581 lines
28 KiB
Plaintext
581 lines
28 KiB
Plaintext
Last-modified: 1994/06/23
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Version: 1.08
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Rolling Stones' Mailing list FAQ list
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====================================================
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Part Two
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/***********************************************************************/
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COPYRIGHT 1994 (c) Anthony J. Rzepela (the "compiler")
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This collection of four works is under the copyright of the compiler,
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who may, at his discretion, relinquish said copyright to the authors
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named herein.
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This collection may not be broken up, or be made available
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by any publisher. It may not be redistributed in any form
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if any changes are made to it except by the holder of the
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copyright.
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The compiler of this FAQ retains all rights for use of it.
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No author or proofreader or assistant credited herein grants
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the use of his or her name to any publisher. Be warned that
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attempts to publish this shared work-in-progress may interfere
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with legal commitments individual authors may privately hold
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with publishers.
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/***********************************************************************/
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The Rolling Stones--Live and Unreleased Audio
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(Version 1.31 of *this* document)
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This is an introduction and guide to the live concert and studio
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outtake recordings of the Rolling Stones. This information is for
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educational purposes only.
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The Rolling Stones have been around for 30 years and have released
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many albums. However, for some fans, they haven't released enough.
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This is a guide for those fans who want to know what the Stones were
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doing on their many unrecorded tours, or are curious to hear the
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various working stages of a classic song. The only way to hear
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this is from unauthorized recordings.
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Unauthorized recordings may be either live concerts or studio
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outtakes. Live concerts may be recorded in several ways: In the
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audience using a hand held tape recorder, by a sound man from the
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soundboard, or from a radio broadcast. Audience recordings will
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generally sound the worst, but modern technology makes it possible
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to have very good audience recordings. Studio outtakes are
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generally of good quality as the recording is usually professionally
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done. In all cases, sound quality will deteriorate as analog copies
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are made from one generation to the next.
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Here is a partial list of unauthorized recordings by the Rolling
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Stones. Some of these are easy to find, others are out of print.
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Most but not all are available on CD. Listings are by location,
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date, length, quality, and source. Quality ratings are from 1 to 10
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and are REALISTIC, with 1 being unlistenable and 10 being perfect
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release quality. 'm' indicates mono, 's' stereo, and 'es' electronic
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stereo. Also included are typical sets for live concerts.
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This list is not complete. I have omitted many obscure LPs, CDs,
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and tape only performances. Many of the best recorded performances
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have been released by as many as 10 different companies; I have
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listed only the best or one of the best versions.
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Part 1: The Early Years with Brian Jones
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Most of the recordings from this period are either from media
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appearances such as the BBC and TV shows, or studio outtakes.
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Although the band toured constantly, there are few unauthorized
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concert recordings. This was the time of Beatlemania, and screaming
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girls and often riots at concerts. With the extremely primitive PA
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systems of the era, the Stones were frequently drowned out by the
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screaming audience.
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Set lists:
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Second English tour, Feb./March 1964: Talking About
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You, Roadrunner, Roll Over Beethoven, You Better Move On, Beautiful
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Delilah, It's Alright, Not Fade Away, I Wanna Be Your Man.
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September/October 1964 UK tour: I Just Wanna Make Love to You,
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Walking the Dog, If You Need Me, It's Alright, Around and Around,
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It's All Over Now.
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March 1965 UK tour: Everybody Needs Somebody to Love, Pain in My
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Heart, Down the Road Apiece, Time is on My Side, I'm Moving On, It's
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Alright, Little Red Rooster, Route 66, The Last Time, Everybody
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Needs Somebody to Love.
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September/October 1965 UK tour: Mercy Mercy, Cry to Me, The Last
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Time, Oh Baby We Got a Good Thing Going, I'm Moving On, She Said
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Yeah, Everybody Needs Somebody to Love, That's How Strong My Love
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is, Talkin' 'bout You.
