2048 lines
88 KiB
Plaintext
2048 lines
88 KiB
Plaintext
Living in such a state taTestaTesTaTe etats a hcus ni gniviL
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of mind in which time sTATEsTAtEsTaTeStA emit hcihw ni dnim of
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does not pass, space STateSTaTeSTaTeStAtE ecaps ,ssap ton seod
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does not exist, and sTATeSt oFOfOfo dna ,tsixe ton seod
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idea is not there. STatEst ofoFOFo .ereht ton si aedi
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Stuck in a place staTEsT OfOFofo ecalp a ni kcutS
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where movements TATeSTa foFofoF stnemevom erehw
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are impossible fOFoFOf elbissopmi era
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in all forms, UfOFofO ,smrof lla ni
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physical and nbEifof dna lacisyhp
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or mental - uNBeInO - latnem ro
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your mind is UNbeinG si dnim rouy
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focusing on a unBEING a no gnisucof
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lone thing, or NBeINgu ro ,gniht enol
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a lone nothing. bEinGUn .gnihton enol a
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You are numb and EiNguNB dna bmun era ouY
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unaware to events stneve ot erawanu
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taking place - not iSSUE ton - ecalp gnikat
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knowing how or what 10/28/98 tahw ro who gniwonk
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to think. You are in FiFTY ni era uoY .kniht ot
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a state of unbeing.... ....gniebnu fo etats a
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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CONTENTS OF THiS iSSUE
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=----------------------=
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EDiTORiAL Kilgore Trout
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LETTERS TO THE EDiTOR
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STAFF LiSTiNGS
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[=- ARTiCLES -=]
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Y2K Clockwork
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[=- POETASTRiE -=]
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TRANSGRESSiON TO SUGARPOP The Super Realist
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ON DANTE AND LOS ANGELES Japhy Ryder
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FOR THE LOVE OF GOD Dark Crystal Sphere Floating Between Two Universes
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MEDiTATiON AT POiNT DEFiANCE The Super Realist
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THiS OLD BOY Japhy Ryder
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[=- FiCTiON -=]
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DOUBLE TAKE Kilgore Trout
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WORD PUDDING WiTHOUT THE SKiN I Wish My Name Were Nathan
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HEADSUCK EPiTAPH Kilgore Trout
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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EDiTORiAL
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by Kilgore Trout
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Unlike a television show that hits an episode number landmark and treats
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you to a bunch of flashbacks, we continue to bring you new content in our hour
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of glory. After all, we're not going to recycle old material until the right
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time to sell-out comes to print an overpriced SoB retrospective coffee table
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book. Not that I foresee that happening anytime soon. Purists in the crowd,
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rejoice!
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In commemoration of this wondrous event, we will be having the first
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ever State of unBeing "Fuck You, Clown" shebang. It will be held on Friday,
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October 30th at 11pm in the Metro coffeehouse on Guadalupe street in Austin,
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Texas. It's right across the street from the West Mall of the UT campus. If
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you're not in Austin, get your ass down here. You've got two days. If you
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can't make it, well, I'm sure somebody will wring an article out of it for the
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next issue.
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Did I mention we're all going to be dressed up as clowns?
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Anyhoo, it should be fun, so come down and have some coffee while we try
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to drink hot liquids while wearing big red noses. And if the party sucks,
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blame Clockwork. It was his idea to be clowns. He didn't like my ideas that
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usually involved headless children. What can I say? At least the kids who
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were holding their heads had smiles on their faces.
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This issue is what we in the publishing community call "tight." It's
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slim, compact, and it's all good. Clockwork gets down and dirty with the y2k
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problem that is making consultants and retired cobol programmers money again.
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We've got poetrie from some of my personal favorites, Japhy Ryder and The
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Super Realist, and also that guy whose name is way too damn long but I'm gonna
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end up typing more by trying to avoid it. IWMNWN produces some more stuff
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that you can't help but like, and I've got a couple o' things as well.
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You want in on the action? You want us to make you famous? Well, tough
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luck. We're just zine people. But we like what we do, so come down Friday or
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drop us a line. Submit, submit, submit. And maybe you'll get lucky and get a
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third audio issue before the year is up.
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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LETTERS TO THE EDiTOR
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From: Crux Ansata
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To: kil <kilgore@eden.com>
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Subject: SoB letter
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Dear Editor,
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A couple of problems with my last essay, the one on monetarism in State
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of unBeing 49, have been brought to my attention. I would like to take this
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opportunity to clarify or correct these. I would also like to invite anyone
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knowing better than I on these topics to write in to State of unBeing; I for
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one would be interested to learn more about economics.
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The first concern is a bit of an historical detail. I referred to Adam
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Smith's mercantilism. (I thank Anygirl for pointing out this would not go
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over well among most economists.) As I understand mercantilism, this was an
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early form of capitalism in which the wealth of the nation was considered to
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be most important. Tariffs were encouraged, and the world was seen as a
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competition where each nation could benefit only at the expense of other
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nations.
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In the textbooks, I understand Adam Smith is not considered a
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mercantilist. Even though he lived and worked at the historical time I would
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consider mercantilist, his work is generally seen as opposing mercantilism,
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and opening the way for the classical economics of Ricardo and Say.
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Personally, I don't see Adam Smith as being in the same economic camp as
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Ricardo and Say. Adam Smith, for example, in theory supported tariffs under
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certain circumstances, these being his famous "exceptions" (when an industry
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is necessary for national defense; to balance out tax burdens on foreign and
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domestic production; in retaliation to high duties by other nations; and to
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force open other nations' markets). In practice, he has been associated with
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even such tariff policy as the Townshend Acts. (Smith was tutor to
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Townshend's stepson, and is said to have advised Townshend on the acts.)
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The emphasis on tariffs is not coincidental; my main concern with the
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effects monetarism has is the way it lends itself to free trade. There are
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other tenets to mercantilism I don't know as well, and these may be ones Adam
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Smith did not share. On the other hand, the neo-classical economists of the
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present day appear to misuse Adam Smith to support their policies; I rather
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suspect the classical economists may have done so as well. Adam Smith was
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such a pivotal figure he really cannot be fit into an easy compartment; his
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works and his influence are difficult to pin down; at least for me. So, all I
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can say is Adam Smith worked in a mercantilist milieu, but I do not call his
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thought mercantilist.
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A concern that is a bit more of an oversight -- and I thank I Wish My
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Name Were Nathan for pointing it out -- is that I neglected to define
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monetarism. I am no economist, and so am unable to define it definitively.
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That is no excuse, however, and so I make an attempt.
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Strictly, monetarism is a field of economics, the study of money theory.
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It is also a macroeconomic theory. Milton Friedman is the economist most
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associated with this theory. In the broader political field, the principles
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of monetarism played a very profound role in the policies of the western
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nations, especially in the 'eighties and 'nineties; in that sense, I called
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non-economists such as Reagan and Thatcher monetarists.
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Monetarism holds that most or all economic effects can be manipulated by
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the change in the supply of money; not only inflation, but incomes, supplies
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and demands, and so on. It seems to me that monetarism achieves this effect
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by separating out what it considers economic effects -- being those
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manipulated by the money supply -- from the rest of the effects. Those would
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be the externalities. This is, of course, an oversimplification, but
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hopefully enough to see what I meant by the term -- used sloppily to refer to
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both the strict and broad senses -- in my article. Milton Friedman's books
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are still in print; I encourage anyone with more questions to look them up.
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Thanks,
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Crux Ansata
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--SoB--
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To: kilgoret@geocities.com
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From: Bircham
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Subject: Who needs to be spanked?
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I would love to have the privilege of taking you over my knee and smacking
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you gently, yet firmly.
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Onto other things...
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I just waxed my legs yesterday after one complete year of absolutely no
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shaving.
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I haven't bit my nails in over two weeks.
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My fish keep dying. I suspect the neighbours.
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My sister's cat barfed up a hairball today. It wasn't a ball though. It was
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tube -like and solid, as if it should have came from different region...
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Oh yeah, I'm glad this wonderful publication has returned. I have been
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bored lately. Because of this boredom, I have been speaking en francais a
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lot more in my everyday life. Tres interesant? Oui, oui.
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[i think that letter speaks for itself. god, i love my readers.]
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--SoB--
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From: Spocklove
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To: kilgore@eden.com
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Subject: yummy and bloody
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because I will love Al Gore and his meat will taste better than the finest
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tender loin in the world!
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[um, is this kosher? whatever. i shall refrain from falling into the trap of
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making the joke about how Al Gore would only taste like wood and just wait
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for the secret service to call my house. as a side note to this letter, i
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decided to change one word. see if you can figure out which word i changed
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to really prevent the SS from knocking on my door. wussy? oh, possibly. i
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do think, though, that you, spocklove, need to find better targets. live
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long and prosper. i can't believe i just said that, but i do know i don't
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really mean it. it's the polite thing to do.]
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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STAFF LiSTiNG
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EDiTOR
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Kilgore Trout
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CONTRiBUTORS
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Clockwork
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Dark Crystal Sphere Floating Between Two Universes
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I Wish My Name Were Nathan
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Japhy Ryder
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The Super Realist
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GUESSED STARS
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Crux Ansata
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Spocklove
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Bircham
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SoB OFFiCiAL GROUPiES
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crackmonkey
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Oxyde de Carbone
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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[=- ARTiCLES -=]
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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Y2K, WHERE Y=11 AND K=3.1415926
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WHY TOO KAY?
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Y3.145926K/e=mc*i
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by Clockwork
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Ooogly boogly, what have we here? Thousands of scampering rabbit heads
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with 1s and 0s and functions for eyes, gnawing on caffeine sticks and reaping
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the farmer's crops. Scamper scamper, my little anti-social friends,
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hippity-hop on bunny flop in front of the tractor. Maybe unemployment is so
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low because 412% of all those comp-sci graduates are sent to the trenches to
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mull on that year 2000 thing.
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What year 2000 thing? Oh, you know, I needn't define. Even Farmer Lou
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up there in the fields has heard the news reports of tattered years. We've
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got some percent of the population who don't care, some percent who don't
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believe it, and some percent who think the world is going to fold into itself
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and boom-whack-whack, game over. Who to believe, who to believe.... Sure,
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I've known about this for a while, sure I've used computers since 1986, work
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for some big technology giant, and have this crazy array of techno info
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trapped in my skull. So, when the media broke open their golden egg and bean
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to fry that sucker up, I could only chuckle. Me and mine would scoff at every
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mention of that millennial computer combo meal, believing in the warfare of
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hype and hysteria. And now I think I was wrong.
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I see reports of nympho steak sucking programmers, who've spent the last
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20 years staring at black and white gobblety goop and making it work with
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their voodoo dolls and magick squares, running to the wooded cliffs where
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they've spent their $80k/year on bunkers and camo and dark green diesel
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generators, cans and cans and cans of food, handguns, surveillance, solar
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panels, _Dr. Seuss's Guide to Surviving the Apocalypse._ There they go --
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watch them scurry. But I also see other high-ranking geek-o-philes sit and
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calmly watch, or at least that is what they seem to be doing.
