following places:
|
||
|
||
CYBERVERSE 512.255.5728 14.4
|
||
THE LiONS' DEN 512.259.9546 24oo
|
||
TEENAGE RiOt 418.833.4213 14.4 NUP: COSMIC_JOKE
|
||
THAT STUPID PLACE 215.985.0462 14.4
|
||
ftp to ftp.io.com /pub/SoB
|
||
World Wide Web http://www.io.com/~hagbard/sob.html
|
||
|
||
Submissions may also be sent to Kilgore Trout at <kilgore@sage.net>. The SoB
|
||
distribution list may also be joined by sending email to Kilgore Trout.
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|