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Paris March 28, 1966: The Last Time, Mercy Mercy, She Said Yeah,
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Play with Fire, Not Fade Away, That's How Strong My Love is, I'm
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Moving On, The Spider and the Fly, Time is on My Side, 19th Nervous
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Breakdown, Around and Around, Get Off of My Cloud, It's Alright,
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Satisfaction.
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Paris April 11, 1967: Paint It Black, 19th Nervous Breakdown, Lady
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Jane, Get Off of My Cloud, Yesterday's Papers, Under My Thumb, Ruby
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Tuesday, Let's Spend the Night Together, Going Home, Satisfaction.
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Other recordings are available, but these are the best/most common:
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BBC '63-'65; 52 min; 9.5 m&s; "Get Satisfaction if You Want"
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BBC TV & ITV '63-'65; 50 min; 8.0 m; "Crackin' Up"
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Ed Sullivan TV '64-'67; 7.5 m; "Conquer America"
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Outtakes '63-'65; 30 min; 9.0 s; "Bright Lights Big City"
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Outtakes '64-'73; 70 min 8.0 s; "Mad Shadows"
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Unreleased stereo mixes of '65-'67 hits;
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20 min; 7.5 s; "Dartford Renegades"
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Paris 4/18/65; 40 min; 7.0 m; "L'Olympia"
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Honolulu 7/28/66; 30 min; 7.5 m; "In Action"
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Part 1a: Brian is phased out
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The Stones did their last tour with Brian in the spring of 1967.
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They were unable to tour after that due to Brian's legal and health
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problems. The Rock and Roll Circus was to be a way around this,
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bringing the performance to the audience instead of the other way
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around.
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"Sympathy..." rehearsals 5-6/68; 20 min; 7.0 m; "Angie"
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Outtakes '68-'72; 70 min; 8.0 s; "On the Rocks"
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Outtakes '68-'72; 85 min; 9.5 s; "Trident Mixes"
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Outtakes/ diff. mixes '68-'73; 100 min; 10.0 s; "Time Trip"
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Rock & Roll Circus 12/12/68; 18 min; 8.0 m; "R&R Circus"
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Part 2: The middle period with Mick Taylor
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After the forced exit of Brian, the Stones hired Mick Taylor as new
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lead guitarist. His excellent playing made this lineup arguably the
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best for live performances.
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His first gig with them, Hyde Park, became a tribute to Brian. It
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took place only 2 days after his death and featured several songs
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which would not be played live again.
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Hyde Park, 7/5/69; 85 min; 8.0 m; "Stones in the Park"/others
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The first actual tour with Mick Taylor was the fall/winter 1969 US
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Tour. "Let It Bleed" was released at the end of the tour. Toward
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the end of the tour the band did some recordings at Muscle Shoals,
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Alabama (partly documented on "Time Trip" above). New York, Muscle
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Shoals, and Altamont are documented in the movie "Gimme Shelter."
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The official live album from this tour is the excellent "Get Yer
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Ya-Yas Out." Of possible interest to trivia freaks is the fact that
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Love in Vain was actually recorded in Baltimore, not NYC as claimed
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on the sleeve.
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Typical set for 1969 US tour: Jumping Jack Flash, Carol, Sympathy
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for the Devil, Stray Cat Blues, Love in Vain, Prodigal Son (not at
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all shows), You Gotta Move (not at all shows), Under My Thumb,
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Midnight Rambler, Live with Me, Little Queenie, Satisfaction, Honky
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Tonk Woman, Street Fighting Man. Played infrequently: I'm Free,
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Gimme Shelter. Played only at Altamont: The Sun is Shining (by
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Jimmy Reed), Brown Sugar.
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The 1969 US tour established a pattern which would continue until
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1982: US tour every 3 years, with a European tour the following
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year. There was no 1979 European tour, but the New Barbarians
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toured that year.