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A long ex-girlfriend's mother asked me about that 2000 thing last month
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with paranoia dripping from her eyes. She asked of stock markets crashing,
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banks with no cash, car crashes, tornadoes, nuclear war. Non-technical,
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ubernon-technical they were, with media saturation leading to the conclusion
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the end was here. And I can not explain the reasons why and why not to
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someone that is untechnical -- they put too much trust in others' words, and
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still would not understand it. After attempting to rid their cataclysmic
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thoughts and replace them with mini-cataclysmic ones, they came to the
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conclusion they would take a bit of cash -- a good chunk of a bit -- out of
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Mr. Bank now, just in case. Sure. Whatever. Then the untechnical father
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came home and said everyone was wrong, nothing will happen. And Dad is always
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correct.
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Regarding my own opinions, things will happen, and the world won't be
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happy. Civilization isn't going to come to an end, just minor temporary
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weirdness that theoretically could cascade into blissful anarchy or a subset
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thereof. The main reasoning behind those beliefs are based on two things:
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manpower and embedded chips. Sure, you've got all these strung out
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programmers racing around attempting to fix ancient and not-so-ancient
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software. That's fine. What about those roaming around to fix hardware?
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Embedded chips that need to be replaced or re-programmed through hardwarical
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means. I would have to say the people gawking over software outnumbers those
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weeping on the hardware -- the hardware in all these millions of techno,
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mechanical, industrial gadgets splayed around. So, let's take all that
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hardware and all that software, all those things that need to be fixed, and
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compare them to the number of people currently working on it. I don't have
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numbers. I've heard many a number and believe none of them. However, those
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supposed numbers, as well as some basic logic, all point to the same huffy
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answer -- it's not going to happen in a year and a half. Nobody's planned for
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it. Everyone is forming instant just-add-water solutions, and in red mambo
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corporate land and bureaugoverned organizations, plans never get instantly
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implemented -- always having slots of approval and approval, funding and
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budget hissy fits. It would not surprise me if some of the entities don't
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start attempting to fix things for another six months. And after pouring over
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closets of official strategies of both public and private sector
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organizations, I can tell you that most that I encountered have just
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introduced their plan to deal with this whole issue -- with their end-dates of
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solving the whole thing rather close to zero hour. The supposed average
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time for a midsized company to become Y2K compliant is 30 months.
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And to add to that, Eastern Europe, Russia, India, Pakistan, Southeast
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Asia, Japan, China, most of South America, most of the Middle East, and
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Central Africa are at least 12 months behind the United States.
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AND. Let's add a few more statistics to the list. 80% of all computer
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software projects in the Unites States are completed late. The only worldwide
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event with a higher cost than Y2K is World War II.
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It's all numbers, baby. Y2k. Number of superheroes (h), number of
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issues (i), months per issue (m), 14 months until superpimp returns to earth,
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at the most. (At the most? What about those places across the planet who
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start their fiscal year 2000 several months before 2000 actually hits the
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calendars? Yes, tis interesting.) Figure it out. (i*m)/h=14? Certainly
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looks nice, though likely to be an inaccurate algorithm.
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What's really going to happen? Hmmm. Maybe you should ask, 'What do YOU
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think is really going to happen?' All these people are saying they are y2k
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compliant, and everything will be alright. If you were Wall Street, would you
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want people to know you are not y2k compliant? Aha.
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What COULD happen:
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- No power anywhere.
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- Fun distribution systems will die.
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- Businesses depending on non-compliant distributors/customers/vendors
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will fail.
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- Stock market will go down, down, down some more, more, more.
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- People will panic and rush their banks to grab their cash.
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- Banks will go down, down, down.
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- Police dispatch and 911 systems will no longer be functional.
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- Looting and rioting and violence, oh my.
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- Martial law ensues.
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- Welcome to post-apocalyptic land.
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Right. So that may seem a bit grim, and obviously a bit doubtful. But
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entertaining. And I wouldn't have to worry about my bills. However, I
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shouldn't be tossing about rumor material like the above. Pay more attention
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to the things I think WILL happen -- emphasis on "I think" and "will" -- as
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well as the things I am concerned about, and then you can make your own
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conclusions. I should mention that this is not meant to be an all inclusive
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information database for Y2K. There are sixteen libraries of information
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available around the globe on the topic, and to actually assess the situation
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accurately, one would have to bounce around from company to company,
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organization to organization and see what everyone is doing. Which I have
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done my fair share of. These are things I am particularly concerned about, or
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which seemed to have been overlooked by the media and the people.
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- Power grid: Relies on feedback mechanism -- remote terminals report
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their power needs around and about -- chock full o'
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embedded chips. What do these chips contain? Maintenance
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scheduling -- keeping track of when the last time
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maintenance was done, as well as numerous other functions.
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What makes the power system so vulnerable is the fact that
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power needs are distributed and routed depending on load
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and need. If one section goes out, those who get power
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from that section are routed to another section, thereby
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increasing the load on that section. This can easily
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cascade into a large amount of power outages. I believe
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we will definitely see scattered outages around the
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country.
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- Nuclear power plants: None have been certified as compliant as of this
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time. I have read some of the pre-testing of nuclear
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power plants, as well as the proposed plans of Y2K
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testing, and it's frightening. Looking at an audit
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completed in September of a nuclear power plant in
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Minnesota, 260 software items were identified -- 120
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requiring assessment testing, and 60 requiring additional
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detailed assessment testing. Out of the 453 embedded items
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found to date, 175 have not even been identified or
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classified, meaning their function is yet to be determined.
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This is only the audit -- not all components have been
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identified, let alone tested. And in this audit, they
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flatly stated they have not begun to start on a
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contingency plan. Nuclear power plants supply 20% of the
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power to the United States.
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Testing done in July of Swedish nuclear plants showed that
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the plant's data system was not compliant at all, and
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forced an automatic shutdown. Sweden has a total of 12
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units, providing 50% of the power to the country. Their
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official statement is if there are any doubts about the
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compliance of their systems, they will shutdown in
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December.
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- Railroad switches: These are all computer controlled, obviously
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sensitive to dates and time. I have seen no information
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on this.
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- The CIA is advising all its agents to have cash and blankets on hand
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for New Year's Eve 2000. Interesting point.
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- Satellites: Another rather important society-supporting technology
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|
that I have seen no reports on. This I am concerned with
|
|
-- it seems as though since these don't actually reside on
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the planet, they are not our concern. However, I would
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assume satellites contain such hardware controlling
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date/time functions, as they are rather date/time
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sensitive.
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- The People's Expectations: Perhaps a bit more important than whether
|
|
or not critical systems will actually fail, what people
|
|
expect to occur will greatly influence the outcome. If
|
|
people believe the world's financial systems will collapse
|
|
and be in disarray, people will take action, and such
|
|
actions will encourage a collapse in the economy. This
|
|
has already begun to occur, with a mad rush to purchase
|
|
gold and silver, as well as other commodities. Some of
|
|
the world's largest and most respected investors have been
|
|
reported by _Wall Street Journal_ to be dumping a large
|
|
amount of their non-hard investments in exchange for such
|
|
commodities. A report issued by the Association for
|
|
Payment Clearing Services in Great Britain, which is
|
|
responsible for processing checks and money transactions,
|
|
stated there was a large increase in cash withdrawals
|
|
already, with an estimated increase this December of 50%
|
|
over the normal amount of cash withdrawn during that
|
|
month -- December being the month where demand for cash is
|
|
at its highest.
|
|
|
|
- Martial Law: I will not state my opinion on this, however I offer it
|
|
as a possibility, naturally acceptable by those
|
|
prescribing to the New World Order phenomenon. I must
|
|
say, though, that this would be an amazing opportunity for
|
|
the government to take such actions if they so desired.
|
|
The British government has been arranging plans for its
|
|
Army to provide "disaster relief" if such vital
|
|
institutions as hospitals, water supplies, and roads.
|
|
Their Government's Action 2000 council has identified 19
|
|
sectors of the economy that the country depends on,
|
|
including power, water, transport, oil,
|
|
telecommunications, and finance -- and the government will
|
|
step in to help if it is deemed necessary.
|
|
|
|
Wisconsin state representatives have introduced
|
|
legislature to put the Wisconsin National Guard on standby
|
|
on 12/31/1999 to be ready to address any problems caused
|
|
by computer failures, and it seems as though this is not
|
|
being highly contested.
|
|
|
|
Once again, the commented list above is just a miniature amount of things
|
|
that are out there -- possibilities of failure occur in security systems, fire
|
|
suppression systems, elevators, food and soda vending machines, airplane and
|
|
control tower radar systems, laboratory and medical equipment, hand-held
|
|
devices, air conditioning, toll booths, parking lot gates, time recording
|
|
systems, factory machinery, vaults, copiers, fax machines, telephone systems,
|
|
water and sewage systems, sprinkler systems, elevators, escalators -- all off
|
|
an published list of vulnerable systems published by Columbia. And the list
|
|
goes on.
|
|
|
|
One final list of statistics, concerning public utilities. In April,
|
|
surveys were sent out to over 300 utility companies (electric, natural gas,
|
|
telephone, and petroleum) servicing the state of Minnesota to assess the
|
|
status of Y2K compliance efforts. Of these sent out, approximately 75% of the
|
|
these organizations responded. Of those, approximately 50% state they have
|
|
established a Y2K plan for compliance. And approximately 40% state they have
|
|
established a detailed compliancy plan. Most state they will be compliant by
|
|
"some time in 1999."
|
|
|
|
I shall leave it up to you to decide your fate. Honestly, I
|
|
subconsciously encourage problems to occur, for we need a drastic change in
|
|
our state of living -- the humans have become much too dependent on
|
|
technology, and it would be interesting to see how well people adapt when
|
|
forced to. And I always wanted an underground bunker to reside in -- protect
|
|
myself from those ominous Y2K looters, as well as any pole shifts that may
|
|
occur in 15 years or so.
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
[=- POETASTRiE -=]
|
|
|
|
"In the East poets are sometimes thrown in prison -- a sort of compliment,
|
|
since it suggests the author has done something at least as real as
|
|
theft or rape or revolution. Here poets are allowed to publish anything
|
|
at all -- a sort of punishment in effect, prison without walls, without
|
|
echoes, without palpable existence -- shadow-realm of print, or of
|
|
abstract thought -- world without risk or _eros_."
|
|
--Hakim Bey, _T.A.Z._
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
TRANSGRESSiON TO SUGARPOP
|
|
by The Super Realist
|
|
|
|
1
|
|
|
|
Present? Covered.
|
|
|
|
I think I made myself too much to eat
|
|
She said, "The table isn't sturdy enough for all of us."
|
|
|
|
The cat is furry
|
|
I wonder how different history would have been if, instead of Marco Polo,
|
|
we...
|
|
Anyway
|
|
|
|
|
|
And
|
|
My watch is running fast and I have nowhere to go
|
|
|
|
Thank you
|
|
|
|
Two pages of financial calculations.
|
|
I woke up with a headache
|
|
Time to expose myself and my spleen inside the bat cave
|
|
|
|
The cat is furry
|
|
She said, "I've had enough, I can't take it anymore."
|
|
Bah! Human Interaction.
|
|
Minnie Mouse is a whore
|
|
|
|
I woke up with a headache
|
|
|
|
Thank me
|
|
This semester is making me crazy. I just want people to love me
|
|
|
|
Pluto is aligned with Mickey
|
|
I'm in the west, and she's down South with her little band of Mexican grave
|
|
robbers
|
|
I'm forwarding my mail to your house instead of the hotel room
|
|
I woke up with a headache
|
|
|
|
She said, "I don't like wearing pants anymore."
|
|
"Want to work for Woody?"
|
|
|
|
Why can't my balloon stay up in a perfectly windy sky?
|
|
|
|
2,
|
|
|
|
But
|
|
Walking on a thin line
|
|
After three hours of excruciating interpolation, it's over and done.
|
|
|
|
She said, "I've had enough, I can't take it anymore."
|
|
I'm so tired I'm twitching towards
|
|
The other side of the galaxy
|
|
|
|
She said, "I never want to do that again."
|
|
Goofy's having an orgasm
|
|
I dreamt my computer reached out and slapped me
|
|
|
|
I woke up screaming
|
|
2 DOWN.......3 TO GO.....
|
|
She had Marky Marco Polo!
|
|
The plane flies low over the Rockies
|
|
|
|
Ah... made it
|
|
However
|
|
Thank her
|
|
Joy.
|
|
|
|
One more to go.......
|
|
My brain fires off in a duel
|
|
I'm in the west, and she's down South with her little band of Mexican grave
|
|
robbers towards
|
|
The other side of the galaxy
|
|
|
|
I'm getting there.
|
|
Now is the time for all good men to come to the aid of the communists
|
|
Amazing. I'm actually NOT the pettiest person here... frightening
|
|
She said, "I don't like wearing pants anymore."
|
|
|
|
Thank him
|
|
I'm drunk
|
|
2 DOWN.......3 TO GO.....
|
|
I woke up with Burroughs' Mugwumps surrounding me
|
|
|
|
3.
|
|
|
|
And
|
|
Why do I always get so paranoid?
|
|
I overheard some negative conversation, or
|
|
I dreamt my computer reached out and slapped me and
|
|
We crashed in our hotel rooms
|
|
|
|
Through the other side of the galaxy
|
|
Time to expose myself and my spleen inside the bat cave
|
|
Yes, I'd be a good tech writer.
|
|
Tres cool.
|
|
|
|
The plane flies low over the Rockies
|
|
She said, "I don't like wearing pants anymore."
|
|
Looks like a little skin diving is on the menu. Dammit!
|
|
Wherefor art thou Romeo?
|
|
|
|
To the death
|
|
Mother's Day cards from your cat.
|
|
I'd like to announce that I'm doing away with greeting cards.
|
|
I don't know
|
|
|
|
But
|
|
You know, I find strange, strange things funny
|
|
I'm drunk
|
|
|
|
Well aren't you just so special.
|
|
I'd like to announce that I'm doing away with greeting cards.
|
|
|
|
I wonder how different history would have been if, instead of Marco Polo,
|
|
we
|
|
had references?
|
|
"Alex, hands out of you pants."
|
|
Ah... made it
|
|
|
|
My brain fires off in a duel
|
|
I think I made myself too much to eat
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
"The ultimate achievement is to live beyond the end, by any means
|
|
whatever."
|
|
--Jean Baudrillard
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
ON DANTE AND LOS ANGELES
|
|
by Japhy Ryder
|
|
|
|
The ocean sucks the day over to Russia.
|
|
The moon pulls the sick
|
|
from the sand in stark bone statues of shadowy genuflections
|
|
a postmodern re-enactment
|
|
of Los 7 Deadly Sins--
|
|
|
|
The Angeles-------
|
|
|
|
pride. The center will not hold the red shift, stupid.
|
|
The ulnas and radaii pointed skyward like geese
|
|
in disappointing Nixon-like V's
|
|
negatively reflected
|
|
into the sand in silvery greys and browns,
|
|
these shadow sculptures holding position
|
|
as if they had a right to exist and to be
|
|
seen and theorized.
|
|
envy. A variorum text of the above.
|
|
wrath. If anger
|
|
is a car
|
|
accident, then wrath is light.
|
|
A wave without mass; energy
|
|
without form.
|
|
Perpetual motion machines set to auto-destruct;
|
|
the femur struck
|
|
through your goddamned throat, split
|
|
down the middle by a living machet�
|
|
from sternum to coccyx; molten aluminum
|
|
in the anus; autoerotic asphyxiation;
|
|
procrustean hecatombs of castration; the flesh
|
|
extruded cleanly from muscle
|
|
and muscle from bone,
|
|
bone from marrow,
|
|
essence from culture,
|
|
culture from beyond
|
|
in self-loathing scarification rituals of philosophy
|
|
and operant conditioning cicatrices.
|
|
sloth. These fat fucking bitches gnawing
|
|
their fingers for more fat, lipids, glucose,
|
|
dextrahytozipine, polyunsaturated 2 di-ethyl benzodiazipam,
|
|
cyclofuckinghexacholride, all-natural Yellow #666,
|
|
individually wrapped cellulitic phenylbarbital,
|
|
cholesterol-free keratoconjunctiva,
|
|
all-bran pentasodium pentetate, clingfree protoporphyrian oleanomycin,
|
|
L-dopa, adosine, synaptic emulsifiers, carotid soothifiers,
|
|
goddamned panopticonic fluoxitines,
|
|
filtered stretched sucked massaged egos,
|
|
cucumbered squeegeed avacadoed mudbath seaweed vacations,
|
|
which isn't to say they aren't Vogued Cosmoed and Elled
|
|
into a neverending stupor of discontent,
|
|
and then certainly we couldn't forget the assholes
|
|
who are pleasured and minoxidilled and propeciaed and nicotrolled
|
|
and 12-stepped and Lexused and tennised and Niked and steroided
|
|
and pumped and jogged and weighted like iron
|
|
Reeboks straight to your nearest Sharper Image.
|
|
avarice. see above.
|
|
gluttony. ditto.
|
|
lust. In late-night bent-over-the-couch rabbit fucking
|
|
darkness of white cotton panties and bare thighs
|
|
and fine high shanks all wrapped in music and steeped in secret
|
|
secretions of phallic balusters and beer bottles
|
|
and wrenching torment of need like fine drugs mainlined
|
|
through the cock and hanging testicles slapping between
|
|
her artifice, bright purple engorged nipples like pencil erasers eradicating
|
|
and rubbing away all that came before
|
|
tearing into the paper of flesh and memory
|
|
dragging the red shift into a place so small it explodes
|
|
through itself into the negative event horizon of desire
|
|
cutting wetly through the marrow to the essence of night
|
|
on the beach and the statuary bound together
|
|
with the ligaments of imperfect love.
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
"To make a bank was a great plot of state;
|
|
Invent a shovel, and be a magistrate."
|
|
--Andrew Marvell, "The Character of Holland"
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
FOR THE LOVE OF GOD
|
|
by Dark Crystal Sphere Floating Between Two Universes
|
|
|
|
Their eyes are like gentle forest pools --
|
|
Soon to desiccate and leave nought but ugly holes.
|
|
Their milky white, glowing flesh,
|
|
Will soon decay, leaving white, beautiful bones.
|
|
They will love and be loved,
|
|
But soon none will fight the vermin for their prize.
|
|
And as I gaze upon their merriment
|
|
The danse macabre weighs heavily on my mind.
|
|
|
|
And so I turn my mind upon my Beloved,
|
|
The Eternal One, unchanging and unchanged,
|
|
Who loves even those who do not love Him.
|
|
And though I seek Him my whole life,
|
|
I know that in truth He holds me ever in His arms.
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
"Computers are useless. They can only give you answers."
|
|
--Pablo Picasso
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
MEDiTATiON AT POiNT DEFiANCE
|
|
by The Super Realist
|
|
|
|
Anthony's at Point Defiance
|
|
Today
|
|
|
|
Ferry horn blaring thump thump of jazz mix ensemble
|
|
to move my inner-ear and hear
|
|
The percolating of the coffee behind the bar
|
|
|
|
Black coffee
|
|
I prefer the bitterness of the pure bean
|
|
Over your java-esque wannabe's
|
|
Like cino's and ocha's and esso's
|
|
|
|
Comprendo
|
|
Your need to blend the palate.
|
|
It's not like some Aryan race to space of uncompromise
|
|
I don't need any socio-political uprising over a drink
|
|
I get that enough with the rest of daily life
|
|
|
|
Give me a pure beer
|
|
I don't need
|
|
I don't want
|
|
It's all hops
|
|
Right?
|
|
That's what I thought
|
|
|
|
Why are you staring at me
|
|
Seagull?
|
|
I don't want your fish,
|
|
But I do want the interplay
|
|
of bitterness and brine
|
|
from black coffee
|
|
and the saltwater
|
|
Sea
|
|
|
|
See?
|
|
|
|
Placate the palate
|
|
Symphony of senses
|
|
And orchestral maneuvers in the Nasal Cavities
|
|
Let it cut like a clipper across the waves of tastebuds
|
|
and you can't get THAT with a quad-shot-double-skinny-
|
|
mocha with a sprinkle of chocolate to boot!
|
|
Don't look at me with that forlorn
|
|
sense of self
|
|
Mr.
|
|
(or Mrs.? I can never tell)
|
|
Seagull.
|
|
|
|
Remember,
|
|
I'm just here for the experiences
|
|
Like any good dharma boy would be,
|
|
except I don't have any prayer beads anymore
|
|
|
|
I count the sun and stars and street lamps that
|
|
block my horizon like so much tissue paper
|
|
fog in San Francisco
|
|
|
|
But, I'm not in San Francisco anymore
|
|
I'm just here watching the ferry roll in
|
|
Like a mechanical anthill and it's too big
|
|
for me to figure if it's moving away or towards me
|
|
|
|
Might be that fog rolling in
|
|
Might be the seagull screaming
|
|
Might be my black coffee sliding down the back of my throat
|
|
Might be all of the above
|
|
or none all at once.