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Other recordings are available, but these are the best/most common:
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Oakland 11/9/69 1st show; 70 min; 8.0 m; "Bring It Back Aliver"
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Oakland 11/9/69 2nd show; 70 min; 8.0 m; "Liver Than You'll Ever Be"/
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many others
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San Diego 11/10/69; 45 min; 8.0 m; "Stoneaged"
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Outtakes '69-'74, studio&live; 30 min; 8.5 s; "A Shot of Salvation"
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Altamont Speedway 12/6/69; 82 min; 5.5 es; "Altamont"
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In early 1970, the first Stones bootleg record came out, called
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"Liver Than You'll Ever Be." It was the second bootleg of a major
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rock band, after Dylan's "Great White Wonder." At that time, being
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bootlegged was almost prestigious, a far cry from the way things are
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today. "Liver Than" was even reviewed in "Rolling Stone" magazine
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in the February 7, 1970 issue.
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There are no really excellent recordings from the next tour, Europe
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1970. However, as of late 1993, more of these recordings are
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becoming available, including the first ever soundboard tape.
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Unfortunately, they are mostly on hard to get Japanese CDs.
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Musically, this tour was similar to the 1969 US tour except that a
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horn section was used for the first time.
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Typical set for 1970 European tour: Jumping Jack Flash, Roll Over
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Beethoven, Sympathy for the Devil, Stray Cat Blues, Love in Vain,
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Prodigal Son, Dead Flowers, Midnight Rambler, Live with Me, Little
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Queenie, Let it Rock, Brown Sugar, Honky Tonk Woman, Street Fighting
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Man. Played infrequently: Gimme Shelter.
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Hamburg 9/14/70; 67 min; 6.5 m; "Let it Rock"
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Berlin 9/16/70; 45 min; 7.0 m; "CS Roll Over Berlin"
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Paris 9/23/70; 70 min; 5.5 m; "Paris 1970" (FM w/commentary)
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Paris 9/24/70; 60 min; 7.5 m; "Paris 1970" (soundboard)
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Essen 10/07/70; 50 min; 7.0 m; "European Tour 1970"
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Before their contract with Decca expired, The Stones were required
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to record one more song. Fed up with Decca, they recored Cocksucker
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Blues. Its unauthorized releases are frequently paired with a
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studio outtake of Brown Sugar featuring Eric Clapton on third
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guitar.
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"CS Blues"/"Brown Sugar" w/Clapton; 10 min; 10.0 s; "CS Blues"
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The band did a farewell tour of England in 1971 before leaving as
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tax exiles. "Sticky Fingers" was released after this tour. Let
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It Rock from Leeds 3/13 has been legally released.
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Typical set for 1971 English tour: Jumping Jack Flash, Live with
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Me, Dead Flowers, Stray Cat Blues, Love in Vain, Midnight Rambler,
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Bitch, Honky Tonk Woman, Satisfaction, Little Queenie, Brown Sugar,
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Street Fighting Man. Played infrequently: I Got the Blues, Let It
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Rock (encore).
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Leeds, UK 3/13/71; 60 min; 10.0 m; "Get Your Leeds Lungs Out"
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Marquee Club 3/26/71; 40 min; 8.0 m; "Marquee 71 + Sticky Out" (sic)
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"Exile on Main Street" was recorded in the basement of Keith's house
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in France. Outtakes are available.
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"Exile" outtakes; 35 min; 8.0 s; "Tropical Disease"
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Rehearsing for their 1972 US tour, the Stones were filmed by the BBC.
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Montreux rehearsals 5/21/72; 25 min; 9.0 m; "Time Trip"
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The 1972 US tour in support of "Exile on Main Street" was sucessful
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both musically and financially. Not one but two movies were made,
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the unreleased behind-the-scenes "Cocksucker Blues" and the concert
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documentary "Ladies and Gentlemen the Rolling Stones." There was to
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be a double LP live album but it remains unreleased due to Decca
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withholding the rights to several songs.