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
"Be ashamed to die until you have won some victory for humanity."
|
|
--Horace Mann
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
THiS OLD BOY
|
|
by Japhy Ryder
|
|
|
|
was carrying on
|
|
out on his porch, sitting and spitting
|
|
and pert-nigh pontificating
|
|
on the general decline of culture,
|
|
holding forth to his wife
|
|
half-asleep at his side in the swing.
|
|
|
|
"And I don't know about
|
|
all this nonsense poetry Jennifer
|
|
wants to write when she could be doing
|
|
something a little practical--
|
|
what in the hell'd she do in college--
|
|
writing poetry?"
|
|
|
|
And he spat, and his wife ran
|
|
her fingers across the cover
|
|
of her granddaughter's book--
|
|
and the old dog squatted beside her
|
|
letting its water run through the boards
|
|
onto the ground underneath the porch.
|
|
|
|
The woman took up the book
|
|
and with a sharp short stroke
|
|
clobbered the dog on its skull--
|
|
It lay down in the puddle of its own piss.
|
|
|
|
"Practical poetry," she replied.
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
[=- FiCTiON -=]
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
DOUBLE TAKE
|
|
by Kilgore Trout
|
|
|
|
Andrew watches her slowly walk through the door, close it, and look
|
|
around the room, bewildered. The paint on the walls continues to peel, and
|
|
Andrew shuffles uncomfortably on the uneven carpet.
|
|
|
|
"I just left here, didn't I?"
|
|
|
|
"You have arrived."
|
|
|
|
She stares at Andrew for a moment, shakes her head, and sulks out.
|
|
|
|
* * * * *
|
|
|
|
Andrew watches her slowly walk through the door, close it, and look
|
|
around the room, bewildered. The paint on the walls continues to peel, and
|
|
Andrew shuffles uncomfortably on the uneven carpet.
|
|
|
|
"I thought we were finished."
|
|
|
|
"Me too, but you keep coming back."
|
|
|
|
She stares at Andrew for a moment, shakes her head, and sulks out.
|
|
|
|
* * * * *
|
|
|
|
Andrew watches her slowly walk through the door, close it, and look
|
|
around the room, bewildered. The paint on the walls continues to peel, and
|
|
Andrew shuffles uncomfortably on the uneven carpet.
|
|
|
|
"Where did you put the exit?"
|
|
|
|
"Time does not stop for you to depart."
|
|
|
|
She stares at Andrew for a moment, shakes her head, and sulks out.
|
|
|
|
* * * * *
|
|
|
|
Andrew watches her slowly walk through the door, close it, and look
|
|
around the room, bewildered. The paint on the walls continues to peel, and
|
|
Andrew shuffles uncomfortably on the uneven carpet.
|
|
|
|
"I don't think you believe in God."
|
|
|
|
"It's simple, really. God doesn't believe in me."
|
|
|
|
She stares at Andrew for a moment, shakes her head, and sulks out.
|
|
|
|
* * * * *
|
|
|
|
Andrew watches her slowly walk through the door, close it, and look
|
|
around the room, bewildered. The paint on the walls continues to peel, and
|
|
Andrew shuffles uncomfortably on the uneven carpet.
|
|
|
|
"Why haven't you moved at all?"
|
|
|
|
"Are you sure I'm the one that is stationary?"
|
|
|
|
She stares at Andrew for a moment, shakes her head, and sulks out.
|
|
|
|
* * * * *
|
|
|
|
Andrew watches her slowly walk through the door, close it, and look
|
|
around the room, bewildered. The paint on the walls continues to peel, and
|
|
Andrew shuffles uncomfortably on the uneven carpet.
|
|
|
|
"What time is it again?"
|
|
|
|
"*La veille du futur.*"
|
|
|
|
She stares at Andrew for a moment, shakes her head, and sulks out.
|
|
|
|
* * * * *
|
|
|
|
Andrew watches her slowly walk through the door, close it, and look
|
|
around the room, bewildered. The paint on the walls continues to peel, and
|
|
Andrew shuffles uncomfortably on the uneven carpet.
|
|
|
|
"The puzzle has to have an answer."
|
|
|
|
"If there is no answer, is there a puzzle?"
|
|
|
|
She stares at Andrew for a moment, shakes her head, and sulks out.
|
|
|
|
* * * * *
|
|
|
|
Andrew watches her slowly walk through the door, close it, and look
|
|
around the room, bewildered. The paint on the walls continues to peel, and
|
|
Andrew shuffles uncomfortably on the uneven carpet.
|
|
|
|
"What do you see when you look out the door?"
|
|
|
|
"DNA helixes propping up dying stars."
|
|
|
|
She stares at Andrew for a moment, shakes her head, and sulks out.
|
|
|
|
* * * * *
|
|
|
|
Andrew watches her slowly walk through the door, close it, and look
|
|
around the room, bewildered. The paint on the walls continues to peel, and
|
|
Andrew shuffles uncomfortably on the uneven carpet.
|
|
|
|
"The fool still stands."
|
|
|
|
"'Blah, blah, blah,' countered the Sage of Time."
|
|
|
|
She stares at Andrew for a moment, shakes her head, and sulks out.
|
|
|
|
* * * * *
|
|
|
|
Andrew watches her slowly walk through the door, close it, and look
|
|
around the room, bewildered. The paint on the walls continues to peel, and
|
|
Andrew shuffles uncomfortably on the uneven carpet.
|
|
|
|
"I can see the future."
|
|
|
|
"And she is the past in reverse."
|
|
|
|
She stares at Andrew for a moment, shakes her head, and sulks out.
|
|
|
|
* * * * *
|
|
|
|
Andrew watches her slowly walk through the door, close it, and look
|
|
around the room, bewildered. The paint on the walls continues to peel, and
|
|
Andrew shuffles uncomfortably on the uneven carpet.
|
|
|
|
"Why are the words different?"
|
|
|
|
"We battle against stasis."
|
|
|
|
She stares at Andrew for a moment, shakes her head, and sulks out.
|
|
|
|
* * * * *
|
|
|
|
Andrew watches her slowly walk through the door, close it, and look
|
|
around the room, bewildered. The paint on the walls continues to peel, and
|
|
Andrew shuffles uncomfortably on the uneven carpet.
|
|
|
|
"I can't feel my legs."
|
|
|
|
"You look exactly like my mother."
|
|
|
|
She stares at Andrew for a moment, shakes her head, and sulks out.
|
|
|
|
* * * * *
|
|
|
|
Andrew watches her slowly walk through the door, close it, and look
|
|
around the room, bewildered. The paint on the walls continues to peel, and
|
|
Andrew shuffles uncomfortably on the uneven carpet.
|
|
|
|
"What happened to your face?"
|
|
|
|
"The mouth is an unnecessary body part."
|
|
|
|
She stares at Andrew for a moment, shakes her head, and sulks out.
|
|
|
|
* * * * *
|
|
|
|
Andrew watches her slowly walk through the door, close it, and look
|
|
around the room, bewildered. The paint on the walls continues to peel, and
|
|
Andrew shuffles uncomfortably on the uneven carpet.
|
|
|
|
"It seems different this time."
|
|
|
|
"A failing of your callous perception."
|
|
|
|
She stares at Andrew for a moment, shakes her head, and sulks out.
|
|
|
|
* * * * *
|
|
|
|
Andrew watches her slowly walk through the door, close it, and look
|
|
around the room, bewildered. The paint on the walls continues to peel, and
|
|
Andrew shuffles uncomfortably on the uneven carpet.
|
|
|
|
"Why are you one step behind me? You make me come back to get a reply."
|
|
|
|
"Truth lives in similarity."
|
|
|
|
She stares at Andrew for a moment, shakes her head, and sulks out.
|
|
|
|
* * * * *
|
|
|
|
Andrew watches her slowly walk through the door, close it, and look
|
|
around the room, bewildered. The paint on the walls continues to peel, and
|
|
Andrew shuffles uncomfortably on the uneven carpet.
|
|
|
|
"So what will you say if I leave for good?"
|
|
|
|
"My delayed responses keep you alive."
|
|
|
|
She stares at Andrew for a moment, shakes her head, and sulks out.
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
"Dare to be naive."
|
|
--R. Buckminster Fuller
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
WORD PUDDING WiTHOUT THE SKiN
|
|
by I Wish My Name Were Nathan
|
|
|
|
As the government reported today, swarms of leprotic frogs are being
|
|
released into the Amazonian basin in response to public outcry, on a
|
|
need-to-know basis. Locations of the basins will be sold in auction for a
|
|
select few lucky patriots, the President reported. McDonnell-Douglas and
|
|
Westinghouse refused to comment on plans for media saturation.
|
|
|
|
Is it not a man's greatest fear that his greatest fear be discovered and
|
|
used against him? So many levels upon levels of higher forces are controlling
|
|
and watching him at any given moment, but the man will spend his time
|
|
wondering instead if one of his peers is harboring resentment. He turns a
|
|
blind third eye to his real insecurities.
|
|
|
|
Scientific studies show that a frog's greatest fear is loss of control of
|
|
bladder functions. When left in a small shoebox under a little girl's bed,
|
|
such frogs will balloon up with toxic gases until the girl enters puberty.
|
|
When such an occasion arises, the man doesn't once think what might be
|
|
watching his entire universe, which upon circumspection is no larger than the
|
|
space inside his head, extrapolated into infinity, stretching the matter of a
|
|
frog's leprotic skin until it bursts in a sickening wet thud.
|
|
|
|
When they throw the rocks at me, I don't really fear them. I know what
|
|
they want to do. I know they will succeed in hitting me a few times on the
|
|
head, and I will fall unconscious and wake up bloodier. I don't fear the pain
|
|
or the injuries. I only fear losing control. When they throw the ideas at
|
|
me, for that is what they are, my only fear is losing control, and allowing
|
|
myself to believe that the ideas are really rocks and really will sting me. I
|
|
only fear that I will slip and give the rocks the attention they don't
|
|
deserve. I fear believing that my death is imminent, because it then is. The
|
|
shoebox is closing in on all sides, covered with shoes and toys and rocks, and
|
|
I will suffer.
|
|
|
|
And here you depict young boys performing cunnilingus on each other, how
|
|
despicable! I mean, as if boys that young would even know how to spell
|
|
cunnilingus! It's this kind of dime-store pornography that stems from the
|
|
offices of new mothers who think such displays of pubic affection are cute and
|
|
innocent; how little they know, those blinded purveyors of the worst smut, the
|
|
new mothers. You think it's such great fun for the uninitiated, but who's
|
|
there in the morning to comfort them and change their bandages?
|
|
|
|
And on the eighth day, God hired a contractor to do patch-up work.