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Typical set for 1972 US tour: Brown Sugar, Bitch, Rocks Off, Gimme
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Shelter, Happy, Tumbling Dice, Love in Vain, Sweet Virginia, You
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Can't Always Get What You Want, All Down the Line, Midnight Rambler,
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Bye Bye Johnny, Rip This Joint, Jumping Jack Flash, Street Fighting
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Man. Played infrequently: Uptight/Satisfaction (encore), Loving
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Cup, Torn and Frayed, Ventilator Blues, Honky Tonk Woman (encore),
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Don't Lie to Me.
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Other recordings are available, but these are the best/most common:
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Dallas 6/23/72 reh.; 135 min; 7.5 s; "Stones Touring Party"
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"Ladies & Gentlemen" soundtrack; 80 min; 8.5 s; "Dragon Slayers"
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Charlotte, NC 7/6/72; 70 min; 6.5 s; "Back to the Roots"
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Philadelphia + Fort Worth; 170 min; 8.5 s; "Philadelphia Special"
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(1 & 2)/others
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MSG, NYC 7/26/72; 45 min; 8.5 s; "Welcome to New York"
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From this point on, most concerts would be recorded by someone in
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the audience.
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The next tour was to Australia with a few stops along the way.
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Typical set for winter 1973 tour: Brown Sugar, Bitch, Rocks Off,
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Gimme Shelter, Happy, Tumbling Dice, Love in Vain, Sweet Virginia,
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You Can't Always Get What You Want, Honky Tonk Woman, All Down the
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Line, Midnight Rambler, Little Queenie, Rip This Joint, Jumping Jack
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Flash, Street Fighting Man. Played infrequently: Route 66, It's
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All Over Now, No expectations, Live with Me.
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LA Forum 1/18/73; 80 min; 6.5 m; "Winter Tour 1973"
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Honolulu 1/21/73 1st show; 75 min; 7.0 s; "Honolulu"
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Melbourne 2/17/73; 73 min; 7.0 m; "Temperature Rising"
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Perth, Australia 2/24/73; 50 min; 9.0 s; "Rocks Off"
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Sydney 2/26/73; 65 min; 8.5 s; "Happy Birthday Nicky"
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To promote "Goats Head Soup" the Stones recorded 4 songs for Don
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Kirshner's TV show.
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Don Kirshner TV 7/17/73; 20 min; 8.5 m; "Angie"
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For the fall of 1973 there was a European tour. The King Biscuit
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Flour Hour broadcast from Brussels and London is widely circulated.
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Typical set for 1973 European tour: Brown Sugar, Gimme Shelter,
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Happy, Tumbling Dice, Star Star (deleted from KBFH broadcast),
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Angie, You Can't Always Get What You Want, Dancing with Mr. D,
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Heartbreaker (first half of tour only), Midnight Rambler, Honky Tonk
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Woman, All Down the Line, Rip This Joint, Jumping Jack Flash, Street
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Fighting Man. Played infrequently: Bitch, 100 Years Ago, Silver
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Train, Sweet Virginia.
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Other recordings are available, but these are the best/most common:
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Luxemburg radio '73 (various); 30 min; 9.5 m; "A Shot of Salvation"
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Bern 9/26/73 2nd show; 75 min; 6.5 s; "Bern-1973"
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Brussels 10/17/73 + London 9/9/73; 75 min; 9.5 s; "Brussels Affair"/
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others
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To promote "It's Only Rock and Roll," the band again appeared on
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Don Kirshner's TV show.
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Don Kirshner TV 7/74; 15 min; video
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Part 3: The Ron Wood era:
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Just before the Stones were to go into the studio and record "Black
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and Blue," Mick Taylor abruptly quit. Three different guest
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guitarists ended up on the album, and the band also jammed with Jeff
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Beck, but when they toured the US in 1975, Ronnie Wood was the
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"guest" lead guitarist.
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The 1975 and 1976 tours featured much longer sets than had been
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played in the past. Billy Preston also performed two songs at each
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show.