|
|
|
|
I consulted the nervous-looking man about a problem with my plumbing. I
|
|
feared that the pipes were clogged with rotting frog skin and shreds of
|
|
dignity. The man led me into a room behind his office and started up the
|
|
slide projector. After flipping through various educational slides about the
|
|
hazards of copper piping and lead paint, a slide came up, a shot of me and my
|
|
campmates in a group photograph. As in the Wizard of Oz, you had to look
|
|
close to notice the munchkin in the background dangling from a tree by his
|
|
Under-Roos. We had found the munchkin while ferreting about for cigarettes
|
|
and cunnilingus and since the munchkin didn't answer our three riddles, we had
|
|
to hang him. The riddles weren't very fair.
|
|
|
|
But the plumbing associate continued his tirade and pointed out that he
|
|
was in camp with me. He in fact could see his own face in the group of
|
|
fidgety boys who spent long weeks in single-sex bunks in the years after
|
|
saltpeter. I know this man was lying or insane or forgetful. He explained
|
|
that he was the absent bunkmate who spent long days in the mountains and
|
|
deserts behind the camp, hunting for mushrooms and his worst fears, and
|
|
finding them. He would come back to camp in the wee hours of the morning,
|
|
eyes bloodshot and frantic, hair matted down with slime, hands covered with
|
|
blood. He would capture raccoons and vampire bats and slice them open and
|
|
engage in ferocious, terrified intercourse with appealing, desiccated peasant
|
|
corpses. The important part was their lack of money, he repeated, because it
|
|
widened the field. He had the whole field to himself. He admitted, though,
|
|
that he might have been his twin at the time of the photograph, which is why I
|
|
might not have recognized him.
|
|
|
|
The West divides the East into north and south apartments, each paying
|
|
rent to fund the others' silence and repair their own secret plumbing
|
|
problems. At the boundary between the sides there is nothing but a boundary
|
|
which is nothing but an idea given attention which is nothing. But how they
|
|
fight and throw punches at each other below the beltway. Airplanes can cross
|
|
from one side to the other without a scratch and they still bleed and hurt and
|
|
cry and laugh and consume tons of petroleum byproducts. Who is the landlord
|
|
of earth, besides the higher entities giggling at our boners?
|
|
|
|
The little girl who has forgotten her leprotic frog nest will someday see
|
|
the number 258 in the eye of her mind and wonder why 8*5 is 40, 40 which is
|
|
2*2*10 where there are two digits left (hence the square) and one power of ten
|
|
for the remaining digit, and why 258+40 is 298, whose digits add up to 19
|
|
which adds up to 10 which adds up to 1 again. But will she ever see the 1
|
|
directly, that 1 which cannot be divided because it is indivisible and
|
|
infinite and ungraspable without attempting to divide it? Or will she see the
|
|
2*5*8 which is 80 which is infinity sideways on nothingness? Isn't that just
|
|
infinity times zero equals...?
|
|
|
|
I'd say the way he walks around tapping his forearm and grinding his
|
|
teeth, he fits the image of a junkie onto the the body of a supermodel for
|
|
comic effect. I never liked comics; the reek of politics gets to me. And
|
|
then there's that aftertaste. No toothpaste can wash off that Silly Putty.
|
|
|
|
No one told him why the house was tilted ten degrees or why he had to
|
|
pick his nose while wondering about that fact. He was sure the house didn't
|
|
care about the way it was, although it secretly thought it was cute at times
|
|
when the rain slid off into the hair of the new mothers, their eyes awash with
|
|
infantosexual fantasies.
|
|
|
|
As I've told the psychiatrists many times whilst kindly refusing their
|
|
offers of drugs, I'm not as much of a narrow-minded liberal as everyone else.
|
|
I support hunters. I always tell them to shoot for the stars, and I laugh a
|
|
lot when I see them them try. Those bullets have to come down *sometime*, I
|
|
protest to my psychiatrist, and shouldn't there be a law? He only smiles
|
|
sweetly and says there *is* a law, popping a capsule of psilocybin, there is
|
|
One Great Law, with capitals. They have to keep people like me off the
|
|
streets. The referent was as ambiguous then as it is today.
|
|
|
|
The intelligent monkeys stay off the streets and never have to look both
|
|
ways once, twice, and an infinite number of times before being clobbered by a
|
|
heat-seeking autobus. The intelligent monkeys live in the trees and eat of
|
|
Nature's bounty. No, no, not humans! Humans aren't monkeys. We're
|
|
different. We have guns. And none of those cheap-ass coconut bombs those
|
|
monkeys like to throw, either.
|
|
|
|
Those who think they have stopped learning await the harshest lessons
|
|
yet. For example, Nietzsche's doctrine of the eternal recurrence of all
|
|
events, Kierkegaard's eternal paradox, Heisenberg's Uncertainty Priniciple,
|
|
and Bart Simpson's sixth grade curriculum. If you thought it was difficult to
|
|
comprehend God as individual as well as infinite, try memorizing all the world
|
|
capitals!
|
|
|
|
I spent a quiet evening recently thinking about all my friends as a boy.
|
|
It was impossible, accounting for all those extra body parts, and the fact
|
|
that some of them are women.
|
|
|
|
Found written on a prescription: "Mr. Fish took my gin to the back side
|
|
of the storage room, spinning on an old cardiganophone. I'll never see my gin
|
|
again, and Mr. Fish just laughs at me like the Buddha." The third staunch
|
|
conservative you meet will also shrug.
|
|
|
|
Does no one understand? Dust no one under stand? There's no one under
|
|
sand? There's no one on the stand? Tears -- no -- won on the sand. Terse
|
|
new wan Hondas tan. Retched Ferengi bastards. Does no one understand?
|
|
|
|
Anyone?
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
"When you've understood this scripture, throw it away. If you can't
|
|
understand this scripture, throw it away. I insist on your freedom."
|
|
--Jack Kerouac, "The Scripture of the Golden Eternity"
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
HEADSUCK EPiTAPH
|
|
by Kilgore Trout
|
|
|
|
PHASE ONE: SONGS FROM A MORTiCiAN'S ATTACHE CASE
|
|
|
|
There's a line leading to the airplane's solitary bathroom, and Asian
|
|
stewardesses wearing baggy blue jeans and white tank tops (brown nipples)
|
|
break through the crowd shooting blowguns filled with peanut dust at allergic
|
|
children en route to a medical clinic. The smell of damp crotches and the
|
|
sound of weakening sphincters spills forth over the intercom as the pilot
|
|
announces the loss of the fourth engine. Oxygen masks drop from the ceiling,
|
|
wrapping themselves around passengers' necks and spraying copious amounts of
|
|
cyanide into the cabin. A row of nuns spontaneously combusts while the plane
|
|
lurches forward and crashes into Mt. Everest, foiling the attempt of climbers
|
|
who had almost reached the peak.
|
|
|
|
* * * * *
|
|
|
|
"No escape from ennui on a Saturday night," she says, repeatedly flushing
|
|
the toilet in a rush to finish the makeshift funeral of her German shepherd.
|
|
"Oh, Mopsy, you little bitch, whatever will I do? Who will I rub to placate
|
|
my nerves? Who will greet me upon my arrival from work?" The cats jump
|
|
through the open window, slit her throat and rejoice at their satisfying yet
|
|
unnecessary preemptive strike. "Bloodlust," Siamese Jukey explains, "requires
|
|
fulfillment."
|
|
|
|
* * * * *
|
|
|
|
It's not my fault that I can't breathe, thought the corpse of Harry
|
|
Belvedere, so why sweat it? The "1812 Overture" wasn't the music I was
|
|
expecting in the afterlife, but it adds a nice regal touch to this whole death
|
|
state, which I guess I'll have to get used to. The absence of a white tunnel
|
|
of light leading to the pearly gates is a bit unnerving, but at least there
|
|
aren't flames. I burn easily.
|
|
|
|
* * * * *
|
|
|
|
"Ya know, what really gets me about Poe," Samantha said, "is his hang-up
|
|
with the whole premature death of a beautiful woman thing. It's either that
|
|
or people being buried alive behind walls. One urban legend from West Point
|
|
shouldn't provide that much fuel for stories. I say Lovecraft is where it's
|
|
at."
|
|
|
|
"Well, in the end, most of their characters end up going crazy or dying,"
|
|
Sonia replied.
|
|
|
|
"But there's a difference. Poe thinks love is eternal, that it can
|
|
survive death. Lovecraft knows that truth is what matters, and truth is a
|
|
destroyer."
|
|
|
|
* * * * *
|
|
|
|
Her eyes turned to clay. Bernard watched it happen, seeing her eyes
|
|
mutate into two grey lumps. He knew her breathing had stopped about an hour
|
|
ago, and his breaths were short and rapid as he waited for the inevitable.
|
|
Bernard slowly reached out with his hands, shoving his thumbs into her eyes
|
|
and scooping out the clay. He examined the empty sockets closely, realizing
|
|
that she had never really been able to see. Bernard couldn't even remember
|
|
the girl's name, and, while wondering if he had ever asked, closed his eyes
|
|
and rubbed the clay on his eyelids. "The blind always lead the blind," he
|
|
silently intoned.
|
|
|
|
* * * * *
|
|
|
|
"So, what do you think the meaning of life is?"
|
|
|
|
"That question would be better phrased with the meaning of death."
|
|
|
|
"But everybody dies. Sooner or later, you'll be six feet under or your
|
|
ashes will be sitting on someone's mantle. It's figuring out what life is
|
|
about before you die that's important."
|
|
|
|
"The meaning of life is subjective -- it's different for everybody.
|
|
Death is the one thing we have in common."
|
|
|
|
"So what does death mean?"
|
|
|
|
"It's all in Goethe. Isn't everything? 'As long as you do not know how
|
|
to die and come to life again, you are but a sorry traveler on this dark
|
|
earth."
|
|
|
|
* * * * *
|
|
|
|
My mother still thinks I'm obsessed with death. I mean, I haven't even
|
|
dressed in all black since I was sixteen. She's the one who has already
|
|
reserved a plot in the graveyard for me, and anytime I'm feeling a bit down
|
|
she thinks I'm gonna knock myself off. Mom still lives in a cinema dreamland
|
|
of happy endings and romantic kisses before the credits roll, and anything
|
|
that deviates from her sugar-laden reality is obviously a sign of impending
|
|
doom. When the apocalypse comes, I'll make sure to give her one last
|
|
goodnight kiss. It's the least I can do.
|
|
|
|
* * * * *
|
|
|
|
1. There is still poetry in genocide, no matter how much it is denied.
|
|
|
|
2. Being a serial killer requires style and panache in large
|
|
quantities.
|
|
|
|
3. A mass murderer has to remember to reload to be successful.
|
|
|
|
4. Charles Manson is not a demigod but an imprisoned stand-up comic.
|
|
|
|
5. Believing in reality is the surest way to stop your heart.
|
|
|
|
6. God is not going to die anytime soon. What's your excuse?
|
|
|
|
* * * * *
|
|
|
|
Her grandfather died in her arms when she was six. He had liver cancer
|
|
and had been wasting away in the hospital for weeks, tubes snaking across his
|
|
body like a roadmap to hell while everyone waited for him to perish. On that
|
|
Saturday night, her parents and grandmother had gone down to the cafeteria to
|
|
eat, leaving her alone with the clunking sound of the respirator to keep her
|
|
company. When the angel appeared at the foot of the bed, bathing her in a
|
|
harsh white light and giving her a wry, fanged smile, she asked, "Why do you
|
|
love the dying?" The angel extended a translucent arm and brushed the hair
|
|
out of her eyes. "Why do you despise them so?" it questioned, waiting for an
|
|
answer she didn't know.
|
|
|
|
* * * * *
|
|
|
|
The headshot was quick and clean. Private Goldberg lowered his rifle and
|
|
began stripping it before leaving the fifth floor rooftop. He took one last
|
|
glance over the edge and saw the ensuing chaos on the street below, cops
|
|
trying to get people out of the way while newly unemployed bodyguards hovered
|
|
over the body of the cardinal. "Martyrdom," he said, adjusting the lapels on
|
|
his uniform, "is the path of the damned."
|
|
|
|
* * * * *
|
|
|
|
Society is always blamed for the deaths of the innocent, but GAO reports
|
|
indicate that it is just a simple case of the dreaded heat death, entropy.
|
|
The universe constantly consumes herself, giving birth so that she may kill.
|
|
She is a cannibal, staving off the throes of starvation by continually eating
|
|
like a junkie with a bank account. One day she will have nothing left to
|
|
feast on, and then the dead children will sing the songs morticians have been
|
|
collecting since people have been dying, songs praising the eternal for
|
|
believing it would last forever.
|
|
|
|
|
|
PHASE TWO: DiCTATOR NEiGHBOR WiTH A PERSONAL DiGiTAL ASSiSTANT
|
|
|
|
Jacob sat in a corner booth at another nameless diner, gulping coffee and
|
|
chain-smoking while poised over a newspaper, pen and scissors ready to circle
|
|
and cut out articles of interest. His theory had come to him in one of his
|
|
erratic states of hypnogogia, and he was bent on proving it wrong.
|
|
Unfortunately, the evidence was mounting. After three hours and a plate of
|
|
hotcakes, he had a stack of annotated clippings partially sitting in some
|
|
spilled blueberry syrup.
|
|
|
|
Car accidents. Government misuse of funds. Unadopted cats and dogs at
|
|
the pound. New murders attributed to long dead serial killers. Meetings in
|
|
New York of the Trilateral Commission and the Committee on Foreign Relations.
|
|
College football player suspensions for drugs and felony crimes. It all
|
|
pointed towards Reginald, who he thought was his friend.
|
|
|
|
Reginald was a rehabilitated crackhead, having spent five years after
|
|
graduating from law school at the receiving end of a pipe. After breaking in
|
|
to his dealer's house to get a fix and being shot, he vowed to change himself
|
|
and confided to Jacob that he was going to take over the world. Jacob had
|
|
laughed it off on their first meeting when Reginald told him his life story.
|
|
He figured he had seen one too many episodes of _Pinky and the Brain,_ but now
|
|
he wasn't so sure. And there was the answering machine message.
|
|
|
|
"I was approached by these goddamn loons tonight," Reginald's voice
|
|
yelled on the tape. "Bunch of psychos they were, telling me they had been
|
|
keeping an eye on me and knew about my plans for world domination. Christ
|
|
almighty! I still don't know how they found out. You didn't fucking tell
|
|
them, did you? Anyway, they offered me an in. Supreme leader of the free
|
|
world or some goofy-ass title like that. I just had to tell someone, and I
|
|
can trust you, right? I've already outlined a proposal on my Newton and
|
|
they're gonna look it over tomorrow. I'm in Illuminati shit up to my eyelids,
|
|
and I love it. Are we still on for poker Friday? Later."
|
|
|
|
That was two weeks ago. Jacob had split town, not wanting to take any
|
|
chances. Sure, Reginald was probably having a psychotic break with reality,
|
|
he had thought at the time, but even if it was a hoax, he didn't want to be in
|
|
the way when Reginald lost it for good. He was, after all, his friend and
|
|
would likely be the one Reginald would come looking for.
|
|
|
|
And now, after two weeks on the run, he was afraid. It was looking like
|
|
Reginald really was on the fast track to becoming the numero uno figure in the
|
|
world, and Jacob was the only person who knew it. He was probably already a
|
|
target because up and coming dictators cannot afford loose ends.
|
|
|
|
"Do you think you'll explode if I give you another cup of coffee?" the
|
|
waitress asked.
|
|
|
|
"No," Jacob said, pushing his mug to the edge of the table and lighting
|
|
another cigarette.
|
|
|
|
"What's all this stuff you're doing?" she asked, filling his cup.
|
|
|
|
"What's your name?"
|
|
|
|
"Amanda."
|
|
|
|
"Amanda, I'm going to tell you something very important. There is a man
|
|
alive today who, while we speak, is surreptitiously in the process of silently
|
|
overthrowing the governments of the world. He is sly, crafty and has the
|
|
backing of powerful secret societies. He is also crazy and was my best
|
|
friend."
|
|
|
|
Amanda seemed nonplussed. "What's his name?" she inquired, obviously
|
|
used to patrons with bullshit tales.
|
|
|
|
"Reginald."
|
|
|
|
"Reginald what?"
|
|
|
|
"I don't know."
|
|
|
|
"What do you mean, 'I don't know?'"
|
|
|
|
"I don't know. I never asked. He was addicted to crack for a long
|
|
time."
|
|
|
|
"Reginald the Crackhead is taking over the world? Puh-leaze."
|
|
|
|
"He did graduate from law school."
|
|
|
|
"Well, that makes it totally plausible then."
|
|
|
|
"But I've got proof," Reginald countered, holding up newspaper clippings.
|
|
|
|
"'Congress still delayed on passing appropriation bills,'" Andrea read
|
|
outloud. "Sounds like business as usual in Washington to me."
|
|
|
|
"You have to read between the lines to figure it out."
|
|
|
|
"You're not some religious nutjob, are you?
|
|
|
|
"No, of course not."
|
|
|
|
"Okay, so your friend -- Reginald -- is taking over the world?"
|
|
|
|
"Right."
|
|
|
|
"And how did you find this out? Did he just tell you?"
|
|
|
|
"Yep."
|
|
|
|
"And why did he tell you this?"
|
|
|
|
"I don't know. But I did have a vision about it."
|
|
|
|
"You've got problems, you know that?"
|
|
|
|
"Damn straight I do. He wants me dead."
|
|
|
|
"So now he's after your ass, huh? Does your fantasy ever end?"
|
|
|
|
"Look, I know it's hard to believe, but it's true."
|
|
|
|
"Whatever, guy. If you want my advice, I'd suggest seeing a shrink."
|
|
|
|
Reginald stood up and put down two fives on the table.
|
|
|
|
"I don't need therapy, lady," he said angrily. "What I need is a way to
|
|
stop him."
|
|
|
|
Jacob stormed out of the diner and hurriedly walked down 15th street.
|
|
Amanda and her bad coffee would find out soon enough that he was right, and
|
|
then he'd have the last laugh in the gulag. Right now, though, he needed to
|
|
move. He popped another cigarette to his lips and lit it, scanning the area
|
|
for any suspicious characters. Anybody in the milling crowds could be his
|
|
enemy, and he wasn't even sure what to look for.
|
|
|
|
Based on his calculations, Jacob figured that at Reginald's current rate,
|
|
the world would be his in six more weeks. He could try to get the word out,
|
|
but most people would be unbelieving like Amanda. There were always militia
|
|
groups in Montana and Texas he could hole up with, hoping to die with a little
|
|
dignity.
|
|
|
|
"Fuck it," Jacob muttered and walked to the nearest payphone, punching in
|
|
his calling card number and dialing Reginald's apartment.
|
|
|
|
"Hey, Jacob," Reginald answered. "I've been looking for you."
|
|
|
|
"I'm sure you have," Jacob solemnly replied.
|
|
|
|
"You missed out on a good poker game. Stakes were a bit high for my
|
|
blood, but I ended up winning."
|
|
|
|
"Are you trying to have me killed?"
|
|
|
|
"Now why would I want to do that?"
|
|
|
|
"Because I know about your plan."
|
|
|
|
"Have you told anybody?"
|
|
|
|
"Just a waitress at a diner. She didn't believe me."
|
|
|
|
"Don't worry. I'm not trying to kill you. You're my friend."
|
|
|
|
"I am?"
|
|
|
|
"You are."
|
|
|
|
"Then why do I feel like a hunted animal?"
|
|
|
|
"Silent revolution," Reginald sighed, "has a strange effect on the human
|
|
psyche. You fear you're losing power that you never had and want to protect
|
|
what doesn't exist. It's like when I was on drugs: you don't really want an
|
|
escape, you just want peace. And that's what I'm about to do. I'm gonna give
|
|
peace to the whole world."
|
|
|
|
"The world doesn't want peace," Jacob said. "It's not accustomed yet,
|
|
and the acquisition of peace requires death and chaos first. I've been
|
|
following you in the papers."
|
|
|
|
"Good boy. The world will thank me soon, Jacob. Why don't you come
|
|
back? I could use your help."
|
|
|
|
"I'd prefer not to."
|
|
|
|
Jacob hung up the phone and caught the next bus to the ocean.
|
|
|
|
|
|
PHASE THREE: AN ARSONiST'S LiBERATiON
|
|
|
|
"Fire was important then," she said, stroking an arm. "It meant
|
|
something. It was Prometheus' gift to humanity." A shoulder. "Now it's a
|
|
match, a lighter, propane." A thigh. "But it's not fire, not real fire." A
|
|
breast. "What happened?" Crimson hair. "What happened to fire? What if
|
|
there never was fire?" Blackness. "What would mankind's jumpstart have
|
|
been?" Chaldean oracles. "Fire gives life and takes life away. What else
|
|
can do that?" A breast. "Fire burns so beautifully." A solitary candle.
|
|
"Nothing can transfix the soul like fire." Weeping churchgoers. "Burn, burn,
|
|
burn."