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Typical set for 1975 US tour: Honky Tonk Woman, All Down the Line,
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If You Can't Rock Me/ Get Off of My Cloud, Star Star, Gimme Shelter,
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Ain't Too Proud to Beg, You Gotta Move, You Can't Always Get What
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You Want, Happy, Tumbling Dice, It's Only Rock and Roll,
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Heartbreaker, Fingerprint File, Angie, Wild Horses, That's Life,
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Outta Space (both sung by Billy Preston), Brown Sugar, Midnight
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Rambler, Rip This Joint, Street Fighting Man, Jumping Jack Flash.
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Played infrequently: Rocks Off, Sure the One You Need,
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Star Star, Gimme Shelter, Luxury, Dance Little Sister, Cherry Oh
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Baby, Lady Jane (a capella by Mick), Sympathy for the Devil
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(encore at about half the shows).
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Other recordings are available, but these are the best/most common:
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Outtakes '73-'79; 45 min; 9.5 s; "Lonely at the Top"
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Studio reh. 1-4/75; 70 min; 7.5 s; "Black and Blue Sessions"
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Buffalo 6/15/75; 65 min; 7.5 s; "Hot As Hell"
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NYC 6/27/75; 65 min; 7.5 s; "Welcome Back to NY"/others
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LA Forum 7/11/75; 160 min; 7.5 m; "Rockin' at the Forum"
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LA Forum 7/13/75; 90 min; 8.0 s; "I Never Talked to Chuck Berry"
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Cow Palace, SF 7/15/75; 120 min; 7.0 s; "It's Only Rock & Roll"
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Detroit 7/28/75; 90 min; 7.5 m; "Rock and Roll Goes on the Road
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Again"
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The 1976 European tour was musically similar to the 1975 US tour,
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except that songs from "Black and Blue" were played.
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Typical set for 1976 European tour: Honky Tonk Woman, If You Can't
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Rock Me/ Get Off of My Cloud, Hand of Fate, Hey Negrita, Ain't Too
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Proud to Beg, Fool to Cry, Hot Stuff, Star Star, Angie, You Gotta
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Move, You Can't Always Get What You Want, Happy, Tumbling Dice,
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Nothing from Nothing, Outta Space (both sung by Billy Preston),
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Midnight Rambler, It's Only Rock and Roll, Brown Sugar, Midnight
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Rambler, Street Fighting Man, Jumping Jack Flash. Played
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infrequently: Rip This Joint, Cherry Oh Baby, Sympathy for the
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Devil. Played at Knebworth only: Satisfaction, Around and Around,
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Little Red Rooster, Stray Cat Blues, Let's Spend the Night Together,
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Dead Flowers, Route 66, Wild Horses, Honky Tonk Woman, Country Honk
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theme.
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Other recordings are available, but these are the best/most common:
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Frankfurt 4/29/76; 45 min; 7.5 s; "Frankfurt 1976"
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Paris 6/6/76; 100 min; 8.5 m; "Paris Aux Printemps"
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Paris 6/7/76; 125 min; 7.0 m/8.5 s; "Vive La France","Paris Par Exc."
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Lyon 6/9/76; 71 min; 8.0 s; "Backstage Limited"
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Knebworth 8/21/76; 90 min; 8.5 s; "Hot August Night"
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The Stones came to Toronto in early 1977 to record live at the El
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Mocambo Club. Keith was arrested there for heroin possession, but
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recording took place and became side 3 of "Love You Live."
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Toronto 3/4 & 3/5/77; 40 min; 8.5 s; "El Mocambo '77"
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The next studio album was "Some Girls." Outtakes are available.
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Outtakes late '77; 100 min; 9.0 s; "Paris Outtakes" I & II
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For the 1978 US tour, the band played most of the album and dropped
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many older songs. Billy Preston was sacked; keyboardists Ian
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Stewart and Ian McLagan were featured prominently. At the end of
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the tour, the Stones appeared on Saturday Night Live.
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Typical set for 1978 US tour: Let It Rock, All Down the Line, Honky
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Tonk Woman, Star Star, When the Whip Comes Down, Lies, Miss You,
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Beast of Burden, Just My Imagination, Shattered, Respectable, Far
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Away Eyes, Love in Vain, Tumbling Dice, Happy, Sweet Little Sixteen,
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Brown Sugar, Jumping Jack Flash. Played infrequently: Hound Dog,
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Satisfaction, Street Fighting Man.
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Woodstock '78 reh. + outtakes; 60 min; 8.5 s; "'78 Tour Reh."
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Passaic, NJ 6/14/78; 90 min; 9.0 s; "Garden State 78"/others
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US radio '78 (various); 90 min; 9.5 s; "A Summer Romance"/others
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LA 8/78 outtakes; 93 min; 8.5 s; "The Harder They Come"/
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others
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(There are different versions of the radio broadcasts; for example
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there, are two different versions of "Shattered," from different
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cities. This tour was heavily bootlegged; about 75% of the tour
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dates are available on vinyl.)
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Keith's sentence for heroin possession was light: to do a benefit
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concert for the Canadian National Institute for the Blind. At the
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start of the New Barbarians tour in Toronto, the Stones made a
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surprise appearance.
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Toronto 4/22/79 w/Barbarians; 90 min; 8.0 s; "Blind Date"
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"Emotional Rescue" outtakes are available.
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"Emotional Rescue" outtakes; 67 min; quality excellent minus;
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"Emotional Rescue Demos"
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The next tour was in the US, 1981, for "Tattoo You." There was an
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official live album, "Still Life," and movie, "Let's Spend the Night
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Together."
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Typical set for 1981 US tour: Under My Thumb, When the Whip Comes
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|
Down, Let's Spend the Night Together, Shattered, Neighbors, Black
|
|
Limousine, Just My Imagination, 20 Flight Rock, Going to a Go Go,
|
|
Let Me Go, Time is on My Side, Beast of Burden, Waiting on a Friend,
|
|
Let It Bleed, You Can't Always Get What You Want, Little T&A,
|
|
Tumbling Dice, She's So Cold, All Down the Line, Hang Fire, Star
|
|
Star, Miss You, Start Me Up, Honky Tonk Woman, Brown Sugar, Jumping
|
|
Jack Flash, Street Fighting Man (a few shows), and/or Satisfaction
|
|
(most shows). Played infrequently: Tops, Down the Road Apiece,
|
|
Mona, Star Star.
|
|
|
|
USA '81 (various, FM); 90 min; 9.5 s; "Time is on Our Side"/others
|
|
Seattle 10/15/81; 125 min; 8.5 s; "...More Than Ever"
|
|
Chicago 11/22/81 35 min; (Ex); "Sweet Home Chicago"
|
|
w/Muddy Waters;
|
|
Kansas City 12/1?/81; 145 min; 8.0 s; "Together At Last" (partly
|
|
w/Mick Taylor on third guitar)
|
|
Hampton, VA 12/18/81; 140 min; 10.0 s; "Hampton '81"/many others
|
|
|
|
(The Hampton and various FM broadcasts are avaliable on many
|
|
different LPs and CDs. As with the '78 broadcasts, different
|
|
versions of some songs are available. About two thirds of the tour
|
|
dates are available on vinyl. Hampton was a pay-per-view cable
|
|
special, and many bootleg videos circulate.)
|
|
|
|
The 1982 European tour was musically similar to the 1981 tour.