|
|
|
|
|
|
PHASE FOUR: OBTUSE BELLY EXANGUiNATiON
|
|
|
|
6:42am She's got the shakes again and -- "don't fuck with me." -- he is
|
|
running warm water on the -- "i'm trying to save you." -- washcloth before
|
|
placing it on her -- "don't save me." -- forehead. Reality suckles on her --
|
|
"you're in the hospital." -- heart through an existential -- "where am i?" --
|
|
proboscis nurturing a silent -- "you're too feral to rot away." -- apathy
|
|
antiquated by social stasis -- "my brain smells like cinnamon." -- and the love
|
|
of stability. Her -- "sense is deceiving." -- sweat is a sickly green-brown --
|
|
"use your body." -- color burning away the hairs -- "missionary position
|
|
impossible." -- on her unshaven legs and stinking -- "who is speaking?" -- of
|
|
mental burnout. Cannabis dreams -- "allah's voice is monotone." -- and
|
|
psychedelic revelations deteriorate -- "it's unreliable, persuasion." -- into
|
|
a perception of the infinite -- "faith is the door to arcade bliss." -- marred
|
|
by the illusion of nothingness -- "hydrogen bombs are aphrodisiacs." She
|
|
coughs up black mucus and -- "i've got travolta's suave." -- feels blood run
|
|
out of her nose -- "i am not a saint for hire." -- as he puts another charlie
|
|
parker -- "why plagiarize kerouac?" -- album on the turntable. She -- "the sun
|
|
will not be extinguished." -- will not die because existence is -- "one
|
|
astronomical unit from paradise." -- suffering, and she is aware -- "there is
|
|
another method." -- that he is aware that she is -- "even nerves need
|
|
endings." -- aware. the wet washcloth -- "salamanders never hurt you." --
|
|
mops up a bit of her leaking -- "i can hear jasmine crying next door." --
|
|
soul. The phone rings. It is -- "monopolize your destiny." -- the devil. A
|
|
wrong number -- "the doctor is here with leeches." Apologies are exchanged
|
|
quickly -- "i don't have insurance." He forces the straw through -- "your
|
|
pain is necessary for the child." -- her thin skin into her stomach -- "i
|
|
cannot give you my flesh." -- and drinks.
|
|
|
|
|
|
PHASE FiVE: A SiLHOUETTE DECAYS WiTHOUT LiGHT
|
|
|
|
She said: "You are not dying. Writers have a lot of soul to lose. You
|
|
just think you're finished, but that's not true. Besides, in your next life,
|
|
you'll probably be a priest."
|
|
|
|
* * * * *
|
|
|
|
piecemeal aids babies get ground up for raw meat behind hotel kitchens to
|
|
pay for mommy's luck on the heads of nuns signaling the call to prayer to the
|
|
eastern shores where the elite sip champagne blessed by sezmu in drastic
|
|
ceremonies with lots of opera and bingo debts being collected by balding men
|
|
who spend their rent money on viagra and nitroglycerine pills to take them
|
|
away to a never never land of milk and honey where the faithful always die and
|
|
rabbits continue to breed by the millions of tickets sold in a futile hope of
|
|
winning the lottery of souls and running the stop sign without fear of
|
|
retribution.
|
|
|
|
* * * * *
|
|
|
|
"You're too paranoid for your own good. You know that?"
|
|
|
|
"I'm not paranoid. I know who's out to get me. I am."
|
|
|
|
"You are your own worst enemy, that sort of thing?"
|
|
|
|
"I tend to like myself most of the time. My head, however, has other
|
|
ideas."
|
|
|
|
"Such as?"
|
|
|
|
"Ever watched rabid dogs tear a young girl apart? Her remains are my
|
|
brain."
|
|
|
|
* * * * *
|
|
|
|
She wants me to analyze her fiction even though I'm in the middle of
|
|
writing. Her bumming a cigarette has turned into a full-blown, unwanted
|
|
conversation. She tells me that she is nineteen and works at a halfway house
|
|
for released mental patients. She tells me that sometimes her job makes her
|
|
so crazy that she thinks she should be committed. I look at her work. It is
|
|
terse. No compound sentences. Her lettering is large and bubbly. I lie and
|
|
say she has an interesting style. She tells me that she is also a poet and
|
|
reads on open mike night at another coffee house. She tells me that she wants
|
|
to be famous and published. I don't care. I am self-absorbed.
|
|
|
|
* * * * *
|
|
|
|
I am being followed by a large, burly man with denture odor. He is a
|
|
frightening specimen of the human race. Wherever I go, he is there. He rides
|
|
my bus, eats at my restaurants and fucks my prostitutes. He has been doing
|
|
this since 1993, and I have not confronted him. He carries a gun and wears a
|
|
badge. I dream about his mouth. That is my secret.
|
|
|
|
* * * * *
|
|
|
|
Who is God? A young boy burning ants on the sidewalk with a magnifying
|
|
glass. His mother is inside teaching piano lessons while her offspring
|
|
obtains another rung on the natural selection ladder by destroying the weak.
|
|
He is gleeful in his newfound power. A cat watches from the bushes,
|
|
unimpressed. "Bloodlust," Siamese Jukey explains, "requires fulfillment."
|
|
|
|
* * * * *
|
|
|
|
The shrooms had taken effect, and Lance felt like he was going to piss in
|
|
his pants. He was wearing the contented tripper's smile on his face, but
|
|
every few minutes he would unobtrusively brush his hands across his pants to
|
|
make sure they weren't wet. Some drunk girl, Machinegun Tammy, who had dosed
|
|
shortly after arriving at the party, was talking nonstop about concerts she
|
|
had attended. Lance sat on the couch quietly, waiting for enlightenment
|
|
before he made a mess.
|
|
|
|
* * * * *
|
|
|
|
Crass philosophy in action:
|
|
|
|
"Jesus, not another one of your harebrained tangents! I'm racking up
|
|
mucho Nietzsche points here with my argument, and you're about to talk about
|
|
women with fat asses? No, no, no. Absolutely not. What the hell does this
|
|
have to do with Christianity as a slave religion and the uberman? I will not
|
|
be interrupted like this. You will shut up or stay on topic. Capice?"
|
|
|
|
"I didn't say 'fat ass.' I said 'tight ass.' Over there."
|
|
|
|
"Whoa. I'd be a slave to that uberass."
|
|
|
|
* * * * *
|
|
|
|
Christy arranged the toothpicks into a crude, uneven pentagram on the
|
|
coffee table. She was bored. Lonnie was sitting in front of the television
|
|
while taking swigs out of a two dollar, half-empty bottle of wine. They both
|
|
had a test on thermodynamics in eight hours, and this was their study break.
|
|
|
|
"Do you think drinking is gonna improve your grades?" Christy asked.
|
|
|
|
"About as much as your wooden Satanic symbolism," Lonnie answered.
|
|
|
|
Christy wiped away the pentagram and quickly made a thick cross.
|
|
|
|
"How's that for you?" she asked.
|
|
|
|
"Religion," Lonnie said, licking the mouth of the bottle, "isn't good for
|
|
multiple choice answers."
|
|
|
|
* * * * *
|
|
|
|
Licking salt from old bones creates a surefire answer to bar exams and
|
|
the civil body politic while makeshift tarot readers dissolve connections to
|
|
the ethereal plane by charging fees for their sunday morning worship services
|
|
where genuflections and bows are required for a door prize and a chance to
|
|
meet the man with a golden mouth of desire who can kiss to kill and knows when
|
|
streetlights are about to blink out of existence to fight the totalitarian
|
|
felt puppets with googly all-seeing eyes that understand macroeconomics.
|
|
|
|
* * * * *
|
|
|
|
I once wrote a story entitled "Transportation Blues" where the main
|
|
character, a freshman at Yale University, constantly dreamed about car wrecks
|
|
involving large multitudes of semi-trailer trucks. She could hear the sounds
|
|
of screeching tires and breathe the fumes of burning gasoline everywhere she
|
|
went. Methamphetamines were a lost recourse to stay awake and avoid sleep,
|
|
finally culminating in an absurd climax when she goes to a truck stop and
|
|
throws lit cigarettes at truckers who are fueling up. I didn't really like
|
|
the story and never tried to get it published because I was worried about the
|
|
message it might send to kids. Truckers are, of course, an integral part of
|
|
this nation's infrastructure.
|
|
|
|
* * * * *
|
|
|
|
1. You are sitting on a balcony of a stranger's apartment. Do you:
|
|
|
|
a. listen to the songs of robins
|
|
b. carve crude remarks into the wooden planks
|
|
c. steal the Life & Arts section of the newspaper to make him guess
|
|
what's on TV
|
|
|
|
2. Your good friend is vomiting in a trashcan after too many beers. Do
|
|
you:
|
|
|
|
a. round up a group of bums who can hold their liquor and taunt him
|
|
b. grab a discarded shirt on the sidewalk and delicately wipe off his
|
|
mouth
|
|
c. gag yourself and puke along with him so you feel more decadent
|
|
|
|
3. Time stops. Do you:
|
|
|
|
a. undress women and masturbate because you know Nicholson Baker's
|
|
_Fermata_ by heart
|
|
b. see how long you can hold your breath without time as a limiter
|
|
c. cry like the linear bastard you are
|
|
|
|
|
|
PHASE SiX: LiAM iMPROViSES A DYOSAKU TO ENCOURAGE THE MECHANiCAL
|
|
UNiVERSE
|
|
|
|
"It's all about gravity," Liam mused, "gravity and dying."
|
|
|
|
His steak was grey and clumpy, covered in ketchup to appease what was
|
|
left of his appetite. The samurai politicians were pushing towards Portland,
|
|
and his Buddhist friend was in the corner, engaged in *makaen no zenjo* after
|
|
going through tabloids to find a suitable koan for contemplation.
|
|
|
|
"Aren't you done yet?" Liam asked after swallowing a piece of gristle.
|
|
"Eat your damn lunch cause we've got to work in the garden before it gets too
|
|
hot."
|
|
|
|
Billy, in a half-lotus position, remained silent.
|
|
|
|
"It's all a bunch of shit, ya know?" Liam continued. "You find
|
|
meaningless questions and give meaningless answers to prove that everything is
|
|
really just Buddha-nature. But where does that get you, huh? You don't do
|
|
anything but sit around and be passive. You can't even row a decent row of
|
|
carrots, for crissakes."
|
|
|
|
Liam ate the last bit of steak, swallowing it after a minute of chewing,
|
|
and pulled Billy's plate to his side of the table.
|
|
|
|
"Goddamn fasting mystic," he complained, dumping ketchup on the steak.
|
|
He sucked on the first bite in the side of his mouth, trying to seduce bone
|
|
juice into coming out. Liam ended up with a mouthful of slobbery ketchup.
|
|
|
|
Four days ago, a nonpartisan group of Congressional representatives from
|
|
Washington had unveiled their private army of samurai which they said were
|
|
needed to enforce traditional family values. It was like something out of a
|
|
bad anime flick, complete with high-tech body armor from a renegade division
|
|
of SkunkWorks. Seattle was always a strange place, but not footbinding and
|
|
personal geishas were suddenly in vogue. Even Billy was caught up in the
|
|
neo-revolution, who had just yesterday renounced his new age crystals and
|
|
Nordic runes in favor of enlightenment.
|
|
|
|
Liam wasn't buying into the whole fad. It was just another scheme for
|
|
re-election, and he had moved up here so he could fall asleep to rain.