|
|
|
|
Typical set for 1982 European tour: Under My Thumb, When the Whip
|
|
Comes Down, Let's Spend the Night Together, Shattered, Neighbors,
|
|
Black Limousine, Just My Imagination, 20 Flight Rock, Going to a Go
|
|
Go, Chantilly Lace (first part of tour), Let Me Go, Time is on My
|
|
Side, Beast of Burden, Let It Bleed (first part of tour), You Can't
|
|
Always Get What You Want, Little T&A, Tumbling Dice, She's So Cold,
|
|
Hang Fire, Miss You, Honky Tonk Woman, Brown Sugar, Start Me Up,
|
|
Jumping Jack Flash, Satisfaction. Played infrequently: Angie.
|
|
|
|
Gothenburg, Sweden 6/19/82; 130 min; 8.0 m; "One More Time"
|
|
Gothenburg, Sweden 6/20/82; 85 min; 8.0 s; "Drinking and Dancing"
|
|
|
|
(About two thirds of the tour dates are available on vinyl.)
|
|
|
|
Due to tensions within the band, there was no touring again until 1989.
|
|
|
|
Outtakes are available for "Dirty Work."
|
|
|
|
"Dirty Work" outtakes 7-11/85; 69 min; (Ex-); "Dirtiest Work"
|
|
|
|
After much speculation if there would ever be another tour, the
|
|
Stones finally toured the US in 1989 in support of "Steel Wheels."
|
|
For the first time, most of the live material was not from the new
|
|
album. Each concert was a look back on their long career, and they
|
|
performed songs that had never been attempted live. The band also
|
|
used a much larger cast of supporting musicians than in the past.
|
|
The Stones "toured" Japan in February by playing in Tokyo for about
|
|
10 days.
|
|
|
|
Typical set for 1989 Steel Wheels US tour: Start Me Up, Bitch, Sad
|
|
Sad Sad, Undercover of the Night, Harlem Shuffle, Tumbling Dice,
|
|
Miss You, Ruby Tuesday, Play with Fire, Rock and a Hard Place, Mixed
|
|
Emotions, Honky Tonk Woman, Midnight Rambler, You Can't Always Get
|
|
What You Want, Little Red Rooster (not at all shows), Before They
|
|
Make Me Run or Can't Be Seen, Happy, Paint It Black, 2000 Light
|
|
Years from Home, Sympathy for the Devil, Gimme Shelter, It's Only
|
|
Rock and Roll, Brown Sugar, Satisfaction, Jumping Jack Flash.
|
|
Played infrequently: Shattered, Salt of the Earth, Dead Flowers,
|
|
One Hit to the Body, Angie, Almost Hear You Sigh, Terrifying.
|
|
|
|
Toronto 9/3/89; 95? min; (Ex); "Live in Toronto"
|
|
Dallas 11/11/89; 145 min; 8.5 m; "Texas Rangers"
|
|
Atlanta 11/21/89; 120 min; (Ex); "Back in Business"
|
|
LA 10/19/89; ??? min; (Ex); "Mixed Emotions"
|
|
Atlantic City 12/19/89; 150 min; 10.0 s; many CDs (frequently video)
|
|
Tokyo 2/26/90; 140 min; 10.0 s; "The Steel Wheels Performances"
|
|
|
|
The 1990 Urban Jungle Tour was musically similar to the Steel Wheels
|
|
tour. Typical set for Urban Jungle Tour: Start Me Up, Sad Sad Sad,
|
|
Harlem Shuffle, Tumbling Dice, Miss You, Almost Hear You Sigh, Ruby
|
|
Tuesday, Rock and a Hard Place, Mixed Emotions, Honky Tonk Woman,
|
|
Midnight Rambler, You Can't Always Get What You Want, Can't Be Seen
|
|
(3/4 of shows), or Before They Make Me Run (1/4 of shows), Happy,
|
|
Paint It Black, 2000 Light Years from Home, Sympathy for the Devil,
|
|
Street Fighting Man, Gimme Shelter, It's Only Rock and Roll, Brown
|
|
Sugar, Jumping Jack Flash, Satisfaction. Played infrequently:
|
|
Bitch, Angie, Dead Flowers, Factory Girl, Blinded by Love,
|
|
Terrifying, Little Red Rooster, I Just Wanna Make Love to You.