|
|
Standing up, he walked over to where Billy was sitting, picked up the unused
|
|
*zafu* next to him, and struck him on the head with the cushion, causing Billy
|
|
to yelp.
|
|
|
|
"How do you like that?" Liam asked. "Newton beats Buddha again."
|
|
|
|
|
|
PHASE SEVEN: A WAR LULLABY
|
|
|
|
"I survived the war by getting wounded. I ain't proud of it, but it kept
|
|
me alive, so I don't worry much about it. No, Shea, listen good. Damn Krauts
|
|
had placed dragon teeth everywhere around this bridge we were supposed to
|
|
take, and our tanks couldn't get too close to help us out. We were denied air
|
|
support and the artillery was eating us alive. I was holed up in a pillbox on
|
|
the front line when I knew I was going to die. If you ever get that feeling,
|
|
you'll know it. Your legs get all numb, you lose your breath, and you think
|
|
about the last time you got some pussy. Don't tell your mother I said that.
|
|
Anyhow, it got really quiet that night, and then all of a sudden these flares
|
|
go off. It's bright as day, and I see a bunch of movement in the treeline. I
|
|
ran. No way was I gonna fight off a bunch of Germans by myself. So there I
|
|
was, running, and I realized that the machinegun nest twenty-five yards to my
|
|
right hadn't fired a single shot. I stopped, turned around, and got run over
|
|
by a fucking deer, which broke my arm. War is hell, especially when the
|
|
wildlife is in cahoots with the enemy. Now go to bed."
|
|
|
|
|
|
PHASE EiGHT: NEVER TRUST A WRiTER WHO KNOWS WHAT HE'S DOiNG
|
|
|
|
Gripping drama is nothing more than fellatio at a distance.
|
|
|
|
John Wayne on Frenau's "The Indian Burying Ground:" The only noble
|
|
savage is a dead savage.
|
|
|
|
Covering a computer with tiger-striped angora doesn't make you an
|
|
internet pimpdaddy.
|
|
|
|
Revision acknowledges that imperfection is a bad thing.
|
|
|
|
After the fires burn themselves out, we will be the exhumers.
|
|
|
|
Tiny, plush toys look possessed when only a nightlight is on. Parents,
|
|
tie your children down.
|
|
|
|
Who needs religion in a boom economy with less poor people than usual?
|
|
|
|
I do not write koans, but I play a roshi in front of my bathroom mirror.
|
|
|
|
Two words: babydoll t-shirts. An equation: the price (p) is inversely
|
|
proportional to the amount of cloth (c).
|
|
|
|
Synchronicity is poetic license. Hand it out for Christmas.
|
|
|
|
The blonde chick sitting at the next table is not interested.
|
|
|
|
TV movies are the industry�s way of saying, "We understand the plight of
|
|
women."
|
|
|
|
My next vacation is to purgatory because I enjoy the middle road.
|
|
|
|
There is a hand squeezing a smiling lemon on my bottle of lemonade. It
|
|
is a lie.
|
|
|
|
University students practice witchcraft to win football games in Texas.
|
|
|
|
Bolster arguments with made-up quotes, and you will win a gold star for
|
|
creativity.
|
|
|
|
William S. Burroughs, Friday, August 15th, 1975: "Not much point in one
|
|
drink."
|
|
|
|
|
|
PHASE NiNE: SYRiNGE RHYMES WITH THE WORD 'ORANGE'
|
|
|
|
She looks like a hippie, talks like a hippie and has a flowery name. She
|
|
is in her mid-fifties and is a receptionist at a doctor's office. She met
|
|
Timothy Leary once at a party in San Francisco in the Eighties when he was
|
|
getting into computers. She still believes in free love even though she has
|
|
genital herpes. She put two kids up for adoption in two years and doesn't
|
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know if they went to college. She cleans up the broken glass after kicking me
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out and listens to loud Bach. She did not turn out to be my birth mother.
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* * * * *
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Tall fellows stream though the sidestreet market as Andy hawks his wares.
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He has a complete set of clay presidential figurines for twenty dollars. They
|
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all look alike and are cracking. No one is buying or even stopping to look.
|
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Andy is also trying to unload two pounds of brown sugar he found this morning.
|
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He needs rent money. No one is buying. He pulls out a twenty and buys the
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presidents himself, hoping to drive up their value. The clouds know
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he is a loser. Andy refrains from crying.
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* * * * *
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NAOMI: They're chained up like dogs in there.
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LISA: Breathe with the music.
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CARTER: Have you tried praying?
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NAOMI: If only they knew...
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LISA: ...that a well-trained circus...
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CARTER: ...signifies omnipotent depravity among the weak.
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NAOMI: But they are gorgeous to look at.
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LISA: It would be humane to put them out of their misery.
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CARTER: A good executioner is not your ally, love.
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* * * * *
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|
"So where do we have to start?" Jonathan asked.
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"In the beginning, of course," Pat said, laughing.
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Jonathan dug into his pork. "Why there? Why not *in media res?* It
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worked for the epics."
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|
"They always get there eventually. Besides, I'm no Homer, and you're no
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Virgil."
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"Or Milton, for that matter. Can't forget _Paradise Lost._"
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|
|
"You damn educated types always have to get one more name in, don't you?"
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|
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"So what happened in the beginning? Figure that out yet, writer boy?"
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|
"Nothing. There was nothing."
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"How the hell is that gonna work?"
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"It worked for God, didn't it?"
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* * * * *
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A street preacher gets pithy:
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|
"You sinners are like a computer at the bottom of the ocean -- you can't
|
|
function."
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|
|
"Jesus didn't masturbate. The angels don't masturbate. You're just
|
|
having sex with yourself."
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|
|
"God will laugh at you on the day of judgement and rejoice when he damns
|
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you to hell."
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|
|
"C'mon, you socialists. Let's go. I'll tell you the truth."
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|
"You've got to take the gos-pill. It's like a bowel movement, a
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|
laxative. It'll flush the sin right out of your system."
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|
|
* * * * *
|
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|
Mutant midgets sit along the boardwalk stripping the flesh from their
|
|
fingers as if peeling bananas while monkeys in three-piece bathrobe ensembles
|
|
pass out bowls of salty beer for dipping stale chips and snacks that nourish
|
|
the hungry by letting them chew on their own enamel (camptown races and myriad
|
|
brace-faced children) entertaining lechers and hookers with an easter sale of
|
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stoning rocks and crosses (requires adult supervision).
|
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|
|
* * * * *
|
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|
|
"How come you never want to go see any shows?"
|
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|
|
"Nobody's touring that I want to see."
|
|
|
|
"Oh. That's right. I forgot. You're Mr-Super-Obscure-Alternalabel-
|
|
Freakboy who only listens to bands no one else on this planet has heard."
|
|
|
|
"Is that a problem?"
|
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|
|
"It's not like I'm asking you to go to Celine Dion or a club on 80's
|
|
retro night. I'd just like to see some live music for a change. Your idea of
|
|
a good concert is watching Turkish folk singers on PBS after heckling Deepak
|
|
Chopra."
|
|
|
|
"Then let's go. Who's in town?"
|
|
|
|
"Nobody's touring that I'd like to see."
|
|
|
|
* * * * *
|
|
|
|
Walter started clipping his fingernails with scissors after reading
|
|
Beckett's "Act Without Words" in his drama class. All of his theater friends
|
|
would whistle at him whenever they would see him, and they all laughed in
|
|
their smug theater voices One night, Walter snuck into the Brindley
|
|
auditorium and hung himself on state. When they found him the next morning,
|
|
there was a Post-It note on his chest which read, "I found the tree." Nobody
|
|
whistled.
|
|
|
|
* * * * *
|
|
|
|
You tie the knot with your fiance and I'll create a wormhole with a deco
|
|
device of my own design, constructed out of space age polymars and
|
|
daisy-chained 386 motherboards running in parallel on Linux. I'm not jealous.
|
|
I just feel the need to exercise my education and experience space opera in
|
|
real-time, baby.
|
|
|
|
* * * * *
|
|
|
|
The riot came to a complete halt when the statues came to life. Men in
|
|
mid-punch stopped and turned to watch hulking bronze men lift their legs for
|
|
the first time in a hundred years. Grizzly Civil War generals on steel
|
|
nightmares opened their mouths and screamed howls of the risen as they spurred
|
|
their horses into the crowd. Flames leapt from their eyes across the mall,
|
|
burning the fleeing. "Bloodlust," Siamese Jukey explained as he limped off
|
|
the battlefield and licked his seared flesh, "requires fulfillment."
|
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|
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|
PHASE TEN: POCKETWATCH BLiSTERS
|
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|
|
Picture this. You're standing at the end of the world, and God is there
|
|
with you, calling down a great fire to destroy the earth. You beg him to stop
|
|
and plead with him to forgive humanity for being so cruel and unloving. Your
|
|
eyes are wet with tears as you ask God to stop his punishment. You are his
|
|
prophet, his intercessor, and nobody ever listened to your warnings. Now, even
|
|
God turns his back on you.
|
|
|
|
You watch the world consumed by fire. Buildings burn, people scream as
|
|
they melt, and even the sun is blocked out because of the thick smoke.
|
|
Afterwards, nothing is left alive. The world is a blackened, charred ruin,
|
|
and there is only a small wind produced by God's mournful sigh. It is a hot
|
|
wind, thick with dust, and it covers your whole body as you walk the earth
|
|
endlessly, looking for anything that might impossibly have survived.
|
|
|
|
And then, you hear a laugh, a sickening laugh that echoes inside your
|
|
head, a laugh that is horrendous because nothing else could be said, nothing
|
|
else could be done. You realize that you are the one who is laughing, and you
|
|
cannot stop. You laugh as you tread the barren lands because God has moved
|
|
on to another world.
|
|
|
|
One day, the laughter stops, and you understand what you have to do --
|
|
kill God. And you smile because you know eternity is on your side, and God
|
|
has to come back sometime to clean up his mess. You could wait forever,
|
|
couldn't you, if you had nothing else?
|
|
|
|
That's what I did. I waited.
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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|
State of unBeing is copyrighted (c) 1998 by Kilgore Trout and Apocalypse
|
|
Culture Publications. All rights are reserved to cover, format, editorials,
|
|
and all incidental material. All individual items are copyrighted (c) 1998
|
|
by the individual author, unless otherwise stated. This file may be
|
|
disseminated without restriction for nonprofit purposes so long as it is
|
|
preserved complete and unmodified. Quotes and ideas not already in the
|
|
public domain may be freely used so long as due recognition is provided.
|
|
State of unBeing is available at the following places:
|
|
|
|
World Wide Web http://www.eden.com/~kilgore/sob.html
|
|
irc the #unbeing channel on UnderNet
|
|
|
|
|
|
Submissions may also be sent to Kilgore Trout at <kilgore@eden.com>.
|
|
The SoB distribution list may also be joined by sending email to Kilgore
|
|
Trout.
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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