|
|
|
|
Basel, Switz. 6/27/90; 145 min; 7.5 s; "Basel '90"
|
|
London 7/7/90; 135 min; 10.0 s; "Seventh of July"
|
|
|
|
|
|
The author acknowledges that every living member and ex member of the
|
|
band has done some sort of solo project. Keith's solo tours of 1988
|
|
and 1992-93 have been heavily bootlegged, and Mick's tour of 1988 is
|
|
also fairly well represented. However, cataloging those releases is
|
|
beyond the scope of this guide. Plus, I don't collect that material.
|
|
|
|
|
|
Notes on collecting CDs:
|
|
|
|
As far as I know, European copyright laws have now changed so that
|
|
CDs which used to be unauthorized but legal in some countries are
|
|
now illegal in all countries. Apparently Phil Collins won a lawsuit
|
|
in Germany on October 20, 1993, which means that European artists
|
|
such as the Stones can prevent the manufacture and sale of
|
|
unauthorized CDs, at least in Europe. Of course there are plenty of
|
|
"underground" companies to fill the vacuum. Apparently formerly
|
|
legal companies such as The Swingin' Pig, Oh Boy, Living Legend,
|
|
Great Dane, Bulldog, WPOCM, The Genuine Pig, and others are now out
|
|
of business.
|
|
|
|
The best of these was the Swingin' Pig. Most of their CDs were
|
|
mastered from tapes, unlike some companies which used old records,
|
|
and they generally used the best available tape for a particular
|
|
show. On the downside, they sometimes overdid the noise
|
|
reduction, which made the music sound bassy and compressed.
|
|
|
|
Apparently Australia is now the way Europe used to be: Unauthorized
|
|
recordings may be released legally, provided royalties are paid.
|
|
I am unclear on the details of this.
|
|
|
|
Other companies don't bother with details like royalties; these
|
|
bootlegs are illegal in all countries. One of the best of these
|
|
labels is Scorpio, which seems to go by several different names.
|
|
Unlike most labels, they concentrate on studio outtakes, and have
|
|
actually put out "new" material. They still aren't above
|
|
dubbing some tracks off old records here and there, however.
|
|
|
|
The Vigatone label has produced only a few Stones CDs but they are
|
|
all excellent, from tapes. The Chameleon or "Chamelion" label is
|
|
also excellent.
|
|
|
|
"Terappin" or Terrapin label CDs are very hard to come by but are
|
|
mostly rare material in decent to good quality.
|
|
|
|
Japanese CDs on labels such as Digger Productions, Hot Lips Records,
|
|
Golden Hits Records, Alley Cat, and Idol Mind are generally hard to
|
|
come by in the US but often have rare material. The quality of these
|
|
varies widely. As of late 1993 onward, the Japanese have been the
|
|
only labels putting out previously unreleased material, even material
|
|
which was not in tape trading circles.
|
|
|
|
_Bibliography_
|
|
Basement News fanzines. Rodgau, Germany: Dieter Hoffmann
|
|
|
|
Hoffmann, Dieter. Das Rolling Stones Schwarzbuch (Black Book).
|
|
Vaihingen, Germany: New Media Verlag, 1987.
|
|
|
|
Hoffmann, Dieter. Rolling Stones--Das Weissbuch (White Book).
|
|
Winsen, Germany: New Media Records, 1991.
|
|
|
|
Live! Music Review, December 1993.
|
|
|
|
No Expectations fanzine. No. 9, January, 1992. Lerdala, Sweden:
|
|
Mats Jarl
|
|
|
|
Stember, Wilfried. The Rolling Stones Collector's File 2.
|
|
Dortmund, Germany: Stember, 1984.
|
|
|
|
Zentgraf, Nico. Collector's Delight or Collector's Disease?
|
|
Berlin, Germany: Zentgraf, 1992.
|
|
|